Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Fix your Aim feeling inconsistent on Windows 10/11 in 20 Seconds Default pointer accel + USB power saving = inconsistent tracking and random input lag spikes Fixed in 2 clicks with PTU ✅Raw Aim Curve = 0/0 thresholds, zero accel, raw input ✅USB Power Guard = kills USB sleep...

ParagonTweaks's profile picture

Paragon│Boost Gaming PC Performance

44,895 subscribers

1,960,160 Aufrufe • vor 5 Monaten •via X (Twitter)

GamingBildungWissenschaft & Technologie
LIVE

Anya Rossi• Live Now

Private livecam show

59 Kommentare

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

#1 PC Performance Application trusted by over 20K Users ✅Tune Applications for Lower Latency ✅Automated Custom Driver Reinstall ✅Tweak Bios with over 50+ Performance Configurations ✅Advanced Game and Nvidia Performance Profiles Try PTU for Free👇

Profilbild von Electro
Electrovor 5 Monaten

0 delay🙂‍↔️

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

ZERO (0)

Profilbild von niko
nikovor 5 Monaten

Game feels like actual butter 🤝

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

W

Profilbild von TRKF cazi
TRKF cazivor 5 Monaten

God tweaks

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

lowww delay

Profilbild von preston4321
preston4321vor 5 Monaten

best tweaks 😤

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

Yessir

Profilbild von Jayse
Jaysevor 5 Monaten

Best tweaks 🐐

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

Yessir

Profilbild von Lyts
Lytsvor 5 Monaten

@TheTulantro 🎯👀👀👀👀

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

@TheTulantro RT 🫡

Profilbild von Jurnin
Jurninvor 5 Monaten

cleaaaaaaaaaaaan

Profilbild von Braydz
Braydzvor 5 Monaten

best tweaks ever

Profilbild von tweq
tweqvor 5 Monaten

best tweaks

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

Yessir

Profilbild von Tulantro
Tulantrovor 5 Monaten

Fire

Profilbild von Trulac39
Trulac39vor 5 Monaten

Bro is teaching us all the secrets

Profilbild von falbier
falbiervor 5 Monaten

🐐

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

🫡

Profilbild von Paragon Networking
Paragon Networkingvor 5 Monaten

Aim is SO MUCH BETTER!

Profilbild von Strajaa
Strajaavor 5 Monaten

W

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

W

Profilbild von Focus
Focusvor 5 Monaten

W paragon

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

W Focus

Profilbild von KRONOS𓅓
KRONOS𓅓vor 5 Monaten

I can finally stop making excuses for my horrid aim 😭 🔥

Profilbild von Kat
Katvor 5 Monaten

i dont need or want this, i like win10 feeling, but damn. really nice to hear clarion on my tl. thank you 🙂‍↕️🫶

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

🫡

Profilbild von Allupallu
Allupalluvor 5 Monaten

Hi

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

hi

Profilbild von Allupallu
Allupalluvor 5 Monaten

Hi

Profilbild von Freecash Guides
Freecash Guidesvor 5 Monaten

Nice vid

Profilbild von BrainDiff
BrainDiffvor 5 Monaten

I cant hit headshots

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

you needa lock in bro

Profilbild von BrainDiff
BrainDiffvor 5 Monaten

if i do this its gonna make me feel worse bc i have no more excuse to wiff

Profilbild von ethanbuca 🐏
ethanbuca 🐏vor 5 Monaten

0 DELAY 🥳

Profilbild von B0Qx
B0Qxvor 5 Monaten

W

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

W

Profilbild von salt
saltvor 5 Monaten

Got me right 🫡

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

🔥🔥

Profilbild von Poyo Customs
Poyo Customsvor 5 Monaten

😳That means we can win FNCS ?

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

YESSIR

Profilbild von Fox 💯
Fox 💯vor 5 Monaten

🔥

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

🫡

Profilbild von Peter Abi
Peter Abivor 5 Monaten

💪🏻

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

W

Profilbild von kor
korvor 5 Monaten

best tweaks

Profilbild von TylerFN
TylerFNvor 5 Monaten

0 delay making me hit headshot everytime W

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

@Daddad664661 WWWW

Profilbild von laptop stxrr
laptop stxrrvor 5 Monaten

do you have any ping tips

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

look @ParaNetHelp

Profilbild von laptop stxrr
laptop stxrrvor 5 Monaten

@ParaNetHelp Also do you know why everytime ive tried updating windows it says failed. Been like this for 4 months

Profilbild von tp yagi xvz 𓇻
tp yagi xvz 𓇻vor 5 Monaten

w

Profilbild von Poyo ShayLoup
Poyo ShayLoupvor 5 Monaten

🤝

Profilbild von Quackie
Quackievor 5 Monaten

W twekas

Profilbild von Paragon│Boost Gaming PC Performance
Paragon│Boost Gaming PC Performancevor 5 Monaten

W Quackie

Profilbild von trxyz
trxyzvor 5 Monaten

WWWW

Profilbild von TrentBall
TrentBallvor 5 Monaten

Ptu keeps getting better!!!

Ähnliche Videos

Master the laws of power. Featured in this video: Ryan Holiday Daily Stoic Simon Sinek Tom Bilyeu Dr Jordan B Peterson Jay Shetty Timestamps: 0:00 Introduction 0:25 Power is about Psychology 1:18 Never Put Too Much Trust in Friends, Learn How To Use Enemies 2:05 Always Say Less Than Necessary 3:32 Understand the People Around You 4:52 Get Other People To Do The Work For You, But Always Take The Credit 5:36 So Much Depends on Reputation Guard It With Your Life 7:19 Be Royal in Your Own Fashion 8:19 Learn To Keep People Dependent On You 9:07 Power Is Not Evil or Good 9:50 Stop Blaming The World 10:35 Become Irreplaceable 11:38 Power of Infection 12:33 Enter Action With Boldness 13:14 Don't Do This If You Want Power 15:48 Don't Shy Away From Ambition 16:25 Get Your Hands Dirty 17:20 Power Matters 18:20 Distortion of 48 Laws of Power
19:01

Master the laws of power. Featured in this video: Ryan Holiday Daily Stoic Simon Sinek Tom Bilyeu Dr Jordan B Peterson Jay Shetty Timestamps: 0:00 Introduction 0:25 Power is about Psychology 1:18 Never Put Too Much Trust in Friends, Learn How To Use Enemies 2:05 Always Say Less Than Necessary 3:32 Understand the People Around You 4:52 Get Other People To Do The Work For You, But Always Take The Credit 5:36 So Much Depends on Reputation Guard It With Your Life 7:19 Be Royal in Your Own Fashion 8:19 Learn To Keep People Dependent On You 9:07 Power Is Not Evil or Good 9:50 Stop Blaming The World 10:35 Become Irreplaceable 11:38 Power of Infection 12:33 Enter Action With Boldness 13:14 Don't Do This If You Want Power 15:48 Don't Shy Away From Ambition 16:25 Get Your Hands Dirty 17:20 Power Matters 18:20 Distortion of 48 Laws of Power

Robert Greene

66,622 Aufrufe • vor 2 Jahren

My second interview with Jim Belosic (scs), Founder of sendcutsend. 0:15 Beating China in manufacturing requires scale 1:10 Automation is not a magic bullet 2:12 Scaling profitably 4:31 Delivering a great customer experience 8:44 Why SCS raised $110M 11:20 Expectations are promises 15:33 Increasing speed and capacity 18:46 Focusing on customers 22:20 Frugality and generosity 25:06 Creating The Anything Factory 26:33 3pm is the new midnight 27:49 Figuring out the next bottleneck 30:37 Finding buildings with enough power 35:21 Lowering prices 37:36 Gambling to turn on factories faster 39:03 Aim for perfection and you’ll end up at excellence 40:04 Maintaining a maniacal sense of urgency through impatience 41:30 Seeding SCS DNA at new factories 43:08 Solving challenges 45:32 Finding great capital partners 48:40 Focus on customer pain 51:59 Learning from Home Depot 54:16 Bringing manufacturing back to America 55:11 Building capacity creates demand 57:01 Handling demand surges 58:21 Being default skeptical and sensing bullsh*t 1:00:27 Getting back to building
1:01:51

My second interview with Jim Belosic (scs), Founder of sendcutsend. 0:15 Beating China in manufacturing requires scale 1:10 Automation is not a magic bullet 2:12 Scaling profitably 4:31 Delivering a great customer experience 8:44 Why SCS raised $110M 11:20 Expectations are promises 15:33 Increasing speed and capacity 18:46 Focusing on customers 22:20 Frugality and generosity 25:06 Creating The Anything Factory 26:33 3pm is the new midnight 27:49 Figuring out the next bottleneck 30:37 Finding buildings with enough power 35:21 Lowering prices 37:36 Gambling to turn on factories faster 39:03 Aim for perfection and you’ll end up at excellence 40:04 Maintaining a maniacal sense of urgency through impatience 41:30 Seeding SCS DNA at new factories 43:08 Solving challenges 45:32 Finding great capital partners 48:40 Focus on customer pain 51:59 Learning from Home Depot 54:16 Bringing manufacturing back to America 55:11 Building capacity creates demand 57:01 Handling demand surges 58:21 Being default skeptical and sensing bullsh*t 1:00:27 Getting back to building

Ti Morse

73,794 Aufrufe • vor 5 Monaten

The Netherlands has 380,000+ open positions right now. 🇳🇱 5 recruitment agencies that specialize in placing international candidates: Randstad • Adecco • Michael Page • Undutchables • Hays Comment „NETHERLANDS“ and I’ll send you the full breakdown. [You are not getting interviews in Netherlands. And it is probably not your experience — it is your CV format. Dutch recruiters spend just 10 to 15 seconds on an initial CV scan. In those seconds, most international CVs lose the recruiter before they even read the experience section. Here is what kills most applications: ❌ 3–4 page dense CV — Dutch standard is maximum 2 pages ❌ No professional photo — expected in Netherlands, unlike UK or US ❌ Objective statement at top — replace with a 3-line professional summary ❌ „Responsible for managing...“ — Dutch recruiters want results, not responsibilities ❌ Generic CV sent to every job — Dutch recruiters expect precision. They want to see you understand the role, the company, and the skills required. Going Expat The fix is simple once you know what they expect. ✅ Maximum 2 pages ✅ Professional headshot ✅ Achievement-based bullets with numbers ✅ Keywords from the job description throughout ✅ Specific motivation letter for every application I have built a complete Dutch CV template + cover letter template inside my Netherlands Ready guide — everything verified, ready to use. Comment NETHERLANDS and I’ll send you the link. 👇 ✅Now recruitment agencies which FRee and they don’t take any money from you :
0:49

The Netherlands has 380,000+ open positions right now. 🇳🇱 5 recruitment agencies that specialize in placing international candidates: Randstad • Adecco • Michael Page • Undutchables • Hays Comment „NETHERLANDS“ and I’ll send you the full breakdown. [You are not getting interviews in Netherlands. And it is probably not your experience — it is your CV format. Dutch recruiters spend just 10 to 15 seconds on an initial CV scan. In those seconds, most international CVs lose the recruiter before they even read the experience section. Here is what kills most applications: ❌ 3–4 page dense CV — Dutch standard is maximum 2 pages ❌ No professional photo — expected in Netherlands, unlike UK or US ❌ Objective statement at top — replace with a 3-line professional summary ❌ „Responsible for managing...“ — Dutch recruiters want results, not responsibilities ❌ Generic CV sent to every job — Dutch recruiters expect precision. They want to see you understand the role, the company, and the skills required. Going Expat The fix is simple once you know what they expect. ✅ Maximum 2 pages ✅ Professional headshot ✅ Achievement-based bullets with numbers ✅ Keywords from the job description throughout ✅ Specific motivation letter for every application I have built a complete Dutch CV template + cover letter template inside my Netherlands Ready guide — everything verified, ready to use. Comment NETHERLANDS and I’ll send you the link. 👇 ✅Now recruitment agencies which FRee and they don’t take any money from you :

Mohini Maheshwari

48,384 Aufrufe • vor 16 Tagen

Trading without AI in 2026? You're done. Purely on the math, before anyone even out-trades you. You are not up against other people anymore. 75% of US stock volume runs through machines. Jane Street put $6 billion and 4,032 GPUs behind agents that write trading strategies, test them and kill them all night. Man Group's AI turns out hundreds of new signals a week where its human desk used to manage about 20 a quarter. You're on the other side of that with a chart and a feeling. 89% of retail traders lost money last year. The gap was never brains. Testing one idea properly costs a desk about $87,500 in salary time or massive computing power for AI. You don't have any of those things. That part is over. You have your own AI trading agent now, built by a team backed by Entrée Capital and hedge fund managers, and trying it costs nothing: No code, no desk, no excuses left. What it does with one English sentence: > compiles your idea into entry, exit, sizing and risk rules > backtests 5 years of data in about 12 seconds, 1-minute bars in 47 > scores it 0 to 100 on Sharpe, Sortino, profit factor and max drawdown > kills anything with a half-life under 10 days no matter how pretty the curve looks > runs walk-forward and Monte Carlo on whatever survives, then years of data it has never seen > puts it live on your exchange in about 90 seconds and keeps running while you sleep Same machine the funds run, minus the hiring, the salaries and the three-week wait. 4,800+ traders are already inside. Save this and put one idea through it tonight after read full breakdown below. You'll know in 12 seconds what three weeks of hoping never told you.
0:54

