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Free tool: Crate's Black Hole ProductionCrate's neat free After Effects plugin generates beautiful, Interstellar-inspired black holes for your VFX and motion graphics projects #AfterEffects #VFX #motiongraphics ProductionCrate

44,985 просмотров • 7 месяцев назад •via X (Twitter)

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🚨 SCIENTISTS MAY HAVE FINALLY SOLVED ONE OF THE BIGGEST UNSOLVED PROBLEMS IN BLACK HOLE PHYSICS. For years, astrophysicists have struggled with the “final parsec problem”: even after two supermassive black holes get relatively close, they struggle to shed enough angular momentum to merge within the age of the universe. New 3D simulations reveal that magnetic fields in the gas disk surrounding a binary system can solve this. The fields trigger powerful outflows and jets that efficiently carry away angular momentum, allowing the two objects to spiral much closer together. The same mechanism also explains how some binary stars end up in extremely tight orbits. In the simulations, binaries without magnetic fields actually moved farther apart. With magnetic fields present, they rapidly lost angular momentum and migrated inward. Why this matters: • It provides a physically motivated solution to one of the biggest open problems in black hole astrophysics • Magnetic fields appear to be far more effective at removing angular momentum than previously modeled effects • The mechanism works for both star formation and black hole mergers • It shows that the environment around binaries (not just the objects themselves) plays a decisive role in their evolution The deeper implication: We often think of black holes and stars as isolated objects governed purely by gravity. But these simulations show that the magnetic fields threading the gas around them can fundamentally change their fate. By removing angular momentum through jets and outflows, magnetic fields act like a cosmic brake, allowing binaries to reach the tight configurations we observe. This doesn’t just help explain star formation it may finally tell us how the universe’s most massive black holes manage to merge and create the gravitational wave signals we’re now detecting. Sometimes the key to cosmic mergers isn’t gravity alone. It’s magnetism. How important do you think magnetic fields are in shaping the final stages of black hole mergers and binary star evolution? Follow for more frontier astrophysics and the hidden forces that govern the universe.

TheNewPhysics

18,359 просмотров • 2 месяцев назад

🎬 SYNTHTOPIA: HOLLYWOOD ANIMATION CHALLENGE ⚡️ 🎥 The Helix lights up, cameras roll… and the stars of SYNTHTOPIA take center stage. This week, the #CroFam enters the red-carpet dimension — where creators become directors, and NFTs become icons. 🌟 ⚡️ THE CHALLENGE: Create a short animation video inspired by the SYNTHTOPIA universe — with the flair, drama, and cinematic chaos of Hollywood gone Synth. Think movie trailers, action sequences, or absurd red-carpet moments between Helix creatures. ✨ Surreal. Stylish. Or just hilariously over the top. 🎞️ HOW TO ENTER: 1️⃣ Animate your SYNTHTOPIA NFT(s) using any tool — AI, 3D, motion graphics, Veo, Runway, Pika, After Effects, Grok… whatever fits your vision. 2️⃣ Add a soundtrack or cinematic sound design (bonus points for originality). 3️⃣ Post it on X (Twitter) with hashtags and as a comment on this post: #Synthtopia #CroFam 4️⃣ Tag SYNTHTOPIA × Crypto.com NFT × 🏆 REWARDS 🎖️ 1× SYNTHTOPIA: INTO THE BIOSPHERE NFT Featured on official Synthtopia channels & cinematic drops Top entries may also appear in Soundwave Vol. II visuals 🎁 TO ENTER GIVEAWAY: 1️⃣ Follow SYNTHTOPIA × Crypto.com NFT × 2️⃣ RT 🔁 | Like ❤️ | Tag 3 friends 👥 3️⃣ Comment your animation 🎥 💬 For guidance, feedback, or to share progress — join our Discord: 👉 Exclusively on Crypto.com NFT × 🎞️ The lights are on. The Helix is watching. It’s your time to shine — welcome to the SYNTHVERSE ⚡️ #Synthtopia #BIOSPHERE #CroFam #CryptoCom

SYNTHTOPIA

26,534 просмотров • 9 месяцев назад

One of my first MiniMax H3 tests Omni Reference worked really well here. I only provided references for the woman, the man and the horse and then used the prompt below 👇 Prompt: Use @ Image1 as the man reference. Use @ Image2 as the woman reference. Use @ Image3 as the horse reference. Create a surreal 15-second fashion-film sequence inside a minimalist monochrome blue studio. The woman performs an elegant contemporary dance. The man casually walks into frame wearing a completely serious expression. Without explanation, he immediately joins the choreography. His movements are awkward, strangely confident, almost ritualistic. The woman never acknowledges him. The horse behaves as though both dancers are part of its routine. It wanders through the studio. Runs behind them. Appears from impossible places. Stops. Looks directly into the camera. Leaves. Returns again. Sometimes all three performers accidentally synchronize for one beat before drifting apart again. The choreography becomes increasingly absurd but remains perfectly cinematic. Every movement is intentional. Every frame feels designed. Throughout the sequence, premium kinetic typography appears as part of the composition, not subtitles, but editorial motion graphics inspired by high-end After Effects title design. Animated words flash for only a few frames: THE GARDENER. THE DRIVER. THE HORSE. THE WOMAN. KNIFE. MOVE. FASTER. AGAIN. THE EXIT. These words slam into frame, wrap around the dancers, disappear behind bodies, stretch with motion blur, rotate in 3D, fragment into pieces, reveal through masks, pulse with the bass, smear across cuts, become oversized, tiny, vertical, upside down, and constantly transform using premium motion-design techniques. Add abstract editorial graphics: animated arrows, circles, blueprint lines, tape labels, interface markers, halftone textures, scribbles, grain, tracking graphics, geometric overlays, chromatic aberration, liquid masks, flash frames, split screens, typography trails, speed ramps and graphic wipes. Music evolves into strange electronic art-pop. Analog synths. Mechanical breathing. Heavy bass. Everything is synchronized to the rhythm. Final close-up. The woman whispers: "Again." The man quietly smiles for the first time. The horse suddenly sprints directly toward the camera. The word AGAIN. fills the screen before an instant cut to black.

