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GASTÒN’S GIFT STEALTHING (SCRIPTED SCENE) ⚠️This is an acted scene ⚠️Always seek consent ☣️The boy craved BAREBACK TOP in PARIS’s DNA. ☣️He needed daddy’s seed deep inside. ☣️There wasn’t a doubt about his true desire. 🎬Full experience

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The Serotonin Myth: Big Pharma’s Billion-Dollar Experiment on Human Emotions For decades, the pharmaceutical industry sold the world a story: Depression is caused by low serotonin. Billions of dollars in SSRI prescriptions later, the truth is finally coming to light. In 2022, a groundbreaking systematic review of the serotonin research dropped a bombshell: 💥 “There is no convincing evidence that depression is associated with or caused by lower serotonin concentration or activity.” Let that sink in. The very foundation of antidepressant marketing—the "chemical imbalance" theory—has no solid scientific backing. Yet, millions are still prescribed these drugs, often without full understanding of the risks. Now, the FDA is stepping in. Black box warnings may soon force Big Pharma and doctors to confront the reality: ⚠️ These drugs are medicalizing human emotions. ⚠️ The serotonin system is far more complex than we’ve been told. ⚠️ Patients—especially pregnant women—deserve true informed consent. Some doctors don’t even know this research exists. That’s unacceptable. This is about radical transparency. This is about ending the experiment. Every patient has the right to know: What are we really treating? The era of blind trust in Big Pharma is over.

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It wasn’t “ten seconds later” There is an entire LENGTHY scene where you the player are accompanying Tifa in the belly of a Weapon as she explores her memories, sees Sephiroth and understands that Sephiroth is manipulating Cloud. Then before the near kiss scene happens Tifa and Cloud have a intimate heart to heart conversation about his identity crisis. This right here is why you are getting ratioed. And why I accuse you of not playing the game. Because if you had played the game then you would know this. Fuck off with your “10 seconds later” your logic isn’t insane. It’s just straight up bullshit.

It wasn’t “ten seconds later” There is an entire LENGTHY scene where you the player are accompanying Tifa in the belly of a Weapon as she explores her memories, sees Sephiroth and understands that Sephiroth is manipulating Cloud. Then before the near kiss scene happens Tifa and Cloud have a intimate heart to heart conversation about his identity crisis. This right here is why you are getting ratioed. And why I accuse you of not playing the game. Because if you had played the game then you would know this. Fuck off with your “10 seconds later” your logic isn’t insane. It’s just straight up bullshit.

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gonna write long for this one amazing scene 😭👏🏻 #TicketToHeavenEP4 for this scene when barth intended to hug tanrak but tanrak still seemed afraid of being that intimate in a school area. he kept calling barth’s name, trying to stop him from hugging him. but being the soft, green-flag boy he is, barth jokingly said, “why are you calling me so loud? i was right here.” it might sound like a joke but it actually gave tanrak a feeling of relief. like barth would always be there beside him, so he didnt have to worry about everything bc he is always there for tanrak.. also in the end tanrak let barth hug him, and even took the initiative to hold barth’s hand first before hugging him back. he say thank you to barth prob bc barth gives him happiness without him needing to put in effort. just “trust me and i will always be with you.” ❤️‍🩹

gonna write long for this one amazing scene 😭👏🏻 #TicketToHeavenEP4 for this scene when barth intended to hug tanrak but tanrak still seemed afraid of being that intimate in a school area. he kept calling barth’s name, trying to stop him from hugging him. but being the soft, green-flag boy he is, barth jokingly said, “why are you calling me so loud? i was right here.” it might sound like a joke but it actually gave tanrak a feeling of relief. like barth would always be there beside him, so he didnt have to worry about everything bc he is always there for tanrak.. also in the end tanrak let barth hug him, and even took the initiative to hold barth’s hand first before hugging him back. he say thank you to barth prob bc barth gives him happiness without him needing to put in effort. just “trust me and i will always be with you.” ❤️‍🩹

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WHEN POLICE SHOWED UP, THIS SUSPECT WASN’T READY TO RUN…HE WAS SITTING INSIDE WEARING A SOILED DIAPER. HOW DOES SOMEONE ACCUSED OF PREYING ON OTHERS EXPECT ANY SYMPATHY WHEN THIS IS HOW THEY’RE FOUND AT ARREST? According to authorities, the suspect had barricaded himself inside his home. When officers finally took him into custody, they discovered he was wearing a full diaper and made him change before placing him in the squad car. The arrest has disturbing allegations, but because of the bizarre and humiliating scene that unfolded during the takedown…it was taken to the next level.

