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Jennifer Welch: “[L]et me get to the nut cutting of what I think this is about. So, that is one of those white evangelical churches that turn out to vote for Donald Trump, 80+% of that sect of Christianity. These are the — don’t tread on me, folks. These are the people who feel like America is for Americans and Americans only. These are white nationalists, and the DOJ got their panties in a wad because these protesters went straight to them and addressed their hypocrisy. You, a gay black journalist, are — I mean, prime bait for them to drum up these charges, but, so that’s one issue. You went right into the most entitled white nationalists there are, and they feel that ICE is 100% justified.”

Jennifer Welch: “[L]et me get to the nut cutting of what I think this is about. So, that is one of those white evangelical churches that turn out to vote for Donald Trump, 80+% of that sect of Christianity. These are the — don’t tread on me, folks. These are the people who feel like America is for Americans and Americans only. These are white nationalists, and the DOJ got their panties in a wad because these protesters went straight to them and addressed their hypocrisy. You, a gay black journalist, are — I mean, prime bait for them to drum up these charges, but, so that’s one issue. You went right into the most entitled white nationalists there are, and they feel that ICE is 100% justified.”

Curtis Houck

29,525 Aufrufe • vor 6 Monaten

If you’ve never had the undeniable pleasure of watching Fox kits enjoy their day, then I can tell you from experience that there is magic in their brilliance. They are everything a Fox is known for, all rolled up into a spring-loaded, bouncing innocence that comes from out of nowhere. Just observing them at play will wipe out any negativity you might have floating around inside you. You simply forget about the human world for a bit while getting a much-needed “reset.” Their childlike innocence creates an energy that seems to flow through the grass, get lifted on the breeze, and make its way right into your soul. The look on Mom’s face at the end might suggest otherwise because she is constantly making sure the kits’ antics don’t get them into any type of serious trouble.

If you’ve never had the undeniable pleasure of watching Fox kits enjoy their day, then I can tell you from experience that there is magic in their brilliance. They are everything a Fox is known for, all rolled up into a spring-loaded, bouncing innocence that comes from out of nowhere. Just observing them at play will wipe out any negativity you might have floating around inside you. You simply forget about the human world for a bit while getting a much-needed “reset.” Their childlike innocence creates an energy that seems to flow through the grass, get lifted on the breeze, and make its way right into your soul. The look on Mom’s face at the end might suggest otherwise because she is constantly making sure the kits’ antics don’t get them into any type of serious trouble.

Mark Smith Photography

21,821 Aufrufe • vor 1 Jahr

American Citizens Are Calling For Accountably Of Their Money Being Spent On Illegal Immigration Programs Illegal Immigrants Given Up To $9,000 Per Month For Housing Assistance 🚨 “Let's talk about the money that is being spent. I think that there needs to be a federal audit against the company that we have contracted out to take care of the migrants. We have nurses that are being paid $64,000 a month. We have security officers that are being paid as much as $24,000 a month. We have home health care workers that are being paid up to $17,000 a month. You don't think that Chicagoans could have benefited from that? We have citizens in this city that have been on the waiting list for affordable housing for years, and migrants have been bumped in front of them. We have people who have been given up to $9,000 a month for housing assistance. That amount of the city of Chicago. We are not am pro black. I am for my marginalized who have been expect us to give up our parks places in our community for others. We're not saying that there's not room here, but what we are saying is that we are not going to step aside for you to accommodate them when you have continued to leave us out of the equation. So I'm not just talking to Brandon Johnson right now. I'm talking to Governor Pritzker and I'm talking to President Biden and I want you to understand This upcoming political year where the Democratic Party is on the menu, hear me, people of Chicago, of Illinois and of the United States. It is time for us as black people to stop voting party. It is time for us to stop voting color. It is time for us to start voting our self-interest. And if the Democrats in the city of Chicago, the state of Illinois, and the country of USA refuses to listen to us, then it is time for us to start looking at other alternatives. We are looking at all the alternatives. We will not step aside and continue to be mistreated. We will not continue to be disrespected. I'm looking at people who are coming here from another country giving work visas, giving social security cards. Nobody is asking them what walk of life that they come from. You don't think that our brothers who have been in prison, out and who have changed their lives will benefit for the same opportunities that we're giving these migrants. And I'm not saying that they don't deserve those opportunities. But what I am saying is we deserve them first. What I am saying is you can't continue to put us on the back burner and think that we're going to continue to be okay with it. We've done that for long enough. And what we're saying here today is that is no longer acceptable to our governor that you're not going to continue to set money aside for people who don't live here and disrespect, mistreat and forget about us. You've forgotten about us. You have treated us as if we don't matter and we're saying to you you're not going to continue to do this. We're saying to you to see us. You're dumping people into our communities who are going to at some point move us out of the say to you, if you want to glimpse into what's going to happen, look at how people of color are being treated in Venezuela right now. We seem to forget that Venezuela was one of the first places that had African slaves that they were taken to. We're forgetting about that. And so we're forgetting that there are blacks in Venezuela who are being treated the same way we are. And so for us to expect that they're going to come here and be put into society and treat us differently is a pipe drain.”

American Citizens Are Calling For Accountably Of Their Money Being Spent On Illegal Immigration Programs Illegal Immigrants Given Up To $9,000 Per Month For Housing Assistance 🚨 “Let's talk about the money that is being spent. I think that there needs to be a federal audit against the company that we have contracted out to take care of the migrants. We have nurses that are being paid $64,000 a month. We have security officers that are being paid as much as $24,000 a month. We have home health care workers that are being paid up to $17,000 a month. You don't think that Chicagoans could have benefited from that? We have citizens in this city that have been on the waiting list for affordable housing for years, and migrants have been bumped in front of them. We have people who have been given up to $9,000 a month for housing assistance. That amount of the city of Chicago. We are not am pro black. I am for my marginalized who have been expect us to give up our parks places in our community for others. We're not saying that there's not room here, but what we are saying is that we are not going to step aside for you to accommodate them when you have continued to leave us out of the equation. So I'm not just talking to Brandon Johnson right now. I'm talking to Governor Pritzker and I'm talking to President Biden and I want you to understand This upcoming political year where the Democratic Party is on the menu, hear me, people of Chicago, of Illinois and of the United States. It is time for us as black people to stop voting party. It is time for us to stop voting color. It is time for us to start voting our self-interest. And if the Democrats in the city of Chicago, the state of Illinois, and the country of USA refuses to listen to us, then it is time for us to start looking at other alternatives. We are looking at all the alternatives. We will not step aside and continue to be mistreated. We will not continue to be disrespected. I'm looking at people who are coming here from another country giving work visas, giving social security cards. Nobody is asking them what walk of life that they come from. You don't think that our brothers who have been in prison, out and who have changed their lives will benefit for the same opportunities that we're giving these migrants. And I'm not saying that they don't deserve those opportunities. But what I am saying is we deserve them first. What I am saying is you can't continue to put us on the back burner and think that we're going to continue to be okay with it. We've done that for long enough. And what we're saying here today is that is no longer acceptable to our governor that you're not going to continue to set money aside for people who don't live here and disrespect, mistreat and forget about us. You've forgotten about us. You have treated us as if we don't matter and we're saying to you you're not going to continue to do this. We're saying to you to see us. You're dumping people into our communities who are going to at some point move us out of the say to you, if you want to glimpse into what's going to happen, look at how people of color are being treated in Venezuela right now. We seem to forget that Venezuela was one of the first places that had African slaves that they were taken to. We're forgetting about that. And so we're forgetting that there are blacks in Venezuela who are being treated the same way we are. And so for us to expect that they're going to come here and be put into society and treat us differently is a pipe drain.”

