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Framestore released a BTS breakdown for ‘SUPERMAN,’ revealing the first-ever use of 4D Gaussian Splatting in a feature film. The technique volumetrically captured Bradley Cooper and Angela Sarafyan, creating photoreal “living photography” holograms with full post flexibility.

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This is very cool --> Framestore showcases the 4D Gaussian Splatting used for ‘Superman’. A new video breaks down their collaboration with Infinite-Realities. Watch in full at befores & afters: Stephane Ceretti
0:47

This is very cool --> Framestore showcases the 4D Gaussian Splatting used for ‘Superman’. A new video breaks down their collaboration with Infinite-Realities. Watch in full at befores & afters: Stephane Ceretti

befores & afters magazine

13,895 görüntüleme • 5 ay önce

It's a bird. It's a plane. It's gaussian splatting. When Framestore needed to bring Kryptonian tech to Earth, they turned to gaussian splatting. In the recently released Superman, every shot of Kal-El's parents is a dynamic splat. I spoke to the team at Framestore about capturing the splats at Infinite-Realities and how they used CG Nomads GSOPs in SideFX's Houdini to help make the highest profile public use of gaussian splatting to date. Article
0:29

It's a bird. It's a plane. It's gaussian splatting. When Framestore needed to bring Kryptonian tech to Earth, they turned to gaussian splatting. In the recently released Superman, every shot of Kal-El's parents is a dynamic splat. I spoke to the team at Framestore about capturing the splats at Infinite-Realities and how they used CG Nomads GSOPs in SideFX's Houdini to help make the highest profile public use of gaussian splatting to date. Article

Radiance Fields

102,814 görüntüleme • 11 ay önce

Superman just released a one-hour BTS with a segment on Cleveland featuring Jerry Siegel’s grandsons, both of whom appeared in the film.
1:08

Superman just released a one-hour BTS with a segment on Cleveland featuring Jerry Siegel’s grandsons, both of whom appeared in the film.

Michael Collier

81,714 görüntüleme • 1 yıl önce

The greatest Gaussian Splatting VR demo ever? Captured live at NVIDIA GTC — Mariya Sha experiencing 4D Gaussian Splatting in VR for the very first time. You can tell just from her reaction that this was something else! The scene was optimized using QUEEN, NVIDIA AI Developer's advanced research project for fast radiance field rendering. It’s an incredible look at what happens when high fidelity static and dynamic gaussian splats meets VR. Watch the full video on YouTube: Robert Scoble Did you get to do this one? #VR #3D #VFX
0:47

The greatest Gaussian Splatting VR demo ever? Captured live at NVIDIA GTC — Mariya Sha experiencing 4D Gaussian Splatting in VR for the very first time. You can tell just from her reaction that this was something else! The scene was optimized using QUEEN, NVIDIA AI Developer's advanced research project for fast radiance field rendering. It’s an incredible look at what happens when high fidelity static and dynamic gaussian splats meets VR. Watch the full video on YouTube: Robert Scoble Did you get to do this one? #VR #3D #VFX

Jonathan Stephens

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Getting my hands dirty with 30 Gaussian splats scanned in my garden. Is this the most splats ever in a single shot? Made with the support of Lenovo Snapdragon and the new Gaussian Splatting plugin by irrealix
0:37

Getting my hands dirty with 30 Gaussian splats scanned in my garden. Is this the most splats ever in a single shot? Made with the support of Lenovo Snapdragon and the new Gaussian Splatting plugin by irrealix

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What did you think of James Gunn's 'SUPERMAN'? Robbie Fox joins us for a full review of the first ever DCU film
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What did you think of James Gunn's 'SUPERMAN'? Robbie Fox joins us for a full review of the first ever DCU film

Lights, Camera, Barstool

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4D LangSplat: 4D Language Gaussian Splatting via Multimodal Large Language Models Contributions: • We introduce 4D LangSplat for open-vocabulary 4D spatial-temporal queries. To the best of our knowledge, we are the first to construct 4D language fields with object textual captions generated by MLLMs. • To model smooth transitions across states for objects in 4D scenes, we propose a status deformable network to capture continuous temporal changes. • Experiential results show that our method attains state-of-the-art performance for both time-agnostic and time-sensitive open-vocabulary queries.
0:29

4D LangSplat: 4D Language Gaussian Splatting via Multimodal Large Language Models Contributions: • We introduce 4D LangSplat for open-vocabulary 4D spatial-temporal queries. To the best of our knowledge, we are the first to construct 4D language fields with object textual captions generated by MLLMs. • To model smooth transitions across states for objects in 4D scenes, we propose a status deformable network to capture continuous temporal changes. • Experiential results show that our method attains state-of-the-art performance for both time-agnostic and time-sensitive open-vocabulary queries.

