Sensitive content

This media may contain sensitive content.

正在加载视频...

视频加载失败

Fisting friday, nice and slow movements feels amazing #fisting #sextoy Fistingciadam EXTREME FISTING Doctor Fisting 🔞 FistingPlanet.com alves_fisting_gape

14,446 次观看 • 1 个月前 •via X (Twitter)

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

Bold lips. Brilliant confidence. Own every moment with Flova , Own Your Bold. 💄 Generated entirely on FlovaAI with skill of product commercials, bringing beauty campaigns to life with cinematic visuals. #FlovaAI #FlovaCPP | FlovaAI Japan Prompt : Create a cinematic 60-second luxury TV commercial for the makeup brand FLOVA in ultra-high resolution, photorealistic cinematic style, shot on 35mm film with rich color grading (deep reds, gold, soft skin tones, elegant black). Smooth camera movements, high-end fashion lighting, no text until the final card. Elegant orchestral + modern beat soundtrack that builds confidence. Soft confident female voiceover. 0-6s: Close-up of a woman’s hand slowly opening a luxurious matte black Flova box. Inside, the iconic Flova Red Lipstick and matching Red Nail Polish sit on black velvet. Soft golden light catches the packaging. Logo “FLOVA” is clearly visible. 6-14s: Extreme close-up of the red lipstick being twisted up. Perfect deep red bullet. She applies it in slow motion – clean, precise, glossy finish. Cut to fingers applying matching red nail polish in elegant strokes. Both products look rich and high-end. 14-24s: Quick glamorous montage: - Woman applies Flova mascara, lashes look long and defined - Soft highlighter on cheekbones creates a natural glow - She presses a Flova compact powder for flawless skin Camera moves smoothly between products and her face. Strong product branding throughout. 24-36s: The transformation reveal. She looks into a mirror. The camera pulls back to show a sophisticated woman in a black dress, perfect red lips and red nails, glowing skin. She walks confidently through a modern luxury apartment with large windows and soft light. Every movement feels powerful and elegant. 36-48s: She steps outside onto a city balcony at golden hour. Wind gently moves her hair. She smiles with quiet confidence. Slow-motion close-ups of her red lips and red nails catching the light. Other women notice and smile back – subtle empowerment moment. 48-55s: Final product hero shot. All Flova essentials arranged beautifully on a black marble surface: Red Lipstick, Red Nail Polish, mascara, highlighter, compact. Soft particles of light float around them. Voiceover: “Flova. Every essential. One bold statement.” 55-60s: Clean black end card. Centered elegant white Flova logo. Tagline appears: “Own Your Bold.” Below it in smaller text: “Discover the collection at flova .com”. Soft red glow fades in behind the logo. Style: Premium global TVC (Chanel / Dior level), strong branding on every product shot, clear advertising value, memorable message, flawless skin and product consistency, elegant and empowering mood. 16:9 cinematic aspect ratio, 24fps. Memorable Brand Message “Flova – Own Your Bold”

