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‘FINAL DESTINATION: BLOODLINES’ co-director Zach Lipovsky explains the long process of creating one of the franchise’s death scenes “It has to be things that we’ve all experienced... how can you take that and make it so demented that you can never look at it the same way again?”

DiscussingFilm

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277,257 görüntüleme • 1 yıl önce •via X (Twitter)

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C⓸MMY profil fotoğrafı

C⓸MMY1 yıl önce

the concept of a room full of people talking about how to kill people with normal objects for years is so……..

Debayo 🌱 profil fotoğrafı

Debayo 🌱1 yıl önce

These writers wake up every morning thinking, “how can a toast machine kill today?”

kat profil fotoğrafı

kat1 yıl önce

That’s…..wowwww

Sassy profil fotoğrafı

Sassy1 yıl önce

It was super mind blowing

The ADHD Guy profil fotoğrafı

The ADHD Guy1 yıl önce

No spoilers, watching this tomorrow. Super excited

Jamo profil fotoğrafı

Jamo1 yıl önce

See you soon

EseF!GHTS profil fotoğrafı

EseF!GHTS1 yıl önce

Lipovsky.. Hard name tbh

RG | Chance profil fotoğrafı

RG | Chance1 yıl önce

this is gonna be killer...;)

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The stars of ‘FINAL DESTINATION: BLOODLINES’ tell us how difficult it was to film their death scenes. “It’s really, really technical... I’m hitting all these marks, there are only 3 fake arms, and we have a limited number of takes.”

The stars of ‘FINAL DESTINATION: BLOODLINES’ tell us how difficult it was to film their death scenes. “It’s really, really technical... I’m hitting all these marks, there are only 3 fake arms, and we have a limited number of takes.”

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‘FINAL DESTINATION: BLOODLINES’ co-director Adam Stein explains why misleading the audience is important in the franchise. “We had the shard of glass in the cup of ice... but they can’t just swallow the glass because that’s what you expect and that’ll be boring.”

‘FINAL DESTINATION: BLOODLINES’ co-director Adam Stein explains why misleading the audience is important in the franchise. “We had the shard of glass in the cup of ice... but they can’t just swallow the glass because that’s what you expect and that’ll be boring.”

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Director Aleshea Harris explains how she adapted her award-winning play ‘IS GOD IS’ into a film. “With the camera, there are so many things you can do that you can’t do on the stage. There’s a level of intimacy you can have with a character... so, I used that to my advantage.”

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No Musk it doesn't work that way. Once it is cancelled it has to go through the entire process to reopen again which can take months. Yes, there WAS interruption. It can take months to restart. The CBS video was from yesterday. You accidentally cancelled it remember without interruption. Not one child died you said? 👇

No Musk it doesn't work that way. Once it is cancelled it has to go through the entire process to reopen again which can take months. Yes, there WAS interruption. It can take months to restart. The CBS video was from yesterday. You accidentally cancelled it remember without interruption. Not one child died you said? 👇

Tracey Gallagher

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When the movie is so sad that you can never watch it again. Front Of The Class (2008)

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Pete Carroll explains how he responded in real time to the goal-line interception that ended the Seahawks’ Super Bowl “I asked them, 'how many guys think it's the greatest thing in the world to win the superbowl? Raise your hand.' A bunch of them raised their hand. Then I asked, 'how many think it's the greatest thing to come back and win it again?' They didn't know what to do with that..” “Show that you can do it again. Show that you’re real. Show that no matter what happens, you can still be you to the freaking moment.” “You guys were so mad at me. So pissed. Hurt. But that play just happened. It wasn’t by design. There was no foreshadowing. No intent. No agenda. That play just happened.” “We had one timeout. So as soon as we got to the goal line I'm saying, one of these plays, we’re going to have to throw it to get all four plays. I'm always trying to make sure we get all four shots.” “We run the first play, the Patriots were late and sent in the goal line team, we had already sent in '11', so we we're in '11' versus their goal line team. So that went through the play callers thought process. That's what led to throwing it on that down. If we gotta throw one of these downs, so we get all our chances...” “We had practiced it a million times. I was rock solid on the philosophy of it. It wasn’t by design. There was no agenda. It was just the way we had prepared. It was the worst play that could ever happen. It turned all of that so dark, so instantly.” “I thought, ‘I’ve got to take this.’ This is one of those moments that you prepare for. You’ve got to be the epitome of poise. Handle it. Deal with it. Own it.” “There’s nothing you can say that’s going to put it any other place. It was as catastrophic as any moment could be.”