Wall Street Apes

199,495 Aufrufe • vor 2 Jahren

"My fellow patriots, we have arrived. Let me tell you something. Since these motherfucking Democrats in these blue states and these funky-ass liberals want to toot they motherfucking horn like this old musty mop-head hijab-wearing asshole, Ilhan Omar instantly takes the motherfucking social media like they just won the world, you ain't won shit. Because now what we need to do is stop feeling sorry for they motherfucking ass, ramp up these motherfucking deportations, get all these motherfuckers the fuck up out of here, okay? That's how you start, baby, because then we ain't got to worry about it. Secure that motherfucking border where it's so motherfucking locked down, not even a motherfucking pin can get through that hoe, you understand me? This is chess, not motherfucking checkers, and I'm so tired of looking at this mop-head, musty-ass hijab-wearing asshole. I don't know what to do with myself. How the fuck does she even get in Congress? Always running her motherfucking musty-ass mouth. Ho, you came from a motherfucking country where they don't even have toilets, ho, you shit in the ground. Don't tell us how to live over here in America, ho, you can get the fuck on, you feel me? I'm sorry, baby, but I have to be raw and motherfucking uncut. I'm tired of these old musty-ass hijab-wearing ass motherfuckers trying to tell us how to live, where the fuck we come from"

"My fellow patriots, we have arrived. Let me tell you something. Since these motherfucking Democrats in these blue states and these funky-ass liberals want to toot they motherfucking horn like this old musty mop-head hijab-wearing asshole, Ilhan Omar instantly takes the motherfucking social media like they just won the world, you ain't won shit. Because now what we need to do is stop feeling sorry for they motherfucking ass, ramp up these motherfucking deportations, get all these motherfuckers the fuck up out of here, okay? That's how you start, baby, because then we ain't got to worry about it. Secure that motherfucking border where it's so motherfucking locked down, not even a motherfucking pin can get through that hoe, you understand me? This is chess, not motherfucking checkers, and I'm so tired of looking at this mop-head, musty-ass hijab-wearing asshole. I don't know what to do with myself. How the fuck does she even get in Congress? Always running her motherfucking musty-ass mouth. Ho, you came from a motherfucking country where they don't even have toilets, ho, you shit in the ground. Don't tell us how to live over here in America, ho, you can get the fuck on, you feel me? I'm sorry, baby, but I have to be raw and motherfucking uncut. I'm tired of these old musty-ass hijab-wearing ass motherfuckers trying to tell us how to live, where the fuck we come from"

Apple Lamps

60,136 Aufrufe • vor 1 Monat

Most people think they are waiting for the "right time" to leave the system... ... but the reality is much tougher: You are institutionalized! Yep, think about it! You have become comfortable in a world that is destroying your values, taxes you to death, and demands THAT you ask for permission to do everything, even to exit the system itself. Knut Svanholm ∞/21M came to the studio fresh from a private dinner with President Nayib Bukele to deliver a hard truth: The door is unlocked, but you just refuse to walk through it. So, ask yourself, why? Like the inmates in Shawshank, you’ve fallen in love with your own cage. Knut calls this the "Shawshank" effect. You hate the walls at first, then you get used to them. Eventually, you depend on them. It is about the scary but simple realization that changes everything: "You can just do things." We didn't start Bitcoin Beach when the government made Bitcoin legal tender, we did it much earlier. We just did it! To actually unplug, it’s not enough to just buy and hold Bitcoin. Sure, that's a great first step, but it’s the willingness to look at your comfy and cozy Western life, be based and honest with yourself, and "pick up a spoon to start digging your way out." If you are tired of waiting for the "right time" to start living on your own terms, you need to hear this. (Link below 👇) Be honest: What is one big move you’ve been putting off because you’re waiting for "permission"?

Most people think they are waiting for the "right time" to leave the system... ... but the reality is much tougher: You are institutionalized! Yep, think about it! You have become comfortable in a world that is destroying your values, taxes you to death, and demands THAT you ask for permission to do everything, even to exit the system itself. Knut Svanholm ∞/21M came to the studio fresh from a private dinner with President Nayib Bukele to deliver a hard truth: The door is unlocked, but you just refuse to walk through it. So, ask yourself, why? Like the inmates in Shawshank, you’ve fallen in love with your own cage. Knut calls this the "Shawshank" effect. You hate the walls at first, then you get used to them. Eventually, you depend on them. It is about the scary but simple realization that changes everything: "You can just do things." We didn't start Bitcoin Beach when the government made Bitcoin legal tender, we did it much earlier. We just did it! To actually unplug, it’s not enough to just buy and hold Bitcoin. Sure, that's a great first step, but it’s the willingness to look at your comfy and cozy Western life, be based and honest with yourself, and "pick up a spoon to start digging your way out." If you are tired of waiting for the "right time" to start living on your own terms, you need to hear this. (Link below 👇) Be honest: What is one big move you’ve been putting off because you’re waiting for "permission"?

Bitcoin Beach

36,882 Aufrufe • vor 7 Monaten

BBC UNVACCINATED DOCUMENTARY - With all of the news that’s coming out regarding risks from the C O V I D V A X, I thought I would bring back my greatest achievement: Being one of the first people to warn the public about the risks and harms from the V A X on mainstream media, before it all came out. Now that the truth has come out (and they have very quietly banned them for under 50’s), people aren’t calling me crazy anymore. I am getting so many apologies, people are now coming to me for advice - and the death threats have stopped. I take pride in being brave enough to speak up about this on the BBC, knowing I could lose my job, family, and friends (which I did). I take pride in being the first and only person to mention the Pf-i-zer documents on the BBC. I’m proud of myself for calling out the 9 pages of adverse reactions which no one is allowed to talk about. I take pride in the numerous messages I receive daily, saying that I was the reason people didn’t get injected, or didn’t inject their children - and thanking me for possibly saving their lives. For changing their mindset, and for making them realise that the government lied to them. That the pharmaceutical industry do not have their best interests at heart. I knew that the documentary was a BBC setup, I knew that they would try to use it to brainwash the masses even more. But I also knew that it would fail massively if I took part in it, so I did. Everyone told me not to, that they’d edit everything I said to make me look stupid. But something told me it would be okay. And I think that was God speaking to me. The constant manipulation and silencing I experienced in that house had a massive affect on me, and I struggled to get through it - but it was something I knew I had to do, and I was able to turn my sadness into strength. A massive shout out to Vicky, who was in there with me and kept me strong. She is the only reason I was able to get through that week without losing my mind completely. You will never understand this, but it was the most difficult thing I’ve ever been through, I will talk more about what they did to me in a separate video. Thank you for all your support 💗

