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Get an intimate look into the recording process for Clair Obscur: Expedition 33. Jennifer English (Baldur’s Gate III), Ben Starr (FINAL FANTASY XVI), Kirsty Rider (The Sandman), Shala Nyx (The Old Guard), Rich Keeble | Monoco in Expedition 33 (Good Omens), and Maxence Cazorla (Ineffable) share their experiences bringing...

89,406 görüntüleme • 1 yıl önce •via X (Twitter)

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SoulHunter 🎮⚽🇩🇪 profil fotoğrafı
SoulHunter 🎮⚽🇩🇪1 yıl önce

@The_Ben_Starr @RichKeeble Man i count the days. The first game this year i am really excited about 💙

Clair Obscur: Expedition 33 profil fotoğrafı
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@The_Ben_Starr @RichKeeble Not many left to count!

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Gan Jing World1 yıl önce

🎥Darkest Before Dawn Limited-Time Free Viewing on GJW+ Belgian climber Siebe Vanhee tackles Yosemite’s Dawn Wall in Darkest Before Dawn, a stunning film blending raw storytelling and cinematic beauty. Award-winning and festival favorite worldwide.

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Mo.Arafa (Newoarang 2)1 yıl önce

@The_Ben_Starr @RichKeeble I'm so ready to start the expedition. Game looking AWESOME and I love the entire cast. So excited

Clair Obscur: Expedition 33 profil fotoğrafı
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@The_Ben_Starr @RichKeeble SOON!

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Shushu1 yıl önce

@The_Ben_Starr @RichKeeble @RichKeeble Seeing you having so much fun is so amazing to see, love it !

Rich Keeble | Monoco in Expedition 33 🦋 profil fotoğrafı
Rich Keeble | Monoco in Expedition 33 🦋1 yıl önce

@The_Ben_Starr Make sure you watch right till the end! 🤣🫣🫠

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Clair Obscur: Expedition 331 yıl önce

@The_Ben_Starr

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FabiConfirmed6661 yıl önce

@The_Ben_Starr @RichKeeble I hope you'll release the soundtrack on CD or Vinyl. I need it.😆👀 Can't wait for this amazing Game.

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@The_Ben_Starr @RichKeeble The Voice Cast ond the Motion Actors are incredible. Good work.👍🏻

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@The_Ben_Starr @RichKeeble Some Behind the scenes, what a great gift. I am ready. we are ready . 🔥 Thank you Sandfall. 🥰

Benzer Videolar

A must watch video if you are looking to climb mighty Everest in the future 🤜🏽💥 Today, we’re taking you behind the scenes of our Everest 2026 expedition. From the journey to Base Camp, to the challenges of the Khumbu Icefall, the teamwork between our Sherpas and climbers, and finally the unforgettable moment of standing on the summit of the world’s highest mountain—this film captures what an Everest expedition is truly about. At Elite Exped, reaching the summit is never the work of one person. It’s the result of months of preparation, trust, teamwork, and the dedication of an incredible support team working tirelessly behind the scenes to help our climbers achieve their dreams. We’re immensely grateful to every climber who entrusted us with their Everest journey this season. Congratulations to each and every one of you—it was an honour to be part of your story, and we’re proud of what we achieved together. If you’ve ever wondered what it’s like to climb Everest with us, this film will give you a real insight into what your expedition could look like in 2027. The full video is live today on YouTube. Watch it, share it with your friends, and let us know your favourite moment. Above and Beyond Adventure. Watch the full video here : If you would like to climb Everest or do any adventure with us : simply get in touch with our incredible team on [email protected] Like it, share it and subscribe it to support 🙌🏽🙏🏽❤️ #Everest #MountEverest #EliteExped #Nimsdai #Everest2026

