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Fisting myself so deep it’s dripping everywhere 👊💦 Full length video 👇 🔗 #MasturbatingMonday #HandPlay #DeepInsertion #Fetish #NSFW #AnalFisting #StretchingPlay #analgapes XtremeHoles

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Valentynexx 🍑

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12,678 Aufrufe • vor 2 Monaten •via X (Twitter)

NSFW#MasturbatingMonday#HandPlay#DeepInsertion#Fetish#NSFW#AnalFisting#StretchingPlay#analgapes
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It’s not the fetish I see all the time men who like feet thinking that their biggest issue is the fetish itself. 👇 But from everything I keep hearing, that is not the deepest problem. Most likely it is the loop they built around it. We’re talking here about a loop of shame. Of secrecy. Of emotional dependence and private relief followed by feeling even worse afterward. That is why this can start affecting much more than your sex life. It leaks into your confidence, your self-respect, your motivation, your social ease, and the way you feel about yourself when nobody is watching. This is why so many people are not really asking, “How do I stop being so horny, or so obsessed with feet?” What they are really asking is, “Why does this keep pulling me back even when I want something better for myself?” See, that is a much better question that leads to a much deeper answer. The full video is on YouTube: “Your Fetish Isn’t the Real Problem. The Shame Loop Is.” And comment “TRUTH” if this hit something real in you.
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It’s not the fetish I see all the time men who like feet thinking that their biggest issue is the fetish itself. 👇 But from everything I keep hearing, that is not the deepest problem. Most likely it is the loop they built around it. We’re talking here about a loop of shame. Of secrecy. Of emotional dependence and private relief followed by feeling even worse afterward. That is why this can start affecting much more than your sex life. It leaks into your confidence, your self-respect, your motivation, your social ease, and the way you feel about yourself when nobody is watching. This is why so many people are not really asking, “How do I stop being so horny, or so obsessed with feet?” What they are really asking is, “Why does this keep pulling me back even when I want something better for myself?” See, that is a much better question that leads to a much deeper answer. The full video is on YouTube: “Your Fetish Isn’t the Real Problem. The Shame Loop Is.” And comment “TRUTH” if this hit something real in you.

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[ENG SUB] How Are You Feeling? EP.3 — #JimmySea 💜🩵 JIMMYSEA HOW ARE YOU #jimmyyjp #sea_tawinan #HowAreYouFeeling JimmySea sits down for a raw, heart-to-heart conversation with P’Ja and P’Tong (Psychologist). This episode touches on: 🤍 Reflections after the Fancon 🤍 Jimmy’s perfectionist mindset 🤍 Sea’s trust issues 🤍 Jimmy’s PTSD 🤍 Sea’s secret artwork 🤍 Personality differences 🤍 The balance between Eagle and Mouse 🤍 How well they understand each other 🤍 Feelings they want to share A space filled with sincerity, vulnerability, and quiet comfort. —— my New Year’s gift for you all 💝🥰 I found myself crying again while working on this episode. 😭 I’m really thankful that P’Ja invited JS again to her new show. Thanks to her, we were able to hear such raw, vulnerable, and sincere thoughts from them. Learned more about them, both as individuals and as a pair. 💜🩵 It’s another hour-long video that I finally managed to sub successfully. Yay!! 🥳 Proud of myself! 😁 For deep-talk videos like this, the process is especially time-consuming, just 5 minutes of it can take nearly an hour to translate, type, edit, and properly research. After that comes QC for the entire video. On top of that, the subbing app didn’t cooperate and frustrated me so much. 😭 Some thought it could be released in just a couple of days, but I was also working a full-time job, so I didn’t have many hours each day to work on it. There were nights I was so exhausted that I fell asleep with my iPad literally on my face. 😅 I’m doing this purely out of love for JS, and as a way to unwind and relieve stress after work, not to stress myself out even more lol. So pls be patient next time and try not to ask me when. 🥹 Thank you and enjoy! 😊🤍
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What does the Pain Cave look like? It looks like Powerline Climb at mile 80 of Leadville, with pitches over 20% grade at nearly 11,000 feet altitude. What does it sound like? For me, it sounds like Megan saying “I am so proud of you” over and over. Before last year, every Leadville record attempt was scuttled around Powerline. It’s just so hard to run that high for that long, and the GOATs of the past are the GOATs for a reason (even if they didn’t have our advantages of high carb, bicarb, and plated shoes). In 2024, I barely survived the climb, almost passing out at the top. In 2025, though, I had a not-so-secret secret: Megan is the best coach in the world. She started pacing me at mile 77, and I went silent. I knew the Pain Cave was coming. It’s dark. It’s scary. It’s where I failed so emphatically at Western States. Megan’s voice filled the silence. “I’m so proud of you.” “I love you.” “We’re making history.” “I”m just talking, don’t respond.” I went stealth mode before the race, only telling a few loved ones that I was doing it. My goal was to absolutely obliterate myself, and to share love while doing it. Or, as Megan told me before the start line: “time to redecorate the Pain Cave.” So what does the Pain Cave feel like? The easiest way to describe it is a deep part of your brain screams STOP STOP STOP, a signal from billions of years of evolution. It feels more reptile than human. Megan countered that screaming with love. She bedazzled the the Pain Cave. We put 7+ minutes on my 2024 ghost in the final 23 miles (and infinity minutes on my Western States ghost, who is still panicking somewhere outside Foresthill). 100 milers will always be a trip into the Pain Cave. Megan helped me rediscover that the blood and tears that inevitably splatter all over the walls can be used to paint a big, bright heart ❤️ Coach Vince Lombardi famously said that “Winning isn’t everything. It’s the only thing.” Utter BS. I have the best coach in the world, and she taught me the truth: “Love isn’t everything. It’s the only thing.” ♥️💜💙🧡 Video by brilliant Director Cody Bare! Full documentary coming in September!