Trading without AI in 2026? You're done. Purely on the math, before anyone even out-trades you. You are not up against other people anymore. 75% of US stock volume runs through machines. Jane Street put $6 billion and 4,032 GPUs behind agents that write trading strategies, test them and kill them all night. Man Group's AI turns out hundreds of new signals a week where its human desk used to manage about 20 a quarter. You're on the other side of that with a chart and a feeling. 89% of retail traders lost money last year. The gap was never brains. Testing one idea properly costs a desk about $87,500 in salary time or massive computing power for AI. You don't have any of those things. That part is over. You have your own AI trading agent now, built by a team backed by Entrée Capital and hedge fund managers, and trying it costs nothing: No code, no desk, no excuses left. What it does with one English sentence: > compiles your idea into entry, exit, sizing and risk rules > backtests 5 years of data in about 12 seconds, 1-minute bars in 47 > scores it 0 to 100 on Sharpe, Sortino, profit factor and max drawdown > kills anything with a half-life under 10 days no matter how pretty the curve looks > runs walk-forward and Monte Carlo on whatever survives, then years of data it has never seen > puts it live on your exchange in about 90 seconds and keeps running while you sleep Same machine the funds run, minus the hiring, the salaries and the three-week wait. 4,800+ traders are already inside. Save this and put one idea through it tonight after read full breakdown below. You'll know in 12 seconds what three weeks of hoping never told you.

cvxv666

38,982 Aufrufe • vor 2 Monaten

just copy the prompt below and paste on Utopai the PAI agent turns it into script, create storyline, generate clips and edit all by itself prompt: High-energy 3D CGI animated comedy short, Pixar quality, ultra-detailed character animation, exaggerated physics, vibrant colors, warm orange kitchen lighting with glowing flames, bright daylight city streets, dynamic camera work with fast pans, tilts and dramatic angles, subtle motion blur on fast movements, comedic timing and expressions, upbeat energetic music with whooshes and impacts. **Main Character Casting Descriptions:** - **Pizza Chef - Jack (main actor in kitchen)**: Early 50s energetic male, messy silver hair, large prominent nose, thick expressive eyebrows, sharp intense eyes, fair skin with slight blush from heat. Wears white double-breasted chef jacket, wear white chef hat with text “el.cine” in front, gree neckerchief. Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. SHOT 3 (0:04–0:06) – Medium shot, eye-level, dynamic pan: Chef dramatically spins the flaming pizza on the peel in a huge fiery arc above his head, left hand on forehead in dramatic pose, right arm extended. Flames trail in a perfect circle. SHOT 4 (0:06–0:08) – Low-angle dramatic shot looking up: Chef tosses the flaming pizza high into the air with both hands. The camera follows the spinning fiery pizza as it arcs toward the ceiling tiles. SHOT 5 (0:08–0:10) – Extreme low-angle on ceiling: The flaming pizza spins in a perfect circle of fire against the tiled ceiling, sparks flying. SHOT 6 (0:10–0:12) – Wide dynamic shot, low angle: Chef does a full acrobatic flip in mid-air, upside-down, catching the flaming pizza behind his back while still in the air. SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. SHOT 11 (0:20–0:22) – Close-up on Delivery Guy’s face: His eyes go extremely wide in surprise, mouth open, propeller spinning faster, and talk excitedly SHOT 12 (0:22–0:24) – Extreme close-up on smartphone screen held in hand: Red digital timer clearly shows “00:30” counting down. SHOT 13 (0:24–0:26) – Close-up on Delivery Guy’s face: Expression changes from shock to intense determination — eyebrows lowered, mouth set in a smirk, eyes focused. SHOT 14 (0:26–0:50 end) – Wide tracking shot from behind, fast-paced: Delivery Guy jumps on his purple scooter and speeds away down the sunny city street, pizza box secured on the back. Camera follows as he weaves between cars, jumps over red-and-white construction barriers, rides up stairs, does rooftop jumps, and finally stops smoothly in front of a house. He turns with a confident smile as the stern Customer opens the door and stares at him and says with an angry tone “you are late” cut to Tom smiling awkwardly and scratch the back of his head, he takes the pizza from his back and suddenly he slide and fall down on the ground Cinematic 3D CGI animation style, highly exaggerated comedic action, perfect continuity of the flaming pizza and characters, dynamic camera movements exactly matching the original video’s pacing, framing, and energetic tone. Photorealistic 3D render quality, 1080p, 24fps.
0:25

just copy the prompt below and paste on Utopai the PAI agent turns it into script, create storyline, generate clips and edit all by itself prompt: High-energy 3D CGI animated comedy short, Pixar quality, ultra-detailed character animation, exaggerated physics, vibrant colors, warm orange kitchen lighting with glowing flames, bright daylight city streets, dynamic camera work with fast pans, tilts and dramatic angles, subtle motion blur on fast movements, comedic timing and expressions, upbeat energetic music with whooshes and impacts. **Main Character Casting Descriptions:** - **Pizza Chef - Jack (main actor in kitchen)**: Early 50s energetic male, messy silver hair, large prominent nose, thick expressive eyebrows, sharp intense eyes, fair skin with slight blush from heat. Wears white double-breasted chef jacket, wear white chef hat with text “el.cine” in front, gree neckerchief. Highly animated face — furrowed brows, focused squint, dramatic determination turning to exhaustion. - **Pizza Delivery Guy - Tom (main actor on street/scooter)**: Late teens/early 20s lanky male, long blue hair, huge expressive brown eyes, long nose, very animated facial expressions (surprise, determination, panic, relief). Wears white helmet with spinning yellow propeller on to, light blue leather with text el.cine at back, white pants, sneakers. Fast, exaggerated movements. - **Customer (final shot)**: Large, middle-aged stern woman, brown hair, heavy eyebrows, downturned mouth, wearing beige suit jacket, white shirt, dark trousers. Standing in doorway with impatient/annoyed expression. SHOT 1 (0:00–0:02) – Cinematic fast motion, dramatic low angle with subtle Dutch tilt and intense push-in: fast push from kitchen wide shot to close up on the Pizza Chef’s face in the bustling kitchen. He grips the large pepperoni pizza on a metal tray with raw, over-the-top determination — brows dramatically furrowed into deep angry V-shapes, eyes sharply narrowed with a fierce glint and slight crazy wideness at the edges, teeth gritted in heroic effort, dramatic sweat beads flying off his forehead. Bright orange flames explode upward from the pizza in the foreground with massive sparks and heat waves licking toward his face. Dynamic camera orbits left while pushing in for maximum tension, subtle motion blur on the flames. Background shows chaotic kitchen with stacked pizza boxes, glowing ovens, and flying embers. SHOT 2 (0:02–0:04) – Medium close-up, eye-level: Chef lifts the flaming pizza higher with both hands, leans forward, eyes wide with concentration as flames lick upward toward his face. SHOT 3 (0:04–0:06) – Medium shot, eye-level, dynamic pan: Chef dramatically spins the flaming pizza on the peel in a huge fiery arc above his head, left hand on forehead in dramatic pose, right arm extended. Flames trail in a perfect circle. SHOT 4 (0:06–0:08) – Low-angle dramatic shot looking up: Chef tosses the flaming pizza high into the air with both hands. The camera follows the spinning fiery pizza as it arcs toward the ceiling tiles. SHOT 5 (0:08–0:10) – Extreme low-angle on ceiling: The flaming pizza spins in a perfect circle of fire against the tiled ceiling, sparks flying. SHOT 6 (0:10–0:12) – Wide dynamic shot, low angle: Chef does a full acrobatic flip in mid-air, upside-down, catching the flaming pizza behind his back while still in the air. SHOT 7 (0:12–0:14) – Wide action shot, eye-level: Chef lands in a wide stance, spins the flaming pizza on one hand like a basketball, then dramatically throws it forward toward the open doorway with full body power, flames trailing, quick push in and follow the close up of the flying pizza in slow motion SHOT 8 (0:14–0:16) – Medium shot on street, eye-level: Pizza Delivery Guy stands outside the shop holding an empty pizza box, looking down at his watch with bored expression, propeller on helmet slowly spinning. SHOT 9 (0:16–0:18) – Medium close-up, eye-level: Chef (partially visible inside doorway) throws the flaming pepperoni pizza directly toward the Delivery Guy. Delivery Guy looks up with wide-eyed shock. SHOT 10 (0:18–0:20) – Medium shot, eye-level: slow motion, close up of the flaming pizza flies straight into the open pizza box held by the Delivery Guy. Flames whoosh past his face as he catches it perfectly. SHOT 11 (0:20–0:22) – Close-up on Delivery Guy’s face: His eyes go extremely wide in surprise, mouth open, propeller spinning faster, and talk excitedly SHOT 12 (0:22–0:24) – Extreme close-up on smartphone screen held in hand: Red digital timer clearly shows “00:30” counting down. SHOT 13 (0:24–0:26) – Close-up on Delivery Guy’s face: Expression changes from shock to intense determination — eyebrows lowered, mouth set in a smirk, eyes focused. SHOT 14 (0:26–0:50 end) – Wide tracking shot from behind, fast-paced: Delivery Guy jumps on his purple scooter and speeds away down the sunny city street, pizza box secured on the back. Camera follows as he weaves between cars, jumps over red-and-white construction barriers, rides up stairs, does rooftop jumps, and finally stops smoothly in front of a house. He turns with a confident smile as the stern Customer opens the door and stares at him and says with an angry tone “you are late” cut to Tom smiling awkwardly and scratch the back of his head, he takes the pizza from his back and suddenly he slide and fall down on the ground Cinematic 3D CGI animation style, highly exaggerated comedic action, perfect continuity of the flaming pizza and characters, dynamic camera movements exactly matching the original video’s pacing, framing, and energetic tone. Photorealistic 3D render quality, 1080p, 24fps.

el.cine

12,990 Aufrufe • vor 4 Monaten

The enemy of sleep is effort. In this episode, Dr. Michael Grandner (Dr. Michael Grandner) explains how insomnia fundamentally stems from a learned pattern of wakefulness and why, for many, the bed itself becomes a source of stress and vigilance rather than rest. We explore practical strategies to retrain your brain to effortlessly anticipate sleep rather than forcing it. Dr. Grandner also highlights why sleep apnea is shockingly prevalent yet frequently undetected, and provides effective treatment alternatives beyond CPAP. Additionally, we discuss how supplements and other substances influence sleep architecture, how to optimize sleep tracking devices, and how to strategically use sleep to enhance cognitive and physical performance. This is an essential podcast for anyone looking to improve their sleep. Links in the comments. Timestamps: 0:00 - Introduction 1:33 - Insomnia vs. poor sleep 3:59 - Does stressing worsen insomnia? 10:28 - Why CBT-I targets wakefulness 12:59 - Reserving bed strictly for sleep 17:11 - Can trying too hard backfire? 18:26 - A fix for nighttime scrolling 21:47 - Can't fall back asleep? Get up 24:39 - Why effort keeps you awake 26:18 - Sleep restriction therapy 28:57 - How to fall asleep faster 31:39 - Avoiding bedtime cliffhangers 33:20 - Sedatives vs. CBT-I 37:33 - Insomnia by the numbers 38:54 - Why sleep apnea is so common 42:31 - Nighttime waking & sleep apnea 48:37 - At-home apnea tests 50:10 - What causes sleep apnea? 52:52 - Sleep stages 1:01:20 - Why do we dream? 1:05:38 - Apnea destroys sleep architecture 1:07:07 - Sleep apnea & Alzheimer’s risk 1:10:07 - Poor sleep, attention & memory 1:13:23 - CPAP alternatives 1:17:26 - Mouth taping 1:19:30 - Measuring apnea treatment success 1:21:33 - Sleep hygiene for chaotic schedules 1:25:00 - Do blue-blockers enhance sleep? 1:25:46 - Why morning light matters 1:30:33 - Should you delay morning coffee? 1:34:30 - Consistent mornings vs. bedtimes 1:38:01 - Revenge bedtime procrastination 1:42:49 - Is 5 mg melatonin too much? 1:50:25 - Are melatonin labels misleading? 1:53:19 - Melatonin & immune system boost 1:54:14 - Melatonin safety myths 1:58:35 - Magnesium, glycine, & L-theanine 2:01:37 - Glutamine & B12 disrupt sleep 2:03:08 - THC & REM sleep 2:09:36 - Does CBD help? 2:12:09 - Alcohol as a sleep aid 2:15:06 - How late is too late for caffeine? 2:19:19 - Staying up late & unhealthy eating 2:24:09 - Is shift work worse than smoking? 2:27:51 - Ideal power nap length 2:29:38 - Napping advice for shift workers 2:32:18 - How to beat jet lag 2:40:22 - Do trackers detect wakefulness? 2:43:56 - Sleep stage tracking accuracy 2:48:24 - Wearable sleep scores 2:57:56 - Evening habits elevating heart rate 2:59:59 - Insufficient REM & deep sleep 3:02:55 - Orthosomnia from sleep trackers 3:07:12 - Better sleep & cognitive resilience 3:09:42 - School start times vs. teen biology 3:14:26 - A sleep hack for athletes 3:16:36 - Sleep banking before competition 3:19:03 - Poor sleep & injury risk 3:24:00 - Why caffeine can't fix poor sleep 3:25:38 - Eye masks & earplugs 3:27:15 - Proven ways to fall asleep faster 3:29:11 - Reading before bed 3:30:02 - Algorithm for falling back asleep 3:31:04 - Proven strategy for deeper sleep 3:32:27 - Reducing nighttime urination 3:34:11 - Does sharing a bed disrupt sleep? 3:35:50 - Are you sleeping enough? 3:37:28 - Do you really need 8 hours? 3:38:42 - Adjusting to your chronotype
3:40:43

