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Ginger Pixie Lexi loved getting her meaty size 5’s devoured and worshipped her face goes through many emotions in this one 🥵🥵 •Full vid 26mins #feet #feetworshi̇p #footgagging #deepfeet #soles #toes #pyt #findom

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Taiga

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70,361 görüntüleme • 1 ay önce •via X (Twitter)

NSFW#feet#feetworshi̇p#footgagging#deepfeet#soles#toes#pyt#findom
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Rachel likes to be in complete control 😍watch as she shoves her perfect latina size 8s down my throat and even pulls my hood to stop me from running 😵‍💫🤤 she said she loves how wet her feet get 🤭 •Full Vid 26 mins #feet #feetworshi̇p #footgagging #deepfeet #soles #toes #pyt
4:11

Rachel likes to be in complete control 😍watch as she shoves her perfect latina size 8s down my throat and even pulls my hood to stop me from running 😵‍💫🤤 she said she loves how wet her feet get 🤭 •Full Vid 26 mins #feet #feetworshi̇p #footgagging #deepfeet #soles #toes #pyt

Taiga

26,423 görüntüleme • 10 gün önce

A mean and bratty Sorority girl with a twist…her Mom is just as responsible for you being obsessed. Sheesh, how many kinks in this one? 🤔 P.S. - Let’s encourage them to do one together @Goddessjadeluv +💫𝔔𝔲𝔢𝔢𝔫ℜ𝔢𝔟𝔟𝔢𝔠𝔠𝔞💫 🥛 👣 size 9s #footfetish #soles #feet #mom #daughter
0:27

A mean and bratty Sorority girl with a twist…her Mom is just as responsible for you being obsessed. Sheesh, how many kinks in this one? 🤔 P.S. - Let’s encourage them to do one together @Goddessjadeluv +💫𝔔𝔲𝔢𝔢𝔫ℜ𝔢𝔟𝔟𝔢𝔠𝔠𝔞💫 🥛 👣 size 9s #footfetish #soles #feet #mom #daughter

🦶🏻🦶🏾🦶🏿a -N- s 🦶🏿🦶🏾🦶🏻

12,016 görüntüleme • 2 yıl önce

This gave me chills. See the joy on Ireland Broderick's face? She's #2 for Valley High School Athletics and Activities. This moment was full of so many emotions. Mike Broderick tragically lost his battle with liver cancer in January of this year. The husband and father of four girls was only 51. He served in the U.S. Army for 20 years and was a firefighter for 17 years for Des Moines Fire Dept and Norwalk. Wednesday was one of those moments Mike had dreamed about. Ireland had the game of her life in the field and at the plate. She was 3-4 with a HR. Her team beat Ankeny 8-1 to advance to the 5A championship. She got to be the one to put her team's sticker on the bracket to advance them. Her dad's firefighter decal was on everyone's helmet during the game. I spoke to Ireland after about her dad and what this moment meant.IGHSAU KCCI News
0:43

This gave me chills. See the joy on Ireland Broderick's face? She's #2 for Valley High School Athletics and Activities. This moment was full of so many emotions. Mike Broderick tragically lost his battle with liver cancer in January of this year. The husband and father of four girls was only 51. He served in the U.S. Army for 20 years and was a firefighter for 17 years for Des Moines Fire Dept and Norwalk. Wednesday was one of those moments Mike had dreamed about. Ireland had the game of her life in the field and at the plate. She was 3-4 with a HR. Her team beat Ankeny 8-1 to advance to the 5A championship. She got to be the one to put her team's sticker on the bracket to advance them. Her dad's firefighter decal was on everyone's helmet during the game. I spoke to Ireland after about her dad and what this moment meant.IGHSAU KCCI News

Scott Reister

41,912 görüntüleme • 2 yıl önce

Italian conservator Lorenza D'Alessandro working on conservation of tomb of Queen Nefertari, 1989..... Tomb of Nefertari, Great Wife of Pharaoh Ramesses II (d. 1213 BC), located in Egypt's Valley of the Queens and was discovered by Ernesto Schiaparelli (director of Egyptian Museum in Turin) in 1904. It is called Sistine Chapel of Ancient Egypt. Nefertari, which means "beautiful companion", was Ramesses II's favorite wife; he went out of his way to make this obvious, referring to her as "the one for whom the sun shines" in his writings, built the Temple of Hathor to idolize her as a deity, and commissioned portraiture wall paintings. In Valley of the Queens, Nefertari's tomb once held mummified body and representative symbolisms of her, like what most Egyptian tombs consisted of; now, everything had been looted except for two thirds of 5200 square feet of wall paintings. For what still remains, these wall paintings characterized Nefertari's character. Her face was given a lot of attention to emphasize her beauty, especially shape of her eyes, blush of her cheeks and her eyebrows. Some paintings were full of lines and color of red, blue, yellow and green that portrayed exquisite directions to navigating through afterlife to paradise. 🎥© Lorenza D'Alessandro - YT Archive #archaeohistories
0:37

Italian conservator Lorenza D'Alessandro working on conservation of tomb of Queen Nefertari, 1989..... Tomb of Nefertari, Great Wife of Pharaoh Ramesses II (d. 1213 BC), located in Egypt's Valley of the Queens and was discovered by Ernesto Schiaparelli (director of Egyptian Museum in Turin) in 1904. It is called Sistine Chapel of Ancient Egypt. Nefertari, which means "beautiful companion", was Ramesses II's favorite wife; he went out of his way to make this obvious, referring to her as "the one for whom the sun shines" in his writings, built the Temple of Hathor to idolize her as a deity, and commissioned portraiture wall paintings. In Valley of the Queens, Nefertari's tomb once held mummified body and representative symbolisms of her, like what most Egyptian tombs consisted of; now, everything had been looted except for two thirds of 5200 square feet of wall paintings. For what still remains, these wall paintings characterized Nefertari's character. Her face was given a lot of attention to emphasize her beauty, especially shape of her eyes, blush of her cheeks and her eyebrows. Some paintings were full of lines and color of red, blue, yellow and green that portrayed exquisite directions to navigating through afterlife to paradise. 🎥© Lorenza D'Alessandro - YT Archive #archaeohistories

Archaeo - Histories

15,662 görüntüleme • 10 ay önce

On April 22, 2026, my cousin was attacked by a group of students from Marcus Garvey Technical High School (Top Campus) on her way home from school. She was not involved in the original conflict, but she was targeted anyway. Multiple students surrounded her, hit her, and even used objects to strike her. The bus driver did not intervene. This is especially concerning given that Andrew Holness implemented this bus system to provide students with a safer way to commute to and from school, yet they are still not safe from each other. She came home in pain with a swollen face, a bruised lip, and her uniform torn off of her. The full video is not being shared to protect her identity, but in the clip, one of the attackers can be heard saying, “it nuh done yet” (“it’s not over yet”), further threatening her. Today, she is going to the hospital and a formal report is being made. This is not “school drama”. This is a group assault. This is battery. Students should not have to fear for their safety just trying to get home. There must be accountability for the students involved and for the lack of supervision. We are asking for a full investigation into this incident! Bullying and violence in schools is getting out of control. How many more children will be killed before something is done? We will not stay silent. Silence only allows this to continue Help me tag the right people in the comments section guys. Please share this video to help us raise awareness!
0:22

On April 22, 2026, my cousin was attacked by a group of students from Marcus Garvey Technical High School (Top Campus) on her way home from school. She was not involved in the original conflict, but she was targeted anyway. Multiple students surrounded her, hit her, and even used objects to strike her. The bus driver did not intervene. This is especially concerning given that Andrew Holness implemented this bus system to provide students with a safer way to commute to and from school, yet they are still not safe from each other. She came home in pain with a swollen face, a bruised lip, and her uniform torn off of her. The full video is not being shared to protect her identity, but in the clip, one of the attackers can be heard saying, “it nuh done yet” (“it’s not over yet”), further threatening her. Today, she is going to the hospital and a formal report is being made. This is not “school drama”. This is a group assault. This is battery. Students should not have to fear for their safety just trying to get home. There must be accountability for the students involved and for the lack of supervision. We are asking for a full investigation into this incident! Bullying and violence in schools is getting out of control. How many more children will be killed before something is done? We will not stay silent. Silence only allows this to continue Help me tag the right people in the comments section guys. Please share this video to help us raise awareness!

