Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

For Interstellar (2014), Christopher Nolan favored practical effects, real sets, and shooting on film to ensure it wouldn’t look dated in 20 years. This choice is a key reason why the movie has aged so well.

NolanAnalyst's profile picture

Nolan Archive

232,727 subscribers

53,303 görüntüleme • 10 ay önce •via X (Twitter)

Sanat
LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

For Interstellar (2014), Christopher Nolan brought in real NASA engineers to design the ships and landers. Every bolt and cockpit detail was based on real spacecraft engineering.
3:40

For Interstellar (2014), Christopher Nolan brought in real NASA engineers to design the ships and landers. Every bolt and cockpit detail was based on real spacecraft engineering.

Nolan Archive

133,072 görüntüleme • 10 ay önce

Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."
0:39

Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."

Czar 🐦‍🔥

159,845 görüntüleme • 1 ay önce

Christopher Nolan used real WWII Spitfires and ships on set for 'Dunkirk' creating a 106 minute masterclass in tension, sound design and practical film making.
0:58

Christopher Nolan used real WWII Spitfires and ships on set for 'Dunkirk' creating a 106 minute masterclass in tension, sound design and practical film making.

Every Movie Plug

74,572 görüntüleme • 2 gün önce

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.
1:11

Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

‏ً

133,161 görüntüleme • 1 ay önce

The Last Duel is Matt Damon’s best film of the decade that was not directed by Christopher Nolan. It would be hard for any film to top Oppenheimer or The Odyssey, but Ridley Scott’s The Last Duel has aged stupendously. This deserves a re-release in theaters at some point. Damon is electric in this movie.
1:37

The Last Duel is Matt Damon’s best film of the decade that was not directed by Christopher Nolan. It would be hard for any film to top Oppenheimer or The Odyssey, but Ridley Scott’s The Last Duel has aged stupendously. This deserves a re-release in theaters at some point. Damon is electric in this movie.

Cinema Tweets

51,016 görüntüleme • 1 ay önce

Christopher Nolan has a "no UGGs on set" policy for a very simple reason: The “signifier of modernity” could take actors out of the reality the crew is trying to create for the film.
1:00

Christopher Nolan has a "no UGGs on set" policy for a very simple reason: The “signifier of modernity” could take actors out of the reality the crew is trying to create for the film.

CBS Mornings

233,206 görüntüleme • 1 ay önce

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."
2:21

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

PrimeNic

47,984 görüntüleme • 1 ay önce

In his career, Christopher Nolan has said that the opening hijacking of The Dark Knight Rises (2012) is the scene he is most proud of — shot using practical effects, with a real plane fuselage suspended between helicopters in Scotland instead of CGI.
4:03

In his career, Christopher Nolan has said that the opening hijacking of The Dark Knight Rises (2012) is the scene he is most proud of — shot using practical effects, with a real plane fuselage suspended between helicopters in Scotland instead of CGI.

Movies Scenes 🎫

27,575 görüntüleme • 7 ay önce

Christopher Nolan's Odyssey has a 98% critic score. But Tom Holland is wearing pants in 1000 BC. The costumes look like they've never left a soundstage. The color grading looks like Fallujah instead of Greece. A random Italian Ulysses miniseries has better costumes than a $200 million Christopher Nolan film. You filmed on real boats and real seas for historical authenticity but Elliot Page is your Greek soldier and Travis Scott is your bard. In 10 years people are going to watch this and laugh.
16:12

Christopher Nolan's Odyssey has a 98% critic score. But Tom Holland is wearing pants in 1000 BC. The costumes look like they've never left a soundstage. The color grading looks like Fallujah instead of Greece. A random Italian Ulysses miniseries has better costumes than a $200 million Christopher Nolan film. You filmed on real boats and real seas for historical authenticity but Elliot Page is your Greek soldier and Travis Scott is your bard. In 10 years people are going to watch this and laugh.

Lauren Chen

282,374 görüntüleme • 1 ay önce

The costumes for The Odyssey. Why does an expensive blockbuster film look so drab, dull, lifeless, and colorless compared to a random cosplayer? Christopher Nolan didn't want a film score because those instruments didn't exist in Ancient Greece, yet Tom Holland’s Telemachus is wearing pants in 1000 BC instead of togas. Why?
1:04

The costumes for The Odyssey. Why does an expensive blockbuster film look so drab, dull, lifeless, and colorless compared to a random cosplayer? Christopher Nolan didn't want a film score because those instruments didn't exist in Ancient Greece, yet Tom Holland’s Telemachus is wearing pants in 1000 BC instead of togas. Why?

