Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Gaussian Splats don't require a complicated pipeline, here's what it actually looks like. 300-400 frames rendered out on The Render Network, packaged up inside a COLMAP set, and dropped into Jawset’s PostShot. That's the workflow.

rendernetwork's profile picture

The Render Network

240,541 subscribers

11,640 görüntüleme • 3 ay önce •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Gaussian splats don't simulate light. They capture it. I took one photograph of this room and generated it as a fully walkable 3D world in Mint. The volumetric rays, the shadow play on the rug, all preserved. This is what real-time 3D is becoming
0:13

Gaussian splats don't simulate light. They capture it. I took one photograph of this room and generated it as a fully walkable 3D world in Mint. The volumetric rays, the shadow play on the rug, all preserved. This is what real-time 3D is becoming

mint

15,446 görüntüleme • 2 ay önce

Take a Gaussian splat, a cutting-edge way of capturing real-world scenes in 3D, and transform it into an entirely new form using custom-built tools. Then render it in OTOY Octane on The Render Network, that's "Hyperdimensional Breach" by Matteo Scappin (Machina-Infinitum). Using the ARTK plugin for Maxon Cinema 4D, Matteo layers audio-reactive fractal patterns (mesmerizing, endlessly repeating patterns) onto the captured scene, combining multiple custom workflows into visuals that pulse and evolve with the music.
0:13

Take a Gaussian splat, a cutting-edge way of capturing real-world scenes in 3D, and transform it into an entirely new form using custom-built tools. Then render it in OTOY Octane on The Render Network, that's "Hyperdimensional Breach" by Matteo Scappin (Machina-Infinitum). Using the ARTK plugin for Maxon Cinema 4D, Matteo layers audio-reactive fractal patterns (mesmerizing, endlessly repeating patterns) onto the captured scene, combining multiple custom workflows into visuals that pulse and evolve with the music.

The Render Network

18,374 görüntüleme • 1 ay önce

Stop spreading nonsense. That's Bangladesh footage, not India. The Indian railway network is nearly fully electrified (99.2%, 25 kV), so people aren't casually sitting on train roofs. Low IQ wignats should stop spreading misinformation. Here's what it actually looks like 🚄🇮🇳
0:10

Stop spreading nonsense. That's Bangladesh footage, not India. The Indian railway network is nearly fully electrified (99.2%, 25 kV), so people aren't casually sitting on train roofs. Low IQ wignats should stop spreading misinformation. Here's what it actually looks like 🚄🇮🇳

Siege

247,810 görüntüleme • 4 ay önce

Think about what this actually replaces. Game sales become subscription-based world creation. DLCs become real-time environment customization. Studios become world generation systems. Buzzy is not a gaming tool. It is a preview of what the entire industry infrastructure looks like when AI removes the bottleneck between imagination and execution. One photo in. A full AAA world out. The pipeline just collapsed into a single step.
0:15

Think about what this actually replaces. Game sales become subscription-based world creation. DLCs become real-time environment customization. Studios become world generation systems. Buzzy is not a gaming tool. It is a preview of what the entire industry infrastructure looks like when AI removes the bottleneck between imagination and execution. One photo in. A full AAA world out. The pipeline just collapsed into a single step.

SARAH

38,742 görüntüleme • 3 ay önce

Looks like Doyle Exchange pulled a Danny and forgot to edit out all the frames on his "live" account that was actually a demo account. Listen to what he says after, too. Lol, there goes another furu. Screenshot below. Credit to "mkomatk1" for spotting this
0:13

Looks like Doyle Exchange pulled a Danny and forgot to edit out all the frames on his "live" account that was actually a demo account. Listen to what he says after, too. Lol, there goes another furu. Screenshot below. Credit to "mkomatk1" for spotting this

Isaac

835,182 görüntüleme • 5 ay önce

On the replay it looks like this actually went in. Noah Ajayi denied a goal today by a ripped net which fooled the ref into thinking it was a corner.
0:12

On the replay it looks like this actually went in. Noah Ajayi denied a goal today by a ripped net which fooled the ref into thinking it was a corner.

RedYouthUnited

208,726 görüntüleme • 4 ay önce

Not sure what Woodstock looks like on the anniversary today, but here's a picture of the concert and a video of the site from this June.
0:11

Not sure what Woodstock looks like on the anniversary today, but here's a picture of the concert and a video of the site from this June.

Brick Suit

27,539 görüntüleme • 13 gün önce

1/ We just shipped the Prompt Machine. A living library of image prompts, built so anyone in the community can make stuff that actually looks like it belongs in Vibetown. Here's what it is and why I care about it.
0:11

1/ We just shipped the Prompt Machine. A living library of image prompts, built so anyone in the community can make stuff that actually looks like it belongs in Vibetown. Here's what it is and why I care about it.