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👇 A lot of foot-lovers assume that saving, hoarding, downloading, and collecting porn or fetish content is just about being extra horny or obsessed. But sometimes it goes deeper than that, because the saving behavior becomes emotional. How? Well, it creates the feeling of having something. Holding onto something. Controlling something. Returning to something that will not judge, or reject you. That is why it can become so sticky. Because now it is not just about stimulation. Now it is your structure. Comfort. Predictability. And most importantly, relief. And when your inner world feels lonely, uncertain, or chaotic, that secret private vault can start feeling safer than real life. But that safety is just an illusion. And it comes at a cost. Because the more dependent you become on that hidden world, the weaker and less confident you often feel in the real one. And we both know what you really want is real, felt, embodied connection. Much more than just quick relief. This is why surface-level advice does not go deep enough. If you do not understand what the habit is doing for you emotionally, you will keep misunderstanding why it is so hard to let go. And you will stay stuck, thinking you’re just helpless. Comment “SAVE” if this part hit hard. Watch the full video on YouTube: “Your Fetish Isn’t the Real Problem. The Shame Loop Is.” What looks sexual is often emotional.
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👇 A lot of foot-lovers assume that saving, hoarding, downloading, and collecting porn or fetish content is just about being extra horny or obsessed. But sometimes it goes deeper than that, because the saving behavior becomes emotional. How? Well, it creates the feeling of having something. Holding onto something. Controlling something. Returning to something that will not judge, or reject you. That is why it can become so sticky. Because now it is not just about stimulation. Now it is your structure. Comfort. Predictability. And most importantly, relief. And when your inner world feels lonely, uncertain, or chaotic, that secret private vault can start feeling safer than real life. But that safety is just an illusion. And it comes at a cost. Because the more dependent you become on that hidden world, the weaker and less confident you often feel in the real one. And we both know what you really want is real, felt, embodied connection. Much more than just quick relief. This is why surface-level advice does not go deep enough. If you do not understand what the habit is doing for you emotionally, you will keep misunderstanding why it is so hard to let go. And you will stay stuck, thinking you’re just helpless. Comment “SAVE” if this part hit hard. Watch the full video on YouTube: “Your Fetish Isn’t the Real Problem. The Shame Loop Is.” What looks sexual is often emotional.

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Project Constitution

30,079 Aufrufe • vor 4 Monaten

This video isn’t for most people they’ll say it’s anti semitic unhinged and pure hate because it’s about time travel and the inevitable outcome of good and evil. But if it’s for you, you aren’t alone. From all my deplatformings and what I’ve seen I assume anyone with large public visibility is full of shit. I watched “them” kick my wife off airbandb and fire my mom. That being said….maybe I’m still easy to fool because deception and immorality on a long enough time scale is a horrible idea, so I naturally assume benevolence. I’ve had to force myself to see the wickedness in people. Ok…this may sound gay. But I think Candace Owens may be a real person. MILO told me she is, and although he’s a good hearted snake who has a folder on everyone, his judgment is solid. I always make fun of her for dating her husband a week on a zoom before getting engaged because that sounds objectively crazy. But I heard her admit that it obviously sounds crazy but it’s just how it happened. All I ever ask of people is they acknowledge reality. Like if Ben Shapiro was like “yes my head wobbles while I talk and I have evil dead eyes but deep down I’m cool” that would go a long way in my book. Anyway….Im really really pumped she’s talking about the darpa time travel shit. I had a chip on my shoulder when it was just the stuff we all got kicked off YouTube for as she’s “gaining new ground.” But I’m now genuinely pumped about the stuff she’s talking about and maybe I just want it to be true, but maybe she actually figured out how to do it on YouTube. The lie detection and vibe meter of a black female with a super rich mellow polite British guy may have cracked the code. Maybe he’s not gay maybe he’s just THAT fucking British.
5:14