Lauren Chen

20,342 görüntüleme • 1 ay önce

Christopher Nolan says airport customs agents in Scotland almost threw away the IMAX film for “The Odyssey” Q: “Airport customs agents almost disposed of your IMAX film while shooting The Odyssey.” Christopher Nolan: “That is true. Absolutely true.” “It was when we were going to Scotland.” “They opened up all the film cans.” “It was a massive amount of film.” “They almost disposed of it.” “We were able to rescue it.” Jimmy Fallon: “You must’ve been sweating.” Christopher Nolan: “Oh yeah.”
0:37

Christopher Nolan says airport customs agents in Scotland almost threw away the IMAX film for “The Odyssey” Q: “Airport customs agents almost disposed of your IMAX film while shooting The Odyssey.” Christopher Nolan: “That is true. Absolutely true.” “It was when we were going to Scotland.” “They opened up all the film cans.” “It was a massive amount of film.” “They almost disposed of it.” “We were able to rescue it.” Jimmy Fallon: “You must’ve been sweating.” Christopher Nolan: “Oh yeah.”

agim𓍯

96,808 görüntüleme • 1 ay önce

Christopher Nolan reveals big budget films don't have a higher a chance of being good films Host :"will you still be making movies in 10 years?" Christopher :"Yes" Host :"Could you make a TV show one day?" Christopher :"No" Host :"After Batman do you want to direct another super hero movie?" Christopher :"No" Host :"Is Interstellar your favorite movie in your filmography?" Christopher :"Pass" Host :"Does a big budget film have a higher chance of being a good film?" Christopher :"No. When you're making a film you never have time and you never have enough money no matter what the budget is"
1:26

Christopher Nolan reveals big budget films don't have a higher a chance of being good films Host :"will you still be making movies in 10 years?" Christopher :"Yes" Host :"Could you make a TV show one day?" Christopher :"No" Host :"After Batman do you want to direct another super hero movie?" Christopher :"No" Host :"Is Interstellar your favorite movie in your filmography?" Christopher :"Pass" Host :"Does a big budget film have a higher chance of being a good film?" Christopher :"No. When you're making a film you never have time and you never have enough money no matter what the budget is"

CreativeDude

241,449 görüntüleme • 2 ay önce

Christopher Nolan, the director behind “Oppenheimer,” “Dunkirk,” “Inception,” “Interstellar,” and “The Dark Knight," is known for his large-scale filmmaking and pushing the limits of what’s possible on screen. His next film, “The Odyssey,” arrives this summer.
0:29

Christopher Nolan, the director behind “Oppenheimer,” “Dunkirk,” “Inception,” “Interstellar,” and “The Dark Knight," is known for his large-scale filmmaking and pushing the limits of what’s possible on screen. His next film, “The Odyssey,” arrives this summer.

60 Minutes

68,853 görüntüleme • 3 ay önce

Travis Scott speaks on how Christopher Nolan approached him to be in ‘THE ODYSSEY’ 😭 "[Christopher Nolan] is like 'I'm working on this movie... I want you to be in it.' And I'm like 'Woah, woah, wait— you know I make music?'"
2:02

Travis Scott speaks on how Christopher Nolan approached him to be in ‘THE ODYSSEY’ 😭 "[Christopher Nolan] is like 'I'm working on this movie... I want you to be in it.' And I'm like 'Woah, woah, wait— you know I make music?'"

Kurrco

1,491,549 görüntüleme • 1 ay önce

An American Werewolf in London not only is a near perfect movie but, has the greatest transformation of any film. Practical effects for the win! (Credit: Universal Pictures)
2:06

An American Werewolf in London not only is a near perfect movie but, has the greatest transformation of any film. Practical effects for the win! (Credit: Universal Pictures)

House of Dracula (☥𝐃𝐁)

45,603 görüntüleme • 3 ay önce

For Interstellar, Christopher Nolan planted 500 acres of real corn because he didn’t want to CGI Cooper’s farm. After filming, the production sold the corn harvest and turned a $62,000 profit on it, helping offset the cost of growing it.
1:02

For Interstellar, Christopher Nolan planted 500 acres of real corn because he didn’t want to CGI Cooper’s farm. After filming, the production sold the corn harvest and turned a $62,000 profit on it, helping offset the cost of growing it.

