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Great conversation, legendary engineer Young Guru debates with Timbaland about the future of AI, Timbo launched a new AI artist & company "Jay at 27 years old for Reasonable Doubt is different than a Jay-Z on a 4:44, but if I were to left up to AI, and yall... show more

Victor Baez | Club Ambition

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583,617 views • 1 year ago •via X (Twitter)

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SOUND | Victor Baez1 year ago

Young Guru makes Timbaland address whether his AI is being trained off the music of new independent artists he encounters/works with "I can't train I don't own the company to do the training data..."

TalentedKamarty1 year ago

What they gotta stop doing is comparing drone shooting & the car making industry to making music lol creativity & artistic taste is sooo all over the damn place, you'll never be satisfied with JUST A.I. music. Your gonna venture out n look for that human that's doing shit too. We get bored as humans. We quick to say some shit is played out 😂, we quick to call pple legends n GOATs. We r a flimsy ass people lol what we like today we might not fuck wit like that tomorrow & A.I. will not be able to keep up with our flimsy ass taste lol

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Young Guru was on IG Live discussing to Timbaland about why forming a record label consisting of AI artist will ruin the ecosystem of music especially with Timbaland's platform and influence.

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Nadeska did a dope segment on Apple Music for the 30th Anniversary of Jay-Z’s ‘Reasonable Doubt’: “It took some time for Reasonable Doubt to really cement itself in the culture…but that’s the thing about a classic album, only time will really tell…30 years tells a very thorough story” Via Nadeska for Apple Music

Nadeska did a dope segment on Apple Music for the 30th Anniversary of Jay-Z’s ‘Reasonable Doubt’: “It took some time for Reasonable Doubt to really cement itself in the culture…but that’s the thing about a classic album, only time will really tell…30 years tells a very thorough story” Via Nadeska for Apple Music

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179,270 views • 19 days ago

We dedicated a special issue to celebrating 30 years of Jay-Z’s singular impact on the culture since Reasonable Doubt, and the legendary rapper sat for a rare and no-holds-barred interview with @the_summerman

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101,587 views • 3 months ago

🚨 Charlamagne calls out Akademiks for predicting Jay-Z would launch a PR campaign to repair his image Charlamagne says Ak knew the anniversaries of Reasonable Doubt, The Blueprint and 4:44 were coming, but still tried to get ahead of the rollout by framing the concerts, interviews and media appearances as damage control. The two then clash over whether Jay-Z was responding to Drake on stage, if Drake should’ve answered back, and whether Hov’s current run is celebration or a calculated PR reset.

🚨 Charlamagne calls out Akademiks for predicting Jay-Z would launch a PR campaign to repair his image Charlamagne says Ak knew the anniversaries of Reasonable Doubt, The Blueprint and 4:44 were coming, but still tried to get ahead of the rollout by framing the concerts, interviews and media appearances as damage control. The two then clash over whether Jay-Z was responding to Drake on stage, if Drake should’ve answered back, and whether Hov’s current run is celebration or a calculated PR reset.

CY Chels

657,782 views • 4 days ago

A Public Apology To His Wife 8 years ago today, 6.30.17 JAY-Z called the title track “4:44” the most uncomfortable song he ever made. NO ID said when he heard the verses Jay laid, he went outside and took a walk with his wife just to tell her he appreciated her. The song is 4 minutes & 44 seconds long, and Jay texted NO ID at 4:44 AM to tell him the song was done. Which is how they came up with album title.

A Public Apology To His Wife 8 years ago today, 6.30.17 JAY-Z called the title track “4:44” the most uncomfortable song he ever made. NO ID said when he heard the verses Jay laid, he went outside and took a walk with his wife just to tell her he appreciated her. The song is 4 minutes & 44 seconds long, and Jay texted NO ID at 4:44 AM to tell him the song was done. Which is how they came up with album title.