Ai Girllie

39,298 次观看 • 1 个月前

AI SHORT FILM - EL SALVADOR UPDATE #1: Day 1. We arrived Friday evening. We posted our announcement Friday afternoon. When we arrived, our tweet had already reached 20,000 views and the majority of the AI space supported the bold move. Then everything started aligning. We booked the Intercontinental Hotel in San Salvador and went to sleep. I personally expected the weekend would be slow and we would start meeting people on Monday. My main goal was to meet MURPHSLIFE . Murph is one of the most inspiring people on the planet. 50-100M views per month while building houses, businesses, and entire villages in El Salvador. We wanted to meet him because we believe seeing El Salvador through his eyes could help us tell the real story. We wake up Saturday morning, I have a DM from Murph himself saying: “I can’t meet today, there’s an AI conference that I will go to.” “AI conference?” A coincidence, you would say. “Where is this AI conference?” “In the Intercontinental Hotel.” Ok, game on. Where we thought things would be hard, everything was coming to us. The main guy we wanted to meet was in OUR HOTEL. We had an absolutely incredible day, got connected to everyone we wanted to get in contact with, and have an entire week lined up with meetings and content. The conclusion: This is an open world. You can meet whoever you want. Today we’re going to the Bitcoin conference to meet more inspiring people. We started writing the script of the video and will continue working on the storyboard as we go. More updates on the creation process of the video are coming soon. As of now - El Salvador is amazing, the energy feels like “a preparation phase.” You can really sense that they just came out of a very hard, unstable phase and the gratefulness is in the air. Now the next step is innovation, building, and educating the next generation. Our job for this video is to capture this feeling and translate it with the power of generative AI. We will succeed. This will be the first ever. See you soon. (This video was made right before we met MURPHSLIFE ) Who’s next? Nayib Bukele Jose Valdez 🇸🇻 Stacy Herbert 🇸🇻🚀 The Bitcoin Office

Amir D

14,216 次观看 • 9 个月前

Tylenol Facts “To the pregnant women downing Tylenol right now as a spite to Trump and RFK, I really highly urge you to do any lick of research — Tylenol has been involved in billions and billions of dollars worth of lawsuits since just the '90s for fetal abnormality, liver failure, neurological deficits in the unborn child. - Did you know that according to the National Institute of Health, over 50% of annual liver failures have a direct link to Tylenol? - Did you also know that over 20% of liver transplants every single year have a direct link to Tylenol as well? No, probably not, because again, there are a lot of things your doctors do not tell you, and way too many lawsuits have been targeted at J&J for this very reason. Trump did not say, "If you take Tylenol, you're gonna give your baby autism." He didn't say, "Stop taking Tylenol." He didn't say, "We're taking Tylenol off the shelf." He said, verbatim, "You have the choice to take whatever you want. Just do it with your doctor and be cautious," and that angers some of you so much that even with scientific evidence from over 10 reputable medical universities, some of the best in the world Our own health institutes also citing data as to how Tylenol has historically been incredibly dangerous, and that J&J has failed to disclose these issues, you will still call Trump incompetent and wrong. No, you shouldn't take medical advice from anyone that doesn't have a medical degree or isn't a scientist or isn't a researcher. But there might be a reason that all of these reputable institutions have not only done these studies for numerous decades now, but have also had specific findings. There's also a reason that Tylenol is one of the most common poisonings in our country every single year, because even under doctor's advice, and even if you take the perfect dosage, it's incredibly easy to overdose. And because of this, way too many people have. Again, one of the most common poisonings every single year. There also might be a reason that the NIH is telling you, "Hey, it can do a lot of damage. Please be careful." That has nothing to do with Trump, and just because Trump is the one saying it and you hate him doesn't mean you should discredit everything else, and it doesn't mean that if you are pregnant, you should go fisting a bottle of Tylenol. That is absurd. If you hate Trump more than you love your baby, that is something you need to sort out with a therapist, not take Tylenol for. But you've made it clear that you don't care about the unborn anyway, because according to you, it's just a worthless clump of cells, right? So why would you even care what Trump would say about pregnancy and autism anyway?”

