Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

Good Morning X New E lafda loading between #ShreyaGhoshal and #KatrinaKaif fans Video 1 - Shreya Ghoshal says she is "embarrassed" by Chikni Chameli song Picture - Katrina Insta Story which Reddit thinks is to answer Shreya Video 2 - Katrina fans on Reddit reminding Shreya- Shreya Ghoshal singing... show more

BollyGupp

5,099 subscribers

28,705 views • 1 year ago •via X (Twitter)

#ShreyaGhoshal #KatrinaKaif

Anya Rossi• Live Now

Private livecam show

10 Comments

Thanh Self-Defense1 year ago

Gm

Redditbollywood1 year ago

Good morning

𝐓𝐡𝐞 𝐑𝐚𝐣𝐚𝐬𝐚𝐚𝐛✨1 year ago

Good morning brother

Redditbollywood1 year ago

Good morning

Dhruv1 year ago

This is bit shocking to me

Redditbollywood1 year ago

This keeps happening in Bollywood

𝐋𝐄𝐎 🦁1 year ago

Good morning

Redditbollywood1 year ago

Good morning

Mohit1 year ago

Omg

Shiv1 year ago

New kalesh loading 😂

Related Videos

Dear YouTube I recently made a post on X about my channel being demonetized. I also appealed the decision via email and in in both instances I alluded to the possibility that one person may be responsible for false flagging my channel. This person has basically admitted to doing that. Below you will find a screenshot of that person posting on her X account a Vince McMahon meme. Beside that picture is the video full of the context behind it. She used a meme to admit to the world that her and her team are the ones responsible for false flagging my videos. In addition you’ll also find that there is absolutely NOT a coincidence that each video that was flagged had her name as the topic. Now maybe you guys feel as though I’m cyber bullying or harassing maybe you don’t. I would disagree with that and akin to the coverage of this individual as no different than ESPN covering LeBron James every day. It’s the burden that comes with being a public figure. However what CANNOT be denied is that it is against YouTubes terms of service to mass flag someone’s account. Which Alyssa Mercante just admitted to doing right here on X. Hopefully you guys look into this and accountability is applied on all fronts. Her channel will be listed below

Dear YouTube I recently made a post on X about my channel being demonetized. I also appealed the decision via email and in in both instances I alluded to the possibility that one person may be responsible for false flagging my channel. This person has basically admitted to doing that. Below you will find a screenshot of that person posting on her X account a Vince McMahon meme. Beside that picture is the video full of the context behind it. She used a meme to admit to the world that her and her team are the ones responsible for false flagging my videos. In addition you’ll also find that there is absolutely NOT a coincidence that each video that was flagged had her name as the topic. Now maybe you guys feel as though I’m cyber bullying or harassing maybe you don’t. I would disagree with that and akin to the coverage of this individual as no different than ESPN covering LeBron James every day. It’s the burden that comes with being a public figure. However what CANNOT be denied is that it is against YouTubes terms of service to mass flag someone’s account. Which Alyssa Mercante just admitted to doing right here on X. Hopefully you guys look into this and accountability is applied on all fronts. Her channel will be listed below

aTraes

32,735 views • 1 year ago

Sydney Sweeney Stars in Intense New ‘Euphoria’ Scene 🔥 The 28-year-old actress delivered another memorable performance in Season 3 of the HBO series, appearing in a passionate scene with co-star Homer Gere (son of Richard Gere). Reports say the scene — part of Cassie Howard’s OnlyFans storyline — is so energetic that the bed breaks and artwork falls off the walls. Sweeney is reportedly earning between $800,000 and $1 million per episode for Season 3, reflecting her massive rise since the early seasons. This continues Sydney’s bold choices on the hit show, with fans already buzzing ahead of next week’s episode. What do you think of her fearless acting in Euphoria and is she being paid enough for her massive talents? (Video: AI)

Sydney Sweeney Stars in Intense New ‘Euphoria’ Scene 🔥 The 28-year-old actress delivered another memorable performance in Season 3 of the HBO series, appearing in a passionate scene with co-star Homer Gere (son of Richard Gere). Reports say the scene — part of Cassie Howard’s OnlyFans storyline — is so energetic that the bed breaks and artwork falls off the walls. Sweeney is reportedly earning between $800,000 and $1 million per episode for Season 3, reflecting her massive rise since the early seasons. This continues Sydney’s bold choices on the hit show, with fans already buzzing ahead of next week’s episode. What do you think of her fearless acting in Euphoria and is she being paid enough for her massive talents? (Video: AI)

Paul A. Szypula 🇺🇸

305,515 views • 2 months ago

From despair to hope and from struggle to triumph, this is the incredible story of a wild elephant mother's fight for survival backed by a dedicated and professional team of foresters and vets from Coimbatore in Tamil Nadu Forest Department .The mother elephant was found sick and lying on ground with her 3 months old baby roaming around her in confusion and distress.The team consulted experts and vets and successfully lifted her with the help of a crane. She was kept supported by the crane for three days while being treated by Vets. Her baby joined the herd and other siblings roaming in the nearby forests visiting the mother in the night. Thanks to the treatment,she gained enough strength and was released to freedom in the wild today. We are monitoring her to keep an eye on her well being. Gratitude and kudos to the entire team for their efforts. Way to go team 👏👍Video Credits Tamil Nadu Forest Department #TNForest

From despair to hope and from struggle to triumph, this is the incredible story of a wild elephant mother's fight for survival backed by a dedicated and professional team of foresters and vets from Coimbatore in Tamil Nadu Forest Department .The mother elephant was found sick and lying on ground with her 3 months old baby roaming around her in confusion and distress.The team consulted experts and vets and successfully lifted her with the help of a crane. She was kept supported by the crane for three days while being treated by Vets. Her baby joined the herd and other siblings roaming in the nearby forests visiting the mother in the night. Thanks to the treatment,she gained enough strength and was released to freedom in the wild today. We are monitoring her to keep an eye on her well being. Gratitude and kudos to the entire team for their efforts. Way to go team 👏👍Video Credits Tamil Nadu Forest Department #TNForest