BBC UNVACCINATED DOCUMENTARY - With all of the news that’s coming out regarding risks from the C O V I D V A X, I thought I would bring back my greatest achievement: Being one of the first people to warn the public about the risks and harms from the V A X on mainstream media, before it all came out. Now that the truth has come out (and they have very quietly banned them for under 50’s), people aren’t calling me crazy anymore. I am getting so many apologies, people are now coming to me for advice - and the death threats have stopped. I take pride in being brave enough to speak up about this on the BBC, knowing I could lose my job, family, and friends (which I did). I take pride in being the first and only person to mention the Pf-i-zer documents on the BBC. I’m proud of myself for calling out the 9 pages of adverse reactions which no one is allowed to talk about. I take pride in the numerous messages I receive daily, saying that I was the reason people didn’t get injected, or didn’t inject their children - and thanking me for possibly saving their lives. For changing their mindset, and for making them realise that the government lied to them. That the pharmaceutical industry do not have their best interests at heart. I knew that the documentary was a BBC setup, I knew that they would try to use it to brainwash the masses even more. But I also knew that it would fail massively if I took part in it, so I did. Everyone told me not to, that they’d edit everything I said to make me look stupid. But something told me it would be okay. And I think that was God speaking to me. The constant manipulation and silencing I experienced in that house had a massive affect on me, and I struggled to get through it - but it was something I knew I had to do, and I was able to turn my sadness into strength. A massive shout out to Vicky, who was in there with me and kept me strong. She is the only reason I was able to get through that week without losing my mind completely. You will never understand this, but it was the most difficult thing I’ve ever been through, I will talk more about what they did to me in a separate video. Thank you for all your support 💗

Nazarin Veronica

788,609 Aufrufe • vor 3 Jahren

David Lean on how to direct actors & shares a funny story that happened during the filming of 'The Bridge on the River Kwai' (1957) "Interviewer: Could you talk about how you work with your actors? Lean: Dangerous subject. Well, it’s intensely personal. I always try not to speak in a loud voice when I’m talking to an actor on the set. I gently take them aside, and I whisper because I don’t want to give the impression, for their sake, that they are being told to do this or that by a teacher. I try as hard as I can to make them suggest something that I want them to think of. The trouble with actors is that it’s a very di cult job with this damned glass eye looking at them all the time. It’s quite di cult talking to all of you here, but I’d rather talk to all of you than I would have a hundred-millimeter lens pointing at me. It’s so concentrated. It’s part of a director’s job, I think, to get the actor to give as good a performance on the stage as he gave to himself in the bath in the morning. So I try to relieve them of their inhibitions. It doesn’t help if you talk from a great height, from a megaphone, as it were. I try to get their confidence. I try to give them confidence. I can’t bear some actors, the rambunctious types who think they know everything. You’ve got to knock them down and make them realize they don’t know everything. If you’ve really done your homework on the script, you, the director, know the part better than any damned actor because you’ve been at it for months. I’ve had lots of actors who want to change dialogue. I see them doing it. I won’t have it. They took on the script and they’ll stick to it. I’m terribly tempted to tell you a rather long story about Sessue Hayakawa. You know, I nd constantly that actors really are not interested in anything but their own parts. We had a scene in 'The Bridge on the River Kwai' (1957) where they had all the troops lined up, and Sessue gets up on the soapbox and talks. We went through a rehearsal, and I said, “What’s wrong?” Because it was the speech and yet it wasn’t the speech. What Sessue had done was to learn all the lines that were only his. He had cut out all the lines that were anybody else’s. The main script was about that thick, and his script was only that thick. He marked only the pages in which he spoke. He had thrown out the rest and bound it together. Now, we came to the scene at the end of the picture. Alec Guinness is looking over the edge of the bridge and he thinks he sees some wires. He goes up to Hayakawa and says, “Colonel Saito, there’s something rather peculiar going on. I think we better go and have a look.” Guinness walked o the bridge, which leads down to the rocks, and Sessue stayed there like a rock. I said, “Go on, Sessue, follow him.” He said, “I follow him?” I said, “Sessue, this is where you nd the wires and where you get killed.” He said, “I get killed?” He had thrown the page away because he had no dialogue. I’ll tell you another story about an actor, though I won’t tell you who it was. He was damn good, but I was kind of dissatisfied. I said, “Look, I understand that an actor is projecting ninety percent to the person he’s playing with, and ten percent is going out toward the camera. I’ve only just realized that you’re putting ninety percent out to the camera, and ten to whom you’re playing with.” It changed his performance immediately." (David Lean's interview to AFI, 1984)

David Lean on how to direct actors & shares a funny story that happened during the filming of 'The Bridge on the River Kwai' (1957) "Interviewer: Could you talk about how you work with your actors? Lean: Dangerous subject. Well, it’s intensely personal. I always try not to speak in a loud voice when I’m talking to an actor on the set. I gently take them aside, and I whisper because I don’t want to give the impression, for their sake, that they are being told to do this or that by a teacher. I try as hard as I can to make them suggest something that I want them to think of. The trouble with actors is that it’s a very di cult job with this damned glass eye looking at them all the time. It’s quite di cult talking to all of you here, but I’d rather talk to all of you than I would have a hundred-millimeter lens pointing at me. It’s so concentrated. It’s part of a director’s job, I think, to get the actor to give as good a performance on the stage as he gave to himself in the bath in the morning. So I try to relieve them of their inhibitions. It doesn’t help if you talk from a great height, from a megaphone, as it were. I try to get their confidence. I try to give them confidence. I can’t bear some actors, the rambunctious types who think they know everything. You’ve got to knock them down and make them realize they don’t know everything. If you’ve really done your homework on the script, you, the director, know the part better than any damned actor because you’ve been at it for months. I’ve had lots of actors who want to change dialogue. I see them doing it. I won’t have it. They took on the script and they’ll stick to it. I’m terribly tempted to tell you a rather long story about Sessue Hayakawa. You know, I nd constantly that actors really are not interested in anything but their own parts. We had a scene in 'The Bridge on the River Kwai' (1957) where they had all the troops lined up, and Sessue gets up on the soapbox and talks. We went through a rehearsal, and I said, “What’s wrong?” Because it was the speech and yet it wasn’t the speech. What Sessue had done was to learn all the lines that were only his. He had cut out all the lines that were anybody else’s. The main script was about that thick, and his script was only that thick. He marked only the pages in which he spoke. He had thrown out the rest and bound it together. Now, we came to the scene at the end of the picture. Alec Guinness is looking over the edge of the bridge and he thinks he sees some wires. He goes up to Hayakawa and says, “Colonel Saito, there’s something rather peculiar going on. I think we better go and have a look.” Guinness walked o the bridge, which leads down to the rocks, and Sessue stayed there like a rock. I said, “Go on, Sessue, follow him.” He said, “I follow him?” I said, “Sessue, this is where you nd the wires and where you get killed.” He said, “I get killed?” He had thrown the page away because he had no dialogue. I’ll tell you another story about an actor, though I won’t tell you who it was. He was damn good, but I was kind of dissatisfied. I said, “Look, I understand that an actor is projecting ninety percent to the person he’s playing with, and ten percent is going out toward the camera. I’ve only just realized that you’re putting ninety percent out to the camera, and ten to whom you’re playing with.” It changed his performance immediately." (David Lean's interview to AFI, 1984)

