Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

FREEBIE Behind the Scenes post! I reference Minecraft a lot on the comics because it's more well known, but 10yo's true love is a game called Terraria (basically Minecraft, but 2D and a LOT more stuff!) He's such a huge fan that his last TWO birthdays have been Terraria...

LitterboxComics's profile picture

Litterbox Comics

82,917 subscribers

30,483 görüntüleme • 1 yıl önce •via X (Twitter)

KomediSanat
LIVE

Anya Rossi• Live Now

Private livecam show

10 Yorum

Claymeister profil fotoğrafı
Claymeister1 yıl önce

calamity mod comic when

Litterbox Comics profil fotoğrafı
Litterbox Comics1 yıl önce

Oh 10yo is already all over that!

Claymeister profil fotoğrafı
Claymeister1 yıl önce

hype as a kid i used to be kinda scared of modded for some reason, but now i cannot play without calamity hah

Litterbox Comics profil fotoğrafı
Litterbox Comics1 yıl önce

Wish he was a bit more scared of mods tbh! He loads up so many and then gets mad when the game can't load! 🙃

Comix Cat Kid/ Waiter profil fotoğrafı
Comix Cat Kid/ Waiter1 yıl önce

The fact you used several player models to get it correct and really get the comic to pop is amazing

mastah chef and chief profil fotoğrafı
mastah chef and chief1 yıl önce

I thought you made a 3d model for this!

Zoso (The Hogfather) Zeppelin🏳️‍🌈🐗🇺🇸🍉🍉🍉🍉 profil fotoğrafı
Zoso (The Hogfather) Zeppelin🏳️‍🌈🐗🇺🇸🍉🍉🍉🍉1 yıl önce

Very cool

Eco Valley profil fotoğrafı
Eco Valley1 yıl önce

That's really cool 😎

Wabefuhon profil fotoğrafı
Wabefuhon1 yıl önce

An opportunity was missed.

RedDeer.Games IR profil fotoğrafı
RedDeer.Games IR2 yıl önce

🌟 Discover Amazing Games! 🌟 Click Now! >>> Unlock a world of incredible adventures with RedDeerGames on #Steam. Dive into our unique and captivating games today! 👉 Visit & FOLLOW on Steam >>>

Benzer Videolar

Somebody asked me to sketch 'DK' for them, the way that he looked when I created those initial sketches for Donkey Kong Country back in 1993. It's been a while since I drew him like this, and although I have my own way of sketching him which is very different to today's 'Bananza' version, I also draw him very differently to that first sketch that I did, which was way more 'Battletoad-esque' (But I guess it would be wouldn't it?) So it just goes to show how he actually changed from that initial design I did before he was actually modelled, and also how my drawing style has changed (I'd hope so!) in 33 years! I look at structure a bit more now, and have a rough guide of what I need to draw mapped out with nothing more than simple faint circles to guide me. I'm not saying that this is the way to do things, but this works for me anyway! I have sped the process up, the actual time taken was 33 minutes including sharpening pencils and looking for a darker one (which I clipped out of the vid when I sped it up) I also added a fab backing to a tune for SALAMANDOS without the vocal - this one is by the one and only Grant Kirkhope 🏴󠁧󠁢󠁳󠁣󠁴󠁿. I have a nasty cut on my thumb sorry! - I erased that when I made the thumbnail because it wasn't nice to look at. If you want me to draw something get in touch on my website. I am happy to draw characters as 'one off' pieces but won't create prints of anything which is an IP that does not belong to me - that would make it 'merch' so - originals only! Thanks for watching, it would have been fun to have seen DK remodelled like this today - but I love the new version in Bananza because it looks more fun and less aggressive! #gamedev #characterdesign #donkeykong #donkeykongcountry #sketch
2:43

