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FREEBIE Behind the Scenes post! I reference Minecraft a lot on the comics because it's more well known, but 10yo's true love is a game called Terraria (basically Minecraft, but 2D and a LOT more stuff!) He's such a huge fan that his last TWO birthdays have been Terraria...

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Litterbox Comics

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30,483 Aufrufe • vor 1 Jahr •via X (Twitter)

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10 Kommentare

Profilbild von Claymeister
Claymeistervor 1 Jahr

calamity mod comic when

Profilbild von Litterbox Comics
Litterbox Comicsvor 1 Jahr

Oh 10yo is already all over that!

Profilbild von Claymeister
Claymeistervor 1 Jahr

hype as a kid i used to be kinda scared of modded for some reason, but now i cannot play without calamity hah

Profilbild von Litterbox Comics
Litterbox Comicsvor 1 Jahr

Wish he was a bit more scared of mods tbh! He loads up so many and then gets mad when the game can't load! 🙃

Profilbild von Comix Cat Kid/ Waiter
Comix Cat Kid/ Waitervor 1 Jahr

The fact you used several player models to get it correct and really get the comic to pop is amazing

Profilbild von mastah chef and chief
mastah chef and chiefvor 1 Jahr

I thought you made a 3d model for this!

Profilbild von Zoso (The Hogfather) Zeppelin🏳️‍🌈🐗🇺🇸🍉🍉🍉🍉
Zoso (The Hogfather) Zeppelin🏳️‍🌈🐗🇺🇸🍉🍉🍉🍉vor 1 Jahr

Very cool

Profilbild von Eco Valley
Eco Valleyvor 1 Jahr

That's really cool 😎

Profilbild von Wabefuhon
Wabefuhonvor 1 Jahr

An opportunity was missed.

Profilbild von RedDeer.Games IR
RedDeer.Games IRvor 2 Jahren

🌟 Discover Amazing Games! 🌟 Click Now! >>> Unlock a world of incredible adventures with RedDeerGames on #Steam. Dive into our unique and captivating games today! 👉 Visit & FOLLOW on Steam >>>

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Somebody asked me to sketch 'DK' for them, the way that he looked when I created those initial sketches for Donkey Kong Country back in 1993. It's been a while since I drew him like this, and although I have my own way of sketching him which is very different to today's 'Bananza' version, I also draw him very differently to that first sketch that I did, which was way more 'Battletoad-esque' (But I guess it would be wouldn't it?) So it just goes to show how he actually changed from that initial design I did before he was actually modelled, and also how my drawing style has changed (I'd hope so!) in 33 years! I look at structure a bit more now, and have a rough guide of what I need to draw mapped out with nothing more than simple faint circles to guide me. I'm not saying that this is the way to do things, but this works for me anyway! I have sped the process up, the actual time taken was 33 minutes including sharpening pencils and looking for a darker one (which I clipped out of the vid when I sped it up) I also added a fab backing to a tune for SALAMANDOS without the vocal - this one is by the one and only Grant Kirkhope. I have a nasty cut on my thumb sorry! - I erased that when I made the thumbnail because it wasn't nice to look at. If you want me to draw something get in touch on my website. I am happy to draw characters as 'one off' pieces but won't create prints of anything which is an IP that does not belong to me - that would make it 'merch' so - originals only! Thanks for watching, it would have been fun to have seen DK remodelled like this today - but I love the new version in Bananza because it looks more fun and less aggressive! #gamedev #characterdesign #donkeykong #donkeykongcountry #sketch
2:43

Somebody asked me to sketch 'DK' for them, the way that he looked when I created those initial sketches for Donkey Kong Country back in 1993. It's been a while since I drew him like this, and although I have my own way of sketching him which is very different to today's 'Bananza' version, I also draw him very differently to that first sketch that I did, which was way more 'Battletoad-esque' (But I guess it would be wouldn't it?) So it just goes to show how he actually changed from that initial design I did before he was actually modelled, and also how my drawing style has changed (I'd hope so!) in 33 years! I look at structure a bit more now, and have a rough guide of what I need to draw mapped out with nothing more than simple faint circles to guide me. I'm not saying that this is the way to do things, but this works for me anyway! I have sped the process up, the actual time taken was 33 minutes including sharpening pencils and looking for a darker one (which I clipped out of the vid when I sped it up) I also added a fab backing to a tune for SALAMANDOS without the vocal - this one is by the one and only Grant Kirkhope. I have a nasty cut on my thumb sorry! - I erased that when I made the thumbnail because it wasn't nice to look at. If you want me to draw something get in touch on my website. I am happy to draw characters as 'one off' pieces but won't create prints of anything which is an IP that does not belong to me - that would make it 'merch' so - originals only! Thanks for watching, it would have been fun to have seen DK remodelled like this today - but I love the new version in Bananza because it looks more fun and less aggressive! #gamedev #characterdesign #donkeykong #donkeykongcountry #sketch

