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“Going Under” is the second single from Evanescence’s 2003 debut album Fallen. Written by Amy Lee, Ben Moody and David Hodges, the track became one of the band's defining songs, reaching the Top 10 on Billboard's Mainstream Rock and Alternative Airplay charts while helping Fallen become one of the... show more

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“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

“Bring Me to Life” is the debut single from Evanescence’s 2003 album Fallen. Featuring guest vocals by Paul McCoy of 12 Stones, the dramatic fusion of gothic rock, nu metal and orchestral elements became the band's breakthrough hit. It reached #5 on the Billboard Hot 100, #1 in the UK, #1 in Australia, #1 in Italy and topped the charts in several other countries, helping Fallen become one of the best-selling debut albums of the 21st century. Amy Lee originally envisioned the song as a solo vocal performance, but the record label insisted on adding a male singer because they believed rock radio needed a male voice to market the track. Although Lee later expressed frustration with that decision, the song became an international phenomenon after its prominent use in the 2003 film Daredevil, earning Evanescence the Grammy Award for Best Hard Rock Performance in 2004.

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“What You Want” is the lead single from Evanescence’s 2011 self-titled album. The track marked the band's return after a lengthy hiatus, featuring Amy Lee's signature powerful vocals blended with heavier production. It peaked at #7 on the US Billboard Alternative Airplay chart and helped propel the album to debut at #1 on the Billboard 200. The five-year gap between studio albums was influenced by lineup changes, legal disputes with the band's record label, and a serious accident suffered by Amy Lee during the writing process. Lee deliberately chose "What You Want" as the lead single to move away from Evanescence's familiar "piano ballad to heavy chorus" formula.

“What You Want” is the lead single from Evanescence’s 2011 self-titled album. The track marked the band's return after a lengthy hiatus, featuring Amy Lee's signature powerful vocals blended with heavier production. It peaked at #7 on the US Billboard Alternative Airplay chart and helped propel the album to debut at #1 on the Billboard 200. The five-year gap between studio albums was influenced by lineup changes, legal disputes with the band's record label, and a serious accident suffered by Amy Lee during the writing process. Lee deliberately chose "What You Want" as the lead single to move away from Evanescence's familiar "piano ballad to heavy chorus" formula.

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Written by original lead singer Adam Gontier, “I Hate Everything About You” laid the foundation for Three Days Grace to become one of the most successful acts in the history of Billboard's Mainstream Rock Airplay chart. The intense post-grunge track became the band's breakthrough hit, peaking at #2 on the Billboard Mainstream Rock chart, #4 on Alternative Airplay, and #55 on the Billboard Hot 100.

Written by original lead singer Adam Gontier, “I Hate Everything About You” laid the foundation for Three Days Grace to become one of the most successful acts in the history of Billboard's Mainstream Rock Airplay chart. The intense post-grunge track became the band's breakthrough hit, peaking at #2 on the Billboard Mainstream Rock chart, #4 on Alternative Airplay, and #55 on the Billboard Hot 100.

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“Savin’ Me” is the third single from Nickelback’s 2005 album All the Right Reasons. Written by Chad Kroeger, the track became one of the band's biggest rock radio hits, reaching #19 on the Billboard Hot 100, #1 on the Adult Top 40 chart and the Top 10 on several Billboard rock and pop radio charts. The track gained widespread exposure through its use in promotional campaigns for the TV series Prison Break in 2006, helping introduce the song to audiences beyond the rock scene.

“Savin’ Me” is the third single from Nickelback’s 2005 album All the Right Reasons. Written by Chad Kroeger, the track became one of the band's biggest rock radio hits, reaching #19 on the Billboard Hot 100, #1 on the Adult Top 40 chart and the Top 10 on several Billboard rock and pop radio charts. The track gained widespread exposure through its use in promotional campaigns for the TV series Prison Break in 2006, helping introduce the song to audiences beyond the rock scene.

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Bassist Tim Commerford confessed that at first he thought "Like a Stone" was a romantic song and only understood the real meaning when Cornell explained it! It was the second single from Audioslave's debut album and became the band's biggest hit: #1 on the Billboard Mainstream Rock and Modern Rock charts, #31 on the Hot 100 and is to date the most streamed track of Chris Cornell's entire career.

Bassist Tim Commerford confessed that at first he thought "Like a Stone" was a romantic song and only understood the real meaning when Cornell explained it! It was the second single from Audioslave's debut album and became the band's biggest hit: #1 on the Billboard Mainstream Rock and Modern Rock charts, #31 on the Hot 100 and is to date the most streamed track of Chris Cornell's entire career.

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“I Wanna Rock” is from Twisted Sister’s 1984 album Stay Hungry. The high-energy hard rock anthem became one of the band's signature songs, reaching #68 on the Billboard Hot 100, #18 on the Mainstream Rock Tracks chart, and helping Stay Hungry become the band's most successful album. Its comedic music video, starring actor Mark Metcalf as the strict teacher (best known as Niedermeyer in Animal House) became a staple of MTV.

