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“Get Lucky” is from Daft Punk’s 2013 album Random Access Memories. Featuring Pharrell Williams on vocals and Nile Rodgers on guitar, the disco-funk track became a massive global hit, peaking at #2 on the Billboard Hot 100, where it was blocked from the top spot by Robin Thicke's "Blurred...

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Venus A. ✨💫 🍯 DCLXVI profil fotoğrafı
Venus A. ✨💫 🍯 DCLXVI5 gün önce

And yesterday i heard it in the supermarket 😂😂😂

Maxart profil fotoğrafı
Maxart5 gün önce

Great piece.

R&RForever1814 profil fotoğrafı
R&RForever18145 gün önce

Who knew Daft Punk had this in them?

Allan Funk profil fotoğrafı
Allan Funk5 gün önce

@AriMelber The music

NateFindley profil fotoğrafı
NateFindley5 gün önce

what a boring song 🥱

John Smith profil fotoğrafı
John Smith5 gün önce

Great song on an unbelievably overrated album

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“Kiss from a Rose” was written by Seal around 1987 but only became a worldwide phenomenon after its inclusion in the 1995 film Batman Forever. Originally released on his 1994 album Seal II, the song attracted only modest attention before director Joel Schumacher insisted on featuring it during the film's end credits and in its promotional campaign. The renewed exposure propelled the song to #1 on the Billboard Hot 100, while it also reached the Top 10 in the UK and several other countries. At the 1996 Grammy Awards, it won Record of the Year, Song of the Year and Best Male Pop Vocal Performance
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“Kiss from a Rose” was written by Seal around 1987 but only became a worldwide phenomenon after its inclusion in the 1995 film Batman Forever. Originally released on his 1994 album Seal II, the song attracted only modest attention before director Joel Schumacher insisted on featuring it during the film's end credits and in its promotional campaign. The renewed exposure propelled the song to #1 on the Billboard Hot 100, while it also reached the Top 10 in the UK and several other countries. At the 1996 Grammy Awards, it won Record of the Year, Song of the Year and Best Male Pop Vocal Performance

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“I Knew I Loved You” is from Savage Garden’s 1999 album Affirmation. Written by Darren Hayes and Daniel Jones, the romantic pop ballad became one of the duo’s biggest international hits, reaching #1 on the Billboard Hot 100, #10 on the UK Singles Chart and the Top 10 in several other countries. It also earned a Grammy Award nomination for Best Pop Performance by a Duo or Group with Vocals.
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“I Knew I Loved You” is from Savage Garden’s 1999 album Affirmation. Written by Darren Hayes and Daniel Jones, the romantic pop ballad became one of the duo’s biggest international hits, reaching #1 on the Billboard Hot 100, #10 on the UK Singles Chart and the Top 10 in several other countries. It also earned a Grammy Award nomination for Best Pop Performance by a Duo or Group with Vocals.

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“Feel Good Inc.” was released in 2005 as the lead single from Gorillaz's second studio album, Demon Days and features the legendary hip-hop trio De La Soul on the rap verses. The song became Gorillaz's biggest international hit at the time, reaching No. 14 on the Billboard Hot 100 and No. 2 on the UK Singles Chart. In the US it also topped the Billboard Modern Rock Tracks chart for eight consecutive weeks. The song won the Grammy Award for Best Pop Collaboration with Vocals in 2006 and was also nominated for Record of the Year and Best Music Video. Its iconic animated video was inspired by Hayao Miyazaki's Castle in the Sky, particularly its legendary floating city of Laputa.
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“Feel Good Inc.” was released in 2005 as the lead single from Gorillaz's second studio album, Demon Days and features the legendary hip-hop trio De La Soul on the rap verses. The song became Gorillaz's biggest international hit at the time, reaching No. 14 on the Billboard Hot 100 and No. 2 on the UK Singles Chart. In the US it also topped the Billboard Modern Rock Tracks chart for eight consecutive weeks. The song won the Grammy Award for Best Pop Collaboration with Vocals in 2006 and was also nominated for Record of the Year and Best Music Video. Its iconic animated video was inspired by Hayao Miyazaki's Castle in the Sky, particularly its legendary floating city of Laputa.