Morbid Knowledge

120,346 görüntüleme • 9 gün önce

The connection between Richard Linklater's "Boyhood" (2014) & Christopher Nolan's "Interstellar" (2014): Christopher Nolan’s father died in 2009, after a year-long battle with cancer that was diagnosed just as he was finishing 'Inception' (2010), and as Jonathan Nolan was starting to write 'Interstellar' (2014). His father’s diagnosis was very much in his mind, Jonathan Nolan said, “the connection that you have with your parents. It was the background to much of it.” Christopher Nolan himself sees 'Interstellar' more in terms of his relationship with his own children – Rory, Magnus, Oliver and Flora – all of whom have given him the working titles for the last four of his movies. The Dark Knight was “Rory’s First Kiss”, Inception was “Oliver’s Arrow”, The Dark Knight Rises was “Magnus Rex”, and Interstellar was “Flora’s Letter”. The need to be away from them while filming eats at him. “There is a lot of guilt for that. A lot of guilt. The very sadness of saying goodbye to people is a massive expression of the love you feel for them. For me, 'Interstellar' is really about being a father. The sense of your life passing you by and your kids growing up before your eyes. Very much what I felt watching Richard Linklater’s 'Boyhood' (2014), an extraordinary film, which is weirdly doing the same thing in a completely different way. We are all engaged in the biggest mystery of all, which is just living through time.” ("Christopher Nolan: the man who rebooted the blockbuster", Tom Shone, The Guardian, 2014) P.S: 1) Happy 66th birthday Richard Linklater! 2) Happy 56th birthday, Christopher Nolan!
2:29

The connection between Richard Linklater's "Boyhood" (2014) & Christopher Nolan's "Interstellar" (2014): Christopher Nolan’s father died in 2009, after a year-long battle with cancer that was diagnosed just as he was finishing 'Inception' (2010), and as Jonathan Nolan was starting to write 'Interstellar' (2014). His father’s diagnosis was very much in his mind, Jonathan Nolan said, “the connection that you have with your parents. It was the background to much of it.” Christopher Nolan himself sees 'Interstellar' more in terms of his relationship with his own children – Rory, Magnus, Oliver and Flora – all of whom have given him the working titles for the last four of his movies. The Dark Knight was “Rory’s First Kiss”, Inception was “Oliver’s Arrow”, The Dark Knight Rises was “Magnus Rex”, and Interstellar was “Flora’s Letter”. The need to be away from them while filming eats at him. “There is a lot of guilt for that. A lot of guilt. The very sadness of saying goodbye to people is a massive expression of the love you feel for them. For me, 'Interstellar' is really about being a father. The sense of your life passing you by and your kids growing up before your eyes. Very much what I felt watching Richard Linklater’s 'Boyhood' (2014), an extraordinary film, which is weirdly doing the same thing in a completely different way. We are all engaged in the biggest mystery of all, which is just living through time.” ("Christopher Nolan: the man who rebooted the blockbuster", Tom Shone, The Guardian, 2014) P.S: 1) Happy 66th birthday Richard Linklater! 2) Happy 56th birthday, Christopher Nolan!

DepressedBergman

24,062 görüntüleme • 1 ay önce

Since the new Odyssey movie has jumped the shark and exposed to everyone that Christopher Nolan has always been a propagandist tasked with slipping psyops into the public consciousness under the cover of famous celebrities and fancy special effects... Here's a fresh look at Interstellar (2014), which was actually just a giant NASA-glorification puff piece made to enforce the heliocentric "outer space" model of an infinite-rock-spheres universe, and vilify all "conspiracy theorists" who are exposing the fraud.
1:25

Since the new Odyssey movie has jumped the shark and exposed to everyone that Christopher Nolan has always been a propagandist tasked with slipping psyops into the public consciousness under the cover of famous celebrities and fancy special effects... Here's a fresh look at Interstellar (2014), which was actually just a giant NASA-glorification puff piece made to enforce the heliocentric "outer space" model of an infinite-rock-spheres universe, and vilify all "conspiracy theorists" who are exposing the fraud.

₿en Wehrman

70,392 görüntüleme • 1 ay önce

Matt Damon reveals Christopher Nolan turned a motel parking lot into an Iceland glacier for INTERSTELLAR (2014). High winds shut down filming, so the crew spray-painted the pavement & filmed Damon and Matthew McConaughey fighting in their spacesuits.
0:45

Matt Damon reveals Christopher Nolan turned a motel parking lot into an Iceland glacier for INTERSTELLAR (2014). High winds shut down filming, so the crew spray-painted the pavement & filmed Damon and Matthew McConaughey fighting in their spacesuits.

cinesthetic.

44,200 görüntüleme • 25 gün önce