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formally proved in Lean4 that music is not Turing complete. that's because there can be no endogenous self-replication during music playback (unfortunately). proof: every infinite playback of any valid midi-like symbolic composition is eventually periodic.

Emanuele Rodolà

1,658 subscribers

69,483 просмотров • 5 месяцев назад •via X (Twitter)

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All the many books I’ve read have led me to this one piece of self help advice: “seek until you find.” This means you have to be active. Not passive. You have to be slow to give up. There is someone out there in this world who can help you. There is some book out there that can change you. There is one strategy that can transform you. But you have to go find it. Life is like a puzzle.

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I'm going to be honest with you—you might be a little frustrated after watching the Chris Stefanick Show this week. But only because you didn't know it sooner. There is one day every year when Jesus promised that any Catholic who goes to confession and receives Holy Communion will receive the complete forgiveness of all sin and all punishment. Not just forgiveness. Complete wiping of the slate. Like a second baptism. That day is Divine Mercy Sunday—the Sunday after Easter. And in this episode of the Chris Stefanick Show, Fr. Chris Alar explains why this is quite possibly the most extraordinary grace available to us in the entire liturgical year. Watch the full episode:

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Polygon's Agglayer assumes every connected chain could be lying Some of crypto's biggest bridge hacks worked by minting withdrawal claims that no deposit ever backed. Polygon's Agglayer is built to make that class of attack fail by default. Every chain connected to its shared bridge must supply a cryptographic proof, checked without revealing the underlying data, proving that its withdrawals match real deposits. A compromised chain can lose what it put in, but it cannot drain the rest of the network; however, the proof does not make connected chains any more secure. Per Polygon's docs.

BSCN

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Dear Genshin Impact fans, In my nodkrai video I said that Natlan’s music was nice but felt shallow, my mistake in this was not elaborating on why. I said it in passing and didn’t consider the word choice. I’m gathering that people assumed I was referring to the PLACES being represented by the music Which is preposterous because I would never criticize a culture or place, as I’ve always felt that is genshin’s strongest element. I assumed you would know it was obvious I was talking about the musical composition and structure not what that music represented (the people and the places) I’m sorry if you felt that I was spitting in the face of your culture. As a multicultural person myself and soon to be married to a multicultural person as well, I would never ever do that. I am saddened that you may have felt that. That said, subjectively, I felt natlan’s music was nice. But, a bit too easy listening to my taste. Part of the reason I have filmed so many Genshin videos is due to the musical complexity it showcases. Not just in the western soundscape but also in other regions that are represented. You’ll recall I defended this very thing a year ago when the music was representing African culture. At that time I was lambasted on this platform for saying that people of color were not being represented properly in game. I’m perplexed why you would think I’m suggesting the opposite now, even going so far as have people claim I am “racist” which is a bridge too far. In any event, I’m sorry for any hurt feelings. It’s clear to me that if I’m going to say something, I should be clear about what I mean.

Dear Genshin Impact fans, In my nodkrai video I said that Natlan’s music was nice but felt shallow, my mistake in this was not elaborating on why. I said it in passing and didn’t consider the word choice. I’m gathering that people assumed I was referring to the PLACES being represented by the music Which is preposterous because I would never criticize a culture or place, as I’ve always felt that is genshin’s strongest element. I assumed you would know it was obvious I was talking about the musical composition and structure not what that music represented (the people and the places) I’m sorry if you felt that I was spitting in the face of your culture. As a multicultural person myself and soon to be married to a multicultural person as well, I would never ever do that. I am saddened that you may have felt that. That said, subjectively, I felt natlan’s music was nice. But, a bit too easy listening to my taste. Part of the reason I have filmed so many Genshin videos is due to the musical complexity it showcases. Not just in the western soundscape but also in other regions that are represented. You’ll recall I defended this very thing a year ago when the music was representing African culture. At that time I was lambasted on this platform for saying that people of color were not being represented properly in game. I’m perplexed why you would think I’m suggesting the opposite now, even going so far as have people claim I am “racist” which is a bridge too far. In any event, I’m sorry for any hurt feelings. It’s clear to me that if I’m going to say something, I should be clear about what I mean.