𝐌𝐀𝐈𝐒𝐎𝐍💀🤙

14,409 görüntüleme • 4 ay önce

Rayen Bahri built a Blender addon around gradient (palette) texturing, making it easier to set up and use this workflow directly inside Blender. 🎨 See the details and background of the tool: #b3d #3dart
0:10

Rayen Bahri built a Blender addon around gradient (palette) texturing, making it easier to set up and use this workflow directly inside Blender. 🎨 See the details and background of the tool: #b3d #3dart

Jettelly Inc.

63,978 görüntüleme • 4 ay önce

Starship HLS: Turning render into animation. We’re working on tomorrow’s WAI release! Vooper and I are going to show you what the inside of SpaceX’s crew cabin concept really looks like! How close do you think this is to reality?
0:12

Starship HLS: Turning render into animation. We’re working on tomorrow’s WAI release! Vooper and I are going to show you what the inside of SpaceX’s crew cabin concept really looks like! How close do you think this is to reality?

What about it!?

28,259 görüntüleme • 9 ay önce

An ice sphere lookdev and a fun R&D that may only be 5% seen on the shot I'll use it on. Handcrafted with Blender, Cycles, and JangaFX Software EmberGen. Rendered with OTOY The Render Network. Glass dispersion made possible by SMOUSE 🔸 Shaders Plus. #b3d
0:16

An ice sphere lookdev and a fun R&D that may only be 5% seen on the shot I'll use it on. Handcrafted with Blender, Cycles, and JangaFX Software EmberGen. Rendered with OTOY The Render Network. Glass dispersion made possible by SMOUSE 🔸 Shaders Plus. #b3d

Reynante Martinez

24,522 görüntüleme • 1 yıl önce

Hedra Agent 2 turns a simple concept into a full creative production workflow. Hedra I gave it a challenge: “What could New York look like in 2050?” It researched future urban trends, developed the creative direction and script, then built the visuals and final cinematic sequence. What stood out was how the entire process—from research → concept → planning → production → final videohappened in one Space. Workflow 👇
0:15

Hedra Agent 2 turns a simple concept into a full creative production workflow. Hedra I gave it a challenge: “What could New York look like in 2050?” It researched future urban trends, developed the creative direction and script, then built the visuals and final cinematic sequence. What stood out was how the entire process—from research → concept → planning → production → final videohappened in one Space. Workflow 👇

Smiling Khan

21,533 görüntüleme • 20 gün önce

The (Processing) Level Required to Be Super We’ve had clients ask us whether our 3D/4DGS capture and processing pipeline holds up in high-end VFX cinematic shots. Last year we were fortunate to work on the Superman production with Framestore (capturing Superman’s parents for a hologram), with our work shown on IMAX screens ~30 m high—so we’re confident the quality delivers. For this R&D preview, we ran test captures using an affordable off-the-shelf temporal plugin to reduce flicker and improve stability over time. We recorded @ 48fps from our 196x machine vision cameras and trained the 4DGS using Postshot at Ultra quality ~20 million splat resolution. What you’re seeing are stop-motion 3DGS frames. Each frame is an individual Gaussian Splat—processed to ~20 million splats for the full scene, then cropped and cleaned to ~6 million splats per frame. Our system—and the 3DGS process—picks up fine details like stray fine hairs, skin pores and woven cloth threads. Thanks for watching & stay super! Learn more @ #3DGS #4DGS #VFX #GaussianSplatting #IMAX #VolumetricCapture #Superman 4K Version here -
0:19

The (Processing) Level Required to Be Super We’ve had clients ask us whether our 3D/4DGS capture and processing pipeline holds up in high-end VFX cinematic shots. Last year we were fortunate to work on the Superman production with Framestore (capturing Superman’s parents for a hologram), with our work shown on IMAX screens ~30 m high—so we’re confident the quality delivers. For this R&D preview, we ran test captures using an affordable off-the-shelf temporal plugin to reduce flicker and improve stability over time. We recorded @ 48fps from our 196x machine vision cameras and trained the 4DGS using Postshot at Ultra quality ~20 million splat resolution. What you’re seeing are stop-motion 3DGS frames. Each frame is an individual Gaussian Splat—processed to ~20 million splats for the full scene, then cropped and cleaned to ~6 million splats per frame. Our system—and the 3DGS process—picks up fine details like stray fine hairs, skin pores and woven cloth threads. Thanks for watching & stay super! Learn more @ #3DGS #4DGS #VFX #GaussianSplatting #IMAX #VolumetricCapture #Superman 4K Version here -

Infinite-Realities

44,109 görüntüleme • 10 ay önce

AI can now literally sell anything to anyone. Sora 2 is live inside arcads. just upload image, write a script, set the accent and tone. the output looks like a real person filmed it on their phone brands are still paying $500 for worse output than this. Here's how to do it 🧵
0:11

AI can now literally sell anything to anyone. Sora 2 is live inside arcads. just upload image, write a script, set the accent and tone. the output looks like a real person filmed it on their phone brands are still paying $500 for worse output than this. Here's how to do it 🧵

Farhan

23,675 görüntüleme • 5 ay önce

A MiG-29 forced a Shahed drone to crash without firing a shot. What actually happened on the video? It looks almost like a kiss of death.
0:12

A MiG-29 forced a Shahed drone to crash without firing a shot. What actually happened on the video? It looks almost like a kiss of death.