Somebody asked me to sketch 'DK' for them, the way that he looked when I created those initial sketches for Donkey Kong Country back in 1993. It's been a while since I drew him like this, and although I have my own way of sketching him which is very different to today's 'Bananza' version, I also draw him very differently to that first sketch that I did, which was way more 'Battletoad-esque' (But I guess it would be wouldn't it?) So it just goes to show how he actually changed from that initial design I did before he was actually modelled, and also how my drawing style has changed (I'd hope so!) in 33 years! I look at structure a bit more now, and have a rough guide of what I need to draw mapped out with nothing more than simple faint circles to guide me. I'm not saying that this is the way to do things, but this works for me anyway! I have sped the process up, the actual time taken was 33 minutes including sharpening pencils and looking for a darker one (which I clipped out of the vid when I sped it up) I also added a fab backing to a tune for SALAMANDOS without the vocal - this one is by the one and only Grant Kirkhope 🏴󠁧󠁢󠁳󠁣󠁴󠁿. I have a nasty cut on my thumb sorry! - I erased that when I made the thumbnail because it wasn't nice to look at. If you want me to draw something get in touch on my website. I am happy to draw characters as 'one off' pieces but won't create prints of anything which is an IP that does not belong to me - that would make it 'merch' so - originals only! Thanks for watching, it would have been fun to have seen DK remodelled like this today - but I love the new version in Bananza because it looks more fun and less aggressive! #gamedev #characterdesign #donkeykong #donkeykongcountry #sketch

Rareware_Artist

14,251 görüntüleme • 3 ay önce

Raven was asked when he was in ECW, was the goal to get back to WWE or WCW? “I was really happy at ECW but yes, I wanted to go back to WWE. I wanted to be the top guy in the top promotion. I got to be the top guy in the number three promotion. And for a long time, I felt like my career was a failure because of that. I think I talked about it in the movie, in the documentary, but it took a lot of time on a therapist couch to let myself off the hook. Because you hold yourself to such a high standard that I can’t see the forest for the trees. If anybody would have came up to me and told me what my career was, and it was theirs. I said, Man, you got a really successful career. But I couldn’t count it as with that for me, because I didn’t get to be a World Champion of the WWE. (Chris Van Vliet)
1:05

Raven was asked when he was in ECW, was the goal to get back to WWE or WCW? “I was really happy at ECW but yes, I wanted to go back to WWE. I wanted to be the top guy in the top promotion. I got to be the top guy in the number three promotion. And for a long time, I felt like my career was a failure because of that. I think I talked about it in the movie, in the documentary, but it took a lot of time on a therapist couch to let myself off the hook. Because you hold yourself to such a high standard that I can’t see the forest for the trees. If anybody would have came up to me and told me what my career was, and it was theirs. I said, Man, you got a really successful career. But I couldn’t count it as with that for me, because I didn’t get to be a World Champion of the WWE. (Chris Van Vliet)

J O H N

26,404 görüntüleme • 7 ay önce

Burt Lancaster on how he got cast in "The Leopard" (1963) after he rejected it the first time: "I bought 11 copies of ‘The Leopard’ because I thought it was a great novel. I gave it to everyone. But when I was asked to play in it, I said, no, that part’s for a real Italian. But, lo, the wheels of fortune turned. They wanted a Russian, but he was too old. They wanted Laurence Olivier, but he was too busy. When I was suggested, Visconti said, ‘Oh, no! A cowboy!’ But I had just finished ‘Judgment at Nuremberg,’ which he saw, and he needed $3 million which 20th Century-Fox would give them if they used an American star, and so the inevitable occurred. And it turned out to be a wonderful marriage. My best work. But you see, nobody told me not to do it. I was the one who said I couldn’t do it.” (Burt Lancaster's interview with Roger Ebert, 1986)
1:29

Burt Lancaster on how he got cast in "The Leopard" (1963) after he rejected it the first time: "I bought 11 copies of ‘The Leopard’ because I thought it was a great novel. I gave it to everyone. But when I was asked to play in it, I said, no, that part’s for a real Italian. But, lo, the wheels of fortune turned. They wanted a Russian, but he was too old. They wanted Laurence Olivier, but he was too busy. When I was suggested, Visconti said, ‘Oh, no! A cowboy!’ But I had just finished ‘Judgment at Nuremberg,’ which he saw, and he needed $3 million which 20th Century-Fox would give them if they used an American star, and so the inevitable occurred. And it turned out to be a wonderful marriage. My best work. But you see, nobody told me not to do it. I was the one who said I couldn’t do it.” (Burt Lancaster's interview with Roger Ebert, 1986)