Nirmal Purja MBE

46,802 görüntüleme • 1 ay önce

Summary 2025 🎨 This year has definitely been the most incredible, prolific in my artistic career! Won two official Art contest organized by PlayStation, had my art exhibited at the Fluctuart Galerie in Paris, I also had the honor and opportunity to be officially commissioned by some extremely talented people and studios that I admire, to create official illustrations for Control by Remedy Entertainment, Blades of Fire by 505 Games and MercurySteam, as well as by indie studios that I love with all my heart too, such as Digixart and Lowbirth Games to create special, festive goodies for their teams🖤many thanks to Juha, Antonela, Raphaelle and Chloe, Aicha, I appreciate you all a lot and I am so grateful for the trust. ✨️ The highlight for me was without a doubt being commissioned by the family of Guillaume Broche, creative director of the GOTY Clair Obscur Expedition 33, to create an unique piece for his birthday, a large 1-meter panoramic artwork 🖤 (A big thank you to his brother, Adrien, for his trust.) Then I had the opportunity to collaborate with all the voice actors of Expedition 33 and their agency. Even though the year started off in the best possible way with my work, I had a very difficult and painful year physically, with my health. I don't talk about it often, I'm not really recovered, and the daily pain is sometimes really, really hard to bear. To everyone, I hope you enjoyed this year of non-stop drawings, time lapses, paintings, cosplays, goodies, and I hope you'll still be here with me next year, because I have so many cool things planned for you all!🥰 Thank you for all the love, constant support, the kindness and all the encouragement I received every single day here and on every social media. You made my 2025 an amazing year and I will never forget it. Thank you to all the beautiful people who commissioned me and trusted me enough to let me draw your pets, your kids, your families. This means the world to me. Thank you for all the person who helped me every time my art was stoten, I am so, so grateful. For everything. 🙏🏻🖤

Krystine Art 🎨

38,925 görüntüleme • 8 ay önce

Title: Be Fearless: Unlocking Higher Consciousness with Lord Krishna Subtitle: Embark on a transformative journey of self-discovery, spiritual growth, and awakening. Introduction: Welcome to a profound exploration of the human experience, as we delve into the realms of higher consciousness with Lord Krishna as our guide. This book is an invitation to remember, to awaken, and to experience life in all its beauty and complexity. Objective of the Book: To empower readers to navigate the depths of human emotion, connection, and spiritual growth, through a richly woven narrative that resonates with their innermost fears, desires, and aspirations. Book Structure: This book is divided into thirteen chapters, each a thread in the intricate tapestry of our journey. Through vivid storytelling, introspective character arcs, and profound realizations, we will explore the complexities of the human experience and the transformative power of higher consciousness. Main Characters: Meet Lia, Caleb, Miriam, and Theo, each with their unique struggles, strengths, and spiritual journeys. As we accompany them on their paths, we will discover the interconnectedness of our experiences and the universal longing for meaning, connection, and transcendence. Central Themes: Forgiveness, connection, and transformation are the core themes of our journey. As we explore these concepts, we will come to understand the intricate web of relationships, the power of vulnerability, and the liberating force of spiritual growth. Writing Style: This narrative blends lyrical prose with vivid descriptions, creating a sensory experience that will transport you to the depths of the human heart. With each turn of the page, you will be invited to immerse yourself in the transformative power of higher consciousness. Reader Engagement Strategy: Through cliffhangers, thematic foreshadowing, and reflective exercises, you will be encouraged to engage deeply with the narrative, to question your assumptions, and to integrate the insights into your own life. Final Considerations: This book promises to be a powerful catalyst for personal growth, spiritual exploration, and transformation. As you embark on this journey, remember that the true magic lies not in the words on these pages, but in the depths of your own heart, where higher consciousness awaits. Warm Regards Dr.Sangramsinh Mali (Be Fearless always) World Peace Ambassador Official UN.