💎🍾

1,059,743 views • 1 year ago

Happy 4:44 Day💎🍾 JAY-Z called the title track “4:44” the most uncomfortable song he ever made. NO ID said when he heard the verses Jay laid, he went outside and took a walk with his wife just to tell her he appreciated her. The song is 4 minutes & 44 seconds long, and Jay texted NO ID at 4:44 AM to tell him the song was done. Which is how they came up with album title.

Happy 4:44 Day💎🍾 JAY-Z called the title track “4:44” the most uncomfortable song he ever made. NO ID said when he heard the verses Jay laid, he went outside and took a walk with his wife just to tell her he appreciated her. The song is 4 minutes & 44 seconds long, and Jay texted NO ID at 4:44 AM to tell him the song was done. Which is how they came up with album title.

💎🍾

238,078 views • 2 years ago

Fun Fact: Hulu’s hit lawyer series “Reasonable Doubt” is an homage to JAY-Z and each episode is named after a different Hov song. Starring actress Emayatzy Corinealdi and executive produced by Kerry Washington, it’s one of the only shows ever that actually features JAY-Z’s music due to him owning the masters and having control over licensing.

Fun Fact: Hulu’s hit lawyer series “Reasonable Doubt” is an homage to JAY-Z and each episode is named after a different Hov song. Starring actress Emayatzy Corinealdi and executive produced by Kerry Washington, it’s one of the only shows ever that actually features JAY-Z’s music due to him owning the masters and having control over licensing.

💎🍾

1,000,356 views • 1 year ago

"Drake put in a bid for $6 million, but then he disappeared." Dame Dash reveals nobody showed up to the auction to buy his one-third stake in Roc-A-Fella Records, which includes rights to Jay-Z's Reasonable Doubt, and says Jay-Z portrays himself to be bigger than what he really is. (🎥America Nu Network/YouTube)

"Drake put in a bid for $6 million, but then he disappeared." Dame Dash reveals nobody showed up to the auction to buy his one-third stake in Roc-A-Fella Records, which includes rights to Jay-Z's Reasonable Doubt, and says Jay-Z portrays himself to be bigger than what he really is. (🎥America Nu Network/YouTube)

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2,798,826 views • 1 year ago

At Google I/O, I sat down with Omar Sanseviero and 👩‍💻 Paige Bailey from Google DeepMind to talk about Gemma, open models, AI Studio, on-device AI, sovereign AI and the future of AI development. A great conversation on how building with AI is becoming more open, local and accessible.

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13,741 views • 1 month ago

What if the question isn’t whether to use AI, but how fast you can learn to work with it? In this special episode recorded live at Webex One, I talk with Jeetu Patel (Jeetu Patel), President and Chief Product Officer at Cisco, about the mindset shift every company, and every professional, must make to thrive in the AI era. From rethinking work culture to designing products for both humans and AI agents, Jeetu shares a thoughtful, optimistic vision for the future, one rooted in curiosity, responsibility, and human creativity. “AI won’t take your job. But someone who uses AI better than you might.” An honest, energizing look at how to lead and learn in an AI-first world. 1:08 Embracing AI In The Workforce 5:17 AI Is More Than A Productivity Tool 8:35 Generational Differences In AI Use 10:49 The Future of Integrating AI Agents 13:44 AI As A "Given" 17:08 Speed of Accumulating Knowledge 19:00 Ethical AI Use 21:16 What The Industry Gets Wrong About AI