MarcoMeatball

42,125 просмотров • 1 год назад

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Quantums

31,252 просмотров • 9 дней назад

[Throwback] Kobayashi Arata,a professional dancer, give detailed abt taehyung’s dance abilities on Fire and Dynamite 👤Whenever I see Taetae dance, I got the impression that he is a groove-type dancer. He has good detail and dances like he is riding the music. I like dances that convey the dancer's own vibe that only they have, and Taetae's dance is like that. His neck's trajectory is continuously moving back and forth. It's a professional's technique. His dance is very professional. It's very difficult to grab the rhythm in a simple way, but Taetae has a very good sense for that. Even when he isn't moving, the texture of his dance movements are very exquisite.The way he dances to his heart's content is wonderfully cool. The way he feels the sound (music) is expressed through the movement of his neck. The way he burns his feelings into the music is at a very professional level. One more thing to mention, the way he approaches a certain melody is always very outstanding and beautiful. You can see his great sense for dancing in his ad-libs, besides the set choreography. The neck is the part of the body that can express rhythm, so it especially requires skill. Taetae uses his neck extremely well. People at a high level of dancing can draw a hot response from just moving their neck a little. A great dancer knows that just a simple neck movement can look really cool. 1 speculate that Taetae is a dancer who knows this. The way he paces himself is no joke. The reason he can comfortably maintain the rhythm with his whole body is because he properly feels the music inside his body His dance has a mature charm. It's something different than the brilliance and dynamism that can be seen from the outside. From an angle that surpasses all that, he expresses how he perceives the beauty of the dance. He is the type that enthralls others by actually enjoying the music himself. He is like a miso soup made by a first-class chef. It doesn't make sense how smooth he is. (All of his movements are very smooth.) People, who enjoy music itself in the first place, look cool with the way they ride the rhythm. He dances as if he has surrendered himself to the sound (music), and as if he is submerged in the music. He is able to feel the rhythm with his whole body. Taetae's hidden details, in which he accomplishes things like they're nothing, make my heart beat. It's a difficult thing to do. You can't do this just by learning it. He has a good sense for dancing. The way he dances is very smart. In conclusion, Taetae is at an extremely high level of dance. From the little details that are hard to catch at first glance, to his dance skills that read the music, making it feel like a "professional dance" style and feel, can all be seen in the ad-libs as well. These parts all depend on the individual's sense for dance. What can be seen from here is that Taetae has a good sense of understanding and feeling sound(music), and i really want to become someone like that too. 28min video: trans cr: KTHbase/KTH_FanBase

[Throwback] Kobayashi Arata,a professional dancer, give detailed abt taehyung’s dance abilities on Fire and Dynamite 👤Whenever I see Taetae dance, I got the impression that he is a groove-type dancer. He has good detail and dances like he is riding the music. I like dances that convey the dancer's own vibe that only they have, and Taetae's dance is like that. His neck's trajectory is continuously moving back and forth. It's a professional's technique. His dance is very professional. It's very difficult to grab the rhythm in a simple way, but Taetae has a very good sense for that. Even when he isn't moving, the texture of his dance movements are very exquisite.The way he dances to his heart's content is wonderfully cool. The way he feels the sound (music) is expressed through the movement of his neck. The way he burns his feelings into the music is at a very professional level. One more thing to mention, the way he approaches a certain melody is always very outstanding and beautiful. You can see his great sense for dancing in his ad-libs, besides the set choreography. The neck is the part of the body that can express rhythm, so it especially requires skill. Taetae uses his neck extremely well. People at a high level of dancing can draw a hot response from just moving their neck a little. A great dancer knows that just a simple neck movement can look really cool. 1 speculate that Taetae is a dancer who knows this. The way he paces himself is no joke. The reason he can comfortably maintain the rhythm with his whole body is because he properly feels the music inside his body His dance has a mature charm. It's something different than the brilliance and dynamism that can be seen from the outside. From an angle that surpasses all that, he expresses how he perceives the beauty of the dance. He is the type that enthralls others by actually enjoying the music himself. He is like a miso soup made by a first-class chef. It doesn't make sense how smooth he is. (All of his movements are very smooth.) People, who enjoy music itself in the first place, look cool with the way they ride the rhythm. He dances as if he has surrendered himself to the sound (music), and as if he is submerged in the music. He is able to feel the rhythm with his whole body. Taetae's hidden details, in which he accomplishes things like they're nothing, make my heart beat. It's a difficult thing to do. You can't do this just by learning it. He has a good sense for dancing. The way he dances is very smart. In conclusion, Taetae is at an extremely high level of dance. From the little details that are hard to catch at first glance, to his dance skills that read the music, making it feel like a "professional dance" style and feel, can all be seen in the ad-libs as well. These parts all depend on the individual's sense for dance. What can be seen from here is that Taetae has a good sense of understanding and feeling sound(music), and i really want to become someone like that too. 28min video: trans cr: KTHbase/KTH_FanBase

❀ ✿

46,199 просмотров • 1 год назад

Today a group of Muslims prayed next to the Ministry of Defence, facing the Iraq and Afghanistan memorial. As I have said before, choosing to pray in this way in public is a political act. It is a social statement and, yes, it is an act of domination. Anybody who understands Islamism understands that the domination of public spaces is part of the modus operandi. It is done so Islamists can show who is in charge - and to show other Muslims and the wider public that the authorities will bend to their will. There is quite obviously no need to pray here. The decision to do so is symbolic and pointed. It is not welcome. We have freedom of religion in this country, which is why there are mosques. But we are not a Muslim country and this is not welcome. It should be stopped.

