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“Get Lucky” is from Daft Punk’s 2013 album Random Access Memories. Featuring Pharrell Williams on vocals and Nile Rodgers on guitar, the disco-funk track became a massive global hit, peaking at #2 on the Billboard Hot 100, where it was blocked from the top spot by Robin Thicke's "Blurred...

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“Kiss from a Rose” was written by Seal around 1987 but only became a worldwide phenomenon after its inclusion in the 1995 film Batman Forever. Originally released on his 1994 album Seal II, the song attracted only modest attention before director Joel Schumacher insisted on featuring it during the film's end credits and in its promotional campaign. The renewed exposure propelled the song to #1 on the Billboard Hot 100, while it also reached the Top 10 in the UK and several other countries. At the 1996 Grammy Awards, it won Record of the Year, Song of the Year and Best Male Pop Vocal Performance.
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“Kiss from a Rose” was written by Seal around 1987 but only became a worldwide phenomenon after its inclusion in the 1995 film Batman Forever. Originally released on his 1994 album Seal II, the song attracted only modest attention before director Joel Schumacher insisted on featuring it during the film's end credits and in its promotional campaign. The renewed exposure propelled the song to #1 on the Billboard Hot 100, while it also reached the Top 10 in the UK and several other countries. At the 1996 Grammy Awards, it won Record of the Year, Song of the Year and Best Male Pop Vocal Performance.

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“I Knew I Loved You” is from Savage Garden’s 1999 album Affirmation. Written by Darren Hayes and Daniel Jones, the romantic pop ballad became one of the duo’s biggest international hits, reaching #1 on the Billboard Hot 100, #10 on the UK Singles Chart and the Top 10 in several other countries. It also earned a Grammy Award nomination for Best Pop Performance by a Duo or Group with Vocals.
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“I Knew I Loved You” is from Savage Garden’s 1999 album Affirmation. Written by Darren Hayes and Daniel Jones, the romantic pop ballad became one of the duo’s biggest international hits, reaching #1 on the Billboard Hot 100, #10 on the UK Singles Chart and the Top 10 in several other countries. It also earned a Grammy Award nomination for Best Pop Performance by a Duo or Group with Vocals.

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“Smooth” is a collaboration between legendary guitarist Carlos Santana and Matchbox Twenty frontman Rob Thomas, featured on Santana's 1999 album Supernatural. Written by Thomas and Itaal Shur, the Latin-infused rock track became a monumental global phenomenon, spending 12 consecutive weeks at #1 on the Billboard Hot 100, reaching #1 in Canada and becoming a major hit worldwide. Its infectious guitar riff and passionate vocals fueled one of the most remarkable commercial comebacks in modern music. Incredibly, despite being a rock icon since the late 1960s, this was Santana's first-ever #1 hit on the Billboard Hot 100, achieved when he was 52 years old. Rob Thomas originally envisioned George Michael as the song's vocalist, but ultimately recorded it himself, creating one of the most successful collaborations in pop-rock history. The track swept the 2000 Grammy Awards, winning Record of the Year and Song of the Year, while helping Santana earn nine Grammy Awards in a single night, tying the record previously set by Michael Jackson's Thriller.
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“Smooth” is a collaboration between legendary guitarist Carlos Santana and Matchbox Twenty frontman Rob Thomas, featured on Santana's 1999 album Supernatural. Written by Thomas and Itaal Shur, the Latin-infused rock track became a monumental global phenomenon, spending 12 consecutive weeks at #1 on the Billboard Hot 100, reaching #1 in Canada and becoming a major hit worldwide. Its infectious guitar riff and passionate vocals fueled one of the most remarkable commercial comebacks in modern music. Incredibly, despite being a rock icon since the late 1960s, this was Santana's first-ever #1 hit on the Billboard Hot 100, achieved when he was 52 years old. Rob Thomas originally envisioned George Michael as the song's vocalist, but ultimately recorded it himself, creating one of the most successful collaborations in pop-rock history. The track swept the 2000 Grammy Awards, winning Record of the Year and Song of the Year, while helping Santana earn nine Grammy Awards in a single night, tying the record previously set by Michael Jackson's Thriller.