DepressedBergman

136,115 görüntüleme • 4 ay önce

Back then, even when Gumayusi wasn't the starting player, it was his choice to go at the venue or not but he still chose to go because he thought it was important to be with the team and watch the matches. Q: It seems like it was tough when you were subbed out of the starting line up. Could you talk a bit more specifically about how you got through that period? Gumayusi: Usually, people say they “overcame” tough times, but lately my thinking has changed. I think that hardships aren't something you overcome, but they're something you endure. Q: On him going to the venue despite not being on the starting lineup back then Gumayusi: Actually, it was my choice whether to go or not. At first, it hurt, so I thought I didn’t want to go. But I realized that instead of thinking/dwelling on the situation negatively and doing nothing, it was more important to go there, be with the team and watch the matches. In the end, I think it was good that I went.
0:47

Back then, even when Gumayusi wasn't the starting player, it was his choice to go at the venue or not but he still chose to go because he thought it was important to be with the team and watch the matches. Q: It seems like it was tough when you were subbed out of the starting line up. Could you talk a bit more specifically about how you got through that period? Gumayusi: Usually, people say they “overcame” tough times, but lately my thinking has changed. I think that hardships aren't something you overcome, but they're something you endure. Q: On him going to the venue despite not being on the starting lineup back then Gumayusi: Actually, it was my choice whether to go or not. At first, it hurt, so I thought I didn’t want to go. But I realized that instead of thinking/dwelling on the situation negatively and doing nothing, it was more important to go there, be with the team and watch the matches. In the end, I think it was good that I went.

ye?

41,355 görüntüleme • 7 ay önce

“There was no power, and the entire country was living off diesel (gasoline). I had a lot of friends in government who used to sell it to me, and I used it to power my house. One day, I came home and there was no light, so I moved my whole family to a hotel. I called a friend and asked where I could get diesel. He gave me the contact of a company, and I bought it from them, but it was very expensive. When the truck came to my house and I looked at the meter on it, I said to myself, ‘I could do this business.’ I told my manager to call the manager of that company because I wanted to buy the company, but they refused. So, I bought a second-hand pickup and started selling diesel myself around the estate. My friends even laughed at me whenever we met at the club. Today, I am an oil tycoon.” — Femi Otedola
3:36

“There was no power, and the entire country was living off diesel (gasoline). I had a lot of friends in government who used to sell it to me, and I used it to power my house. One day, I came home and there was no light, so I moved my whole family to a hotel. I called a friend and asked where I could get diesel. He gave me the contact of a company, and I bought it from them, but it was very expensive. When the truck came to my house and I looked at the meter on it, I said to myself, ‘I could do this business.’ I told my manager to call the manager of that company because I wanted to buy the company, but they refused. So, I bought a second-hand pickup and started selling diesel myself around the estate. My friends even laughed at me whenever we met at the club. Today, I am an oil tycoon.” — Femi Otedola

carter🌚

147,408 görüntüleme • 2 ay önce

I really, really, really wanted to drop this song last year. When I first put out the snippet, I was so excited - but it was hard to finish it on time because everything was a blur. I was sick and weak and nauseous and tired and my body just wouldn't do what I wanted it to. Even in the snippet video, I wasn't feeling great. I was just trying my best. I adore Chike's voice and I knew it was him that had to be on the song with me. When I asked him to give me a verse, he was so ready to go, but he was out of town. As soon as he came back, he came over to my studio the next day 🥹. I got a lotta respect for him. He didn't know I was pregnant and suffering 😅 Watching this video back now, I can't even understand where the energy came from. When the song was done, I struggled to mix it. Even so, I decided to master it myself. I hate mastering, so I don't know what I thinking. I was so disappointed that I couldn't meet the deadline. Everyone had fallen in love with the song and was asking me to put it out. I didn't have the energy to make content. I don't even remember them recording this video. Given how much I love this song, I'm a little bummed I couldn't give it energy it deserves. But please, know that a lot of love and resilience went into this song. I hope that you can let less be more for this one. I hope you can give it the energy that I couldn't. That I can't. PS: This is a chance for those of you that say I gave up my career for marriage to fight(?) for my uhm...rights? That or stfu. WHERE YOU DEY > Simi ft Chiké out everywhere now 🩵🩵 produced by Niphkeys mixed/mastered by Simi
2:27