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“Instant Crush” is from Daft Punk’s 2013 album Random Access Memories. The track features vocals from Julian Casablancas of The Strokes, blending the French duo’s electronic production with nostalgic synth-pop and rock influences. Although it was not a major Billboard Hot 100 hit, it peaked at #14 on the US Billboard Alternative Airplay chart and reached the Top 20 in Japan. Casablancas recorded his vocals using vintage microphones and heavy Auto-Tune and vocoder processing, creating the song's distinctive bittersweet, dreamlike sound. He later revealed that he wrote and recorded his vocal parts during a late-night studio session with Daft Punk.
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“Instant Crush” is from Daft Punk’s 2013 album Random Access Memories. The track features vocals from Julian Casablancas of The Strokes, blending the French duo’s electronic production with nostalgic synth-pop and rock influences. Although it was not a major Billboard Hot 100 hit, it peaked at #14 on the US Billboard Alternative Airplay chart and reached the Top 20 in Japan. Casablancas recorded his vocals using vintage microphones and heavy Auto-Tune and vocoder processing, creating the song's distinctive bittersweet, dreamlike sound. He later revealed that he wrote and recorded his vocal parts during a late-night studio session with Daft Punk.

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Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.
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Released in 1964, "Oh, Pretty Woman" was the biggest hit of Roy Orbison's career. The song quickly reached number 1 on the Billboard Hot 100 chart and became one of the most iconic rock/pop songs of the 1960s. Roy Orbison won a Grammy Award for Best Male Pop Vocal Performance in 1991 for his live performance on the television special Roy Orbison and Friends, A Black and White Night.

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“The Reason” was written by Hoobastank vocalist Doug Robb and guitarist Dan Estrin for the band's second studio album, The Reason (2003), and became Hoobastank's biggest commercial success. It peaked at No. 2 on the Billboard Hot 100 and topped the Alternative Airplay and Adult Pop Airplay charts. It also reached No. 12 on the UK Singles Chart, No. 7 in Australia and No. 5 in New Zealand. The song was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal, while the album reached No. 3 on the Billboard 200. The music video, directed by Brett Simon, takes a completely different approach from the song's emotional lyrics, presenting an elaborate jewel heist disguised as a staged car accident.
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“The Reason” was written by Hoobastank vocalist Doug Robb and guitarist Dan Estrin for the band's second studio album, The Reason (2003), and became Hoobastank's biggest commercial success. It peaked at No. 2 on the Billboard Hot 100 and topped the Alternative Airplay and Adult Pop Airplay charts. It also reached No. 12 on the UK Singles Chart, No. 7 in Australia and No. 5 in New Zealand. The song was nominated for a Grammy Award for Best Pop Performance by a Duo or Group with Vocal, while the album reached No. 3 on the Billboard 200. The music video, directed by Brett Simon, takes a completely different approach from the song's emotional lyrics, presenting an elaborate jewel heist disguised as a staged car accident.

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“Genie in a Bottle” is the debut single from Christina Aguilera’s self-titled 1999 album. The track became an instant worldwide success, spending five weeks at #1 on the Billboard Hot 100. It also reached #1 in Canada, #1 in the UK, #2 in New Zealand, #5 in Australia, and the Top 10 in several European countries. Christina was only 18 years old when the song was released. Before releasing her debut album, she had already caught the industry's attention with "Reflection" from Disney's Mulan (1998), a performance that helped her secure a recording contract. "Genie in a Bottle" was co-written by hitmaker Steve Kipner, who also co-wrote Chicago's "Hard to Say I'm Sorry", and was later recorded in Spanish as "Genio Atrapado" for the Latin American edition of Aguilera's debut album. The single earned Aguilera a Grammy Award nomination for Best Female Pop Vocal Performance and paved the way for her Best New Artist win at the 42nd Grammy Awards in 2000.
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“Genie in a Bottle” is the debut single from Christina Aguilera’s self-titled 1999 album. The track became an instant worldwide success, spending five weeks at #1 on the Billboard Hot 100. It also reached #1 in Canada, #1 in the UK, #2 in New Zealand, #5 in Australia, and the Top 10 in several European countries. Christina was only 18 years old when the song was released. Before releasing her debut album, she had already caught the industry's attention with "Reflection" from Disney's Mulan (1998), a performance that helped her secure a recording contract. "Genie in a Bottle" was co-written by hitmaker Steve Kipner, who also co-wrote Chicago's "Hard to Say I'm Sorry", and was later recorded in Spanish as "Genio Atrapado" for the Latin American edition of Aguilera's debut album. The single earned Aguilera a Grammy Award nomination for Best Female Pop Vocal Performance and paved the way for her Best New Artist win at the 42nd Grammy Awards in 2000.