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Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.
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Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.

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“Instant Crush” is from Daft Punk’s 2013 album Random Access Memories. The track features vocals from Julian Casablancas of The Strokes, blending the French duo’s electronic production with nostalgic synth-pop and rock influences. Although it was not a major Billboard Hot 100 hit, it peaked at #14 on the US Billboard Alternative Airplay chart and reached the Top 20 in Japan. Casablancas recorded his vocals using vintage microphones and heavy Auto-Tune and vocoder processing, creating the song's distinctive bittersweet, dreamlike sound. He later revealed that he wrote and recorded his vocal parts during a late-night studio session with Daft Punk.
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“Instant Crush” is from Daft Punk’s 2013 album Random Access Memories. The track features vocals from Julian Casablancas of The Strokes, blending the French duo’s electronic production with nostalgic synth-pop and rock influences. Although it was not a major Billboard Hot 100 hit, it peaked at #14 on the US Billboard Alternative Airplay chart and reached the Top 20 in Japan. Casablancas recorded his vocals using vintage microphones and heavy Auto-Tune and vocoder processing, creating the song's distinctive bittersweet, dreamlike sound. He later revealed that he wrote and recorded his vocal parts during a late-night studio session with Daft Punk.

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"Everybody Wants to Rule the World" is from Tears for Fears' 1985 album Songs from the Big Chair. The synth-pop classic reached #1 on the US Billboard Hot 100, #2 in Canada, #2 in Ireland, and #5 on the UK Singles Chart. Although Roland Orzabal was initially reluctant to record the song, it went on to become the band's signature hit and won Best Single at the 1986 Brit Awards.
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"Everybody Wants to Rule the World" is from Tears for Fears' 1985 album Songs from the Big Chair. The synth-pop classic reached #1 on the US Billboard Hot 100, #2 in Canada, #2 in Ireland, and #5 on the UK Singles Chart. Although Roland Orzabal was initially reluctant to record the song, it went on to become the band's signature hit and won Best Single at the 1986 Brit Awards.

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“Into the Groove” was recorded by Madonna for the 1985 film Desperately Seeking Susan. Written and produced by Madonna and Stephen Bray, the infectious dance-pop classic became one of her most beloved songs of the 1980s, reaching #1 on the UK Singles Chart and topping the charts in several other countries. Its irresistible bassline, synthesizers, and club-oriented production helped establish Madonna as one of the defining figures of 1980s dance-pop. Although it was featured prominently in Desperately Seeking Susan, “Into the Groove” was not included on the film's official soundtrack album. In the United States it was not released as a standalone commercial single and instead appeared as the B-side of the 12-inch single of “Angel”, meaning it was ineligible for the Billboard Hot 100 under the chart rules of the time. Despite this, the song received enormous radio and club exposure and reached #19 on the US Hot Black Singles chart. In the UK and several other markets, however, it was released as a single and became Madonna's first UK #1, spending four weeks at the top of the chart.
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“Into the Groove” was recorded by Madonna for the 1985 film Desperately Seeking Susan. Written and produced by Madonna and Stephen Bray, the infectious dance-pop classic became one of her most beloved songs of the 1980s, reaching #1 on the UK Singles Chart and topping the charts in several other countries. Its irresistible bassline, synthesizers, and club-oriented production helped establish Madonna as one of the defining figures of 1980s dance-pop. Although it was featured prominently in Desperately Seeking Susan, “Into the Groove” was not included on the film's official soundtrack album. In the United States it was not released as a standalone commercial single and instead appeared as the B-side of the 12-inch single of “Angel”, meaning it was ineligible for the Billboard Hot 100 under the chart rules of the time. Despite this, the song received enormous radio and club exposure and reached #19 on the US Hot Black Singles chart. In the UK and several other markets, however, it was released as a single and became Madonna's first UK #1, spending four weeks at the top of the chart.