Pete Carroll explains how he responded in real time to the goal-line interception that ended the Seahawks’ Super Bowl “I asked them, 'how many guys think it's the greatest thing in the world to win the superbowl? Raise your hand.' A bunch of them raised their hand. Then I asked, 'how many think it's the greatest thing to come back and win it again?' They didn't know what to do with that..” “Show that you can do it again. Show that you’re real. Show that no matter what happens, you can still be you to the freaking moment.” “You guys were so mad at me. So pissed. Hurt. But that play just happened. It wasn’t by design. There was no foreshadowing. No intent. No agenda. That play just happened.” “We had one timeout. So as soon as we got to the goal line I'm saying, one of these plays, we’re going to have to throw it to get all four plays. I'm always trying to make sure we get all four shots.” “We run the first play, the Patriots were late and sent in the goal line team, we had already sent in '11', so we we're in '11' versus their goal line team. So that went through the play callers thought process. That's what led to throwing it on that down. If we gotta throw one of these downs, so we get all our chances...” “We had practiced it a million times. I was rock solid on the philosophy of it. It wasn’t by design. There was no agenda. It was just the way we had prepared. It was the worst play that could ever happen. It turned all of that so dark, so instantly.” “I thought, ‘I’ve got to take this.’ This is one of those moments that you prepare for. You’ve got to be the epitome of poise. Handle it. Deal with it. Own it.” “There’s nothing you can say that’s going to put it any other place. It was as catastrophic as any moment could be.”

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Q: "How can we make sure that all the statements that you said were correct so we can trust what you say?" Elon Musk: "Some of the things that I say will be incorrect and should be corrected."

Q: "How can we make sure that all the statements that you said were correct so we can trust what you say?" Elon Musk: "Some of the things that I say will be incorrect and should be corrected."

CSPAN

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this immigrant is telling you, native american, than you can move anywhere in the world and you will never be one of them, all while telling you that anyone in the world can move to your home and be considered equal to one of you it is long past time they all go back

this immigrant is telling you, native american, than you can move anywhere in the world and you will never be one of them, all while telling you that anyone in the world can move to your home and be considered equal to one of you it is long past time they all go back

🅱️ete oaks

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VICE PRESIDENT VANCE: "If you care about this country, love it enough to get involved in the process and how we govern it. That is the only way we are going to save the United States of America, and that is perhaps the greatest contribution that you can make to Charlie Kirk's legacy."

VICE PRESIDENT VANCE: "If you care about this country, love it enough to get involved in the process and how we govern it. That is the only way we are going to save the United States of America, and that is perhaps the greatest contribution that you can make to Charlie Kirk's legacy."

Fox News

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Director Kristen Stewart discusses why she wanted to tell a true story of womanhood in ‘Chronology Of Water’ at the Deadline #Cannes2025 Studio: “It’s incredibly violent to be a woman. It’s really visceral. To take the pain and make it feel good, the only way you can do that is to reframe it and reword it”

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Adriana Chechik revealed that her public s3x fetish wasn’t just about making great art or creating memorable scenes. She explains that the truest part of it was seeing what her body could handle, pushing herself to the limit, and finding out how long she could last. Adriana says she found it powerful to be in a room full of men and still be the one ready to keep going, insisting that she was always the one in control of the experience and the vision behind it. “I like to push myself I like to see like how much d1ck can I take how long can I last and stuff like that and I think it's very powerful to take down a room of men or a group of people and then be the one that's still like I'm ready to go”

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Today, it is Phyna's sister. Yesterday, it was that final yr student from Akungba that was crushed to death by Dangote's truck on the day of his final paper. Tomorrow, it could be you. When you can, however you can - lend your voice. #DangoteIsNotGod #RegulateDangoteGroup

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