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For Interstellar (2014), Christopher Nolan favored practical effects, real sets, and shooting on film to ensure it wouldn’t look dated in 20 years. This choice is a key reason why the movie has aged so well.

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53,303 次观看 • 8 个月前 •via X (Twitter)

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For Interstellar (2014), Christopher Nolan brought in real NASA engineers to design the ships and landers. Every bolt and cockpit detail was based on real spacecraft engineering.

For Interstellar (2014), Christopher Nolan brought in real NASA engineers to design the ships and landers. Every bolt and cockpit detail was based on real spacecraft engineering.

Nolan Archive

133,072 次观看 • 8 个月前

Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."

Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."

Czar 🐦‍🔥

159,437 次观看 • 4 天前

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

‏ً

133,059 次观看 • 9 天前

The Last Duel is Matt Damon’s best film of the decade that was not directed by Christopher Nolan. It would be hard for any film to top Oppenheimer or The Odyssey, but Ridley Scott’s The Last Duel has aged stupendously. This deserves a re-release in theaters at some point. Damon is electric in this movie.

The Last Duel is Matt Damon’s best film of the decade that was not directed by Christopher Nolan. It would be hard for any film to top Oppenheimer or The Odyssey, but Ridley Scott’s The Last Duel has aged stupendously. This deserves a re-release in theaters at some point. Damon is electric in this movie.

Cinema Tweets

48,429 次观看 • 5 天前

Christopher Nolan has a "no UGGs on set" policy for a very simple reason: The “signifier of modernity” could take actors out of the reality the crew is trying to create for the film.

Christopher Nolan has a "no UGGs on set" policy for a very simple reason: The “signifier of modernity” could take actors out of the reality the crew is trying to create for the film.

CBS Mornings

230,593 次观看 • 6 天前

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

PrimeNic

47,775 次观看 • 7 天前

In his career, Christopher Nolan has said that the opening hijacking of The Dark Knight Rises (2012) is the scene he is most proud of — shot using practical effects, with a real plane fuselage suspended between helicopters in Scotland instead of CGI.

In his career, Christopher Nolan has said that the opening hijacking of The Dark Knight Rises (2012) is the scene he is most proud of — shot using practical effects, with a real plane fuselage suspended between helicopters in Scotland instead of CGI.

Movies Scenes 🎫

27,575 次观看 • 5 个月前

Christopher Nolan's Odyssey has a 98% critic score. But Tom Holland is wearing pants in 1000 BC. The costumes look like they've never left a soundstage. The color grading looks like Fallujah instead of Greece. A random Italian Ulysses miniseries has better costumes than a $200 million Christopher Nolan film. You filmed on real boats and real seas for historical authenticity but Elliot Page is your Greek soldier and Travis Scott is your bard. In 10 years people are going to watch this and laugh.

Christopher Nolan's Odyssey has a 98% critic score. But Tom Holland is wearing pants in 1000 BC. The costumes look like they've never left a soundstage. The color grading looks like Fallujah instead of Greece. A random Italian Ulysses miniseries has better costumes than a $200 million Christopher Nolan film. You filmed on real boats and real seas for historical authenticity but Elliot Page is your Greek soldier and Travis Scott is your bard. In 10 years people are going to watch this and laugh.

Lauren Chen

281,903 次观看 • 11 天前

The costumes for The Odyssey. Why does an expensive blockbuster film look so drab, dull, lifeless, and colorless compared to a random cosplayer? Christopher Nolan didn't want a film score because those instruments didn't exist in Ancient Greece, yet Tom Holland’s Telemachus is wearing pants in 1000 BC instead of togas. Why?

The costumes for The Odyssey. Why does an expensive blockbuster film look so drab, dull, lifeless, and colorless compared to a random cosplayer? Christopher Nolan didn't want a film score because those instruments didn't exist in Ancient Greece, yet Tom Holland’s Telemachus is wearing pants in 1000 BC instead of togas. Why?

Lauren Chen

20,342 次观看 • 11 天前

Christopher Nolan reveals big budget films don't have a higher a chance of being good films Host :"will you still be making movies in 10 years?" Christopher :"Yes" Host :"Could you make a TV show one day?" Christopher :"No" Host :"After Batman do you want to direct another super hero movie?" Christopher :"No" Host :"Is Interstellar your favorite movie in your filmography?" Christopher :"Pass" Host :"Does a big budget film have a higher chance of being a good film?" Christopher :"No. When you're making a film you never have time and you never have enough money no matter what the budget is"

Christopher Nolan reveals big budget films don't have a higher a chance of being good films Host :"will you still be making movies in 10 years?" Christopher :"Yes" Host :"Could you make a TV show one day?" Christopher :"No" Host :"After Batman do you want to direct another super hero movie?" Christopher :"No" Host :"Is Interstellar your favorite movie in your filmography?" Christopher :"Pass" Host :"Does a big budget film have a higher chance of being a good film?" Christopher :"No. When you're making a film you never have time and you never have enough money no matter what the budget is"

CreativeDude

241,449 次观看 • 19 天前

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.