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“What’s Love Got to Do With It” is from Tina Turner’s 1984 album Private Dancer. The song became her biggest solo hit, spending three weeks at #1 on the Billboard Hot 100. It finished as the #2 song on Billboard's 1984 Year-End Hot 100, behind Prince's "When Doves Cry," while also topping the charts in Australia and Canada. At 44 years old Turner became the oldest female solo artist at the time to reach #1 on the Billboard Hot 100. The song was originally offered to several artists including Cliff Richard, Donna Summer, and Bucks Fizz, before Tina Turner agreed to record it, initially believing it didn't suit her musical style. Co-writer Terry Britten had originally envisioned the song being sung by a man, but Tina's emotionally detached yet powerful interpretation completely transformed its character. The track went on to win the Grammy Awards for Record of the Year, Song of the Year, and Best Female Pop Vocal Performance, completing one of the greatest career comebacks in popular music and becoming her signature solo recording.
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“What’s Love Got to Do With It” is from Tina Turner’s 1984 album Private Dancer. The song became her biggest solo hit, spending three weeks at #1 on the Billboard Hot 100. It finished as the #2 song on Billboard's 1984 Year-End Hot 100, behind Prince's "When Doves Cry," while also topping the charts in Australia and Canada. At 44 years old Turner became the oldest female solo artist at the time to reach #1 on the Billboard Hot 100. The song was originally offered to several artists including Cliff Richard, Donna Summer, and Bucks Fizz, before Tina Turner agreed to record it, initially believing it didn't suit her musical style. Co-writer Terry Britten had originally envisioned the song being sung by a man, but Tina's emotionally detached yet powerful interpretation completely transformed its character. The track went on to win the Grammy Awards for Record of the Year, Song of the Year, and Best Female Pop Vocal Performance, completing one of the greatest career comebacks in popular music and becoming her signature solo recording.

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“Give Me the Night” is the title track from George Benson’s 1980 album Give Me the Night. Written by Rod Temperton and produced by Quincy Jones, the infectious jazz-funk and disco classic became one of Benson's biggest crossover hits, reaching #4 on the Billboard Hot 100, #2 on the Hot Soul Singles chart and #1 on the Hot Disco Singles chart. It also won the Grammy Award for Best Male R&B Vocal Performance. The track was the result of a musical "dream team" uniting Benson with producer Quincy Jones and songwriter Rod Temperton, who wrote it specifically for Benson's smooth vocal style. Building on the commercial success Benson had already achieved as a singer, Jones crafted a polished jazz-funk and pop-R&B sound that elevated him to an even broader international audience. The song's backing vocals were performed by R&B legend Patti Austin.
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“Give Me the Night” is the title track from George Benson’s 1980 album Give Me the Night. Written by Rod Temperton and produced by Quincy Jones, the infectious jazz-funk and disco classic became one of Benson's biggest crossover hits, reaching #4 on the Billboard Hot 100, #2 on the Hot Soul Singles chart and #1 on the Hot Disco Singles chart. It also won the Grammy Award for Best Male R&B Vocal Performance. The track was the result of a musical "dream team" uniting Benson with producer Quincy Jones and songwriter Rod Temperton, who wrote it specifically for Benson's smooth vocal style. Building on the commercial success Benson had already achieved as a singer, Jones crafted a polished jazz-funk and pop-R&B sound that elevated him to an even broader international audience. The song's backing vocals were performed by R&B legend Patti Austin.

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#Today On February 22 1998, .Madonna's "Ray Of Light" (Studio Album) was released. Ray of Light was met with universal acclaim upon its release and is often considered Madonna's magnum opus. The album entered the US Billboard 200 at number two, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries, including Australia, Canada, Germany, Italy, Spain and on the United Kingdom Albums Chart, and charted within the top-five in most musical markets. Worldwide, Ray of Light has sold over 16 million copies and is one of the best-selling albums by women. Ray of Light won four Grammy Awards from a total of six nominations at the 41st Annual Grammy Awards.
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#Today On February 22 1998, .Madonna's "Ray Of Light" (Studio Album) was released. Ray of Light was met with universal acclaim upon its release and is often considered Madonna's magnum opus. The album entered the US Billboard 200 at number two, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries, including Australia, Canada, Germany, Italy, Spain and on the United Kingdom Albums Chart, and charted within the top-five in most musical markets. Worldwide, Ray of Light has sold over 16 million copies and is one of the best-selling albums by women. Ray of Light won four Grammy Awards from a total of six nominations at the 41st Annual Grammy Awards.