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Carolina Milanesi

37,076 views • 9 months ago

Makaveli once called "Reasonable Doubt" weak, and it was hilarious. All jokes aside, I do not share that same sentiment, but I do, however, think that album isn't nearly as great as y'all say it is. I also think it doesn't come close to the Killuminati album; it can't compare. I notice that "D'Evils" is the go-to track for Jay Z stans who feel a way about Makaveli calling the album weak, and they'll respond by saying things like Pac could never make anything close to the level of "D'Evils" because he wasn't lyrically skilled enough. They'll either say that type of blasphemous BS in response to that, or in defense of Jay Z allegedly telling Nas that Pac wasn't a lyricist, and publicly stating that Pac lacked technical skill, they tend to move the goalposts to who's the better lyricist or technician and claim that Pac wasn't technical or lyrical compared to Jay Z and never came close to making anything lyrically or technically better or on par with "D'Evils." They also say this type of shit in general conversations about who's better between Jay Z and 2Pac. It's a load of bullshit. Makaveli's "Blasphemy" clears "D'Evils" lyrically and technically, and using their logic, "Reasonable Doubt" is weak in comparison to the heat Makaveli was dropping and had on the way. 2Pac was easily the better lyricist, artist, and poet/rapper back then, and he still is. Objectively speaking, there are maybe one or two aspects that Jay Z technically did better on "D'Evils," but overall, "Blasphemy" clears it technically. Sidenote: Beanie Sigel doesn't belong in the same sentence with 2Pac. Beanie Sigel being a better lyricist than Jay Z is closer to being a good take than Beanie being a better lyricist than Pac.

Makaveli once called "Reasonable Doubt" weak, and it was hilarious. All jokes aside, I do not share that same sentiment, but I do, however, think that album isn't nearly as great as y'all say it is. I also think it doesn't come close to the Killuminati album; it can't compare. I notice that "D'Evils" is the go-to track for Jay Z stans who feel a way about Makaveli calling the album weak, and they'll respond by saying things like Pac could never make anything close to the level of "D'Evils" because he wasn't lyrically skilled enough. They'll either say that type of blasphemous BS in response to that, or in defense of Jay Z allegedly telling Nas that Pac wasn't a lyricist, and publicly stating that Pac lacked technical skill, they tend to move the goalposts to who's the better lyricist or technician and claim that Pac wasn't technical or lyrical compared to Jay Z and never came close to making anything lyrically or technically better or on par with "D'Evils." They also say this type of shit in general conversations about who's better between Jay Z and 2Pac. It's a load of bullshit. Makaveli's "Blasphemy" clears "D'Evils" lyrically and technically, and using their logic, "Reasonable Doubt" is weak in comparison to the heat Makaveli was dropping and had on the way. 2Pac was easily the better lyricist, artist, and poet/rapper back then, and he still is. Objectively speaking, there are maybe one or two aspects that Jay Z technically did better on "D'Evils," but overall, "Blasphemy" clears it technically. Sidenote: Beanie Sigel doesn't belong in the same sentence with 2Pac. Beanie Sigel being a better lyricist than Jay Z is closer to being a good take than Beanie being a better lyricist than Pac.

9-FO Tha Negus

28,812 views • 4 months ago

🚨 Akademiks says if Jay-Z drops an album, don’t expect it to be a normal release According to Ak, Hov is too smart to leave first-week sales up to chance Ak believes Jay would likely attach the project to a major partnership, collector’s edition, anniversary release or special bundle “Jay is not dropping that album without a partnership.” “He’s an expert at cheating the system.” Ak even suggested a 30th anniversary edition of Reasonable Doubt with new songs could be the play As for sales, Ak predicts a standard Jay-Z album would do around 125K first week… but believes the right rollout could push it to 175K, 200K or even higher

🚨 Akademiks says if Jay-Z drops an album, don’t expect it to be a normal release According to Ak, Hov is too smart to leave first-week sales up to chance Ak believes Jay would likely attach the project to a major partnership, collector’s edition, anniversary release or special bundle “Jay is not dropping that album without a partnership.” “He’s an expert at cheating the system.” Ak even suggested a 30th anniversary edition of Reasonable Doubt with new songs could be the play As for sales, Ak predicts a standard Jay-Z album would do around 125K first week… but believes the right rollout could push it to 175K, 200K or even higher