Today a group of Muslims prayed next to the Ministry of Defence, facing the Iraq and Afghanistan memorial. As I have said before, choosing to pray in this way in public is a political act. It is a social statement and, yes, it is an act of domination. Anybody who understands Islamism understands that the domination of public spaces is part of the modus operandi. It is done so Islamists can show who is in charge - and to show other Muslims and the wider public that the authorities will bend to their will. There is quite obviously no need to pray here. The decision to do so is symbolic and pointed. It is not welcome. We have freedom of religion in this country, which is why there are mosques. But we are not a Muslim country and this is not welcome. It should be stopped.

Nick Timothy MP

1,477,904 просмотров • 2 месяцев назад

Go Younjung reveals that she watched videos of BLACKPINK and IVE to prepare for her airport scene in ‘Can This Love Be Translated?’ “There is a short scene where I greet fans and receive gifts, so I looked at the members of BLACKPINK and idols like IVE. I was less nervous because we shot several cuts during filming.”

Go Younjung reveals that she watched videos of BLACKPINK and IVE to prepare for her airport scene in ‘Can This Love Be Translated?’ “There is a short scene where I greet fans and receive gifts, so I looked at the members of BLACKPINK and idols like IVE. I was less nervous because we shot several cuts during filming.”

YOUNJUNG BASE

1,385,507 просмотров • 7 месяцев назад

The evolution of AI in music is a fascinating and transformative trend. AI agents are increasingly being viewed not just as tools but as creative collaborators that expand the possibilities of composition and production. Artists like are highlighting how AI can offer fresh sonic landscapes, remix ideas, and inspire innovative approaches to music creation. Already, platforms like @lyra_virtuals are proving that AI-generated music is more than a concept, it’s being released on major digital streaming platforms, setting the stage for broader industry adoption. The integration of AI in music signals a shift toward data-driven creativity and enhanced production methods. Opulous promises to push these boundaries even further via 💡Royalty Prediction: Leveraging AI to forecast revenue more accurately, which could lead to fairer and more transparent revenue distribution. 💡 Strategy Automation: Using AI to optimize marketing and distribution strategies, helping artists and labels navigate the competitive landscape. 💡 AI Native Music Ecosystems: Creating an environment where every facet of music creation, distribution, and monetization is intertwined with AI, potentially lowering barriers for emerging talent and redefining industry standards. While these innovations hold immense promise, they also raise important questions about artistic authenticity, copyright, and the role of human creativity. Balancing technological advancement with the preservation of artistic identity will be crucial as the industry evolves. AI-driven transformation represents a creative and business revolution in music, ushering in a new era that challenges traditional paradigms and inviting thoughtful discussion on the future of art and technology. $OPUL

The evolution of AI in music is a fascinating and transformative trend. AI agents are increasingly being viewed not just as tools but as creative collaborators that expand the possibilities of composition and production. Artists like are highlighting how AI can offer fresh sonic landscapes, remix ideas, and inspire innovative approaches to music creation. Already, platforms like @lyra_virtuals are proving that AI-generated music is more than a concept, it’s being released on major digital streaming platforms, setting the stage for broader industry adoption. The integration of AI in music signals a shift toward data-driven creativity and enhanced production methods. Opulous promises to push these boundaries even further via 💡Royalty Prediction: Leveraging AI to forecast revenue more accurately, which could lead to fairer and more transparent revenue distribution. 💡 Strategy Automation: Using AI to optimize marketing and distribution strategies, helping artists and labels navigate the competitive landscape. 💡 AI Native Music Ecosystems: Creating an environment where every facet of music creation, distribution, and monetization is intertwined with AI, potentially lowering barriers for emerging talent and redefining industry standards. While these innovations hold immense promise, they also raise important questions about artistic authenticity, copyright, and the role of human creativity. Balancing technological advancement with the preservation of artistic identity will be crucial as the industry evolves. AI-driven transformation represents a creative and business revolution in music, ushering in a new era that challenges traditional paradigms and inviting thoughtful discussion on the future of art and technology. $OPUL

🕊Doings 🍃🍃

187,757 просмотров • 1 год назад

Abhijeet Dipke has now openly come out in support of Ruchika Singh, who abused the Prime Minister during the CJP protest. Dipke says that using abusive language is not a crime and that there is no law under which an FIR can be filed simply for abusing someone. According to him, if someone uses abusive language, they should be politely counseled. It may be wrong or inappropriate, but it does not automatically amount to a criminal offence.

Abhijeet Dipke has now openly come out in support of Ruchika Singh, who abused the Prime Minister during the CJP protest. Dipke says that using abusive language is not a crime and that there is no law under which an FIR can be filed simply for abusing someone. According to him, if someone uses abusive language, they should be politely counseled. It may be wrong or inappropriate, but it does not automatically amount to a criminal offence.

Amit Kumar Sindhi

375,746 просмотров • 1 месяц назад