KINGMIXUP

136,914 görüntüleme • 4 ay önce

I didn't know this was how Miyabi's mother died. I thought she got blasted or something in the chaos of the Hollow's expansion, but learning the truth, that she was corrupted by Ether into an almost monstrous state, and the only way for her to pass peacefully was to be slain by her own beloved daughter... Her mother had always dreamed of a peaceful life for Miyabi, shielding her from the weight of the Hoshimi family's cursed legacy and the blade Tailless. She trained her in gentler ways, pouring everything into giving her daughter a chance at ordinary happiness, far from the path of warriors and Hollows. Yet during the Fall of the Old Capital, when Hollow Zero suddenly devoured their home and corrupted so many, including her, that gentle wish was ripped away. That single moment shattered everything. A mother who only wanted to watch her little girl grow up, laugh, and chase simple joys, robbed of it all in the cruelest way imaginable. She never got to see Miyabi blossom into the extraordinary young woman she is today. And Miyabi... she lost the one person who was her entire universe. Her mother was her strength, her teacher, her source of warmth and comfort in a lineage steeped in duty and blood. With that loss, the light in her world dimmed. No wonder she often seems to lack emotions on the surface to me, it's not coldness. She's rigorously keeping her grief in check, channeling the unbearable pain into iron discipline so it doesn't consume her. This kind of grief doesn't just fade you know, it carves deep scars. The helplessness of watching the person you love most twist into something unrecognizable, then being forced to raise the blade against them, it's a wound that never fully heals. Yet Miyabi transformed that loss into unyielding strength. She turned her weakness and sorrow into a vow, to become the blade that protects the weak, so no one else ever has to endure such a nightmare. She leads Hollow Special Operations Section 6 not just out of duty, but to sever the roots of corruption, to confront Hollows headnon, and to ensure that children like the girl she once was never lose their entire world in a single, merciless instant. Her mother's unfulfilled wish now fuels her resolve. Mothers deserve to see their children grow. Miyabi deserved to be wrapped in that love for years to come. The tragedy stole that from them both, but in honoring her mother's memory through her determination and fierce protection of New Eridu, Miyabi keeps that love alive in the only way she can. It's heartbreaking... yet incredibly powerful.
2:05

I didn't know this was how Miyabi's mother died. I thought she got blasted or something in the chaos of the Hollow's expansion, but learning the truth, that she was corrupted by Ether into an almost monstrous state, and the only way for her to pass peacefully was to be slain by her own beloved daughter... Her mother had always dreamed of a peaceful life for Miyabi, shielding her from the weight of the Hoshimi family's cursed legacy and the blade Tailless. She trained her in gentler ways, pouring everything into giving her daughter a chance at ordinary happiness, far from the path of warriors and Hollows. Yet during the Fall of the Old Capital, when Hollow Zero suddenly devoured their home and corrupted so many, including her, that gentle wish was ripped away. That single moment shattered everything. A mother who only wanted to watch her little girl grow up, laugh, and chase simple joys, robbed of it all in the cruelest way imaginable. She never got to see Miyabi blossom into the extraordinary young woman she is today. And Miyabi... she lost the one person who was her entire universe. Her mother was her strength, her teacher, her source of warmth and comfort in a lineage steeped in duty and blood. With that loss, the light in her world dimmed. No wonder she often seems to lack emotions on the surface to me, it's not coldness. She's rigorously keeping her grief in check, channeling the unbearable pain into iron discipline so it doesn't consume her. This kind of grief doesn't just fade you know, it carves deep scars. The helplessness of watching the person you love most twist into something unrecognizable, then being forced to raise the blade against them, it's a wound that never fully heals. Yet Miyabi transformed that loss into unyielding strength. She turned her weakness and sorrow into a vow, to become the blade that protects the weak, so no one else ever has to endure such a nightmare. She leads Hollow Special Operations Section 6 not just out of duty, but to sever the roots of corruption, to confront Hollows headnon, and to ensure that children like the girl she once was never lose their entire world in a single, merciless instant. Her mother's unfulfilled wish now fuels her resolve. Mothers deserve to see their children grow. Miyabi deserved to be wrapped in that love for years to come. The tragedy stole that from them both, but in honoring her mother's memory through her determination and fierce protection of New Eridu, Miyabi keeps that love alive in the only way she can. It's heartbreaking... yet incredibly powerful.

HIM'EL

131,041 görüntüleme • 2 ay önce

Hayden Panettiere’s final chapter was far more complicated than the headlines suggest. 💔 1️⃣ She gave Wladimir Klitschko full custody of their daughter Kaya in 2018. Hayden was struggling with postpartum depression, alcoholism and opioid addiction and said she knew she wasn’t in a position to give Kaya the stability she needed. She described signing the papers as one of the most heartbreaking experiences of her life—not abandoning her daughter, but believing Kaya would be safer and healthier with her father while Hayden worked on recovery. 2️⃣ She chose recovery over pretending everything was okay. Hayden entered rehab and repeatedly confronted her addiction and mental-health struggles publicly. She later said the custody decision gave her the opportunity to work on herself, and even after getting healthier, she respected the stability Kaya had with Wladimir rather than uprooting her life. Hayden continued traveling to see Kaya and maintaining a close relationship through visits and FaceTime. 3️⃣ She finally chose to live openly as herself. In 2026, while discussing her memoir This Is Me: A Reckoning, Hayden publicly identified as bisexual. She explained that she had kept that part of herself private for years because she was afraid of how people would perceive it, but writing her story made her ask, essentially, why not be honest now? Perhaps the most heartbreaking part is that Hayden never stopped loving her daughter. Shortly before her death, she said Kaya knew that she had two parents who loved her and would do anything to make sure she was happy and healthy. Hayden’s story wasn’t simply about “giving up” her child—it was about a mother trying to survive, recover and make the choice she believed was best for her daughter. 🕊️
1:15

Hayden Panettiere’s final chapter was far more complicated than the headlines suggest. 💔 1️⃣ She gave Wladimir Klitschko full custody of their daughter Kaya in 2018. Hayden was struggling with postpartum depression, alcoholism and opioid addiction and said she knew she wasn’t in a position to give Kaya the stability she needed. She described signing the papers as one of the most heartbreaking experiences of her life—not abandoning her daughter, but believing Kaya would be safer and healthier with her father while Hayden worked on recovery. 2️⃣ She chose recovery over pretending everything was okay. Hayden entered rehab and repeatedly confronted her addiction and mental-health struggles publicly. She later said the custody decision gave her the opportunity to work on herself, and even after getting healthier, she respected the stability Kaya had with Wladimir rather than uprooting her life. Hayden continued traveling to see Kaya and maintaining a close relationship through visits and FaceTime. 3️⃣ She finally chose to live openly as herself. In 2026, while discussing her memoir This Is Me: A Reckoning, Hayden publicly identified as bisexual. She explained that she had kept that part of herself private for years because she was afraid of how people would perceive it, but writing her story made her ask, essentially, why not be honest now? Perhaps the most heartbreaking part is that Hayden never stopped loving her daughter. Shortly before her death, she said Kaya knew that she had two parents who loved her and would do anything to make sure she was happy and healthy. Hayden’s story wasn’t simply about “giving up” her child—it was about a mother trying to survive, recover and make the choice she believed was best for her daughter. 🕊️

Velvet Storm

514,114 görüntüleme • 11 gün önce

🚨BOMBSHELL: Erika Kirk Is a Psychopath Who Adapts Personalities Like Hillary Clinton —Rehearsed Emotions, Pathological Lies, Zero Genuine Grief😬 Candace opens with the line everyone’s feeling but no one dared say out loud: “Something is not right with Erika Kirk.” Despite the most aggressive preemptive smear campaign in recent memory — signed letters from the Treasury Secretary, influencers screaming “sheer evil,” the full “grieving widow” guilt trip — the public isn’t buying it. Then Candace reads in full the viral post from investigative journalist ELIZABETH LANE that millions have been quietly sharing. It’s brutal, brilliant, and says what so many have felt but couldn’t articulate: Erika isn’t just ambitious. She’s calculated. Her emotions feel rehearsed. She triggers an instinctive “I can’t watch her” reaction in people across the political spectrum. Candace agrees — and says she’s spent months interviewing ex-boyfriends, old classmates, and digging into the patterns. She’ll be proving it all. She even drops the deeper psychological angle: the uncanny valley effect, shallow affect, and how this matches traits long studied in psychopathy research (and yes, she goes there on the occult origins of modern psychology and MK Ultra). This isn’t gossip. This is the most watched woman in America saying what millions are thinking — and promising receipts. Episode 1 is out right now. I f you’ve ever felt that something was deeply off about Erika Kirk stepping into a $250M+ charity with zero qualifications days after her husband’s assassination… this series is for you. Watch it. Share it. The truth doesn’t fear inspection. Drop 🔥 if you’re already on Episode 1 RT this so everyone sees what they tried to bury Tag Candace Owens and tell her we’re locked in for every single episode The attacks only made it bigger.
11:41

