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Fyran challenges herself with a hand less holding session after downing a bottle... and a bit more: How far past her limit can she go? Character: Maniack VA: shenny! ♡ va comms open!! 🔞🎙 CW: Pee Holding/Desperation #おしっこ我慢 #限界放尿

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Domali Sorario

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62,847 görüntüleme • 24 gün önce •via X (Twitter)

NSFW#おしっこ我慢#限界放尿
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女车模完成一天的面试后，和闺蜜吐槽自己的憋尿经历。 After a interview, the female car model complained about her experience of holding pee with her friend. #憋尿 #尿急 #内急 #失禁 #湿热一瞬间 #想上厕所 #憋不住 #尿裤子 #omorashi #desperate #pee #holdpee #おしっこ我慢 #おしっこ
1:20

女车模完成一天的面试后，和闺蜜吐槽自己的憋尿经历。 After a interview, the female car model complained about her experience of holding pee with her friend. #憋尿 #尿急 #内急 #失禁 #湿热一瞬间 #想上厕所 #憋不住 #尿裤子 #omorashi #desperate #pee #holdpee #おしっこ我慢 #おしっこ

魅影原创

32,100 görüntüleme • 1 yıl önce

Gym day: survived, sweated, and somehow left proud 💪😅 Created with Seedance 2.5 on WaveSpeedAI Prompt: Create a 30-second casual gym vlog featuring the same young woman in her early twenties. She has natural everyday beauty, and her face and hair remain identical throughout the entire video. Camera & visual style One continuous handheld front-facing smartphone selfie vlog, always filmed from her own point of view with the phone held in her own hand at arm’s length. No third-person camera, external camera, tripod, cinematic camera movement, or professional filming. Make it look like a real modern smartphone recording: - Mild handheld shake and natural walking bounce - Occasional autofocus hunting - Small exposure shifts and minor framing imperfections - Natural front-camera lens distortion - Soft warm natural daylight transitioning toward early evening - Natural, uncorrected smartphone color - No color grading, beauty filter, or skin smoothing - Same woman, same face and hair throughout - She holds the phone herself in every shot - No subtitles, captions, logos, watermarks, or on-screen text - No brand or character names - Never show a reference sheet or duplicate subject Outfit She is wearing a cute, trendy, realistic gym outfit appropriate for a casual workout vlog: fitted athletic top, comfortable high-waisted leggings or shorts, clean sneakers, and minimal accessories. The styling should feel fashionable but natural and practical for the gym. Scene She is spending a casual day at the gym and filming herself throughout her workout. She enters the gym while holding her phone at arm’s length, smiling into the front camera. She briefly sweeps the phone toward the workout area, showing treadmills, weights, machines, and other gym-goers in the background, then brings it back to her face. She grins and says upbeat: “Okay, gym day! Let’s get this workout started!” She walks toward the workout area, naturally bouncing the phone with her steps. She glances at the equipment, smiles at the camera, and starts a light warm-up. Keep the movements natural and unscripted, with brief moments of her adjusting her hair, checking her form, and laughing at herself. She moves into a short workout sequence while still filming herself handheld: a few casual gym exercises, light cardio, and a quick strength-training moment. Keep the camera mostly selfie-facing, occasionally tilting naturally toward the equipment before returning to her face. She looks slightly out of breath but happy and says with a playful laugh: “Why did I think this was gonna be easy?” She takes a quick water break, holding her bottle near the selfie camera before taking a sip. She smiles and catches her breath while natural gym ambience continues around her. Later, after finishing the workout, she walks toward the gym exit with the phone still in her hand. Her hair is slightly messier and she looks pleasantly tired. She gives the camera a satisfied smile, lightly wipes her forehead, and says: “Okay… I’m actually proud of myself.” She gives a small tired laugh, waves at the camera, and lowers the phone slightly for a relaxed ending. Audio Diegetic sound only, no background music. Include realistic gym ambience: treadmill hum, weights clanking, machine sounds, footsteps, distant conversations, subtle ventilation, water bottle sounds, and natural room tone. Every spoken line should be delivered frontally with clearly visible lip movement and natural timing. Keep the entire sequence fast, casual, spontaneous, and realistic, with natural transitions and enough brief visual moments to fill approximately 30 seconds without making the dialogue feel rushed. The final result should feel like an authentic personal gym vlog recorded casually on a modern smartphone.
0:30

Gym day: survived, sweated, and somehow left proud 💪😅 Created with Seedance 2.5 on WaveSpeedAI Prompt: Create a 30-second casual gym vlog featuring the same young woman in her early twenties. She has natural everyday beauty, and her face and hair remain identical throughout the entire video. Camera & visual style One continuous handheld front-facing smartphone selfie vlog, always filmed from her own point of view with the phone held in her own hand at arm’s length. No third-person camera, external camera, tripod, cinematic camera movement, or professional filming. Make it look like a real modern smartphone recording: - Mild handheld shake and natural walking bounce - Occasional autofocus hunting - Small exposure shifts and minor framing imperfections - Natural front-camera lens distortion - Soft warm natural daylight transitioning toward early evening - Natural, uncorrected smartphone color - No color grading, beauty filter, or skin smoothing - Same woman, same face and hair throughout - She holds the phone herself in every shot - No subtitles, captions, logos, watermarks, or on-screen text - No brand or character names - Never show a reference sheet or duplicate subject Outfit She is wearing a cute, trendy, realistic gym outfit appropriate for a casual workout vlog: fitted athletic top, comfortable high-waisted leggings or shorts, clean sneakers, and minimal accessories. The styling should feel fashionable but natural and practical for the gym. Scene She is spending a casual day at the gym and filming herself throughout her workout. She enters the gym while holding her phone at arm’s length, smiling into the front camera. She briefly sweeps the phone toward the workout area, showing treadmills, weights, machines, and other gym-goers in the background, then brings it back to her face. She grins and says upbeat: “Okay, gym day! Let’s get this workout started!” She walks toward the workout area, naturally bouncing the phone with her steps. She glances at the equipment, smiles at the camera, and starts a light warm-up. Keep the movements natural and unscripted, with brief moments of her adjusting her hair, checking her form, and laughing at herself. She moves into a short workout sequence while still filming herself handheld: a few casual gym exercises, light cardio, and a quick strength-training moment. Keep the camera mostly selfie-facing, occasionally tilting naturally toward the equipment before returning to her face. She looks slightly out of breath but happy and says with a playful laugh: “Why did I think this was gonna be easy?” She takes a quick water break, holding her bottle near the selfie camera before taking a sip. She smiles and catches her breath while natural gym ambience continues around her. Later, after finishing the workout, she walks toward the gym exit with the phone still in her hand. Her hair is slightly messier and she looks pleasantly tired. She gives the camera a satisfied smile, lightly wipes her forehead, and says: “Okay… I’m actually proud of myself.” She gives a small tired laugh, waves at the camera, and lowers the phone slightly for a relaxed ending. Audio Diegetic sound only, no background music. Include realistic gym ambience: treadmill hum, weights clanking, machine sounds, footsteps, distant conversations, subtle ventilation, water bottle sounds, and natural room tone. Every spoken line should be delivered frontally with clearly visible lip movement and natural timing. Keep the entire sequence fast, casual, spontaneous, and realistic, with natural transitions and enough brief visual moments to fill approximately 30 seconds without making the dialogue feel rushed. The final result should feel like an authentic personal gym vlog recorded casually on a modern smartphone.

Zara

19,143 görüntüleme • 1 ay önce

This mom just wanted to give her daughter $5 cash so she could buy a water bottle after forgetting hers at home. Sounds simple, right? Nope. The school doesn’t accept cash anymore — everything has to go through the online lunch account. What should have been a quick hand-off turned into a full-blown bureaucracy nightmare: confusing apps, multiple websites, phone calls to the school, hunting for a student ID number, password resets because of a data breach… all before she finally gave up and just drove over with the forgotten water bottle. It’s crazy how modern “convenient” systems can make paying for something as basic as a $5 water bottle so much more difficult than just handing over cash used to be. Have you ever gotten stuck in one of those ridiculous school (or government, or company) bureaucracy loops over something tiny?
6:00

This mom just wanted to give her daughter $5 cash so she could buy a water bottle after forgetting hers at home. Sounds simple, right? Nope. The school doesn’t accept cash anymore — everything has to go through the online lunch account. What should have been a quick hand-off turned into a full-blown bureaucracy nightmare: confusing apps, multiple websites, phone calls to the school, hunting for a student ID number, password resets because of a data breach… all before she finally gave up and just drove over with the forgotten water bottle. It’s crazy how modern “convenient” systems can make paying for something as basic as a $5 water bottle so much more difficult than just handing over cash used to be. Have you ever gotten stuck in one of those ridiculous school (or government, or company) bureaucracy loops over something tiny?