Kev Bayliss Art

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Raven was asked when he was in ECW, was the goal to get back to WWE or WCW? “I was really happy at ECW but yes, I wanted to go back to WWE. I wanted to be the top guy in the top promotion. I got to be the top guy in the number three promotion. And for a long time, I felt like my career was a failure because of that. I think I talked about it in the movie, in the documentary, but it took a lot of time on a therapist couch to let myself off the hook. Because you hold yourself to such a high standard that I can’t see the forest for the trees. If anybody would have came up to me and told me what my career was, and it was theirs. I said, Man, you got a really successful career. But I couldn’t count it as with that for me, because I didn’t get to be a World Champion of the WWE. (Chris Van Vliet)
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Raven was asked when he was in ECW, was the goal to get back to WWE or WCW? “I was really happy at ECW but yes, I wanted to go back to WWE. I wanted to be the top guy in the top promotion. I got to be the top guy in the number three promotion. And for a long time, I felt like my career was a failure because of that. I think I talked about it in the movie, in the documentary, but it took a lot of time on a therapist couch to let myself off the hook. Because you hold yourself to such a high standard that I can’t see the forest for the trees. If anybody would have came up to me and told me what my career was, and it was theirs. I said, Man, you got a really successful career. But I couldn’t count it as with that for me, because I didn’t get to be a World Champion of the WWE. (Chris Van Vliet)

J O H N

26,404 Aufrufe • vor 5 Monaten

Burt Lancaster on how he got cast in "The Leopard" (1963) after he rejected it the first time: "I bought 11 copies of ‘The Leopard’ because I thought it was a great novel. I gave it to everyone. But when I was asked to play in it, I said, no, that part’s for a real Italian. But, lo, the wheels of fortune turned. They wanted a Russian, but he was too old. They wanted Laurence Olivier, but he was too busy. When I was suggested, Visconti said, ‘Oh, no! A cowboy!’ But I had just finished ‘Judgment at Nuremberg,’ which he saw, and he needed $3 million which 20th Century-Fox would give them if they used an American star, and so the inevitable occurred. And it turned out to be a wonderful marriage. My best work. But you see, nobody told me not to do it. I was the one who said I couldn’t do it.” (Burt Lancaster's interview with Roger Ebert, 1986)
1:29

Burt Lancaster on how he got cast in "The Leopard" (1963) after he rejected it the first time: "I bought 11 copies of ‘The Leopard’ because I thought it was a great novel. I gave it to everyone. But when I was asked to play in it, I said, no, that part’s for a real Italian. But, lo, the wheels of fortune turned. They wanted a Russian, but he was too old. They wanted Laurence Olivier, but he was too busy. When I was suggested, Visconti said, ‘Oh, no! A cowboy!’ But I had just finished ‘Judgment at Nuremberg,’ which he saw, and he needed $3 million which 20th Century-Fox would give them if they used an American star, and so the inevitable occurred. And it turned out to be a wonderful marriage. My best work. But you see, nobody told me not to do it. I was the one who said I couldn’t do it.” (Burt Lancaster's interview with Roger Ebert, 1986)

DepressedBergman

135,877 Aufrufe • vor 2 Monaten

“There was no power, and the entire country was living off diesel (gasoline). I had a lot of friends in government who used to sell it to me, and I used it to power my house. One day, I came home and there was no light, so I moved my whole family to a hotel. I called a friend and asked where I could get diesel. He gave me the contact of a company, and I bought it from them, but it was very expensive. When the truck came to my house and I looked at the meter on it, I said to myself, ‘I could do this business.’ I told my manager to call the manager of that company because I wanted to buy the company, but they refused. So, I bought a second-hand pickup and started selling diesel myself around the estate. My friends even laughed at me whenever we met at the club. Today, I am an oil tycoon.” — Femi Otedola
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carter🌚