Best Movie Moments 🍿

162,786 次观看 • 3 个月前

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.

Christopher Nolan wanted Harvey Dent to feel like a true hero before becoming Two-Face. He chose Aaron Eckhart for his clean-cut image and charisma. Unlike many practical effects in the film, Two-Face’s burned face was created with advanced CGI.

Nolan Archive

743,114 次观看 • 9 个月前

Christopher Nolan, the director behind “Oppenheimer,” “Dunkirk,” “Inception,” “Interstellar,” and “The Dark Knight," is known for his large-scale filmmaking and pushing the limits of what’s possible on screen. His next film, “The Odyssey,” arrives this summer.

Christopher Nolan, the director behind “Oppenheimer,” “Dunkirk,” “Inception,” “Interstellar,” and “The Dark Knight," is known for his large-scale filmmaking and pushing the limits of what’s possible on screen. His next film, “The Odyssey,” arrives this summer.

60 Minutes

68,761 次观看 • 2 个月前

Travis Scott speaks on how Christopher Nolan approached him to be in ‘THE ODYSSEY’ 😭 "[Christopher Nolan] is like 'I'm working on this movie... I want you to be in it.' And I'm like 'Woah, woah, wait— you know I make music?'"

Travis Scott speaks on how Christopher Nolan approached him to be in ‘THE ODYSSEY’ 😭 "[Christopher Nolan] is like 'I'm working on this movie... I want you to be in it.' And I'm like 'Woah, woah, wait— you know I make music?'"

Kurrco

1,482,643 次观看 • 6 天前

An American Werewolf in London not only is a near perfect movie but, has the greatest transformation of any film. Practical effects for the win! (Credit: Universal Pictures)

An American Werewolf in London not only is a near perfect movie but, has the greatest transformation of any film. Practical effects for the win! (Credit: Universal Pictures)

House of Dracula (☥𝐃𝐁)

45,599 次观看 • 1 个月前

Since the new Odyssey movie has jumped the shark and exposed to everyone that Christopher Nolan has always been a propagandist tasked with slipping psyops into the public consciousness under the cover of famous celebrities and fancy special effects... Here's a fresh look at Interstellar (2014), which was actually just a giant NASA-glorification puff piece made to enforce the heliocentric "outer space" model of an infinite-rock-spheres universe, and vilify all "conspiracy theorists" who are exposing the fraud.

Since the new Odyssey movie has jumped the shark and exposed to everyone that Christopher Nolan has always been a propagandist tasked with slipping psyops into the public consciousness under the cover of famous celebrities and fancy special effects... Here's a fresh look at Interstellar (2014), which was actually just a giant NASA-glorification puff piece made to enforce the heliocentric "outer space" model of an infinite-rock-spheres universe, and vilify all "conspiracy theorists" who are exposing the fraud.

₿en Wehrman

70,392 次观看 • 11 天前

I’d rephrase it like this: Christopher Nolan shot BATMAN BEGINS (2005) entirely on 35mm film and has never embraced digital cameras for his features. As he told American Cinematographer, “Film is the best way to capture the texture & gravity of light.”

I’d rephrase it like this: Christopher Nolan shot BATMAN BEGINS (2005) entirely on 35mm film and has never embraced digital cameras for his features. As he told American Cinematographer, “Film is the best way to capture the texture & gravity of light.”

cinesthetic.

120,530 次观看 • 8 天前

I have one question for the Christopher Nolan haters/for all the folks on this here app who questioned Nolan: what’s it like being on the wrong side of history? I’m truly, genuinely asking. What’s it like having to go to sleep at night knowing you were so fucking wrong? Face the music. Look in the mirror. Christopher Nolan just brushed you off his shoulder.

I have one question for the Christopher Nolan haters/for all the folks on this here app who questioned Nolan: what’s it like being on the wrong side of history? I’m truly, genuinely asking. What’s it like having to go to sleep at night knowing you were so fucking wrong? Face the music. Look in the mirror. Christopher Nolan just brushed you off his shoulder.

Cinema Tweets

833,468 次观看 • 12 天前

Christopher Nolan insisted on filming this scene in The Dark Knight with real flames and minimal digital effects. This meant they had only one chance to get it right because once the fire started there was no going back.

Christopher Nolan insisted on filming this scene in The Dark Knight with real flames and minimal digital effects. This meant they had only one chance to get it right because once the fire started there was no going back.

Best Movie Moments 🍿

138,042 次观看 • 3 个月前

Christopher Nolan insisted on filming this scene in The Dark Knight with real flames and minimal digital effects. This meant they had only one chance to get it right because once the fire started there was no going back.

Christopher Nolan insisted on filming this scene in The Dark Knight with real flames and minimal digital effects. This meant they had only one chance to get it right because once the fire started there was no going back.

Christopher Nolan Archives

250,811 次观看 • 9 个月前