The enemy of sleep is effort. In this episode, Dr. Michael Grandner (Dr. Michael Grandner) explains how insomnia fundamentally stems from a learned pattern of wakefulness and why, for many, the bed itself becomes a source of stress and vigilance rather than rest. We explore practical strategies to retrain your brain to effortlessly anticipate sleep rather than forcing it. Dr. Grandner also highlights why sleep apnea is shockingly prevalent yet frequently undetected, and provides effective treatment alternatives beyond CPAP. Additionally, we discuss how supplements and other substances influence sleep architecture, how to optimize sleep tracking devices, and how to strategically use sleep to enhance cognitive and physical performance. This is an essential podcast for anyone looking to improve their sleep. Links in the comments. Timestamps: 0:00 - Introduction 1:33 - Insomnia vs. poor sleep 3:59 - Does stressing worsen insomnia? 10:28 - Why CBT-I targets wakefulness 12:59 - Reserving bed strictly for sleep 17:11 - Can trying too hard backfire? 18:26 - A fix for nighttime scrolling 21:47 - Can't fall back asleep? Get up 24:39 - Why effort keeps you awake 26:18 - Sleep restriction therapy 28:57 - How to fall asleep faster 31:39 - Avoiding bedtime cliffhangers 33:20 - Sedatives vs. CBT-I 37:33 - Insomnia by the numbers 38:54 - Why sleep apnea is so common 42:31 - Nighttime waking & sleep apnea 48:37 - At-home apnea tests 50:10 - What causes sleep apnea? 52:52 - Sleep stages 1:01:20 - Why do we dream? 1:05:38 - Apnea destroys sleep architecture 1:07:07 - Sleep apnea & Alzheimer’s risk 1:10:07 - Poor sleep, attention & memory 1:13:23 - CPAP alternatives 1:17:26 - Mouth taping 1:19:30 - Measuring apnea treatment success 1:21:33 - Sleep hygiene for chaotic schedules 1:25:00 - Do blue-blockers enhance sleep? 1:25:46 - Why morning light matters 1:30:33 - Should you delay morning coffee? 1:34:30 - Consistent mornings vs. bedtimes 1:38:01 - Revenge bedtime procrastination 1:42:49 - Is 5 mg melatonin too much? 1:50:25 - Are melatonin labels misleading? 1:53:19 - Melatonin & immune system boost 1:54:14 - Melatonin safety myths 1:58:35 - Magnesium, glycine, & L-theanine 2:01:37 - Glutamine & B12 disrupt sleep 2:03:08 - THC & REM sleep 2:09:36 - Does CBD help? 2:12:09 - Alcohol as a sleep aid 2:15:06 - How late is too late for caffeine? 2:19:19 - Staying up late & unhealthy eating 2:24:09 - Is shift work worse than smoking? 2:27:51 - Ideal power nap length 2:29:38 - Napping advice for shift workers 2:32:18 - How to beat jet lag 2:40:22 - Do trackers detect wakefulness? 2:43:56 - Sleep stage tracking accuracy 2:48:24 - Wearable sleep scores 2:57:56 - Evening habits elevating heart rate 2:59:59 - Insufficient REM & deep sleep 3:02:55 - Orthosomnia from sleep trackers 3:07:12 - Better sleep & cognitive resilience 3:09:42 - School start times vs. teen biology 3:14:26 - A sleep hack for athletes 3:16:36 - Sleep banking before competition 3:19:03 - Poor sleep & injury risk 3:24:00 - Why caffeine can't fix poor sleep 3:25:38 - Eye masks & earplugs 3:27:15 - Proven ways to fall asleep faster 3:29:11 - Reading before bed 3:30:02 - Algorithm for falling back asleep 3:31:04 - Proven strategy for deeper sleep 3:32:27 - Reducing nighttime urination 3:34:11 - Does sharing a bed disrupt sleep? 3:35:50 - Are you sleeping enough? 3:37:28 - Do you really need 8 hours? 3:38:42 - Adjusting to your chronotype

Dr. Rhonda Patrick

192,656 Aufrufe • vor 1 Jahr

Introducing Typeless for iPhone. -- When the iPhone was introduced, Steve Jobs intentionally removed the physical keyboard. A fixed keyboard couldn't adapt, but a virtual one could - and that decision defined the smartphone era. We believe that wasn't the final step. The virtual keyboard was a transition. Voice is the next generation. -- When we launched Typeless on Mac and Windows, tens of thousands of people resonated with this idea. And the number one request we heard, again and again, was: “Bring Typeless to mobile.” Today, I'm excited to launch Typeless for iPhone. Typeless for iOS is an AI voice keyboard that understands your intent and turns your raw speech into clear, polished, natural writing - effortlessly and in real time. No commands. No formatting tricks. It reads as if you carefully wrote it yourself. -- Core features: Works everywhere - Every app on your iPhone: iMessage, Slack, Mail, Notes, and more AI auto-editing - Removes filler words, fixes grammar, and formats perfectly as you speak Speak to edit - Revise, refine, or rephrase by simply saying what you want to change Whisper mode - Dictate quietly and precisely in low-voice environments 100+ languages - Speak any language (or mix them); Typeless detects and transcribes automatically Personal dictionary - Names, brands, and custom vocabulary learned once, never missed Private by design - Zero data retention. We never store or train on your data. All history stays on your device When input friction disappears on a phone, everything changes. Your iPhone becomes capable of things that once felt impossible - at 10× the speed. This isn't just a new app. It's a new way to use your phone. Welcome to the end of typing. Welcome to Typeless. -- Dictated with Typeless
2:04

Introducing Typeless for iPhone. -- When the iPhone was introduced, Steve Jobs intentionally removed the physical keyboard. A fixed keyboard couldn't adapt, but a virtual one could - and that decision defined the smartphone era. We believe that wasn't the final step. The virtual keyboard was a transition. Voice is the next generation. -- When we launched Typeless on Mac and Windows, tens of thousands of people resonated with this idea. And the number one request we heard, again and again, was: “Bring Typeless to mobile.” Today, I'm excited to launch Typeless for iPhone. Typeless for iOS is an AI voice keyboard that understands your intent and turns your raw speech into clear, polished, natural writing - effortlessly and in real time. No commands. No formatting tricks. It reads as if you carefully wrote it yourself. -- Core features: Works everywhere - Every app on your iPhone: iMessage, Slack, Mail, Notes, and more AI auto-editing - Removes filler words, fixes grammar, and formats perfectly as you speak Speak to edit - Revise, refine, or rephrase by simply saying what you want to change Whisper mode - Dictate quietly and precisely in low-voice environments 100+ languages - Speak any language (or mix them); Typeless detects and transcribes automatically Personal dictionary - Names, brands, and custom vocabulary learned once, never missed Private by design - Zero data retention. We never store or train on your data. All history stays on your device When input friction disappears on a phone, everything changes. Your iPhone becomes capable of things that once felt impossible - at 10× the speed. This isn't just a new app. It's a new way to use your phone. Welcome to the end of typing. Welcome to Typeless. -- Dictated with Typeless

Huang Song

1,326,366 Aufrufe • vor 10 Monaten

Imagine feeling like you’re in your 20s again — no CPAP, no endless pills, boundless energy every single day. That’s exactly what happened to Dana White after 10 weeks working with Gary Brecka… and Megyn Kelly just got him to spill every detail. The crazy part? It’s not some secret peptide or $20,000 IV drip. It starts with three non-negotiables that every single Blue Zone (the places where people routinely live past 100) has in common: 1. Sleep like your life depends on it (because it does) 2. Eat only foods your great-grandmother would recognize 3. Move every single day — sitting really is the new smoking But here’s where it gets wild: once those are locked in, Brecka runs one simple cheek-swab genetic test that shows exactly which raw materials (vitamins, minerals, methylated folate, etc.) your unique body can’t convert properly. Give your body the exact nutrients it’s been begging for — often things as basic as real vitamin D3 from sunlight or a bioavailable B vitamin — and the results feel like pure magic. Restless mind at 2 a.m.? Fixed. Bloated after the same meal one day but not the next? Gone. Brain fog and zero motivation? Suddenly you’re crushing life again. This 5:49 clip of Gary laying it all out for Megyn is straight fire — zero fluff, all science, all results. If you’ve ever wondered why you’re “doing everything right” but still feel off… watch this now. Your future 20-year-old-feeling self will thank you
5:49

Imagine feeling like you’re in your 20s again — no CPAP, no endless pills, boundless energy every single day. That’s exactly what happened to Dana White after 10 weeks working with Gary Brecka… and Megyn Kelly just got him to spill every detail. The crazy part? It’s not some secret peptide or $20,000 IV drip. It starts with three non-negotiables that every single Blue Zone (the places where people routinely live past 100) has in common: 1. Sleep like your life depends on it (because it does) 2. Eat only foods your great-grandmother would recognize 3. Move every single day — sitting really is the new smoking But here’s where it gets wild: once those are locked in, Brecka runs one simple cheek-swab genetic test that shows exactly which raw materials (vitamins, minerals, methylated folate, etc.) your unique body can’t convert properly. Give your body the exact nutrients it’s been begging for — often things as basic as real vitamin D3 from sunlight or a bioavailable B vitamin — and the results feel like pure magic. Restless mind at 2 a.m.? Fixed. Bloated after the same meal one day but not the next? Gone. Brain fog and zero motivation? Suddenly you’re crushing life again. This 5:49 clip of Gary laying it all out for Megyn is straight fire — zero fluff, all science, all results. If you’ve ever wondered why you’re “doing everything right” but still feel off… watch this now. Your future 20-year-old-feeling self will thank you

Camus

401,963 Aufrufe • vor 10 Monaten

I run my google ads with OpenClaw🦞 for $0/month 😱 here's the system that runs autonomously: step 1: map what you're actually spending → agent pulls every keyword from your Google Ads account → classifies intent: buyers, researchers, comparison shoppers, freebie hunters → tells you if overspending on clicks or if you're buying the wrong ones step 2: kill waste before it compounds → OpenClaw🦞 flags keywords burning budget with NO buying intent → specific negatives that won't kill your good traffic by accident → one account: 23% of spend on research queries. zero conversions. gone. step 3: separate winners from losers → buyers and researchers in the same ad group = bids optimizing against trash → agent shows you exactly which ad groups to break up → clean signal in, clean decisions out step 4: write ads from real buyer language → agent reads what your converting searchers actually type → generates RSAs from their words, → not templates. not Google's auto-AI. patterns from YOUR winners step 5: apply with instant undo → every change is a draft. dry run. confirm. done. → negatives, pauses, budget shifts w/ full audit trail → nothing hits your account without you saying yes step 6: morning brief + memory that compounds → /google-ads daily = what matters today. 90 seconds. → bleeding campaigns, wasted spend, what's ready to scale → week 4 catches what week 1 missed. it doesn't forget input: your google ads account + your target CPA output: an AI that kills waste, writes ads, shifts budget, and learns what works agencies charge $3-5K/month for this. this runs for $0. I packaged the entire system as the google ads kit. 15 OpenClaw🦞 skills: - connect (setup + health check) - daily (what matters today) - audit (full strategic review) - search-terms (waste + signal + routing) - intent-map (compounds across sessions) - negatives (scoped, with collateral warnings) - structure (campaign architecture) - rsas (copy from buyer language) - budget (scaling grounded in signal) - apply (controlled writes + instant undo) giving it away free. comment PAID + like + follow (must follow so i can DM)
0:22

I run my google ads with OpenClaw🦞 for $0/month 😱 here's the system that runs autonomously: step 1: map what you're actually spending → agent pulls every keyword from your Google Ads account → classifies intent: buyers, researchers, comparison shoppers, freebie hunters → tells you if overspending on clicks or if you're buying the wrong ones step 2: kill waste before it compounds → OpenClaw🦞 flags keywords burning budget with NO buying intent → specific negatives that won't kill your good traffic by accident → one account: 23% of spend on research queries. zero conversions. gone. step 3: separate winners from losers → buyers and researchers in the same ad group = bids optimizing against trash → agent shows you exactly which ad groups to break up → clean signal in, clean decisions out step 4: write ads from real buyer language → agent reads what your converting searchers actually type → generates RSAs from their words, → not templates. not Google's auto-AI. patterns from YOUR winners step 5: apply with instant undo → every change is a draft. dry run. confirm. done. → negatives, pauses, budget shifts w/ full audit trail → nothing hits your account without you saying yes step 6: morning brief + memory that compounds → /google-ads daily = what matters today. 90 seconds. → bleeding campaigns, wasted spend, what's ready to scale → week 4 catches what week 1 missed. it doesn't forget input: your google ads account + your target CPA output: an AI that kills waste, writes ads, shifts budget, and learns what works agencies charge $3-5K/month for this. this runs for $0. I packaged the entire system as the google ads kit. 15 OpenClaw🦞 skills: - connect (setup + health check) - daily (what matters today) - audit (full strategic review) - search-terms (waste + signal + routing) - intent-map (compounds across sessions) - negatives (scoped, with collateral warnings) - structure (campaign architecture) - rsas (copy from buyer language) - budget (scaling grounded in signal) - apply (controlled writes + instant undo) giving it away free. comment PAID + like + follow (must follow so i can DM)

Matthew Berman

68,929 Aufrufe • vor 7 Monaten

This tiny gummy could do more for your liver than most prescriptions… Ditch the chemical pills — heal with nature instead. My Dandelion + Honey Gummy Bears are packed with real healing power: ✨ Supports liver detox and healthy bile flow ✨ Reduces inflammation naturally ✨ Boosts digestion and gut health ✨ Strengthens the immune system ✨ Promotes hormone balance ✨ Helps clear skin from the inside out ✅I foraged fresh wild dandelions by hand from my garden, where I know nothing has been sprayed on them, washed them carefully, and simmered them slowly to extract every drop of their healing power — straight from the earth to your body. Here’s how I made them: 🌼Forage fresh dandelion flowers (make sure they’re from a clean, pesticide-free area) 🌼Wash thoroughly to remove dirt and insects 🌼Simmer the dandelions gently in water for about 20–30 minutes to create a rich, concentrated tea 🌼Strain the flowers out and keep the liquid 🌼Measure out 1 cup of the dandelion tea 🌼Warm the tea gently (do not boil) 🌼Whisk in 3 tbsp grass-fed gelatin powder until fully dissolved 🌼Stir in 2–3 tbsp raw organic honey & Juice of 2 Lemons 🍋 (optional) 🌼Pour into silicone molds and refrigerate until set Will you be trying this recipe? If you are drop a 🌼 in the comments, I love hearing from you when you’ve tried my recipes 🙌
0:29