146,529 Aufrufe • vor 24 Tagen

I really, really, really wanted to drop this song last year. When I first put out the snippet, I was so excited - but it was hard to finish it on time because everything was a blur. I was sick and weak and nauseous and tired and my body just wouldn't do what I wanted it to. Even in the snippet video, I wasn't feeling great. I was just trying my best. I adore Chike's voice and I knew it was him that had to be on the song with me. When I asked him to give me a verse, he was so ready to go, but he was out of town. As soon as he came back, he came over to my studio the next day 🥹. I got a lotta respect for him. He didn't know I was pregnant and suffering 😅 Watching this video back now, I can't even understand where the energy came from. When the song was done, I struggled to mix it. Even so, I decided to master it myself. I hate mastering, so I don't know what I thinking. I was so disappointed that I couldn't meet the deadline. Everyone had fallen in love with the song and was asking me to put it out. I didn't have the energy to make content. I don't even remember them recording this video. Given how much I love this song, I'm a little bummed I couldn't give it energy it deserves. But please, know that a lot of love and resilience went into this song. I hope that you can let less be more for this one. I hope you can give it the energy that I couldn't. That I can't. PS: This is a chance for those of you that say I gave up my career for marriage to fight(?) for my uhm...rights? That or stfu. WHERE YOU DEY > Simi ft Chiké out everywhere now 🩵🩵 produced by Niphkeys mixed/mastered by Simi
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I really, really, really wanted to drop this song last year. When I first put out the snippet, I was so excited - but it was hard to finish it on time because everything was a blur. I was sick and weak and nauseous and tired and my body just wouldn't do what I wanted it to. Even in the snippet video, I wasn't feeling great. I was just trying my best. I adore Chike's voice and I knew it was him that had to be on the song with me. When I asked him to give me a verse, he was so ready to go, but he was out of town. As soon as he came back, he came over to my studio the next day 🥹. I got a lotta respect for him. He didn't know I was pregnant and suffering 😅 Watching this video back now, I can't even understand where the energy came from. When the song was done, I struggled to mix it. Even so, I decided to master it myself. I hate mastering, so I don't know what I thinking. I was so disappointed that I couldn't meet the deadline. Everyone had fallen in love with the song and was asking me to put it out. I didn't have the energy to make content. I don't even remember them recording this video. Given how much I love this song, I'm a little bummed I couldn't give it energy it deserves. But please, know that a lot of love and resilience went into this song. I hope that you can let less be more for this one. I hope you can give it the energy that I couldn't. That I can't. PS: This is a chance for those of you that say I gave up my career for marriage to fight(?) for my uhm...rights? That or stfu. WHERE YOU DEY > Simi ft Chiké out everywhere now 🩵🩵 produced by Niphkeys mixed/mastered by Simi

Simi

392,871 Aufrufe • vor 5 Monaten

#Magic’s Paolo Banchero on the fifth foul: “It was tough. Never really had anything like that happen before.” "I was trying my best not to foul. I knew I had four fouls. I felt like I stopped short of him going up, and he went up with his elbows out, hit me in the face and they called it on me. Then, he did the same thing to Cory Joseph, they called it on Cory. So not sure what that rule is. Maybe I have a misunderstanding of what the rule is there, but I was trying my best not to foul." "They opened the game up. I mean, that's what happens. If I'm able to be in the game, that doesn't happen. We were playing well, but wasn't in the cards for us."
1:18

#Magic’s Paolo Banchero on the fifth foul: “It was tough. Never really had anything like that happen before.” "I was trying my best not to foul. I knew I had four fouls. I felt like I stopped short of him going up, and he went up with his elbows out, hit me in the face and they called it on me. Then, he did the same thing to Cory Joseph, they called it on Cory. So not sure what that rule is. Maybe I have a misunderstanding of what the rule is there, but I was trying my best not to foul." "They opened the game up. I mean, that's what happens. If I'm able to be in the game, that doesn't happen. We were playing well, but wasn't in the cards for us."