DepressedBergman

36,391 Aufrufe • vor 6 Monaten

Miloš Forman explains how he worked with Non-professional actors and the pros & cons of using them: "I never showed them the script. I had the screenplay memorized word for word, and I'd start by acting out the scene for them, explaining what I was looking for. I made sure they understood what the scene was about and their character’s attitudes. Then we would go right ahead and shoot the scene. My non-actors would always remember a few lines of the written dialogue that I’d used and they would make up the rest. When everything went well, the performers were merely themselves and the words that came out of them were right on the money. But working with non-actors requires a good screenplay. They cannot perform a scene that is false, whereas good actors are able to hide the shortcomings of a script. In fact, the better the actor, the better the cover-up. Non-actors, however, simply can’t do things they don’t instinctively feel are right. In addition, non-actors can only handle a limited number of takes per scene. After three or four takes, they will start to repeat what they’d come up with in the previous takes mechanically and all that wonderful life quickly drains from their performances. In editing 'Black Peter', we frequently wound up using the first takes. While a trained actor is oblivious to the people on the set and worries only about the camera, non-actors are generally oblivious to the camera and frightened by the crew and the people around them, so I learned to save time by allowing only familiar faces on location. I found that you can work quicker with non-actors than you can with professionals that way." ('Turnaround - A Memoir', Miloš Forman, 1993) P.S: On this day, 62 years ago, "Black Peter" (1964) was released in Czechoslovakia.

Miloš Forman explains how he worked with Non-professional actors and the pros & cons of using them: "I never showed them the script. I had the screenplay memorized word for word, and I'd start by acting out the scene for them, explaining what I was looking for. I made sure they understood what the scene was about and their character’s attitudes. Then we would go right ahead and shoot the scene. My non-actors would always remember a few lines of the written dialogue that I’d used and they would make up the rest. When everything went well, the performers were merely themselves and the words that came out of them were right on the money. But working with non-actors requires a good screenplay. They cannot perform a scene that is false, whereas good actors are able to hide the shortcomings of a script. In fact, the better the actor, the better the cover-up. Non-actors, however, simply can’t do things they don’t instinctively feel are right. In addition, non-actors can only handle a limited number of takes per scene. After three or four takes, they will start to repeat what they’d come up with in the previous takes mechanically and all that wonderful life quickly drains from their performances. In editing 'Black Peter', we frequently wound up using the first takes. While a trained actor is oblivious to the people on the set and worries only about the camera, non-actors are generally oblivious to the camera and frightened by the crew and the people around them, so I learned to save time by allowing only familiar faces on location. I found that you can work quicker with non-actors than you can with professionals that way." ('Turnaround - A Memoir', Miloš Forman, 1993) P.S: On this day, 62 years ago, "Black Peter" (1964) was released in Czechoslovakia.

DepressedBergman

15,477 Aufrufe • vor 4 Monaten

“Please don’t forget us.” “Please don’t stop.” Amidst the texts of joy and celebration, these are also the messages we are receiving today. While aid trucks are already starting to enter the Gaza Strip, we must remember that even 600 proposed trucks per day will not reach everyone, will not eliminate hunger overnight, and will not provide everything needed to reverse the suffering. This is why we won’t stop. Not even for a moment. One very talented resident in The Refaat Alareer Camp had an idea to make warm baby onesies to respond to the number of infants that were dying from hypothermia. With the help of two women in the camp, this small team sewed 109 onesies for ages 0-3 out of old blankets bought at the market, washed, and repurposed. We created packages that includes informative brochure written by Dr. Azal Ali (@azalazal23) on methods to protect babies from freezing to death, the onesie, diapers, a hat, gloves and socks. So far 33 were distributed in Khan Younis and 28 in Nuseirat where we also conducted educational workshops, and we gave an additional 4 packages away to mothers with newborns. Let’s show Gaza that we will not forget them. We will not leave them. We will do even more to assist. We have plans, we’ve been waiting for the day when we can start imagining not being needed in the same way. We will transition eventually into sustainable projects that we are so excited about. But we will still need you. We will need to do this together. Thank you for continuing to contribute ❤️🙏🏼

“Please don’t forget us.” “Please don’t stop.” Amidst the texts of joy and celebration, these are also the messages we are receiving today. While aid trucks are already starting to enter the Gaza Strip, we must remember that even 600 proposed trucks per day will not reach everyone, will not eliminate hunger overnight, and will not provide everything needed to reverse the suffering. This is why we won’t stop. Not even for a moment. One very talented resident in The Refaat Alareer Camp had an idea to make warm baby onesies to respond to the number of infants that were dying from hypothermia. With the help of two women in the camp, this small team sewed 109 onesies for ages 0-3 out of old blankets bought at the market, washed, and repurposed. We created packages that includes informative brochure written by Dr. Azal Ali (@azalazal23) on methods to protect babies from freezing to death, the onesie, diapers, a hat, gloves and socks. So far 33 were distributed in Khan Younis and 28 in Nuseirat where we also conducted educational workshops, and we gave an additional 4 packages away to mothers with newborns. Let’s show Gaza that we will not forget them. We will not leave them. We will do even more to assist. We have plans, we’ve been waiting for the day when we can start imagining not being needed in the same way. We will transition eventually into sustainable projects that we are so excited about. But we will still need you. We will need to do this together. Thank you for continuing to contribute ❤️🙏🏼

The Sameer Project

74,907 Aufrufe • vor 1 Jahr

Its day 4 of building an app to $20,000/mo in public to prove that its not luck. I own 10 apps myself and im partnered with Mau Baron on prayer lock, which is currently at $20k/mo so we came together again to make another banger we had a MASSIVE pivot on the app idea on Saturday at 3AM Now we are building an app that blocks your phone until you walk You pay for screen time with steps I think all of us reading this post ( as founder and developers ) sometimes we forget to move our body When we lock in too hard. But health comes before anything So now literally 48 hours after pivoting we are 99% finished with the app Mau cooked: →App loop →Screen & health Api →Logo →Ad MMP and I cooked the: → Onboarding → Website → Appstore page We built everything you see on the video using Rork is awesome, cuz you can literally make an app in a few hours and ship it to the AppStore In literally 3 clicks now we are just waiting on the screen time api To get approved. in the meantime we are warming up some tiktok accounts to start marketing and running ads