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#Today On February 22 1998, .Madonna's "Ray Of Light" (Studio Album) was released. Ray of Light was met with universal acclaim upon its release and is often considered Madonna's magnum opus. The album entered the US Billboard 200 at number two, with the biggest first-week sales by a female artist at the time. It also peaked at number one in 17 countries, including Australia, Canada, Germany, Italy, Spain and on the United Kingdom Albums Chart, and charted within the top-five in most musical markets. Worldwide, Ray of Light has sold over 16 million copies and is one of the best-selling albums by women. Ray of Light won four Grammy Awards from a total of six nominations at the 41st Annual Grammy Awards.

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“A Little Respect” is from Erasure’s 1988 album The Innocents. Written by Vince Clarke and Andy Bell, the synth-pop classic became one of the duo's signature songs, reaching #4 on the UK Singles Chart and becoming their second Top 20 hit on the Billboard Hot 100, where it peaked at #14. Its infectious melody, emotional lyrics and instantly recognizable chorus helped establish The Innocents as Erasure's commercial breakthrough. The track's soaring vocal performance, combined with Vince Clarke's sophisticated electronic production, created one of the defining songs of late-1980s synth-pop. Decades later the song experienced a renewed surge in popularity after the cast of the hit TV series Scrubs performed an impromptu singalong in a memorable 2002 episode, introducing “A Little Respect” to a new generation of listeners and reinforcing its place as one of Erasure's most enduring songs.

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“A Little Respect” is from Erasure’s 1988 album The Innocents. Written by Vince Clarke and Andy Bell, the synth-pop classic became one of the duo's signature songs, reaching #4 on the UK Singles Chart and becoming their first Top 20 hit on the Billboard Hot 100, where it peaked at #14. Its infectious melody, emotional lyrics and instantly recognizable chorus helped establish The Innocents as Erasure's commercial breakthrough. The track's soaring vocal performance, combined with Vince Clarke's sophisticated electronic production, created one of the defining songs of late-1980s synth-pop. Decades later the song experienced a renewed surge in popularity after the cast of the hit TV series Scrubs performed an impromptu singalong in a memorable 2002 episode, introducing “A Little Respect” to a new generation of listeners and reinforcing its place as one of Erasure's most enduring songs.
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“A Little Respect” is from Erasure’s 1988 album The Innocents. Written by Vince Clarke and Andy Bell, the synth-pop classic became one of the duo's signature songs, reaching #4 on the UK Singles Chart and becoming their first Top 20 hit on the Billboard Hot 100, where it peaked at #14. Its infectious melody, emotional lyrics and instantly recognizable chorus helped establish The Innocents as Erasure's commercial breakthrough. The track's soaring vocal performance, combined with Vince Clarke's sophisticated electronic production, created one of the defining songs of late-1980s synth-pop. Decades later the song experienced a renewed surge in popularity after the cast of the hit TV series Scrubs performed an impromptu singalong in a memorable 2002 episode, introducing “A Little Respect” to a new generation of listeners and reinforcing its place as one of Erasure's most enduring songs.