Mason Williams

46,919 Aufrufe • vor 1 Jahr

Asked Jayson Tatum if it was ever tempting to wait until next season, knowing that he could shake off the rust behind closed doors rather than in public. Thought his answer was super thoughtful: "It was a range of emotions, of things I was dealing with and contemplating and thinking about. Obviously, physically getting cleared by everybody. And, lot of it had to do with where the team was at, and never wanting to take moments in a season for granted, just thinking like, ‘Oh, we’ll be good next year.’ It's like, I've been in the league a long time, I've been fortunate to be on a lot of really good teams. And you never want to take for granted opportunity to be on the team that's contending for a championship. I had never had basketball taken away from me, so I always — I never took the game for granted, but as you can imagine, how much I missed playing basketball. The little kid inside me, that that's all I wanted to do my entire life. So, when I was cleared and got the opportunity, it was a lot of people I talked to to make the decision, knowing that I wasn't going to be perfect when I first came on the floor, but showing my teammates that I was willing to fight through it, and give it my all. And even though I wouldn't be as in-rhythm or in condition at first, I knew it was going to take some time, but I wanted to be out there with him, I was gonna do whatever it took.”
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Asked Jayson Tatum if it was ever tempting to wait until next season, knowing that he could shake off the rust behind closed doors rather than in public. Thought his answer was super thoughtful: "It was a range of emotions, of things I was dealing with and contemplating and thinking about. Obviously, physically getting cleared by everybody. And, lot of it had to do with where the team was at, and never wanting to take moments in a season for granted, just thinking like, ‘Oh, we’ll be good next year.’ It's like, I've been in the league a long time, I've been fortunate to be on a lot of really good teams. And you never want to take for granted opportunity to be on the team that's contending for a championship. I had never had basketball taken away from me, so I always — I never took the game for granted, but as you can imagine, how much I missed playing basketball. The little kid inside me, that that's all I wanted to do my entire life. So, when I was cleared and got the opportunity, it was a lot of people I talked to to make the decision, knowing that I wasn't going to be perfect when I first came on the floor, but showing my teammates that I was willing to fight through it, and give it my all. And even though I wouldn't be as in-rhythm or in condition at first, I knew it was going to take some time, but I wanted to be out there with him, I was gonna do whatever it took.”

Noa Dalzell 🏀

97,828 Aufrufe • vor 3 Monaten

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)
1:46

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 Aufrufe • vor 6 Monaten

A player at a casino was accused of being too good and kept winning, they forced him to return all of his chips and cashed him out and told him to leave, there were whispers that they thought he was card counting. I never been to any place where they forced you to do a return and sent you on your way. But I have heard of retail places doing that. When the customer tries to argue at the register they are like you know what, here take your money back and leave. Back when the PS5 came out I was desperate to get one for my kid too, I was searching online for those obscure local stores that had them. I found one in Rochester, NY. I placed the order and got a confirmation and a notification from my bank saying an amount was taken out by them. So I figured they had it and it was fine. A week later after I didn’t get it, I called and he said yes he still had it but he’s been busy and will ship it out asap. I was like ok cool, so another week went by and I called him again and asked what the hold up was. This time around the guy was quite nasty and told me I needed to be patient because he was dealing with some stuff. He then said “you are acting like you don’t want it!” Which was weird because if I didn’t want it I wouldn’t be checking on why I didn’t get it yet. Next day I wake up to a notification from my bank saying the amount taken was credited back to my account and it showed the retailers name. He cancelled my order and refunded my money. So I called again and he said I was harassing him and he rather not sell to people like me. At that point I was furious but what could I do. I was thinking maybe he didn’t have it all along, maybe he only listed it as a means of bringing attention to his store in hopes people browse and buy other items too. Either way the idea of a place of business saying they don’t want my business and giving me my money back and refusing service is ridiculous to me.
2:57