This tiny gummy could do more for your liver than most prescriptions… Ditch the chemical pills — heal with nature instead. My Dandelion + Honey Gummy Bears are packed with real healing power: ✨ Supports liver detox and healthy bile flow ✨ Reduces inflammation naturally ✨ Boosts digestion and gut health ✨ Strengthens the immune system ✨ Promotes hormone balance ✨ Helps clear skin from the inside out ✅I foraged fresh wild dandelions by hand from my garden, where I know nothing has been sprayed on them, washed them carefully, and simmered them slowly to extract every drop of their healing power — straight from the earth to your body. Here’s how I made them: 🌼Forage fresh dandelion flowers (make sure they’re from a clean, pesticide-free area) 🌼Wash thoroughly to remove dirt and insects 🌼Simmer the dandelions gently in water for about 20–30 minutes to create a rich, concentrated tea 🌼Strain the flowers out and keep the liquid 🌼Measure out 1 cup of the dandelion tea 🌼Warm the tea gently (do not boil) 🌼Whisk in 3 tbsp grass-fed gelatin powder until fully dissolved 🌼Stir in 2–3 tbsp raw organic honey & Juice of 2 Lemons 🍋 (optional) 🌼Pour into silicone molds and refrigerate until set Will you be trying this recipe? If you are drop a 🌼 in the comments, I love hearing from you when you’ve tried my recipes 🙌

Barbara Oneill

99,023 Aufrufe • vor 3 Monaten

I run my meta ads with OpenClaw🦞 for $0/month 😱 here's the system that runs autonomously: step 1: daily health check → social-cli (major shoutout to Vishal Gopal Ojha) wraps Meta's marketing API (token refresh, pagination, rate limits all handled) → am I on track? what's running? who's winning? who's bleeding? any fatigue? → the same 5 questions I asked Ads Manager every morning for 20 years step 2: catch dying ads before CPA spikes → OpenClaw🦞 pulls daily frequency by ad → frequency > 3.5 = audience is cooked, CTR is about to drop → this one signal saves more money than any dashboard step 3: auto-pause bleeders + shift budget to winners → CPA > 2.5x target for 48hrs? auto-pause. no hesitation. → ranks every campaign by efficiency. recommends shifting spend. → last fri it paused an $87 CPA campaign at 3am and scaled my best performer 30% step 4: write new ad copy from your winners → agent analyzes what's working (hooks, angles, CTAs) → generates variations based on the patterns in YOUR top performers → copy modeled on what already converts in your account. step 5: upload ads directly to your account → new creative + copy → live in Meta Ads Manager → no more downloading, formatting, clicking through the upload flow → agent handles the entire publish cycle step 6: content concepts + morning brief → spots patterns across winners and suggests what to test next → delivers everything to Telegram, Slack, wherever you want it → 90 seconds to read. reply "approved." done. input: your ad account + your target CPA output: an AI that monitors, kills, scales, writes, AND uploads your ads dozens of hours in ad manager → 1 text message I packaged the entire system as the Meta Ads Kit. 5 OpenClaw🦞 skills: - meta-ads (daily checks + auto-pause) - ad-creative-monitor (fatigue detection) - budget-optimizer (efficiency scoring + shift recs) - ad-copy-generator (writes variations from your winners) - ad-upload (publishes creative directly to your account) giving it away free. comment ADS + like + follow (must follow so i can DM)
0:35

I run my meta ads with OpenClaw🦞 for $0/month 😱 here's the system that runs autonomously: step 1: daily health check → social-cli (major shoutout to Vishal Gopal Ojha) wraps Meta's marketing API (token refresh, pagination, rate limits all handled) → am I on track? what's running? who's winning? who's bleeding? any fatigue? → the same 5 questions I asked Ads Manager every morning for 20 years step 2: catch dying ads before CPA spikes → OpenClaw🦞 pulls daily frequency by ad → frequency > 3.5 = audience is cooked, CTR is about to drop → this one signal saves more money than any dashboard step 3: auto-pause bleeders + shift budget to winners → CPA > 2.5x target for 48hrs? auto-pause. no hesitation. → ranks every campaign by efficiency. recommends shifting spend. → last fri it paused an $87 CPA campaign at 3am and scaled my best performer 30% step 4: write new ad copy from your winners → agent analyzes what's working (hooks, angles, CTAs) → generates variations based on the patterns in YOUR top performers → copy modeled on what already converts in your account. step 5: upload ads directly to your account → new creative + copy → live in Meta Ads Manager → no more downloading, formatting, clicking through the upload flow → agent handles the entire publish cycle step 6: content concepts + morning brief → spots patterns across winners and suggests what to test next → delivers everything to Telegram, Slack, wherever you want it → 90 seconds to read. reply "approved." done. input: your ad account + your target CPA output: an AI that monitors, kills, scales, writes, AND uploads your ads dozens of hours in ad manager → 1 text message I packaged the entire system as the Meta Ads Kit. 5 OpenClaw🦞 skills: - meta-ads (daily checks + auto-pause) - ad-creative-monitor (fatigue detection) - budget-optimizer (efficiency scoring + shift recs) - ad-copy-generator (writes variations from your winners) - ad-upload (publishes creative directly to your account) giving it away free. comment ADS + like + follow (must follow so i can DM)

Matthew Berman

641,710 Aufrufe • vor 7 Monaten

A subnet founder allegedly walked away with $10M in TAO and torched his own community in the process. On TWiST, Mark Jeffrey of Stillcore Capital joins us to break down what really happened with Templar/Covenant, the overall fixes that co-founder Const has proposed, and why Bittensor’s incentive engine may have been a victim of its own success. PLUS we’re joined by subnet operators Will Squires and Steffan Cruz (of MacroCosmos) and Ken Miyachi of BitMind to get their perspective on the controversy, and to demo the exciting projects they’re still building on the blockchain. 0:00 Mark Jeffrey joins the show! 2:18 How Mark Jeffrey learned about Bittensor. 6:17 Plaud: If your work depends on conversations — interviews, meetings, calls — you need a Plaud NotePin. You can check it out at and use code TWIST for 10% off! 7:22 Mark Jeffrey's Bittensor investments. 9:25 Check out our discussion with Nova: 10:16 Sentry - New users can get $240 in free credits when they go to and use the code TWIST 10:41 Check out Ridges! 11:53 How trading alpha tokens works on Bittensor 12:44 Subnet drama: what happened? 16:01 Do subnet owners have too much power? 18:33 Check out our conversation with Sam Dare (2268): 19:10 How Sam Dare should've handled walking away (per Mark Jeffrey) 20:02 Deel - Founders scale faster on Deel. Set up payroll for any country in minutes, hire anyone anywhere, get visas handled fast, and get back to building. Visit to learn more. 23:29 Who should subnets be owned by? 24:02 Ken Miyachi from BitMind joins the show 30:56 Netsuite - Get the free business guide Demystifying AI at 31:06 Ken's $3M raise & investors (Arch, Canonical, Mechanism) 33:18 Token vs. equity: how to think about a subnet investment. 41:57 Will Squires and Stefan Kruse of MacroCosmos join the show 42:54 How MacroCosmos lets anyone become a compute provider. 56:29 Stefan on the Covenant drama: "disappointing, but solvable" 1:02:11 Off-duty with J-Cal, Mark Jeffrey, and Lon Harris 1:02:48 Bieber vs. Carpenter: does Coachella owe you a spectacle? 1:15:20 Jason says Staples should pay the "Staples baddie" $1M/year cc: @jason, Lon Harris, Mark Jeffrey, const, Distributed State, templar, covenant, Macrocosmos, Apex・SN1, IOTA ・ SN9, Ken Jon, BitMind BitMindAI 🎥 Watch the full episode here 👇
1:18:38

A subnet founder allegedly walked away with $10M in TAO and torched his own community in the process. On TWiST, Mark Jeffrey of Stillcore Capital joins us to break down what really happened with Templar/Covenant, the overall fixes that co-founder Const has proposed, and why Bittensor’s incentive engine may have been a victim of its own success. PLUS we’re joined by subnet operators Will Squires and Steffan Cruz (of MacroCosmos) and Ken Miyachi of BitMind to get their perspective on the controversy, and to demo the exciting projects they’re still building on the blockchain. 0:00 Mark Jeffrey joins the show! 2:18 How Mark Jeffrey learned about Bittensor. 6:17 Plaud: If your work depends on conversations — interviews, meetings, calls — you need a Plaud NotePin. You can check it out at and use code TWIST for 10% off! 7:22 Mark Jeffrey's Bittensor investments. 9:25 Check out our discussion with Nova: 10:16 Sentry - New users can get $240 in free credits when they go to and use the code TWIST 10:41 Check out Ridges! 11:53 How trading alpha tokens works on Bittensor 12:44 Subnet drama: what happened? 16:01 Do subnet owners have too much power? 18:33 Check out our conversation with Sam Dare (2268): 19:10 How Sam Dare should've handled walking away (per Mark Jeffrey) 20:02 Deel - Founders scale faster on Deel. Set up payroll for any country in minutes, hire anyone anywhere, get visas handled fast, and get back to building. Visit to learn more. 23:29 Who should subnets be owned by? 24:02 Ken Miyachi from BitMind joins the show 30:56 Netsuite - Get the free business guide Demystifying AI at 31:06 Ken's $3M raise & investors (Arch, Canonical, Mechanism) 33:18 Token vs. equity: how to think about a subnet investment. 41:57 Will Squires and Stefan Kruse of MacroCosmos join the show 42:54 How MacroCosmos lets anyone become a compute provider. 56:29 Stefan on the Covenant drama: "disappointing, but solvable" 1:02:11 Off-duty with J-Cal, Mark Jeffrey, and Lon Harris 1:02:48 Bieber vs. Carpenter: does Coachella owe you a spectacle? 1:15:20 Jason says Staples should pay the "Staples baddie" $1M/year cc: @jason, Lon Harris, Mark Jeffrey, const, Distributed State, templar, covenant, Macrocosmos, Apex・SN1, IOTA ・ SN9, Ken Jon, BitMind BitMindAI 🎥 Watch the full episode here 👇

This Week in Startups

29,964 Aufrufe • vor 6 Monaten

I'm 30 solo founder from France 🇫🇷 no job, no freelancing, no client work just me grinding daily since April 2025, when I started here with: - 10 followers - 0 network - 0 post / 0 photo/video of myself online - 0 product built By the end of 2025 I – created my company – posted on X, LK, Reddit, TikTok for the first time – recorded myself in English – posted guitar playing videos + BiP videos – launched my first SaaS (8 live now) – made my first internet money – traveled outside of Europe – jumped on calls with strangers you might know me as the guy who branded the Mac he didn't have yet (maybe that's what will remain lol), so here's more about me, hoping it inspires you: I always wanted to be a game dev but was rubbish in maths/physics, failed, and ended up getting a Master's degree in English studies (with a research paper on AI, that already seems so outdated lol) then complete shift to web dev, started from zero → one year later I was creating a web app for a huge British company as a solo, fullstack dev that's mostly what's still helping me finance my journey, even though I've just been burning savings every single month since anyway that contract ended in April 2025 ; I was going to do freelancing, but I found this indie community here and started watching Marc Lou's vlogs I had no idea where to start but I still started I've never loved coding, I've only ever loved creating stuff thanks to it - and that's what I'm addicted to 🎸 I play guitar (got my first one 20 years ago) 🎶 I've recorded probably more than a hundred songs over the last 15 years 🎮 I love gaming, I used to spend 10 hours a day not coding but playing, not much time anymore now (toxic trait: I believe I could've turned pro on CoD4) 🖥️ Now creating things online, from SaaS to web apps to mobile apps to random tools to games (I even ranked #51 / 900+ in the VibeJam) and now going all-in on the marketplace "I haven't got THE product that could help me blow up and that would make me want to focus on 100%" - that's what I said on my birthday 10 months ago ; but now I do!!! this BrandMyMac auction has completely changed my journey in the span of a few days it's the first time I felt, while building it, "I know this is a banger, it's obvious it can work, it must already exist" the rest is history: ✅ 13M views in 2 weeks (10.3M with one post) ✅ +3k followers in the last 2 weeks ✅ unlocked monetisation on X and got paid $1,300 ✅ I made $15k in 3 weeks = I made $16k over the last 1.5 years (different perspective right?) ✅ started the whole "BrandMy..." trend all that took +14k posts, 8 SaaS & 2 mobile apps that kinda flopped ($200 MRR all combined atm), a crazy amount of reps (made 100 daily vlogs then stopped cos they felt useless) if you think I pulled that recent money, impressions, success or whatever out of nowhere, you're wrong. and it's not your fault there's no way for you to know what it took to get to that point and this is the point of this post, might as well re-introduce myself to the new 3k followers (welcome and thanks), instead of just saying "let's connect" lol anyway, grateful for all these moments, your support, and the amazing people I've met 🙏🏼 and I'm proud for starting this journey, believing in myself, and challenging myself more than ever still long way to go before being able to chill out making revenue passively 💪🏼 thank you all ❤ (some posts illustrating my journey below 👇🏼)
3:44