Ernesto Lopez

41,185 Aufrufe • vor 6 Monaten

Under the greatest propaganda machine in human history, an international attack by every government in the world, the WHO, the WEF, the UN, all of them in lockstep with a 24-hour news cycle pounding you every single day, 30% of the world still said oh hell no. Think about what that means. Under that kind of pressure, with your job on the line, with your ability to provide for your family on the line, 30% of people around the world held the line. In England, experts told me 30% denied receiving a single COVID vaccine. Someone from Denmark said the same. Someone from Finland. America is right about the same. I was just in Europe weeks ago and that number kept coming up everywhere I went. That is a rebellion army. That is an international movement that already knows the truth. 30% changes governments. And then think about the 70% who did get that vaccine. How many of them actually wanted it? How many got it under duress because they had no other choice? I think there is at least another 20% in there who know they were lied to and are just waiting for permission to say it out loud. I think at least half the world knows. We have got to start speaking loudly, every one of us, and speaking proudly, because if we don't we are going to lose free speech and we are going to lose this movement, and this movement can make change not just in America but around the world. Steve Deace

Under the greatest propaganda machine in human history, an international attack by every government in the world, the WHO, the WEF, the UN, all of them in lockstep with a 24-hour news cycle pounding you every single day, 30% of the world still said oh hell no. Think about what that means. Under that kind of pressure, with your job on the line, with your ability to provide for your family on the line, 30% of people around the world held the line. In England, experts told me 30% denied receiving a single COVID vaccine. Someone from Denmark said the same. Someone from Finland. America is right about the same. I was just in Europe weeks ago and that number kept coming up everywhere I went. That is a rebellion army. That is an international movement that already knows the truth. 30% changes governments. And then think about the 70% who did get that vaccine. How many of them actually wanted it? How many got it under duress because they had no other choice? I think there is at least another 20% in there who know they were lied to and are just waiting for permission to say it out loud. I think at least half the world knows. We have got to start speaking loudly, every one of us, and speaking proudly, because if we don't we are going to lose free speech and we are going to lose this movement, and this movement can make change not just in America but around the world. Steve Deace

Del Bigtree

36,723 Aufrufe • vor 3 Monaten

EDIT: to be clear, the people who voted for an utterly horrible human are ultimately responsible - but there’s genuine reasons why they did and we can’t go on ignoring that… First, let’s get one thing straight: the Democratic Party bears a bunch of responsibility for Trump’s win. They’ve become arrogant, elitist, and completely out of touch with regular working-class Americans. The party that once championed the everyday person now looks down on them, dismissing them. And on election day, that bit them in the ass. But there’s another truth that can’t be ignored: Trump’s voters knew exactly who they were voting for. I’ve spent years talking to Trump supporters—mainly good people. And they’re fully aware of who and what Trump is. They know he lies, bullies, and breaks the law. They know he’s self-centered, cruel, and couldn’t care less about anyone but himself. But they pulled the lever for him anyway. This isn’t about loyalty to a flawed candidate. This is about knowingly putting someone in the White House who defies basic decency. If we’re serious about fixing what’s broken in this country, we need accountability on all sides. The Democrats need to wake up and start listening to the people they claim to represent. And Trump’s voters? They need to reckon with the reality of what they chose. Join me every weekday at 8 a.m. PT / 11 a.m. ET on The Social Contract as we keep tackling these tough truths. Spread the word, be brave, and let’s have the honest conversation America needs. #USElections2024

EDIT: to be clear, the people who voted for an utterly horrible human are ultimately responsible - but there’s genuine reasons why they did and we can’t go on ignoring that… First, let’s get one thing straight: the Democratic Party bears a bunch of responsibility for Trump’s win. They’ve become arrogant, elitist, and completely out of touch with regular working-class Americans. The party that once championed the everyday person now looks down on them, dismissing them. And on election day, that bit them in the ass. But there’s another truth that can’t be ignored: Trump’s voters knew exactly who they were voting for. I’ve spent years talking to Trump supporters—mainly good people. And they’re fully aware of who and what Trump is. They know he lies, bullies, and breaks the law. They know he’s self-centered, cruel, and couldn’t care less about anyone but himself. But they pulled the lever for him anyway. This isn’t about loyalty to a flawed candidate. This is about knowingly putting someone in the White House who defies basic decency. If we’re serious about fixing what’s broken in this country, we need accountability on all sides. The Democrats need to wake up and start listening to the people they claim to represent. And Trump’s voters? They need to reckon with the reality of what they chose. Join me every weekday at 8 a.m. PT / 11 a.m. ET on The Social Contract as we keep tackling these tough truths. Spread the word, be brave, and let’s have the honest conversation America needs. #USElections2024

Joe Walsh

142,184 Aufrufe • vor 1 Jahr

// a big boss on a "tiny screen" story - PART 2 10 out of 10 times, if you ask any student animator where they'd like to work, you'll prolly never hear them say the words "mobile game studios" loll It's a pretty hard sell for schools!! ....I mean you pay ten's of thousands of dollars to learn animation and the last thing you want to hear them say is "we'll teach you everything you need to know to get you ready for Mobile Games! -hahha can you imagine if that was their sales pitch!@#? 🤣 ...of course NOT - cause it's a wayyyy easier for them to charge you big moulla 💰to get you ready for AAA Games, Films, AAA Games, Films..... you get the point! Q: Would you pay 30k to get ready for mobile games? or Q: Would you pay 30k to get you ready for AAA Games / Films? ...you know the answer! ;) ----- // coffee break ☕️ about this clip // they call him the Green Death - he's a hugeeee dragon hiding in the mountains somewhere - when you unlock him in-game, this is the reveal anim you'll see. ----- Looking back I can say without a doubt that for most aspiring animators looking to break into the industry, mobile games are a wonderful place to start. I'd even go further to say that even intermediate/pro animators will really enjoy the experience that mobile game studios have to offer. For aspiring animators especially, starting in mobile games will give you the opportunity to grow at a pace that I believe is more suitable than AAA games, TV or Films. Don't get me wrong, some animators ARE ready for AAA Games & Films, but a lot aren't! - No teachers will tell their students this because that would ruin the school's reputation. ...you'll end up learning this truth when you start applying to a whole bunch of studios .....yet you can't seem to land a single job! Animation for mobile games is way more flexible than most other platforms. Tiny screen means animation doesn't have to be perfect, just good enough. ....when you clock in enough "good enough" animations, you'll be amazed to see the progress you'll make! Give mobile games a try, what do you have to lose?

// a big boss on a "tiny screen" story - PART 2 10 out of 10 times, if you ask any student animator where they'd like to work, you'll prolly never hear them say the words "mobile game studios" loll It's a pretty hard sell for schools!! ....I mean you pay ten's of thousands of dollars to learn animation and the last thing you want to hear them say is "we'll teach you everything you need to know to get you ready for Mobile Games! -hahha can you imagine if that was their sales pitch!@#? 🤣 ...of course NOT - cause it's a wayyyy easier for them to charge you big moulla 💰to get you ready for AAA Games, Films, AAA Games, Films..... you get the point! Q: Would you pay 30k to get ready for mobile games? or Q: Would you pay 30k to get you ready for AAA Games / Films? ...you know the answer! ;) ----- // coffee break ☕️ about this clip // they call him the Green Death - he's a hugeeee dragon hiding in the mountains somewhere - when you unlock him in-game, this is the reveal anim you'll see. ----- Looking back I can say without a doubt that for most aspiring animators looking to break into the industry, mobile games are a wonderful place to start. I'd even go further to say that even intermediate/pro animators will really enjoy the experience that mobile game studios have to offer. For aspiring animators especially, starting in mobile games will give you the opportunity to grow at a pace that I believe is more suitable than AAA games, TV or Films. Don't get me wrong, some animators ARE ready for AAA Games & Films, but a lot aren't! - No teachers will tell their students this because that would ruin the school's reputation. ...you'll end up learning this truth when you start applying to a whole bunch of studios .....yet you can't seem to land a single job! Animation for mobile games is way more flexible than most other platforms. Tiny screen means animation doesn't have to be perfect, just good enough. ....when you clock in enough "good enough" animations, you'll be amazed to see the progress you'll make! Give mobile games a try, what do you have to lose?