🚨BOMBSHELL: Erika Kirk Is a Psychopath Who Adapts Personalities Like Hillary Clinton —Rehearsed Emotions, Pathological Lies, Zero Genuine Grief😬 Candace opens with the line everyone’s feeling but no one dared say out loud: “Something is not right with Erika Kirk.” Despite the most aggressive preemptive smear campaign in recent memory — signed letters from the Treasury Secretary, influencers screaming “sheer evil,” the full “grieving widow” guilt trip — the public isn’t buying it. Then Candace reads in full the viral post from investigative journalist ELIZABETH LANE that millions have been quietly sharing. It’s brutal, brilliant, and says what so many have felt but couldn’t articulate: Erika isn’t just ambitious. She’s calculated. Her emotions feel rehearsed. She triggers an instinctive “I can’t watch her” reaction in people across the political spectrum. Candace agrees — and says she’s spent months interviewing ex-boyfriends, old classmates, and digging into the patterns. She’ll be proving it all. She even drops the deeper psychological angle: the uncanny valley effect, shallow affect, and how this matches traits long studied in psychopathy research (and yes, she goes there on the occult origins of modern psychology and MK Ultra). This isn’t gossip. This is the most watched woman in America saying what millions are thinking — and promising receipts. Episode 1 is out right now. I f you’ve ever felt that something was deeply off about Erika Kirk stepping into a $250M+ charity with zero qualifications days after her husband’s assassination… this series is for you. Watch it. Share it. The truth doesn’t fear inspection. Drop 🔥 if you’re already on Episode 1 RT this so everyone sees what they tried to bury Tag Candace Owens and tell her we’re locked in for every single episode The attacks only made it bigger.

Project Constitution

51,690 görüntüleme • 6 ay önce

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.
0:30

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.

Noor 🌸

22,732 görüntüleme • 16 gün önce

Oh boy, these two Spanish teen hotties really need their smokes while they're in the bathroom getting ready to head out. The sexy brunette already has her ciggie between her puffed-up lips, and wastes no time lighting up. And we can see in the mirror that her stocky friend in white immediately sparks up as well. Oh yeah, these hotties are just so needy; when one of them starts the fun, the other simply can't resist joining in. They're so nervy; they only have fifteen minutes left before heading out, and still have so much to do. But pumping themselves full of delicious nicotine calms them down. The tall one pulls her hair straightener out while she feels the relaxing nicotine rush through her sexy body. Her massive pumped-up puffers are just perfect to seal on that filter. This girl has the perfect smoker's face. And her friend's braces are quite simply the icing on the cake. Yeah, they may still be teens, but are already so mind-blowingly hot, and so hugely addicted. You just know that they're gonna attract all the horny boys on their evening out. And who wouldn't want to spend some quality time with these super sexy Spanish teen babes? #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokinginthebathroom #lightingup #deepinhale #exhale #puffylips #pumpeduplips #smokinginbraces #girlwithbraces #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #spanishgirl #spanishsmoker
3:38

Oh boy, these two Spanish teen hotties really need their smokes while they're in the bathroom getting ready to head out. The sexy brunette already has her ciggie between her puffed-up lips, and wastes no time lighting up. And we can see in the mirror that her stocky friend in white immediately sparks up as well. Oh yeah, these hotties are just so needy; when one of them starts the fun, the other simply can't resist joining in. They're so nervy; they only have fifteen minutes left before heading out, and still have so much to do. But pumping themselves full of delicious nicotine calms them down. The tall one pulls her hair straightener out while she feels the relaxing nicotine rush through her sexy body. Her massive pumped-up puffers are just perfect to seal on that filter. This girl has the perfect smoker's face. And her friend's braces are quite simply the icing on the cake. Yeah, they may still be teens, but are already so mind-blowingly hot, and so hugely addicted. You just know that they're gonna attract all the horny boys on their evening out. And who wouldn't want to spend some quality time with these super sexy Spanish teen babes? #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokinginthebathroom #lightingup #deepinhale #exhale #puffylips #pumpeduplips #smokinginbraces #girlwithbraces #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #spanishgirl #spanishsmoker

Smoking girl lover

25,783 görüntüleme • 6 ay önce

THE TRUTH SHALL CONTINUE TO PREVAIL We would like to appreciate those who stood up for IMISI against all odds, especially when the last incident happened a couple of days ago, and we pray that God will continue to come through for you as well. However, we would equally like to tell those who would stop at nothing, all in the name of an agenda to spin the truth: may I remind you that any attempt to muddy the narrative, all in the name of an agenda, will be met with the full resistance of Imisi, her team, and all her loved ones (IMISTARS) around the world. It is one thing not to like her; it is another thing to distort her, call her a liar, and lace it with gaslighting. I hope those who have said so many horrible things about her person based on the past event can now look themselves in the mirror. The release of the video confirms what she had said all along. The incident was not only disrespectful, but the false narrative that followed was deeply damaging. While an apology has since been issued (now deleted again lol), it is difficult to accept words that come after denial, gaslighting, and an attempt to rewrite the truth. Accountability requires sincerity, and sincerity was absent. This solidifies what we've been saying. Imisi continues to show strength in the face of provocation, but no one should have to wear resilience as a shield against constant hostility. We thank the Imistars for standing firm in love, truth, and support for Imisi. She deserves fairness, respect, and dignity, nothing less. Team Imisi 🧡 #ImisiAyanwale #imisi #BBNaija
0:22

THE TRUTH SHALL CONTINUE TO PREVAIL We would like to appreciate those who stood up for IMISI against all odds, especially when the last incident happened a couple of days ago, and we pray that God will continue to come through for you as well. However, we would equally like to tell those who would stop at nothing, all in the name of an agenda to spin the truth: may I remind you that any attempt to muddy the narrative, all in the name of an agenda, will be met with the full resistance of Imisi, her team, and all her loved ones (IMISTARS) around the world. It is one thing not to like her; it is another thing to distort her, call her a liar, and lace it with gaslighting. I hope those who have said so many horrible things about her person based on the past event can now look themselves in the mirror. The release of the video confirms what she had said all along. The incident was not only disrespectful, but the false narrative that followed was deeply damaging. While an apology has since been issued (now deleted again lol), it is difficult to accept words that come after denial, gaslighting, and an attempt to rewrite the truth. Accountability requires sincerity, and sincerity was absent. This solidifies what we've been saying. Imisi continues to show strength in the face of provocation, but no one should have to wear resilience as a shield against constant hostility. We thank the Imistars for standing firm in love, truth, and support for Imisi. She deserves fairness, respect, and dignity, nothing less. Team Imisi 🧡 #ImisiAyanwale #imisi #BBNaija

IMISIOLUWA🧡

103,485 görüntüleme • 1 yıl önce

There’s a scene in the movie “A Star is Born” with Bradley Cooper and the dog outside the garage. I watched that movie in the end of my drinking days and the scene tortured me so much thinking about it. Of course it was only a movie but I then proceeded to pretty much try drink myself to death. I used to listen to this song hammered drunk alone and crying for hours. The thought of Snoop being home waiting for me is what got me through that ICU visit and made me want to change my life. There’s a lot of emotions in my head about Tina. They are however surprisingly positive. Yes her stay was very short and we’d all have loved to have her for years to make us smile. However for me personally I’m proud of myself because I did all the hard things for her and she had everything perfect until the very last moment. I’d never have done 1% of that when being addicted. I’d have let her down and been selfish and gone off drinking. I’m so happy I got to meet her because she taught me a type of love that I never thought even existed. She was selfless and completely pure in a way I never saw in any creature on this planet. The song and looking at Tina videos just got me thinking that it doesn’t have to end badly. Things can turn around. You can be running around the jungle with a dog absolutely full of life with a huge smile on your face and everything to live for. Thank you Tina. The work for you has only just started and I’ll see you again one day 🥰🥰
1:23