Supriya Sahu IAS

181,186 views • 2 years ago

Candace Owens says, “Anyone still supporting this man is a fraud.” Candace, you hired Zionist Jewish lawyer Marc Kasowitz to be your lawyer in your defamation lawsuit with Brigitte Macron. He is actively representing you, and this has been confirmed via my reporting. Kasowitz is also one of President Trump’s lawyers and goes around talking about how he’s a Big shot Jewish lawyer and Trump supporter. Are you calling your own Jewish lawyer a “fraud”? Or, are you the fraud?? Which one is it? It’s crazy to me that Marc Kasowitz is representing this grifter clown. He should really drop Candace Owens as a client. But, I guess he’s probably making a ton of money off of Candace since Kasowitz bills upwards of $3,000 PER HOUR!! Meanwhile, Candace Owens continues to cry poverty to her fans on he’s show about how she can’t afford her legal fees and her security when her lawyer is one of the most expensive lawyers in America. Additionally, as I exposed yesterday, Candace Owens Candace Owens and her husband George Farmer are hiding at least $12 million of luxury real-estate assets in a secret trust in Nashville, Tennessee called “The Battery Lane Trust”. Both of the homes are gated and secure. If Candace has $12 million hidden away in a trust in the form of luxury homes, she has enough money to pay her expensive Zionist Jewish lawyer Marc Kasowitz without begging her viewers for donations. Candace Owens is a grifter and a liar and the Macrons should pierce the veil of Candace’s trust and make her pay. Emmanuel Macron WATCH Candace lie in her own words! 👇🏻 Pay 👏 Up 👏 Grifter 👏 Bitch 👏

Candace Owens says, “Anyone still supporting this man is a fraud.” Candace, you hired Zionist Jewish lawyer Marc Kasowitz to be your lawyer in your defamation lawsuit with Brigitte Macron. He is actively representing you, and this has been confirmed via my reporting. Kasowitz is also one of President Trump’s lawyers and goes around talking about how he’s a Big shot Jewish lawyer and Trump supporter. Are you calling your own Jewish lawyer a “fraud”? Or, are you the fraud?? Which one is it? It’s crazy to me that Marc Kasowitz is representing this grifter clown. He should really drop Candace Owens as a client. But, I guess he’s probably making a ton of money off of Candace since Kasowitz bills upwards of $3,000 PER HOUR!! Meanwhile, Candace Owens continues to cry poverty to her fans on he’s show about how she can’t afford her legal fees and her security when her lawyer is one of the most expensive lawyers in America. Additionally, as I exposed yesterday, Candace Owens Candace Owens and her husband George Farmer are hiding at least $12 million of luxury real-estate assets in a secret trust in Nashville, Tennessee called “The Battery Lane Trust”. Both of the homes are gated and secure. If Candace has $12 million hidden away in a trust in the form of luxury homes, she has enough money to pay her expensive Zionist Jewish lawyer Marc Kasowitz without begging her viewers for donations. Candace Owens is a grifter and a liar and the Macrons should pierce the veil of Candace’s trust and make her pay. Emmanuel Macron WATCH Candace lie in her own words! 👇🏻 Pay 👏 Up 👏 Grifter 👏 Bitch 👏

Laura Loomer

186,153 views • 3 months ago

THE FOUR HORSEMEN STORY DOESN’T MAKE SENSE!!!🚨🚨🚨 Thread🧵 Notice : this is pure speculation and nothing about this is factual information. All the information provided is fully based on what we see/saw on the internet. Please RT for awareness. First of all i would just like to say that A-Reece has no reason not to answer his phone for a whole month especially from a guy that he worked with before and has a good working relationship with. Something just doesnt feel right. Get your popcorn🍿 1. This first started when Nasty C leaked or hinted on being on the same song as A-Reece. Note that Nasty C specifically mentioned that Stogie T asked him to do a hook for him and says he will work on the verse in the meantime, meaning that he was initially asked to do both a hook and a verse. Also note that the Date of this interview is back in may meaning that the song had been in the making for awhile. BET! 2. Stogie T finally talks about the after it comes out on a radio show. He clearly states that he sent them both the beat and with Nasty C he talks about a hook and with A-Reece he is clearly referring to a verse/bars since he says “things that Slimes know him for”. BET! 3. L Tido invites MAGGZ on his podcast and he clearly indicates that MAGGZ is “ GONNA” (note that word) have the best verse on the song and during this time L Tido only knew that only Stogie T, A-Reece and MAGGZ will have verses while Nasty C is on the hook and i will prove that on number 4. So by this time L Tido already underestimates Stogie T and A-Reece pen. 4. After the song drops L Tido’s tone changes from MAGGZ to Nasty C having the best verse and clearly indicates that Nasty C didn’t have a verse and was initially supposed to be on only the hook and indicates again that Nasty C sent his verse a week before the song released. The song got released on the 28th of November meaning that Nasty C sent his verse during the week 16th - 22th This is 4 proofs that Nasty C was asked for a hook. Note and pay proper attention as this leads into 5 down below…

THE FOUR HORSEMEN STORY DOESN’T MAKE SENSE!!!🚨🚨🚨 Thread🧵 Notice : this is pure speculation and nothing about this is factual information. All the information provided is fully based on what we see/saw on the internet. Please RT for awareness. First of all i would just like to say that A-Reece has no reason not to answer his phone for a whole month especially from a guy that he worked with before and has a good working relationship with. Something just doesnt feel right. Get your popcorn🍿 1. This first started when Nasty C leaked or hinted on being on the same song as A-Reece. Note that Nasty C specifically mentioned that Stogie T asked him to do a hook for him and says he will work on the verse in the meantime, meaning that he was initially asked to do both a hook and a verse. Also note that the Date of this interview is back in may meaning that the song had been in the making for awhile. BET! 2. Stogie T finally talks about the after it comes out on a radio show. He clearly states that he sent them both the beat and with Nasty C he talks about a hook and with A-Reece he is clearly referring to a verse/bars since he says “things that Slimes know him for”. BET! 3. L Tido invites MAGGZ on his podcast and he clearly indicates that MAGGZ is “ GONNA” (note that word) have the best verse on the song and during this time L Tido only knew that only Stogie T, A-Reece and MAGGZ will have verses while Nasty C is on the hook and i will prove that on number 4. So by this time L Tido already underestimates Stogie T and A-Reece pen. 4. After the song drops L Tido’s tone changes from MAGGZ to Nasty C having the best verse and clearly indicates that Nasty C didn’t have a verse and was initially supposed to be on only the hook and indicates again that Nasty C sent his verse a week before the song released. The song got released on the 28th of November meaning that Nasty C sent his verse during the week 16th - 22th This is 4 proofs that Nasty C was asked for a hook. Note and pay proper attention as this leads into 5 down below…