End3of6Days9 (Helen) 🇺🇸

233,456 görüntüleme • 4 ay önce

Oh man this broke my heart 💔 Tony Robbins speaks with a 12-year-old girl who bravely shares that she has been struggling with very dark and painful thoughts. During this emotional conversation, he responds with direct but compassionate honesty, asking thoughtful questions that encourage her to pause and reflect on the seriousness of those feelings and the love that surrounds her. The discussion begins with the girl openly acknowledging how overwhelmed she has been. Tony gently challenges her perspective by asking her to think about what acting on those feelings would truly mean and whether that aligns with what she really wants deep down. Through this dialogue, he helps her recognize the conflict between wanting relief from pain and caring deeply for her mother. He then shifts the focus outward, inviting her to consider how deeply her family—especially her mother—would be affected if she were no longer here. He explains that the impact would go far beyond immediate shock, touching her mother’s sense of meaning, joy, and connection. This moment underscores how powerful love and relationships can be during times of despair. You can see how heavy this is weighing on him… Mr. Robbins even holding back tears Throughout the conversation, Tony emphasizes that while everyone has the freedom to make choices, each decision carries lasting consequences. He reassures her that intense emotional pain does not define who she is, and that difficult moments can pass with support, understanding, and connection.
2:55

Oh man this broke my heart 💔 Tony Robbins speaks with a 12-year-old girl who bravely shares that she has been struggling with very dark and painful thoughts. During this emotional conversation, he responds with direct but compassionate honesty, asking thoughtful questions that encourage her to pause and reflect on the seriousness of those feelings and the love that surrounds her. The discussion begins with the girl openly acknowledging how overwhelmed she has been. Tony gently challenges her perspective by asking her to think about what acting on those feelings would truly mean and whether that aligns with what she really wants deep down. Through this dialogue, he helps her recognize the conflict between wanting relief from pain and caring deeply for her mother. He then shifts the focus outward, inviting her to consider how deeply her family—especially her mother—would be affected if she were no longer here. He explains that the impact would go far beyond immediate shock, touching her mother’s sense of meaning, joy, and connection. This moment underscores how powerful love and relationships can be during times of despair. You can see how heavy this is weighing on him… Mr. Robbins even holding back tears Throughout the conversation, Tony emphasizes that while everyone has the freedom to make choices, each decision carries lasting consequences. He reassures her that intense emotional pain does not define who she is, and that difficult moments can pass with support, understanding, and connection.

Larry Conger 🇺🇸

206,045 görüntüleme • 6 ay önce

She stood there, bruised but unbroken, as the pain of physical abuse weighed heavy on her heart. The world watched as Wanni chose silence over retaliation, strength over vengeance. She didn’t deserve this, yet she bore it with grace, holding back the tears, the hurt, and the frustration that could have consumed her. She has endured so much in this house—faced challenges, insults, and abuse—yet she remains a symbol of quiet resilience. How much more does one person have to go through before we recognize their strength? Wanni has given everything to this journey, and now, she deserves the crown, not just for herself but for everyone who’s been hurt, silenced, or broken. This isn’t just about winning a show anymore; it’s about honoring the warrior who endured in the face of cruelty. 💔😭😭 PLEASE KEEP VOTING WANNI 🙏🏼 HANDI IS LOVED PRAYER FOR WANNI #HandiDanbaki #WanniDanbaki #BBNaija
2:18

She stood there, bruised but unbroken, as the pain of physical abuse weighed heavy on her heart. The world watched as Wanni chose silence over retaliation, strength over vengeance. She didn’t deserve this, yet she bore it with grace, holding back the tears, the hurt, and the frustration that could have consumed her. She has endured so much in this house—faced challenges, insults, and abuse—yet she remains a symbol of quiet resilience. How much more does one person have to go through before we recognize their strength? Wanni has given everything to this journey, and now, she deserves the crown, not just for herself but for everyone who’s been hurt, silenced, or broken. This isn’t just about winning a show anymore; it’s about honoring the warrior who endured in the face of cruelty. 💔😭😭 PLEASE KEEP VOTING WANNI 🙏🏼 HANDI IS LOVED PRAYER FOR WANNI #HandiDanbaki #WanniDanbaki #BBNaija

🪝💜Cynthia🎙️🌶️☄️🦁🛡️

76,866 görüntüleme • 2 yıl önce

This is what the performance by an Iranian singer looked like, for which she was sentenced to 74 lashes A local court called the performance “immoral content” and sentenced her to 74 lashes, as well as a two-year ban on performing and leaving the country. How the punishment is carried out: the convicted person is taken to a prison or a special room. They are laid face down on a special bench or made to kneel — their arms and legs are strapped with belts. Sometimes they are forced to stand while holding onto a bar, with their wrists tied. Clothing on the back and thighs is lifted or cut open — the blows are delivered directly to the skin. The executioner strikes the back and thighs with a leather whip. If the convicted person is a woman, a female executioner carries out the punishment. The psychological and moral humiliation can sometimes break the victim even more than the physical punishment. After 74 lashes, deep cuts, open wounds, scars, and bruises remain on the body.
2:43

This is what the performance by an Iranian singer looked like, for which she was sentenced to 74 lashes A local court called the performance “immoral content” and sentenced her to 74 lashes, as well as a two-year ban on performing and leaving the country. How the punishment is carried out: the convicted person is taken to a prison or a special room. They are laid face down on a special bench or made to kneel — their arms and legs are strapped with belts. Sometimes they are forced to stand while holding onto a bar, with their wrists tied. Clothing on the back and thighs is lifted or cut open — the blows are delivered directly to the skin. The executioner strikes the back and thighs with a leather whip. If the convicted person is a woman, a female executioner carries out the punishment. The psychological and moral humiliation can sometimes break the victim even more than the physical punishment. After 74 lashes, deep cuts, open wounds, scars, and bruises remain on the body.

NEXTA

41,272 görüntüleme • 3 ay önce

A ₹100 dispute turned into something much bigger — a reflection of how society reacts when a man demands what is rightfully his. A cab driver asked for his full fare after the passenger arbitrarily deducted ₹100. When he insisted, the situation escalated, and in a moment of anger he held back her belongings — which was not justified. However, what followed crossed a far more serious line. The passenger resorted to verbal abuse and then escalated to physical violence by hitting him with a brick. This is not a “heated argument” — this is a clear criminal assault. The law is straightforward: once you raise your hand, it becomes an offence, irrespective of gender. What is even more telling is how the situation ended. Instead of holding the aggressor accountable, bystanders asked the driver to let go of ₹100 and move on. The man who worked was expected to compromise, while the one who turned violent faced no immediate consequences. The issue is simple — deducting fare was wrong, holding belongings was also wrong, but physical violence is unacceptable and must invite legal action. The real question is: if the roles were reversed, would the reaction still be the same? SOURCE- ForMenIndia #MensRights #DoubleStandards #JusticeForMen #GroundReality #LawAndOrder
1:25

A ₹100 dispute turned into something much bigger — a reflection of how society reacts when a man demands what is rightfully his. A cab driver asked for his full fare after the passenger arbitrarily deducted ₹100. When he insisted, the situation escalated, and in a moment of anger he held back her belongings — which was not justified. However, what followed crossed a far more serious line. The passenger resorted to verbal abuse and then escalated to physical violence by hitting him with a brick. This is not a “heated argument” — this is a clear criminal assault. The law is straightforward: once you raise your hand, it becomes an offence, irrespective of gender. What is even more telling is how the situation ended. Instead of holding the aggressor accountable, bystanders asked the driver to let go of ₹100 and move on. The man who worked was expected to compromise, while the one who turned violent faced no immediate consequences. The issue is simple — deducting fare was wrong, holding belongings was also wrong, but physical violence is unacceptable and must invite legal action. The real question is: if the roles were reversed, would the reaction still be the same? SOURCE- ForMenIndia #MensRights #DoubleStandards #JusticeForMen #GroundReality #LawAndOrder

