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FINALLY someone talked about how well engineered ARIRANG is. Arirang is genuinely one of the best engineered albums we've heard in years like every layer feels intentional. From the vocals, instruments, and production details blend together seamlessly without losing clarity. The sonic quality is just sooo rich and immersive... show more

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33,918 views • 2 months ago •via X (Twitter)

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🇰🇷 A 90-year-old Korean grandmother who survived the Japanese occupation of Korea and was later displaced was shown crying and dancing to “Arirang” during BTS “Body to Body” on #BTSLiveonNetflix. That moment holds a lifetime of history, grief, and memory. For many Korean people, “Arirang” is not just a song. It carries sorrow, longing, resilience, love, survival, and remembrance across generations. To see a Korean elder — someone who lived through occupation, loss, and displacement — moved to tears while dancing to it is profoundly emotional. It shows how deeply “Arirang” lives in the Korean spirit. As Taehyung (video with translations attached) said in his Weverse Live on March 21, “Arirang” lives in Korean blood. For Koreans, both 🇰🇵 North and 🇰🇷 South, whether you laugh, feel sadness, feel sorrow, or feel happiness, there is “Arirang.” Even in BTS: The Return on Netflix, BTS wrestled with how to carry Korean identity, history, and the weight of “Arirang” authentically in the album. Hoseok was one of the members pushing to keep “Arirang” part of “Body to Body.” That is why #BTS_ARIRANG feels so meaningful. It carries memory, truth, and history — with the authenticity Namjoon said it needed to have here.

🇰🇷 A 90-year-old Korean grandmother who survived the Japanese occupation of Korea and was later displaced was shown crying and dancing to “Arirang” during BTS “Body to Body” on #BTSLiveonNetflix. That moment holds a lifetime of history, grief, and memory. For many Korean people, “Arirang” is not just a song. It carries sorrow, longing, resilience, love, survival, and remembrance across generations. To see a Korean elder — someone who lived through occupation, loss, and displacement — moved to tears while dancing to it is profoundly emotional. It shows how deeply “Arirang” lives in the Korean spirit. As Taehyung (video with translations attached) said in his Weverse Live on March 21, “Arirang” lives in Korean blood. For Koreans, both 🇰🇵 North and 🇰🇷 South, whether you laugh, feel sadness, feel sorrow, or feel happiness, there is “Arirang.” Even in BTS: The Return on Netflix, BTS wrestled with how to carry Korean identity, history, and the weight of “Arirang” authentically in the album. Hoseok was one of the members pushing to keep “Arirang” part of “Body to Body.” That is why #BTS_ARIRANG feels so meaningful. It carries memory, truth, and history — with the authenticity Namjoon said it needed to have here.

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i think it’s been enough time & we can finally address this particular discourse, and i think there’s a healthy discussion we can have about it. i genuinely think a fully traditional rendition in 2026, by artists operating at a global pop level, would have changed how the project was received internationally. there’s a very real possibility it would’ve been boxed into “world music,” treated more like cultural exhibition than a modern musical statement, keeping in mind that Arirang Album is not for 'aesthetics' nor is it a history lesson. using 808s, trap production, pop structures, and english hooks while still centering Arirang was actually a significant artistic choice. historically, Arirang was the song of ordinary people. in today’s world, pop culture/pop music is the common language. using contemporary pop to carry that sentiment to millions of listeners across countries feels very aligned with the spirit of what Arirang represented in its own time. and ‘unapologetically korean’ does not have to mean “only in korean” or “frozen in tradition.” it can also mean Korean artists having full control over how their culture is presented, modernized, exported, and understood. i also think if they had leaned entirely into historical styling and traditional presentation, western media may have reduced it to a “cultural curiosity” instead of engaging with it as a current, competitive pop release. critics likely would’ve framed it as heritage performance before artistry. i am glad they chose this route for the album.

i think it’s been enough time & we can finally address this particular discourse, and i think there’s a healthy discussion we can have about it. i genuinely think a fully traditional rendition in 2026, by artists operating at a global pop level, would have changed how the project was received internationally. there’s a very real possibility it would’ve been boxed into “world music,” treated more like cultural exhibition than a modern musical statement, keeping in mind that Arirang Album is not for 'aesthetics' nor is it a history lesson. using 808s, trap production, pop structures, and english hooks while still centering Arirang was actually a significant artistic choice. historically, Arirang was the song of ordinary people. in today’s world, pop culture/pop music is the common language. using contemporary pop to carry that sentiment to millions of listeners across countries feels very aligned with the spirit of what Arirang represented in its own time. and ‘unapologetically korean’ does not have to mean “only in korean” or “frozen in tradition.” it can also mean Korean artists having full control over how their culture is presented, modernized, exported, and understood. i also think if they had leaned entirely into historical styling and traditional presentation, western media may have reduced it to a “cultural curiosity” instead of engaging with it as a current, competitive pop release. critics likely would’ve framed it as heritage performance before artistry. i am glad they chose this route for the album.

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Did you even listen to the members during Arirang Notes and other interviews? Do you really think you know better than them? This isn’t about choosing Come Over over Into the Sun or the other way around. Both deserve to be heard properly. We wanted Come Over to be included in the album as well, not just as a hidden track—we genuinely find it moving and truly a masterpiece. But that doesn’t mean another track should be pushed down or replaced. It’s about giving space to both songs without removing anything at all.

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UVU student pays respects at the site of the Charlie Kirk assassination, a year later: "It's hard to walk by here every day. This is kind of like a sacred spot to remember him, and just honor his legacy with reading scripture, and just remembering who he was." This is the way.

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