theboyjay

34,532 views • 6 months ago

10th of July - Israeli War on South Lebanon update: Israeli killer drones have carried out 5 attacks since morning, including at least 2 civilian cars in areas that are not even included in their proclaimed yellow zone (area occupied by drone strikes and surveillance). Israeli Hermes 450 drone attacked a pickup truck by 2 missiles this morning on Kfardajjal road, linking Nabatieh to Kfarsir and central Litani area. The pickup was for a contractor with the municipal council and carrying garbage from a nearby town to be dropped in a location their. The road is used by most of the people returning to towns of Qsaybeh, Adsheet, Kfarsir and Qaqaaiyet al-Jeser and others. 2 men who were municipality workers, were seriously injured and taken to hospital. At noon, Israeli drones targeted a civilian SUV on the outskirts of Kfarromman. The terrorist attack was carried out by 2 missiles also, as video shows, and until now we have unconfirmed information about 1 man who was murdered. Other Israeli drone strikes were reported since morning, including 1 on Ali Taher hill, 1 on Zawtar and another one Qaqaaiyet al-Jeser. These 3 are still being investigated and it is hard to reach any of those areas by civil defense or any first responders team. This is happening while the Lebanese current authorities are insisting on continuing their negotiation process with Israeli enemy, and not even condemn any of these daily agressions, according to the "good intentions" paper they signed some weeks ago in Washington.

10th of July - Israeli War on South Lebanon update: Israeli killer drones have carried out 5 attacks since morning, including at least 2 civilian cars in areas that are not even included in their proclaimed yellow zone (area occupied by drone strikes and surveillance). Israeli Hermes 450 drone attacked a pickup truck by 2 missiles this morning on Kfardajjal road, linking Nabatieh to Kfarsir and central Litani area. The pickup was for a contractor with the municipal council and carrying garbage from a nearby town to be dropped in a location their. The road is used by most of the people returning to towns of Qsaybeh, Adsheet, Kfarsir and Qaqaaiyet al-Jeser and others. 2 men who were municipality workers, were seriously injured and taken to hospital. At noon, Israeli drones targeted a civilian SUV on the outskirts of Kfarromman. The terrorist attack was carried out by 2 missiles also, as video shows, and until now we have unconfirmed information about 1 man who was murdered. Other Israeli drone strikes were reported since morning, including 1 on Ali Taher hill, 1 on Zawtar and another one Qaqaaiyet al-Jeser. These 3 are still being investigated and it is hard to reach any of those areas by civil defense or any first responders team. This is happening while the Lebanese current authorities are insisting on continuing their negotiation process with Israeli enemy, and not even condemn any of these daily agressions, according to the "good intentions" paper they signed some weeks ago in Washington.

Hadi Hoteit | هادي حطيط

35,319 views • 18 days ago

🔸Good day Nick Mangwana, As the bureaucratic head of the Ministry of Information, is it possible for you to: 1. Engage a tech-savvy, young content creator who can build engaging social media handles for the Warriors’ campaign at #AFCON2025? 2. On these handles, can they feature profiles of all players so we know is in the squad? 3. Can they also build hype around our respective match days? Tell us who we are playing and when. Indicate where the matches will be aired. Organize watch parties. 4. Inform the public where #Warriors merch can be bought with prices including national team jerseys, bucket hats, key rings etc. Make provision for personalized merch too. 5. Air video messages of support to the team. Get videos of them in training and collate them into gripping montages that make fans excited about their games. You get my drift? This will go a long way in boosting the morale of the players and getting fans mobilised to cheer them on, loud and proud. #TeamZimbabwe🇿🇼 We need new leaders.🇿🇼

🔸Good day Nick Mangwana, As the bureaucratic head of the Ministry of Information, is it possible for you to: 1. Engage a tech-savvy, young content creator who can build engaging social media handles for the Warriors’ campaign at #AFCON2025? 2. On these handles, can they feature profiles of all players so we know is in the squad? 3. Can they also build hype around our respective match days? Tell us who we are playing and when. Indicate where the matches will be aired. Organize watch parties. 4. Inform the public where #Warriors merch can be bought with prices including national team jerseys, bucket hats, key rings etc. Make provision for personalized merch too. 5. Air video messages of support to the team. Get videos of them in training and collate them into gripping montages that make fans excited about their games. You get my drift? This will go a long way in boosting the morale of the players and getting fans mobilised to cheer them on, loud and proud. #TeamZimbabwe🇿🇼 We need new leaders.🇿🇼

