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📽️ Good Will Hunting* (1997) 🔥🔥🔥 🍿🍿🍿🍿🍿 "Professor Lambeau’s Impossible Math Problem" 🧠 In this classic mash-up, Professor Gerald Lambeau (Stellan Skarsgård) throws down a near-impossible math challenge to his elite students. What doesn’t he expect? The janitor, Will Hunting (Matt Damon), quietly solves it overnight on the chalkboard...

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BiffBifford™ 🇺🇸

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Good Will Hunting (1997) 🧡 Minnie Driver's Good Will Hunting character, Skylar, is often said to be inspired by Matt Damon's real-life Harvard girlfriend, Skylar Satenstein. Who later left Matt damon for the Metallica drummer before filming. The film won two Oscars: Best Original Screenplay for Damon & Affleck, and Best Supporting Actor for Robin Williams and It grossed over $225 million worldwide against a $10 million budget. Rate This Film On The Scale of 10?

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🚨 Matt Damon and Ben Affleck once wrote a completely absurd scene into Good Will Hunting (1997), just to test if studios were actually reading their script, and that strange decision ended up changing everything. Damon had first started the story at Harvard as a simple one act play, but it grew into a full screenplay when Affleck joined him, and the two spent five years developing it, sending it to multiple studios with little response, until they added a random scene on page-60 involving two male professors that had nothing to do with the plot, and no one ever mentioned it during meetings, proving most had not even read the script, until Miramax immediately questioned that exact scene, which convinced them they had finally found the right studio. On the first day of shooting, Damon and Affleck stood quietly on set as Robin Williams and Stellan Skarsgard performed a scene they had written years earlier, and after everything they had gone through, both of them broke down in tears watching it come to life, as the film went on to become a critical success and earned them the Academy Award for Best Original Screenplay, with Affleck at 25 becoming the youngest winner and Damon at 27 the second youngest.
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When Robin Williams read the script via Francis Ford Coppola and really liked it, his one question for Coppola was, "Who are these guys?" When Matt Damon was in his fifth year at Harvard, he was in a playwriting class. The culmination of it was to write a one-act play. He started writing a movie, which with the help of Ben Affleck became this movie. Good Will Hunting (1997).
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When Robin Williams read the script via Francis Ford Coppola and really liked it, his one question for Coppola was, "Who are these guys?" When Matt Damon was in his fifth year at Harvard, he was in a playwriting class. The culmination of it was to write a one-act play. He started writing a movie, which with the help of Ben Affleck became this movie. Good Will Hunting (1997).

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Matt Damon says he and Ben Affleck sold the “Good Will Hunting” screenplay for $600K, thought they were set for life, and needed another job just a year later Matt Damon: “When we sold Good Will Hunting, when we sold the screenplay, we thought that was absolutely it.” “We were like broke a year later.” “We sold the screenplay for 600 grand.” “Which was just so much more money than either of us had ever considered.” “We split it.” “After taxes and agent, lawyer, and all that stuff… we were down under 150 each.” “The first thing we did was buy brand new Jeep Grand Cherokees.” “We were renting this place in L.A.” “It didn’t take long for us to be like…” “‘Dude, we gotta get another job.’”
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Matt Damon says he and Ben Affleck sold the “Good Will Hunting” screenplay for $600K, thought they were set for life, and needed another job just a year later Matt Damon: “When we sold Good Will Hunting, when we sold the screenplay, we thought that was absolutely it.” “We were like broke a year later.” “We sold the screenplay for 600 grand.” “Which was just so much more money than either of us had ever considered.” “We split it.” “After taxes and agent, lawyer, and all that stuff… we were down under 150 each.” “The first thing we did was buy brand new Jeep Grand Cherokees.” “We were renting this place in L.A.” “It didn’t take long for us to be like…” “‘Dude, we gotta get another job.’”

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Matt Damon revealed he missed out on a major role in Dead Poets Society with Ben Affleck and turned down roles in The Dark Knight and Avatar, including what could’ve been the biggest payday in Hollywood history after being offered 10% of Avatar’s box office 😲👀 He says he has zero regrets because those decisions led him to write Good Will Hunting with Robin Williams and paved the way for the career he has today🔥
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Steven Spielberg cast Matt Damon, who was introduced to him by Robin Williams as the title character in "Saving Private Ryan" (1998) as he wanted an anonymous actor with an "American everybody" look. The massive success & box office hit of "Good Will Hunting" (1997) made Matt Damon a star before "Saving Private Ryan" was released, thus defeating Spielberg's objective. However, Spielberg thought his performance was good and he "looked the part". ("Private Spielberg", Roger Ebert, 2012) P.S: On this day, 28 years ago, "Saving Private Ryan" (1998) premiered in Westwood, California, USA.