Wall Street Apes

208,891 次观看 • 11 个月前

'It was horrible to watch': Saskatchewan students speak out on explicit drag field trip The corrupt, lazy mainstream media sold Little Red Warrior and His Lawyer at the Globe Theatre as a 'trickster fable' to the public. If the permission slips that went home to Saskatchewan parents for an end-of-year field trip were accurate, they would have said: Do you give your permission for your child to attend a production that contains subject matter not appropriate for public consumption? The production included scenes depicting: -Explicit, sexually graphic content -Glorification of violence -Promotion of hatred against an identified group Explicitly sexualized themes, including simulations of intercourse, straddling, fisting, dry humping, grinding, extra marital affairs, threesomes, pregnancy as a result of the threesome, cuckholding, foot worship, bondage and dominance, erotic dancing, nymphomania and fetishism, pregnancy degradation, and implied physical child abuse of an infant -Objectification of women, including white women, female lawyers, Premier Danielle Smith and Queen Elizabeth II as deviant sexual objects Glorification of Binge drinking, roofying, and psychedelics -Anti-development, anti-oil, anti-western culture sentiments -But that's not what the permission slip said. Not even close. The corrupt, lazy mainstream media sold Little Red Warrior and His Lawyer at the Globe Theatre as a "trickster fable" to the public. Regina Public Schools and the Globe Theatre now blame each other while simultaneously claiming to have done nothing wrong. Now, as always, Rebel News is pleased to tell the other side of the story — including insights from five of the brightest, most thoughtful and engaged young people from Saskatchewan. They're a good sampling of the 400-some students from 14 classrooms who were exposed — without their or their parents' consent or knowledge — to the drag queen field trip. Although they're all 18, in order to safeguard their dignity and privacy — something Regina Public Schools couldn't manage — as well as due to the sensitivity of the subject matter, Rebel News has obscured their identities. What they and 395 of their classmates did was extraordinary. They turned what was supposed to be an innocent field trip into an international media event. Close to 400 brand new baby independent journalists were born that day; that's something to be proud of. They reveal everything. Not only do they lay waste to the official statements offered by Regina Public Schools and the Globe Theatre, but they add much-needed context to the 10-second drag queen video we all saw last week They were intelligent, intuitive, and thoughtful beyond their years, describing the field trip, the play and the worldwide attention as they experienced it.
22:55

Sensitive content

'It was horrible to watch': Saskatchewan students speak out on explicit drag field trip The corrupt, lazy mainstream media sold Little Red Warrior and His Lawyer at the Globe Theatre as a 'trickster fable' to the public. If the permission slips that went home to Saskatchewan parents for an end-of-year field trip were accurate, they would have said: Do you give your permission for your child to attend a production that contains subject matter not appropriate for public consumption? The production included scenes depicting: -Explicit, sexually graphic content -Glorification of violence -Promotion of hatred against an identified group Explicitly sexualized themes, including simulations of intercourse, straddling, fisting, dry humping, grinding, extra marital affairs, threesomes, pregnancy as a result of the threesome, cuckholding, foot worship, bondage and dominance, erotic dancing, nymphomania and fetishism, pregnancy degradation, and implied physical child abuse of an infant -Objectification of women, including white women, female lawyers, Premier Danielle Smith and Queen Elizabeth II as deviant sexual objects Glorification of Binge drinking, roofying, and psychedelics -Anti-development, anti-oil, anti-western culture sentiments -But that's not what the permission slip said. Not even close. The corrupt, lazy mainstream media sold Little Red Warrior and His Lawyer at the Globe Theatre as a "trickster fable" to the public. Regina Public Schools and the Globe Theatre now blame each other while simultaneously claiming to have done nothing wrong. Now, as always, Rebel News is pleased to tell the other side of the story — including insights from five of the brightest, most thoughtful and engaged young people from Saskatchewan. They're a good sampling of the 400-some students from 14 classrooms who were exposed — without their or their parents' consent or knowledge — to the drag queen field trip. Although they're all 18, in order to safeguard their dignity and privacy — something Regina Public Schools couldn't manage — as well as due to the sensitivity of the subject matter, Rebel News has obscured their identities. What they and 395 of their classmates did was extraordinary. They turned what was supposed to be an innocent field trip into an international media event. Close to 400 brand new baby independent journalists were born that day; that's something to be proud of. They reveal everything. Not only do they lay waste to the official statements offered by Regina Public Schools and the Globe Theatre, but they add much-needed context to the 10-second drag queen video we all saw last week They were intelligent, intuitive, and thoughtful beyond their years, describing the field trip, the play and the worldwide attention as they experienced it.