Sensitive content

This video isn’t for most people they’ll say it’s anti semitic unhinged and pure hate because it’s about time travel and the inevitable outcome of good and evil. But if it’s for you, you aren’t alone. From all my deplatformings and what I’ve seen I assume anyone with large public visibility is full of shit. I watched “them” kick my wife off airbandb and fire my mom. That being said….maybe I’m still easy to fool because deception and immorality on a long enough time scale is a horrible idea, so I naturally assume benevolence. I’ve had to force myself to see the wickedness in people. Ok…this may sound gay. But I think Candace Owens may be a real person. MILO told me she is, and although he’s a good hearted snake who has a folder on everyone, his judgment is solid. I always make fun of her for dating her husband a week on a zoom before getting engaged because that sounds objectively crazy. But I heard her admit that it obviously sounds crazy but it’s just how it happened. All I ever ask of people is they acknowledge reality. Like if Ben Shapiro was like “yes my head wobbles while I talk and I have evil dead eyes but deep down I’m cool” that would go a long way in my book. Anyway….Im really really pumped she’s talking about the darpa time travel shit. I had a chip on my shoulder when it was just the stuff we all got kicked off YouTube for as she’s “gaining new ground.” But I’m now genuinely pumped about the stuff she’s talking about and maybe I just want it to be true, but maybe she actually figured out how to do it on YouTube. The lie detection and vibe meter of a black female with a super rich mellow polite British guy may have cracked the code. Maybe he’s not gay maybe he’s just THAT fucking British.

Owen Benjamin 🐻

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🚀 Episode 33 of Future Link Podcast just landed and it’s a deep dive you won’t want to miss! Ever wondered exactly how Starlink delivers crazy-fast internet from space? I break it all down — the phased array antennas in your terminal that track satellites electronically at lightning speed, the laser inter-satellite links zipping data between thousands of spacecraft like a high-speed mesh highway in orbit, and how the whole system actually works end-to-end! 🛰️⚡💡 We cover real-world impact too: its lifesaving role in Ukraine, powering seamless connectivity on cruise ships across the oceans, bringing home-like Wi-Fi to airlines at 35,000 feet, rapid disaster response when everything else fails, and so much more. Plus I share my take as a Neuralink user on the incredible future opportunities ahead — direct-to-cell, Mars connectivity, and how these technologies unlock even more human potential! 🌍✨ Watch the full detailed episode right here on X 👀 YouTube link with the complete video in the first reply! What blew your mind the most — the laser links, the phased arrays, or the real-world stories? Drop your thoughts below, I read every comment! 👇 Starlink SpaceX Elon Musk Neuralink
14:59

🚀 Episode 33 of Future Link Podcast just landed and it’s a deep dive you won’t want to miss! Ever wondered exactly how Starlink delivers crazy-fast internet from space? I break it all down — the phased array antennas in your terminal that track satellites electronically at lightning speed, the laser inter-satellite links zipping data between thousands of spacecraft like a high-speed mesh highway in orbit, and how the whole system actually works end-to-end! 🛰️⚡💡 We cover real-world impact too: its lifesaving role in Ukraine, powering seamless connectivity on cruise ships across the oceans, bringing home-like Wi-Fi to airlines at 35,000 feet, rapid disaster response when everything else fails, and so much more. Plus I share my take as a Neuralink user on the incredible future opportunities ahead — direct-to-cell, Mars connectivity, and how these technologies unlock even more human potential! 🌍✨ Watch the full detailed episode right here on X 👀 YouTube link with the complete video in the first reply! What blew your mind the most — the laser links, the phased arrays, or the real-world stories? Drop your thoughts below, I read every comment! 👇 Starlink SpaceX Elon Musk Neuralink

Bradford G Smith (Brad)

19,949 Aufrufe • vor 1 Monat

YOU ARE THE NEWS NOW This phrase appears 18 times in the Q drops. Understand this and you might see why, in just two months, Nick Shirley has become the greatest journalist in the world - at just 23 years old. Odd, right? We’re witnessing something bigger than it seems. A 23-year-old, Nick Shirley, is being spotlighted as if he’s the only one exposing fraud in a nation of over 360 million people. Think about that. We know nothing in the MSM is organic, this included. So why? Simple - to expose how the mainstream media filters truth. Maybe the real story is how media attention is being leveraged to wake us up. It’s not deception, it’s 5th generation warfare being used to correct the record. Let’s look at the timeline: points: •On November 13, 2025, at Mar-a-Lago, I sat at a table next to Nick Shirley as James O’Keefe awarded him “Citizen Journalist of the Year.” •Within a month, his viral video on Somali daycare fraud took off. •Now, he’s everywhere—exposing Medicare fraud, voter roll fraud, even homelessness fraud in rapid succession. The type of deep investigative journalism that requires years of research and a team of people to complete. •At just 23, with major outlets like Fox News spotlighting him, this scale of exposure is highly unusual. •Is it “crazy” to theorize this could be a psyop by the White Hats —using him to reveal the media’s failure to tell the full truth? •They’re focusing on this one young guy, almost as if to highlight how unusual it is that we aren’t seeing more. Are we being shown a mirror of what we’re missing? 5GW Question the narrative—and why the spotlight is framed this way.
4:42