Dr Sangramsinh Mali

2,956,725 görüntüleme • 1 yıl önce

In 1950 Betty Crocker Just Add Water Cake Mix Failed, It Was Too Easy, But Why? It is a psychological journey it begins and ends with eggs. —- The rise of Betty Crocker cake mixes in the 1950s is a fascinating case study in the intersection of psychology, consumer behavior, and cultural expectations, particularly in post-war America. At its core, the success (and initial failure) of these products reveals profound insights into the societal pressures placed on women and the ways in which marketing adapted to their psychological needs. The Cultural Context: Post-War Domesticity and the Roles of Moms. And Wives The 1950s in America were defined by a return to traditional gender roles after World War II. Women, who had stepped into the workforce during the war, were now encouraged to return to domestic life, becoming the housewives and mothers of the baby boom era. They replicated the women of the 1000s of years before. This shift created a cultural environment where a woman's value was often tied to her ability to maintain a perfect home, raise well-adjusted children, and satisfy her husband. Advertisements of the time reinforced this narrative, portraying domestic work as a woman’s ultimate fulfillment. However, this ideal came with significant insecurity. Many women questioned their capability to live up to such a high standard, particularly in areas like cooking and baking, which were seen as expressions of love and dedication to one's family. A failed cake or an imperfect meal could feel like a failure of womanhood itself. The Initial Failure of "Just Add Water" Cake Mixes When Betty Crocker and other brands introduced "just add water" cake mixes, they anticipated that the convenience would resonate with busy housewives. In theory, these mixes were a perfect solution: they promised homemade quality with minimal effort. Yet, the initial reception was lukewarm, and sales struggled. Psychologists and marketers soon realized that the problem wasn't the product itself but the psychological implications of its ease. There were two primary reasons for this: 1. Not Enough Work = Not Enough Ownership The simplicity of "just add water" mixes made women feel as though they weren't truly contributing to the baking process. For many, the act of baking was tied to their role as nurturers and providers. If the cake required no effort, could they still take credit for it? Would it still feel like an authentic expression of their love and care for their family? These questions tapped into deeper insecurities about their adequacy as wives and mothers. Women wanted to feel that they had a hand in the creation of the cake, that their personal touch was part of the final product. 2. Freudian Symbolism: Eggs and Motherhood In the mid-20th century, Freudian psychology was highly influential, and its ideas often found their way into marketing strategies. Psychologists advising Betty Crocker suggested that part of the issue lay in the symbolic nature of baking ingredients—specifically eggs. Eggs, as a symbol of fertility and motherhood, carried deep psychological associations. By requiring women to add eggs to the mix, they were metaphorically "putting themselves" into the product. This act symbolized their contribution to the family's nourishment and happiness. Without this step, the process felt incomplete and emotionally unsatisfying. Armed with these insights, Betty Crocker reformulated their cake mixes to require the addition of fresh eggs and sometimes other ingredients like milk or oil. This small change proved to be a masterstroke. It allowed women to feel that they were actively participating in the baking process, reinforcing their role as caretakers while still benefiting from the convenience of a pre-made mix. The act of cracking an egg and mixing it into the batter became a symbolic and literal way for women to invest themselves in the task. Just add eggs is still the most popular cake mixes, for many reasons.

Brian Roemmele

38,656 görüntüleme • 1 yıl önce

I titled this video " The God of the Rabbit God " The characters in this video were inspired by an English post I posted. I apologize to Ika and Macki, I forgot to include you here. *peace* Congratulations to MegaETH for the success of this sonar round. The total committed amount in the auction has now reached $1.137 billion, which means it's 23x oversubscribed. Everyone hopes to get a max allocation, but I believe the MegaETH team already has their own calculations and formula for allocating allocations. The video below is about: Megafolks praying to the rabbit god, Megagod, to get the maximum allocation in the sonar round, but at the end of the video, all the rabbit gods are worshipping the bread god (this video was made for entertainment purposes only). In my opinion: There will be between 12,000 and 15,000 wallets accepted, and perhaps only Ultra will receive the maximum allocation of $186,282 . It could be $25m for new people / broader community and $25m for mega maxi. ( just a speculation ). Because if all allocations are given to mega maxi, then the ecosystem will not get new people, it will not create new maxi maxi. The Sonar round will attract many new people to the community and mega ecosystem. Owning an allocation will foster a sense of belonging among the participants, which is the best thing. When I first got Fafel NFT, it created a sense of belonging and a sense of family that continues to grow in the ecosystem. By the way, if you're reading this thread, Meganacci is coming soon. It's closer than you think. Which MegaFolks / MegaFamilia do you think I should make into characters in my next video? My final words: Good luck everyone. Make Ethereum Great Again