There’s a scene in the movie “A Star is Born” with Bradley Cooper and the dog outside the garage. I watched that movie in the end of my drinking days and the scene tortured me so much thinking about it. Of course it was only a movie but I then proceeded to pretty much try drink myself to death. I used to listen to this song hammered drunk alone and crying for hours. The thought of Snoop being home waiting for me is what got me through that ICU visit and made me want to change my life. There’s a lot of emotions in my head about Tina. They are however surprisingly positive. Yes her stay was very short and we’d all have loved to have her for years to make us smile. However for me personally I’m proud of myself because I did all the hard things for her and she had everything perfect until the very last moment. I’d never have done 1% of that when being addicted. I’d have let her down and been selfish and gone off drinking. I’m so happy I got to meet her because she taught me a type of love that I never thought even existed. She was selfless and completely pure in a way I never saw in any creature on this planet. The song and looking at Tina videos just got me thinking that it doesn’t have to end badly. Things can turn around. You can be running around the jungle with a dog absolutely full of life with a huge smile on your face and everything to live for. Thank you Tina. The work for you has only just started and I’ll see you again one day 🥰🥰

Niall Harbison

2,287,965 görüntüleme • 3 yıl önce

a xiaohongshu entertainment account with 1.5m followers posted this video, and it has already surpassed 90k+ likes. i hope more people get to know sun fanqing's story. behind all the headlines, there's a person who has faced many difficult moments along the way. i hope more people take the time to hear her story with an open heart 🥹 🎙️: her name isn't actually song zu'er. her real name is sun fanqing. (🦢: hello everyone, i'm sun fanqing) 🎙️: it wasn't until she introduced herself at an event that people learned the name song zu'er had actually been forced on her. her childhood manager forced her to change her name and even used false identity information for her. as a result, she couldn't take her middle school and high school entrance examinations normally. in the end, she had no choice but to study abroad. at the same time, her manager took almost all of her acting income, leaving her with only a small allowance for living expenses. after the halo of being a child star faded, life overseas was far from easy. she lived in a basement and had to face cultural differences and loneliness all by herself. (🦢:when i went to the united states, i didn't have an agent. i got myself there on my own. the agency fee was 100,000 yuan. i still remember spending 40 yuan to buy skype credit, sleeping during the day, and staying up every night to call american schools one by one. in the end, i managed to save myself.) after returning to china, she balanced an intense acting schedule with preparing for the college entrance examination. it was a time filled with constant anxiety. what remained in her memory were countless red-eye flights, film sets, early-morning airports, and even during her favorite meals, she kept her head down solving practice questions. fortunately, all of her hard work paid off, and she was admitted to the beijing film academy with outstanding grades. she thought everything would finally go smoothly from then on, but luck still wasn't on her side. first, she became the target of online ridicule. later, she was falsely accused of tax-related issues by a former employee. she fully cooperated with the investigation and eventually returned to the public eye through her work. but the price was two precious years during the prime of her acting career. just when everything had finally settled down, people maliciously edited photos to make her look alarmingly thin. negative hashtags and online attacks followed one after another, even though she had only lost weight for a role. at one point people criticized her for gaining weight, so she quietly worked on her fitness. later, when people said she was too thin, she reassured her fans that she was already taking care of her health and recovering. after returning to the entertainment industry, at her first wrap party after filming, she heard her fans cheering for her. she responded with tears in her eyes– "thank you... thank you. with all of you here, i feel like i've been saved." unable to hold back her emotions, she said to her fans–"this is something i never even dared to dream of." she also said–"i think being loved by people is an incredibly fortunate thing. their encouragement makes me feel so cherished, because they support you unconditionally and like you unconditionally. to me, that's something i'm truly lucky to have." 🎙️: sun fanqing– true to her name, clear and sincere. those who understand her know she has always remained true to herself. sun fanqing, we all like you very much. may you always be happy 😭
1:46

a xiaohongshu entertainment account with 1.5m followers posted this video, and it has already surpassed 90k+ likes. i hope more people get to know sun fanqing's story. behind all the headlines, there's a person who has faced many difficult moments along the way. i hope more people take the time to hear her story with an open heart 🥹 🎙️: her name isn't actually song zu'er. her real name is sun fanqing. (🦢: hello everyone, i'm sun fanqing) 🎙️: it wasn't until she introduced herself at an event that people learned the name song zu'er had actually been forced on her. her childhood manager forced her to change her name and even used false identity information for her. as a result, she couldn't take her middle school and high school entrance examinations normally. in the end, she had no choice but to study abroad. at the same time, her manager took almost all of her acting income, leaving her with only a small allowance for living expenses. after the halo of being a child star faded, life overseas was far from easy. she lived in a basement and had to face cultural differences and loneliness all by herself. (🦢:when i went to the united states, i didn't have an agent. i got myself there on my own. the agency fee was 100,000 yuan. i still remember spending 40 yuan to buy skype credit, sleeping during the day, and staying up every night to call american schools one by one. in the end, i managed to save myself.) after returning to china, she balanced an intense acting schedule with preparing for the college entrance examination. it was a time filled with constant anxiety. what remained in her memory were countless red-eye flights, film sets, early-morning airports, and even during her favorite meals, she kept her head down solving practice questions. fortunately, all of her hard work paid off, and she was admitted to the beijing film academy with outstanding grades. she thought everything would finally go smoothly from then on, but luck still wasn't on her side. first, she became the target of online ridicule. later, she was falsely accused of tax-related issues by a former employee. she fully cooperated with the investigation and eventually returned to the public eye through her work. but the price was two precious years during the prime of her acting career. just when everything had finally settled down, people maliciously edited photos to make her look alarmingly thin. negative hashtags and online attacks followed one after another, even though she had only lost weight for a role. at one point people criticized her for gaining weight, so she quietly worked on her fitness. later, when people said she was too thin, she reassured her fans that she was already taking care of her health and recovering. after returning to the entertainment industry, at her first wrap party after filming, she heard her fans cheering for her. she responded with tears in her eyes– "thank you... thank you. with all of you here, i feel like i've been saved." unable to hold back her emotions, she said to her fans–"this is something i never even dared to dream of." she also said–"i think being loved by people is an incredibly fortunate thing. their encouragement makes me feel so cherished, because they support you unconditionally and like you unconditionally. to me, that's something i'm truly lucky to have." 🎙️: sun fanqing– true to her name, clear and sincere. those who understand her know she has always remained true to herself. sun fanqing, we all like you very much. may you always be happy 😭

𝕻

23,616 görüntüleme • 2 ay önce

So, THIS is what I'm talking about. Something about this song always stood out, but I never bothered finding out what it means, until someone asked, 'When was it that Cihan fell in love?' To me, it's this moment. He's sure he's in love with Alya here. Him singing "Akşam olur karanlığa kalırsın" is his way of telling her of his love and secretly bidding her goodbye (because he knows she's planning on leaving, and as we later learn, he intends to let her go.) When you learn about the song, it's so damn obvious. It's an Anatolian folk song about unrequited love. So while Ciho knows and accepts his feelings, he's pretty sure Alya feels nothing for him. Which is why he's so freaking surprised when Alya hesitates at the airport, and doesn't leave. And, just look at the lyrics. “Akşam olur karanlığa kalırsın / Derin derin sevdalara dalarsın” Evening comes, you’re left in the dark / You drift into love(s) so deep Cihan knows Alya is about to leave; he's heard her secret plan. So, basically, by evening, he knows she'll be gone, and he'll be alone, drifting in the memories she left behind. “Oy gelin gelin sevdalı gelin / Öldürdün beni” Oh bride, love-struck bride / You’ve killed me This is the painful, ironic bit. She is his wife, his bride, but in name only. They get married out of convenience, out of necessity. But Ciho does the unthinkable and falls in love. To him, she has no such feelings, so love-struck here can mean her own dreams, her own life, anything but him. And, that's what's 'killing' him. He loves her, but he can't even confess his love to stop her from leaving him. “Bülbül ne ötersin yuvanmı yoktur? / Yoksa benim gibi sevdan mı çoktur?” Nightingale, why do you sing, don’t you have a home? / Or do you, like me, have too many loves? In eastern poetry, the nightingale or the bulbul is symbolic of a tragic lover, one who constantly laments the absence of his loved one by singing. No guesses for who the bulbul is in this situation. Then the rhetorical question, 'Why do you sing nightingale?' We know Ciho is singing out of his love for Alya, and the second line, 'Or have you, like me, loved too deeply?' Ouuff. This poor boy is suffering, and suffering badly. He can't say he loves Alya aloud because he knows she's not ready, so he sings it for her, hoping against hope she'll understand. Then comes the whopper: “Ellerin elime değdiği zaman / İster ölüm olsun ister ayrılık” When your hands touched mine / Let it be death, or let it be separation This bit sounds a little, how shall I say it? Depressing? But it's not. The line 'When your hands touched mine' to me is indicative of all the rare moments of warmth they've shared. And the line ' Be it death or be it separation' is his way of saying, he'd rather have all those moments and lose her, than never having touched her, known her, or loved her at all. Like they say, it's better to have loved and lost than never to have loved at all. So, yeah. This moment, right here, to me, is Cihan's first confession. And what a beautiful confession it is. It's subtle, like him. It's deep and meaningful, without being in your face. And, here's the best part - you can clearly see what he sings gets through to Alya. Because her expression is so tragic, so melancholy, like some part of her knows he's spelling out his love and saying goodbye. And who knows, maybe that's the reason she can't leave at the airport. Her subconscious picks up on what Cihan is trying to convey, and that's what leads to that struggle between her mind and heart. Masterfully done. Not appreciated enough. And, all the kudos to Sinem and Ozan for portraying it so beautifully that even non-Turkish speakers get the gist. #CihAl #UzakŞehir
2:42