YOU ARE THE NEWS NOW This phrase appears 18 times in the Q drops. Understand this and you might see why, in just two months, Nick Shirley has become the greatest journalist in the world - at just 23 years old. Odd, right? We’re witnessing something bigger than it seems. A 23-year-old, Nick Shirley, is being spotlighted as if he’s the only one exposing fraud in a nation of over 360 million people. Think about that. We know nothing in the MSM is organic, this included. So why? Simple - to expose how the mainstream media filters truth. Maybe the real story is how media attention is being leveraged to wake us up. It’s not deception, it’s 5th generation warfare being used to correct the record. Let’s look at the timeline: points: •On November 13, 2025, at Mar-a-Lago, I sat at a table next to Nick Shirley as James O’Keefe awarded him “Citizen Journalist of the Year.” •Within a month, his viral video on Somali daycare fraud took off. •Now, he’s everywhere—exposing Medicare fraud, voter roll fraud, even homelessness fraud in rapid succession. The type of deep investigative journalism that requires years of research and a team of people to complete. •At just 23, with major outlets like Fox News spotlighting him, this scale of exposure is highly unusual. •Is it “crazy” to theorize this could be a psyop by the White Hats —using him to reveal the media’s failure to tell the full truth? •They’re focusing on this one young guy, almost as if to highlight how unusual it is that we aren’t seeing more. Are we being shown a mirror of what we’re missing? 5GW Question the narrative—and why the spotlight is framed this way.

NewsTreason Channel 17

19,795 Aufrufe • vor 4 Monaten

‼️EXPOSED: Mike Evans Just ADMITTED the Quiet Part Out Loud—Friends of Zion MOBILIZED 1,000 Pastors to Run PSYOPS Against Tucker, Candace & ANYONE Anti-Israel 😱 Candace Owens has been right from the beginning about Operation Mocking Pastor — and now we have the receipts. Mike Evans, founder and head of Friends of Zion (a major pro-Israel evangelical network with deep ties to Netanyahu for over 45 years), openly admitted they mobilized 1,000 pastors to travel to Israel and then unleashed them on social media to counter “anti-Israel narratives.” In this article he specifically admits to launching coordinated campaigns targeting Tucker Carlson, and Evans bragged about getting 138 million views while attacking critics. This is exactly what Candace Owens has been exposing: a network of pastors acting as operatives, repeating the exact same talking points, and smearing anyone who questions endless foreign entanglements or the official narratives. And guess who just so happens to be the official spokesperson for Friends of Zion? Andrew Kolvet — the same guy constantly platformed to defend the fed-slop Charlie Kirk story. All roads keep leading back to the same circle. Share this everywhere — the network is being exposed in real time. 🇺🇸 Special thanks to MIA for the research for this post. She is the best and everyone please FOLLOW her! FULL ARTILE LINKED BELOW IN THE COMMENTS👇 ⚠️My channel is under coordinated attack to stop my investigation into the Charlie Kirk assassination. If you believe in independent journalism and want the truth to keep coming, your support right now is everything.💪 🔗 CC: Buckley Carlson
4:20

‼️EXPOSED: Mike Evans Just ADMITTED the Quiet Part Out Loud—Friends of Zion MOBILIZED 1,000 Pastors to Run PSYOPS Against Tucker, Candace & ANYONE Anti-Israel 😱 Candace Owens has been right from the beginning about Operation Mocking Pastor — and now we have the receipts. Mike Evans, founder and head of Friends of Zion (a major pro-Israel evangelical network with deep ties to Netanyahu for over 45 years), openly admitted they mobilized 1,000 pastors to travel to Israel and then unleashed them on social media to counter “anti-Israel narratives.” In this article he specifically admits to launching coordinated campaigns targeting Tucker Carlson, and Evans bragged about getting 138 million views while attacking critics. This is exactly what Candace Owens has been exposing: a network of pastors acting as operatives, repeating the exact same talking points, and smearing anyone who questions endless foreign entanglements or the official narratives. And guess who just so happens to be the official spokesperson for Friends of Zion? Andrew Kolvet — the same guy constantly platformed to defend the fed-slop Charlie Kirk story. All roads keep leading back to the same circle. Share this everywhere — the network is being exposed in real time. 🇺🇸 Special thanks to MIA for the research for this post. She is the best and everyone please FOLLOW her! FULL ARTILE LINKED BELOW IN THE COMMENTS👇 ⚠️My channel is under coordinated attack to stop my investigation into the Charlie Kirk assassination. If you believe in independent journalism and want the truth to keep coming, your support right now is everything.💪 🔗 CC: Buckley Carlson

Project Constitution

20,757 Aufrufe • vor 1 Monat

🚨MUST WATCH: JIMMY DORE Just SHOUTED OUT My Post Exposing The SHOCKING GAG ORDER In CHARLIE KIRK'S ASSASSINATION TRIAL—Massive 1A VIOLATION Holy smokes, Jimmy Dore just dropped a AWESOME segment on "The Jimmy Dore Show" breaking down MY post on the unconstitutional gag order strangling the Tyler Robinson/Charlie Kirk case. As a massive fan who's laughed and learned from Jimmy for years, THANK YOU, brother, for amplifying the truth and calling out this blatant First Amendment assault! 🔥 In the clip, Jimmy rips into Judge Tony Graff's rogue October 16th order—dropped out of nowhere, no request from prosecutors or defense—that muzzles 3,000+ witnesses, lawyers, staff, even the press and "associates of the case." It's a sledgehammer on free speech, pretexting jury protection while burying elite Utah ties, shady Israeli IP Google searches on judges/surgeons/shooters MONTHS before the hit, and that suspicious judge swap timed to FBI boss Kash Patel's Utah purge. Candace Owens as well as myself vows to torch it: "Don't worry about the gag order... I plan to violate it on the world's behalf." Betrayals everywhere—from TPUSA to donors to Trump admin—Charlie was living a real-life Truman Show. And As I stated in my post if anyone wants to help pay for an attorney to challenge this unconstitutional order I volunteer to file a lawsuit. And Kuddos to Jimmy as well for slamming Cat Turd's weak attempts to shame truth-tellers like Candace and myself (just like they did to him on Seth Rich & Russiagate). When they call you "crazy" like Kanye, Chappelle, or COVID whistleblowers? You're onto something BIG. This isn't justice—it's a blackout! Jimmy's shows are always on point so be sure to SUBSCRIBE to "The Jimmy Dore Show" on Youtube for more of these uncensored takedowns that Big Media fears. AlsoFollow him on X Jimmy Dore to stay locked in. I'll drop the link to his FULL video in the comments below. Who's ready to sue this gag order into oblivion? Tag a deep-pocket patriot below—let's challenge it TOGETHER!
7:54