MrNeRF

10,961 görüntüleme • 1 yıl önce

📢Happy to present Convex Splatting, a novel way for 3D reconstruction based on 3D smooth convexes. For the first time, a splatting-based method reaches the quality of NeRF sota methods but with real-time rendering and few primitives!! I expect this to replace Gaussian splatting for 3D in the coming months. CODE RELEASED TODAY! joint work with collaborators from Université de Liège Visual Geometry Group (VGG) , KAUST Computer Vision Lab (IVUL) a thread 🧵 1/n
0:38

📢Happy to present Convex Splatting, a novel way for 3D reconstruction based on 3D smooth convexes. For the first time, a splatting-based method reaches the quality of NeRF sota methods but with real-time rendering and few primitives!! I expect this to replace Gaussian splatting for 3D in the coming months. CODE RELEASED TODAY! joint work with collaborators from Université de Liège Visual Geometry Group (VGG) , KAUST Computer Vision Lab (IVUL) a thread 🧵 1/n

Abdullah Hamdi

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Behind the scenes VFX for @logitech with Karen X. Cheng! Had a blast getting experimental with scale juxtaposition using 3D Gaussian Splatting and irrealix plugin in After Effects! 🤯✨ #karenception #vfx #bts
0:25

Behind the scenes VFX for @logitech with Karen X. Cheng! Had a blast getting experimental with scale juxtaposition using 3D Gaussian Splatting and irrealix plugin in After Effects! 🤯✨ #karenception #vfx #bts

Kody Kurth

16,316 görüntüleme • 1 yıl önce

I'm testing tree generation using only two reference images. Basically, my Gaussian Splatting generation technique works with almost anything. I can't wait to see the final result once I’ve gathered a huge library of realistic assets for my game. For optimization, I’m planning to use a LOD system that dynamically reduces the number of Gaussian splats based on the distance from the camera.
0:38

I'm testing tree generation using only two reference images. Basically, my Gaussian Splatting generation technique works with almost anything. I can't wait to see the final result once I’ve gathered a huge library of realistic assets for my game. For optimization, I’m planning to use a LOD system that dynamically reduces the number of Gaussian splats based on the distance from the camera.

Alex

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Gaussian Garments: Reconstructing Simulation-Ready Clothing with Photorealistic Appearance from Multi-View Video Contribution quote from the paper: In summary, our main contributions are • a comprehensive pipeline for reconstructing the shape, appearance, and behavior of real-world garments using Gaussian splatting, • an algorithm for registering garment meshes to multi- view videos with an optimization procedure based on Gaussian splatting, and • a Gaussian Garment representation that combines triangle meshes with Gaussian textures to capture photorealistic appearance and can be used as a fully controllable 3D asset.
0:20

Gaussian Garments: Reconstructing Simulation-Ready Clothing with Photorealistic Appearance from Multi-View Video Contribution quote from the paper: In summary, our main contributions are • a comprehensive pipeline for reconstructing the shape, appearance, and behavior of real-world garments using Gaussian splatting, • an algorithm for registering garment meshes to multi- view videos with an optimization procedure based on Gaussian splatting, and • a Gaussian Garment representation that combines triangle meshes with Gaussian textures to capture photorealistic appearance and can be used as a fully controllable 3D asset.

MrNeRF

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Man of Steel (2013) is the first Superman film in history not to feature John Williams’ iconic theme. Composer Hans Zimmer refused to use even a single note of the classic march because he wanted to completely cut ties with the past versions.
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Man of Steel (2013) is the first Superman film in history not to feature John Williams’ iconic theme. Composer Hans Zimmer refused to use even a single note of the classic march because he wanted to completely cut ties with the past versions.