Rebel News Canada

22,238 次观看 • 3 个月前

Gpt image 2 + Seedance 2.5 on Higgsfield Prompt: 30-SECOND CINEMATIC SHORT Create a 30-second cinematic sequence with the visual discipline of a major feature film. The world is entirely made from paper, cardboard, ink, and delicate handcrafted materials. 00:00–00:05 — THE FIRST FOLD Begin with an extreme macro shot of a blank sheet of textured paper. A single fold slowly forms across its surface. Lens: 100mm macro Camera: Completely static Soft daylight moves across the paper as the fold continues. Cut precisely as the paper reaches its final shape. 00:05–00:11 — THE CITY EMERGES Transition into a 50mm shot. The folded paper begins forming miniature streets and architectural structures. Buildings rise naturally from the surface through carefully constructed paper folds. The camera slowly tracks sideways. Tiny windows catch the light. Nothing feels computer-generated; every surface should have believable paper fibers, folds, shadows, and imperfections. 00:11–00:17 — THE REVEAL Move into a 35mm shot. The camera pulls backward. The small arrangement is revealed as an enormous handcrafted paper city stretching across a large table. Roads connect different districts. Bridges cross miniature rivers. Paper trees move gently from an unseen breeze. 00:17–00:23 — MORNING Transition into a slow overhead crane shot. Warm sunlight gradually spreads across the paper city. Shadows from the buildings become longer and more defined. Tiny paper windows begin reflecting the sunlight. The camera continues rising, revealing the geometric relationship between the streets and buildings. 00:23–00:27 — THE DETAIL Cut to an 85mm close-up. Focus on a tiny paper clock mounted on one building. The clock moves forward by one minute. Rack focus from the clock to the miniature skyline behind it. 00:27–00:30 — FINAL IMAGE Return to an extreme wide shot. The entire paper city sits beneath a large studio window. The morning light completely fills the miniature world. Camera slowly pulls backward until the city becomes a small object within the larger room. Fade to black. CINEMATOGRAPHY Large-format feature-film aesthetic. 100mm macro for texture. 85mm for detail. 50mm for natural perspective. 35mm for environmental shots. Controlled dolly and crane movements. Realistic depth of field. Natural focus transitions. Soft motion blur. Subtle lens imperfections. No artificial camera shake. MATERIAL DIRECTION Every surface must visibly behave like physical paper. Visible paper fibers. Natural folds. Tiny imperfections. Soft cardboard edges. Realistic contact shadows. Believable paper thickness. Natural material deformation. LIGHTING Soft morning daylight. Large window as the primary source. Natural bounce light. Gentle shadows. Subtle warm highlights. No artificial neon effects. No excessive visual effects. CONTINUITY The same paper city throughout the entire sequence. Buildings maintain identical shapes and positions. Roads remain connected. Paper materials remain consistent. No random transformations. No flickering. No duplicated structures. No sudden environmental changes. DIRECTOR’S NOTE Treat this as a miniature feature film, not a visual-effects demonstration. The camera should discover the world gradually. Start intimate. Reveal scale. Return to detail. Finish wide. The audience should feel that they are watching a real handcrafted world photographed with a cinema camera. Photorealistic 4K • tactile materials • feature-film cinematography • sophisticated lighting • realistic miniature photography • cinematic depth • precise camera movement • seamless visual continuity.