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“Frozen” is from Madonna’s 1998 album Ray of Light. The atmospheric electronic ballad marked a dramatic departure from her earlier pop sound, blending ambient, electronica and trip-hop influences. It became a major international hit, reaching #2 on the Billboard Hot 100, #1 on the UK Singles Chart and #1 in several countries. The song's striking music video directed by Chris Cunningham, was filmed in the Mojave Desert and presented Madonna as a mysterious, otherworldly figure surrounded by dark landscapes and supernatural imagery. Its innovative visual effects, including Madonna transforming into a flock of black birds, became one of the most memorable videos of her career, winning the MTV Video Music Award for Best Special Effects in 1998. Drawing on the vocal technique and control she had developed while working on Evita, Madonna delivered a mature and haunting performance. The track was also the subject of a controversial plagiarism case in Belgium: in 2005, a court ruled that it infringed on a composition by Belgian songwriter Salvatore Acquaviva, leading to the song being banned from radio, television, and sale in the country. The ruling was eventually overturned in 2014, restoring the song's availability in Belgium.
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“Frozen” is from Madonna’s 1998 album Ray of Light. The atmospheric electronic ballad marked a dramatic departure from her earlier pop sound, blending ambient, electronica and trip-hop influences. It became a major international hit, reaching #2 on the Billboard Hot 100, #1 on the UK Singles Chart and #1 in several countries. The song's striking music video directed by Chris Cunningham, was filmed in the Mojave Desert and presented Madonna as a mysterious, otherworldly figure surrounded by dark landscapes and supernatural imagery. Its innovative visual effects, including Madonna transforming into a flock of black birds, became one of the most memorable videos of her career, winning the MTV Video Music Award for Best Special Effects in 1998. Drawing on the vocal technique and control she had developed while working on Evita, Madonna delivered a mature and haunting performance. The track was also the subject of a controversial plagiarism case in Belgium: in 2005, a court ruled that it infringed on a composition by Belgian songwriter Salvatore Acquaviva, leading to the song being banned from radio, television, and sale in the country. The ruling was eventually overturned in 2014, restoring the song's availability in Belgium.

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🔥🔥💫✨In 1989, Belgian electronic group Technotronic released Pump Up the Jam, a house music track that helped propel underground club sounds into the global mainstream. Built on an infectious beat, bold rhythm, and an instantly recognizable vocal hook, the song captured the energy of late-80s club culture at a time when electronic music was still largely outside pop radio.🫶🫶 The impact was immediate. In early 1990, the track reached No. 2 on both the US Billboard Hot 100 and the UK Singles Chart, proving that electronic dance music could compete head-to-head with traditional pop on a global scale.

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“Give Me the Night” is the title track from George Benson's 1980 album Give Me the Night. Written by Rod Temperton and produced by Quincy Jones, the infectious jazz-funk and disco classic became one of Benson's biggest crossover hits, reaching No. 4 on the Billboard Hot 100, No. 1 on the Hot Soul Singles chart, and No. 2 on the Hot Disco Singles chart. It also earned Benson a Grammy Award for Best R&B Vocal Performance, Male, in 1981. One of the most memorable elements of the recording is Patti Austin's backing and scat vocals, which add to its rich, layered sound. The music video is even more playful: Benson can be seen singing and playing guitar while roller-skating along the Venice Beach Boardwalk in Los Angeles. He later recalled seeing other skaters and deciding that he wanted to do it himself, despite his manager worrying that he might fall.
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“Give Me the Night” is the title track from George Benson's 1980 album Give Me the Night. Written by Rod Temperton and produced by Quincy Jones, the infectious jazz-funk and disco classic became one of Benson's biggest crossover hits, reaching No. 4 on the Billboard Hot 100, No. 1 on the Hot Soul Singles chart, and No. 2 on the Hot Disco Singles chart. It also earned Benson a Grammy Award for Best R&B Vocal Performance, Male, in 1981. One of the most memorable elements of the recording is Patti Austin's backing and scat vocals, which add to its rich, layered sound. The music video is even more playful: Benson can be seen singing and playing guitar while roller-skating along the Venice Beach Boardwalk in Los Angeles. He later recalled seeing other skaters and deciding that he wanted to do it himself, despite his manager worrying that he might fall.