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🎬This scene from Braveheart (1995) is one of the most effective ways the film establishes King Edward I (Longshanks) as a ruthless and calculating villain.🍿🍿🍿🍿 When his son suggests sending a “gentle” envoy to negotiate with William Wallace, Longshanks immediately shuts the idea down. Instead of debating the strategy, he simply walks over and throws his son’s lover/advisor out the window without hesitation. The moment is shocking, not because of graphic violence, but because of how casually and coldly he does it. What makes the scene powerful is Patrick McGoohan’s performance. He plays Longshanks with a quiet, aristocratic menace — there’s no shouting or theatrical rage. He simply removes the problem in the most direct way possible. The scene also reveals a lot about the strained relationship between Longshanks and his son, showing both his contempt for weakness and his willingness to use extreme measures to maintain control. It’s a brutal but efficient character moment that tells the audience exactly what kind of man Longshanks is without needing a long monologue. ❓Do you think this is one of the most memorable villain moments in Braveheart, or is there another scene that defines Longshanks better? 👇

🎬This scene from Braveheart (1995) is one of the most effective ways the film establishes King Edward I (Longshanks) as a ruthless and calculating villain.🍿🍿🍿🍿 When his son suggests sending a “gentle” envoy to negotiate with William Wallace, Longshanks immediately shuts the idea down. Instead of debating the strategy, he simply walks over and throws his son’s lover/advisor out the window without hesitation. The moment is shocking, not because of graphic violence, but because of how casually and coldly he does it. What makes the scene powerful is Patrick McGoohan’s performance. He plays Longshanks with a quiet, aristocratic menace — there’s no shouting or theatrical rage. He simply removes the problem in the most direct way possible. The scene also reveals a lot about the strained relationship between Longshanks and his son, showing both his contempt for weakness and his willingness to use extreme measures to maintain control. It’s a brutal but efficient character moment that tells the audience exactly what kind of man Longshanks is without needing a long monologue. ❓Do you think this is one of the most memorable villain moments in Braveheart, or is there another scene that defines Longshanks better? 👇

BiffBifford™ 🇺🇸

1,042,549 просмотров • 12 дней назад

R.I.P. Tatsuya Nakadai (1932-2025) 仲代達矢 No actor past/present could ever come close to his talent, range, acting, aura. Not many could outshine Toshiro Mifune in a scene; But Nakadai did it regularly. He was an acting beast. He acted in the films of almost all the great filmmakers in Japan- Kobayashi, Kurosawa, Kinoshita, Ichikawa, Okamoto, Naruse, etc. but the one filmmaker other than Kobayashi who got the maximum out of Nakadai was Hideo Gosha. Their collaboration is one of the greatest of all time. One thing I like the most about him other than his acting was his unique laugh. It conveyed the message which words could never. I feel this scene from 'Goyokin' (1969, Gosha) would be the most fitting scene to post now after his death. Heaven would be lucky to have you!!! Long live his fame & legacy!!!

R.I.P. Tatsuya Nakadai (1932-2025) 仲代達矢 No actor past/present could ever come close to his talent, range, acting, aura. Not many could outshine Toshiro Mifune in a scene; But Nakadai did it regularly. He was an acting beast. He acted in the films of almost all the great filmmakers in Japan- Kobayashi, Kurosawa, Kinoshita, Ichikawa, Okamoto, Naruse, etc. but the one filmmaker other than Kobayashi who got the maximum out of Nakadai was Hideo Gosha. Their collaboration is one of the greatest of all time. One thing I like the most about him other than his acting was his unique laugh. It conveyed the message which words could never. I feel this scene from 'Goyokin' (1969, Gosha) would be the most fitting scene to post now after his death. Heaven would be lucky to have you!!! Long live his fame & legacy!!!

DepressedBergman

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