A player at a casino was accused of being too good and kept winning, they forced him to return all of his chips and cashed him out and told him to leave, there were whispers that they thought he was card counting. I never been to any place where they forced you to do a return and sent you on your way. But I have heard of retail places doing that. When the customer tries to argue at the register they are like you know what, here take your money back and leave. Back when the PS5 came out I was desperate to get one for my kid too, I was searching online for those obscure local stores that had them. I found one in Rochester, NY. I placed the order and got a confirmation and a notification from my bank saying an amount was taken out by them. So I figured they had it and it was fine. A week later after I didn’t get it, I called and he said yes he still had it but he’s been busy and will ship it out asap. I was like ok cool, so another week went by and I called him again and asked what the hold up was. This time around the guy was quite nasty and told me I needed to be patient because he was dealing with some stuff. He then said “you are acting like you don’t want it!” Which was weird because if I didn’t want it I wouldn’t be checking on why I didn’t get it yet. Next day I wake up to a notification from my bank saying the amount taken was credited back to my account and it showed the retailers name. He cancelled my order and refunded my money. So I called again and he said I was harassing him and he rather not sell to people like me. At that point I was furious but what could I do. I was thinking maybe he didn’t have it all along, maybe he only listed it as a means of bringing attention to his store in hopes people browse and buy other items too. Either way the idea of a place of business saying they don’t want my business and giving me my money back and refusing service is ridiculous to me.

SonnyBoy🇺🇸

764,590 Aufrufe • vor 4 Tagen

I'm the developer of this game, I've played it thousands of times, written the code for everything in it. When I was coding the behavior of the drones in the Erra: Exordium, drones exploding outside my window in reality. I wanted to add a lot to the game, but I was afraid that if I died tomorrow, the world would never see this game. So, I had to abandon some plot parts, some scenes, characters, animations, a lot of things..., a third of the game was never released. I really regret it, but our reality and our world are a madhouse. I'm currently working on a game that's completely different. I want to create a little world of peace, energy, mystery, and puzzles. I hope I can do that, because the world has become even more idiotic.
1:07

I'm the developer of this game, I've played it thousands of times, written the code for everything in it. When I was coding the behavior of the drones in the Erra: Exordium, drones exploding outside my window in reality. I wanted to add a lot to the game, but I was afraid that if I died tomorrow, the world would never see this game. So, I had to abandon some plot parts, some scenes, characters, animations, a lot of things..., a third of the game was never released. I really regret it, but our reality and our world are a madhouse. I'm currently working on a game that's completely different. I want to create a little world of peace, energy, mystery, and puzzles. I hope I can do that, because the world has become even more idiotic.

Alien 👽 Max | 🇺🇦 game developer

24,111 Aufrufe • vor 3 Monaten

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."
3:40

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."

Sean Ross Sapp of Fightful.com

31,538 Aufrufe • vor 6 Monaten

#SEONGHWA about meeting DPRIAN 😭🩶 ⭐️: Yesterday, I finally had time in my schedule.. actually, more than my schedule permitting it, hyungnim had time in his and he also happened to be in LA, so I went to see him. He said he wanted to show me around his studio and somehow everything just lined up… so I became a successful fan! Yesterday was actually the first time I got to meet him and he greeted me really warmly ㅎㅎ When I arrived to the practice room he was blowing bubbles, like this, to welcome me. So it was very ㅎㅎ very fun and heartwarming. He gave me a tour of the studio and ordered pizza for us to share. While we were eating, I asked him a lot of questions about things I was curious about, like music video behind stories and details about songs of his I love. You know the way we interpret a song differs depending on the listener, but I wanted to hear directly from him what kind of feeling he had when creating those songs. I wanted to hear the real stories from the person who made them, so I asked a lot of those kinds of questions. And it was really fascinating because what I had in mind was actually very similar to what hyungnim had intended. So that was very fascinating. He also told me so many kind and encouraging things… it really motivated me a lot, especially in what I’m doing now. So, ever since I came to the U.S. I was hoping I could meet him and get his autograph. I went all over the place trying to find a CD… but wow, everything was sold out! So eventually I was like, “Ah, it can’t be helped, I’ll just go without one.” I really like keeping physical albums from artists. For books too, e-books are great too, but there’s something special about being able to touch and feel a real book or album, you know? But then, just as we were saying goodbye, hyungnim said he had something for me and handed me the album himself. And then he said that he had left the message section empty on purpose because he was like “I wanted to write something after actually meeting you Seonghwa-ssi and seeing how I felt”. So just before I left, he wrote it down and the words were so beautiful. That really stayed with me. I too, when meeting others, used to write the messages in advance and bring them along, but now I feel like… if I ever get the chance again, I’d also like to write something based on my impression after the meeting and give it to them. There’s something really romantic about that. Also, watching him work (know about his artistic process) up close.. wow, it was just… really, really cool. So yeah I had such a happy, unforgettable time. He said he watched a lot of our performances too, and when he talked about the ones he’s seen, it made me so happy. On stage, he come across as super sexy, right? But when he was speaking, he was so humble and just kind… he just genuinely felt like a hyung. He was incredibly sweet and.. ah, am I like that too? ㅎㅎ I really had a good time. What stage he liked best? He said he’s seen my solo stage. I’m not sure if it was from Towards The Light or this current one (Skin), but he said it was really great to see how deeply I immersed myself in the concept. He also mentioned watching our Coachella stage, and he really enjoyed the sword-drawing part too. He shared a lot of really kind and encouraging words. To be honest, I had worried that my visit might feel like a burden or a hassle for him, but it was the opposite. He was so warm and welcoming, and apparently he was actually really curious about me too and really wanted to talk to me. So it ended up being a truly wonderful day. I came back full of inspiration. Of course, our biggest motivation is always ATINY but this became a new kind of motivation for me, a new inspiration.
7:40