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Matt Damon says “The Town” made a fortune and was later relicensed for $35 million, but Ben Affleck still didn’t make $1 million despite writing, directing and starring in the film because he was on a flat salary Q: “Do you know what Good Will Hunting has grossed in its time?” Matt Damon: “When it came out, I think it was like 220-something in the theater.” “Actually, with our studio, that’s one of the things we really fight for… reversion rights.” “Ben called me a couple years ago and he goes, ‘You know, The Town just got relicensed for 35 million bucks.’” “Which just means that he made a great movie and people are still watching it.” “At the time, that movie made a fortune. It did all this stuff.” “But he was on a flat salary.” “I don’t even think he made a million bucks for that movie.” “And he wrote it, directed it, starred in it.” “It was one of those things.” “Our view was, look, if you do something like that as one of the real contributors to it, then if there’s money kind of in perpetuity, then you should be a part of that.”
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Matt Damon says “The Town” made a fortune and was later relicensed for $35 million, but Ben Affleck still didn’t make $1 million despite writing, directing and starring in the film because he was on a flat salary Q: “Do you know what Good Will Hunting has grossed in its time?” Matt Damon: “When it came out, I think it was like 220-something in the theater.” “Actually, with our studio, that’s one of the things we really fight for… reversion rights.” “Ben called me a couple years ago and he goes, ‘You know, The Town just got relicensed for 35 million bucks.’” “Which just means that he made a great movie and people are still watching it.” “At the time, that movie made a fortune. It did all this stuff.” “But he was on a flat salary.” “I don’t even think he made a million bucks for that movie.” “And he wrote it, directed it, starred in it.” “It was one of those things.” “Our view was, look, if you do something like that as one of the real contributors to it, then if there’s money kind of in perpetuity, then you should be a part of that.”

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Matt Damon says him and Ben left the Good Will Hunting movie so they could cast whoever would fund it "Ben Affleck and I wrote it because we wanted the parts as actors and at the time there was a really popular movie that we all loved called reservoir dogs Quentin Tarantino's first movie" "the story we had heard was that because Harvey Keitel signed up for the movie Quentin got I think it was $500k that was his budget" "we wrote that part that Robin eventually took we called it the Harvey Keitel part looking for an actor who could get us money because ben and I wanted to star in the movie and we knew we were worth nothing"
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Matt Damon says him and Ben left the Good Will Hunting movie so they could cast whoever would fund it "Ben Affleck and I wrote it because we wanted the parts as actors and at the time there was a really popular movie that we all loved called reservoir dogs Quentin Tarantino's first movie" "the story we had heard was that because Harvey Keitel signed up for the movie Quentin got I think it was $500k that was his budget" "we wrote that part that Robin eventually took we called it the Harvey Keitel part looking for an actor who could get us money because ben and I wanted to star in the movie and we knew we were worth nothing"

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11,524 Aufrufe • vor 20 Tagen

Matt Damon tells Amy Poehler how he left Harvard with just one semester left to go make a movie, revealing that he wrote the beginning of Good Will Hunting instead of doing his actual class assignment, and his professor was so IMPRESSED that he gave him an A and told him to keep writing 😳🎬🔥 “We were supposed to write a one-act play, and I wrote the first act of a three-act movie. I went to the guy and said, ‘I think I failed your class, but this is the first act of a movie.’” “He read it, gave me a straight A and just said, ‘Don’t stop. Keep going.’ That was when I took it out and showed it to Ben.”
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Matt Damon tells Amy Poehler how he left Harvard with just one semester left to go make a movie, revealing that he wrote the beginning of Good Will Hunting instead of doing his actual class assignment, and his professor was so IMPRESSED that he gave him an A and told him to keep writing 😳🎬🔥 “We were supposed to write a one-act play, and I wrote the first act of a three-act movie. I went to the guy and said, ‘I think I failed your class, but this is the first act of a movie.’” “He read it, gave me a straight A and just said, ‘Don’t stop. Keep going.’ That was when I took it out and showed it to Ben.”