I really, really, really wanted to drop this song last year. When I first put out the snippet, I was so excited - but it was hard to finish it on time because everything was a blur. I was sick and weak and nauseous and tired and my body just wouldn't do what I wanted it to. Even in the snippet video, I wasn't feeling great. I was just trying my best. I adore Chike's voice and I knew it was him that had to be on the song with me. When I asked him to give me a verse, he was so ready to go, but he was out of town. As soon as he came back, he came over to my studio the next day 🥹. I got a lotta respect for him. He didn't know I was pregnant and suffering 😅 Watching this video back now, I can't even understand where the energy came from. When the song was done, I struggled to mix it. Even so, I decided to master it myself. I hate mastering, so I don't know what I thinking. I was so disappointed that I couldn't meet the deadline. Everyone had fallen in love with the song and was asking me to put it out. I didn't have the energy to make content. I don't even remember them recording this video. Given how much I love this song, I'm a little bummed I couldn't give it energy it deserves. But please, know that a lot of love and resilience went into this song. I hope that you can let less be more for this one. I hope you can give it the energy that I couldn't. That I can't. PS: This is a chance for those of you that say I gave up my career for marriage to fight(?) for my uhm...rights? That or stfu. WHERE YOU DEY > Simi ft Chiké out everywhere now 🩵🩵 produced by Niphkeys mixed/mastered by Simi

Simi

393,787 görüntüleme • 6 ay önce

Asked Jayson Tatum if it was ever tempting to wait until next season, knowing that he could shake off the rust behind closed doors rather than in public. Thought his answer was super thoughtful: "It was a range of emotions, of things I was dealing with and contemplating and thinking about. Obviously, physically getting cleared by everybody. And, lot of it had to do with where the team was at, and never wanting to take moments in a season for granted, just thinking like, ‘Oh, we’ll be good next year.’ It's like, I've been in the league a long time, I've been fortunate to be on a lot of really good teams. And you never want to take for granted opportunity to be on the team that's contending for a championship. I had never had basketball taken away from me, so I always — I never took the game for granted, but as you can imagine, how much I missed playing basketball. The little kid inside me, that that's all I wanted to do my entire life. So, when I was cleared and got the opportunity, it was a lot of people I talked to to make the decision, knowing that I wasn't going to be perfect when I first came on the floor, but showing my teammates that I was willing to fight through it, and give it my all. And even though I wouldn't be as in-rhythm or in condition at first, I knew it was going to take some time, but I wanted to be out there with him, I was gonna do whatever it took.”
1:36

Asked Jayson Tatum if it was ever tempting to wait until next season, knowing that he could shake off the rust behind closed doors rather than in public. Thought his answer was super thoughtful: "It was a range of emotions, of things I was dealing with and contemplating and thinking about. Obviously, physically getting cleared by everybody. And, lot of it had to do with where the team was at, and never wanting to take moments in a season for granted, just thinking like, ‘Oh, we’ll be good next year.’ It's like, I've been in the league a long time, I've been fortunate to be on a lot of really good teams. And you never want to take for granted opportunity to be on the team that's contending for a championship. I had never had basketball taken away from me, so I always — I never took the game for granted, but as you can imagine, how much I missed playing basketball. The little kid inside me, that that's all I wanted to do my entire life. So, when I was cleared and got the opportunity, it was a lot of people I talked to to make the decision, knowing that I wasn't going to be perfect when I first came on the floor, but showing my teammates that I was willing to fight through it, and give it my all. And even though I wouldn't be as in-rhythm or in condition at first, I knew it was going to take some time, but I wanted to be out there with him, I was gonna do whatever it took.”