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First trailer for "Planetes" french feature film by Momoko Seto. The story of four dandelion seeds exploring the universe in search of a new planet after the destruction of Earth. A mix of animation, live action, macro and high-speed photography. >>
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First trailer for "Planetes" french feature film by Momoko Seto. The story of four dandelion seeds exploring the universe in search of a new planet after the destruction of Earth. A mix of animation, live action, macro and high-speed photography. >>

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PSG & the use of building up with a base of 3 players: - Better distribution and width - Passing angles for progression - Fluid role flexibility - Creating numerical Advantages
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PSG & the use of building up with a base of 3 players: - Better distribution and width - Passing angles for progression - Fluid role flexibility - Creating numerical Advantages

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This is wild. Arcturus Studios is capturing real sports in full volumetric so you can explore the action from any angle. They surround the field with cameras and use Gaussian splatting to turn the game into a 3D experience. This is the future of sports.
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This is wild. Arcturus Studios is capturing real sports in full volumetric so you can explore the action from any angle. They surround the field with cameras and use Gaussian splatting to turn the game into a 3D experience. This is the future of sports.

Justin Ryan

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Whilst we figure out a solution for temporal filtering on 3D Gaussian Splatting input frames. We can use a temporal filtering plugin on the screen captures or rendered images to act as a visualization tool to check what the future results might look like. "Processing and rendering a digital human with 3D Gaussian Splatting with a post process to simulate temporal filtering." Left video no temporal filtering. Right video with temporal filtering. R&D for archviz projects. #GaussianSplatting #ir #inria #sibr #aftereffects #temporalfiltering
0:42

Whilst we figure out a solution for temporal filtering on 3D Gaussian Splatting input frames. We can use a temporal filtering plugin on the screen captures or rendered images to act as a visualization tool to check what the future results might look like. "Processing and rendering a digital human with 3D Gaussian Splatting with a post process to simulate temporal filtering." Left video no temporal filtering. Right video with temporal filtering. R&D for archviz projects. #GaussianSplatting #ir #inria #sibr #aftereffects #temporalfiltering

Infinite-Realities

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'I was living a lie.' Tommy Fleming has spoken out about the breakdown of his marriage, revealing publicly for the first time that he is gay. He spoke with Ciara Kelly, on The Hard Shoulder.
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'I was living a lie.' Tommy Fleming has spoken out about the breakdown of his marriage, revealing publicly for the first time that he is gay. He spoke with Ciara Kelly, on The Hard Shoulder.

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This is a historic day for AI. Claude Fable (Mythos) was just released, and it's insane. I can't believe Anthropic made this public. This video covers my first impressions, real use cases, and full breakdown of the world's most powerful AI ever:
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This is a historic day for AI. Claude Fable (Mythos) was just released, and it's insane. I can't believe Anthropic made this public. This video covers my first impressions, real use cases, and full breakdown of the world's most powerful AI ever:

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DAY 5 of Making a feature film with AI in 30 days. Last night's video has a full breakdown of my workflow for voice cloning on Mitte and music on Suno. All the prompts can be found in the description of the video on my YouTube channel linked below.
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DAY 5 of Making a feature film with AI in 30 days. Last night's video has a full breakdown of my workflow for voice cloning on Mitte and music on Suno. All the prompts can be found in the description of the video on my YouTube channel linked below.

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NIGHTBORNE is the first full test AI film I have made. It was made using Seedance 2.0. I've been experimenting with AI for a couple of years, and it's now at the point where I want to tackle a full feature in this format. This is a 13-minute test start. It was made with real concept artists, and features the faces and voices of 32 real people. Barley Studios will be my new AI studio for creating my own films, the way Oats Studios was for traditional film and VFX. Barley studios Full film in the reply.
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NIGHTBORNE is the first full test AI film I have made. It was made using Seedance 2.0. I've been experimenting with AI for a couple of years, and it's now at the point where I want to tackle a full feature in this format. This is a 13-minute test start. It was made with real concept artists, and features the faces and voices of 32 real people. Barley Studios will be my new AI studio for creating my own films, the way Oats Studios was for traditional film and VFX. Barley studios Full film in the reply.

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