K

21,742 次观看 • 15 天前

As promised... Putting the pieces together. They will yield under the weight of the evidence. Tracked the speed, matched it with a conventional device. Replicated the density of human flesh, replicated the characteristics of human flesh. Matched the projectiles weight and size and replicate the wound we witnessed. Without the neck wound the prepared narrative of a .30-06 shot to the chest would have been perfect. The 2 gram PETN shaped charge with a 2cm standoff height would have made a entry wound nearly identical to a .30-06 entry wound. The wound channel and internal trauma would have match what would have been expected. The copper and cone would have even left fragmentation if desired. Every aspect of the event would have perfectly match a .30-06 shot to the chest. Nobody could have guessed that shrapnel would strike his neck forcing a hard pivot away from a single shot to the chest to a single shot to the neck. The neck wound has none of the characteristics of a .30-06 impact, his physical reactions (Key Physical Reactions Observed The video (duration ~25 seconds, slowed for clarity) depicts a sequence of involuntary movements occurring in under 3 seconds post-event. Here's a chronological breakdown: Initial Trigger (0-0.5 seconds post-onset): The individual's head snaps backward sharply (retroflexion), with minimal forward lean or lateral tilt. His torso briefly lifts upward from the chair (paraspinal muscle spasm), despite being seated and leaning slightly forward. This creates a momentary "arch" in the spine, elevating the shoulders ~2-3 inches off the backrest. No immediate external propulsion (e.g., no visible "push" from behind or side), suggesting an internal or proximal force vector originating near the upper torso/neck. Upper Body Response (0.5-1.5 seconds): Arms flex rigidly at the elbows and adduct toward the midline (drawing inward across the chest/abdomen), with hands clenching into tight fists. This is not a protective flail or grasp but a sustained, unnatural rigidity. The neck shows a subtle "pop" or fabric disturbance at the collar level, followed by the necklace chain whipping upward and over the head—consistent with a localized explosive expansion rather than general air displacement. Lower Body Response (1-2 seconds): Legs extend forcefully forward and outward from a relaxed seated position, with knees locking and feet plantar-flexing (toes pointing downward). The thighs lift the pelvis slightly, contributing to the torso elevation. There's a brief crossing or scissoring of the lower legs, which resolves into limp collapse. Collapse Phase (2-3 seconds onward): The body slumps laterally out of the chair in a ragdoll-like manner, with total loss of postural tone. Arms remain semi-flexed but drop without resistance, and the head lolls forward unnaturally. No voluntary recovery attempts (e.g., no bracing with hands or vocalization beyond a gasp), and bystanders' reactions lag by ~1 second, indicating the event's rapidity. These movements are highly stereotyped and non-voluntary—far from a simple faint, trip, or even a standard gunshot flinch. The symmetry (bilateral arm/leg involvement) and speed rule out focal motor issues like a stroke. Biomechanical Explanation Neurological Basis: This sequence matches decorticate posturing (also called decorticate rigidity), a primitive reflex triggered by severe disruption to the brain's cerebral cortex while sparing deeper structures like the midbrain and pons. It's a brainstem-mediated response to protect vital functions during acute cerebral insult. Arm flexion/adduction and fisting: Caused by disinhibition of rubrospinal tracts, leading to flexor dominance in the upper limbs. Leg extension: Vestibulospinal tracts activate extensors in the lower body for "postural support" in a collapsing state. Torso lift and head retroflexion: Paraspinal (erector spinae) spasm from sudden sympathetic surge and vestibular overload, akin to an "agonal" (end-stage) reflex. Force Dynamics: The lack of external blast markers (e.g., no widespread debris scatter or hair whipping from wind) but presence of localized effects (collar disturbance, chain ejection) points to a contained pressure wave. Gases expand rapidly in a confined space (e.g., between skin and clothing), creating shear forces that propagate through tissues without much external venting. The body's center of mass shifts posteriorly due to the spasm, explaining the backward fall from a seated position. Physiological Cascade: The entire reaction implies near-instantaneous loss of consciousness ( 5 seconds) and lacks the explosive torso lift. Blunt Trauma: Wouldn't cause bilateral rigidity or such rapid desanguination patterns. Secondary Blast (Shrapnel): Possible contributor (e.g., micro-fragments from the device), but the primary wave dominates the neuro response. In summary, this isn't a "fall" or "shot"—it's a textbook neurogenic collapse from blast wave neurotrauma, pointing to an improvised explosive device (IED) in intimate contact. The precision suggests targeted assassination tech, not random violence.

Jon Bray

26,913 次观看 • 9 个月前