Noa Dalzell 🏀

97,939 görüntüleme • 4 ay önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)
1:46

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 7 ay önce

This coach was teaching his students how to play dodgeball. He started with teaching them how to dodge the ball. He gave them an advantage by using a bigger ball than they would be normally using. Was he crossing the line for pelting them? As I mentioned before I was pretty good at the game, I used to throw the ball insanely hard, most of the time the other kid’s didn’t have time to react. The only rule we had in school was no head shots. I remember being sat out of gym for dodgeball because I saw an opening and I took the shot. I was aiming for her feet and not anything else. However she decided she would try to slide because she thought I was going to throw it high. She slid right into the path of the ball and got belted in the head, knocking off her glasses and breaking them. Of course she cried, I felt bad for it as I wasn’t trying to hit her in the face nonetheless throw the ball at her hard. But it didn’t matter, i still was punished for it even though i tried to explain how it was an accident. I wasn’t punished beyond that but being sat out of the game was punishment enough for me since I liked the game so much. Being a parent now I get it, I wouldn’t want that to happen but I would understand it as part of the game. Would you be upset if another kid hit your child in the face with the ball or is it really just part of the game? I think it’s time we bring this game back to schools.
0:20

This coach was teaching his students how to play dodgeball. He started with teaching them how to dodge the ball. He gave them an advantage by using a bigger ball than they would be normally using. Was he crossing the line for pelting them? As I mentioned before I was pretty good at the game, I used to throw the ball insanely hard, most of the time the other kid’s didn’t have time to react. The only rule we had in school was no head shots. I remember being sat out of gym for dodgeball because I saw an opening and I took the shot. I was aiming for her feet and not anything else. However she decided she would try to slide because she thought I was going to throw it high. She slid right into the path of the ball and got belted in the head, knocking off her glasses and breaking them. Of course she cried, I felt bad for it as I wasn’t trying to hit her in the face nonetheless throw the ball at her hard. But it didn’t matter, i still was punished for it even though i tried to explain how it was an accident. I wasn’t punished beyond that but being sat out of the game was punishment enough for me since I liked the game so much. Being a parent now I get it, I wouldn’t want that to happen but I would understand it as part of the game. Would you be upset if another kid hit your child in the face with the ball or is it really just part of the game? I think it’s time we bring this game back to schools.

SonnyBoy🇺🇸

357,012 görüntüleme • 1 ay önce

A player at a casino was accused of being too good and kept winning, they forced him to return all of his chips and cashed him out and told him to leave, there were whispers that they thought he was card counting. I never been to any place where they forced you to do a return and sent you on your way. But I have heard of retail places doing that. When the customer tries to argue at the register they are like you know what, here take your money back and leave. Back when the PS5 came out I was desperate to get one for my kid too, I was searching online for those obscure local stores that had them. I found one in Rochester, NY. I placed the order and got a confirmation and a notification from my bank saying an amount was taken out by them. So I figured they had it and it was fine. A week later after I didn’t get it, I called and he said yes he still had it but he’s been busy and will ship it out asap. I was like ok cool, so another week went by and I called him again and asked what the hold up was. This time around the guy was quite nasty and told me I needed to be patient because he was dealing with some stuff. He then said “you are acting like you don’t want it!” Which was weird because if I didn’t want it I wouldn’t be checking on why I didn’t get it yet. Next day I wake up to a notification from my bank saying the amount taken was credited back to my account and it showed the retailers name. He cancelled my order and refunded my money. So I called again and he said I was harassing him and he rather not sell to people like me. At that point I was furious but what could I do. I was thinking maybe he didn’t have it all along, maybe he only listed it as a means of bringing attention to his store in hopes people browse and buy other items too. Either way the idea of a place of business saying they don’t want my business and giving me my money back and refusing service is ridiculous to me.
2:57