Fadzayi Mahere🇿🇼

34,387 views • 7 months ago

Something is broken in our Uganda Police Force. This State Witness, a full Regional Scene of Crime Officer, showed up in court, took oath, said he had visited a murder scene with a certain police officer, Mary Mbabazi. The defense says he’s lying about having gone to the scene of crime with said police officer and at said time. A video is played showing Mary Mbabazi arriving alone. Police officer recognizes her and says yes, that’s Mary Mbabazi. He’s not anywhere in the video. It’s played for minutes before and after arrival. He confirms he’s nowhere in the video. It’s put to him by Jet John Tumwebaze that he lied. He says he didn’t lie. The video clearly shows he lied. He insists he didn’t lie. Perhaps the video recorder just edited him out. These are the Uganda Police Force officers the state wants to rely on to convict someone for murder. These are the police officers that have filled up our jails to 4 times capacity. Same police officers are being accused of back-dating police forms 17A and submitting forged documents. Police officers filed two PF17As that are alike on everything, down to placement of commas and stamps but one has extra exhibits. The witness is having a difficult time explaining why a carbon copy has different information than the original. Witness says “pens fails sometimes”. The Chief State Prosecutor tries to step in and Mr Tumwebaze, with whom they seem to have no love lost, tells him not to bother helping his (the defense’s case). He says: “why are you helping me with my case, Mr Muwaganya? You help yours. You can’t fail to help yours and help mine”. The man is only serving violence. The Chief State Prosecutor, a very good prosecutor in his own right, looks distraught. The witness battering goes on…It’s a bit painful to watch. #UgandaVsMollyKatanga

Something is broken in our Uganda Police Force. This State Witness, a full Regional Scene of Crime Officer, showed up in court, took oath, said he had visited a murder scene with a certain police officer, Mary Mbabazi. The defense says he’s lying about having gone to the scene of crime with said police officer and at said time. A video is played showing Mary Mbabazi arriving alone. Police officer recognizes her and says yes, that’s Mary Mbabazi. He’s not anywhere in the video. It’s played for minutes before and after arrival. He confirms he’s nowhere in the video. It’s put to him by Jet John Tumwebaze that he lied. He says he didn’t lie. The video clearly shows he lied. He insists he didn’t lie. Perhaps the video recorder just edited him out. These are the Uganda Police Force officers the state wants to rely on to convict someone for murder. These are the police officers that have filled up our jails to 4 times capacity. Same police officers are being accused of back-dating police forms 17A and submitting forged documents. Police officers filed two PF17As that are alike on everything, down to placement of commas and stamps but one has extra exhibits. The witness is having a difficult time explaining why a carbon copy has different information than the original. Witness says “pens fails sometimes”. The Chief State Prosecutor tries to step in and Mr Tumwebaze, with whom they seem to have no love lost, tells him not to bother helping his (the defense’s case). He says: “why are you helping me with my case, Mr Muwaganya? You help yours. You can’t fail to help yours and help mine”. The man is only serving violence. The Chief State Prosecutor, a very good prosecutor in his own right, looks distraught. The witness battering goes on…It’s a bit painful to watch. #UgandaVsMollyKatanga

Anthony Natif

12,022 views • 1 year ago

POV: You came to vlog the matcc, and captured Arsenal’s goal live on camera. Would you survive this atmosphere? Comment your favorite football club below! Made with GPT Image 2 + Seedance on LovartAI Prompt: Create a 15-second ultra-realistic cinematic influencer vlog video. Use the same consistent character throughout all shots. Authentic iPhone 14 Pro TikTok vlog realism, handheld camera imperfections, front-camera selfies mixed with back-camera stadium footage, natural motion blur, autofocus breathing, slight rolling-shutter wobble, realistic HDR, and loud crowd audio distortion. 24 fps, 26 mm lens equivalent. Scene 1 (0–3s) — Stadium Intro Front-facing selfie outside Emirates Stadiumbefore kickoff. Fans stream behind her. She says: “Guys, I’m at Arsenal vs Burnley and the atmosphere is absolutely insane!” Scene 2 (3–6s) — In the Stands Selfie from her seat with the pitch glowing behind her. She says: “We’ve got such a good view. Arsenal look really sharp already!” Scene 3 (6–9s) — Match Action Back camera shows Arsenal F.C.attacking Burnley F.C.. She shouts: “Come on Arsenal… shoot! SHOOT!” Scene 4 (9–12s) — Goal Moment Back camera captures Arsenal scoring. She screams: “GOAL! Oh my God, I got it!” Scene 5 (12–15s) — Celebration Selfie Front-facing selfie as she jumps and laughs with celebrating fans behind her. She says: “I actually caught the goal on camera! Best moment ever! Come on Arsenal!” Final Tone: Raw, emotional, high-energy football vlog with authentic stadium atmosphere and a euphoric goal reaction. #Lovart, #LovartPartner

POV: You came to vlog the matcc, and captured Arsenal’s goal live on camera. Would you survive this atmosphere? Comment your favorite football club below! Made with GPT Image 2 + Seedance on LovartAI Prompt: Create a 15-second ultra-realistic cinematic influencer vlog video. Use the same consistent character throughout all shots. Authentic iPhone 14 Pro TikTok vlog realism, handheld camera imperfections, front-camera selfies mixed with back-camera stadium footage, natural motion blur, autofocus breathing, slight rolling-shutter wobble, realistic HDR, and loud crowd audio distortion. 24 fps, 26 mm lens equivalent. Scene 1 (0–3s) — Stadium Intro Front-facing selfie outside Emirates Stadiumbefore kickoff. Fans stream behind her. She says: “Guys, I’m at Arsenal vs Burnley and the atmosphere is absolutely insane!” Scene 2 (3–6s) — In the Stands Selfie from her seat with the pitch glowing behind her. She says: “We’ve got such a good view. Arsenal look really sharp already!” Scene 3 (6–9s) — Match Action Back camera shows Arsenal F.C.attacking Burnley F.C.. She shouts: “Come on Arsenal… shoot! SHOOT!” Scene 4 (9–12s) — Goal Moment Back camera captures Arsenal scoring. She screams: “GOAL! Oh my God, I got it!” Scene 5 (12–15s) — Celebration Selfie Front-facing selfie as she jumps and laughs with celebrating fans behind her. She says: “I actually caught the goal on camera! Best moment ever! Come on Arsenal!” Final Tone: Raw, emotional, high-energy football vlog with authentic stadium atmosphere and a euphoric goal reaction. #Lovart, #LovartPartner