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“Chasing Cars” is from Snow Patrol’s 2006 album Eyes Open. The track became the band's biggest international hit, peaking at #5 on the UK Singles Chart, #6 on the Billboard Hot 100 and reaching the Top 10 in several countries. Although it never reached #1 in the UK, it became one of the best-selling singles of the 21st century there and has been certified multi-Platinum in both the UK and the US. The track's monumental success was fuelled in part by its repeated use on Grey's Anatomy.
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“Chasing Cars” is from Snow Patrol’s 2006 album Eyes Open. The track became the band's biggest international hit, peaking at #5 on the UK Singles Chart, #6 on the Billboard Hot 100 and reaching the Top 10 in several countries. Although it never reached #1 in the UK, it became one of the best-selling singles of the 21st century there and has been certified multi-Platinum in both the UK and the US. The track's monumental success was fuelled in part by its repeated use on Grey's Anatomy.

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“White Flag” is from Dido’s 2003 album Life for Rent. Written by Dido, Rollo Armstrong, and Rick Nowels, the emotional pop ballad became one of Dido’s biggest international hits, reaching #1 on the UK Singles Chart and #18 on the Billboard Hot 100. It was also a major success across Europe and earned three Grammy nominations, including Song of the Year, Best Female Pop Vocal Performance, and Best Short Form Music Video.
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“White Flag” is from Dido’s 2003 album Life for Rent. Written by Dido, Rollo Armstrong, and Rick Nowels, the emotional pop ballad became one of Dido’s biggest international hits, reaching #1 on the UK Singles Chart and #18 on the Billboard Hot 100. It was also a major success across Europe and earned three Grammy nominations, including Song of the Year, Best Female Pop Vocal Performance, and Best Short Form Music Video.

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“A Little Respect” is from Erasure’s 1988 album The Innocents. Written by Vince Clarke and Andy Bell, the synth-pop classic became one of the duo's signature songs, reaching #4 on the UK Singles Chart and becoming their first Top 20 hit on the Billboard Hot 100, where it peaked at #14. Its infectious melody, emotional lyrics and instantly recognizable chorus helped establish The Innocents as Erasure's commercial breakthrough. The track's soaring vocal performance, combined with Vince Clarke's sophisticated electronic production, created one of the defining songs of late-1980s synth-pop. Decades later the song experienced a renewed surge in popularity after the cast of the hit TV series Scrubs performed an impromptu singalong in a memorable 2002 episode, introducing “A Little Respect” to a new generation of listeners and reinforcing its place as one of Erasure's most enduring songs.
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“A Little Respect” is from Erasure’s 1988 album The Innocents. Written by Vince Clarke and Andy Bell, the synth-pop classic became one of the duo's signature songs, reaching #4 on the UK Singles Chart and becoming their first Top 20 hit on the Billboard Hot 100, where it peaked at #14. Its infectious melody, emotional lyrics and instantly recognizable chorus helped establish The Innocents as Erasure's commercial breakthrough. The track's soaring vocal performance, combined with Vince Clarke's sophisticated electronic production, created one of the defining songs of late-1980s synth-pop. Decades later the song experienced a renewed surge in popularity after the cast of the hit TV series Scrubs performed an impromptu singalong in a memorable 2002 episode, introducing “A Little Respect” to a new generation of listeners and reinforcing its place as one of Erasure's most enduring songs.

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Dave Grohl played drums on "No One Knows" and on most of Queens of the Stone Age's 2002 album Songs for the Deaf, as the band did not have a permanent drummer at the time. The song became Queens of the Stone Age's biggest hit, reaching #1 on Billboard's Alternative Airplay chart (their only song to top the chart), #5 on Mainstream Rock Airplay, #51 on the US Billboard Hot 100, #15 on the UK Singles Chart, and #1 in Australia's Triple J Hottest 100 of 2002. It also won the 2003 Kerrang! Award for Best Single and received a Grammy nomination for Best Hard Rock Performance.
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Dave Grohl played drums on "No One Knows" and on most of Queens of the Stone Age's 2002 album Songs for the Deaf, as the band did not have a permanent drummer at the time. The song became Queens of the Stone Age's biggest hit, reaching #1 on Billboard's Alternative Airplay chart (their only song to top the chart), #5 on Mainstream Rock Airplay, #51 on the US Billboard Hot 100, #15 on the UK Singles Chart, and #1 in Australia's Triple J Hottest 100 of 2002. It also won the 2003 Kerrang! Award for Best Single and received a Grammy nomination for Best Hard Rock Performance.