A player at a casino was accused of being too good and kept winning, they forced him to return all of his chips and cashed him out and told him to leave, there were whispers that they thought he was card counting. I never been to any place where they forced you to do a return and sent you on your way. But I have heard of retail places doing that. When the customer tries to argue at the register they are like you know what, here take your money back and leave. Back when the PS5 came out I was desperate to get one for my kid too, I was searching online for those obscure local stores that had them. I found one in Rochester, NY. I placed the order and got a confirmation and a notification from my bank saying an amount was taken out by them. So I figured they had it and it was fine. A week later after I didn’t get it, I called and he said yes he still had it but he’s been busy and will ship it out asap. I was like ok cool, so another week went by and I called him again and asked what the hold up was. This time around the guy was quite nasty and told me I needed to be patient because he was dealing with some stuff. He then said “you are acting like you don’t want it!” Which was weird because if I didn’t want it I wouldn’t be checking on why I didn’t get it yet. Next day I wake up to a notification from my bank saying the amount taken was credited back to my account and it showed the retailers name. He cancelled my order and refunded my money. So I called again and he said I was harassing him and he rather not sell to people like me. At that point I was furious but what could I do. I was thinking maybe he didn’t have it all along, maybe he only listed it as a means of bringing attention to his store in hopes people browse and buy other items too. Either way the idea of a place of business saying they don’t want my business and giving me my money back and refusing service is ridiculous to me.

SonnyBoy🇺🇸

768,022 görüntüleme • 1 ay önce

I'm the developer of this game, I've played it thousands of times, written the code for everything in it. When I was coding the behavior of the drones in the Erra: Exordium, drones exploding outside my window in reality. I wanted to add a lot to the game, but I was afraid that if I died tomorrow, the world would never see this game. So, I had to abandon some plot parts, some scenes, characters, animations, a lot of things..., a third of the game was never released. I really regret it, but our reality and our world are a madhouse. I'm currently working on a game that's completely different. I want to create a little world of peace, energy, mystery, and puzzles. I hope I can do that, because the world has become even more idiotic.
1:07

I'm the developer of this game, I've played it thousands of times, written the code for everything in it. When I was coding the behavior of the drones in the Erra: Exordium, drones exploding outside my window in reality. I wanted to add a lot to the game, but I was afraid that if I died tomorrow, the world would never see this game. So, I had to abandon some plot parts, some scenes, characters, animations, a lot of things..., a third of the game was never released. I really regret it, but our reality and our world are a madhouse. I'm currently working on a game that's completely different. I want to create a little world of peace, energy, mystery, and puzzles. I hope I can do that, because the world has become even more idiotic.

Alien 👽 Max | 🇺🇦 game developer

24,111 görüntüleme • 4 ay önce

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."
3:40

"That pussy Adam Cole broke his ankle like the complete dork that he is." MJF talks about the revisionist history of his story with Adam Cole "Here's what happened. At the time, and this is just a fact, we were the highest minute-for-minute drawing angle, not just in AEW, but in all of professional wrestling at that point. We were moving the most merch in the company. At that point, and was to no fault, Bloodline's going to go down as one of the greatest long-term thing, but at that point there was a bit of lull in their story at that point in 2023, and we had taken lead and Better Than You, Baby is what everybody was talking about and then that pussy Adam Cole broke his ankle like the complete dork that he is and then he decided to turn on me because he's a horrible human being. But I learned a lot in that in that year I learned a lot about myself you know when I when I was out—full disclosure I was in a very dark place." I also asked about the injuries he had suffered "It was my hip, my left shoulder; my last two pay-per-view matches—pretty much the left side of my body was useless. But I wasn't going to tell the doctors that because that's not how I was brought up. In not just in real life, but in this business. When I had that time off, I had a lot of time to reflect and it made me angry. Now I look back on it and I shouldn't have been angry at the fans. Who I should have been angry was that myself. Because I went from being, ‘MJF is the best thing since sliced bread,’ and within a flip of a switch, ‘It's MJF sucks. He's killing this company that we love.’ It took, if we're being honest, it took all the way into like the first month of this year of 2025 for everybody to be like, ‘Maybe we were harsh. Maybe he's actually still one of the best in the world. They can't help it. But I know why. It's because nobody likes a braggart. But the unfortunate thing is I can't help myself. I'm just really good at my job and I can't help but talk about it."