John Animates

17,280 Aufrufe • vor 3 Jahren

Matt Damon says Anne Hathaway was fully sobbing for a background scene where they couldn’t even be properly seen Matt Damon:“There was one of those days where they were shooting the beggars who were even further away, the background artists, and we were on the steps doing the scene, and Anne was fully sobbing.” “I said, ‘Anne, there’s no way they can see us.’” “She says, ‘Nope, nope. I have to get it for everything.’” “She goes, ‘They can feel it.’” “I go, ‘I don’t know if they know we’re here.’” Anne Hathaway:“My whole thing about it was by that point, they had been there for weeks.” “They had been waiting for their close-up for weeks.” “And I was just like, ‘We gotta, we gotta go full out for them.’” “‘They’ve been there for us every day.’” Matt Damon: “But I, because I’m nearsighted, I couldn’t even see them.” “I’m like, ‘I don’t think they can see us.’” Anne Hathaway:“I’m like, ‘One of them has amazing vision, and we’re here for that one.’” Matt Damon:“Have we mentioned how large Stage 20 is and how big that hall was that we built?”

Matt Damon says Anne Hathaway was fully sobbing for a background scene where they couldn’t even be properly seen Matt Damon:“There was one of those days where they were shooting the beggars who were even further away, the background artists, and we were on the steps doing the scene, and Anne was fully sobbing.” “I said, ‘Anne, there’s no way they can see us.’” “She says, ‘Nope, nope. I have to get it for everything.’” “She goes, ‘They can feel it.’” “I go, ‘I don’t know if they know we’re here.’” Anne Hathaway:“My whole thing about it was by that point, they had been there for weeks.” “They had been waiting for their close-up for weeks.” “And I was just like, ‘We gotta, we gotta go full out for them.’” “‘They’ve been there for us every day.’” Matt Damon: “But I, because I’m nearsighted, I couldn’t even see them.” “I’m like, ‘I don’t think they can see us.’” Anne Hathaway:“I’m like, ‘One of them has amazing vision, and we’re here for that one.’” Matt Damon:“Have we mentioned how large Stage 20 is and how big that hall was that we built?”

agim𓍯

872,518 Aufrufe • vor 29 Tagen

One of the most significant conversations I had in Red Deer was not with a longtime political activist, a public figure, or someone who lives and breathes this stuff every day. It was with ordinary Albertans who told me they had never really been involved in politics before. They said they had never canvassed. Never stepped forward publicly like this. Never imagined they would be out on the side of the road waving flags and speaking openly about Alberta independence. And yet there they were. That matters. It matters because movements do not become real when the loudest voices get louder. They become real when regular people, people who used to stay out of politics entirely, start feeling that the situation has become too important to ignore. That is what I think this moment represents. These were not people looking for a hobby or some political tribe to join. They were people who felt that Alberta may be staring at a rare window of opportunity, and that if we let it slip through our fingers, we may never get another one like it again. That is a very different kind of energy. It is one thing for committed independence supporters to keep making the case year after year. It is another thing entirely when people who were never engaged before begin to say: This is our chance. We cannot waste it. We may not get another one. That tells me the movement is moving beyond its old boundaries. It also helps explain why this issue hits so deeply for so many families. A lot of these people are not motivated by abstract theory. They are thinking about their kids, their grandkids, their cost of living, their ability to build a future here, and whether Alberta will remain a place where ordinary people can still prosper and live with a sense of freedom and dignity. When people like that start showing up, it means the issue has become personal. And once something becomes personal, it gets much harder for the political class to dismiss it as fringe. That may be the deeper significance of what is happening. The independence movement is no longer just being carried by the usual voices. It is pulling in people who had almost given up on politics entirely. People who had tuned out. People who thought nothing would ever change. People who are now saying that maybe this is the moment when Albertans finally have to stop waiting for Ottawa to fix things and start taking responsibility for their own future. Agree or disagree with them, that is not something to laugh off. That is a sign of a population beginning to wake up. And when ordinary people start believing that this may be their last real chance to change the direction of their province, that is when movements become powerful. That is when they stop being theoretical. That is when they become hard to ignore.

One of the most significant conversations I had in Red Deer was not with a longtime political activist, a public figure, or someone who lives and breathes this stuff every day. It was with ordinary Albertans who told me they had never really been involved in politics before. They said they had never canvassed. Never stepped forward publicly like this. Never imagined they would be out on the side of the road waving flags and speaking openly about Alberta independence. And yet there they were. That matters. It matters because movements do not become real when the loudest voices get louder. They become real when regular people, people who used to stay out of politics entirely, start feeling that the situation has become too important to ignore. That is what I think this moment represents. These were not people looking for a hobby or some political tribe to join. They were people who felt that Alberta may be staring at a rare window of opportunity, and that if we let it slip through our fingers, we may never get another one like it again. That is a very different kind of energy. It is one thing for committed independence supporters to keep making the case year after year. It is another thing entirely when people who were never engaged before begin to say: This is our chance. We cannot waste it. We may not get another one. That tells me the movement is moving beyond its old boundaries. It also helps explain why this issue hits so deeply for so many families. A lot of these people are not motivated by abstract theory. They are thinking about their kids, their grandkids, their cost of living, their ability to build a future here, and whether Alberta will remain a place where ordinary people can still prosper and live with a sense of freedom and dignity. When people like that start showing up, it means the issue has become personal. And once something becomes personal, it gets much harder for the political class to dismiss it as fringe. That may be the deeper significance of what is happening. The independence movement is no longer just being carried by the usual voices. It is pulling in people who had almost given up on politics entirely. People who had tuned out. People who thought nothing would ever change. People who are now saying that maybe this is the moment when Albertans finally have to stop waiting for Ottawa to fix things and start taking responsibility for their own future. Agree or disagree with them, that is not something to laugh off. That is a sign of a population beginning to wake up. And when ordinary people start believing that this may be their last real chance to change the direction of their province, that is when movements become powerful. That is when they stop being theoretical. That is when they become hard to ignore.