So, THIS is what I'm talking about. Something about this song always stood out, but I never bothered finding out what it means, until someone asked, 'When was it that Cihan fell in love?' To me, it's this moment. He's sure he's in love with Alya here. Him singing "Akşam olur karanlığa kalırsın" is his way of telling her of his love and secretly bidding her goodbye (because he knows she's planning on leaving, and as we later learn, he intends to let her go.) When you learn about the song, it's so damn obvious. It's an Anatolian folk song about unrequited love. So while Ciho knows and accepts his feelings, he's pretty sure Alya feels nothing for him. Which is why he's so freaking surprised when Alya hesitates at the airport, and doesn't leave. And, just look at the lyrics. “Akşam olur karanlığa kalırsın / Derin derin sevdalara dalarsın” Evening comes, you’re left in the dark / You drift into love(s) so deep Cihan knows Alya is about to leave; he's heard her secret plan. So, basically, by evening, he knows she'll be gone, and he'll be alone, drifting in the memories she left behind. “Oy gelin gelin sevdalı gelin / Öldürdün beni” Oh bride, love-struck bride / You’ve killed me This is the painful, ironic bit. She is his wife, his bride, but in name only. They get married out of convenience, out of necessity. But Ciho does the unthinkable and falls in love. To him, she has no such feelings, so love-struck here can mean her own dreams, her own life, anything but him. And, that's what's 'killing' him. He loves her, but he can't even confess his love to stop her from leaving him. “Bülbül ne ötersin yuvanmı yoktur? / Yoksa benim gibi sevdan mı çoktur?” Nightingale, why do you sing, don’t you have a home? / Or do you, like me, have too many loves? In eastern poetry, the nightingale or the bulbul is symbolic of a tragic lover, one who constantly laments the absence of his loved one by singing. No guesses for who the bulbul is in this situation. Then the rhetorical question, 'Why do you sing nightingale?' We know Ciho is singing out of his love for Alya, and the second line, 'Or have you, like me, loved too deeply?' Ouuff. This poor boy is suffering, and suffering badly. He can't say he loves Alya aloud because he knows she's not ready, so he sings it for her, hoping against hope she'll understand. Then comes the whopper: “Ellerin elime değdiği zaman / İster ölüm olsun ister ayrılık” When your hands touched mine / Let it be death, or let it be separation This bit sounds a little, how shall I say it? Depressing? But it's not. The line 'When your hands touched mine' to me is indicative of all the rare moments of warmth they've shared. And the line ' Be it death or be it separation' is his way of saying, he'd rather have all those moments and lose her, than never having touched her, known her, or loved her at all. Like they say, it's better to have loved and lost than never to have loved at all. So, yeah. This moment, right here, to me, is Cihan's first confession. And what a beautiful confession it is. It's subtle, like him. It's deep and meaningful, without being in your face. And, here's the best part - you can clearly see what he sings gets through to Alya. Because her expression is so tragic, so melancholy, like some part of her knows he's spelling out his love and saying goodbye. And who knows, maybe that's the reason she can't leave at the airport. Her subconscious picks up on what Cihan is trying to convey, and that's what leads to that struggle between her mind and heart. Masterfully done. Not appreciated enough. And, all the kudos to Sinem and Ozan for portraying it so beautifully that even non-Turkish speakers get the gist. #CihAl #UzakŞehir

CocoLoco

34,080 görüntüleme • 1 yıl önce

That whole saga with Sejal Pawar has left so many people shocked and scrolling through old chats . According to the stories making rounds, Sejal was in a relationship with a guy named Ved. But instead of staying loyal, she allegedly cheated on him with Prithvi Shaw. Things didn't stop there. Through Prithvi, she apparently got introduced to another rising star, Ayush Badoni, and then reportedly switched sides again-cheating on Prithvi with him. The real shocker came when her college friends' group chat leaked and went massively . In those messages, people close to her circle claimed she had a pattern of getting involved with multiple men, often just chasing fame and connections. Some even mentioned guys who were double her age. It painted a picture of someone who used relationships like stepping stones, discarding peopleonce they served their purpose. Her sweet, innocent-looking face and charming vibe completely fooled a lot of folks online. She comes across as this soft-spoken, relatable girl in interviews and posts, which makes the contrast with these allegations even more jarring. It's the kind of betrayal story that hits hard-guys who've been through similar heartbreaks are saying it's exactly why they've started losing faith in love and relationships altogether. Trust issues on another level. At the end of the day, one can only hope the next guy who ends up marrying her has eyes wide open. God bless him, because navigating something like Situations like this would test anyone's sanity. these remind us how deceptive appearances can be, and why it's so important to really know someone beyond the surface-level charm. What a rollercoaster of a revelation this has been 🙂
2:00

That whole saga with Sejal Pawar has left so many people shocked and scrolling through old chats . According to the stories making rounds, Sejal was in a relationship with a guy named Ved. But instead of staying loyal, she allegedly cheated on him with Prithvi Shaw. Things didn't stop there. Through Prithvi, she apparently got introduced to another rising star, Ayush Badoni, and then reportedly switched sides again-cheating on Prithvi with him. The real shocker came when her college friends' group chat leaked and went massively . In those messages, people close to her circle claimed she had a pattern of getting involved with multiple men, often just chasing fame and connections. Some even mentioned guys who were double her age. It painted a picture of someone who used relationships like stepping stones, discarding peopleonce they served their purpose. Her sweet, innocent-looking face and charming vibe completely fooled a lot of folks online. She comes across as this soft-spoken, relatable girl in interviews and posts, which makes the contrast with these allegations even more jarring. It's the kind of betrayal story that hits hard-guys who've been through similar heartbreaks are saying it's exactly why they've started losing faith in love and relationships altogether. Trust issues on another level. At the end of the day, one can only hope the next guy who ends up marrying her has eyes wide open. God bless him, because navigating something like Situations like this would test anyone's sanity. these remind us how deceptive appearances can be, and why it's so important to really know someone beyond the surface-level charm. What a rollercoaster of a revelation this has been 🙂