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#Today on October 25 1994 .Madonna's "Bedtime Stories" was released by Maverick and Sire Records. A pop album with elements of R&B and hip hop, Bedtime Stories explores lyrical themes of love and romance, but with a toned-down, less sexual approach. In the song "Human Nature", Madonna explicitly addresses the backlash and controversy surrounding her previous projects, whereas title track "Bedtime Story" saw her working with Icelandic singer Björk. The album yielded two Hot 100 top-three singles, "Secret" and "Take a Bow"; the latter stayed at number one for seven weeks on the chart. Follow-ups "Bedtime Story" and "Human Nature" were both top-ten hits on the UK Singles Chart. It was nominated for Best Pop Album at the 38th Grammy Awards. The album debuted and peaked at number three on the US Billboard 200, also reached the first spot in Australia, and charted within the top-five in many other countries, including Canada, France, Germany, and the United Kingdom. In retrospective reviews, it has been referred to as one of Madonna's most important yet underrated albums.
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#Today on October 25 1994 .Madonna's "Bedtime Stories" was released by Maverick and Sire Records. A pop album with elements of R&B and hip hop, Bedtime Stories explores lyrical themes of love and romance, but with a toned-down, less sexual approach. In the song "Human Nature", Madonna explicitly addresses the backlash and controversy surrounding her previous projects, whereas title track "Bedtime Story" saw her working with Icelandic singer Björk. The album yielded two Hot 100 top-three singles, "Secret" and "Take a Bow"; the latter stayed at number one for seven weeks on the chart. Follow-ups "Bedtime Story" and "Human Nature" were both top-ten hits on the UK Singles Chart. It was nominated for Best Pop Album at the 38th Grammy Awards. The album debuted and peaked at number three on the US Billboard 200, also reached the first spot in Australia, and charted within the top-five in many other countries, including Canada, France, Germany, and the United Kingdom. In retrospective reviews, it has been referred to as one of Madonna's most important yet underrated albums.

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"You're My Heart, You're My Soul" is the debut single from Modern Talking's 1985 album The 1st Album. The synth-pop track became a massive international hit, spending six weeks at #1 in West Germany and topping the charts in numerous other countries. It sold over eight million copies worldwide, launching the duo's remarkable success in the mid-1980s. The song's success was so overwhelming that it turned Modern Talking into one of the biggest European pop acts of the decade. It was the first of five consecutive #1 singles in West Germany, a feat unmatched by any other German duo at the time.
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"You're My Heart, You're My Soul" is the debut single from Modern Talking's 1985 album The 1st Album. The synth-pop track became a massive international hit, spending six weeks at #1 in West Germany and topping the charts in numerous other countries. It sold over eight million copies worldwide, launching the duo's remarkable success in the mid-1980s. The song's success was so overwhelming that it turned Modern Talking into one of the biggest European pop acts of the decade. It was the first of five consecutive #1 singles in West Germany, a feat unmatched by any other German duo at the time.

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“Basket Case” was written by Billie Joe Armstrong about the anxiety and panic attacks he experienced for years. He later recalled waking up in the middle of the night in a panic and riding around the neighborhood to calm himself down. At the time he thought he was simply going crazy, but he eventually realised that what he had been experiencing were panic attacks. The song turned those deeply personal experiences into one of Green Day's most enduring anthems. Released in 1994 as the second single from Dookie, “Basket Case” spent five weeks at No. 1 on Billboard's Modern Rock Tracks chart and also reached No. 9 on the Mainstream Rock chart. The song was nominated for Best Rock Vocal Performance by a Duo or Group at the 1995 Grammy Awards, while Dookie won the Grammy for Best Alternative Music Performance.
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“Basket Case” was written by Billie Joe Armstrong about the anxiety and panic attacks he experienced for years. He later recalled waking up in the middle of the night in a panic and riding around the neighborhood to calm himself down. At the time he thought he was simply going crazy, but he eventually realised that what he had been experiencing were panic attacks. The song turned those deeply personal experiences into one of Green Day's most enduring anthems. Released in 1994 as the second single from Dookie, “Basket Case” spent five weeks at No. 1 on Billboard's Modern Rock Tracks chart and also reached No. 9 on the Mainstream Rock chart. The song was nominated for Best Rock Vocal Performance by a Duo or Group at the 1995 Grammy Awards, while Dookie won the Grammy for Best Alternative Music Performance.