Shami

29,564 views • 2 months ago

Seedance 2 is so good at character and scene consistency across cuts. I tested it with a short film on something I learned last week about cats. The key is detailed prompts - take your story to an LLM to nail the structure, then to Krea to make the video. Take my prompt 👇 Style: high-quality 3D animation, expressive character acting, cozy lighting, cinematic composition Timestamped structure: 0:00 - 0:02 Open on a cozy desk setup in a home office. A black cat, Finn, is near the desk, alert and curious. The woman with brown hair and blue eyes sits at her computer, pulling up a YouTube-style bird video. The screen shows colorful birds hopping on branches. Finn immediately locks in on the movement. 0:03 - 0:05 The woman smiles knowingly and adjusts the monitor so Finn can see better. She lightly gestures toward the screen. Finn jumps onto the chair or desk edge and sits facing the monitor, ears forward, body still, completely mesmerized by the birds. 0:05 - 0:07 The woman gets up from the desk and walks away casually, leaving Finn watching. Finn remains seated, staring at the bird video with total concentration. Maybe a subtle tail flick or tiny head movement tracks the birds on screen. 0:07 - 0:10 Cut to later in the day, in the exact same office. The woman is now back at the desk in a Zoom meeting, still with the single monitor on the same desk. The computer screen now shows a video call grid or work presentation instead of the birds. She is mid-conversation, professional and focused, seated upright, saying "and now we'll move to the next slide" 0:10 - 0:12 Finn suddenly jumps up onto the desk from below, entering frame with urgency. He looks at the screen, confused and dissatisfied that the birds are gone. He starts pawing at the screen and the woman is shocked and embarrassed

Seedance 2 is so good at character and scene consistency across cuts. I tested it with a short film on something I learned last week about cats. The key is detailed prompts - take your story to an LLM to nail the structure, then to Krea to make the video. Take my prompt 👇 Style: high-quality 3D animation, expressive character acting, cozy lighting, cinematic composition Timestamped structure: 0:00 - 0:02 Open on a cozy desk setup in a home office. A black cat, Finn, is near the desk, alert and curious. The woman with brown hair and blue eyes sits at her computer, pulling up a YouTube-style bird video. The screen shows colorful birds hopping on branches. Finn immediately locks in on the movement. 0:03 - 0:05 The woman smiles knowingly and adjusts the monitor so Finn can see better. She lightly gestures toward the screen. Finn jumps onto the chair or desk edge and sits facing the monitor, ears forward, body still, completely mesmerized by the birds. 0:05 - 0:07 The woman gets up from the desk and walks away casually, leaving Finn watching. Finn remains seated, staring at the bird video with total concentration. Maybe a subtle tail flick or tiny head movement tracks the birds on screen. 0:07 - 0:10 Cut to later in the day, in the exact same office. The woman is now back at the desk in a Zoom meeting, still with the single monitor on the same desk. The computer screen now shows a video call grid or work presentation instead of the birds. She is mid-conversation, professional and focused, seated upright, saying "and now we'll move to the next slide" 0:10 - 0:12 Finn suddenly jumps up onto the desk from below, entering frame with urgency. He looks at the screen, confused and dissatisfied that the birds are gone. He starts pawing at the screen and the woman is shocked and embarrassed

Justine Moore

27,336 views • 3 months ago

Made with Seednace 2 prompt: Idol dressing room at an MV filming studio, midday. In a brief lull while preparing for a fan meeting, a female idol @ image is left alone, filming a behind-the-scenes vlog on her own phone. Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots, capturing small moments of the prep process. Eight short cuts flow together, bouncy, within one continuous space and time. Each cut follows the rhythm of a vlog: greeting → introducing the gift bags → putting on a hairpin → detail insert → practicing fan-service poses → a member's voice on a phone call → laughing → excitedly exiting at a staff call. A light ending: excitement as she heads off to meet her fans. Characters CHASE — a Korean idol in her 20s. Long straight black hair (past her chest), elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy proportions at 33C-26-34. Wearing a light pink slip dress (thin shoulder straps, V-neckline, shirred waist). Pearl-silver drop earrings. The bright, bubbly star of the vlog, filming herself facing the lens. Storyboard Fan Meeting Prep Vlog (midday, indoors, handheld) The idol dressing room at an MV filming studio. On camera left, a small table stacked with gift bags sent by fans, behind it a rolling garment rack with covered costumes, on the right her phone and hair accessories on a vanity. Above, a door leading to a bright studio hallway. She's alone, hair and makeup done, preparing for the fan meeting while filming a vlog on her phone. Quick, cheerful handheld. (Cut 1 · ~2 sec · front-facing selfie, arm's length) She leans in close to the lens with a bright smile and a quick hand-heart. CHASE: "Morning, everyone — getting ready for the fan meeting!" (Cut 2 · ~2 sec · quick whip pan, handheld POV) Phone swings from the table of gift bags → to the garment rack → to the vanity, then snaps back to her face. CHASE (off-screen, playful): "These are all gifts from you guys!" (Cut 3 · ~2 sec · medium handheld, in front of the vanity) She picks up a ribbon-shaped hairpin from the vanity and clips it into her fringe, tilting her head as she checks the mirror. CHASE: "What do you think, cute?" (Cut 4 · ~1.5 sec · macro insert, tight close-up, shallow depth of field) Detail shot: fingers adjusting the hairpin's position, the pearl-silver earrings swaying in the light. No dialogue — just the soft rustle of fabric. (Cut 5 · ~2 sec · medium handheld, phone tracking her) She practices fan-service poses, making finger hearts at a few different angles, laughing at herself. CHASE: "I think this angle works!" (Cut 6 · ~2 sec · snappy cut, close handheld on the sofa) She sits on the sofa, her phone rings, she answers on speaker, and bursts out laughing at a member's voice. CHASE (laughing): "Hey, I was literally filming right now!" (Cut 7 · ~1.5 sec · quick punch-in, tight selfie) Still on the call, she shoots a playful side-eye at the lens and pouts. CHASE: "Why is she like this—" (Cut 8 · ~2 sec · arm's-length selfie finish) An off-screen staff knock — her eyes widen with excitement. A quick wave, a big wink with both hands making heart shapes, then she jumps out of frame — the camera lingers on the vanity for half a beat. CHASE (shouting as she jumps up): "Off to meet my fans — bye~!"