Kate from Kharkiv

22,597 görüntüleme • 7 gün önce

HILARIOUS: #Patriots quarterback Drake Maye dropped his coat on the sideline and started making the case to the refs that it was a catch by his receiver. 😂😂😂 This is what a leader looks like.
0:12

HILARIOUS: #Patriots quarterback Drake Maye dropped his coat on the sideline and started making the case to the refs that it was a catch by his receiver. 😂😂😂 This is what a leader looks like.

MLFootball

1,090,712 görüntüleme • 8 ay önce

Watching the Moon actually rotate puts into perspective just how beat up that far side really is. It looks like a completely different planet from the back. 🪐🤯
0:14

Watching the Moon actually rotate puts into perspective just how beat up that far side really is. It looks like a completely different planet from the back. 🪐🤯

Curiosity

2,553,763 görüntüleme • 7 ay önce

so i got early access to the Pheasant Network🪽 superapp... been messing around with it and i like it a lot (surprisingly) opened it up, typed sum like “show me all the assets on my wallet” it actually did everything i typed out in less than a minute too (burner for testing) and apparently, the superapp works across 30+ chains already.
0:16

so i got early access to the Pheasant Network🪽 superapp... been messing around with it and i like it a lot (surprisingly) opened it up, typed sum like “show me all the assets on my wallet” it actually did everything i typed out in less than a minute too (burner for testing) and apparently, the superapp works across 30+ chains already.

Cypher

38,937 görüntüleme • 25 gün önce

I just made $850 on Upwork from a 3D model I didn't sculpt by hand. Here's what I actually did: • Created the character concept with AI • Dropped the image into RODIN Gen-2.5 A few moments later, it generated a production-ready 3D model with over 10 million polygons and incredibly detailed skin textures.
0:19

I just made $850 on Upwork from a 3D model I didn't sculpt by hand. Here's what I actually did: • Created the character concept with AI • Dropped the image into RODIN Gen-2.5 A few moments later, it generated a production-ready 3D model with over 10 million polygons and incredibly detailed skin textures.

Nyama Quarter

86,932 görüntüleme • 1 ay önce

Tested Claude + Blender today with two real workflows. Sharing what actually happened. First one was a simple demo. Gave it one sentence to build a cyberpunk room. Geometry, lighting, camera, render. It got there, though not everything in the prompt landed perfectly. Good enough to show the concept, not a stress test. Second one was more interesting. Threw a raw photogrammetry scan at it. Massey Ferguson tractor, 250k faces, grass background everywhere, debris floating all over the place. Asked Claude to clean it up autonomously. It did the work. Removed 106 floating chunks, cut face count by 87%, stripped the grass, flipped the model upright, set up studio lighting and rendered. Technically it worked. But honest answer: the result wasn't clean enough for production. This kind of cleanup still needs the right tools and someone who knows what they're doing. So here's where it actually fits. Not the precise technical stuff. The setup work. The repetitive stuff. The things that take forever if you don't already know Blender. It won't replace your 3D artist. It replaces the boring part before they start.
0:11

Tested Claude + Blender today with two real workflows. Sharing what actually happened. First one was a simple demo. Gave it one sentence to build a cyberpunk room. Geometry, lighting, camera, render. It got there, though not everything in the prompt landed perfectly. Good enough to show the concept, not a stress test. Second one was more interesting. Threw a raw photogrammetry scan at it. Massey Ferguson tractor, 250k faces, grass background everywhere, debris floating all over the place. Asked Claude to clean it up autonomously. It did the work. Removed 106 floating chunks, cut face count by 87%, stripped the grass, flipped the model upright, set up studio lighting and rendered. Technically it worked. But honest answer: the result wasn't clean enough for production. This kind of cleanup still needs the right tools and someone who knows what they're doing. So here's where it actually fits. Not the precise technical stuff. The setup work. The repetitive stuff. The things that take forever if you don't already know Blender. It won't replace your 3D artist. It replaces the boring part before they start.

KIRI Engine - 3D Scanner App

61,093 görüntüleme • 4 ay önce