Ege

20,948 просмотров • 13 дней назад

GPT image 2 × Seedance 2.0 Prompt - GPT Image 2 Prompt for Storyboard: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark.

𝐌

20,168 просмотров • 1 месяц назад

Crafted with Seedance 2.0 + GPT Image 2 Pollo AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. Use Laban movement logic throughout: weight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists time: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions space: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments flow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental releaseSee less

Ciri

77,152 просмотров • 17 дней назад

A Jewish rapper just released a song scolding a Palestinian for not loving Palestine correctly. That is what is happening on track four of Iceman, the first of three albums Drake dropped overnight. He goes after DJ Khaled for not being pro-Palestine enough. > “Your people are still waitin’ for a Free Palestine. But apparently, everything isn’t black and white and red and green.” Read it twice. There is no Gaza in the lyric. No mention of a single Palestinian besides Khaled himself. There is a Palestinian artist being publicly dressed down by a non-Palestinian for not performing his identity correctly. Khaled has stayed quiet on Gaza since October 7. In this climate, that is not betrayal. It is self-protection. Anything he says will get ripped apart by the loudest faction in the room. A Palestinian-American producer in Miami is allowed to live his life. What Drake is doing is the opposite of pro-Palestine. He has appointed himself the man who decides how Palestinians should behave in public. This is exactly what Kendrick was pointing at on “Not Like Us.” Drake doesn’t have an identity. He has a marketing department. He locates himself wherever the audience is loudest, and Free Palestine is the loudest audience right now. That’s the costume. The timing tells the rest. Kendrick called Drake a certified pedophile on the biggest song of 2024. Drake sued his label for defamation. He lost. Now he is back with three albums in a single drop, and the first political move he reaches for is “Free Palestine” deployed as ammunition against another artist. That is what celebrity image rehab looks like in 2026. Find a justice cause that is currently flattering. Wear it loud enough that the cause and your comeback blur into the same press cycle. Solidarity used to mean helping people. Now it means using them.

Hen Mazzig

68,672 просмотров • 3 месяцев назад

This guy cracked the code on AI-powered fashion ecommerce using synthetic face technology and now pulls $50,000 to $150,000 per month from two Shopify stores without paying a single real model. He got tired of watching DTC fashion brands burn $20,000 monthly on photoshoots while their competitors tested 40 product angles in the same timeframe, so he built a system that generates hyperrealistic fashion content using his gaming PC and real-time AI masks instead of studios, contracts, or casting calls. His monthly profit hit $150,000 last month from just 2 stores and organic TikTok traffic, while traditional fashion brands cap out at $30K after paying models $400 to $800 per shoot and studio rentals of $200 to $500 per session. Here is the exact breakdown: → Real-time synthetic face technology becomes the only tool you need, but most people butcher the setup by skipping motion sync calibration in the first 30 seconds → Product selection comes first, and if you mess this up nothing saves it. Stick to women's accessories (bags, sunglasses, jewelry) because that is where organic TikTok engagement lives → Avatar casting is not random. You build one consistent AI face that repeats across all content so your audience recognizes the "model" and trusts the brand continuity → You are picking who your customer projects onto, not who looks expensive. That is your positioning baked into the face → Motion capture runs before generation, and this is what kills the uncanny valley effect that destroys watch time in 4 seconds → You mirror your own gestures through webcam: wave, chin tap, finger point, shoulder dance. The AI mask tracks every micro-movement and applies it to the generated face in real time → Batching is the move 94 percent skip: same outfit base, multiple product swaps, one recording session. No re-shooting, no model schedules, no usage rights negotiations → The system generates 3 to 5 TikToks before lunch, while traditional brands test 2 per week and wonder why their conversion rates are stuck at 0.8 percent The economics are stupid: each video costs him $0 in talent fees, pulls 1.5 million views organically, converts at 0.03 percent into 450 orders at $45 to $60 retail with $30 to $45 margin per sale. That is $15,750 profit per viral video, while fashion brands pay $1,200 per shoot and net $3,000 after ads. The key move nobody talks about: you cannot skip the motion synchronization test. If you generate the AI face without mirroring your own natural gestures first, the avatar moves like a mannequin. The blinks lag. The smile timing breaks. The whole thing screams "synthetic face technology" and your hook rate dies at 1.1 seconds. His system records him doing the exact dance trend first, so the AI mask inherits human timing, natural head tilts, and spontaneous energy that reads as a real creator showing off a product find, not a rendered advertisement. One accessories store generated 10 variants of the same handbag reveal in 18 minutes with different outfits, different backgrounds, different trend audios, and found the winner in 72 hours without spending $6,000 on influencer gifting. They were previously paying $800 per UGC creator and burning $4,800 per week on content that plateaued at 40K views. Now they spend $0 for 10 variants and their cost per acquisition dropped from $62 to $18. UGC agencies now panic because their entire margin was built on talent scarcity, and this removes the human bottleneck. The outfit changes between clips like a wardrobe filter. The lighting matches bedroom setups. The hand gestures sync with beat drops. No casting call. No model release. No location permits. Just a webcamera, a real-time AI mask, and the discipline to batch-test product angles before you commit ad spend to one creative.

Shade

20,190 просмотров • 2 месяцев назад