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"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.
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"All That She Wants" is the biggest debut hit by Ace of Base, featured on the album Happy Nation (1992) released as The Sign in the United States. The track became a worldwide hit, peaking at #1 in several European countries and #2 on the Billboard Hot 100.

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"I Feel Love" comes from Donna Summer's 1977 album I Remember Yesterday, a concept album that moves through different musical eras, with the title track representing the past, the middle of the album reflecting the present, and "I Feel Love" representing the future. Produced and co-written by Giorgio Moroder and Pete Bellotte, the track was built around Moog synthesizers, sequenced electronic rhythms and Donna Summer's hypnotic vocals, creating a sound that was radically futuristic for its time. The song helped change the course of electronic and dance music. According to a famous story, Brian Eno heard the track while visiting David Bowie's studio and immediately told Bowie that he had heard "the sound of the future." "I Feel Love" topped the UK Singles Chart for four weeks in 1977 and reached No. 9 on the Billboard Hot 100 in the United States, while also topping the US Dance/Disco chart. Its influence can be heard throughout later electronic, house, techno and synth-pop music.
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"I Feel Love" comes from Donna Summer's 1977 album I Remember Yesterday, a concept album that moves through different musical eras, with the title track representing the past, the middle of the album reflecting the present, and "I Feel Love" representing the future. Produced and co-written by Giorgio Moroder and Pete Bellotte, the track was built around Moog synthesizers, sequenced electronic rhythms and Donna Summer's hypnotic vocals, creating a sound that was radically futuristic for its time. The song helped change the course of electronic and dance music. According to a famous story, Brian Eno heard the track while visiting David Bowie's studio and immediately told Bowie that he had heard "the sound of the future." "I Feel Love" topped the UK Singles Chart for four weeks in 1977 and reached No. 9 on the Billboard Hot 100 in the United States, while also topping the US Dance/Disco chart. Its influence can be heard throughout later electronic, house, techno and synth-pop music.

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"Cheri, Cheri Lady" is a song by German pop duo Modern Talking from their second studio album, Let's Talk About Love (1985). It was released as the album's only single on 2 September 1985 and reached number one on the German Singles Chart, becoming the duo's third consecutive number-one single in Germany, following "You're My Heart, You're My Soul" and "You Can Win If You Want". The single spent four weeks at the top and a total of 24 weeks on the German chart, and eventually went gold, selling over 250,000 units there. The song has also reached certified silver in France, denoting sales in excess of 250,000 units.
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"Cheri, Cheri Lady" is a song by German pop duo Modern Talking from their second studio album, Let's Talk About Love (1985). It was released as the album's only single on 2 September 1985 and reached number one on the German Singles Chart, becoming the duo's third consecutive number-one single in Germany, following "You're My Heart, You're My Soul" and "You Can Win If You Want". The single spent four weeks at the top and a total of 24 weeks on the German chart, and eventually went gold, selling over 250,000 units there. The song has also reached certified silver in France, denoting sales in excess of 250,000 units.

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"Hey Ya!" was written, produced and recorded almost entirely by André 3000. He played acoustic guitar, keyboards, programmed the drums and did all the vocals (the only thing he didn't record was the bass, played by Aaron Mills). The track, featured on the album Speakerboxxx/The Love Below (2003), became one of the biggest hits of his career. The video was directly inspired by the Beatles' historic performance on the Ed Sullivan Show in 1964. The success was so great that "Hey Ya!" spent 9 weeks at the top of the Billboard Hot 100 and won the Grammy for Best Urban/Alternative Performance.
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"Hey Ya!" was written, produced and recorded almost entirely by André 3000. He played acoustic guitar, keyboards, programmed the drums and did all the vocals (the only thing he didn't record was the bass, played by Aaron Mills). The track, featured on the album Speakerboxxx/The Love Below (2003), became one of the biggest hits of his career. The video was directly inspired by the Beatles' historic performance on the Ed Sullivan Show in 1964. The success was so great that "Hey Ya!" spent 9 weeks at the top of the Billboard Hot 100 and won the Grammy for Best Urban/Alternative Performance.

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