ShoneeKapoor

41,458 görüntüleme • 6 ay önce

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı
0:12

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 görüntüleme • 6 ay önce

another week, another fairy jaehyung guest mentioning kim goeun, and this time it’s her bff ahn eunjin: “our classmates all have their own roles. since goeun debuted so early, she feels like a mentor to all of us. she’s such a senior in the industry. but she’s also a friend i can ask anything, so whenever i have a serious concern, i call her and say, “senior, i have a problem.” then she immediately goes, “yes! what is it? tell me~” and when i explain, she generously shares all of her know-how with me. in my case, since i entered society in my late 20s after working hard elsewhere first, i had already experienced different things and knew what the world was like before i debuted. so my days of crying were relatively few. but goeun debuted at a time when she was much younger and had to go through far more difficult situations. that’s why the advice she gives is truly invaluable and grounded in experience. she really feels like a teacher or a senior to all of us. she has this detached, wise aura about her. so whenever i need advice, because she’s not just someone i met through work but an old friend, i can open up completely and rely on her. she’s a friend i’m truly grateful for.” precious goeunjin 🥹🥹💕
1:52

another week, another fairy jaehyung guest mentioning kim goeun, and this time it’s her bff ahn eunjin: “our classmates all have their own roles. since goeun debuted so early, she feels like a mentor to all of us. she’s such a senior in the industry. but she’s also a friend i can ask anything, so whenever i have a serious concern, i call her and say, “senior, i have a problem.” then she immediately goes, “yes! what is it? tell me~” and when i explain, she generously shares all of her know-how with me. in my case, since i entered society in my late 20s after working hard elsewhere first, i had already experienced different things and knew what the world was like before i debuted. so my days of crying were relatively few. but goeun debuted at a time when she was much younger and had to go through far more difficult situations. that’s why the advice she gives is truly invaluable and grounded in experience. she really feels like a teacher or a senior to all of us. she has this detached, wise aura about her. so whenever i need advice, because she’s not just someone i met through work but an old friend, i can open up completely and rely on her. she’s a friend i’m truly grateful for.” precious goeunjin 🥹🥹💕

mia

13,841 görüntüleme • 20 gün önce

20 shots in 30seconds. Yes! you can do that much with Seedance 2.5! Made on LovartAI Prompt 👇 Create a 30-second cinematic continuous one-shot where both the world and the character are constantly moving. The transformation must never feel like a girl simply walking while backgrounds change. Her body, momentum, balance, position, and reactions should actively cause or motivate each transition. No cuts, no fades, no dissolves. The camera may whip, orbit, dive, roll, pass behind objects, move overhead, go low to the ground, rush toward her, or briefly lose sight of her behind foreground elements, but it must remain one physically continuous shot. Character: A realistic Japanese girl in her early 20s. Natural features, long dark hair, athletic and expressive. Casual modern clothes that stay readable as they get wet, dusty, torn, and transformed by each world. Photoreal, not anime. Start in a bright Candy World. Giant lollipops, frosting hills, candy-cane trees, and sugar dust in the air. The girl hears a rumble and spins around. The camera rushes backward in front of her as she runs toward a gigantic painting of a lava cake. She skids to a stop. Molten chocolate lava suddenly explodes out of the canvas. She dives sideways as real lava-cake flood crashes across the candy floor. The camera drops almost to floor level with the rushing chocolate. She grabs a giant candy bench to stop herself. The bench stretches beneath her hands and becomes a fallen log. The camera swings around her. She is suddenly in the Year of the Dinosaurs, hanging from a tree as a massive dinosaur charges past. She pulls herself up, runs, jumps over a sliding boulder, ducks beneath a swinging vine, then grabs a giant leaf. The camera rises with the leaf. The leaf wraps around her. She tears through it and tumbles onto a paper world. The same leaf is now a huge sheet of folded paper. She rolls across paper mountains, pushes herself up, and immediately begins running as paper buildings unfold around her. The camera races sideways with her. Paper edges whip past the lens and transform into glass. The paper city becomes a modern skyscraper corridor. She runs across glossy floors as windows race past. She loses her footing near an open shaft and falls. The camera dives with her. The glass walls become rough stone. She lands hard inside a prehistoric BC cave. Torches flicker. She crawls forward, then sprints as the cave opens onto an ancient battlefield. Spears and banners rush past. She drops flat as riders leap over her. From ground level a giant war banner falls toward the lens. She grabs its edge. The wind yanks her upward. For a moment she is lifted completely off the ground. As the camera rotates with her, the banner becomes the feathers of a gigantic bird. She is suddenly riding on the big bird’s back high in the sky. She holds on as it banks through clouds. The bird dives. She slips, grabs a talon, then drops. The camera falls with her. She plunges into an underground river. Now underwater, her momentum continues naturally. She swims with the current through a dark cavern, then breaks the surface onto an abandoned island. Skeletons lie scattered across the sand and rocks. She stands, panting, then steps on a glass shard. The island shrinks around her. The camera pulls back as the whole island is revealed inside a giant glass bottle. She is trapped inside the bottle. The bottle tips. She slides, slams against the glass, and the glass becomes a dusty window. She crashes through it into a creepy house. Creaking floors, peeling wallpaper, long hallways. She runs. A door slams open. The house corridors fill with a zombie world. She dodges reaching hands, leaps over fallen furniture, and bursts through a classroom door. She is suddenly in a school classroom. Desks scatter as she sprints across them and jumps through an open window. The camera follows her through the window. She does not land in a yard. She lands on the top of a building. Wind slams her. She runs across the rooftop, then slips off the edge. The camera dives beside her. She hits water. Now underwater again. She swims upward toward a bright shape. When she breaks the surface, she is pulling herself into a pilot’s cockpit of a flying plane. Instruments shake. She grabs the controls, then the plane punches through clouds into a dense forest. The cockpit becomes tree branches. She tumbles through leaves, rolls across moss, and slams onto a mattress. Instantly she is sitting upright in bed. Morning. Silence. The camera is now extremely close to her face. She gasps awake. For the first time in the entire film, everything becomes completely still. Her bedroom is ordinary. She looks around. She touches the mattress. Checks her hands. Relieved, she lies back down. Then something drips onto her forehead. She looks up. The ceiling above her bed is gently rippling like candy glaze mixed with water. A large shadow slowly moves across it. Her expression changes from relief to disbelief. Then the entire bed suddenly tilts. She grabs the mattress as her alarm clock, pillow, lamp, and furniture begin sliding toward one side of the room. End exactly as she begins sliding out of bed, suggesting that waking up was only another stage of the transformation. The action should feel choreographed like a physical adventure. The girl must run, sprint, skid, dive, fall, climb, hang, swing, crawl, jump, roll, swim, land, sit, get thrown through spaces, and briefly become weightless. Her position within the frame should constantly change: close-up, full-body, profile, silhouette, overhead, low-angle, behind her, directly in front of her, underwater, upside down, falling beside her, and orbiting around her. Transitions should be triggered by her actions. When she grabs something, it becomes something else. When she falls, the next world catches her. When she jumps through an opening, that opening becomes another location. When an object crosses the camera, it transforms while hiding part of the environment. Use physical match transitions such as: candy bench → dinosaur-era log giant leaf → paper sheet paper edges → skyscraper glass falling shaft → BC cave stone war banner → giant bird feathers bird dive → underground river island sand → bottle glass bottle glass → creepy house window house door → zombie world zombie corridor → classroom classroom window → rooftop rooftop fall → underwater water surface → pilot cockpit cockpit / clouds → forest branches forest ground → bedroom mattress The camera movement itself should help generate transitions. A whip-pan can turn one moving object into another. A 360-degree orbit can reveal a completely transformed environment by the time it completes. Passing behind fabric, pillars, people, waves, vehicles, doors, or the girl’s body can briefly obscure parts of the frame while the transformation happens continuously. Despite the speed, every transformation must remain visually understandable. The result should feel less like a transformation montage and more like one impossible 30-second physical journey in which the girl is being chased, thrown, carried, dropped, and pulled through realities that continuously grow out of one another. Tone: exhilarating, mysterious, playful, cinematic, photoreal, large-scale, dreamlike, and full of wonder.
0:30