CY Chels

43,829 views • 1 month ago

🤔📱 The Irony Of Jay-Z’s 30-Year “Reasonable Doubt” Celebration Being Sponsored By Apple Music One of the most surprising developments in hip-hop business history might be seeing Apple Music support Jay-Z’s 30th anniversary celebration for Reasonable Doubt after years of Jay publicly positioning himself against Apple and other major streaming platforms. Let’s not forget the history: 📅 2013: Jay-Z Partners With Samsung When Jay-Z released Magna Carta Holy Grail, he partnered with Samsung in an effort to create an alternative path outside of Apple’s ecosystem. The deal was viewed as a direct challenge to Apple’s dominance and a way to push culture toward Samsung rather than the iPhone. 📅 2015: The TIDAL Era After acquiring TIDAL, Jay-Z became one of the loudest voices advocating for artist ownership and independence from major tech corporations. During his famous TIDAL concerts and speeches, Jay questioned why consumers were willing to support billion-dollar corporations like Apple and Spotify but were hesitant to support a Black-owned streaming platform. 🗣️ His message was clear: “Artists over algorithms.” He argued that ownership mattered more than convenience and that creators deserved a larger share of the revenue generated from their work. 📅 2017: Jay-Z Takes Shots At Apple Music On 4:44, Jay-Z appeared to address the streaming wars directly on “Smile.” 🗣️ “F*** a slice of the apple pie, want my own cake.” 🗣️ “Respect Jimmy Iovine, but he gotta respect the Elohim as a whole new regime.” The message was obvious: Jay didn’t want a piece of Apple’s business. He wanted ownership and control of his own platform. 📅 2018: Jay-Z & Beyoncé’s “BOSS” On Everything Is Love, Jay-Z seemingly doubled down on those frustrations. 🗣️ “Ns getting jerked, that s hurts, I take it personally. N***s rather work for the man than to work with me.” Many interpreted the line as frustration toward artists choosing deals with Apple Music and other corporate giants instead of supporting TIDAL and Black-owned ventures. 📅 2026: Apple Music Sponsors Jay-Z’s Brooklyn Celebration Fast forward to today, and Apple Music is helping support Jay-Z’s Reasonable Doubt 30-year anniversary pop-up event in Brooklyn. 👀 The same company that was once viewed as TIDAL’s biggest competitor is now partnering with Jay-Z to celebrate one of the most important albums in hip-hop history. The bigger question is: Was Jay-Z wrong back then, or is this simply business evolving? Because for over a decade, Jay-Z preached ownership, independence, and building alternatives to tech giants. Now one of those very tech giants is helping celebrate his legacy. 💭 Maybe this is proof that business isn’t personal. 💭 Maybe it’s proof that ownership battles eventually become partnership opportunities. 💭 Or maybe it’s just another reminder that in the music industry, today’s competitor can become tomorrow’s business partner. Either way, if you followed the Samsung, TIDAL, Apple Music, and streaming wars over the last decade, seeing Apple Music attached to a Jay-Z celebration is something very few people would’ve predicted back in 2015.