Made with Seednace 2 prompt: Idol dressing room at an MV filming studio, midday. In a brief lull while preparing for a fan meeting, a female idol @ image is left alone, filming a behind-the-scenes vlog on her own phone. Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots, capturing small moments of the prep process. Eight short cuts flow together, bouncy, within one continuous space and time. Each cut follows the rhythm of a vlog: greeting → introducing the gift bags → putting on a hairpin → detail insert → practicing fan-service poses → a member's voice on a phone call → laughing → excitedly exiting at a staff call. A light ending: excitement as she heads off to meet her fans. Characters CHASE — a Korean idol in her 20s. Long straight black hair (past her chest), elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy proportions at 33C-26-34. Wearing a light pink slip dress (thin shoulder straps, V-neckline, shirred waist). Pearl-silver drop earrings. The bright, bubbly star of the vlog, filming herself facing the lens. Storyboard Fan Meeting Prep Vlog (midday, indoors, handheld) The idol dressing room at an MV filming studio. On camera left, a small table stacked with gift bags sent by fans, behind it a rolling garment rack with covered costumes, on the right her phone and hair accessories on a vanity. Above, a door leading to a bright studio hallway. She's alone, hair and makeup done, preparing for the fan meeting while filming a vlog on her phone. Quick, cheerful handheld. (Cut 1 · ~2 sec · front-facing selfie, arm's length) She leans in close to the lens with a bright smile and a quick hand-heart. CHASE: "Morning, everyone — getting ready for the fan meeting!" (Cut 2 · ~2 sec · quick whip pan, handheld POV) Phone swings from the table of gift bags → to the garment rack → to the vanity, then snaps back to her face. CHASE (off-screen, playful): "These are all gifts from you guys!" (Cut 3 · ~2 sec · medium handheld, in front of the vanity) She picks up a ribbon-shaped hairpin from the vanity and clips it into her fringe, tilting her head as she checks the mirror. CHASE: "What do you think, cute?" (Cut 4 · ~1.5 sec · macro insert, tight close-up, shallow depth of field) Detail shot: fingers adjusting the hairpin's position, the pearl-silver earrings swaying in the light. No dialogue — just the soft rustle of fabric. (Cut 5 · ~2 sec · medium handheld, phone tracking her) She practices fan-service poses, making finger hearts at a few different angles, laughing at herself. CHASE: "I think this angle works!" (Cut 6 · ~2 sec · snappy cut, close handheld on the sofa) She sits on the sofa, her phone rings, she answers on speaker, and bursts out laughing at a member's voice. CHASE (laughing): "Hey, I was literally filming right now!" (Cut 7 · ~1.5 sec · quick punch-in, tight selfie) Still on the call, she shoots a playful side-eye at the lens and pouts. CHASE: "Why is she like this—" (Cut 8 · ~2 sec · arm's-length selfie finish) An off-screen staff knock — her eyes widen with excitement. A quick wave, a big wink with both hands making heart shapes, then she jumps out of frame — the camera lingers on the vanity for half a beat. CHASE (shouting as she jumps up): "Off to meet my fans — bye~!"

WasifAI

47,335 views • 16 days ago

She Lived to 117. Scientists Studied Her for Months. Her Secret Cost $2. Maria Branyas Morera ate three yogurts a day. Every single day, for as long as anyone could remember. She mentioned this to anyone who asked about her longevity, which was often, and it was the kind of advice people receive with a warm smile and then immediately discard, because we prefer our longevity secrets to involve something more exotic than a supermarket dairy aisle. Maria died in Barcelona in 2024. She was 117. Then scientists actually looked inside her, and the smiling stopped. Her gut was packed with Bifidobacterium, a bacterium almost never found in people past 110, and far more commonly associated with infants. Her body had, in the most literal biological sense, not been informed of her actual age. It was operating on entirely different assumptions. Her DNA suggested she was somewhere between 100 and 110. She was 117. Seven years younger on the inside than the calendar insisted, which at 117 is not a rounding error. That is a extraordinary number. But to appreciate why any of this matters, you need to understand what kind of person we are talking about. Maria was born in San Francisco in 1907, the year before the Model T Ford, when Theodore Roosevelt was still in the White House and most of humanity died of things we now treat with a Tuesday afternoon at the pharmacy. Her Catalan father had come to America to make something of himself, and for a while it worked beautifully. He founded a Spanish-language magazine in New Orleans, one of the most chaotic, beautiful, swampy, and gastronomically unhinged cities on the continent, a place that has always operated on the reasonable philosophy that life is uncertain and the gumbo is excellent. Then the family got on a boat back to Spain. Maria fell on deck and permanently lost the hearing in one ear. Her father died of tuberculosis before the coast of Catalonia came into view. He was 37. She was eight. Her mother arrived in Europe with five children, no husband, and presumably very little appetite for what came next. Maria managed. She nursed soldiers in the Spanish Civil War. She outlived Franco, which required considerable patience. She raised three children. She played piano until she was 108. At 113 she caught COVID-19 and dispatched it, which at that point resembles less a medical event than a statement of intent. Then she joined Twitter. Her bio read: “I am old, very old, but not an idiot.” Her last request, before she died peacefully in her sleep, was three words: “Please study me.” The geneticists obliged with considerable enthusiasm, and their subsequent paper in Cell Reports Medicine runs to forty pages of scientists explaining, in the careful and hedged language that science requires, that this woman was remarkable in ways they had not previously encountered and were not entirely sure how to explain. The yogurt, it turns out, had been doing quiet and serious work for over a century. Nomadic peoples of Central Asia were fermenting milk 8,000 years ago, long before germ theory, before microscopes, before anyone had the faintest idea what a bacterium was. They didn’t need to understand it. Their guts understood it. The knowledge was older than writing. Maria understood it too. She didn’t publish a paper. She didn’t launch a wellness brand. She just ate her yogurt every morning and got on with the extraordinary business of being alive. Gandalv / Gandalv ✦ AI-generated image. Not the actual person. Full story:

Gandalv

16,674 views • 4 months ago

Today's recap: - Initial prototype of Divine's face was printed but it had human assistance. - Files are generated from stable diffusion prompt -> NeRF by divine and were based on community sentiment from early sketches she made. - Having divine redesign the 3D file with different Hugging Face models to get better quality. Have not found a great model like our video generator. - Ordered new table for divine's print arm. The table her arm is on is too flimsy. Since Divine's vision system is still clearing customs, if she is not perfectly positioned she can be prone to hit things, like the fume box the printer is in. ETA: 1-2 days for table. 1 week for vision system. - Another part of Divine's coming stream will be attempting to surpass the skills of this AI. - Stacking more content for when the stream goes live, a lot of people were expecting a 24/7 stream, we said this would be a test stream to print the face. The test was a failure. We will try and try again until we are 24/7. If anyone can please try and beat us to doing this, it will help me get it done faster. - TikTok account for divine is growing at 500 follows per day, it is now growing faster than our X account. - Got replies functioning in high quality testing in Discord. Fine tuning based on community feedback today. Will soon deploy to Twitter/Telegram/X - Lots of good partnership calls, interviews and hires. We now have over 10 team members around the world working on divine. Expect a lot of my shortcomings to be caught up. - OF made? - Surprises.

Today's recap: - Initial prototype of Divine's face was printed but it had human assistance. - Files are generated from stable diffusion prompt -> NeRF by divine and were based on community sentiment from early sketches she made. - Having divine redesign the 3D file with different Hugging Face models to get better quality. Have not found a great model like our video generator. - Ordered new table for divine's print arm. The table her arm is on is too flimsy. Since Divine's vision system is still clearing customs, if she is not perfectly positioned she can be prone to hit things, like the fume box the printer is in. ETA: 1-2 days for table. 1 week for vision system. - Another part of Divine's coming stream will be attempting to surpass the skills of this AI. - Stacking more content for when the stream goes live, a lot of people were expecting a 24/7 stream, we said this would be a test stream to print the face. The test was a failure. We will try and try again until we are 24/7. If anyone can please try and beat us to doing this, it will help me get it done faster. - TikTok account for divine is growing at 500 follows per day, it is now growing faster than our X account. - Got replies functioning in high quality testing in Discord. Fine tuning based on community feedback today. Will soon deploy to Twitter/Telegram/X - Lots of good partnership calls, interviews and hires. We now have over 10 team members around the world working on divine. Expect a lot of my shortcomings to be caught up. - OF made? - Surprises.

Parallel

35,848 views • 1 year ago

Honestly, I hate that I even have to say this, but seeing people use one single fancam to claim Sana “can’t dance” is genuinely ridiculous. Y’all, for everyone dragging Sana because of one video from the 73rd THIS IS FOR tour show, I think it’s important to look at the full context before judging her dancing ability. First of all, Sana had been dealing with a cold, flu, and cough for over a month at that point, which can definitely affect stamina and performance consistency during a 2–3 hour concert. There are also several factors that can make the dancing look less smooth in that particular fancam: 1. Outfit If you’ve watched other fancams from this black outfit era, Sana was adjusting her outfit quite often on stage because it seemed to shift, slip, or sit unevenly at times. An uncomfortable outfit can naturally affect movement and make a performer more cautious. 2. Camera tracking The camera appears to follow her movements slightly late. Even a small delay can make smooth transitions look jerky or abrupt when viewed on video. 3. Awkward zoom distance The fancam isn’t zoomed out enough to show the full choreography, but it’s also not close enough to focus on facial expressions. Because of that, viewers end up focusing mostly on body transitions and posture, which can make movements look harsher than they actually are. 4. Phone camera limitations High-energy movements recorded on a phone can suffer from motion blur, stabilization issues, and frame-rate limitations. Sharp movements that look clean in person can appear choppy or less fluid on video. 5.Stamina This was already the 73rd show of the tour. Performing the same demanding choreography for dozens of concerts while dealing with illness can affect anyone’s energy level. And if this one clip is enough to convince you that Sana “can’t dance,” then I encourage you to watch other performances of Right Hand Girl from different angles and different outfits. Looking at a performer’s overall body of work will always give a more accurate picture than judging them from a single fancam. One fancam does not erase years of consistently solid performances.

Honestly, I hate that I even have to say this, but seeing people use one single fancam to claim Sana “can’t dance” is genuinely ridiculous. Y’all, for everyone dragging Sana because of one video from the 73rd THIS IS FOR tour show, I think it’s important to look at the full context before judging her dancing ability. First of all, Sana had been dealing with a cold, flu, and cough for over a month at that point, which can definitely affect stamina and performance consistency during a 2–3 hour concert. There are also several factors that can make the dancing look less smooth in that particular fancam: 1. Outfit If you’ve watched other fancams from this black outfit era, Sana was adjusting her outfit quite often on stage because it seemed to shift, slip, or sit unevenly at times. An uncomfortable outfit can naturally affect movement and make a performer more cautious. 2. Camera tracking The camera appears to follow her movements slightly late. Even a small delay can make smooth transitions look jerky or abrupt when viewed on video. 3. Awkward zoom distance The fancam isn’t zoomed out enough to show the full choreography, but it’s also not close enough to focus on facial expressions. Because of that, viewers end up focusing mostly on body transitions and posture, which can make movements look harsher than they actually are. 4. Phone camera limitations High-energy movements recorded on a phone can suffer from motion blur, stabilization issues, and frame-rate limitations. Sharp movements that look clean in person can appear choppy or less fluid on video. 5.Stamina This was already the 73rd show of the tour. Performing the same demanding choreography for dozens of concerts while dealing with illness can affect anyone’s energy level. And if this one clip is enough to convince you that Sana “can’t dance,” then I encourage you to watch other performances of Right Hand Girl from different angles and different outfits. Looking at a performer’s overall body of work will always give a more accurate picture than judging them from a single fancam. One fancam does not erase years of consistently solid performances.