20 shots in 30seconds. Yes! you can do that much with Seedance 2.5! Made on LovartAI Prompt 👇 Create a 30-second cinematic continuous one-shot where both the world and the character are constantly moving. The transformation must never feel like a girl simply walking while backgrounds change. Her body, momentum, balance, position, and reactions should actively cause or motivate each transition. No cuts, no fades, no dissolves. The camera may whip, orbit, dive, roll, pass behind objects, move overhead, go low to the ground, rush toward her, or briefly lose sight of her behind foreground elements, but it must remain one physically continuous shot. Character: A realistic Japanese girl in her early 20s. Natural features, long dark hair, athletic and expressive. Casual modern clothes that stay readable as they get wet, dusty, torn, and transformed by each world. Photoreal, not anime. Start in a bright Candy World. Giant lollipops, frosting hills, candy-cane trees, and sugar dust in the air. The girl hears a rumble and spins around. The camera rushes backward in front of her as she runs toward a gigantic painting of a lava cake. She skids to a stop. Molten chocolate lava suddenly explodes out of the canvas. She dives sideways as real lava-cake flood crashes across the candy floor. The camera drops almost to floor level with the rushing chocolate. She grabs a giant candy bench to stop herself. The bench stretches beneath her hands and becomes a fallen log. The camera swings around her. She is suddenly in the Year of the Dinosaurs, hanging from a tree as a massive dinosaur charges past. She pulls herself up, runs, jumps over a sliding boulder, ducks beneath a swinging vine, then grabs a giant leaf. The camera rises with the leaf. The leaf wraps around her. She tears through it and tumbles onto a paper world. The same leaf is now a huge sheet of folded paper. She rolls across paper mountains, pushes herself up, and immediately begins running as paper buildings unfold around her. The camera races sideways with her. Paper edges whip past the lens and transform into glass. The paper city becomes a modern skyscraper corridor. She runs across glossy floors as windows race past. She loses her footing near an open shaft and falls. The camera dives with her. The glass walls become rough stone. She lands hard inside a prehistoric BC cave. Torches flicker. She crawls forward, then sprints as the cave opens onto an ancient battlefield. Spears and banners rush past. She drops flat as riders leap over her. From ground level a giant war banner falls toward the lens. She grabs its edge. The wind yanks her upward. For a moment she is lifted completely off the ground. As the camera rotates with her, the banner becomes the feathers of a gigantic bird. She is suddenly riding on the big bird’s back high in the sky. She holds on as it banks through clouds. The bird dives. She slips, grabs a talon, then drops. The camera falls with her. She plunges into an underground river. Now underwater, her momentum continues naturally. She swims with the current through a dark cavern, then breaks the surface onto an abandoned island. Skeletons lie scattered across the sand and rocks. She stands, panting, then steps on a glass shard. The island shrinks around her. The camera pulls back as the whole island is revealed inside a giant glass bottle. She is trapped inside the bottle. The bottle tips. She slides, slams against the glass, and the glass becomes a dusty window. She crashes through it into a creepy house. Creaking floors, peeling wallpaper, long hallways. She runs. A door slams open. The house corridors fill with a zombie world. She dodges reaching hands, leaps over fallen furniture, and bursts through a classroom door. She is suddenly in a school classroom. Desks scatter as she sprints across them and jumps through an open window. The camera follows her through the window. She does not land in a yard. She lands on the top of a building. Wind slams her. She runs across the rooftop, then slips off the edge. The camera dives beside her. She hits water. Now underwater again. She swims upward toward a bright shape. When she breaks the surface, she is pulling herself into a pilot’s cockpit of a flying plane. Instruments shake. She grabs the controls, then the plane punches through clouds into a dense forest. The cockpit becomes tree branches. She tumbles through leaves, rolls across moss, and slams onto a mattress. Instantly she is sitting upright in bed. Morning. Silence. The camera is now extremely close to her face. She gasps awake. For the first time in the entire film, everything becomes completely still. Her bedroom is ordinary. She looks around. She touches the mattress. Checks her hands. Relieved, she lies back down. Then something drips onto her forehead. She looks up. The ceiling above her bed is gently rippling like candy glaze mixed with water. A large shadow slowly moves across it. Her expression changes from relief to disbelief. Then the entire bed suddenly tilts. She grabs the mattress as her alarm clock, pillow, lamp, and furniture begin sliding toward one side of the room. End exactly as she begins sliding out of bed, suggesting that waking up was only another stage of the transformation. The action should feel choreographed like a physical adventure. The girl must run, sprint, skid, dive, fall, climb, hang, swing, crawl, jump, roll, swim, land, sit, get thrown through spaces, and briefly become weightless. Her position within the frame should constantly change: close-up, full-body, profile, silhouette, overhead, low-angle, behind her, directly in front of her, underwater, upside down, falling beside her, and orbiting around her. Transitions should be triggered by her actions. When she grabs something, it becomes something else. When she falls, the next world catches her. When she jumps through an opening, that opening becomes another location. When an object crosses the camera, it transforms while hiding part of the environment. Use physical match transitions such as: candy bench → dinosaur-era log giant leaf → paper sheet paper edges → skyscraper glass falling shaft → BC cave stone war banner → giant bird feathers bird dive → underground river island sand → bottle glass bottle glass → creepy house window house door → zombie world zombie corridor → classroom classroom window → rooftop rooftop fall → underwater water surface → pilot cockpit cockpit / clouds → forest branches forest ground → bedroom mattress The camera movement itself should help generate transitions. A whip-pan can turn one moving object into another. A 360-degree orbit can reveal a completely transformed environment by the time it completes. Passing behind fabric, pillars, people, waves, vehicles, doors, or the girl’s body can briefly obscure parts of the frame while the transformation happens continuously. Despite the speed, every transformation must remain visually understandable. The result should feel less like a transformation montage and more like one impossible 30-second physical journey in which the girl is being chased, thrown, carried, dropped, and pulled through realities that continuously grow out of one another. Tone: exhilarating, mysterious, playful, cinematic, photoreal, large-scale, dreamlike, and full of wonder.

MrDejie

33,788 görüntüleme • 1 ay önce

HOW TO LOOK COOL & GET THE GIRL WHEN YOU APPROACH ❌ Home in on the girl you like and ignore her friend who’s also staring at you ✅ Open both girls at once, talk to both, win them both over ❌ Describe yourself as chasing after her (“courage to come up to you”) ✅ Use a chill opener instead (e.g., “Looks like you’re putting a lot of thought into that decision”) ❌ Ask her name unprompted (“What’s your name?”; you are seeking information from her) ✅ Offer your name first (“I’m Daniel”; you are offering value to her) ❌ Shake her hand like it’s a new business partnership ✅ Hold her hand a moment and give it a squeeze without shaking it ❌ Use her foreignness to compliment her looks in another language (“Muy bonita gracias”) ✅ Use her foreignness to ask what she’s doing here (creates an open loop) ❌ Compliment her looks a 3rd time while explaining yourself (“came up because you’re gorgeous”) ✅ Have her comply with you instead (“I love that bracelet. Let me have a look?” [beckon her]) ❌ Get her to show you the lingerie she bought then completely change the topic ✅ Get her to show you the lingerie she bought then flirt over it (“Oh… lingerie… what is THAT for??”) ❌ Ask her out 40 seconds in after on a non-high point not building any real attraction or connection ✅ Talk to her for at least 2 minutes, build attraction + connection, THEN ask her out on a HIGH point (i.e., she is really engaged, laughing hard, showing a lot of curiosity about you, etc.) Notes from the video: • During the initial moment, she smile genuinely and eyes him up and down (see her head to toe glance) while quickly finishing what she is doing. She shows initial openness to him. HOWEVER… • She gives the “Oh, gosh” eye shut and grimacing nod in response to his “chasing after you” opener. She acknowledges it’s ‘funny’ but still cringe. • She follows this by PICKING UP HER CUP (which she does not need to do) and holding it in front of herself defensively, creating a barrier between her and him. (If she was into the approach, she’d leave the cup there and face him without a barrier.) • After he blasts her with the fourth compliment, she backs away from him while laughing awkwardly and eye codes her friend (whom this guy’s still ignoring) in disbelief. • When he asks her out on “like a food date”, she takes two seconds to break eye contact to the side, still with her forced smile, briefly shakes her head “no”, then nods politely and says it “sounds good” and gives her number (while eye coding her friend again) just to get rid of him. • After he gets the number, he tells her “Next Friday?” and she doesn’t even need to think about what she has going on or check her schedule because she has no intention of actually meeting this guy, so she just says “Next Friday, perfect” to get this over with. Approach better & avoid these mistakes!
1:00

HOW TO LOOK COOL & GET THE GIRL WHEN YOU APPROACH ❌ Home in on the girl you like and ignore her friend who’s also staring at you ✅ Open both girls at once, talk to both, win them both over ❌ Describe yourself as chasing after her (“courage to come up to you”) ✅ Use a chill opener instead (e.g., “Looks like you’re putting a lot of thought into that decision”) ❌ Ask her name unprompted (“What’s your name?”; you are seeking information from her) ✅ Offer your name first (“I’m Daniel”; you are offering value to her) ❌ Shake her hand like it’s a new business partnership ✅ Hold her hand a moment and give it a squeeze without shaking it ❌ Use her foreignness to compliment her looks in another language (“Muy bonita gracias”) ✅ Use her foreignness to ask what she’s doing here (creates an open loop) ❌ Compliment her looks a 3rd time while explaining yourself (“came up because you’re gorgeous”) ✅ Have her comply with you instead (“I love that bracelet. Let me have a look?” [beckon her]) ❌ Get her to show you the lingerie she bought then completely change the topic ✅ Get her to show you the lingerie she bought then flirt over it (“Oh… lingerie… what is THAT for??”) ❌ Ask her out 40 seconds in after on a non-high point not building any real attraction or connection ✅ Talk to her for at least 2 minutes, build attraction + connection, THEN ask her out on a HIGH point (i.e., she is really engaged, laughing hard, showing a lot of curiosity about you, etc.) Notes from the video: • During the initial moment, she smile genuinely and eyes him up and down (see her head to toe glance) while quickly finishing what she is doing. She shows initial openness to him. HOWEVER… • She gives the “Oh, gosh” eye shut and grimacing nod in response to his “chasing after you” opener. She acknowledges it’s ‘funny’ but still cringe. • She follows this by PICKING UP HER CUP (which she does not need to do) and holding it in front of herself defensively, creating a barrier between her and him. (If she was into the approach, she’d leave the cup there and face him without a barrier.) • After he blasts her with the fourth compliment, she backs away from him while laughing awkwardly and eye codes her friend (whom this guy’s still ignoring) in disbelief. • When he asks her out on “like a food date”, she takes two seconds to break eye contact to the side, still with her forced smile, briefly shakes her head “no”, then nods politely and says it “sounds good” and gives her number (while eye coding her friend again) just to get rid of him. • After he gets the number, he tells her “Next Friday?” and she doesn’t even need to think about what she has going on or check her schedule because she has no intention of actually meeting this guy, so she just says “Next Friday, perfect” to get this over with. Approach better & avoid these mistakes!