#SEONGHWA about meeting DPRIAN 😭🩶 ⭐️: Yesterday, I finally had time in my schedule.. actually, more than my schedule permitting it, hyungnim had time in his and he also happened to be in LA, so I went to see him. He said he wanted to show me around his studio and somehow everything just lined up… so I became a successful fan! Yesterday was actually the first time I got to meet him and he greeted me really warmly ㅎㅎ When I arrived to the practice room he was blowing bubbles, like this, to welcome me. So it was very ㅎㅎ very fun and heartwarming. He gave me a tour of the studio and ordered pizza for us to share. While we were eating, I asked him a lot of questions about things I was curious about, like music video behind stories and details about songs of his I love. You know the way we interpret a song differs depending on the listener, but I wanted to hear directly from him what kind of feeling he had when creating those songs. I wanted to hear the real stories from the person who made them, so I asked a lot of those kinds of questions. And it was really fascinating because what I had in mind was actually very similar to what hyungnim had intended. So that was very fascinating. He also told me so many kind and encouraging things… it really motivated me a lot, especially in what I’m doing now. So, ever since I came to the U.S. I was hoping I could meet him and get his autograph. I went all over the place trying to find a CD… but wow, everything was sold out! So eventually I was like, “Ah, it can’t be helped, I’ll just go without one.” I really like keeping physical albums from artists. For books too, e-books are great too, but there’s something special about being able to touch and feel a real book or album, you know? But then, just as we were saying goodbye, hyungnim said he had something for me and handed me the album himself. And then he said that he had left the message section empty on purpose because he was like “I wanted to write something after actually meeting you Seonghwa-ssi and seeing how I felt”. So just before I left, he wrote it down and the words were so beautiful. That really stayed with me. I too, when meeting others, used to write the messages in advance and bring them along, but now I feel like… if I ever get the chance again, I’d also like to write something based on my impression after the meeting and give it to them. There’s something really romantic about that. Also, watching him work (know about his artistic process) up close.. wow, it was just… really, really cool. So yeah I had such a happy, unforgettable time. He said he watched a lot of our performances too, and when he talked about the ones he’s seen, it made me so happy. On stage, he come across as super sexy, right? But when he was speaking, he was so humble and just kind… he just genuinely felt like a hyung. He was incredibly sweet and.. ah, am I like that too? ㅎㅎ I really had a good time. What stage he liked best? He said he’s seen my solo stage. I’m not sure if it was from Towards The Light or this current one (Skin), but he said it was really great to see how deeply I immersed myself in the concept. He also mentioned watching our Coachella stage, and he really enjoyed the sword-drawing part too. He shared a lot of really kind and encouraging words. To be honest, I had worried that my visit might feel like a burden or a hassle for him, but it was the opposite. He was so warm and welcoming, and apparently he was actually really curious about me too and really wanted to talk to me. So it ended up being a truly wonderful day. I came back full of inspiration. Of course, our biggest motivation is always ATINY but this became a new kind of motivation for me, a new inspiration.

Everything Seonghwa

39,768 Aufrufe • vor 11 Monaten

Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.
1:23

Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.