🚨MUST WATCH: JIMMY DORE Just SHOUTED OUT My Post Exposing The SHOCKING GAG ORDER In CHARLIE KIRK'S ASSASSINATION TRIAL—Massive 1A VIOLATION Holy smokes, Jimmy Dore just dropped a AWESOME segment on "The Jimmy Dore Show" breaking down MY post on the unconstitutional gag order strangling the Tyler Robinson/Charlie Kirk case. As a massive fan who's laughed and learned from Jimmy for years, THANK YOU, brother, for amplifying the truth and calling out this blatant First Amendment assault! 🔥 In the clip, Jimmy rips into Judge Tony Graff's rogue October 16th order—dropped out of nowhere, no request from prosecutors or defense—that muzzles 3,000+ witnesses, lawyers, staff, even the press and "associates of the case." It's a sledgehammer on free speech, pretexting jury protection while burying elite Utah ties, shady Israeli IP Google searches on judges/surgeons/shooters MONTHS before the hit, and that suspicious judge swap timed to FBI boss Kash Patel's Utah purge. Candace Owens as well as myself vows to torch it: "Don't worry about the gag order... I plan to violate it on the world's behalf." Betrayals everywhere—from TPUSA to donors to Trump admin—Charlie was living a real-life Truman Show. And As I stated in my post if anyone wants to help pay for an attorney to challenge this unconstitutional order I volunteer to file a lawsuit. And Kuddos to Jimmy as well for slamming Cat Turd's weak attempts to shame truth-tellers like Candace and myself (just like they did to him on Seth Rich & Russiagate). When they call you "crazy" like Kanye, Chappelle, or COVID whistleblowers? You're onto something BIG. This isn't justice—it's a blackout! Jimmy's shows are always on point so be sure to SUBSCRIBE to "The Jimmy Dore Show" on Youtube for more of these uncensored takedowns that Big Media fears. AlsoFollow him on X Jimmy Dore to stay locked in. I'll drop the link to his FULL video in the comments below. Who's ready to sue this gag order into oblivion? Tag a deep-pocket patriot below—let's challenge it TOGETHER!

Project Constitution

102,401 Aufrufe • vor 8 Monaten

Are ecosystems really “healthy”? 🤔 That’s a question I kept asking myself while working in Web3 analytics. Because in chains like Ronin, billions flow daily across games, DeFi, and NFTs. They’re the lifeblood of an ecosystem. But here’s the truth: 👉 Surface-level numbers (like TVL or daily users) don’t always tell the full story. I’ve seen projects look “alive” on the outside — while under the hood, their ecosystem was bleeding liquidity, losing whales, or failing to retain users. So instead of just tracking pieces separately, I decided to build something that shows the whole picture. ======================== 🎮 Ronin Ecosystem Tracker App ======================== A full-stack blockchain analytics platform I built to monitor the health of the Ronin ecosystem across gaming, DeFi, and NFTs. 1️⃣ What it does • Real-time monitoring of Ronin network health (gas efficiency, wallet growth, whale flows) • Breakdowns of DeFi liquidity, NFT markets, and gaming activity in one place • Whale & holder segmentation (shrimps → whales) with retention + activation analysis • Interactive dashboards for ecosystem-wide insights 2️⃣ How I built it • Backend: FastAPI (13 REST endpoints, async, caching with Joblib) deployed on Railway → cuts API costs by 95% while serving unlimited users • Frontend: Next.js (v0 app) with dark/light themes, SWR-powered real-time fetching, and Recharts visualizations • Analytics: Streamlit + Plotly for in-depth whale tracking, liquidity flows, and retention heatmaps • Data Sources: Integrated 13 pipelines (Dune | We Are Hiring!, CoinGecko Pro) pulling 30K+ transactions daily • DevOps: Multi-platform deployment across Vercel, Railway, and Streamlit Cloud 3️⃣ Why this matters Ronin isn’t just a gaming chain anymore — it’s an evolving economy. And economies can only grow if we understand their strengths and weak points. This tool is useful for: 📍 Ecosystem teams → to see where growth is really coming from 📍 Investors → to understand holder behavior and whale tracking 📍 Builders → to track liquidity flows across games, NFTs, and DeFi 📍 Analysts → to dig deeper than surface-level metrics 🔗 Explore the apps here: • Web App: • FastAPI root: • GitHub Repo: ----------------------------------------- For me, this wasn’t just “another dashboard / web app.” It was about proving I could take blockchain data from raw → transformed → packaged → deployed as full products that anyone can interact with. That’s the power of being both a data analyst and a full-stack builder. 💯 Because in Web3, the future of analytics isn’t static charts — 👉 It’s building living, breathing products that help entire ecosystems make smarter decisions. -- This work was inspired by Analytic Sages ApostleOfFinance ⚛ Brandyn Jihoz.ron __ So here’s my question to you 👇 👉 What’s the most important signal of a healthy blockchain ecosystem to you and what did you notice about Ronin on this app? -- Gm Gm😉
1:51