I'm 30 solo founder from France 🇫🇷 no job, no freelancing, no client work just me grinding daily since April 2025, when I started here with: - 10 followers - 0 network - 0 post / 0 photo/video of myself online - 0 product built By the end of 2025 I – created my company – posted on X, LK, Reddit, TikTok for the first time – recorded myself in English – posted guitar playing videos + BiP videos – launched my first SaaS (8 live now) – made my first internet money – traveled outside of Europe – jumped on calls with strangers you might know me as the guy who branded the Mac he didn't have yet (maybe that's what will remain lol), so here's more about me, hoping it inspires you: I always wanted to be a game dev but was rubbish in maths/physics, failed, and ended up getting a Master's degree in English studies (with a research paper on AI, that already seems so outdated lol) then complete shift to web dev, started from zero → one year later I was creating a web app for a huge British company as a solo, fullstack dev that's mostly what's still helping me finance my journey, even though I've just been burning savings every single month since anyway that contract ended in April 2025 ; I was going to do freelancing, but I found this indie community here and started watching Marc Lou's vlogs I had no idea where to start but I still started I've never loved coding, I've only ever loved creating stuff thanks to it - and that's what I'm addicted to 🎸 I play guitar (got my first one 20 years ago) 🎶 I've recorded probably more than a hundred songs over the last 15 years 🎮 I love gaming, I used to spend 10 hours a day not coding but playing, not much time anymore now (toxic trait: I believe I could've turned pro on CoD4) 🖥️ Now creating things online, from SaaS to web apps to mobile apps to random tools to games (I even ranked #51 / 900+ in the VibeJam) and now going all-in on the marketplace "I haven't got THE product that could help me blow up and that would make me want to focus on 100%" - that's what I said on my birthday 10 months ago ; but now I do!!! this BrandMyMac auction has completely changed my journey in the span of a few days it's the first time I felt, while building it, "I know this is a banger, it's obvious it can work, it must already exist" the rest is history: ✅ 13M views in 2 weeks (10.3M with one post) ✅ +3k followers in the last 2 weeks ✅ unlocked monetisation on X and got paid $1,300 ✅ I made $15k in 3 weeks = I made $16k over the last 1.5 years (different perspective right?) ✅ started the whole "BrandMy..." trend all that took +14k posts, 8 SaaS & 2 mobile apps that kinda flopped ($200 MRR all combined atm), a crazy amount of reps (made 100 daily vlogs then stopped cos they felt useless) if you think I pulled that recent money, impressions, success or whatever out of nowhere, you're wrong. and it's not your fault there's no way for you to know what it took to get to that point and this is the point of this post, might as well re-introduce myself to the new 3k followers (welcome and thanks), instead of just saying "let's connect" lol anyway, grateful for all these moments, your support, and the amazing people I've met 🙏🏼 and I'm proud for starting this journey, believing in myself, and challenging myself more than ever still long way to go before being able to chill out making revenue passively 💪🏼 thank you all ❤ (some posts illustrating my journey below 👇🏼)

Vincent

10,868 Aufrufe • vor 1 Monat

This Chinese developer linked two $2,999 NVIDIA DGX Sparks into one box and runs the full Qwen3-235B at home, after dropping his $1,999-a-month cloud bill to zero. He wired 2 small boxes into a single computer, split a giant 235-billion-parameter model in half between them, and serves it across his own network at about 10 tokens a second, with no internet, no cloud, right there on the desk. No data center, no thousand-dollar graphics cards, no monthly cloud bill. Just him, 2 gold boxes the size of a sandwich, one cable between them, and 1 power strip. And here is the whole payoff. He used to pay the cloud $1,999 a month for the same model, and the meter ticked on every request. Now he paid $5,998 once for 2 boxes, they covered their cost in 3 months, and after that he sends as many requests as he wants for free, only electricity. The two Sparks talk over one fast cable, each holds 128GB of memory, and together they carry the whole model, about 73GB loaded per box, with the chip inside pinned near the limit at 96%. Both boxes work as one and keep trading data over the cable, with no cloud in the loop and no single word leaking out. The ready model sits on one local address, and any app on his network calls it as easily as ChatGPT. And here is how he described, in plain words, what this pair of boxes does: "this is a pair of boxes that holds the huge Qwen3-235B model and serves it to one network. the model is split in half, and each box owns its half. parts: // Box 1 (holds the first half of the model and starts the answer fast, the first word appears in under a second) // Box 2 (holds the second half and writes out the rest, about 10 tokens a second) // Cable (connects the 2 boxes and moves data between them on every step, with no lag) // Address (one local address where any app sends its request, like to a cloud model) // Test (a script that runs big prompts through and measures speed and delays) // Monitor (checks temperature, power draw, and load on both boxes every 2 seconds). the model never goes to the cloud. he only steps in when a box runs hotter than 80 degrees or the cable between them starts dropping data." So the system knows exactly what it is, what it is for, and where its limits are. It knows it has to hold the whole huge model across 2 boxes on its own. It knows it has to answer every request locally, with no meter, no limits, and no internet. It knows the human is only needed when a box overheats or the link between them stalls. → The setup runs around the clock on 2 boxes, each pulling under 60 watts → However many requests he sends, the monthly bill is $0, only electricity → The first box starts the answer in under a second → The second writes text at about 10 tokens a second → One request at a time: 838 tokens in 85 seconds, first word in 0.8s → Two requests at once: 697 tokens in 108 seconds, first word in 0.7s → Both boxes sit at 96% load and warm up to 76-78 degrees And only when a chip in a box runs hotter than 80 degrees or the cable between the 2 Sparks drops data does the system call the owner. And when he himself is out on a run or in a coffee shop, he still reaches his own model at home from his phone: sends a big prompt to the local Qwen3-235B, gets the full answer back in under a minute and a half, with no token meter ticking and no limit to hit. Here is what the test shows on his screen during one of the night runs: "one request at a time: 838 tokens in 84.9 seconds, first word in 0.8s, then 0.1s per token." "two requests at once: 697 tokens in 107.6 seconds, first word in 0.7s, then 0.15s per token." "Box 1: chip at 96% load, 76 degrees, 56 watts, 73GB used in memory." "Box 2: chip at 96% load, 78 degrees, 56 watts, the Qwen3-235B model fully loaded." And while everyone around is paying for AI by the month and bumping into limits, his top-tier model just sits on the desk and works as much as he wants: his own little power plant instead of a forever meter. He has no server rack of his own and no cloud account behind it. Just 2 DGX Spark boxes on a desk, one model split in half between them, one local address, and a folder of prompts next to it. Out of everything I have seen this year, this is the cleanest way to stop paying for AI: $5,998 of hardware on the desk once, $0 a month to the cloud, unlimited forever, and between them 2 gold boxes, 1 cable, and the full Qwen3-235B answering at home with no internet.
1:16

This Chinese developer linked two $2,999 NVIDIA DGX Sparks into one box and runs the full Qwen3-235B at home, after dropping his $1,999-a-month cloud bill to zero. He wired 2 small boxes into a single computer, split a giant 235-billion-parameter model in half between them, and serves it across his own network at about 10 tokens a second, with no internet, no cloud, right there on the desk. No data center, no thousand-dollar graphics cards, no monthly cloud bill. Just him, 2 gold boxes the size of a sandwich, one cable between them, and 1 power strip. And here is the whole payoff. He used to pay the cloud $1,999 a month for the same model, and the meter ticked on every request. Now he paid $5,998 once for 2 boxes, they covered their cost in 3 months, and after that he sends as many requests as he wants for free, only electricity. The two Sparks talk over one fast cable, each holds 128GB of memory, and together they carry the whole model, about 73GB loaded per box, with the chip inside pinned near the limit at 96%. Both boxes work as one and keep trading data over the cable, with no cloud in the loop and no single word leaking out. The ready model sits on one local address, and any app on his network calls it as easily as ChatGPT. And here is how he described, in plain words, what this pair of boxes does: "this is a pair of boxes that holds the huge Qwen3-235B model and serves it to one network. the model is split in half, and each box owns its half. parts: // Box 1 (holds the first half of the model and starts the answer fast, the first word appears in under a second) // Box 2 (holds the second half and writes out the rest, about 10 tokens a second) // Cable (connects the 2 boxes and moves data between them on every step, with no lag) // Address (one local address where any app sends its request, like to a cloud model) // Test (a script that runs big prompts through and measures speed and delays) // Monitor (checks temperature, power draw, and load on both boxes every 2 seconds). the model never goes to the cloud. he only steps in when a box runs hotter than 80 degrees or the cable between them starts dropping data." So the system knows exactly what it is, what it is for, and where its limits are. It knows it has to hold the whole huge model across 2 boxes on its own. It knows it has to answer every request locally, with no meter, no limits, and no internet. It knows the human is only needed when a box overheats or the link between them stalls. → The setup runs around the clock on 2 boxes, each pulling under 60 watts → However many requests he sends, the monthly bill is $0, only electricity → The first box starts the answer in under a second → The second writes text at about 10 tokens a second → One request at a time: 838 tokens in 85 seconds, first word in 0.8s → Two requests at once: 697 tokens in 108 seconds, first word in 0.7s → Both boxes sit at 96% load and warm up to 76-78 degrees And only when a chip in a box runs hotter than 80 degrees or the cable between the 2 Sparks drops data does the system call the owner. And when he himself is out on a run or in a coffee shop, he still reaches his own model at home from his phone: sends a big prompt to the local Qwen3-235B, gets the full answer back in under a minute and a half, with no token meter ticking and no limit to hit. Here is what the test shows on his screen during one of the night runs: "one request at a time: 838 tokens in 84.9 seconds, first word in 0.8s, then 0.1s per token." "two requests at once: 697 tokens in 107.6 seconds, first word in 0.7s, then 0.15s per token." "Box 1: chip at 96% load, 76 degrees, 56 watts, 73GB used in memory." "Box 2: chip at 96% load, 78 degrees, 56 watts, the Qwen3-235B model fully loaded." And while everyone around is paying for AI by the month and bumping into limits, his top-tier model just sits on the desk and works as much as he wants: his own little power plant instead of a forever meter. He has no server rack of his own and no cloud account behind it. Just 2 DGX Spark boxes on a desk, one model split in half between them, one local address, and a folder of prompts next to it. Out of everything I have seen this year, this is the cleanest way to stop paying for AI: $5,998 of hardware on the desk once, $0 a month to the cloud, unlimited forever, and between them 2 gold boxes, 1 cable, and the full Qwen3-235B answering at home with no internet.

Blaze

93,871 Aufrufe • vor 4 Monaten

I make unlimited landing pages with Claude Cowork for $0 😱 here's the system that turns one URL into a landing page for every possible angle: step 1: scrape your brand DNA → Firecrawl scrapes your site. trust signals, colors, fonts, the works → I pointed it at virlo and it pulled every proof element & visual system in 90 seconds → nothing hallucinated. everything traced back to your actual site step 2: figure out WHY your product works → not the features but the reason someone should care. → maps which claims you can back up vs ones you can't step 3: lock your brand voice → pulls your exact phrases, tone, language patterns → ran it on a client last week. they thought they wrote the page. they didn't. step 4: write the copy → hard ban list kills AI slop on sight ("unlock", "seamless", "revolutionize" = dead) → then cuts 20% of whatever it wrote. if a line doesn't earn its spot, it's gone. step 5: generate on-brand visuals → @trybloomai creates images that ACTUALLY match your brand (s/o Ray for hooking up FREE bloom credits, ill send you a link) → no stock photo energy. no purple AI gradients. no "two businesspeople shaking hands." step 6: build the page → single-file HTML. responsive. ready to roll. → routes layout by type. product, SaaS, lead gen, regulated all look different → one product. six angles. six pages. each one ships. step 7: QA gate → scores every page on proof, trust, copy, visuals, anti-slop → shippable, draft, or blocked. nothing goes live without passing. input: your URL output: unlimited landing pages w/ copy & brand images Steal Ads automates ads. this builds landers for each. money ad → money page. agencies charge $5-10K per landing page. this builds unlimited pages for $0. I packaged the entire system as the Landing Page Factory. 7 Claude skills: - site-extract (brand DNA via Firecrawl) - page-strategy (mechanism mapping + real claims) - brand-profile (your voice + your branding) - page-copy (conversion copy w/ slop ban) - page-visuals (on-brand images w/ @trybloomai) - page-build (multiple variations & layouts) - page-qa (shippability gate so it doesn't suck) also works with OpenClaw🦞, hermes (Nous Research) or any agent framework. giving it away free. comment PAGES + like + follow (must follow so i can DM)
0:48

I make unlimited landing pages with Claude Cowork for $0 😱 here's the system that turns one URL into a landing page for every possible angle: step 1: scrape your brand DNA → Firecrawl scrapes your site. trust signals, colors, fonts, the works → I pointed it at virlo and it pulled every proof element & visual system in 90 seconds → nothing hallucinated. everything traced back to your actual site step 2: figure out WHY your product works → not the features but the reason someone should care. → maps which claims you can back up vs ones you can't step 3: lock your brand voice → pulls your exact phrases, tone, language patterns → ran it on a client last week. they thought they wrote the page. they didn't. step 4: write the copy → hard ban list kills AI slop on sight ("unlock", "seamless", "revolutionize" = dead) → then cuts 20% of whatever it wrote. if a line doesn't earn its spot, it's gone. step 5: generate on-brand visuals → @trybloomai creates images that ACTUALLY match your brand (s/o Ray for hooking up FREE bloom credits, ill send you a link) → no stock photo energy. no purple AI gradients. no "two businesspeople shaking hands." step 6: build the page → single-file HTML. responsive. ready to roll. → routes layout by type. product, SaaS, lead gen, regulated all look different → one product. six angles. six pages. each one ships. step 7: QA gate → scores every page on proof, trust, copy, visuals, anti-slop → shippable, draft, or blocked. nothing goes live without passing. input: your URL output: unlimited landing pages w/ copy & brand images Steal Ads automates ads. this builds landers for each. money ad → money page. agencies charge $5-10K per landing page. this builds unlimited pages for $0. I packaged the entire system as the Landing Page Factory. 7 Claude skills: - site-extract (brand DNA via Firecrawl) - page-strategy (mechanism mapping + real claims) - brand-profile (your voice + your branding) - page-copy (conversion copy w/ slop ban) - page-visuals (on-brand images w/ @trybloomai) - page-build (multiple variations & layouts) - page-qa (shippability gate so it doesn't suck) also works with OpenClaw🦞, hermes (Nous Research) or any agent framework. giving it away free. comment PAGES + like + follow (must follow so i can DM)