fimmonaci

29,263 görüntüleme • 10 ay önce

I played Clair Obscur Expedition 33 for 60+ hours, defeated all the superbosses and here is my review: -2 graphic modes on PS5 -Many options (Motion Blur, Film Grain, Chromatic Aberration and more) -Played the game on the PS5 in performance mode -Solid 60fps with great picture quality -Very fast loading times -Minimal hud design -Played on the normal difficulty (was just right) -You can change the difficulty anytime (up and down) -The visuals and art direction in this game are insane, trust me -Every new location looks stunning and tells a story -The art direction is so unreal but also so authentic at the same time, stunnig work, the art director should get a raise for this -THE VOICE ACTING is also top tier, every character is brought to life with so much passion and love -The dialogue quality is also amazing and really reminded me of Naughty Dog games -How the characters behave and communicate with each other is simply lifelike -The characters also have complex personalities -Some very dark themes and overall a very mature story (death/loss, love, swearing, blood and gore) -The story is amazing and remains exciting until the very end -Some insane "holy shit" story moments -The game is more linear with some open zones and one massive overworld -I would compare it to Final Fantasy 10 in a very good way -There are also some beautiful fixed camera angles that took me right back to that time -The best overworld map out there, the size is MASSIVE and full of content (hidden areas, superbosses, shortcuts, lore and more) -You can camp everywhere on the map -Camp is your hub that will change overtime (extra dialogue, new NPCs, side content, listen to music and more) -You can level up your relationships with various characters -Romances are also a thing -Exploration is very rewarding, no minimap works great -Dedicated jump button and no fall damage is a huge win -There are so many cool things to collect -The game will respect your time, no long walks and good checkpoints -New outfits and weapons will look different (also in cutscenes) -You can skip cutscenes before boss attempts -The combat is super fun and a mix of Persona, Final Fantasy 10 and Legend of Dragoon -One button press combat is just stunning and will flow over time -You can see every enemy before the fight, quick in and out -Some of the boss fights are gigantic with insane attacks and some stunning "From Software boss arenas" (no joke) -The enemy variety is great with some terrifying creature design -The build variety is also crazy with so many combinations -Some of the late game bosses and especially the superbosses are no joke -Soundtrack is insane and every track is a banger -Different battle themes, boss themes, secret boss themes and many more -Some of the tracks especially in the emotional scenes hit me so hard -Game is super polished but I've encountered some small bugs (sound disappear, could no longer jump and some other small things) -Bugs got easy fixed with a reload (day 1 patch could fix that) -Not a fan of some jumping puzzles, but there are optional -Skill management becomes a little bit confusing as the game progresses (menu design could be better) -Would love a mechanic to kill lower level enemies fast and quick -New game plus on day 1 (with extra stuff) is amazing -The game is made by around 30 people, 30 hours of main story, 30 hours of bonus content, insane number of outfits, story focused, no microtransactions bullshit, new game plus mode on day 1 and a price tag of around 50 bucks, need I say more This game is brimming with attention to detail and is a true passion project by fans for fans. The developers may not have had the biggest budget, but they had a clear vision and the result is simply outstanding. My Verdict: 9.5/10 #ClairObscurExpedition33 Clair Obscur: Expedition 33 Shuhei Yoshida

GermanStrands

800,379 görüntüleme • 1 yıl önce

THE VIKINGS 🪓🔥 Part IX 🧵 THE THOUSAND YEARS LONG NIGHT 🗡️🌒 In the fading glow of the Viking Age rose one final flame - Harald III («Harald Hardrada»), known as the last great Viking king of Norway. Descending from Harald Fairhair of the Ulvungar bloodline. Ruling from 1046 until his death in 1066, this towering warrior carried the untamed spirit of the old North. After years in exile he had served as a legendary commander of the Varangian Guard in Constantinople, amassed great wealth across distant lands, and returned to claim the throne. Yet his final journey ended on English soil at the Battle of Stamford Bridge in 1066. With his fall, the long and glorious chapter of the Viking Age drew to a close. With the old temples silenced and the sacred groves cut down, a long shadow began to fall over the Land of the North. The first hundred years after the year 1000 AD were marked by open violence. Kings and bishops worked together to crush resistance. Those who clung to the old ways faced harsh punishment, exile, or death. Sacred sites were destroyed, ancient festivals forbidden, and the spirit of the people was deliberately broken. This was no gentle conversion to Christianity. It was a calculated campaign to shatter the proud heart of the people of the North. The Church had found its Trojan horse. Once its power was established, the violence slowly changed form. It became structural. Heavy taxes, Church-controlled laws, and strict control over daily life replaced open force. The independent spirit of the Vikings, which had once carried them across oceans and into new lands, was gradually tamed. Then came the Black Death. In 1349, death arrived on English ships said to be owned and guided by those connected to the old Khazarian bloodlines. The plague struck Norway with terrible force, killing more than half the population. Farms stood empty, knowledge was lost, and the land grew weak. As Viking power waned, Khazarian influence began to grow across Europe. When the Vikings defeated and destroyed the Khazarian Empire in year 965, the Khazarians flowed westward into the lands of Germany, Poland, and Lithuania, and later also to Denmark. Over time they found their way into Norway, changing their names to sound Norwegian and Danish. The Khazarians carried a deep and enduring hatred against the Vikings. Over the long night that followed, their descendants - moving slowly and quietly through Europe - appeared ever more determined to crush what remained of Viking strength and independence. What had begun with the Church’s Trojan horse was continued by these hidden hands. The proud, ancient tribes of the Land of the North were slowly brought under foreign influence and subdued. For five hundred years the transformation continued, until Norway passed under Danish rule in 1537. The once-mighty Viking heartland became a puppet state in a union with Denmark, lasting until 1814. In 1814, following the great upheavals of the Napoleonic Wars, Denmark was compelled to surrender Norway to Sweden. What had once been an ancient and proud kingdom was passed from one foreign crown to another, as a piece of property. Yet Denmark retained Greenland - the distant and mysterious land first settled by the Vikings under Erik the Red more than eight hundred years earlier - keeping this ancient outpost that had belonged to Norway since the dawn of the Viking Age. Under foreign rulers and Khazarian elites, the independent spirit that had guarded the sacred bloodline of Jesus and Mary Magdalene for centuries was pushed ever deeper into hiding, and eventually it was forgotten by those who carried it. Yet even in the shadows, something ancient refused to die. The fire in the souls of the real Viking descendants moved deeper, waiting for the time when it would be needed again. ⚔️🩸🪓