puteri🍉

38,216 views • 1 month ago

Why does my cat stalk towards me as though I am prey? I only caught the tail end of this occurrence in the video, but about once a week I notice my cat (5 months) stalking towards me like this (she typically starts from much farther away and goes even slower). The weirdest part to me is that she only really does it towards me, not my husband. I’ve also seen her stalk prey before and she doesn’t usually continuously move in slow motion like this, she typically walks forward, pauses and assesses for a while, and then goes for the kill. Usually when she does this to me, she ends up snapping out of it due to movement or sound elsewhere, so she’s never pounced or anything - at most she jumps up next to me and then goes back to normal. I’m a new cat owner so this may be typical behavior, but it is so bizarre to me that this behavior seems reserved for me alone - not my husband, not our dog who she loves wrestling with (thanks reddit for clearing that up), and not the bugs she preys on. I was laughing in this video because she was cracking me up, but sometimes it genuinely freaks me out a bit, I feel like prey and I don’t like it 😶 I would love to hear any thoughts on the matter, if nothing else just enjoy this clip of my cat being an apex predator lol

Why does my cat stalk towards me as though I am prey? I only caught the tail end of this occurrence in the video, but about once a week I notice my cat (5 months) stalking towards me like this (she typically starts from much farther away and goes even slower). The weirdest part to me is that she only really does it towards me, not my husband. I’ve also seen her stalk prey before and she doesn’t usually continuously move in slow motion like this, she typically walks forward, pauses and assesses for a while, and then goes for the kill. Usually when she does this to me, she ends up snapping out of it due to movement or sound elsewhere, so she’s never pounced or anything - at most she jumps up next to me and then goes back to normal. I’m a new cat owner so this may be typical behavior, but it is so bizarre to me that this behavior seems reserved for me alone - not my husband, not our dog who she loves wrestling with (thanks reddit for clearing that up), and not the bugs she preys on. I was laughing in this video because she was cracking me up, but sometimes it genuinely freaks me out a bit, I feel like prey and I don’t like it 😶 I would love to hear any thoughts on the matter, if nothing else just enjoy this clip of my cat being an apex predator lol

We Assess Cats 🐾

81,163 views • 9 months ago

Colmap 4.0 was very recently released, so it inspired me to do some work to better understand it and its new capabilities with Rerun. I want to really understand how Colmap, and in particular, pycolmap, works outside of just calling it via the CLI. So my goal is to use the low-level pycolmap API to log every part of the pipeline. The explicit goal is to have an alternative to the SQLite database that I can utilize. Instead of SQLite, I want to try logging everything directly to rerun and use RRD. This means I can have deep inspectability and still save the features/matches/2D view geometry, but be able to view it directly in rerun. I think this is one of the superpowers that rerun provides; data and visualizations are deeply integrated. As I'm often working with sequential data (videos), I'm going to specifically focus on four things: 1. Monocular Video Simple: Calls high-level APIs such as pycolmap.extract_features, pycolmap.match_sequential, pycolmap.incremental_mapping. These are basically identical to the CLI options and provide a good baseline. 2. Monocular Video Streamed: Take the above high-level APIs and break them down to their iterator version, logging each component in a streamed manner. This way, I can stream the intermediate features to rerun while the extraction/matching/mapping is happening. 3. Rig with unknown calibration: <- WHAT THE VIDEO SHOWS This is probably the most interesting version and the first one I've been working on. It allows one to set a rig between known sensors, such as in VR/AR devices, leading to much better reconstructions with multiple cameras. This is the case where we don't know the calibration a priori, so we have to run a reconstruction twice: once as a normal Colmap reconstruction with no rig constraints, use this to generate the constraints, and then do it again with the newly found rig. 4. Rig with known calibration: This is the RoboCap example, where we have a pre-calibrated set of sensors, so we don't need to run the two reconstructions and also gain better matching between cameras, both spatially and temporally. Again, this leads to a much better reconstruction! Along with all this, GLOMAP has become a first-class global mapper, making it super easy to use directly within pycolmap! I'm excited to do more with this and compare it to things like pycuvslam, vipe, and other alternatives.

Colmap 4.0 was very recently released, so it inspired me to do some work to better understand it and its new capabilities with Rerun. I want to really understand how Colmap, and in particular, pycolmap, works outside of just calling it via the CLI. So my goal is to use the low-level pycolmap API to log every part of the pipeline. The explicit goal is to have an alternative to the SQLite database that I can utilize. Instead of SQLite, I want to try logging everything directly to rerun and use RRD. This means I can have deep inspectability and still save the features/matches/2D view geometry, but be able to view it directly in rerun. I think this is one of the superpowers that rerun provides; data and visualizations are deeply integrated. As I'm often working with sequential data (videos), I'm going to specifically focus on four things: 1. Monocular Video Simple: Calls high-level APIs such as pycolmap.extract_features, pycolmap.match_sequential, pycolmap.incremental_mapping. These are basically identical to the CLI options and provide a good baseline. 2. Monocular Video Streamed: Take the above high-level APIs and break them down to their iterator version, logging each component in a streamed manner. This way, I can stream the intermediate features to rerun while the extraction/matching/mapping is happening. 3. Rig with unknown calibration: <- WHAT THE VIDEO SHOWS This is probably the most interesting version and the first one I've been working on. It allows one to set a rig between known sensors, such as in VR/AR devices, leading to much better reconstructions with multiple cameras. This is the case where we don't know the calibration a priori, so we have to run a reconstruction twice: once as a normal Colmap reconstruction with no rig constraints, use this to generate the constraints, and then do it again with the newly found rig. 4. Rig with known calibration: This is the RoboCap example, where we have a pre-calibrated set of sensors, so we don't need to run the two reconstructions and also gain better matching between cameras, both spatially and temporally. Again, this leads to a much better reconstruction! Along with all this, GLOMAP has become a first-class global mapper, making it super easy to use directly within pycolmap! I'm excited to do more with this and compare it to things like pycuvslam, vipe, and other alternatives.

Pablo Vela

30,070 views • 4 months ago