Girls Chase 🏃‍♀️💨

65,755 görüntüleme • 3 ay önce

💔💔COBB COUNTY, GA💔💔💔 FROM FB: Today, while volunteering at the shelter and walking my row of dogs, I noticed a different dog in another row sitting quietly in the corner of her kennel… shaking and trying to make herself as small as possible. I looked at her kennel card and learned her name was Hazel and she had just been surrendered yesterday . 😭💔 I decided to go sit with her, hoping I could make her day just a little bit better. Little did I know… she would be the one making mine.🥹 Hazel was terrified and unsure of everyone around her. But little by little, she found the courage to take one step… then another… until she came over, kissed my face, and reminded me just how sweet she truly is. I later learned that Hazel was surrendered because the family cat repeatedly attacked her. 🥺 And through no fault of her own, she lost the only home she knew. Hazel is only 2 years old. She’s dog-friendly, good with kids, housebroken, and crate-trained. She has so much love to give, yet tonight she’s sleeping in a shelter kennel instead of a home. I spent a long time with her today, holding her close and reminding her that she is a good girl… that she is loved, that she is seen, and that someone still cares about her. Before I closed her kennel door, I made Hazel a promise.. I promised her I would share her story with the world. And I told her that I have an incredible village of people who always show up when a dog needs them most. Now I’m asking that village for one more favor. Please help me keep my promise to Hazel. 🥺🙏🏻😭 Share her story. Tell your friends and family about her. If you’ve been thinking about adopting, fostering, or rescuing, please consider giving Hazel the forever home she deserves. Let’s show Hazel that yesterday wasn’t the end of her story… it was the beginning of a beautiful new chapter. ❤️ Hazel is up for adoption at : 📍Cobb County Animal Services in Marietta, GA. ID: (20451) Kennel : (30) ☎️ (770) 499-4136
1:21

💔💔COBB COUNTY, GA💔💔💔 FROM FB: Today, while volunteering at the shelter and walking my row of dogs, I noticed a different dog in another row sitting quietly in the corner of her kennel… shaking and trying to make herself as small as possible. I looked at her kennel card and learned her name was Hazel and she had just been surrendered yesterday . 😭💔 I decided to go sit with her, hoping I could make her day just a little bit better. Little did I know… she would be the one making mine.🥹 Hazel was terrified and unsure of everyone around her. But little by little, she found the courage to take one step… then another… until she came over, kissed my face, and reminded me just how sweet she truly is. I later learned that Hazel was surrendered because the family cat repeatedly attacked her. 🥺 And through no fault of her own, she lost the only home she knew. Hazel is only 2 years old. She’s dog-friendly, good with kids, housebroken, and crate-trained. She has so much love to give, yet tonight she’s sleeping in a shelter kennel instead of a home. I spent a long time with her today, holding her close and reminding her that she is a good girl… that she is loved, that she is seen, and that someone still cares about her. Before I closed her kennel door, I made Hazel a promise.. I promised her I would share her story with the world. And I told her that I have an incredible village of people who always show up when a dog needs them most. Now I’m asking that village for one more favor. Please help me keep my promise to Hazel. 🥺🙏🏻😭 Share her story. Tell your friends and family about her. If you’ve been thinking about adopting, fostering, or rescuing, please consider giving Hazel the forever home she deserves. Let’s show Hazel that yesterday wasn’t the end of her story… it was the beginning of a beautiful new chapter. ❤️ Hazel is up for adoption at : 📍Cobb County Animal Services in Marietta, GA. ID: (20451) Kennel : (30) ☎️ (770) 499-4136

Fionaismybitch

40,781 görüntüleme • 3 ay önce

Since I like Fousey I will give him some serious game. 1) Have more than 3 girls on every stream and just start ignoring the one that isn’t throwing pussy your way. She will instinctively compete with the others and start chasing the prize (you) - They are only horny when they are losing and NEVER when they are getting favours out of you. 2) Take more risks with your flirting, If they already spend heaps of time talking to you about anything and are not afraid of you, you can get more aggressive in all area’s. Basically all you want to see after you say you want to “bust inside her” is if she will laugh and milk the fantasy for a moment. 3) Remind her what her life is like without you by asking her, “what do you even do all day?” Women are always bored, even when they are not, so she does not want to be reminded of her life without you in this moment. 4) Fousey is in the position to say, “Since we not fucking you paying for your own meal.” This becomes extremely important when she sees you pay for another womans meal, (this is why you should have brought more girls) friendzone the shit out of them ONLY when you have another that is flirting, mildly friendzone her if you got nobody / so you can still recover. 5) Never have female friends that are not used to holding your hand for various activities, such as driving… Without touch, you are sinking fast. Get all women, whether cute or ugly to be touchy with you for the perfect smoke screen. If Fousey was holding her hand, she would have cooked more. 6) STOP talking about anything that is NOT sexual, you are killing her pusy temperature. Stick to only teasing and avoiding big topics. 7) Never go on a date with a woman who knows Zherka😂 - More at Get activated💰
2:05

Sensitive content

Since I like Fousey I will give him some serious game. 1) Have more than 3 girls on every stream and just start ignoring the one that isn’t throwing pussy your way. She will instinctively compete with the others and start chasing the prize (you) - They are only horny when they are losing and NEVER when they are getting favours out of you. 2) Take more risks with your flirting, If they already spend heaps of time talking to you about anything and are not afraid of you, you can get more aggressive in all area’s. Basically all you want to see after you say you want to “bust inside her” is if she will laugh and milk the fantasy for a moment. 3) Remind her what her life is like without you by asking her, “what do you even do all day?” Women are always bored, even when they are not, so she does not want to be reminded of her life without you in this moment. 4) Fousey is in the position to say, “Since we not fucking you paying for your own meal.” This becomes extremely important when she sees you pay for another womans meal, (this is why you should have brought more girls) friendzone the shit out of them ONLY when you have another that is flirting, mildly friendzone her if you got nobody / so you can still recover. 5) Never have female friends that are not used to holding your hand for various activities, such as driving… Without touch, you are sinking fast. Get all women, whether cute or ugly to be touchy with you for the perfect smoke screen. If Fousey was holding her hand, she would have cooked more. 6) STOP talking about anything that is NOT sexual, you are killing her pusy temperature. Stick to only teasing and avoiding big topics. 7) Never go on a date with a woman who knows Zherka😂 - More at Get activated💰