DepressedBergman

20,299 Aufrufe • vor 9 Tagen

#Vikings 1st-round pick Donovan Jackson details the conversations he had with doctors about his wrist procedure — they advised him to sit out Week 3, but Jackson decided to play through it to get the surgery a week later: “I was told that it was a significant injury in terms of risk, but they said, "Well, if you brace it up, you won't have to get surgery at least for like another week." And so I was like, "Oh, so I can play the game." They're like, "Well, we don't recommend it." I was like, "No, you said another week. I'll be fine." And so I played the game. Did what I could to the best of my abilities and then I was really on a plane that same night." 🎥: Vikings YouTube
0:57

#Vikings 1st-round pick Donovan Jackson details the conversations he had with doctors about his wrist procedure — they advised him to sit out Week 3, but Jackson decided to play through it to get the surgery a week later: “I was told that it was a significant injury in terms of risk, but they said, "Well, if you brace it up, you won't have to get surgery at least for like another week." And so I was like, "Oh, so I can play the game." They're like, "Well, we don't recommend it." I was like, "No, you said another week. I'll be fine." And so I played the game. Did what I could to the best of my abilities and then I was really on a plane that same night." 🎥: Vikings YouTube

VikingzFanPage

264,026 Aufrufe • vor 8 Monaten

🧸 ah i wanted to talk about this! i saw a lot of people holding birthday cafes at the cafes in front of the cafe and in a lot of other places…it was a shame that i couldn’t see it with my own eyes but i was really grateful that day because so many people were celebrating my birthday 🧸 if it were up to me, it wasn’t for the surgery, i would go to the cafes in front of the company and i’d want to give something to moas if there were any that there were there…but maybe on my next birthday or when i get the time again, i’ll make the dream that i couldn’t fulfil this time, come true 💗
0:57

🧸 ah i wanted to talk about this! i saw a lot of people holding birthday cafes at the cafes in front of the cafe and in a lot of other places…it was a shame that i couldn’t see it with my own eyes but i was really grateful that day because so many people were celebrating my birthday 🧸 if it were up to me, it wasn’t for the surgery, i would go to the cafes in front of the company and i’d want to give something to moas if there were any that there were there…but maybe on my next birthday or when i get the time again, i’ll make the dream that i couldn’t fulfil this time, come true 💗

💬

48,406 Aufrufe • vor 3 Monaten

This part breaks and heals my heart at the same time 💔Mingi’s words are full of wisdom, as always🥺 🐥 I was full of arrogance in the beginning, but after I made my debut, I felt so small. From then on, I lost a lot of my mental strength. As soon as I made my debut, I thought I was the best and I thought I was in first place. That’s why those aspirations, that tenacity, and that something about me - my self-worth - was so high. But after that, it was destroyed in an instant. 🐥 I lost a lot of my self-worth, and I started to feel like I was worth nothing. I started to doubt if there was any reason for me to be in this group. When I feel that kind of self-disgust, I think it’s important how I overcome those thoughts. In my early days of my debut, I think I only had a pretty packaging on me. I used to think, ‘I’m doing well, what more can I do?’ But after that pretty packaging came off, I had nothing inside. So I think it took me a long time to fill myself up. Now, even if I break down once in a while, I just go back to the human Song Mingi, and I look for the things I like one by one, and then I think, ‘People will like me a bit now, right?’ Since we’re celebrities, we need to satisfy the people to a certain degree. But I think we still have to satisfy ourselves in the process as well. I think I try to find a harmony between the two in my head. 🐥 It took me a long time to build this up, but I think the process of building myself up, unlike building a sand castle, you build it up little by little. So I feel like, internally, I have become more resilient, compare to before.
1:52

This part breaks and heals my heart at the same time 💔Mingi’s words are full of wisdom, as always🥺 🐥 I was full of arrogance in the beginning, but after I made my debut, I felt so small. From then on, I lost a lot of my mental strength. As soon as I made my debut, I thought I was the best and I thought I was in first place. That’s why those aspirations, that tenacity, and that something about me - my self-worth - was so high. But after that, it was destroyed in an instant. 🐥 I lost a lot of my self-worth, and I started to feel like I was worth nothing. I started to doubt if there was any reason for me to be in this group. When I feel that kind of self-disgust, I think it’s important how I overcome those thoughts. In my early days of my debut, I think I only had a pretty packaging on me. I used to think, ‘I’m doing well, what more can I do?’ But after that pretty packaging came off, I had nothing inside. So I think it took me a long time to fill myself up. Now, even if I break down once in a while, I just go back to the human Song Mingi, and I look for the things I like one by one, and then I think, ‘People will like me a bit now, right?’ Since we’re celebrities, we need to satisfy the people to a certain degree. But I think we still have to satisfy ourselves in the process as well. I think I try to find a harmony between the two in my head. 🐥 It took me a long time to build this up, but I think the process of building myself up, unlike building a sand castle, you build it up little by little. So I feel like, internally, I have become more resilient, compare to before.