Sean Ross Sapp of Fightful.com

36,450 görüntüleme • 8 ay önce

Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.
1:23

Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.

DepressedBergman

20,460 görüntüleme • 1 ay önce

the story behind mingyu’s “set me free” challenge he really put effort into it and was even disappointed that it wasn’t how he expected it to be 🥹 #민규 🐶 i didn't want to just film the challenge in a hotel. so i even thought about this: when we arrive at the airport, get out of the car, and the reporters and fans are taking photos of us, you know? right after getting out of the car, before crossing the street... i actually thought about filming it then. but i was way too embarrassed to do it 🐶 i wanted to film it somewhere on the streets, but i just couldn't find a nice spot anywhere in paris. so after the show, on the way back to the hotel, i asked them to pull over for a second. they stopped the car by the side of the road, and i just ran and filmed it 🐶 but then another problem came up. turns out it actually takes some practice. trying to listen to the song and go while matching the beat 'dung dung dung dung' was really confusing too. and the bigger problem was that the streets in paris were so noisy. my manager was filming me while playing the song from his phone, but i couldn't hear it at all. that's why you could see me holding his phone. i was listening to the song through that. so i was kind of disappointed. and looking back at it, i should've paid more attention to the little details: i should’ve done it lifting my shirt like this 🐶 it was fun, but i still wish i could've done it better
1:18

the story behind mingyu’s “set me free” challenge he really put effort into it and was even disappointed that it wasn’t how he expected it to be 🥹 #민규 🐶 i didn't want to just film the challenge in a hotel. so i even thought about this: when we arrive at the airport, get out of the car, and the reporters and fans are taking photos of us, you know? right after getting out of the car, before crossing the street... i actually thought about filming it then. but i was way too embarrassed to do it 🐶 i wanted to film it somewhere on the streets, but i just couldn't find a nice spot anywhere in paris. so after the show, on the way back to the hotel, i asked them to pull over for a second. they stopped the car by the side of the road, and i just ran and filmed it 🐶 but then another problem came up. turns out it actually takes some practice. trying to listen to the song and go while matching the beat 'dung dung dung dung' was really confusing too. and the bigger problem was that the streets in paris were so noisy. my manager was filming me while playing the song from his phone, but i couldn't hear it at all. that's why you could see me holding his phone. i was listening to the song through that. so i was kind of disappointed. and looking back at it, i should've paid more attention to the little details: i should’ve done it lifting my shirt like this 🐶 it was fun, but i still wish i could've done it better

minwon 민원

41,845 görüntüleme • 1 ay önce

Vince Carter says he would beat Michael Jordan in an NBA Slam Dunk Contest if both were in their primes “I'm winning. I don't know how, but I'm winning. I appreciate that because that's what the era was like. You know, it will be fun because MJ's going to put up a fight, and I know I would have to bring it” “Just like with Kobe, Dr. J, the greats of the game in dunking, I would love to have had the opportunity to dunk against those guys. I would have loved it” “Like T-Mac, I forced him to be in the dunk contest, but it's for a reason. I wanted the best competition, and I knew he would bring the best out of me. I wanted Kobe to be in it. He was like, ‘Nope,’ because he didn't want to lose. That's his mentality” “I was okay with losing to the greats of the game because, at the same time, I felt like if I'm able to win, what do you consider me”
1:40