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As he was struggling to break into Hollywood, Matt Damon read about how Quentin Tarantino did it: Essentially, he got a big-name actor (Harvey Keitel) to want to star in Tarantino’s first movie (Reservoir Dogs) then leveraged that to get the movie funded. “And so,” Damon said, “We wrote ‘Good Will Hunting’ and that part that Robin [Williams] eventually took—we called it ‘the Harvey Keitel part.’” “Ben [Affleck] and I wrote the movie specifically because we wanted the parts as actors…But we knew [we needed] a big-name actor who could get us some money because Ben and I were worth nothing. And so we wrote ‘the Harvey Keitel part’ really open-ended. So we could adjust it: if Morgan Freeman or Denzel Washington wanted to come in and play it—we could make that character from Roxbury [a neighborhood in Boston], and we could explore the historic racial tension in Boston. If Meryl Streep took the part—instead of a father-son relationship, we could make it a mother-son relationship. So we really left it open-ended because we wanted to cast as wide a net as possible because we were just trying to get the movie made.” “And then once we got Robin to sign up to do it, that’s really what got us a green light to make it…He changed our lives.” Takeaway 1: In one of my favorite talks, "Runnin' Down A Dream," the venture capitalist Bill Gurley explains that while studying the career trajectories of three of his heroes—the restauranteur Danny Meyer, the coach Bobby Knight, and the musician Bob Dylan—he noticed a pattern: They studied the career trajectories of the icons in their respective industries. Like Damon, they studied how others successfully got their foot in the door then climbed to top of their profession. And then, they took similar steps towards doing the same. Coincidentally, Tarantino did this too. He made scrap books for each of his favorite filmmakers: Brian De Palma, Howard Hawks, Douglas Sirk, and Martin Scorsese. "I was like a film historian," Tarantino said. "I was obsessed with studying how they did it, the evolution of their careers." "Greatness isn't random," as Gurley puts it. Instead, it's usually a predictable step along a studied path of strategically modified emulation and, of course, determination. Takeaway 2: In the clip above, Damon goes on to explain that, not only did Robin Williams sign on to be in "Good Will Hunting," he also went off script and improvised one of the most iconic lines ("Son of a bitch, he stole my line") in the movie. It reminded me of something Pixar co-founder Ed Catmull writes in his book, Creativity. Inc.: "Getting the right people is more important than getting the right idea…If you give a good idea to a mediocre team, they will screw it up. If you give a mediocre idea to a brilliant team, they will either fix it or throw it away and come up with something better." - - - “Bob Dylan said, 'I'm a musical expeditionary.' I looked up 'expeditionary'—it's to travel for scientific research or exploration. And that's what Dylan did...For hours upon hours upon hours, he studied what other artists did. He was a mimic. He was studying, studying, studying.” — Bill Gurley Follow Billy Oppenheimer for more content like this!

Billy Oppenheimer

8,482,990 Aufrufe • vor 2 Jahren

Matt Damon says watching The Beatles’ final live performance made him realize how much he valued working with Ben Affleck. “I was watching Peter Jackson’s Get Back documentary.” “At the end, there’s that famous rooftop performance.” “You see The Beatles having the time of their lives.” “They’re laughing, playing music, and it’s pure joy.” “Then a caption comes up saying, ‘This is the last time The Beatles played live together.’” “That absolutely broke me.” “I started crying because it made me so sad that they couldn’t stay together.” “Afterwards, I called Ben.” “Working together was our dream from the time we were teenagers.” “We wrote Good Will Hunting together, starred in it together, and built our careers side by side.” “But after that success, we both wanted to establish ourselves individually.” “We were almost a little allergic to working together for a while.” “We didn’t want people saying, ‘Where’s Matt?’ every time Ben did something, or vice versa.” “Then a couple of decades passed.” “Now we’re in our 50s, starting a company together, and none of that matters anymore.” “We just enjoy working together.”
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Matt Damon says watching The Beatles’ final live performance made him realize how much he valued working with Ben Affleck. “I was watching Peter Jackson’s Get Back documentary.” “At the end, there’s that famous rooftop performance.” “You see The Beatles having the time of their lives.” “They’re laughing, playing music, and it’s pure joy.” “Then a caption comes up saying, ‘This is the last time The Beatles played live together.’” “That absolutely broke me.” “I started crying because it made me so sad that they couldn’t stay together.” “Afterwards, I called Ben.” “Working together was our dream from the time we were teenagers.” “We wrote Good Will Hunting together, starred in it together, and built our careers side by side.” “But after that success, we both wanted to establish ourselves individually.” “We were almost a little allergic to working together for a while.” “We didn’t want people saying, ‘Where’s Matt?’ every time Ben did something, or vice versa.” “Then a couple of decades passed.” “Now we’re in our 50s, starting a company together, and none of that matters anymore.” “We just enjoy working together.”