🤔📱 The Irony Of Jay-Z’s 30-Year “Reasonable Doubt” Celebration Being Sponsored By Apple Music One of the most surprising developments in hip-hop business history might be seeing Apple Music support Jay-Z’s 30th anniversary celebration for Reasonable Doubt after years of Jay publicly positioning himself against Apple and other major streaming platforms. Let’s not forget the history: 📅 2013: Jay-Z Partners With Samsung When Jay-Z released Magna Carta Holy Grail, he partnered with Samsung in an effort to create an alternative path outside of Apple’s ecosystem. The deal was viewed as a direct challenge to Apple’s dominance and a way to push culture toward Samsung rather than the iPhone. 📅 2015: The TIDAL Era After acquiring TIDAL, Jay-Z became one of the loudest voices advocating for artist ownership and independence from major tech corporations. During his famous TIDAL concerts and speeches, Jay questioned why consumers were willing to support billion-dollar corporations like Apple and Spotify but were hesitant to support a Black-owned streaming platform. 🗣️ His message was clear: “Artists over algorithms.” He argued that ownership mattered more than convenience and that creators deserved a larger share of the revenue generated from their work. 📅 2017: Jay-Z Takes Shots At Apple Music On 4:44, Jay-Z appeared to address the streaming wars directly on “Smile.” 🗣️ “F* a slice of the apple pie, want my own cake.” 🗣️ “Respect Jimmy Iovine, but he gotta respect the Elohim as a whole new regime.” The message was obvious: Jay didn’t want a piece of Apple’s business. He wanted ownership and control of his own platform. 📅 2018: Jay-Z & Beyoncé’s “BOSS” On Everything Is Love, Jay-Z seemingly doubled down on those frustrations. 🗣️ “Ns getting jerked, that s hurts, I take it personally. N*s rather work for the man than to work with me.” Many interpreted the line as frustration toward artists choosing deals with Apple Music and other corporate giants instead of supporting TIDAL and Black-owned ventures. 📅 2026: Apple Music Sponsors Jay-Z’s Brooklyn Celebration Fast forward to today, and Apple Music is helping support Jay-Z’s Reasonable Doubt 30-year anniversary pop-up event in Brooklyn. 👀 The same company that was once viewed as TIDAL’s biggest competitor is now partnering with Jay-Z to celebrate one of the most important albums in hip-hop history. The bigger question is: Was Jay-Z wrong back then, or is this simply business evolving? Because for over a decade, Jay-Z preached ownership, independence, and building alternatives to tech giants. Now one of those very tech giants is helping celebrate his legacy. 💭 Maybe this is proof that business isn’t personal. 💭 Maybe it’s proof that ownership battles eventually become partnership opportunities. 💭 Or maybe it’s just another reminder that in the music industry, today’s competitor can become tomorrow’s business partner. Either way, if you followed the Samsung, TIDAL, Apple Music, and streaming wars over the last decade, seeing Apple Music attached to a Jay-Z celebration is something very few people would’ve predicted back in 2015.

Cousin Tino ™️

31,663 views • 21 days ago

Next up, letter V: “Versus (Interlude)” #JayZ30 #JayZ Jay-Z: “I’ve been doing this a long time, so sometimes you have to throw your stats out there to remind people that your ‘last shit ain't better than my first shit.’ It’s a true statement to me ... I mean, it’s ‘Reasonable Doubt,’ so fuck, it’s hard to beat.” In 2013, Jay recounted the creation of “Versus,” telling Zane Lowe, “Timbaland and Swizz ... got on each side of the table in front of their drum machines, and they was like, ‘Let’s go.’ Swizz was hitting that [mimics him tapping on the MPC], and Timbaland was like [mimics him on the keyboard] ... just nice little flavors in there.”

Next up, letter V: “Versus (Interlude)” #JayZ30 #JayZ Jay-Z: “I’ve been doing this a long time, so sometimes you have to throw your stats out there to remind people that your ‘last shit ain't better than my first shit.’ It’s a true statement to me ... I mean, it’s ‘Reasonable Doubt,’ so fuck, it’s hard to beat.” In 2013, Jay recounted the creation of “Versus,” telling Zane Lowe, “Timbaland and Swizz ... got on each side of the table in front of their drum machines, and they was like, ‘Let’s go.’ Swizz was hitting that [mimics him tapping on the MPC], and Timbaland was like [mimics him on the keyboard] ... just nice little flavors in there.”

Luis

17,398 views • 11 days ago

And that's a wrap! AI Engineer Europe 2026 has concluded. Our video crew did incredible work to capture the energy, enthusiasm, and positivity of this event -- but it still doesn't come close to being there. If you're engineering the future of AI -- we hope to see you at a future event! Thank you London -- thank you Europe!