Irene | AhgaTiny

35,998 Aufrufe • vor 9 Monaten

One distinct memory I have from playing games in the 80s was that every once in a while I would stumble across a game that looked epic but I had exactly zero clue what to do. Wizball was such a game. Looked and sounded pretty cool, but... "where to go, what to do, and what's the goal here?" - something along those lines went through my mind at the time. I stuck with it an eventually (much later) figured it out. Do you remember a game that you played but didn't really know what the goal was or how to get there?
0:40

One distinct memory I have from playing games in the 80s was that every once in a while I would stumble across a game that looked epic but I had exactly zero clue what to do. Wizball was such a game. Looked and sounded pretty cool, but... "where to go, what to do, and what's the goal here?" - something along those lines went through my mind at the time. I stuck with it an eventually (much later) figured it out. Do you remember a game that you played but didn't really know what the goal was or how to get there?

exQUIZitely 🕹️

15,998 Aufrufe • vor 4 Monaten

Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)
1:09

Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)

DepressedBergman

36,100 Aufrufe • vor 6 Monaten

NO BUT HIS IDEA SO BRILLIANT? 👑: i already talked about it and gave hints to yeodoongies, right? so, it was almost at the final completion stage, but then the price came out. and it ended up being a bit higher than i expected. since i really wanted this item to be practical and actually useful for yeodoongies, i designed it with that in mind—and because of those extra details, the unit cost ended up a bit higher than i first thought 👑: so i thought, “wouldn’t this be a bit too much of a burden for yeodoongies?” that’s why i just decided to scrap it and changed to something else instead 💬: then just give me the one you scrapped 👑: ㅎㅎㅎ ah, that one was actually—well, i guess i can just say it now anyway. actually, i was thinking of a keyboard. the idea for that keyboard was something like i wanted to put hehetmon face on the keyboard—what should i call it? on the keycaps, like emojis. and then, you know those keyboards that don't make that loud clicking sound? not like mechanical keyboards, but ones that sound like asmr... ah, silent! but even though it's silent, it has that, you know—that “sagak-sagak” sound when you press the keys. yeah, you’re right! like “tuduk-tuduk” sound! i had that kind of keyboard in mind and tried to make it happen. but the unit cost ended up being higher than i expected. and i thought, this is a bit too much— i know our yeodoongies would want to have it no matter what, but if the price is this high, it’ll be such a burden on yeodoongies. so, i just made the call to scrap it and switched to something else
1:56

NO BUT HIS IDEA SO BRILLIANT? 👑: i already talked about it and gave hints to yeodoongies, right? so, it was almost at the final completion stage, but then the price came out. and it ended up being a bit higher than i expected. since i really wanted this item to be practical and actually useful for yeodoongies, i designed it with that in mind—and because of those extra details, the unit cost ended up a bit higher than i first thought 👑: so i thought, “wouldn’t this be a bit too much of a burden for yeodoongies?” that’s why i just decided to scrap it and changed to something else instead 💬: then just give me the one you scrapped 👑: ㅎㅎㅎ ah, that one was actually—well, i guess i can just say it now anyway. actually, i was thinking of a keyboard. the idea for that keyboard was something like i wanted to put hehetmon face on the keyboard—what should i call it? on the keycaps, like emojis. and then, you know those keyboards that don't make that loud clicking sound? not like mechanical keyboards, but ones that sound like asmr... ah, silent! but even though it's silent, it has that, you know—that “sagak-sagak” sound when you press the keys. yeah, you’re right! like “tuduk-tuduk” sound! i had that kind of keyboard in mind and tried to make it happen. but the unit cost ended up being higher than i expected. and i thought, this is a bit too much— i know our yeodoongies would want to have it no matter what, but if the price is this high, it’ll be such a burden on yeodoongies. so, i just made the call to scrap it and switched to something else

yeopamine

37,777 Aufrufe • vor 1 Monat