Bendleruschka

30,112 görüntüleme • 1 ay önce

The Fourth Crusade (1202-1204 CE) was called by Pope Innocent III (r. 1198-1216 CE) to retake Jerusalem from its current Muslim overlords. However, in a bizarre combination of cock-ups, financial constraints, and Venetian trading ambitions, the target ended up being Constantinople, capital of the Byzantine Empire and the greatest Christian city in the world. Sacked on 12 April 1204 CE, Constantinople was stripped of its riches, relics, and artworks, and the Byzantine Empire was divided up between Venice and its allies. The Fourth Crusade thus gained its infamous reputation as the most cynical and profit-seeking of all the crusades. The Byzantines saw themselves as the defenders of Christendom, the beacon which shone out across the Mediterranean and central Asia, hosts to the holiest city outside Jerusalem, and the rock which stood against the tide of Islam sweeping in from the east. By the western half of the old Roman Empire, though, the Byzantines were regarded as decadent, shifty, and untrustworthy; even their religious practices were suspect. This essential division between the east and west had caused constant problems in all the previous crusades, and it was to crop up again in this one. There were also more concrete sources of division, the historical rivalry between popes and emperors, and the rising ambition of western states to wrest from Byzantium the remnants of its empire in Italy were fuelled by the failures of the crusades in permanently securing the Holy Land for Christendom. Blame was apportioned to either side for the lack of success. The Byzantines were considered to lack the will to fight the common Muslim enemy while, from the other side, the Crusaders were seen as opportunists out to grab the choicest parts of the Byzantine Empire in the east. In a sense, both sides were right in their judgement. The Third Crusade (1187-1192 CE), although achieving some notable military successes, had failed completely in its original objective of recapturing Jerusalem from the Muslim Sultan of Egypt and Syria, Saladin (r. 1174-1193 CE). The celebrated Sultan was now dead, but the Holy City remained in Muslim hands. Yet another crusade was required. The Fourth Crusade was thus called for by Pope Innocent III (r. 1198-1216 CE) in August 1198 CE. As previously, those who went to the Holy Land and fought the infidels would receive a remission of their sins, but as an added incentive, Innocent III now extended this ‘benefit’ to those who gave the necessary money to fund a warrior to go in their stead. The Pope’s timing was not the best, especially considering the Holy City had anyway been in Muslim hands since 1187 CE. In the final years of the 12th century CE, all four monarchs of Europe’s most powerful kingdoms, England, France, Germany, and Spain, were busy with internal affairs, and in the case of England and France, serious territorial squabbles with each other. Worse still, in April 1199 CE, the great Crusader king Richard I of England (r. 1189-1199 CE), who had promised to return to the Holy Land and finish his undone work during the Third Crusade, died on campaign in France. Unlike the previous Crusade, then, this was not to be a “Kings’ Crusade”. Still, a good number of second-tier nobles were inspired to join up or ‘take the cross’, as it was known, especially from northern France. There were the counts of Champagne and Blois (although the former would die before the expedition got underway), Geoffrey of Villehardouin (who would later write his Conquest of Constantinople, an important record of the Crusade), Count Baldwin of Flanders, and Simon de Montfort. 🎥© historyaillustration (IG) © Mark Cartwright #archaeohistories

Archaeo - Histories

32,374 görüntüleme • 4 ay önce