Vince Carter says he would beat Michael Jordan in an NBA Slam Dunk Contest if both were in their primes “I'm winning. I don't know how, but I'm winning. I appreciate that because that's what the era was like. You know, it will be fun because MJ's going to put up a fight, and I know I would have to bring it” “Just like with Kobe, Dr. J, the greats of the game in dunking, I would love to have had the opportunity to dunk against those guys. I would have loved it” “Like T-Mac, I forced him to be in the dunk contest, but it's for a reason. I wanted the best competition, and I knew he would bring the best out of me. I wanted Kobe to be in it. He was like, ‘Nope,’ because he didn't want to lose. That's his mentality” “I was okay with losing to the greats of the game because, at the same time, I felt like if I'm able to win, what do you consider me”

dank

23,969 görüntüleme • 1 ay önce

#Vikings 1st-round pick Donovan Jackson details the conversations he had with doctors about his wrist procedure — they advised him to sit out Week 3, but Jackson decided to play through it to get the surgery a week later: “I was told that it was a significant injury in terms of risk, but they said, "Well, if you brace it up, you won't have to get surgery at least for like another week." And so I was like, "Oh, so I can play the game." They're like, "Well, we don't recommend it." I was like, "No, you said another week. I'll be fine." And so I played the game. Did what I could to the best of my abilities and then I was really on a plane that same night." 🎥: Vikings YouTube
0:57

#Vikings 1st-round pick Donovan Jackson details the conversations he had with doctors about his wrist procedure — they advised him to sit out Week 3, but Jackson decided to play through it to get the surgery a week later: “I was told that it was a significant injury in terms of risk, but they said, "Well, if you brace it up, you won't have to get surgery at least for like another week." And so I was like, "Oh, so I can play the game." They're like, "Well, we don't recommend it." I was like, "No, you said another week. I'll be fine." And so I played the game. Did what I could to the best of my abilities and then I was really on a plane that same night." 🎥: Vikings YouTube

VikingzFanPage

264,026 görüntüleme • 10 ay önce

Jeff Teague says he chased the All-Star team for years and the night he made it he stopped caring about basketball and just wanted $100 million "At that time when the All-Star came in, I was averaging 19 and 8, I was trying to get to 20 points a game but we've been beating teams so bad I don't really have to play in the 4th quarter." "I knew I had a good chance of making it. But when I made it, it was on my goals list, I want to be an All-Star." "When I made it, that messed me up, 'cause I ain't care no more. I was like, now I'm just trying to get $100 million. That's all I kept talking about." "I forgot to keep the main thing the main thing, like, enjoying hooping. I was just worrying about getting a new contract, and it messed me up a little bit."
0:41

Jeff Teague says he chased the All-Star team for years and the night he made it he stopped caring about basketball and just wanted $100 million "At that time when the All-Star came in, I was averaging 19 and 8, I was trying to get to 20 points a game but we've been beating teams so bad I don't really have to play in the 4th quarter." "I knew I had a good chance of making it. But when I made it, it was on my goals list, I want to be an All-Star." "When I made it, that messed me up, 'cause I ain't care no more. I was like, now I'm just trying to get $100 million. That's all I kept talking about." "I forgot to keep the main thing the main thing, like, enjoying hooping. I was just worrying about getting a new contract, and it messed me up a little bit."

katsu

195,529 görüntüleme • 10 gün önce

🧸 ah i wanted to talk about this! i saw a lot of people holding birthday cafes at the cafes in front of the cafe and in a lot of other places…it was a shame that i couldn’t see it with my own eyes but i was really grateful that day because so many people were celebrating my birthday 🧸 if it were up to me, it wasn’t for the surgery, i would go to the cafes in front of the company and i’d want to give something to moas if there were any that there were there…but maybe on my next birthday or when i get the time again, i’ll make the dream that i couldn’t fulfil this time, come true 💗
0:57

🧸 ah i wanted to talk about this! i saw a lot of people holding birthday cafes at the cafes in front of the cafe and in a lot of other places…it was a shame that i couldn’t see it with my own eyes but i was really grateful that day because so many people were celebrating my birthday 🧸 if it were up to me, it wasn’t for the surgery, i would go to the cafes in front of the company and i’d want to give something to moas if there were any that there were there…but maybe on my next birthday or when i get the time again, i’ll make the dream that i couldn’t fulfil this time, come true 💗

💬

48,406 görüntüleme • 4 ay önce