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Future HOF WR Torry Holt says he'd rather catch passes from Patrick Mahomes than Josh Allen Torry Holt | Kay Adams

61,953 次观看 • 9 个月前 •via X (Twitter)

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🇺🇲🇮🇷 Trump can't dictate the pace of the Iran war anymore, and that mistake is about to catch up with him. Joe Kent says Washington is treating the current lull as something it controls, when in reality the Iranians could restart the fight at any moment. His read is that Tehran is debating 2 options: Slow-bleed the U.S. through a drawn-out blockade fight in the Strait of Hormuz, or let hardliners newly installed in Iran's security apparatus strike back outright as deterrence. Either way, he argues the economic-pressure campaign the U.S. is leaning on hurts America faster than it hurts Iran, since maintaining a blockade is expensive and Iran only needs "bare minimum" drone and mine activity to keep it disrupted. Meanwhile CENTCOM commander Brad Cooper is reportedly pushing to resume strikes on Iranian infrastructure alongside Israel, and his closeness with IDF leadership worries Kent. Not because Cooper wants war, but because he'd rather set the next escalation than wait to absorb one. Kent's actual prescription is for Trump to walk away entirely: end the blockade, stop chasing a deal, and use back-channel pressure instead; sanctions relief and unfreezing assets in exchange for the Strait reopening on comparable terms to other global chokepoints, rather than Iran's current 5–7% shakedown demands. He believes Iran wants to be seen as a rational regional power, not a pariah, and would only hold the Strait hostage long enough to save face. But he's blunt that Trump is drifting toward the "easy button" of resuming strikes because he still wants a deal on paper or a military win. And the political pressure from the pro-Israel lobby, from hawks like Cooper, from a White House unwilling to accept its maximalist demands are dead, is pulling him that direction. Layered underneath all of it: a growing rupture in U.S.-Israel trust, with leaked doubts about Israeli intelligence and mounting anger over aid and tech-sharing deals just as America's own military readiness and domestic economy erode... A dynamic he thinks is radicalizing a younger generation against the entire post-WWII narrative of American moral leadership. Thank you Joe Kent for our conversation

Mario Nawfal

318,671 次观看 • 9 天前

Chicago Bears: The Deep Ball Façade As a Chicago Bears truther, I gotta keep it 💯 There are many Bears fans posting “Amazing” out of the pocket deep ball highlights of Caleb Williams Obviously, we don’t see those kinds of throws everyday. It’s insane!! But deep ball playmaking isn’t new to Chicago. Nor is it the focal point of Ben Johnson’s offense. If the Bears are going to be great, we have to become more efficient from the pocket. Pass percentage must go up, time in pocket must come down. Living outside the pocket will hinder our ability to be efficient and to win a Super Bowl #1 Deep Ball was always there Justin Fields in 2023 had one of the most efficient deep balls in the league. Not only that, the majority of his deep balls came from the pocket which is what you want from your QB. As good as the Bears were as a whole last year, the deep ball was far more efficient in 2023. But living on the deep ball and living out the pocket comes with limitations. We have to focus on the fundamentals #2 Ben Johnson is the catalyst Similar to 2023, Bears offense in 2024 had explosive plays followed by inconsistent offense and inept situational football by the head coach Poor offensive line, poor offensive scheme, and inept head coach were the core issues. Ryan Poles thought QB was the main issue and then 2024 happened. We learned quick that it takes more than a talented QB to win football games. Ben Johnson has alleviated all of those concerns. He has made Bears offensive line the focal point! His scheme has been top of the league since he became OC in Detroit. And his situational football awareness far superior than Eberflus. Bears fans must recognize that Ben Johnson is the catalyst of the Bears offensive turnaround, and team success. Now give him what he needs! He wants 3 tight ends? Give it to him He wants more Luther Burden? Give it to him He wants more efficiency out of his QB? Let’s make that the focal point.. #3 Ben Johnson needs a point guard at QB Efficiency in the pocket, time to throw, and passing EPA are far more important to Ben Johnson’s offense than out of pocket deep balls. We need Caleb to be that killer still, but it’s the fundamentals that will allow Bears to take the next step. This offense doesn’t need a Michael Jordan at QB. Ben Johnson would much rather have an Isiah Thomas at QB because this offense has enough Bad Boys to get the job done. Feed the WRs! Get the ball out of your hands quicker! Allow deep ball to be the counter punch of the offense. #4 It’s all there.. The pre-snap awareness, post snap awareness, efficiency from pocket, and pass velocity all scream franchise QB. When you look at Caleb Williams in the pocket on short to intermediate passes, it looks effortless. The ball leaves his hand lightning quick, it’s placed where it’s supposed to be, and WR is able to make a play after the catch. We have to see more of this and it starts now. CW has to trust Ben Johnson’s offense and his WRs more. Conclusion: If we wanted a QB to scramble and throw deep balls, Justin Fields would still be a Chicago Bear What makes Caleb unique, is that he can be a hunter down the field but also has the upside to be a Drew Brees type of QB in the pocket. I rather see more clips of Caleb playing in rhythm and in the pocket , than deep bombs out the pocket. There will be struggles, but that’s ok. I much rather see our QB struggle making the right throws in OTAs than masking it with his gift as an out the pocket thrower.

White Cunningham

17,634 次观看 • 2 个月前

There are two deleted scenes in The Godfather that were originally supposed to take place after Connie’s wedding. In them, Michael Corleone accompanies his father, Vito, and his two brothers to visit the dying Genco Abbandando, the family’s consigliere, in the hospital. In his preproduction notes, Francis Ford Coppola wrote that he wanted these scenes “to further define and provoke Michael’s relationship to the Don,” adding, “We can see that although they are strained together, the Don is immensely interested in Michael.” The main source of tension between them was Michael’s decision to join the Marines after the United States entered World War II several years earlier. The novel reveals the extraordinary lengths Vito went to in an attempt to keep his youngest son out of the war. “Don Corleone had no desire, no intention, of letting his youngest son be killed in the service of a power foreign to himself. Doctors had been bribed, secret arrangements had been made. A great deal of money had been spent to take the proper precautions.” But against Vito’s wishes, Michael enlisted and went on to become a captain and decorated war hero. His photograph was even published in Life magazine, prompting Vito to remark disdainfully, “He performs those miracles for strangers”—a line Coppola later reworked into the second deleted scene. After being wounded, Michael briefly returned home before leaving again to attend Dartmouth College, choosing to pursue his own education and future without consulting his father. By the time he returns for Connie's wedding, he has spent years deliberately distancing himself from both Vito and the Corleone family. Coppola reinforces that separation visually during the wedding scene. Michael is presented in his Marine uniform while the rest of the family are dressed in black. Rather than standing with Vito and his brothers, he sits in a secluded corner of the garden with Kay Adams. As Puzo writes, Michael sits there “to proclaim his chosen alienation from father and family.” Kay further emphasizes that divide. She is the outsider, the “American girl” whom the Corleones immediately judge and reject: “Beside him sat the American girl everyone had heard about but whom no one had seen until this day. He had, of course, shown the proper respect and introduced her to everyone at the wedding, including his family. They were not impressed with her. She was too thin, she was too fair, her face was too sharply intelligent for a woman, her manner too free for a maiden.” The phrase “the American girl” is significant because it is exactly how Vito derisively refers to Kay in the first deleted scene. It was probably wise for Coppola to leave these scenes out, since the film was already very long. But they're interesting to look at as they reveal an early tension between Michael and Vito that the finished version never gets the chance to explore.

Gangster Cinema Central

72,909 次观看 • 1 个月前