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97,314 Aufrufe • vor 8 Tagen •via X (Twitter)

6 Kommentare

Profilbild von hip-hop98
hip-hop98vor 8 Tagen

Banger 🔥

Profilbild von chara( W Arc)
chara( W Arc)vor 8 Tagen

Generational verse

Profilbild von k1nG d3adp0_0l
k1nG d3adp0_0lvor 8 Tagen

@grok what is this song called?

Profilbild von F&M 🦅
F&M 🦅vor 8 Tagen

@grok Hard To Handle !!

Profilbild von k1nG d3adp0_0l
k1nG d3adp0_0lvor 8 Tagen

@grok yea i knew it but i was a bit confused between it & black migo

Profilbild von polo 60
polo 60vor 8 Tagen

R.I.P Scooter man🥀🙏

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Thanks to the likes of MBS, the relentless crackdown on Islamic orthodoxy, and the systematic erasure of the Prophet’s Sunnah ﷺ, we are now witnessing filth being normalised openly in Central Riyāḍ — such as a German “non-alcoholic” beer proudly served in a café. The descent is not accidental; it is the very erosion the Prophet ﷺ forewarned us about. The Prophet ﷺ informed us that the Ummah would deteriorate layer by layer, stripped of its core and essence. Ḥudhayfah (r.a.) described this chilling reality: “Islam will wear out just as embroidery wears out on a garment, until no one will know what fasting, prayer, the rites of ḥajj, or charity are. The Book of Allah will be taken away at night, and not a single verse of it will remain on earth. Only some elderly people will remain who will say: ‘We heard our forefathers saying Lā ilāha illā Allāh, so we say it too." (Ibn Mājah) The Prophet ﷺ also warned us that the Ummah would gradually lose the ability to even recognise evil: “People from my Ummah will certainly drink wine, but they will give it another name…”(Abū Dāwūd) They will indulge in musical instruments, entertainment, and obscenity until, as the Prophet ﷺ warned, Allah causes the earth to swallow them and transforms them into monkeys and pigs, a consequence of their deliberate normalisation of sin. Mullā ʿAlī Qārī (r.a.) makes this explicit: imitating the drinking of wine is categorically prohibited, even if one drinks water or milk, for the very act of imitation is an affront to the Sharīʿah. When imitation becomes normalised, the distinction between ḥarām and ḥalāl collapses. And this is precisely how low we have fallen: we no longer even recognise such evils. What shocked the pious predecessors is now marketed as “modernisation”, “reform”, and “progress”. If this trajectory is not halted, this moral collapse will soon become the norm in our own homes, communities, and masājid. Corruption, once exported, always returns home, and it returns magnified. The Prophet ﷺ warned us in unmistakable terms that this Ummah would imitate the Jews and Christians step by step: “You will surely follow the ways of those before you, hand span by hand span, arm’s length by arm’s length, until if one of them were to commit indecency with his own mother, there would be someone from my Ummah who would do the same.” (Tirmidhī) We seek Allah’s protection from such depravity and from the tribulations of a time where morality is inverted and shamelessness is celebrated. And it will only escalate. The Abrahamic Accords, a project built explicitly to dilute Islamic identity, redefine creed, reengineer loyalty, and merge religions under the guise of “coexistence”, are already planting seeds of further deviation. Once the Sharīʿah is sidelined and the values of other civilisations are imported as “alternatives”, the erosion becomes systematic, deliberate, and generational. We ask Allah to protect this Ummah, preserve its Dīn, and grant us the strength to uphold the Sunnah in an age where even recognising evil has become a struggle.

Sikander Iqbal

156,064 Aufrufe • vor 10 Monaten

The Nicki Minaj–Lil’ Kim beef is a long-running hip-hop rivalry driven by accusations of style theft, lack of homage, Cash Money industry friction, and competing claims to the “Queen of Rap” title‼️. It peaked publicly around 2009–2011 and has never fully resolved‼️. Early roots (2007–2009)‼️ Comparisons started when Nicki’s 2007 "Playtime Is Over" promo images and 2008 "Sucka Free" cover closely mirrored Lil’ Kim’s iconic 1996 "Hard Core" look‼️. Fans saw Nicki emulating Kim’s racy image, flow, and aesthetic‼️. Nicki rejected the “new Lil’ Kim” label while giving shout-outs‼️. Their first meeting accounts differ‼️. Nicki says she approached Kim backstage at a Lil Wayne concert (~2009), asked if everything was good, and they took pictures‼️. Kim has denied that version and said she was initially nice to Nicki‼️. In late 2009 both appeared on Birdman’s “Grindin’ Makin’ Money.” Kim has said this came amid talks with Cash Money/Slim Williams about a partnership‼️. She recorded her verse quickly, expected a bigger push, then felt the track was sidelined once the label had her “stamp.”‼️She later claimed Nicki’s sound and records felt like they were taking the direction she was developing, and that Nicki became “catty.”‼️ Kim also described an encounter at Diddy’s son’s birthday party where Nicki allegedly eye-rolled and ignored her after the collab‼️. Escalation (2010–2011)‼️ As Nicki’s career exploded with "Pink Friday", Kim publicly accused her of not paying proper homage, taking subliminals, and cloning her without credit‼️. Kim framed it as disrespect from a younger artist who benefited from the path she helped clear‼️. Nicki’s “Roman’s Revenge” (with Eminem) was widely read as targeting Kim (“That bitch mad cuz I took the spot…”)‼️. Nicki has said a veteran came at her, she had repeatedly praised Kim (and Foxy, Remy) early on, and she responded because she had to protect her career and “feed her family.”‼️ Kim fired back with the "Black Friday" mixtape (a play on "Pink Friday") and direct disses‼️. Nicki later dropped “Tragedy,” mocking Kim’s independent sales and career trajectory‼️. Interviews continued the shots—Kim vowed not to take her foot off Nicki’s neck; Nicki mixed respect with warnings about picking fights and told Kim to put out Billboard-level music first‼️. Later years⁉️ The heaviest track-for-track phase cooled, but tension lingered‼️. Kim released a “Flawless” remix/cover dissing Nicki’s “Queen of Rap” claim and replacing her image‼️. She later aligned with Remy Ma during Remy’s beef with Nicki‼️. Occasional soft moments appeared (Kim voiced some support for "Queen" in 2018), but the rivalry never fully ended‼️. In 2024 Nicki blasted her former manager Deb Antney for reaching out to Kim behind her back to try to squash the beef, saying she never asked for it and did not want that associated with her‼️. Kim’s core view⁉️: She was initially open and nice (including the Cash Money collab)‼️. Nicki and the label studied/took her swag without lasting respect, then threw subliminals once established‼️. She felt used for credibility‼️. Nicki’s core view⁉️: She repeatedly credited and praised Kim early. A veteran attacked her; she hit back in self-defense‼️. She rejects being cast only as the disrespectful newcomer and says the dominant narrative ignores her early praise‼️. It remains classic generational tension mixed with industry politics, image parallels, and ego around legacy‼️. Both have acknowledged the other’s talent at points, but personal friction has blocked full public reconciliation‼️💯.

(st_ides)

25,772 Aufrufe • vor 1 Monat