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🔥🔥💫✨In 1989, Belgian electronic group Technotronic released Pump Up the Jam, a house music track that helped propel underground club sounds into the global mainstream. Built on an infectious beat, bold rhythm, and an instantly recognizable vocal hook, the song captured the energy of late-80s club culture at a time when electronic music was still largely outside pop radio.🫶🫶 The impact was immediate. In early 1990, the track reached No. 2 on both the US Billboard Hot 100 and the UK Singles Chart, proving that electronic dance music could compete head-to-head with traditional pop on a global scale.
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🔥🔥💫✨In 1989, Belgian electronic group Technotronic released Pump Up the Jam, a house music track that helped propel underground club sounds into the global mainstream. Built on an infectious beat, bold rhythm, and an instantly recognizable vocal hook, the song captured the energy of late-80s club culture at a time when electronic music was still largely outside pop radio.🫶🫶 The impact was immediate. In early 1990, the track reached No. 2 on both the US Billboard Hot 100 and the UK Singles Chart, proving that electronic dance music could compete head-to-head with traditional pop on a global scale.

🎵💖Loves classical music🎻🎹

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“How Will I Know” is from Whitney Houston’s 1985 self-titled debut album. Written by George Merrill and Shannon Rubicam, the dance-pop track became Whitney's first #1 on the Billboard Hot 100. It also reached #2 in the UK, #1 in Canada, and the Top 10 in Australia, Ireland, Sweden and several other countries. The song was originally intended for Janet Jackson, but after it was declined, it was offered to Whitney Houston, whose producer Narada Michael Walden reshaped it into a vibrant dance-pop track. Its colourful music video became one of MTV's most-played clips, helping introduce Houston to a younger pop audience and cementing her status as a crossover superstar. The song also helped pave the way for Whitney's unprecedented run of seven consecutive #1 singles on the Billboard Hot 100.
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“How Will I Know” is from Whitney Houston’s 1985 self-titled debut album. Written by George Merrill and Shannon Rubicam, the dance-pop track became Whitney's first #1 on the Billboard Hot 100. It also reached #2 in the UK, #1 in Canada, and the Top 10 in Australia, Ireland, Sweden and several other countries. The song was originally intended for Janet Jackson, but after it was declined, it was offered to Whitney Houston, whose producer Narada Michael Walden reshaped it into a vibrant dance-pop track. Its colourful music video became one of MTV's most-played clips, helping introduce Houston to a younger pop audience and cementing her status as a crossover superstar. The song also helped pave the way for Whitney's unprecedented run of seven consecutive #1 singles on the Billboard Hot 100.

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“Frozen” is from Madonna’s 1998 album Ray of Light. The atmospheric electronic ballad marked a dramatic departure from her earlier pop sound, blending ambient, electronica and trip-hop influences. It became a major international hit, reaching #2 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in several countries. The song's striking music video directed by Chris Cunningham, was filmed in the Mojave Desert and presented Madonna as a mysterious, otherworldly figure surrounded by dark landscapes and supernatural imagery. Its innovative visual effects, including Madonna transforming into a flock of black birds, became one of the most memorable videos of her career, winning the MTV Video Music Award for Best Special Effects in 1998. Drawing on the vocal technique and control she had developed while working on Evita, Madonna delivered a mature and haunting performance. The track was also the subject of a controversial plagiarism case in Belgium: in 2005, a court ruled that it infringed on a composition by Belgian songwriter Salvatore Acquaviva, leading to the song being banned from radio, television, and sale in the country. The ruling was eventually overturned in 2014, restoring the song's availability in Belgium.
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“Frozen” is from Madonna’s 1998 album Ray of Light. The atmospheric electronic ballad marked a dramatic departure from her earlier pop sound, blending ambient, electronica and trip-hop influences. It became a major international hit, reaching #2 on the Billboard Hot 100, #2 on the UK Singles Chart and #1 in several countries. The song's striking music video directed by Chris Cunningham, was filmed in the Mojave Desert and presented Madonna as a mysterious, otherworldly figure surrounded by dark landscapes and supernatural imagery. Its innovative visual effects, including Madonna transforming into a flock of black birds, became one of the most memorable videos of her career, winning the MTV Video Music Award for Best Special Effects in 1998. Drawing on the vocal technique and control she had developed while working on Evita, Madonna delivered a mature and haunting performance. The track was also the subject of a controversial plagiarism case in Belgium: in 2005, a court ruled that it infringed on a composition by Belgian songwriter Salvatore Acquaviva, leading to the song being banned from radio, television, and sale in the country. The ruling was eventually overturned in 2014, restoring the song's availability in Belgium.