Aadi

66,445 görüntüleme • 2 ay önce

Gather real close for this one, because every time Jen McCabe testifies about January 30th, her story doesn’t just “change”… it shape-shifts. Two trials, three versions, and one cell tower that refuses to play along. Jen and Kerry leave the O’Keefe home, go to Michael Lank’s house. Lank’s wife magically pops out, gets in the car, consoles Kerry, they talk “maybe an hour.” Jen “I might have run in to use the bathroom.” “The car was running.” “Kerry’s a talker.” Tully asks if she’d been to Lank’s: First “NO. Never been to his house.” Then“Oh my gosh, yes, I did go there!” Then Alan Jackson asks the one question everyone in Canton has wondered “Why did you stop at 34 FAIRVIEW before going to Lank’s?” Jen’s answer (yes, all real) “We didn’t stop.” Maybe we slowed down.”“That’s the way to Lank’s house.” Except… it isn’t. This is Canton, not Narnia. 34 Fairview is not a shortcut to Lanks house from Meadows Ave unless your GPS runs on fairy dust and perjury. In the 2nd trial, Suddenly the whole timeline rearranges, Now they “left Meadows” first. THEN they “dropped Lexi off” at Lank’s. Jen has a “faint memory” of going inside “just to pee.” Amazing how a faint memory is bright enough to recall a bathroom break but too dim to remember an entire route through Canton. Then comes the moment every liar dreads: the phone records hit the courtroom. Here’s what ACTUALLY happened on January 30th: 12:13 PM Jen at her house (County Lane) 12:19 PM Jen at John O’Keefe’s house and here’s where it turns into a movie Because at 4:45 PM, Trooper Proctor calls her for 9 minutes and 43 seconds The EXACT kind of call you make when you’re all on the “don’t text” diet. 5:21 PM Jen leaves County Lane. 5:36 PM SHE GOES TO 34 FAIRVIEW Let me say that again for the people in the back: She goes to the Albert/McCabe crime scene house AGAIN. This is NOT in her testimony. This is NOT in any version of her story. This is NOT on the way to Meadows or Lank’s. She STAYS for 4 minutes. Funny how the GPS remembers the stop she “didn’t make.” 5:43 PM NOW she goes to LANK’S. Suddenly her “bathroom stop” makes a whole lot more sense. 6:34 PM Home. This is the REAL route: County Lane → 34 Fairview → Lank’s → Home Not ONE of her stories include the most important stop. Her sworn testimony: “We never stopped at 34 Fairview.” “We didn’t go back.” “We only dropped off Lexi.” “I’ve never been to Lank’s… oh wait yes I have.” Her ACTUAL phone data: She went to Fairview AGAIN After a 10-minute call with Proctor Stayed 4 minutes Then went to Lank’s This matches every other off-phones, off-text, off-the-books meeting these witnesses had And somehow… No one in law enforcement questioned the fact that she was at 34 Fairview on Jan 30th? The day AFTER John O’Keefe died? For 4 minutes? After speaking to Trooper Proctor? If you scripted this for TV, people would say it’s too obvious. This isn’t a timeline. This is a cleanup route. This is why witnesses are now launching anonymous GoFundMes and fake Iceland websites. This is why half the town won’t speak on record. This is why every testimony contradicts the last. This is why the house defendants needed two trials to “remember” who was where. And this is the kind of thing that destroys the public’s trust in an ENTIRE town. The fate of Canton doesn’t rest on whether people “like” Karen Read. It rests on whether the TRUTH can survive these ever-mutating timelines. And thanks to cold hard cell data? The truth is knocking. LOUD.
3:33

Gather real close for this one, because every time Jen McCabe testifies about January 30th, her story doesn’t just “change”… it shape-shifts. Two trials, three versions, and one cell tower that refuses to play along. Jen and Kerry leave the O’Keefe home, go to Michael Lank’s house. Lank’s wife magically pops out, gets in the car, consoles Kerry, they talk “maybe an hour.” Jen “I might have run in to use the bathroom.” “The car was running.” “Kerry’s a talker.” Tully asks if she’d been to Lank’s: First “NO. Never been to his house.” Then“Oh my gosh, yes, I did go there!” Then Alan Jackson asks the one question everyone in Canton has wondered “Why did you stop at 34 FAIRVIEW before going to Lank’s?” Jen’s answer (yes, all real) “We didn’t stop.” Maybe we slowed down.”“That’s the way to Lank’s house.” Except… it isn’t. This is Canton, not Narnia. 34 Fairview is not a shortcut to Lanks house from Meadows Ave unless your GPS runs on fairy dust and perjury. In the 2nd trial, Suddenly the whole timeline rearranges, Now they “left Meadows” first. THEN they “dropped Lexi off” at Lank’s. Jen has a “faint memory” of going inside “just to pee.” Amazing how a faint memory is bright enough to recall a bathroom break but too dim to remember an entire route through Canton. Then comes the moment every liar dreads: the phone records hit the courtroom. Here’s what ACTUALLY happened on January 30th: 12:13 PM Jen at her house (County Lane) 12:19 PM Jen at John O’Keefe’s house and here’s where it turns into a movie Because at 4:45 PM, Trooper Proctor calls her for 9 minutes and 43 seconds The EXACT kind of call you make when you’re all on the “don’t text” diet. 5:21 PM Jen leaves County Lane. 5:36 PM SHE GOES TO 34 FAIRVIEW Let me say that again for the people in the back: She goes to the Albert/McCabe crime scene house AGAIN. This is NOT in her testimony. This is NOT in any version of her story. This is NOT on the way to Meadows or Lank’s. She STAYS for 4 minutes. Funny how the GPS remembers the stop she “didn’t make.” 5:43 PM NOW she goes to LANK’S. Suddenly her “bathroom stop” makes a whole lot more sense. 6:34 PM Home. This is the REAL route: County Lane → 34 Fairview → Lank’s → Home Not ONE of her stories include the most important stop. Her sworn testimony: “We never stopped at 34 Fairview.” “We didn’t go back.” “We only dropped off Lexi.” “I’ve never been to Lank’s… oh wait yes I have.” Her ACTUAL phone data: She went to Fairview AGAIN After a 10-minute call with Proctor Stayed 4 minutes Then went to Lank’s This matches every other off-phones, off-text, off-the-books meeting these witnesses had And somehow… No one in law enforcement questioned the fact that she was at 34 Fairview on Jan 30th? The day AFTER John O’Keefe died? For 4 minutes? After speaking to Trooper Proctor? If you scripted this for TV, people would say it’s too obvious. This isn’t a timeline. This is a cleanup route. This is why witnesses are now launching anonymous GoFundMes and fake Iceland websites. This is why half the town won’t speak on record. This is why every testimony contradicts the last. This is why the house defendants needed two trials to “remember” who was where. And this is the kind of thing that destroys the public’s trust in an ENTIRE town. The fate of Canton doesn’t rest on whether people “like” Karen Read. It rests on whether the TRUTH can survive these ever-mutating timelines. And thanks to cold hard cell data? The truth is knocking. LOUD.

Dixie Normus

21,516 görüntüleme • 9 ay önce

Made with Seedance 2.5 using 2 prompts (15s each) + manual stitching. PROMPT 1: ⬇️ 15 seconds, 16:9 horizontal, one continuous photorealistic viral smartphone shot. Absurd surreal comedy scene in a small indoor hotel pool. Realistic environment: tiled walls, fluorescent ceiling lights, metal pool ladders at the sides, pool depth markers, white plastic chairs, vending machines, and 6–8 normal-size spectators in swimwear standing around the pool, laughing, cheering, and filming on smartphones. A giant young sexy blonde woman in her early 20s is floating flat on her back in the pool. Her enormous head, neck, and upper shoulders float naturally on the water surface. Her face is almost horizontal, looking upward toward the ceiling. Wet slicked-back blonde hair spreads slightly in the water. She is exceptionally beautiful, youthful, glamorous, and highly photogenic, with blue eyes, glossy wet skin, and realistic pores. At the very first frame, a full-size normal middle-aged man in plaid swim trunks is already standing barefoot with BOTH FEET planted directly on the center of the giant woman’s forehead above her eyebrows. He is holding a white cup. The man is approximately 180 cm tall in the world of the scene. He is NOT miniature, NOT toy-sized, NOT dwarf-sized, NOT shrunken. His size, height, head size, and body proportions must match the men standing around the pool. He must also match the human scale of the pool ladders, chairs, and vending machines. Only the woman is gigantic. The man is NOT standing on a ladder, NOT standing on the pool edge, and NOT climbing down from anywhere. The pool ladders exist only in the background and never interact with him. The giant woman remains lying flat on her back throughout the scene. Her enormous face floats on the water while the full-size normal man stands clearly on top of her forehead. Do not make him grab her nose. ACTION: 0–3s: Wide poolside smartphone shot. The giant blonde woman floats flat on her back. The full-size normal 180 cm man is already balancing on her forehead with both feet. The crowd behind them laughs and films. She looks upward at him with amused, slightly confused eyes. 3–6s: The man moves quickly and awkwardly across her forehead, taking faster unsteady steps and windmilling his arms while trying not to fall. He should not move carefully or slowly. The crowd reacts louder. The phone camera does a slight shaky push-in. 6–9s: He slips suddenly and slides faster down the slope of her giant face toward her nose and mouth. His white cup flies out of his hand. Her eyes track him and her expression changes from amused confusion to surprised disbelief. 9–12s: She opens her mouth very wide in sudden surprise. He slides directly into the open mouth much faster, feet-first, with a more dramatic loss of balance. 12–15s: He falls completely into her open mouth and disappears fully inside. No part of him remains outside. She closes her mouth, blinks in shock, and the people around the pool erupt in cheers, laughter, raised hands, and excited phone filming. CAMERA / REALISM: One continuous viral smartphone shot from poolside, slightly handheld, natural framing, mild compression, realistic fluorescent indoor lighting, convincing wet skin, water reflections, and splashes. No cinematic grading. The impossible scale should still look weirdly believable: giant woman floating on the water + full-size normal 180 cm man standing on her face + normal-size crowd behind them. TONE: Funny, surreal, visually shocking, and energetic, but not horror. No gore, no blood, no violence, no body horror. CRITICAL NEGATIVES: NO man on ladder. NO man on pool edge. NO man climbing into frame. NO nose grabbing. NO miniature man. NO toy-sized man. NO dwarf-sized man. NO shrunken man. NO woman upright in the water. NO giant head standing vertically. NO scale changes. NO broken anatomy. NO extra limbs. NO glitchy transitions. ---- PROMPT 2 (with a screenshot of the man as a reference): ⬇️ 15 seconds, 16:9 horizontal Use the provided man as the reference identity. Keep his face, hairstyle, age, body type, and plaid swim trunks recognizable. He is the same man from the previous scene. Photorealistic absurd surreal comedy continuation. The man is rushing through a huge surreal internal tunnel inspired by a human colon/rectum, but presented like a bizarre water slide. The tunnel is fleshy, pinkish, wet, and organic-looking, with curved tubular walls, but it stays clean and surreal — no gore, no blood, no fecal content. Water rushes around him as if he is riding an impossible fleshy water slide. The man is visible in the frame for most of the sequence, sliding, spinning, yelling, and trying to hold on as he gets carried forward by the rushing water. The tunnel gradually opens into daylight. He shoots out of the end of the surreal organic slide into a bright real outdoor waterpark splash pool. Realistic sunny waterpark setting: colorful slides, shallow pool, splashing water, and a crowd of people cheering and clapping as he bursts out and lands in the water. He pops up from the splash, shocked but unharmed, while everyone applauds. CAMERA STYLE: cinematic but still realistic, smooth motion as if the camera follows him inside the tunnel, then a clean wide exterior shot for the final exit. Strong realism, good water physics, clear continuity, exciting but playful tone. Tone: surreal, hilarious, high-energy, impossible but convincing. Not disgusting, not gory, not sexual. More like a bizarre theme-park sequence. ACTION TIMING: - 0–4s: Inside the surreal organic tunnel, the man slides feet-first through the wet curved passage while splashing water rushes around him. - 4–8s: He tumbles and spins through the fleshy water-slide tunnel, still clearly visible, yelling and flailing. - 8–11s: The tunnel brightens ahead as daylight appears. He accelerates toward the opening. - 11–15s: He blasts out into a real outdoor waterpark pool in a huge splash, the crowd cheers and claps, and he surfaces looking stunned but okay. Important: preserve the man’s identity from the reference. Keep him visible for most of the interior ride. Make the internal tunnel feel like a surreal organic water slide, not graphic anatomy. No gore, no fecal imagery, no body horror, no broken limbs, no glitching. #AIVideo
0:30