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“Show Me How to Live” was the second single from Audioslave’s 2002 debut album. Built on the crushing riff power of Rage Against the Machine and Chris Cornell’s commanding vocals, the track quickly became one of the standout songs from the band’s first era. Its video, with its striking visual references and rebellious energy, helped establish Audioslave as one of the defining rock acts of the early 2000s.

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'Complicated" is the debut single by Avril Lavigne. Released in 2002, the song was a worldwide hit, helping the album Let Go sell more than 16 million copies and become one of the most important pop-rock albums of the 2000s. Avril was only 17 when she recorded the album and the song hardly made it onto the album because the producers wanted something more pop, but she insisted on the more rock sound.

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On this day in 1993, “Rooster” was released. The powerful single from Dirt, Alice In Chains’ sophomore album, was written by guitarist Jerry Cantrell for his father — nicknamed “Rooster” during his service in the U.S. Army in Vietnam. Blending haunting harmonies with grinding riffs, the track climbed to No. 7 on the Billboard Mainstream Rock Tracks chart and became one of the band’s defining songs. Personal. Heavy. Unforgettable.

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“My Sacrifice” is from Creed’s 2001 album Weathered. The track became one of the band's signature songs, reaching #18 on the Billboard Hot 100. It also topped the Mainstream Rock Tracks chart for nine consecutive weeks, reached #4 on the Mainstream Top 40, and became a major international hit, reaching the Top 10 in Australia and the Top 20 in the UK. Written by frontman Scott Stapp, the song became even more memorable for many fans when WWE used it in its acclaimed 2002 "Desire" promotional video packages.

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#AEROHistory: August 28th 1975 Aerosmith releases the single ‘Walk This Way’. Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the 1975 album Toys in the Attic. It peaked at number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s. In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by rappers RUN DMC on their 1986 album Raising Hell. This cover was a touchstone for the new musical subgenre of rap rock, or the melding of rock and hip hop. It became an international hit and won both groups a Soul Train Music Award for Best Rap Single in 1987.

#AEROHistory: August 28th 1975 Aerosmith releases the single ‘Walk This Way’. Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the 1975 album Toys in the Attic. It peaked at number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s. In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by rappers RUN DMC on their 1986 album Raising Hell. This cover was a touchstone for the new musical subgenre of rap rock, or the melding of rock and hip hop. It became an international hit and won both groups a Soul Train Music Award for Best Rap Single in 1987.

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NEWS | Here is the interview of Amy Lee for BBC Radio 1! • Amy mentions that Afterlife was originally intended to be a solo song, she also clarifies that it is a standalone single • Additionally, she reveals that they have many unfinished songs and that more music will be coming soon #Evanescence

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“I Feel You” is the lead single from Depeche Mode’s 1993 album Songs of Faith and Devotion. Written by Martin Gore, the song marked a dramatic departure from the band's synth-pop roots, embracing a darker blend of alternative rock, blues, gospel and electronic music. It became an international hit, reaching #8 on the UK Singles Chart, the Top 10 in several European countries and #3 on Billboard's Modern Rock Tracks chart in the US, while helping propel the album to debut at #1 in both the UK and the US. Embracing the early '90s rock climate, the band incorporated live drums, played by Alan Wilder, and a heavy guitar riff by Martin Gore, marking their boldest sonic shift. The black-and-white music video, directed by Anton Corbijn, blended religious iconography with surreal eroticism, perfectly mirroring the album's themes. The subsequent Devotional Tour proved bittersweet, marking the final chapter for Alan Wilder as a member of the band while coinciding with Dave Gahan's well-documented struggles with addiction.

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“Gimme Shelter” is the opening track from The Rolling Stones’s 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards during a period marked by the Vietnam War and widespread social unrest, the song is widely regarded as one of the greatest rock recordings of all time. Although never released as a single in the UK or US, it became one of the band's signature songs and has appeared on numerous "greatest songs" lists.

“Gimme Shelter” is the opening track from The Rolling Stones’s 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards during a period marked by the Vietnam War and widespread social unrest, the song is widely regarded as one of the greatest rock recordings of all time. Although never released as a single in the UK or US, it became one of the band's signature songs and has appeared on numerous "greatest songs" lists.

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“One” is from U2’s 1991 album Achtung Baby. Written during tense recording sessions that nearly led to the band's breakup, the track helped reunite the group creatively and became one of U2's most acclaimed songs. It reached #7 on the UK Singles Chart, #10 on the Billboard Hot 100, #1 in Canada and the Top 10 in several European countries.

“One” is from U2’s 1991 album Achtung Baby. Written during tense recording sessions that nearly led to the band's breakup, the track helped reunite the group creatively and became one of U2's most acclaimed songs. It reached #7 on the UK Singles Chart, #10 on the Billboard Hot 100, #1 in Canada and the Top 10 in several European countries.

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