Are ecosystems really “healthy”? 🤔 That’s a question I kept asking myself while working in Web3 analytics. Because in chains like Ronin, billions flow daily across games, DeFi, and NFTs. They’re the lifeblood of an ecosystem. But here’s the truth: 👉 Surface-level numbers (like TVL or daily users) don’t always tell the full story. I’ve seen projects look “alive” on the outside — while under the hood, their ecosystem was bleeding liquidity, losing whales, or failing to retain users. So instead of just tracking pieces separately, I decided to build something that shows the whole picture. ======================== 🎮 Ronin Ecosystem Tracker App ======================== A full-stack blockchain analytics platform I built to monitor the health of the Ronin ecosystem across gaming, DeFi, and NFTs. 1️⃣ What it does • Real-time monitoring of Ronin network health (gas efficiency, wallet growth, whale flows) • Breakdowns of DeFi liquidity, NFT markets, and gaming activity in one place • Whale & holder segmentation (shrimps → whales) with retention + activation analysis • Interactive dashboards for ecosystem-wide insights 2️⃣ How I built it • Backend: FastAPI (13 REST endpoints, async, caching with Joblib) deployed on Railway → cuts API costs by 95% while serving unlimited users • Frontend: Next.js (v0 app) with dark/light themes, SWR-powered real-time fetching, and Recharts visualizations • Analytics: Streamlit + Plotly for in-depth whale tracking, liquidity flows, and retention heatmaps • Data Sources: Integrated 13 pipelines (Dune | We Are Hiring!, CoinGecko Pro) pulling 30K+ transactions daily • DevOps: Multi-platform deployment across Vercel, Railway, and Streamlit Cloud 3️⃣ Why this matters Ronin isn’t just a gaming chain anymore — it’s an evolving economy. And economies can only grow if we understand their strengths and weak points. This tool is useful for: 📍 Ecosystem teams → to see where growth is really coming from 📍 Investors → to understand holder behavior and whale tracking 📍 Builders → to track liquidity flows across games, NFTs, and DeFi 📍 Analysts → to dig deeper than surface-level metrics 🔗 Explore the apps here: • Web App: • FastAPI root: • GitHub Repo: ----------------------------------------- For me, this wasn’t just “another dashboard / web app.” It was about proving I could take blockchain data from raw → transformed → packaged → deployed as full products that anyone can interact with. That’s the power of being both a data analyst and a full-stack builder. 💯 Because in Web3, the future of analytics isn’t static charts — 👉 It’s building living, breathing products that help entire ecosystems make smarter decisions. -- This work was inspired by Analytic Sages ApostleOfFinance ⚛ Brandyn Jihoz.ron __ So here’s my question to you 👇 👉 What’s the most important signal of a healthy blockchain ecosystem to you and what did you notice about Ronin on this app? -- Gm Gm😉

Jo$h

11,880 Aufrufe • vor 9 Monaten

‼️EXPOSED: Erika Kirk’s BRAND-NEW Gel Manicure & Fresh Hair Extensions On September 10th Raise MASSIVE Red Flags 🤔 How Did She Know to Get All That Done the Day Charlie Was Assassinated? In the very first casket video, zoom in on Erika Kirk’s hands. She’s rocking a perfect, fresh gel manicure in that pale pink OPI “Getting Naughty on My Honeymoon” color — no cuticle growth, still glossy with that fresh-from-the-salon oil shine. That look only lasts 24-48 hours max. Meanwhile her hair is perfectly blown out with fresh extensions (which take 2-6 hours to install) and roots touched up. Women don’t just wake up looking like that on the worst day of their lives unless they had it done ahead of time. This investigator breaks it down perfectly with side-by-side photos: her nails look brand new, while an 8-day-old manicure already shows growth and chipping. So the question everyone should be asking is — how did Erika know to get fully primped and glammed up right before September 10th? Did she have a crystal ball, or did someone tip her off? This is circumstantial evidence, but it’s damning. SUBSCRIBE to AmericaSmirk On YT, RT and watch her full episode linked below.👇 ⚠️My channel is under attack to bankrupt and silence my investigation. If you believe in independent journalism and want me to keep exposing these demons, donated here👉 🔗 CC: Candace Owens
6:57