KΞRL_✂️

372,130 Aufrufe • vor 1 Monat

Matt Damon says his agent told him he had a 5% chance for Good Will Hunting and was only there to fill the slot Matt :"Patrick called me out of the blue and he said I'm telling you right now you have a 5% chance at best of getting this movie" "They're screen testing in Memphis and they've got three girls that they're screen testing and they only have two guys. If you go to the airport right now and get on a plane and fly to Memphis you're going to be the third guy" "you have almost no chance and you're just filling in and I'm like great just put me in and get me on the field. So I flew down there and it was Edward Norton, Balthazar Getty, and me. Edward had just beaten everybody out in LA for Primal Fear"
1:36

Matt Damon says his agent told him he had a 5% chance for Good Will Hunting and was only there to fill the slot Matt :"Patrick called me out of the blue and he said I'm telling you right now you have a 5% chance at best of getting this movie" "They're screen testing in Memphis and they've got three girls that they're screen testing and they only have two guys. If you go to the airport right now and get on a plane and fly to Memphis you're going to be the third guy" "you have almost no chance and you're just filling in and I'm like great just put me in and get me on the field. So I flew down there and it was Edward Norton, Balthazar Getty, and me. Edward had just beaten everybody out in LA for Primal Fear"

CreativeDude

550,605 Aufrufe • vor 17 Tagen

"There are no entertaining moments in 'Mirror' (1975). In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience." --- Andrei Tarkovsky Full Excerpt: "'Mirror' (1975) is an autobiographical film. The things that happen are real things that happened to people close to me. That is true of all the episodes in the film. But why do people complain that they cannot understand it? The facts are so simple, they can be taken by every one as similar to the experience of their own lives. But here we come up against something that is peculiar to cinema: the further a viewer is from the content of a film, the closer he is; what people are looking for in cinema is a continuation of their lives, not a repetition. There are no entertaining moments in the film. In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience. The purpose of 'Mirror', its inspiration, is that of a homily: look, learn, use the life shown here as an example. There are so many films now, and they are all so different, that very soon it will be impossible to plan for distribution to cinemas. That will be the beginning of a new phase in the development of film, which is after all the youngest art form, it is only about seventy years old. Films will start to be handed out as cassettes, people will take them home, every viewer will find himself face to face with the film he particularly likes. And what of cinema, the mass medium, you may ask ? Mass is not a criterion of quality. The same could be said about the number of people involved in the making of a film. Numbers are not the point. A small team working together is preferable to a large collective. Another question: What is going to happen to Mirror? We don't know yet. For the moment the film is only being shown in three cinemas, and they started with two. They are trying it out first, because the organs responsible for distribution are afraid it might be a failure. When they heard that people sat on and wouldn't leave, one of the highly placed distribution officials observed that normal people leave the cinema." [A talk by Tarkovsky in the Building Institute, 1975 about his film 'Mirror' (1975)]
1:42

"There are no entertaining moments in 'Mirror' (1975). In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience." --- Andrei Tarkovsky Full Excerpt: "'Mirror' (1975) is an autobiographical film. The things that happen are real things that happened to people close to me. That is true of all the episodes in the film. But why do people complain that they cannot understand it? The facts are so simple, they can be taken by every one as similar to the experience of their own lives. But here we come up against something that is peculiar to cinema: the further a viewer is from the content of a film, the closer he is; what people are looking for in cinema is a continuation of their lives, not a repetition. There are no entertaining moments in the film. In fact I am categorically against entertainment in cinema: it is as degrading for the author as it is for the audience. The purpose of 'Mirror', its inspiration, is that of a homily: look, learn, use the life shown here as an example. There are so many films now, and they are all so different, that very soon it will be impossible to plan for distribution to cinemas. That will be the beginning of a new phase in the development of film, which is after all the youngest art form, it is only about seventy years old. Films will start to be handed out as cassettes, people will take them home, every viewer will find himself face to face with the film he particularly likes. And what of cinema, the mass medium, you may ask ? Mass is not a criterion of quality. The same could be said about the number of people involved in the making of a film. Numbers are not the point. A small team working together is preferable to a large collective. Another question: What is going to happen to Mirror? We don't know yet. For the moment the film is only being shown in three cinemas, and they started with two. They are trying it out first, because the organs responsible for distribution are afraid it might be a failure. When they heard that people sat on and wouldn't leave, one of the highly placed distribution officials observed that normal people leave the cinema." [A talk by Tarkovsky in the Building Institute, 1975 about his film 'Mirror' (1975)]

DepressedBergman

205,784 Aufrufe • vor 6 Monaten