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From the very first time I heard it, something about it just stuck.. It’s soft, it’s emotional, it’s that kind of melody you hum without realising and now it’s yours 💛 I remember feeling like I was in a little film inside the film when we were shooting this... show more
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🤍🤍
Master class in dance, you rocked @iamRashmika
Hello ma'am please see Work in progress 🥰🥰🎨✨
You always manage to make us feel the emotion behind every frame. This one hits differently.
You must have definitely shown excellent acting skills, you are a wonderful actress
Superb Moves By Rashu💃🏻 Loved The Melodious Song #TheGirlfriend First Single Out Now 🎶 A @HeshamAWMusic Musical Delight 🎶🎼 @iamRashmika @Dheekshiths @23_rahulr @GeethaArts #RashmikaMandanna 💛❤️
Waiting for Rashmika New Perfomance😅😻
Song design - Billie Eilish "lovely"
This was so good ❤️@iamrashmika
From your heart… to ours 💛The way you feel the music, the way you live every frame that what makes your work so magical, Rashmika. This melody truly feels like a warm hug to the soul. Yes… it did make the heart a little fuller Can’t wait to experience more of this beautiful journey! #TGF #FirstSingle #PureMagic @iamRashmika
![[INFO] 250619 - Umji's set of 3 different messages when you press 0819 📞🐹Honestly I really like this song. I even said can’t this be the title track? I like it so much that I said I wanted it to be the title. It feels like summer but if you think about winter, it suits winter well too. I don’t know, maybe it’s because it’s about a place a little further away than Earth. Bye! You have to call me again if you want to talk. 📞🐹This song, I think it’s easy listening but rather than just sitting back and listening, it’s the kind of song you can nod along to and hum with? You have to listen to it, okay? Bye! 📞🐹Out of all the songs on this album, if I had to compare this to one colour, it feels kind of dark, but like there’s also a drop of red mixed in? Just a bit? The members said it’s “chewy/dense/” and it does have a sticky, chewy kind of vibe but it doesn’t get too dark so I think it’s not bad to listen to casually. Bye! #GFRIEND #VIVIZ VIVIZ](https://image.24vids.com/tw-1935641081384960317/amplify_video_thumb/1935640594782867456/img/s5p6Lzg2OTjAeSYN.jpg)
![Francis Ford Coppola on how young children convinced him to make 'The Outsiders' (1983) & the reason why he loves the movie: "Interviewer: 'Rumble Fish' (1983) is so completely different a film from 'The Outsiders' (1983), not just in black and white and color, but in the tone. And everybody said, “Well, he’s off in Tulsa, making two films,” rather in a way that, once, people would go up to the desert and make two westerns at the same time. 'Rumble Fish' makes 'The Outsiders' seem an odder film than I thought it was when I first saw it. 'The Outsiders' almost felt like a film in which you weren't quite there all the time. Coppola: No, I don’t think so. 'The Outsiders' (1984) was the type of film that I personally liked, a melodrama with a romantic tone. I liked the book a lot when I read it; I thought it was sweet and youthful and had something in its little, simple theme that was of value, and I wanted to make the picture very much as the book was. Maybe that’s what you're interpreting as my not always being there, except that I did make the decision to make it exactly like the book. The key to 'The Outsiders' is the score; the fact that it’s this schmaltzy classical movie score indicates that I wanted a movie told in sumptuous terms, very honestly or carefully taken from the book without changing it a lot, with young actors—putting the emphasis more on that kind of 'Gone with the Wind' (1939) lyricism which was so important to the young girl [Susie Hinton] when she wrote it. I liked the film on that basis. It’s how I made it and why I made it. But if you think about my career, I’ve never made two films that were alike... maybe the two Godfathers. But every one of my films is very different from one another and I was feeling that I was in kind of a journeyman period of my life, approaching a future style of work as a more serious, older man which would be based on a tremendous amount of exploration while I had the chance to do that. To me it’s nothing to say, well, I’m going to make that film and it’s going to be that kind of film. Like 'The Outsiders'—it’s not that I couldn’t make that sixteen other ways. People suggested, “Well, are we really going to make this book like that?” “Well,” I said, “little kids wrote me a letter and wanted me to make it that way.” Of all the letters I get from movies, 'The Outsiders' is the one where all of these cute little fourteen- year-olds . . . so I’m in it for them. I feel I must have gained something, although it wasn’t as challenging, cinematically or even on the level of acting and other things as, say, the one that came afterwards. But I always had this idea that I wanted to make one film that was romantic and schmaltzy, like 'The Godfather' (1972), and one film that was more of an art film, more in the direction of 'Apocalypse Now' (1979)." (Francis Ford Coppola's interview with David Thomson & Lucy Gray, 1983)](https://image.24vids.com/tw-2010103103555600427/amplify_video_thumb/2009991376948342784/img/l_kRKFmpgrUZcjno.jpg)