‼️EXPOSED: Erika Kirk’s BRAND-NEW Gel Manicure & Fresh Hair Extensions On September 10th Raise MASSIVE Red Flags 🤔 How Did She Know to Get All That Done the Day Charlie Was Assassinated? In the very first casket video, zoom in on Erika Kirk’s hands. She’s rocking a perfect, fresh gel manicure in that pale pink OPI “Getting Naughty on My Honeymoon” color — no cuticle growth, still glossy with that fresh-from-the-salon oil shine. That look only lasts 24-48 hours max. Meanwhile her hair is perfectly blown out with fresh extensions (which take 2-6 hours to install) and roots touched up. Women don’t just wake up looking like that on the worst day of their lives unless they had it done ahead of time. This investigator breaks it down perfectly with side-by-side photos: her nails look brand new, while an 8-day-old manicure already shows growth and chipping. So the question everyone should be asking is — how did Erika know to get fully primped and glammed up right before September 10th? Did she have a crystal ball, or did someone tip her off? This is circumstantial evidence, but it’s damning. SUBSCRIBE to AmericaSmirk On YT, RT and watch her full episode linked below.👇 ⚠️My channel is under attack to bankrupt and silence my investigation. If you believe in independent journalism and want me to keep exposing these demons, donated here👉 🔗 CC: Candace Owens

Project Constitution

538,597 Aufrufe • vor 1 Monat

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏
21:30

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 Aufrufe • vor 11 Monaten

‼️Turning Point & Chloe Cole CAUGHT In A Blatant LIE About University Of Washington Event CANCELLATION!👀 Chloe Cole posted a dramatic video yesterday claiming the University of Washington event was canceled because “Antifa assembled a local militia” and she was under attack by the “woke left.” That’s not true. The real reason the event was canceled? Optics. Just two days earlier, a 19-year-old transgender woman was stabbed to death in the laundry room at Nordheim Court (right on/near UW campus). The suspect is still at large, the campus is on edge, and students are scared. University of Washington spokesperson Victor Balto confirmed it straight up: “My understanding is that the national TPUSA organization has decided to cancel this event.” Turning Point didn’t want the terrible visual of hosting a prominent “former transgender” speaker right after a trans student was murdered on campus with the killer still loose. So instead of owning the real reason, they (and Chloe) spun it as Antifa/woke mob threats to play the victim card. That’s not just dishonest — it’s straight-up gaslighting. Meanwhile, they can’t even fill rooms for Erika Kirk and JD Vance events… but sure, let’s blame Antifa. The public deserves the truth, not manufactured narratives. Watch the full breakdown and tell me: how many more lies are we going to let slide? 👇 ⚠️ATTN: My channel is under attack, and they are trying to bankrupt me to shut down my investigation into the Charlie Kirk assassination and silence the truth. if you value independent journalism and want to keep this investigation alive, please support my work here: 🔗 💪
4:00

‼️Turning Point & Chloe Cole CAUGHT In A Blatant LIE About University Of Washington Event CANCELLATION!👀 Chloe Cole posted a dramatic video yesterday claiming the University of Washington event was canceled because “Antifa assembled a local militia” and she was under attack by the “woke left.” That’s not true. The real reason the event was canceled? Optics. Just two days earlier, a 19-year-old transgender woman was stabbed to death in the laundry room at Nordheim Court (right on/near UW campus). The suspect is still at large, the campus is on edge, and students are scared. University of Washington spokesperson Victor Balto confirmed it straight up: “My understanding is that the national TPUSA organization has decided to cancel this event.” Turning Point didn’t want the terrible visual of hosting a prominent “former transgender” speaker right after a trans student was murdered on campus with the killer still loose. So instead of owning the real reason, they (and Chloe) spun it as Antifa/woke mob threats to play the victim card. That’s not just dishonest — it’s straight-up gaslighting. Meanwhile, they can’t even fill rooms for Erika Kirk and JD Vance events… but sure, let’s blame Antifa. The public deserves the truth, not manufactured narratives. Watch the full breakdown and tell me: how many more lies are we going to let slide? 👇 ⚠️ATTN: My channel is under attack, and they are trying to bankrupt me to shut down my investigation into the Charlie Kirk assassination and silence the truth. if you value independent journalism and want to keep this investigation alive, please support my work here: 🔗 💪