Zherka

109,248 görüntüleme • 2 yıl önce

Come spend a gym day with me 🎥🤍 Created with Seedance 2.5 on FlovaAI Prompt: Create a 60-second realistic day-in-the-life gym vlog following the same young Korean woman in her early twenties from waking up at home, getting ready, going to the gym, working out, and returning home. Overall visual style One continuous handheld front-facing smartphone selfie vlog perspective. She always films herself with the phone in her own hand at arm’s length. No third-person camera, tripod, cinematic camera movements, drones, or external filming. Make everything look like authentic modern smartphone footage: - Natural handheld shake and small framing imperfections - Realistic walking movement and occasional autofocus hunting - Minor exposure changes - Natural front-camera lens distortion - Soft natural morning light indoors and outdoors - Realistic, unfiltered smartphone colors - No beauty filter, skin smoothing, or cinematic color grading - Same face and hair throughout the entire vlog - Natural expressions, movements, and body language - No subtitles, captions, logos, watermarks, or on-screen text - No background music; use only natural diegetic sound 0–10 sec — Waking up She wakes up in her cozy bedroom wearing a cute, loose casual night suit. She grabs her phone from beside the bed and immediately starts filming herself selfie-style. She looks sleepy, messy-haired, and slightly tired, gives a small yawn, stretches, and smiles at the camera. She quietly says: “Good morning… I really don’t feel like going to the gym today.” She gets out of bed and walks toward the bathroom while holding the phone herself. 10–18 sec — Brushing teeth In the bathroom, she films herself in the mirror/selfie view while brushing her teeth. Keep it casual and imperfect, with realistic bathroom ambience and running-water sounds. She briefly looks into the camera with a sleepy expression, then rinses her mouth and smiles. She says: “But I promised myself I’d go, so… let’s do it.” 18–27 sec — Getting ready Quick natural transition back to her bedroom. She changes from her night suit into a stylish but realistic gym outfit: fitted athletic top, high-waisted leggings or comfortable athletic bottoms, clean sneakers, and minimal accessories. Show short selfie moments of her fixing her hair, adjusting her gym outfit, grabbing a water bottle and gym bag. She looks into the phone and says: “Okay, now I actually look ready.” 27–35 sec — Going to the gym She leaves home with the phone in her hand. Film brief selfie moments while walking outside and naturally bouncing with her steps. Show quick glimpses of the street, morning traffic, buildings, and her gym bag. She arrives at the gym and turns the phone slightly to show the entrance before bringing it back to her face. Natural street and gym ambience only. 35–52 sec — Workout Inside the gym, she starts with a short warm-up on a treadmill, then moves through a few exercises such as light strength training, squats, dumbbell exercises, and stretching. Keep the camera mostly front-facing and handheld, occasionally tilting naturally toward the equipment before returning to her face. She becomes slightly sweaty and out of breath but stays cheerful. She laughs and says: “Okay… this is harder than I remembered.” She takes a quick drink of water, catches her breath, then gives the camera a satisfied smile and continues her workout. Include realistic sounds of footsteps, treadmill movement, weights clanking, machines, distant conversations, and gym room tone. 52–60 sec — Returning home After finishing her workout, she leaves the gym and walks home. She looks pleasantly exhausted but happy. Cut naturally to her back at home, still holding the phone. She drops her gym bag down, takes a drink of water, relaxes on the couch or bed, and looks into the camera with a tired smile. She gives a small wave and says: “Workout done. I’m exhausted… but I’m glad I went.” She smiles, gives one final sleepy wave, and lowers the phone for a natural ending. Final requirements Keep the entire vlog fast, spontaneous, cozy, and realistic, with natural transitions between locations. The woman must remain visually consistent throughout: same facial identity, same hair, and realistic appearance. Her outfit changes only once, from the casual night suit to the gym outfit. All dialogue must be naturally spoken with visible lip movement. Use only diegetic audio—bedroom ambience, bathroom sounds, footsteps, street noise, gym sounds, water bottle sounds, and home ambience. No music, captions, subtitles, logos, watermarks, or cinematic effects. #Flovaai #Flovacpp
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Come spend a gym day with me 🎥🤍 Created with Seedance 2.5 on FlovaAI Prompt: Create a 60-second realistic day-in-the-life gym vlog following the same young Korean woman in her early twenties from waking up at home, getting ready, going to the gym, working out, and returning home. Overall visual style One continuous handheld front-facing smartphone selfie vlog perspective. She always films herself with the phone in her own hand at arm’s length. No third-person camera, tripod, cinematic camera movements, drones, or external filming. Make everything look like authentic modern smartphone footage: - Natural handheld shake and small framing imperfections - Realistic walking movement and occasional autofocus hunting - Minor exposure changes - Natural front-camera lens distortion - Soft natural morning light indoors and outdoors - Realistic, unfiltered smartphone colors - No beauty filter, skin smoothing, or cinematic color grading - Same face and hair throughout the entire vlog - Natural expressions, movements, and body language - No subtitles, captions, logos, watermarks, or on-screen text - No background music; use only natural diegetic sound 0–10 sec — Waking up She wakes up in her cozy bedroom wearing a cute, loose casual night suit. She grabs her phone from beside the bed and immediately starts filming herself selfie-style. She looks sleepy, messy-haired, and slightly tired, gives a small yawn, stretches, and smiles at the camera. She quietly says: “Good morning… I really don’t feel like going to the gym today.” She gets out of bed and walks toward the bathroom while holding the phone herself. 10–18 sec — Brushing teeth In the bathroom, she films herself in the mirror/selfie view while brushing her teeth. Keep it casual and imperfect, with realistic bathroom ambience and running-water sounds. She briefly looks into the camera with a sleepy expression, then rinses her mouth and smiles. She says: “But I promised myself I’d go, so… let’s do it.” 18–27 sec — Getting ready Quick natural transition back to her bedroom. She changes from her night suit into a stylish but realistic gym outfit: fitted athletic top, high-waisted leggings or comfortable athletic bottoms, clean sneakers, and minimal accessories. Show short selfie moments of her fixing her hair, adjusting her gym outfit, grabbing a water bottle and gym bag. She looks into the phone and says: “Okay, now I actually look ready.” 27–35 sec — Going to the gym She leaves home with the phone in her hand. Film brief selfie moments while walking outside and naturally bouncing with her steps. Show quick glimpses of the street, morning traffic, buildings, and her gym bag. She arrives at the gym and turns the phone slightly to show the entrance before bringing it back to her face. Natural street and gym ambience only. 35–52 sec — Workout Inside the gym, she starts with a short warm-up on a treadmill, then moves through a few exercises such as light strength training, squats, dumbbell exercises, and stretching. Keep the camera mostly front-facing and handheld, occasionally tilting naturally toward the equipment before returning to her face. She becomes slightly sweaty and out of breath but stays cheerful. She laughs and says: “Okay… this is harder than I remembered.” She takes a quick drink of water, catches her breath, then gives the camera a satisfied smile and continues her workout. Include realistic sounds of footsteps, treadmill movement, weights clanking, machines, distant conversations, and gym room tone. 52–60 sec — Returning home After finishing her workout, she leaves the gym and walks home. She looks pleasantly exhausted but happy. Cut naturally to her back at home, still holding the phone. She drops her gym bag down, takes a drink of water, relaxes on the couch or bed, and looks into the camera with a tired smile. She gives a small wave and says: “Workout done. I’m exhausted… but I’m glad I went.” She smiles, gives one final sleepy wave, and lowers the phone for a natural ending. Final requirements Keep the entire vlog fast, spontaneous, cozy, and realistic, with natural transitions between locations. The woman must remain visually consistent throughout: same facial identity, same hair, and realistic appearance. Her outfit changes only once, from the casual night suit to the gym outfit. All dialogue must be naturally spoken with visible lip movement. Use only diegetic audio—bedroom ambience, bathroom sounds, footsteps, street noise, gym sounds, water bottle sounds, and home ambience. No music, captions, subtitles, logos, watermarks, or cinematic effects. #Flovaai #Flovacpp

Zara

22,958 görüntüleme • 1 ay önce

The storytelling in NIKKE is what makes it one of the best gacha games around. I'm on chapter 34, and I can hardly put what I am feeling here into words, but I am going to try. NIKKE has the best storybeats of any gacha I've played so far. This moment with Rapi, where she unloads all of the feelings she has supressed up to now, was so good. She wanted to inherit Red Hood's legacy, to be a hero like Red Hood, but she came up short, and instead of continuing to try, she ran away because she didn't want to deal with the pain of knowing she wasn't good enough. Rapi up to now has been kind of flat as a character, especially compared to the colorful characters like Anis and Neon. This was by design. Rapi has been supressing her feelings because she didn't want to deal with them. Because dealing with her own feelings also meant dealing with her sense of inferiority. After the Commander came along, Rapi found the desire to continue on, to believe that maybe she could become something by staying with him, but then they met Cinderella and Grave. I think Grave had a much bigger impact on her than Cinderella due to their similarities. Grave never gave up. She spent hundreds of years protecting Cinderella and trying to revive her. She made Rapi feel so inferior. Here was a woman in a similar position, but unlike Rapi, who ran away, Grave continued to press on despite how hopeless everything seemed. However, what really stood out to me was how Anis, Neon, and the Commander acted after she unloaded all that. They want to support her. They believe in Rapi far more than she believes in herself right now, and it's their support that I think will carry Rapi to even greater heights. In the words of Cinderella, this moment was beautiful. I cried during this scene, man. This was too good.
14:11

The storytelling in NIKKE is what makes it one of the best gacha games around. I'm on chapter 34, and I can hardly put what I am feeling here into words, but I am going to try. NIKKE has the best storybeats of any gacha I've played so far. This moment with Rapi, where she unloads all of the feelings she has supressed up to now, was so good. She wanted to inherit Red Hood's legacy, to be a hero like Red Hood, but she came up short, and instead of continuing to try, she ran away because she didn't want to deal with the pain of knowing she wasn't good enough. Rapi up to now has been kind of flat as a character, especially compared to the colorful characters like Anis and Neon. This was by design. Rapi has been supressing her feelings because she didn't want to deal with them. Because dealing with her own feelings also meant dealing with her sense of inferiority. After the Commander came along, Rapi found the desire to continue on, to believe that maybe she could become something by staying with him, but then they met Cinderella and Grave. I think Grave had a much bigger impact on her than Cinderella due to their similarities. Grave never gave up. She spent hundreds of years protecting Cinderella and trying to revive her. She made Rapi feel so inferior. Here was a woman in a similar position, but unlike Rapi, who ran away, Grave continued to press on despite how hopeless everything seemed. However, what really stood out to me was how Anis, Neon, and the Commander acted after she unloaded all that. They want to support her. They believe in Rapi far more than she believes in herself right now, and it's their support that I think will carry Rapi to even greater heights. In the words of Cinderella, this moment was beautiful. I cried during this scene, man. This was too good.