Made with Seedance 2.5 using 2 prompts (15s each) + manual stitching. PROMPT 1: ⬇️ 15 seconds, 16:9 horizontal, one continuous photorealistic viral smartphone shot. Absurd surreal comedy scene in a small indoor hotel pool. Realistic environment: tiled walls, fluorescent ceiling lights, metal pool ladders at the sides, pool depth markers, white plastic chairs, vending machines, and 6–8 normal-size spectators in swimwear standing around the pool, laughing, cheering, and filming on smartphones. A giant young sexy blonde woman in her early 20s is floating flat on her back in the pool. Her enormous head, neck, and upper shoulders float naturally on the water surface. Her face is almost horizontal, looking upward toward the ceiling. Wet slicked-back blonde hair spreads slightly in the water. She is exceptionally beautiful, youthful, glamorous, and highly photogenic, with blue eyes, glossy wet skin, and realistic pores. At the very first frame, a full-size normal middle-aged man in plaid swim trunks is already standing barefoot with BOTH FEET planted directly on the center of the giant woman’s forehead above her eyebrows. He is holding a white cup. The man is approximately 180 cm tall in the world of the scene. He is NOT miniature, NOT toy-sized, NOT dwarf-sized, NOT shrunken. His size, height, head size, and body proportions must match the men standing around the pool. He must also match the human scale of the pool ladders, chairs, and vending machines. Only the woman is gigantic. The man is NOT standing on a ladder, NOT standing on the pool edge, and NOT climbing down from anywhere. The pool ladders exist only in the background and never interact with him. The giant woman remains lying flat on her back throughout the scene. Her enormous face floats on the water while the full-size normal man stands clearly on top of her forehead. Do not make him grab her nose. ACTION: 0–3s: Wide poolside smartphone shot. The giant blonde woman floats flat on her back. The full-size normal 180 cm man is already balancing on her forehead with both feet. The crowd behind them laughs and films. She looks upward at him with amused, slightly confused eyes. 3–6s: The man moves quickly and awkwardly across her forehead, taking faster unsteady steps and windmilling his arms while trying not to fall. He should not move carefully or slowly. The crowd reacts louder. The phone camera does a slight shaky push-in. 6–9s: He slips suddenly and slides faster down the slope of her giant face toward her nose and mouth. His white cup flies out of his hand. Her eyes track him and her expression changes from amused confusion to surprised disbelief. 9–12s: She opens her mouth very wide in sudden surprise. He slides directly into the open mouth much faster, feet-first, with a more dramatic loss of balance. 12–15s: He falls completely into her open mouth and disappears fully inside. No part of him remains outside. She closes her mouth, blinks in shock, and the people around the pool erupt in cheers, laughter, raised hands, and excited phone filming. CAMERA / REALISM: One continuous viral smartphone shot from poolside, slightly handheld, natural framing, mild compression, realistic fluorescent indoor lighting, convincing wet skin, water reflections, and splashes. No cinematic grading. The impossible scale should still look weirdly believable: giant woman floating on the water + full-size normal 180 cm man standing on her face + normal-size crowd behind them. TONE: Funny, surreal, visually shocking, and energetic, but not horror. No gore, no blood, no violence, no body horror. CRITICAL NEGATIVES: NO man on ladder. NO man on pool edge. NO man climbing into frame. NO nose grabbing. NO miniature man. NO toy-sized man. NO dwarf-sized man. NO shrunken man. NO woman upright in the water. NO giant head standing vertically. NO scale changes. NO broken anatomy. NO extra limbs. NO glitchy transitions. ---- PROMPT 2 (with a screenshot of the man as a reference): ⬇️ 15 seconds, 16:9 horizontal Use the provided man as the reference identity. Keep his face, hairstyle, age, body type, and plaid swim trunks recognizable. He is the same man from the previous scene. Photorealistic absurd surreal comedy continuation. The man is rushing through a huge surreal internal tunnel inspired by a human colon/rectum, but presented like a bizarre water slide. The tunnel is fleshy, pinkish, wet, and organic-looking, with curved tubular walls, but it stays clean and surreal — no gore, no blood, no fecal content. Water rushes around him as if he is riding an impossible fleshy water slide. The man is visible in the frame for most of the sequence, sliding, spinning, yelling, and trying to hold on as he gets carried forward by the rushing water. The tunnel gradually opens into daylight. He shoots out of the end of the surreal organic slide into a bright real outdoor waterpark splash pool. Realistic sunny waterpark setting: colorful slides, shallow pool, splashing water, and a crowd of people cheering and clapping as he bursts out and lands in the water. He pops up from the splash, shocked but unharmed, while everyone applauds. CAMERA STYLE: cinematic but still realistic, smooth motion as if the camera follows him inside the tunnel, then a clean wide exterior shot for the final exit. Strong realism, good water physics, clear continuity, exciting but playful tone. Tone: surreal, hilarious, high-energy, impossible but convincing. Not disgusting, not gory, not sexual. More like a bizarre theme-park sequence. ACTION TIMING: - 0–4s: Inside the surreal organic tunnel, the man slides feet-first through the wet curved passage while splashing water rushes around him. - 4–8s: He tumbles and spins through the fleshy water-slide tunnel, still clearly visible, yelling and flailing. - 8–11s: The tunnel brightens ahead as daylight appears. He accelerates toward the opening. - 11–15s: He blasts out into a real outdoor waterpark pool in a huge splash, the crowd cheers and claps, and he surfaces looking stunned but okay. Important: preserve the man’s identity from the reference. Keep him visible for most of the interior ride. Make the internal tunnel feel like a surreal organic water slide, not graphic anatomy. No gore, no fecal imagery, no body horror, no broken limbs, no glitching. #AIVideo