Project Constitution

43,740 Aufrufe • vor 2 Monaten

🔥 SWAMP CREATURE OF THE WEEK ALERT!🐊 Career DOJ prosecutor Jocelyn Ballantine - a familiar name in the most draconian MAGA political persecution cases - is BACK. 🔴 SPOILER ALERT! 🔴 BALLANTINE ALLEGEDLY TRIED TO FRAME PRESIDENT TRUMP FOR J6! …and MAGA is asking the question: ❓ WHY is this dirty deep stater still working at the DOJ? ⬇️ 🎥 TALE OF THE TAPE 🎥 ⬇️ ⏺️ Assistant U.S. Attorney — Washington, DC ⏺️ Longtime DOJ career prosecutor ⏺️ Undefeated record prosecuting Trump supporters & allies ⏺️ Now serving as lead prosecutor in the case of the alleged J6 Pipe Bomber ⏺️ Accused by J6 defendants of attempting to frame President Trump ⏺️ Allegedly pressured Enrique Tarrio to perjure himself to frame President Trump ⏺️ Alleged demand: Tarrio falsely testify President Trump knew the Proud Boys would go inside the Capitol in advance to tie Trump to the fedsurrection ⏺️ Alleged and fabricated “intermediary” named by Ballantine: Roger Stone ⏺️ Tarrio REFUSED to lie under oath ⏺️ Result: 23-year prison sentence Ballantine was also: ⏺️ Previously involved in the prosecution of General Michael Flynn ⏺️ Case later collapsed after DOJ/FBI misconduct ⏺️ Exculpatory evidence was withheld from the defense ⏺️ J6 whistleblower Jeremy Bertino confessed Ballantine and her team successfully coerced him to commit perjury in exchange for leniency ⏺️ On January 6, 2026, Ballantine rushed a federal grand jury ⏺️ Timing: just before the statute of limitations expired ⏺️ Case: the alleged J6 Pipe Bomber And now critics are asking the obvious question: ❓REAL QUESTION- Shouldn’t a grand jury be examining dirty deep state prosecutor Jocelyn Ballantine instead? ⬇️ Critics say potential areas for review include: ⬇️ ⏺️ Prosecutorial misconduct ⏺️ Subornation of perjury ⏺️ Witness tampering ⏺️ Abuse of authority ⏺️ Obstruction of justice ⚠️ To be clear: No charges have been filed. ⚠️ Ballantine has declined to respond to reporters’ questions. Our reporter Cara Castronuova attempted to question Ballantine at a DC courthouse - she avoided the press and literally hid in a courthouse conference room until reporters finally left. So here’s the bottom line 👇 If January 6 is truly about accountability, then accountability must apply to EVERYONE — including DOJ prosecutors THAT BROKE THE LAW. Do you think “Swamp Creature of the Week” Jocelyn Ballentine should be fired or indicted? Please share this video everywhere to hold bad actors like Ballantine accountable and tag President Trump, Elon Musk, and anyone else you think should see it! 🎥 WATCH THE FULL VIDEO PACKAGE 📺 and follow our White House Correspondent Cara Castronuova 🇺🇸 #JocelynBallantine
4:27

🔥 SWAMP CREATURE OF THE WEEK ALERT!🐊 Career DOJ prosecutor Jocelyn Ballantine - a familiar name in the most draconian MAGA political persecution cases - is BACK. 🔴 SPOILER ALERT! 🔴 BALLANTINE ALLEGEDLY TRIED TO FRAME PRESIDENT TRUMP FOR J6! …and MAGA is asking the question: ❓ WHY is this dirty deep stater still working at the DOJ? ⬇️ 🎥 TALE OF THE TAPE 🎥 ⬇️ ⏺️ Assistant U.S. Attorney — Washington, DC ⏺️ Longtime DOJ career prosecutor ⏺️ Undefeated record prosecuting Trump supporters & allies ⏺️ Now serving as lead prosecutor in the case of the alleged J6 Pipe Bomber ⏺️ Accused by J6 defendants of attempting to frame President Trump ⏺️ Allegedly pressured Enrique Tarrio to perjure himself to frame President Trump ⏺️ Alleged demand: Tarrio falsely testify President Trump knew the Proud Boys would go inside the Capitol in advance to tie Trump to the fedsurrection ⏺️ Alleged and fabricated “intermediary” named by Ballantine: Roger Stone ⏺️ Tarrio REFUSED to lie under oath ⏺️ Result: 23-year prison sentence Ballantine was also: ⏺️ Previously involved in the prosecution of General Michael Flynn ⏺️ Case later collapsed after DOJ/FBI misconduct ⏺️ Exculpatory evidence was withheld from the defense ⏺️ J6 whistleblower Jeremy Bertino confessed Ballantine and her team successfully coerced him to commit perjury in exchange for leniency ⏺️ On January 6, 2026, Ballantine rushed a federal grand jury ⏺️ Timing: just before the statute of limitations expired ⏺️ Case: the alleged J6 Pipe Bomber And now critics are asking the obvious question: ❓REAL QUESTION- Shouldn’t a grand jury be examining dirty deep state prosecutor Jocelyn Ballantine instead? ⬇️ Critics say potential areas for review include: ⬇️ ⏺️ Prosecutorial misconduct ⏺️ Subornation of perjury ⏺️ Witness tampering ⏺️ Abuse of authority ⏺️ Obstruction of justice ⚠️ To be clear: No charges have been filed. ⚠️ Ballantine has declined to respond to reporters’ questions. Our reporter Cara Castronuova attempted to question Ballantine at a DC courthouse - she avoided the press and literally hid in a courthouse conference room until reporters finally left. So here’s the bottom line 👇 If January 6 is truly about accountability, then accountability must apply to EVERYONE — including DOJ prosecutors THAT BROKE THE LAW. Do you think “Swamp Creature of the Week” Jocelyn Ballentine should be fired or indicted? Please share this video everywhere to hold bad actors like Ballantine accountable and tag President Trump, Elon Musk, and anyone else you think should see it! 🎥 WATCH THE FULL VIDEO PACKAGE 📺 and follow our White House Correspondent Cara Castronuova 🇺🇸 #JocelynBallantine

LindellTV

427,071 Aufrufe • vor 6 Monaten