Brandon Varnell

31,684 görüntüleme • 4 ay önce

How much cleaning is too much cleaning? Make your video like this using Product commercial skill on FlovaAI Model used: Seedance 2.0 prompt A 60-second 3D Pixar-style animated commercial for 7UP Extra Fizz. Bright, vibrant, highly expressive cartoon rendering with smooth exaggerated animation, big emotional faces, soft rounded shapes, rich saturated colors, and cinematic lighting. Vertical smartphone aspect ratio with dynamic camera moves (sweeping low angles, playful tracking shots, extreme close-ups on expressions). *Setting:* A sunny, modern Western suburban home with open-plan living spaces, light wooden floors, white walls with geometric wood accent panels, large windows letting in golden afternoon light, and a cozy, slightly cluttered family feel. *Characters:* •⁠ ⁠Mom: Mid-50s Western woman, warm but dramatic, short stylish brown hair with a few gray streaks, wearing a soft beige cardigan over a patterned blouse and jeans. •⁠ ⁠Daughter: Early-20s, long reddish-brown hair in a high ponytail, wearing an olive-green polo shirt, gold heart necklace, and baggy light-wash jeans. Highly expressive Pixar-style face that goes from annoyed → exhausted → pure joy. *Scene breakdown:* 0–6s: Close-up of a vintage green rotary phone on a glossy side table. Mom appears in the background holding the handset, eyes wide with urgency, waving her free hand dramatically as she speaks in English: “The guests are coming in an hour! Honey, hurry up! Clean every single fan blade, one by one — please, please, go go go!” 6–12s: Cut to the daughter on the living-room sofa, scrolling on a peach smartphone. Her face scrunches into a classic Pixar annoyed expression (eyebrows knitted, mouth twisted). She lets out a big exaggerated sigh. 12–22s: Mom marches in holding a green-handled mop, gesturing wildly. Daughter climbs a bright red stepladder and starts cleaning a dark wooden ceiling fan. She meticulously wipes each blade with a white cloth, her face showing increasing determination mixed with irritation. Camera circles around her as dust motes float in the light. She then dusts the geometric wooden wall panels with a long grey duster, dramatically wiping sweat from her forehead with a big cartoonish gesture. 22–32s: Daughter now wears bright yellow rubber gloves. She crouches inside a wide-open stainless-steel refrigerator, vigorously scrubbing the white interior walls and shelves with a green microfiber cloth. Several green 7UP bottles are clearly visible on the door shelves. Her expression is pure focused effort, tongue slightly sticking out in concentration. 32–42s: Outside on the front porch steps under a soft evening sky. Mom stands in the doorway still urging. Daughter holds the mop, shoulders slumped, and complains with big exaggerated exhaustion: “Mom, the stairs too?! This is getting a little extra!” She continues, voice rising: “I’m completely wiped from all this extra cleaning!” 42–52s: Extreme close-up of the daughter’s tired face. She reaches for a cold green 7UP Extra Fizz bottle. With a satisfying twist and loud fizzy “PSSSHT!” sound effect, she opens it. Bubbles and tiny water droplets spray in a playful Pixar-style flourish. She takes a long, refreshing drink. Her entire face transforms — eyes light up, cheeks glow, a huge genuine smile spreads as energy returns to her body. She does a little joyful bounce. 52–60s: Dynamic heroic product shot. The icy-cold 7UP Extra Fizz bottle rises against a bright blue sky. Dramatic water splash and exploding bubbles surround it in exaggerated, sparkling 3D animation. Bold, playful on-screen text pops in with a bounce: “INTRODUCING 7UP EXTRA FIZZ” next to the classic 7UP logo. Soft upbeat music swells into a fresh, fizzy climax. *Overall tone & style:* Warm, relatable, slightly comedic family chaos that feels like a Pixar short, transitioning into pure refreshing joy. Exaggerated facial expressions, squash-and-stretch animation, vibrant green product highlights, smooth camera movement, clear English dialogue, and upbeat background music that builds from stressed household energy to sparkling refreshment. #FlovaBrandstormand
1:00

How much cleaning is too much cleaning? Make your video like this using Product commercial skill on FlovaAI Model used: Seedance 2.0 prompt A 60-second 3D Pixar-style animated commercial for 7UP Extra Fizz. Bright, vibrant, highly expressive cartoon rendering with smooth exaggerated animation, big emotional faces, soft rounded shapes, rich saturated colors, and cinematic lighting. Vertical smartphone aspect ratio with dynamic camera moves (sweeping low angles, playful tracking shots, extreme close-ups on expressions). *Setting:* A sunny, modern Western suburban home with open-plan living spaces, light wooden floors, white walls with geometric wood accent panels, large windows letting in golden afternoon light, and a cozy, slightly cluttered family feel. *Characters:* •⁠ ⁠Mom: Mid-50s Western woman, warm but dramatic, short stylish brown hair with a few gray streaks, wearing a soft beige cardigan over a patterned blouse and jeans. •⁠ ⁠Daughter: Early-20s, long reddish-brown hair in a high ponytail, wearing an olive-green polo shirt, gold heart necklace, and baggy light-wash jeans. Highly expressive Pixar-style face that goes from annoyed → exhausted → pure joy. *Scene breakdown:* 0–6s: Close-up of a vintage green rotary phone on a glossy side table. Mom appears in the background holding the handset, eyes wide with urgency, waving her free hand dramatically as she speaks in English: “The guests are coming in an hour! Honey, hurry up! Clean every single fan blade, one by one — please, please, go go go!” 6–12s: Cut to the daughter on the living-room sofa, scrolling on a peach smartphone. Her face scrunches into a classic Pixar annoyed expression (eyebrows knitted, mouth twisted). She lets out a big exaggerated sigh. 12–22s: Mom marches in holding a green-handled mop, gesturing wildly. Daughter climbs a bright red stepladder and starts cleaning a dark wooden ceiling fan. She meticulously wipes each blade with a white cloth, her face showing increasing determination mixed with irritation. Camera circles around her as dust motes float in the light. She then dusts the geometric wooden wall panels with a long grey duster, dramatically wiping sweat from her forehead with a big cartoonish gesture. 22–32s: Daughter now wears bright yellow rubber gloves. She crouches inside a wide-open stainless-steel refrigerator, vigorously scrubbing the white interior walls and shelves with a green microfiber cloth. Several green 7UP bottles are clearly visible on the door shelves. Her expression is pure focused effort, tongue slightly sticking out in concentration. 32–42s: Outside on the front porch steps under a soft evening sky. Mom stands in the doorway still urging. Daughter holds the mop, shoulders slumped, and complains with big exaggerated exhaustion: “Mom, the stairs too?! This is getting a little extra!” She continues, voice rising: “I’m completely wiped from all this extra cleaning!” 42–52s: Extreme close-up of the daughter’s tired face. She reaches for a cold green 7UP Extra Fizz bottle. With a satisfying twist and loud fizzy “PSSSHT!” sound effect, she opens it. Bubbles and tiny water droplets spray in a playful Pixar-style flourish. She takes a long, refreshing drink. Her entire face transforms — eyes light up, cheeks glow, a huge genuine smile spreads as energy returns to her body. She does a little joyful bounce. 52–60s: Dynamic heroic product shot. The icy-cold 7UP Extra Fizz bottle rises against a bright blue sky. Dramatic water splash and exploding bubbles surround it in exaggerated, sparkling 3D animation. Bold, playful on-screen text pops in with a bounce: “INTRODUCING 7UP EXTRA FIZZ” next to the classic 7UP logo. Soft upbeat music swells into a fresh, fizzy climax. *Overall tone & style:* Warm, relatable, slightly comedic family chaos that feels like a Pixar short, transitioning into pure refreshing joy. Exaggerated facial expressions, squash-and-stretch animation, vibrant green product highlights, smooth camera movement, clear English dialogue, and upbeat background music that builds from stressed household energy to sparkling refreshment. #FlovaBrandstormand

Sharon Riley

156,326 görüntüleme • 2 ay önce

So I recognize I have a different take than many of my colleagues in conservative media. But a couple of points I wanted to make today on Charlie's show with Andrew Kolvet and Blake Neff. 1) According to her interview with Ray Comfort, Ashley Sheatz came to Christ at 17. And as she explained in her initial testimony, after being exposed to sexual immorality from a young age while living with her single mom, she became a porn user at age 11. She was a young teenager when she began engaging in sexual sin with partners. I'd like everyone flinging the WORST labels I can imagine at her to remember--she was legally a child while having relationships with adult men years (in one case decades) older than her. I appreciate Ashley taking responsibility for her willful sinful choices, but this background suggests she was in a vulnerable, unprotected place from a young age and men took advantage of her, not the other way around. 2) Ashley Sheatz did not, as many were howling, go from being a web cam girl to being a Christian influencer. Though of course she has social media accounts where she talks about her life, background, and interests like every other modern American, her life for the past nine years has been focused on being a Christian wife and mom of three. She has been doing what the man-o-sphere says she should be doing--she's been quietly living out her faith, showing fruit in keeping with repentance. 3) If you read her full testimony it includes nightmarish situations of risking her life in pursuit of drugs. The idea that she didn't a pay price for her past sins is a claim that only someone who has never lived that hell can make. There is a reason the Bible describes it as slavery to sin. 4) Whore and promiscuous are not synonymous. One is meant to be more a general catchall term for being sexually indiscriminate. To some, it might mean any sex outside of marriage (this is what it should mean). To others, it could mean dozens of partners a year. The other is a crude term for a prostitute. Her husband did not call her a prostitute by that term or any other. In addition to that, I shared how I believe this Twitter Tempest plays into the longhouse phenomenon (which I think is absolutely real. As I have said in the past, I don't believe it goes too far to say we are living in something of a gynocracy). Thanks to Blake and Andrew for having me to discuss from a Protestant Christian perspective. I hope it adds something.
24:07