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#Today on October 25 1994 .Madonna's "Bedtime Stories" was released by Maverick and Sire Records. A pop album with elements of R&B and hip hop, Bedtime Stories explores lyrical themes of love and romance, but with a toned-down, less sexual approach. In the song "Human Nature", Madonna explicitly addresses the backlash and controversy surrounding her previous projects, whereas title track "Bedtime Story" saw her working with Icelandic singer Björk. The album yielded two Hot 100 top-three singles, "Secret" and "Take a Bow"; the latter stayed at number one for seven weeks on the chart. Follow-ups "Bedtime Story" and "Human Nature" were both top-ten hits on the UK Singles Chart. It was nominated for Best Pop Album at the 38th Grammy Awards. The album debuted and peaked at number three on the US Billboard 200, also reached the first spot in Australia, and charted within the top-five in many other countries, including Canada, France, Germany, and the United Kingdom. In retrospective reviews, it has been referred to as one of Madonna's most important yet underrated albums.
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#Today on October 25 1994 .Madonna's "Bedtime Stories" was released by Maverick and Sire Records. A pop album with elements of R&B and hip hop, Bedtime Stories explores lyrical themes of love and romance, but with a toned-down, less sexual approach. In the song "Human Nature", Madonna explicitly addresses the backlash and controversy surrounding her previous projects, whereas title track "Bedtime Story" saw her working with Icelandic singer Björk. The album yielded two Hot 100 top-three singles, "Secret" and "Take a Bow"; the latter stayed at number one for seven weeks on the chart. Follow-ups "Bedtime Story" and "Human Nature" were both top-ten hits on the UK Singles Chart. It was nominated for Best Pop Album at the 38th Grammy Awards. The album debuted and peaked at number three on the US Billboard 200, also reached the first spot in Australia, and charted within the top-five in many other countries, including Canada, France, Germany, and the United Kingdom. In retrospective reviews, it has been referred to as one of Madonna's most important yet underrated albums.

Madonna Records

22,250 Aufrufe • vor 9 Monaten

"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.
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"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.

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"Cheri, Cheri Lady" is a song by German pop duo Modern Talking from their second studio album, Let's Talk About Love (1985). It was released as the album's only single on 2 September 1985 and reached number one on the German Singles Chart, becoming the duo's third consecutive number-one single in Germany, following "You're My Heart, You're My Soul" and "You Can Win If You Want". The single spent four weeks at the top and a total of 24 weeks on the German chart, and eventually went gold, selling over 250,000 units there. The song has also reached certified silver in France, denoting sales in excess of 250,000 units.
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"Cheri, Cheri Lady" is a song by German pop duo Modern Talking from their second studio album, Let's Talk About Love (1985). It was released as the album's only single on 2 September 1985 and reached number one on the German Singles Chart, becoming the duo's third consecutive number-one single in Germany, following "You're My Heart, You're My Soul" and "You Can Win If You Want". The single spent four weeks at the top and a total of 24 weeks on the German chart, and eventually went gold, selling over 250,000 units there. The song has also reached certified silver in France, denoting sales in excess of 250,000 units.

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148,006 Aufrufe • vor 7 Monaten