Matthew Berman

141,614 Aufrufe • vor 6 Monaten

🚨🇪🇺 INTERVIEW: HE RAN FOR EU PARLIAMENT AS A JOKE AND EXPOSED HOW BROKEN IT IS Ever wondered why the EU is so messed up, and what happens behind the sc eyes? Well today I spoke to an MEP that started as a prank YouTuber, ran for EU Parliament as a joke, and ended up becoming the most‑voted candidate in the country. He gained so much traction that Elon publicly endorsed him: “Fidias for EU president!!” Inside the EU, his take is blunt: massive bureaucracy, slow decision‑making, and politicians obsessing over irrelevant stuff while Europe falls behind in tech, energy, defense, and innovation. On Ukraine, he says the war is a proxy fight Europe is paying for, the U.S. is profiting from, and diplomacy should’ve happened long ago, and not because he’s “pro‑Russia,” but because Europe is bleeding itself dry. He breaks down why the EU depends too much on the U.S. for defense, why pushing Russia toward China was a mistake, and why Europe has power but doesn’t use it well. He also explains why the EU keeps clashing with Elon Musk: free speech, platform regulation, and why his refusal to let governments control moderation changed the game. Bottom line: Europe isn’t doomed, but it is stuck. Unless it kills bureaucracy, fixes immigration, boosts innovation, and reconnects voters to power, it’s going to keep losing ground. If you want a raw, inside look at EU politics from someone who wasn’t supposed to be there, listen to this interview with Fidias Panayiotou 1:04 - How Fídias Panayiotou got into EU politics 8:16 - EU Criticisms, Bureaucracy, and how Fidias ended up in Cyprus 10:55 - The state of the EU, the Russia-Ukraine War, and Venezuela 17:08 - EU Defense and Dependence on the U.S. 21:20 - EU Politics, Effects of Voting, and What the Bureaucracy is doing 26:22 - Political Strategy for Being in an Independent Party 30:34 - In-App Elections and Voting: Making Politics Great Again 36:10 - Why Europe is Destroying Itself from Within 38:49 - Could the EU Fail? 40:35 - The Future of the EU is more Efficient 44:11 - The Effects of EU Regulations Online 49:00 - Illegal Immigration and the EU 53:19 - Fídias on Elon Musk: Elon’s Influence on him and the EU
1:02:33

🚨🇪🇺 INTERVIEW: HE RAN FOR EU PARLIAMENT AS A JOKE AND EXPOSED HOW BROKEN IT IS Ever wondered why the EU is so messed up, and what happens behind the sc eyes? Well today I spoke to an MEP that started as a prank YouTuber, ran for EU Parliament as a joke, and ended up becoming the most‑voted candidate in the country. He gained so much traction that Elon publicly endorsed him: “Fidias for EU president!!” Inside the EU, his take is blunt: massive bureaucracy, slow decision‑making, and politicians obsessing over irrelevant stuff while Europe falls behind in tech, energy, defense, and innovation. On Ukraine, he says the war is a proxy fight Europe is paying for, the U.S. is profiting from, and diplomacy should’ve happened long ago, and not because he’s “pro‑Russia,” but because Europe is bleeding itself dry. He breaks down why the EU depends too much on the U.S. for defense, why pushing Russia toward China was a mistake, and why Europe has power but doesn’t use it well. He also explains why the EU keeps clashing with Elon Musk: free speech, platform regulation, and why his refusal to let governments control moderation changed the game. Bottom line: Europe isn’t doomed, but it is stuck. Unless it kills bureaucracy, fixes immigration, boosts innovation, and reconnects voters to power, it’s going to keep losing ground. If you want a raw, inside look at EU politics from someone who wasn’t supposed to be there, listen to this interview with Fidias Panayiotou 1:04 - How Fídias Panayiotou got into EU politics 8:16 - EU Criticisms, Bureaucracy, and how Fidias ended up in Cyprus 10:55 - The state of the EU, the Russia-Ukraine War, and Venezuela 17:08 - EU Defense and Dependence on the U.S. 21:20 - EU Politics, Effects of Voting, and What the Bureaucracy is doing 26:22 - Political Strategy for Being in an Independent Party 30:34 - In-App Elections and Voting: Making Politics Great Again 36:10 - Why Europe is Destroying Itself from Within 38:49 - Could the EU Fail? 40:35 - The Future of the EU is more Efficient 44:11 - The Effects of EU Regulations Online 49:00 - Illegal Immigration and the EU 53:19 - Fídias on Elon Musk: Elon’s Influence on him and the EU

Mario Nawfal

1,215,880 Aufrufe • vor 8 Monaten

Matthew Gallagher Built a $401M Company in Year One with 2 People. And the tool behind it? Claude Code. This year he's on track for $1.8B. Sam Altman predicted this. It's happening now. The problem? It costs money. API credits stack up. Monthly bills keep growing. Every prompt eats your budget. Every project drains your wallet faster. Until now. Two methods. 99% cheaper. One is completely free. Forever. $0. Not a trial. This video breaks down both step by step. ↓ Let me put this in perspective. $100-$500. That's monthly. That's what you spend. That's $6,000/year on API credits. Just to use a tool you haven't shipped anything with. The $401M guy? Spending $0. Same capability. Shipping weekly. Different cost structure. Different results. Different life. I'm about to hand you his cost structure for free. ↓ Open source vs closed source. Pay attention. Closed source: Claude. GPT-4. Pay per token. Meter always running. Open source: Qwen. Llama. Mistral. Free to download. Free to run. Free forever. No meter. No tokens. No bill. Here's what nobody tells you: 80% of coding tasks? Open source handles them. More than handles them. Writes clean code. Debugs errors. Generates boilerplate. Handles routine work perfectly. You're paying premium prices for tasks that don't need premium intelligence. That's hiring a brain surgeon to put on a bandaid. Smart play: Free models for the 80%. Paid credits for the 20%. That's what the $401M guy does. That's what this video teaches you. Follow Himanshu Kumar for more breakdowns that turn free tools into real businesses. ↓ Method 1: Ollama. Local. Free. Forever. Download it. Pull a model. Point Claude Code at it. Done. No internet needed. No API keys required. No monthly subscription. No token counting ever. No bill. Today. Tomorrow. Ever. Your data never leaves your computer. Complete privacy. Complete freedom. Claude Code thinks it's talking to the cloud. It's talking to your laptop. For $0. The video walks through every step: Every config file. Every variable. Every command. Every click. If you can follow a recipe, you can do this. People who set this up 3 months ago? Saved $300-$1,500 since then. Workflow didn't change one bit. ↓ Hardware you need: 16GB RAM: 7B models run smooth. 32GB RAM: 32B models run comfortable. 64GB + GPU: biggest models available. No GPU? Still works. Just slower. Few extra seconds. That's it. Your $1,500 laptop is sitting there running Chrome and Spotify. Put it to work saving you $200/month instead. Follow Himanshu Kumar for more breakdowns that turn free tools into real businesses. ↓ Method 2: Open Router. Free Cloud. No Hardware. Weak machine? Don't want local setup? This method is for you. Free AI models in the cloud. No download. No hardware. Configure Claude Code to route through Open Router. The config: Base URL: Open Router API. API key: free Open Router key. Default Sonnet: free. Default Opus: free. Default Haiku: free. Small fast model: free. Subagent model: free. Free. Free. Free. Free. Free across the board. Same interface. Same commands. Same workflow. Zero cost. Copy the config from the video. Paste it. Save $200/month. Starting today. Right now. ↓ When to use which: Ollama (local): Best for privacy. Best for offline work. Best for unlimited usage. Best if you have decent hardware. Open Router (cloud): Best for weak machines. Best for instant setup. Best for trying different models. Best if you don't want to manage anything. Both methods: Best for 80% of your daily work. Still use paid Claude for: Complex architecture. Multi-file refactoring. Deep reasoning tasks. The 20% that actually needs it. $20/month instead of $200/month. Same output. 90% less cost. ↓ The math that should make you angry. You (current): $200-$500/month. $2,400-$6,000/year. $7,200-$18,000 over 3 years. You (after this video): $20-$50/month. $240-$600/year. $720-$1,800 over 3 years. Savings over 3 years: $6,480-$16,200. That's a used car. That's seed money. That's 6 months of rent. All from one 25-minute video. All from 15 minutes of configuration. Highest ROI 25 minutes you'll spend this year. ↓ The limitations. I won't lie to you. Open source is not Opus. Not as smart on complex reasoning. Not as good at long-context tasks. Makes more mistakes on nuanced problems. But they are: Free. Capable. Getting better monthly. Good enough for 80% of daily work. Smart cost management isn't being cheap. It's being strategic. Expensive tool when it matters. Free tool when it doesn't. ↓ The one-person billion-dollar company is coming. $401M in year one proved it's possible. The building blocks: AI that codes: Claude Code. Way to run it free: this video. Distribution: the internet. Customers: everyone. Only missing ingredient? Someone who builds. Not reads about building. Not saves posts about building. Not bookmarks videos about building. Builds. Tools are free. Knowledge is free. Opportunity is screaming. You're still "thinking about it." ↓ Your action plan: Tonight: Watch the video. Tomorrow morning: Set up Ollama or Open Router. Tomorrow afternoon: Build something. Anything. This week: Build a second thing. Faster. This month: Charge someone for it. One video. One setup. One weekend. $0 cost. Unlimited potential. Or keep paying $200/month for something you could get free. Keep consuming instead of building. Keep planning instead of shipping. Matthew Gallagher didn't plan a $401M company. He built it. Full video attached. Every method. Every config. Every tradeoff. 25 minutes. Your move. Follow Himanshu Kumar for more breakdowns that turn free tools into real businesses.
25:22

Matthew Gallagher Built a $401M Company in Year One with 2 People. And the tool behind it? Claude Code. This year he's on track for $1.8B. Sam Altman predicted this. It's happening now. The problem? It costs money. API credits stack up. Monthly bills keep growing. Every prompt eats your budget. Every project drains your wallet faster. Until now. Two methods. 99% cheaper. One is completely free. Forever. $0. Not a trial. This video breaks down both step by step. ↓ Let me put this in perspective. $100-$500. That's monthly. That's what you spend. That's $6,000/year on API credits. Just to use a tool you haven't shipped anything with. The $401M guy? Spending $0. Same capability. Shipping weekly. Different cost structure. Different results. Different life. I'm about to hand you his cost structure for free. ↓ Open source vs closed source. Pay attention. Closed source: Claude. GPT-4. Pay per token. Meter always running. Open source: Qwen. Llama. Mistral. Free to download. Free to run. Free forever. No meter. No tokens. No bill. Here's what nobody tells you: 80% of coding tasks? Open source handles them. More than handles them. Writes clean code. Debugs errors. Generates boilerplate. Handles routine work perfectly. You're paying premium prices for tasks that don't need premium intelligence. That's hiring a brain surgeon to put on a bandaid. Smart play: Free models for the 80%. Paid credits for the 20%. That's what the $401M guy does. That's what this video teaches you. Follow Himanshu Kumar for more breakdowns that turn free tools into real businesses. ↓ Method 1: Ollama. Local. Free. Forever. Download it. Pull a model. Point Claude Code at it. Done. No internet needed. No API keys required. No monthly subscription. No token counting ever. No bill. Today. Tomorrow. Ever. Your data never leaves your computer. Complete privacy. Complete freedom. Claude Code thinks it's talking to the cloud. It's talking to your laptop. For $0. The video walks through every step: Every config file. Every variable. Every command. Every click. If you can follow a recipe, you can do this. People who set this up 3 months ago? Saved $300-$1,500 since then. Workflow didn't change one bit. ↓ Hardware you need: 16GB RAM: 7B models run smooth. 32GB RAM: 32B models run comfortable. 64GB + GPU: biggest models available. No GPU? Still works. Just slower. Few extra seconds. That's it. Your $1,500 laptop is sitting there running Chrome and Spotify. Put it to work saving you $200/month instead. Follow Himanshu Kumar for more breakdowns that turn free tools into real businesses. ↓ Method 2: Open Router. Free Cloud. No Hardware. Weak machine? Don't want local setup? This method is for you. Free AI models in the cloud. No download. No hardware. Configure Claude Code to route through Open Router. The config: Base URL: Open Router API. API key: free Open Router key. Default Sonnet: free. Default Opus: free. Default Haiku: free. Small fast model: free. Subagent model: free. Free. Free. Free. Free. Free across the board. Same interface. Same commands. Same workflow. Zero cost. Copy the config from the video. Paste it. Save $200/month. Starting today. Right now. ↓ When to use which: Ollama (local): Best for privacy. Best for offline work. Best for unlimited usage. Best if you have decent hardware. Open Router (cloud): Best for weak machines. Best for instant setup. Best for trying different models. Best if you don't want to manage anything. Both methods: Best for 80% of your daily work. Still use paid Claude for: Complex architecture. Multi-file refactoring. Deep reasoning tasks. The 20% that actually needs it. $20/month instead of $200/month. Same output. 90% less cost. ↓ The math that should make you angry. You (current): $200-$500/month. $2,400-$6,000/year. $7,200-$18,000 over 3 years. You (after this video): $20-$50/month. $240-$600/year. $720-$1,800 over 3 years. Savings over 3 years: $6,480-$16,200. That's a used car. That's seed money. That's 6 months of rent. All from one 25-minute video. All from 15 minutes of configuration. Highest ROI 25 minutes you'll spend this year. ↓ The limitations. I won't lie to you. Open source is not Opus. Not as smart on complex reasoning. Not as good at long-context tasks. Makes more mistakes on nuanced problems. But they are: Free. Capable. Getting better monthly. Good enough for 80% of daily work. Smart cost management isn't being cheap. It's being strategic. Expensive tool when it matters. Free tool when it doesn't. ↓ The one-person billion-dollar company is coming. $401M in year one proved it's possible. The building blocks: AI that codes: Claude Code. Way to run it free: this video. Distribution: the internet. Customers: everyone. Only missing ingredient? Someone who builds. Not reads about building. Not saves posts about building. Not bookmarks videos about building. Builds. Tools are free. Knowledge is free. Opportunity is screaming. You're still "thinking about it." ↓ Your action plan: Tonight: Watch the video. Tomorrow morning: Set up Ollama or Open Router. Tomorrow afternoon: Build something. Anything. This week: Build a second thing. Faster. This month: Charge someone for it. One video. One setup. One weekend. $0 cost. Unlimited potential. Or keep paying $200/month for something you could get free. Keep consuming instead of building. Keep planning instead of shipping. Matthew Gallagher didn't plan a $401M company. He built it. Full video attached. Every method. Every config. Every tradeoff. 25 minutes. Your move. Follow Himanshu Kumar for more breakdowns that turn free tools into real businesses.