So I recognize I have a different take than many of my colleagues in conservative media. But a couple of points I wanted to make today on Charlie's show with Andrew Kolvet and Blake Neff. 1) According to her interview with Ray Comfort, Ashley Sheatz came to Christ at 17. And as she explained in her initial testimony, after being exposed to sexual immorality from a young age while living with her single mom, she became a porn user at age 11. She was a young teenager when she began engaging in sexual sin with partners. I'd like everyone flinging the WORST labels I can imagine at her to remember--she was legally a child while having relationships with adult men years (in one case decades) older than her. I appreciate Ashley taking responsibility for her willful sinful choices, but this background suggests she was in a vulnerable, unprotected place from a young age and men took advantage of her, not the other way around. 2) Ashley Sheatz did not, as many were howling, go from being a web cam girl to being a Christian influencer. Though of course she has social media accounts where she talks about her life, background, and interests like every other modern American, her life for the past nine years has been focused on being a Christian wife and mom of three. She has been doing what the man-o-sphere says she should be doing--she's been quietly living out her faith, showing fruit in keeping with repentance. 3) If you read her full testimony it includes nightmarish situations of risking her life in pursuit of drugs. The idea that she didn't a pay price for her past sins is a claim that only someone who has never lived that hell can make. There is a reason the Bible describes it as slavery to sin. 4) Whore and promiscuous are not synonymous. One is meant to be more a general catchall term for being sexually indiscriminate. To some, it might mean any sex outside of marriage (this is what it should mean). To others, it could mean dozens of partners a year. The other is a crude term for a prostitute. Her husband did not call her a prostitute by that term or any other. In addition to that, I shared how I believe this Twitter Tempest plays into the longhouse phenomenon (which I think is absolutely real. As I have said in the past, I don't believe it goes too far to say we are living in something of a gynocracy). Thanks to Blake and Andrew for having me to discuss from a Protestant Christian perspective. I hope it adds something.

Megan Basham

109,495 görüntüleme • 6 ay önce

She didn’t just serve tables… she studied people. Smiles, eye contact, hesitation, she learned exactly when someone was about to spend more… or tip less. And, according to her, that’s where the “morally questionable” tactics came in. She’d casually start listing the most expensive options first, letting customers get overwhelmed until they just said “yeah, that one.” Bigger bill… bigger tip. It worked more often than it should. But that wasn’t even the part that made people uncomfortable. When a table left a small tip, she’d switch instantly, soft voice, concerned expression, even crouching down beside them. “Was there something wrong with my service?” she’d ask, holding the receipt just enough for them to see. Awkward silence. Guilt creeping in. And just like that… wallets opened again. But her most shocking moment? After forgetting a table for nearly 45 minutes, she came back with an apology and a story about performing CPR on someone outside. The mood flipped instantly… and they left her a huge tip. Now the internet is split, some calling it genius, others calling it straight manipulation. This says a lot about how easily emotions; guilt, pressure, and sympathy can be turned into money. Question: If you found out your server used tactics like this on you… would you feel played, or would you respect the hustle?
3:40

She didn’t just serve tables… she studied people. Smiles, eye contact, hesitation, she learned exactly when someone was about to spend more… or tip less. And, according to her, that’s where the “morally questionable” tactics came in. She’d casually start listing the most expensive options first, letting customers get overwhelmed until they just said “yeah, that one.” Bigger bill… bigger tip. It worked more often than it should. But that wasn’t even the part that made people uncomfortable. When a table left a small tip, she’d switch instantly, soft voice, concerned expression, even crouching down beside them. “Was there something wrong with my service?” she’d ask, holding the receipt just enough for them to see. Awkward silence. Guilt creeping in. And just like that… wallets opened again. But her most shocking moment? After forgetting a table for nearly 45 minutes, she came back with an apology and a story about performing CPR on someone outside. The mood flipped instantly… and they left her a huge tip. Now the internet is split, some calling it genius, others calling it straight manipulation. This says a lot about how easily emotions; guilt, pressure, and sympathy can be turned into money. Question: If you found out your server used tactics like this on you… would you feel played, or would you respect the hustle?

Dr. CZ

343,419 görüntüleme • 5 ay önce

jihoon wants us to promise to have more fun at treasure concerts, film with your left hand and have fun with your right hand 🤙🏻 #지훈 🐶 you’re asking how yesterday was? yesterday was seriously so fun. it really was fun, but hmmm you guys need to have even more fun.. 🐶 you guys need to have more fun. teumes can def go harder than this, but you’re holding back. you guys can def do more, seriously, you really can but everyone kind of hesitates a little. just go out there and enjoy the atmosphere, got it? ok~? 🐶 i’m not saying don’t film or anything like that. you can film, it’s fine, i don’t mind it, because i think that’s the fans’ freedom. but i mean… film with one hand, your left hand, and use your right hand to hold your lightstick and have fun 🐶 but when both hands are on your phone like this… and i’m right in front of you… why are you looking at me through a camera filter first? you came to see me, so why… when i’m standing right in front of you, are you still only looking at me through your phone? it’s just a little disappointing to me 🐶 i’m not saying anyone is doing something wrong or anything like that, i’m just saying it feels a bit sad. i’m literally right in front of you, so why are you still looking at me inside your phone even when i’m right here? 🐶 and i know you want to take pictures, it’s okay. you can film it, keep it. it’s fine, because it’s not prohibited. in concerts where filming isn’t banned, ofc you can film. you want to take photos. ofc you want to take photos when your favorite singer is right in front of you, ofc you want to film it. i know that, we all know that. you can film it but film with your left hand and have fun with your right hand. let’s all make that promise. seriously, let’s really do it, film with your left hand and have fun with your right hand 🐶 because… when i’m like this, from up on stage when we look out like this, your gazes, your lightsticks, those kinds of things... when i feel like i’m directly interacting with each and every one of you like that.. i get out of breath like i might die, i get dizzy and everything, and my adrenaline gets pushed to the limit. but then if it’s all just iphone 17 pro maxes everywhere… it feels a bit disappointing 🐶 but i really do like that you film. i just feel a little regretful like if you film with one hand and have fun with the other.. like use your right hand properly to have fun, and use your left hand to film and capture everything… that’s how it should be, i guess. that kind of feeling 🐶 i’m not saying this to hear sorry from you guys. that’s not what i mean. i’m not saying you’re doing anything wrong, i just mean let’s all have fun together like that 💬 but oppa, if you’re playing with your right hand, the video in your left hand does get shaky so i just jump around and go all out 🐶 but even that shaking… i think of it as part of the live feeling
2:11

jihoon wants us to promise to have more fun at treasure concerts, film with your left hand and have fun with your right hand 🤙🏻 #지훈 🐶 you’re asking how yesterday was? yesterday was seriously so fun. it really was fun, but hmmm you guys need to have even more fun.. 🐶 you guys need to have more fun. teumes can def go harder than this, but you’re holding back. you guys can def do more, seriously, you really can but everyone kind of hesitates a little. just go out there and enjoy the atmosphere, got it? ok~? 🐶 i’m not saying don’t film or anything like that. you can film, it’s fine, i don’t mind it, because i think that’s the fans’ freedom. but i mean… film with one hand, your left hand, and use your right hand to hold your lightstick and have fun 🐶 but when both hands are on your phone like this… and i’m right in front of you… why are you looking at me through a camera filter first? you came to see me, so why… when i’m standing right in front of you, are you still only looking at me through your phone? it’s just a little disappointing to me 🐶 i’m not saying anyone is doing something wrong or anything like that, i’m just saying it feels a bit sad. i’m literally right in front of you, so why are you still looking at me inside your phone even when i’m right here? 🐶 and i know you want to take pictures, it’s okay. you can film it, keep it. it’s fine, because it’s not prohibited. in concerts where filming isn’t banned, ofc you can film. you want to take photos. ofc you want to take photos when your favorite singer is right in front of you, ofc you want to film it. i know that, we all know that. you can film it but film with your left hand and have fun with your right hand. let’s all make that promise. seriously, let’s really do it, film with your left hand and have fun with your right hand 🐶 because… when i’m like this, from up on stage when we look out like this, your gazes, your lightsticks, those kinds of things... when i feel like i’m directly interacting with each and every one of you like that.. i get out of breath like i might die, i get dizzy and everything, and my adrenaline gets pushed to the limit. but then if it’s all just iphone 17 pro maxes everywhere… it feels a bit disappointing 🐶 but i really do like that you film. i just feel a little regretful like if you film with one hand and have fun with the other.. like use your right hand properly to have fun, and use your left hand to film and capture everything… that’s how it should be, i guess. that kind of feeling 🐶 i’m not saying this to hear sorry from you guys. that’s not what i mean. i’m not saying you’re doing anything wrong, i just mean let’s all have fun together like that 💬 but oppa, if you’re playing with your right hand, the video in your left hand does get shaky so i just jump around and go all out 🐶 but even that shaking… i think of it as part of the live feeling

행복지수 314%

23,355 görüntüleme • 4 ay önce