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“Going Under” is the second single from Evanescence’s 2003 debut album Fallen. Written by Amy Lee, Ben Moody and David Hodges, the track became one of the band's defining songs, reaching the Top 10 on Billboard's Mainstream Rock and Alternative Airplay charts while helping Fallen become one of the... show more

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“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

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#AEROHistory: August 28th 1975 Aerosmith releases the single ‘Walk This Way’. Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the 1975 album Toys in the Attic. It peaked at number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s. In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by rappers RUN DMC on their 1986 album Raising Hell. This cover was a touchstone for the new musical subgenre of rap rock, or the melding of rock and hip hop. It became an international hit and won both groups a Soul Train Music Award for Best Rap Single in 1987.

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NEWS | Here is the interview of Amy Lee for BBC Radio 1! • Amy mentions that Afterlife was originally intended to be a solo song, she also clarifies that it is a standalone single • Additionally, she reveals that they have many unfinished songs and that more music will be coming soon #Evanescence

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“I Feel You” is the lead single from Depeche Mode’s 1993 album Songs of Faith and Devotion. Written by Martin Gore, the song marked a dramatic departure from the band's synth-pop roots, embracing a darker blend of alternative rock, blues, gospel and electronic music. It became an international hit, reaching #8 on the UK Singles Chart, the Top 10 in several European countries and #3 on Billboard's Modern Rock Tracks chart in the US, while helping propel the album to debut at #1 in both the UK and the US. Embracing the early '90s rock climate, the band incorporated live drums, played by Alan Wilder, and a heavy guitar riff by Martin Gore, marking their boldest sonic shift. The black-and-white music video, directed by Anton Corbijn, blended religious iconography with surreal eroticism, perfectly mirroring the album's themes. The subsequent Devotional Tour proved bittersweet, marking the final chapter for Alan Wilder as a member of the band while coinciding with Dave Gahan's well-documented struggles with addiction.

“I Feel You” is the lead single from Depeche Mode’s 1993 album Songs of Faith and Devotion. Written by Martin Gore, the song marked a dramatic departure from the band's synth-pop roots, embracing a darker blend of alternative rock, blues, gospel and electronic music. It became an international hit, reaching #8 on the UK Singles Chart, the Top 10 in several European countries and #3 on Billboard's Modern Rock Tracks chart in the US, while helping propel the album to debut at #1 in both the UK and the US. Embracing the early '90s rock climate, the band incorporated live drums, played by Alan Wilder, and a heavy guitar riff by Martin Gore, marking their boldest sonic shift. The black-and-white music video, directed by Anton Corbijn, blended religious iconography with surreal eroticism, perfectly mirroring the album's themes. The subsequent Devotional Tour proved bittersweet, marking the final chapter for Alan Wilder as a member of the band while coinciding with Dave Gahan's well-documented struggles with addiction.

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“Gimme Shelter” is the opening track from The Rolling Stones’s 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards during a period marked by the Vietnam War and widespread social unrest, the song is widely regarded as one of the greatest rock recordings of all time. Although never released as a single in the UK or US, it became one of the band's signature songs and has appeared on numerous "greatest songs" lists.

“Gimme Shelter” is the opening track from The Rolling Stones’s 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards during a period marked by the Vietnam War and widespread social unrest, the song is widely regarded as one of the greatest rock recordings of all time. Although never released as a single in the UK or US, it became one of the band's signature songs and has appeared on numerous "greatest songs" lists.

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“One” is from U2’s 1991 album Achtung Baby. Written during tense recording sessions that nearly led to the band's breakup, the track helped reunite the group creatively and became one of U2's most acclaimed songs. It reached #7 on the UK Singles Chart, #10 on the Billboard Hot 100, #1 in Canada and the Top 10 in several European countries.

“One” is from U2’s 1991 album Achtung Baby. Written during tense recording sessions that nearly led to the band's breakup, the track helped reunite the group creatively and became one of U2's most acclaimed songs. It reached #7 on the UK Singles Chart, #10 on the Billboard Hot 100, #1 in Canada and the Top 10 in several European countries.

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