Jon Alberta Patriot

17,680 Aufrufe • vor 4 Monaten

Younger's story has always been suspicious--I first covered her involvement back in Oct 2021. The new docs also reveal for the first time that Younger told the FBI the RNC device had to have been planted between noon and 12:40pm on Jan 6--the time she spotted the pipe bomb--and not the night before, as the FBI has and still insists. Also of concern--why, within hours of her FBI interview on Jan 11, did Younger start giving media interviews with news outlets in her home state of Wisconsin. How did reporters know of Younger's discovery? Did she reach out to them or did the FBI notify Wisconsin-only news outlets about the hometown "hero?" Is this the demeanor of someone who "saved" her neighbors from being blown up? Everything about her conduct is odd:

Younger's story has always been suspicious--I first covered her involvement back in Oct 2021. The new docs also reveal for the first time that Younger told the FBI the RNC device had to have been planted between noon and 12:40pm on Jan 6--the time she spotted the pipe bomb--and not the night before, as the FBI has and still insists. Also of concern--why, within hours of her FBI interview on Jan 11, did Younger start giving media interviews with news outlets in her home state of Wisconsin. How did reporters know of Younger's discovery? Did she reach out to them or did the FBI notify Wisconsin-only news outlets about the hometown "hero?" Is this the demeanor of someone who "saved" her neighbors from being blown up? Everything about her conduct is odd:

Julie Kelly 🇺🇸

26,665 Aufrufe • vor 9 Monaten

🔥 Jeremy Clarkson had a fiery clash with BBC’s Victoria Derbyshire at the farmers’ protest against Reeves’ inheritance tax raid on family farms. Victoria went straight for the gotcha: “So it’s not about you, it’s not about your farm and the fact you bought a farm to avoid inheritance tax?” Clarkson, visibly stunned: “Classic BBC there, classic. The ‘fact’ that I bought a farm to avoid inheritance tax? The ‘fact’?” Victoria doubled down: “You told The Sunday Times in 2021 that’s why you bought it?” Clarkson, laughing in disbelief: “These people… BBC. Let’s start from the beginning. I wanted to shoot. That’s even worse to the BBC. Which comes with the benefit of not having to pay inheritance tax.” He pointed out the tax isn’t even an issue for him personally as he can simply put the farm in a trust, but he’s standing with ordinary family farms that will be hammered. After sparring over the real numbers affected, Clarkson urged the government to U-turn. Victoria: “And get the money from where?” Clarkson: “Walk into any of the offices around here and if you don’t understand what somebody’s job is, fire them.” 😂 Classic Clarkson.

🔥 Jeremy Clarkson had a fiery clash with BBC’s Victoria Derbyshire at the farmers’ protest against Reeves’ inheritance tax raid on family farms. Victoria went straight for the gotcha: “So it’s not about you, it’s not about your farm and the fact you bought a farm to avoid inheritance tax?” Clarkson, visibly stunned: “Classic BBC there, classic. The ‘fact’ that I bought a farm to avoid inheritance tax? The ‘fact’?” Victoria doubled down: “You told The Sunday Times in 2021 that’s why you bought it?” Clarkson, laughing in disbelief: “These people… BBC. Let’s start from the beginning. I wanted to shoot. That’s even worse to the BBC. Which comes with the benefit of not having to pay inheritance tax.” He pointed out the tax isn’t even an issue for him personally as he can simply put the farm in a trust, but he’s standing with ordinary family farms that will be hammered. After sparring over the real numbers affected, Clarkson urged the government to U-turn. Victoria: “And get the money from where?” Clarkson: “Walk into any of the offices around here and if you don’t understand what somebody’s job is, fire them.” 😂 Classic Clarkson.

J Stewart

1,815,570 Aufrufe • vor 2 Monaten

In 2021, Amanda wrote about her late husband, All Elite Wrestling wrestler Jon Huber, also known as Brodie Lee. On his birthday, we remember his legacy: “I hope that, when people remember Jon, they mention one of the bravest things he ever did: He had unresolved trauma — and he confronted it. I’m not going to go into every detail here, because I think some things are private. But one area that I will detail a bit is how therapy helped Jon finally come to terms with the death of his dad. Jon’s dad was his hero — he meant everything to him. And when he died (in November of ’01, just a handful of months before Jon and I met), Jon was a wreck. It was a devastating loss. But over the years, I think he’d kind of ‘blocked out’ a lot of how that devastation had impacted him. And it was therapy that gave him the strength to start unblocking it. He started to confront the fact that, after his dad’s passing, he found it hard to let new people in. The idea of getting truly close to anyone, and building them into his life, only to experience that level of loss again…. that scared the hell out of Jon. And what scared him even more, he realized, was the idea of ever dying young like his dad did — and abandoning someone else. The idea of anyone who loved him feeling the pain of losing him forever…. that terrified Jon. And he’d thought he never wanted marriage, and never wanted kids, for just that reason. I won’t lie — writing this, there are a lot of complicated emotions attached. The irony of it can be overwhelming to think about: how the exact fear that troubled Jon most, the fear that he finally got over….. it ended up biting him in the ass. It ended up coming true. But I also try not to think about it that way. Instead, I try to think about a man who did the bravest thing imaginable — a thing that ended up saving our relationship, and making our family possible. I try to think about a man who asked me for ONE more chance….. and who promised me that, if I gave it to him, he’d be the best husband, and best father, I ever met. And he was.”

In 2021, Amanda wrote about her late husband, All Elite Wrestling wrestler Jon Huber, also known as Brodie Lee. On his birthday, we remember his legacy: “I hope that, when people remember Jon, they mention one of the bravest things he ever did: He had unresolved trauma — and he confronted it. I’m not going to go into every detail here, because I think some things are private. But one area that I will detail a bit is how therapy helped Jon finally come to terms with the death of his dad. Jon’s dad was his hero — he meant everything to him. And when he died (in November of ’01, just a handful of months before Jon and I met), Jon was a wreck. It was a devastating loss. But over the years, I think he’d kind of ‘blocked out’ a lot of how that devastation had impacted him. And it was therapy that gave him the strength to start unblocking it. He started to confront the fact that, after his dad’s passing, he found it hard to let new people in. The idea of getting truly close to anyone, and building them into his life, only to experience that level of loss again…. that scared the hell out of Jon. And what scared him even more, he realized, was the idea of ever dying young like his dad did — and abandoning someone else. The idea of anyone who loved him feeling the pain of losing him forever…. that terrified Jon. And he’d thought he never wanted marriage, and never wanted kids, for just that reason. I won’t lie — writing this, there are a lot of complicated emotions attached. The irony of it can be overwhelming to think about: how the exact fear that troubled Jon most, the fear that he finally got over….. it ended up biting him in the ass. It ended up coming true. But I also try not to think about it that way. Instead, I try to think about a man who did the bravest thing imaginable — a thing that ended up saving our relationship, and making our family possible. I try to think about a man who asked me for ONE more chance….. and who promised me that, if I gave it to him, he’d be the best husband, and best father, I ever met. And he was.”