And that's a wrap! AI Engineer Europe 2026 has concluded. Our video crew did incredible work to capture the energy, enthusiasm, and positivity of this event -- but it still doesn't come close to being there. If you're engineering the future of AI -- we hope to see you at a future event! Thank you London -- thank you Europe!

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68,203 views • 3 months ago

This is the best AI-generated movie trailer I have personally done! I am happy to share my latest AI trailer, "BloodSpace," based on a feature film I am currently developing. Make sure you watch til the end! I had to sneak in at least one shot with Runway's new last-frame tool. That's the power of these AI films; you can edit them up to release within minutes. I used many different AI tools to bring this vision to life and I can geek out in the notes if anyone is interested. A few top of mind were Runway Gen 3, Midjourney 6.1, Kling AI, and Luma Dream Machine. I wanted vampires on the moon, and dammit, I got my vampires on the moon! Cheers!

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Dave Clark

55,698 views • 1 year ago

Jay-Z just brought out JAZ-O and gave him his flowers at the Reasonable Doubt 30th Anniversary concert and they performed Bring It On right after 🤯 "This is Jaz-O he's from Marcy Projects, we would go to his house to do a little writing to sharpen our skills, if you were to give anybody credit for me being on the stage tonight give it to the man JAZ-O"

Jay-Z just brought out JAZ-O and gave him his flowers at the Reasonable Doubt 30th Anniversary concert and they performed Bring It On right after 🤯 "This is Jaz-O he's from Marcy Projects, we would go to his house to do a little writing to sharpen our skills, if you were to give anybody credit for me being on the stage tonight give it to the man JAZ-O"

Ahmed/The Ears/IG: BigBizTheGod 🇸🇴

678,453 views • 5 days ago

Jay-Z did irreparable damage to Nas, the women in his life, and his fanbase. Jay’s “relationship” with Carmen (Nas’ first child’s mother) is well documented. Mainly by her. But what’s often overlooked is the fact that Jay also planted seeds of doubt, distrust, and jealousy to Nas’ future relationships. Years after the battle Kelis couldn’t even say “hello” to Jay without Nas throwing a fit. Imagine mingling in those circles only to end up fighting because your husband is insecure about you being cordial. 🥴 But let y’all tell it and Jay is the one whose “soul burned slow.” Okay lol

Jay-Z did irreparable damage to Nas, the women in his life, and his fanbase. Jay’s “relationship” with Carmen (Nas’ first child’s mother) is well documented. Mainly by her. But what’s often overlooked is the fact that Jay also planted seeds of doubt, distrust, and jealousy to Nas’ future relationships. Years after the battle Kelis couldn’t even say “hello” to Jay without Nas throwing a fit. Imagine mingling in those circles only to end up fighting because your husband is insecure about you being cordial. 🥴 But let y’all tell it and Jay is the one whose “soul burned slow.” Okay lol

Luis

3,056,899 views • 1 year ago

Ok, a lot of you are already messing around with Seedance for your videos, so this is for you! The same company behind Seedance (CapCut, both part of ByteDance) just launched CRE[AI]TE, a global AI festival for original, AI-assisted work. What you need to know: → 4 tracks: Film, Series, Creative, and Commercial → $200K in prizes across the categories → Winners' work shown at a major film festival this year If you've been making AI work just for yourself, this is a whole new stage to put it on. Details below 👇

Ok, a lot of you are already messing around with Seedance for your videos, so this is for you! The same company behind Seedance (CapCut, both part of ByteDance) just launched CRE[AI]TE, a global AI festival for original, AI-assisted work. What you need to know: → 4 tracks: Film, Series, Creative, and Commercial → $200K in prizes across the categories → Winners' work shown at a major film festival this year If you've been making AI work just for yourself, this is a whole new stage to put it on. Details below 👇

Tatiana Tsiguleva

187,894 views • 16 days ago