Alpha Mom

90,443 görüntüleme • 11 gün önce

#Euphoria #Season3Episode3 “You love who you love” Contrary to popular belief, Nate truly seems to love Cassie and accepts her with all her crazy antics. In this clip, she publicly humiliates him but he still tries to placate her. Yes, this doesn’t seem like the Nate we knew, but isn’t he? He wanted to be loved but his dynamic with Cal was so toxic, he felt unlovable. Lashed out in anger for lack of expression otherwise. Maddy’s feisty ways did nothing to nurture the broken child in him. They had a horrible relationship because neither could heal the other’s real wounds. Both he and Cassie betrayed their best friends and seemed to find something in each other that made them feel loved. As broken and flawed their story might be, as Nate tells Jules “you love who you love”. We had plenty of hints that the night of this incredible wedding party was going to end in total chaos. Nate is caught between a rock and a hard place. He truly wants to build an honest life, but as an entrepreneur myself, I fully empathize with his business struggles and the financial hole he is in. He has to maintain a mask of competence so that he doesn’t lose investor confidence in the business. Bureaucratic shenanigans in real estate coupled with high interest rates, especially in California where building codes are increasingly debilitating, have led to many bankruptcies and foreclosures in the construction business. An endangered flower like the white fritillaries in a construction zone can bring a project to a grinding halt, putting jobs, livelihoods and businesses at risk. The balance between conservation and progress in California is reaching unhealthy proportions. Nate’s business woes are not rooted in him wanting to con people. And yet, he now has to face the consequences of this thin line he has been walking to maintain investor confidence versus cutting visible corners so he could better manage his costs. Cassie refused to understand this and so he caved to her demands and puts on a more lavish wedding than he could afford. The cinematic choice of Nate getting beaten to a pulp while she wails about her bloody nose is such a typical “Crazy Cassie” thing to do! The key is in what Naz tells her: “Some women inherit wealth but other inherit debt”. Watch her turn to Alamo/Silver Slippers so that she is truly next to Nate for “richer or poorer”. Regardless of her melodrama about not wanting to be poor (thanks to her mother’s incessant poisoning of the well), Cassie’s biggest desire in life is to be loved. And for better or for worse, Cassie & Nate have taken the vows to be there for each other. I predict she goes out into the world to make money in ways she knows how, to service this debt she’s inherited as Mrs. Jacobs. I know Jacob and Sydney will push the limits of their characters caught in these ludicrous scenarios. I am seated for this! Maddy’s uncomfortable presence at the wedding, Marsha’s jabs at her, her witnessing the love Nate & Cassie seem to have for each other, are beautifully and painfully captured by Alexa. She truly owns her role as Maddy, who is a pro at faking it till she makes it. She’s hurt by the life she didn’t get but she should feel blessed about making an honest living where she stands on her own. Being rich is a nice aspiration but sometimes the prices to be paid are too high. Nate is now dismembered from the desire to maintain their affluent status. Jules’ plot is tragic. The character who seems to have the most sense of self in high school, who whole heartedly and unapologetically embraced her queerness, is now a walking shell with no sense of integrity. It will be interesting to see what Sam imagines for her to reclaim herself again. Rue navigating this new world of crime is a challenging role for Zendaya she’s knocking out of the ball park. I know she’s just getting started. Looking forward to more of her sassy, gender bending antics as her plot unfolds. Loving this season!!
0:33

#Euphoria #Season3Episode3 “You love who you love” Contrary to popular belief, Nate truly seems to love Cassie and accepts her with all her crazy antics. In this clip, she publicly humiliates him but he still tries to placate her. Yes, this doesn’t seem like the Nate we knew, but isn’t he? He wanted to be loved but his dynamic with Cal was so toxic, he felt unlovable. Lashed out in anger for lack of expression otherwise. Maddy’s feisty ways did nothing to nurture the broken child in him. They had a horrible relationship because neither could heal the other’s real wounds. Both he and Cassie betrayed their best friends and seemed to find something in each other that made them feel loved. As broken and flawed their story might be, as Nate tells Jules “you love who you love”. We had plenty of hints that the night of this incredible wedding party was going to end in total chaos. Nate is caught between a rock and a hard place. He truly wants to build an honest life, but as an entrepreneur myself, I fully empathize with his business struggles and the financial hole he is in. He has to maintain a mask of competence so that he doesn’t lose investor confidence in the business. Bureaucratic shenanigans in real estate coupled with high interest rates, especially in California where building codes are increasingly debilitating, have led to many bankruptcies and foreclosures in the construction business. An endangered flower like the white fritillaries in a construction zone can bring a project to a grinding halt, putting jobs, livelihoods and businesses at risk. The balance between conservation and progress in California is reaching unhealthy proportions. Nate’s business woes are not rooted in him wanting to con people. And yet, he now has to face the consequences of this thin line he has been walking to maintain investor confidence versus cutting visible corners so he could better manage his costs. Cassie refused to understand this and so he caved to her demands and puts on a more lavish wedding than he could afford. The cinematic choice of Nate getting beaten to a pulp while she wails about her bloody nose is such a typical “Crazy Cassie” thing to do! The key is in what Naz tells her: “Some women inherit wealth but other inherit debt”. Watch her turn to Alamo/Silver Slippers so that she is truly next to Nate for “richer or poorer”. Regardless of her melodrama about not wanting to be poor (thanks to her mother’s incessant poisoning of the well), Cassie’s biggest desire in life is to be loved. And for better or for worse, Cassie & Nate have taken the vows to be there for each other. I predict she goes out into the world to make money in ways she knows how, to service this debt she’s inherited as Mrs. Jacobs. I know Jacob and Sydney will push the limits of their characters caught in these ludicrous scenarios. I am seated for this! Maddy’s uncomfortable presence at the wedding, Marsha’s jabs at her, her witnessing the love Nate & Cassie seem to have for each other, are beautifully and painfully captured by Alexa. She truly owns her role as Maddy, who is a pro at faking it till she makes it. She’s hurt by the life she didn’t get but she should feel blessed about making an honest living where she stands on her own. Being rich is a nice aspiration but sometimes the prices to be paid are too high. Nate is now dismembered from the desire to maintain their affluent status. Jules’ plot is tragic. The character who seems to have the most sense of self in high school, who whole heartedly and unapologetically embraced her queerness, is now a walking shell with no sense of integrity. It will be interesting to see what Sam imagines for her to reclaim herself again. Rue navigating this new world of crime is a challenging role for Zendaya she’s knocking out of the ball park. I know she’s just getting started. Looking forward to more of her sassy, gender bending antics as her plot unfolds. Loving this season!!

mh-Musings

116,105 görüntüleme • 4 ay önce

Kesha reveals how difficult it was spending nine years in litigation fighting for the rights to her voice, her face, and herself back after signing a record deal at 18. She says that during the litigation, she’d go on tour and perform hit songs, but it was really difficult and lonely because of the anxiety and fear she was living with, saying it felt like she was being punished. “I got found when i was 17 and i signed the record deal at 18 years old. And this record deal signed away the rights to my voice and likeness in perpetuity in the universe. It’s such a weird concept that somebody else can own something that’s coming from inside of my body, like that’s so weird spiritually speaking. And to really be fighting for the rights to my own voice, and my own face, to myself. Like what are we talking about for it to go on and on, nine years is a long time. And there was a lot of support and that support carried me through. Like one tweet could carry me through for months. Like one stranger on Twitter that I should not be on Twitter, but I was and I saw them and like that would carry me for a really long time. It was hard. in this litigation I would go out on tour and I would sing the hit songs and I tried but it was really difficult, complicated, really confusing for me, even like the emotions were so complicated. I was so lonely in how anxious I was and how much fear I had because we're told to speak up and stand up for ourselves and say something, you know, and I felt like why am I getting like punished”
3:51

Kesha reveals how difficult it was spending nine years in litigation fighting for the rights to her voice, her face, and herself back after signing a record deal at 18. She says that during the litigation, she’d go on tour and perform hit songs, but it was really difficult and lonely because of the anxiety and fear she was living with, saying it felt like she was being punished. “I got found when i was 17 and i signed the record deal at 18 years old. And this record deal signed away the rights to my voice and likeness in perpetuity in the universe. It’s such a weird concept that somebody else can own something that’s coming from inside of my body, like that’s so weird spiritually speaking. And to really be fighting for the rights to my own voice, and my own face, to myself. Like what are we talking about for it to go on and on, nine years is a long time. And there was a lot of support and that support carried me through. Like one tweet could carry me through for months. Like one stranger on Twitter that I should not be on Twitter, but I was and I saw them and like that would carry me for a really long time. It was hard. in this litigation I would go out on tour and I would sing the hit songs and I tried but it was really difficult, complicated, really confusing for me, even like the emotions were so complicated. I was so lonely in how anxious I was and how much fear I had because we're told to speak up and stand up for ourselves and say something, you know, and I felt like why am I getting like punished”

Heron

12,571 görüntüleme • 1 ay önce