The Players’ Tribune

59,438 Aufrufe • vor 8 Monaten

This is one of the greatest displays of the creative process I've seen. John Mayer perfectly demonstrates something that many of my favorite artists all say: You become creative by creating. "You just keep going 'til you get something," Mayer says/sings. "You gotta keep forcing it, forcing it, forcing it…it doesn’t matter [what comes out of your mind/mouth].” Dr. Andrew Huberman talks about how the brain circuits that turn on before those involved in creativity are of the stress system. I've heard him use 3 analogies to explain this. 1) It’s like you have to wade through sewage before you can swim in clear water. 2) It’s like when you try to lift your max on the bench press—it takes time to work up to that weight. 3) It’s like your best creative work is on the other side of a door at the top of a staircase—it takes time and effort to get up the stairs and through that door. In other words, Dr. Huberman says, you become more creative the more you create. Many artists talk similarly about what Mayer refers to in the clip as "ouija boarding" (just sort of spitting out words and sounds). John Legend says his songs start with what he calls “the mumble track.” “It’s just me humming and mumbling nonsense,” he said. Judd Apatow says his movie scripts are all a product of the Down-Up theory: “Get the ideas DOWN then fix them UP.” “Give yourself permission to suck," Judd says. "Anything goes. Just get something down.” Even if it’s nonsense, he says. Keep forcing it, forcing it, forcing it. - - - Before I started writing online, I told Ryan Holiday I was just waiting to know for certain what I wanted to write about. “Just start," he said. "You’re trying to map out the whole 9 innings. Just throw the first pitch…You’re better off starting imperfectly than being paralyzed by the delusion of perfection.” Rather than being paralyzed by the delusion that creativity comes to you, you're better off "forcing it, forcing it, forcing it," as Mayer said. "Go get it from the universe." Follow Billy Oppenheimer for more content like this!

This is one of the greatest displays of the creative process I've seen. John Mayer perfectly demonstrates something that many of my favorite artists all say: You become creative by creating. "You just keep going 'til you get something," Mayer says/sings. "You gotta keep forcing it, forcing it, forcing it…it doesn’t matter [what comes out of your mind/mouth].” Dr. Andrew Huberman talks about how the brain circuits that turn on before those involved in creativity are of the stress system. I've heard him use 3 analogies to explain this. 1) It’s like you have to wade through sewage before you can swim in clear water. 2) It’s like when you try to lift your max on the bench press—it takes time to work up to that weight. 3) It’s like your best creative work is on the other side of a door at the top of a staircase—it takes time and effort to get up the stairs and through that door. In other words, Dr. Huberman says, you become more creative the more you create. Many artists talk similarly about what Mayer refers to in the clip as "ouija boarding" (just sort of spitting out words and sounds). John Legend says his songs start with what he calls “the mumble track.” “It’s just me humming and mumbling nonsense,” he said. Judd Apatow says his movie scripts are all a product of the Down-Up theory: “Get the ideas DOWN then fix them UP.” “Give yourself permission to suck," Judd says. "Anything goes. Just get something down.” Even if it’s nonsense, he says. Keep forcing it, forcing it, forcing it. - - - Before I started writing online, I told Ryan Holiday I was just waiting to know for certain what I wanted to write about. “Just start," he said. "You’re trying to map out the whole 9 innings. Just throw the first pitch…You’re better off starting imperfectly than being paralyzed by the delusion of perfection.” Rather than being paralyzed by the delusion that creativity comes to you, you're better off "forcing it, forcing it, forcing it," as Mayer said. "Go get it from the universe." Follow Billy Oppenheimer for more content like this!

Billy Oppenheimer

2,490,333 Aufrufe • vor 3 Jahren

Ethan Klein explains why he's suing iDubbbz and not Destiny "Ian has deeply aligned with the snark community that is basically responsible for and celebrated cps coming to my house..and sending human skulls to my home..on the snark discord..they have on the banner, a skull with cps on the forehead, they love it they're proud of it..iDubbbz aligns with them, shouts them out, calls them great ppl..he's in deep with them" "Even in his follow up to his content cop, he justified it, he said I think it's good CPS was called and investigated that..as someone who's been to Ethan's house" "Basically rebroadcasting this comment uncritically..he emphasizes throughout that he does think it's a serious accusation that needs to be investigated" "Ik ppl are like well why don't sue Destiny..this was a comment made in passing, Ian put it on his screen for 2 hours during his main broadcast..Destiny made it clear that he's not being serious pretty much immediately after writing it..ppl knew Destiny was being a giant f'in pos but he immediately afterwards made it clear that he didn't actually think that" "This was after CPS visited my house..with all the sh*t we been through..I've been through a lot of sh*t w ppl online..this is just unhinged..I said from the beginning that if ppl want to go after my children then the rules of engagement have changed forever" "If somebody u know who's met ur children and family said u m-lestd ur children after CPS has been to ur house..I don't see how u can say that I'm not justified..is that free speech, I don't think so?" "When my children enter the picture..said this back then..bets are off, the rules have changed..I will do everything to ensure that ppl do not talk about my children in this way..that ppl do not celebrate K'ing my children..ppl like Ian retweeting ppl that say they want to K my children which he has done" "I would just want to get this to ppl like Charlie and other commentators who are like this is an attack on free speech, it's not free speech to say that stuff..I'm pretty heavy free speech..but obviously that there's limits" "I literally don't know Destiny..it was a comment in passing he made..clarified that he's kidding..Ian who I know, who's been to my house, met my children, broadcast it over his screen for his whole show..that's kind of the difference between him and Destiny"

Ethan Klein explains why he's suing iDubbbz and not Destiny "Ian has deeply aligned with the snark community that is basically responsible for and celebrated cps coming to my house..and sending human skulls to my home..on the snark discord..they have on the banner, a skull with cps on the forehead, they love it they're proud of it..iDubbbz aligns with them, shouts them out, calls them great ppl..he's in deep with them" "Even in his follow up to his content cop, he justified it, he said I think it's good CPS was called and investigated that..as someone who's been to Ethan's house" "Basically rebroadcasting this comment uncritically..he emphasizes throughout that he does think it's a serious accusation that needs to be investigated" "Ik ppl are like well why don't sue Destiny..this was a comment made in passing, Ian put it on his screen for 2 hours during his main broadcast..Destiny made it clear that he's not being serious pretty much immediately after writing it..ppl knew Destiny was being a giant f'in pos but he immediately afterwards made it clear that he didn't actually think that" "This was after CPS visited my house..with all the sht we been through..I've been through a lot of sht w ppl online..this is just unhinged..I said from the beginning that if ppl want to go after my children then the rules of engagement have changed forever" "If somebody u know who's met ur children and family said u m-lestd ur children after CPS has been to ur house..I don't see how u can say that I'm not justified..is that free speech, I don't think so?" "When my children enter the picture..said this back then..bets are off, the rules have changed..I will do everything to ensure that ppl do not talk about my children in this way..that ppl do not celebrate K'ing my children..ppl like Ian retweeting ppl that say they want to K my children which he has done" "I would just want to get this to ppl like Charlie and other commentators who are like this is an attack on free speech, it's not free speech to say that stuff..I'm pretty heavy free speech..but obviously that there's limits" "I literally don't know Destiny..it was a comment in passing he made..clarified that he's kidding..Ian who I know, who's been to my house, met my children, broadcast it over his screen for his whole show..that's kind of the difference between him and Destiny"

yeet

186,102 Aufrufe • vor 2 Monaten