Himanshu Kumar

13,677 Aufrufe • vor 6 Monaten

Product launches is the one of the hottest skills on the market right now. This one had 0% video generations. 100% code. Made entirely on Claude using Higgsfield Katana. The prompt: Use the attached PHYLLA video as the primary reference. Inspect its compositions, typography, scene changes, motion, and audio before building. Ask me for any available original image assets, PHYLLA logo, brand fonts, Higgsfield/Katana branding, and soundtrack. Ask only for information that cannot be recovered from the reference. If I skip anything, use these defaults: Brand: PHYLLA. Product descriptor: “NEW LANGUAGE MODEL”. Ending tagline: “Generative intelligence”. Duration: 30 seconds. Frame rate: 24 fps. Main film: 1920 × 1080. Showcase version: 2560 × 1536. Typography: a bold grotesk sans serif paired with a high-contrast italic serif. Imagery: botanical macro photography, translucent biological forms, pastel sculptural objects, intimate human portraits, and procedural scientific graphics. Use original assets where available. Otherwise, create suitable still-image replacements that match the reference’s composition, materials, and palette. Keep photographic assets separate from procedural graphics in the project. Create a complete launch film for PHYLLA using Higgsfield Katana and Claude Motion. The story: a word behaves like a seed. A person supplies it, intelligence responds, and an entire world grows from that small beginning. The visual language combines luxury beauty editorial, microscopic nature photography, and precise computational graphics. It should feel tactile, intimate, and carefully art-directed. Alternate between near-black and warm ivory backgrounds. Use soft pink, peach, pale mint, and muted green throughout. Reserve saturated blue, violet, and orange for brief contrast moments. Starting palette: Near-black: #080A09. Charcoal: #141615. Ivory: #F4EBDD. Warm white: #EFEFEF. Pink: #E8A5C7. Peach: #F0BC9F. Mint: #BCDCCE. Muted green: #779B83. Higgsfield lime: #D1FF17. Keep lime mostly in branding, selection outlines, and small interface accents. Use extreme changes in scale: a tiny seed surrounded by black, a frame-filling cell, a close-up of an eye, then an endless field of flowers. Connect these images through repeated circles, spirals, branching structures, and clusters. Materials matter. Show moist soil, fine plant fibers, translucent membranes, matte seed shells, natural skin, and softly shaded spheres. Preserve texture. Avoid making everything glossy. Use bold sans serif for the main sentence and italic serif for the emotional or organic word: “Everything alive starts small.” “A seed.” “A cell.” “A word.” “You bring the seed.” “It grows toward you.” “Word by word.” “Plant a word.” “Watch a world grow.” Emphasize small, seed, cell, word, you, and world with the italic face where shown in the reference. Use pink italic against black and dark lettering against ivory. Keep mixed-font baselines and spacing clean. Type should feel designed as part of the composition. Pacing: begin quietly, build into a quick growth montage, open into larger worlds, then finish with a calm human moment and a clear brand reveal. Use hard cuts, match cuts, panel expansion, short masked reveals, and controlled camera movement. Do not force the film into a continuous morph. Avoid generic glitch effects, constant zooming, excessive bloom, elastic text, random interface decoration, and identical movement on every image. Build seven chapters on one 720-frame timeline. The timings below are reconstruction targets; refine individual cuts against the reference while keeping the chapter boundaries. ONE WORD / 0:00–0:04 / frames 0–95 Begin on near-black. Place a small macro photograph of a pale peach seed in dark soil below and left of center. Give it a thin bounding box, tiny corner handles, a faint elliptical guide, and a small coordinate-style label. Place “One word.” to its right in bold warm-white text. Leave substantial negative space. Move toward the seed until its shell, opening, and surrounding soil become prominent. Briefly pair the natural image with a pink point-based reconstruction of the same subject. During the second half of the chapter, cut through delicate roots, a curled fern, and a pale flowering branch against black. Show: “Everything alive starts small.” Make small pink and italic. Keep the sentence readable while the imagery changes. Use the recurring branching shapes to connect the cuts. SMALL BEGINNINGS / 0:04–0:08 / frames 96–191 0:04–approximately 0:04.8: Cut to ivory. Show a smooth pink-and-peach seed object resting on a softly lit surface. Its two shell-like halves separate slightly to reveal the interior. Use a soft contact shadow and restrained camera movement. Place “A seed.” large toward the upper-left. Approximately 0:04.8–0:05.8: Show a translucent green cell containing soft green clusters and small orange inclusions. Begin with one large cell, then divide the composition into four cells in a precise 2 × 2 arrangement. Change the text to “A cell.” Add a faint crosshair and a small pink dot diagram. Approximately 0:05.8–0:06.8: Cut to black. Reveal a large curved hemisphere made from hundreds of closely packed pastel spheres. Use pink near the top, peach and cream below, and occasional mint accents. Show enough light and shadow to reveal the individual beads and the curvature of the whole form. Place “A word.” toward the upper-left. Use a slight orbit or push to reveal depth. Approximately 0:06.8–0:08: Create three quick cuts: Pink and violet ink-like forms with “poems.” A purple fig cross-section with “recipes.” A translucent jellyfish in dark water with “answers.” Use large italic serif text, centered over each image. Keep the words readable despite the quick rhythm. YOUR SEED / 0:08–0:12 / frames 192–287 Begin on black with a flowering branch. Build an editorial specimen board around it. Add panels showing: The natural flowering branch. A pink dotted reconstruction. An orange radial cell diagram. Repeating pink rounded forms. A pale sculptural flower cluster. Blue water bordered by pink vegetation. Use consistent gutters and thin borders. Introduce the panels progressively, with controlled movement and a clear hierarchy. Around 0:09.75, cut to an open hand against a warm neutral background. Place the small pink seed object in the palm. Preserve natural skin texture, jewelry, and soft lighting. Let the seed open enough to reveal its warm center. Show “You bring the seed.” near the upper-left, with seed in italic. Add a small lime input-style label below. Move to a woman’s side profile on a pale background with soft colored light. Then cut to a dark-background profile, with a fine pink-and-mint branching form extending from her mouth into the empty space. The branching form represents a spoken idea. Keep it delicate and organic. Preserve the face and expression. GROWTH / 0:12–0:20 / frames 288–479 Increase the pace. Approximately 0:12–0:13.75: A pale green tendril curls around a fingertip against black. An extreme eye close-up shows natural skin and tiny petal-like flecks. An orange pollen-bearing structure releases fine particles. Keep “It grows toward you.” near the lower-left, with you in pink italic. Approximately 0:13.75–0:15.75: Pink-and-mint mushrooms on dark moss. A four-lobed particle form on ivory. A fuzzy curled fern against black. Rows of pastel spheres extending into depth. Give these images different movements. A slow reveal, a restrained rotation, a lateral move, and a deeper push should feel distinct. Approximately 0:15.75–0:17.75: Return to a black specimen-board layout. Show a mint-and-pink dotted root structure beside “Leaf by leaf.” Expand the layout with a flowering branch, cells, and an orange radial diagram. Change the line to “Word by word.” Make the second word pink and italic. Build from a simple pair of panels into a richer grid. Approximately 0:17.75–0:20: Accelerate through thermal-color botanical or cellular imagery, a pollen burst, and an extreme iris close-up. Move into the dark pupil. Let the frame become almost black, with a tiny colored point remaining. Use this brief pause to prepare the next change in scale. Match shapes across cuts where useful: cell to bead, bead to iris, iris to flower center. Preserve the distinctive material of each subject. NEW WORLDS / 0:20–0:24 / frames 480–575 Reveal an expansive field of pink and peach flowers on pale ground. Use ordered repetition, a low camera, soft depth of field, and forward movement. The field should feel much larger than the microscopic world that came before it. As the scene opens, assemble large black letters into “PHYLLA.” Begin with slightly offset letters, then resolve them into a strong, stable wordmark across the lower-middle of the frame. Place a small dark label beneath: “NEW LANGUAGE MODEL” Keep the text sharp while the flower field moves behind it. Follow with quick cuts through: A blue river between dense pink trees. A path beneath a flowering canopy. An ivory branching sculpture covered in pink and peach blossoms. A golden flower center with a clear spiral pattern. Connect these worlds through palette, branching forms, and radial geometry. PLANT A WORD / 0:24–0:28 / frames 576–671 Return to black with a large pink dandelion-like seed head. Show fine fibers, layered structure, and a little mint detail at the center. Place “Plant a word.” beside it, with word in pink italic. Push toward the interior. Let the stems create depth without turning the image into an unreadable blur. Around 0:25.4, cut to a woman’s side profile on ivory. Her eyes are closed. Use soft pink, green, and gold light across her skin, with a small number of floating colored particles. Place her on the right. Set the final sentence on the left: “Watch a world grow.” Use italic serif for world and bold sans serif for grow. Reveal the phrase cleanly, then hold it. This should feel quieter and more personal than the growth montage. PHYLLA / 0:28–0:30 / frames 672–719 Cut to black. Center a small radial emblem made from pastel spheres, arranged like a flower head or phyllotactic pattern. Use pink, peach, yellow, and mint. Add subtle rotation or a slight dimensional change. Place bold white “PHYLLA” beneath it. Add a smaller pink italic tagline: “Generative intelligence” Surround the emblem with very faint concentric arcs. Let the motion settle and hold the complete lockup through the ending. 1. Build the film as an editable, code-driven composition using the supported Katana and Claude Motion workflow. Keep every scene, image, text group, mask, graphic, and audio layer separately adjustable. Use one deterministic timeline. Derive animation from the current frame or time. Seed procedural randomness so particles, point fields, and layouts remain identical between preview and final render. Organize the seven chapters as independent scene modules with explicit start and end frames. Allow direct seeking and individual scene renders. Use still-image plates for photographic material. Create movement with controlled reframing, depth separation, masks, and restrained displacement. Preserve faces, fingers, plant structures, and object proportions. Build procedural elements where appropriate: sphere arrays, radial bead formations, dot reconstructions, branching lines, grids, crosshairs, arcs, and measurement guides. For this reconstruction, create the motion and montage within the editable composition. Do not use a video-generation model to produce the finished sequence. Record photographic asset sources separately from procedural elements. Build typography as editable text. Keep the sans serif and italic serif segments in aligned groups, with consistent baseline behavior and optical spacing. Use motion blur selectively on fast camera movement and graphic transitions. Preserve readable text and sharp held frames. Do not blur every layer equally. Add scientific overlays sparingly: Hairline crosshairs. Dotted guides. Sparse ruler ticks. Small corner handles. Partial concentric circles. Compact monospace labels. Anchor overlays to the subject or composition. Their purpose is to suggest observation and construction. Create a clean 1920 × 1080 export and a separate 2560 × 1536 showcase export from the same timeline. For the showcase, use this approximate layout: Film viewport: x 32, y 132, width 1968, height 1107. Code panel: x 2032, y 132, width 496, height 1107. Storyboard strip: starts around y 1270. Header: centered above the panels. Use black surrounding space, subtle charcoal borders, and gently rounded corners. Place the supplied lime Higgsfield logo beside the white italic KATANA wordmark in the header. Inside the film viewport, add the separate upper-left badge: HIGGSFIELD in black on lime. CLAUDE MOTION in white on black. Keep these elements removable for the clean-film version. Display actual project code or meaningful scene data in the right panel. Use muted monospace text, line numbers, and restrained scrolling. Synchronize focus changes with the active chapter. Build seven storyboard cards: One word / Small beginnings / Your seed / Growth / New worlds / Plant a word / PHYLLA. Use corresponding chapter imagery. Outline the active card in lime and add a thin playhead with a small handle. Synchronize the cards, code panel, and film to the same clock. Inspect the reference audio before selecting cut accents. If a new soundtrack is needed, use warm electronic atmosphere, a restrained pulse, light percussion, and delicate granular or glass-like details. Add tactile accents for the opening seed, subtle movement sounds for branching forms and panels, a lift through Growth and New worlds, and a spacious finish. Keep narration only if supplied or requested. Do not automatically read the on-screen copy aloud. Render a low-resolution preview first. Inspect complete playback and frames around every cut. Fix pacing, text collisions, unstable masks, incorrect layering, and accidental blank frames before final export. Deliver: PHYLLA_clean_1080p_24fps.mp4. PHYLLA_Katana_showcase_2560x1536_24fps.mp4. The editable project or source files. An organized asset folder and font manifest. Do not mistake the outer Katana showcase frame for the film itself. Keep the film, branding, code panel, and storyboard strip as separate compositions. Do not turn the botanical imagery into a generic slideshow. Each shot needs a deliberate composition and movement. Do not animate photographic faces with aggressive warping. Preserve anatomy and use camera movement, lighting, or separate graphic layers instead. Do not make all transitions morphs. The reference depends on decisive cuts, changes of scale, and graphic relationships. Mixed serif and sans-serif words need optical alignment. Matching their numerical font size is not enough. Dense point fields and fine botanical fibers can shimmer. Check them at final resolution and during movement. Tiny technical labels must stay subordinate. Avoid large amounts of unreadable decoration. Keep the rapid poems / recipes / answers sequence readable. Match its pace through clean cuts and contrast. Prevent the showcase badge from colliding with scene typography. Maintain a consistent reserved corner. Synchronize the active storyboard card with the actual chapter. Avoid a moving interface that does not correspond to the film. Give “Watch a world grow.” and the final PHYLLA lockup enough time to register. The result should remain editable after rendering. Keep source imagery, text, overlays, and sound available as separate elements. Inspect the reference and ask once for missing source assets. Then present: The seven-chapter timeline. The palette and font pairing. A cut-and-audio map. Six style frames: opening seed, cell or bead composition, human interaction, scientific grid, flower-field reveal, and final PHYLLA lockup. Build the editable sequence and a low-resolution preview. Review the complete film, correct the weak transitions and unreadable moments, then render both final versions. The finished film should make the journey from one small word to an entire living world feel clear, tactile, and beautifully directed.
0:30

Product launches is the one of the hottest skills on the market right now. This one had 0% video generations. 100% code. Made entirely on Claude using Higgsfield Katana. The prompt: Use the attached PHYLLA video as the primary reference. Inspect its compositions, typography, scene changes, motion, and audio before building. Ask me for any available original image assets, PHYLLA logo, brand fonts, Higgsfield/Katana branding, and soundtrack. Ask only for information that cannot be recovered from the reference. If I skip anything, use these defaults: Brand: PHYLLA. Product descriptor: “NEW LANGUAGE MODEL”. Ending tagline: “Generative intelligence”. Duration: 30 seconds. Frame rate: 24 fps. Main film: 1920 × 1080. Showcase version: 2560 × 1536. Typography: a bold grotesk sans serif paired with a high-contrast italic serif. Imagery: botanical macro photography, translucent biological forms, pastel sculptural objects, intimate human portraits, and procedural scientific graphics. Use original assets where available. Otherwise, create suitable still-image replacements that match the reference’s composition, materials, and palette. Keep photographic assets separate from procedural graphics in the project. Create a complete launch film for PHYLLA using Higgsfield Katana and Claude Motion. The story: a word behaves like a seed. A person supplies it, intelligence responds, and an entire world grows from that small beginning. The visual language combines luxury beauty editorial, microscopic nature photography, and precise computational graphics. It should feel tactile, intimate, and carefully art-directed. Alternate between near-black and warm ivory backgrounds. Use soft pink, peach, pale mint, and muted green throughout. Reserve saturated blue, violet, and orange for brief contrast moments. Starting palette: Near-black: #080A09. Charcoal: #141615. Ivory: #F4EBDD. Warm white: #EFEFEF. Pink: #E8A5C7. Peach: #F0BC9F. Mint: #BCDCCE. Muted green: #779B83. Higgsfield lime: #D1FF17. Keep lime mostly in branding, selection outlines, and small interface accents. Use extreme changes in scale: a tiny seed surrounded by black, a frame-filling cell, a close-up of an eye, then an endless field of flowers. Connect these images through repeated circles, spirals, branching structures, and clusters. Materials matter. Show moist soil, fine plant fibers, translucent membranes, matte seed shells, natural skin, and softly shaded spheres. Preserve texture. Avoid making everything glossy. Use bold sans serif for the main sentence and italic serif for the emotional or organic word: “Everything alive starts small.” “A seed.” “A cell.” “A word.” “You bring the seed.” “It grows toward you.” “Word by word.” “Plant a word.” “Watch a world grow.” Emphasize small, seed, cell, word, you, and world with the italic face where shown in the reference. Use pink italic against black and dark lettering against ivory. Keep mixed-font baselines and spacing clean. Type should feel designed as part of the composition. Pacing: begin quietly, build into a quick growth montage, open into larger worlds, then finish with a calm human moment and a clear brand reveal. Use hard cuts, match cuts, panel expansion, short masked reveals, and controlled camera movement. Do not force the film into a continuous morph. Avoid generic glitch effects, constant zooming, excessive bloom, elastic text, random interface decoration, and identical movement on every image. Build seven chapters on one 720-frame timeline. The timings below are reconstruction targets; refine individual cuts against the reference while keeping the chapter boundaries. ONE WORD / 0:00–0:04 / frames 0–95 Begin on near-black. Place a small macro photograph of a pale peach seed in dark soil below and left of center. Give it a thin bounding box, tiny corner handles, a faint elliptical guide, and a small coordinate-style label. Place “One word.” to its right in bold warm-white text. Leave substantial negative space. Move toward the seed until its shell, opening, and surrounding soil become prominent. Briefly pair the natural image with a pink point-based reconstruction of the same subject. During the second half of the chapter, cut through delicate roots, a curled fern, and a pale flowering branch against black. Show: “Everything alive starts small.” Make small pink and italic. Keep the sentence readable while the imagery changes. Use the recurring branching shapes to connect the cuts. SMALL BEGINNINGS / 0:04–0:08 / frames 96–191 0:04–approximately 0:04.8: Cut to ivory. Show a smooth pink-and-peach seed object resting on a softly lit surface. Its two shell-like halves separate slightly to reveal the interior. Use a soft contact shadow and restrained camera movement. Place “A seed.” large toward the upper-left. Approximately 0:04.8–0:05.8: Show a translucent green cell containing soft green clusters and small orange inclusions. Begin with one large cell, then divide the composition into four cells in a precise 2 × 2 arrangement. Change the text to “A cell.” Add a faint crosshair and a small pink dot diagram. Approximately 0:05.8–0:06.8: Cut to black. Reveal a large curved hemisphere made from hundreds of closely packed pastel spheres. Use pink near the top, peach and cream below, and occasional mint accents. Show enough light and shadow to reveal the individual beads and the curvature of the whole form. Place “A word.” toward the upper-left. Use a slight orbit or push to reveal depth. Approximately 0:06.8–0:08: Create three quick cuts: Pink and violet ink-like forms with “poems.” A purple fig cross-section with “recipes.” A translucent jellyfish in dark water with “answers.” Use large italic serif text, centered over each image. Keep the words readable despite the quick rhythm. YOUR SEED / 0:08–0:12 / frames 192–287 Begin on black with a flowering branch. Build an editorial specimen board around it. Add panels showing: The natural flowering branch. A pink dotted reconstruction. An orange radial cell diagram. Repeating pink rounded forms. A pale sculptural flower cluster. Blue water bordered by pink vegetation. Use consistent gutters and thin borders. Introduce the panels progressively, with controlled movement and a clear hierarchy. Around 0:09.75, cut to an open hand against a warm neutral background. Place the small pink seed object in the palm. Preserve natural skin texture, jewelry, and soft lighting. Let the seed open enough to reveal its warm center. Show “You bring the seed.” near the upper-left, with seed in italic. Add a small lime input-style label below. Move to a woman’s side profile on a pale background with soft colored light. Then cut to a dark-background profile, with a fine pink-and-mint branching form extending from her mouth into the empty space. The branching form represents a spoken idea. Keep it delicate and organic. Preserve the face and expression. GROWTH / 0:12–0:20 / frames 288–479 Increase the pace. Approximately 0:12–0:13.75: A pale green tendril curls around a fingertip against black. An extreme eye close-up shows natural skin and tiny petal-like flecks. An orange pollen-bearing structure releases fine particles. Keep “It grows toward you.” near the lower-left, with you in pink italic. Approximately 0:13.75–0:15.75: Pink-and-mint mushrooms on dark moss. A four-lobed particle form on ivory. A fuzzy curled fern against black. Rows of pastel spheres extending into depth. Give these images different movements. A slow reveal, a restrained rotation, a lateral move, and a deeper push should feel distinct. Approximately 0:15.75–0:17.75: Return to a black specimen-board layout. Show a mint-and-pink dotted root structure beside “Leaf by leaf.” Expand the layout with a flowering branch, cells, and an orange radial diagram. Change the line to “Word by word.” Make the second word pink and italic. Build from a simple pair of panels into a richer grid. Approximately 0:17.75–0:20: Accelerate through thermal-color botanical or cellular imagery, a pollen burst, and an extreme iris close-up. Move into the dark pupil. Let the frame become almost black, with a tiny colored point remaining. Use this brief pause to prepare the next change in scale. Match shapes across cuts where useful: cell to bead, bead to iris, iris to flower center. Preserve the distinctive material of each subject. NEW WORLDS / 0:20–0:24 / frames 480–575 Reveal an expansive field of pink and peach flowers on pale ground. Use ordered repetition, a low camera, soft depth of field, and forward movement. The field should feel much larger than the microscopic world that came before it. As the scene opens, assemble large black letters into “PHYLLA.” Begin with slightly offset letters, then resolve them into a strong, stable wordmark across the lower-middle of the frame. Place a small dark label beneath: “NEW LANGUAGE MODEL” Keep the text sharp while the flower field moves behind it. Follow with quick cuts through: A blue river between dense pink trees. A path beneath a flowering canopy. An ivory branching sculpture covered in pink and peach blossoms. A golden flower center with a clear spiral pattern. Connect these worlds through palette, branching forms, and radial geometry. PLANT A WORD / 0:24–0:28 / frames 576–671 Return to black with a large pink dandelion-like seed head. Show fine fibers, layered structure, and a little mint detail at the center. Place “Plant a word.” beside it, with word in pink italic. Push toward the interior. Let the stems create depth without turning the image into an unreadable blur. Around 0:25.4, cut to a woman’s side profile on ivory. Her eyes are closed. Use soft pink, green, and gold light across her skin, with a small number of floating colored particles. Place her on the right. Set the final sentence on the left: “Watch a world grow.” Use italic serif for world and bold sans serif for grow. Reveal the phrase cleanly, then hold it. This should feel quieter and more personal than the growth montage. PHYLLA / 0:28–0:30 / frames 672–719 Cut to black. Center a small radial emblem made from pastel spheres, arranged like a flower head or phyllotactic pattern. Use pink, peach, yellow, and mint. Add subtle rotation or a slight dimensional change. Place bold white “PHYLLA” beneath it. Add a smaller pink italic tagline: “Generative intelligence” Surround the emblem with very faint concentric arcs. Let the motion settle and hold the complete lockup through the ending. 1. Build the film as an editable, code-driven composition using the supported Katana and Claude Motion workflow. Keep every scene, image, text group, mask, graphic, and audio layer separately adjustable. Use one deterministic timeline. Derive animation from the current frame or time. Seed procedural randomness so particles, point fields, and layouts remain identical between preview and final render. Organize the seven chapters as independent scene modules with explicit start and end frames. Allow direct seeking and individual scene renders. Use still-image plates for photographic material. Create movement with controlled reframing, depth separation, masks, and restrained displacement. Preserve faces, fingers, plant structures, and object proportions. Build procedural elements where appropriate: sphere arrays, radial bead formations, dot reconstructions, branching lines, grids, crosshairs, arcs, and measurement guides. For this reconstruction, create the motion and montage within the editable composition. Do not use a video-generation model to produce the finished sequence. Record photographic asset sources separately from procedural elements. Build typography as editable text. Keep the sans serif and italic serif segments in aligned groups, with consistent baseline behavior and optical spacing. Use motion blur selectively on fast camera movement and graphic transitions. Preserve readable text and sharp held frames. Do not blur every layer equally. Add scientific overlays sparingly: Hairline crosshairs. Dotted guides. Sparse ruler ticks. Small corner handles. Partial concentric circles. Compact monospace labels. Anchor overlays to the subject or composition. Their purpose is to suggest observation and construction. Create a clean 1920 × 1080 export and a separate 2560 × 1536 showcase export from the same timeline. For the showcase, use this approximate layout: Film viewport: x 32, y 132, width 1968, height 1107. Code panel: x 2032, y 132, width 496, height 1107. Storyboard strip: starts around y 1270. Header: centered above the panels. Use black surrounding space, subtle charcoal borders, and gently rounded corners. Place the supplied lime Higgsfield logo beside the white italic KATANA wordmark in the header. Inside the film viewport, add the separate upper-left badge: HIGGSFIELD in black on lime. CLAUDE MOTION in white on black. Keep these elements removable for the clean-film version. Display actual project code or meaningful scene data in the right panel. Use muted monospace text, line numbers, and restrained scrolling. Synchronize focus changes with the active chapter. Build seven storyboard cards: One word / Small beginnings / Your seed / Growth / New worlds / Plant a word / PHYLLA. Use corresponding chapter imagery. Outline the active card in lime and add a thin playhead with a small handle. Synchronize the cards, code panel, and film to the same clock. Inspect the reference audio before selecting cut accents. If a new soundtrack is needed, use warm electronic atmosphere, a restrained pulse, light percussion, and delicate granular or glass-like details. Add tactile accents for the opening seed, subtle movement sounds for branching forms and panels, a lift through Growth and New worlds, and a spacious finish. Keep narration only if supplied or requested. Do not automatically read the on-screen copy aloud. Render a low-resolution preview first. Inspect complete playback and frames around every cut. Fix pacing, text collisions, unstable masks, incorrect layering, and accidental blank frames before final export. Deliver: PHYLLA_clean_1080p_24fps.mp4. PHYLLA_Katana_showcase_2560x1536_24fps.mp4. The editable project or source files. An organized asset folder and font manifest. Do not mistake the outer Katana showcase frame for the film itself. Keep the film, branding, code panel, and storyboard strip as separate compositions. Do not turn the botanical imagery into a generic slideshow. Each shot needs a deliberate composition and movement. Do not animate photographic faces with aggressive warping. Preserve anatomy and use camera movement, lighting, or separate graphic layers instead. Do not make all transitions morphs. The reference depends on decisive cuts, changes of scale, and graphic relationships. Mixed serif and sans-serif words need optical alignment. Matching their numerical font size is not enough. Dense point fields and fine botanical fibers can shimmer. Check them at final resolution and during movement. Tiny technical labels must stay subordinate. Avoid large amounts of unreadable decoration. Keep the rapid poems / recipes / answers sequence readable. Match its pace through clean cuts and contrast. Prevent the showcase badge from colliding with scene typography. Maintain a consistent reserved corner. Synchronize the active storyboard card with the actual chapter. Avoid a moving interface that does not correspond to the film. Give “Watch a world grow.” and the final PHYLLA lockup enough time to register. The result should remain editable after rendering. Keep source imagery, text, overlays, and sound available as separate elements. Inspect the reference and ask once for missing source assets. Then present: The seven-chapter timeline. The palette and font pairing. A cut-and-audio map. Six style frames: opening seed, cell or bead composition, human interaction, scientific grid, flower-field reveal, and final PHYLLA lockup. Build the editable sequence and a low-resolution preview. Review the complete film, correct the weak transitions and unreadable moments, then render both final versions. The finished film should make the journey from one small word to an entire living world feel clear, tactile, and beautifully directed.

Higgsfield AI 🧩

46,029 Aufrufe • vor 14 Tagen