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Hand expressions breastfeeding technique tutorial/demonstration step by step part 2 of 3 #howto #demonstration #breasts #breastfeeding #tutorial #expressions #baby #massage #rubbing #pretty #boobs #boobies #chest #feeding #infant #puppies #pumping #educational #bigboobs #nipples

daily.ai.driver

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21,428 просмотров • 2 лет назад •via X (Twitter)

NSFW #howto #demonstration #breasts #breastfeeding #tutorial #expressions #baby #massage #rubbing #pretty #boobs #boobies #chest #feeding #infant #puppies #pumping #educational #bigboobs #nipples

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Guitarists at home, you can shred like Corey Feldman…🎸🔥 Step 1. First thing you have to do is crank your gain way too high, no noise gate. You want that feedback to singe your eardrums. Step 2. You don’t have to worry about which string you’re actually hitting, give them all love. Step 3. Combine the left-hand spider technique with those spastic guitar pick movements, and you get that perfect combination of pure shred. Step 4. Make facial expressions that match the spider and spastic guitar techniques.

Guitarists at home, you can shred like Corey Feldman…🎸🔥 Step 1. First thing you have to do is crank your gain way too high, no noise gate. You want that feedback to singe your eardrums. Step 2. You don’t have to worry about which string you’re actually hitting, give them all love. Step 3. Combine the left-hand spider technique with those spastic guitar pick movements, and you get that perfect combination of pure shred. Step 4. Make facial expressions that match the spider and spastic guitar techniques.

Suhr Majesty

991,410 просмотров • 1 месяц назад

Here's a step-by-step video tutorial of how I vibe coded my point & click adventure game! → 1. Nano Banana Pro → 2. Meshy → 3. Codex 5.3 → 4. Capacitor This part 1 covers: → Generate 3D models → ThreeJS integration → Building for iOS Agent skills + prompts in reply! --- 00:00 Intro 01:40 What We'll Be Building 02:08 Step 1: Nano Banana Pro for Character Art 04:36 Step 2: Meshy for Image to 3D 09:51 Step 3: GLB Export 12:14 Step 4: ThreeJS Skill for GLB Index 15:56 Step 5: ThreeJS Skill for Scene 18:07 Step 6: CapacitorJS Skill for Mobile 19:41 Step 7: Build for iOS 21:06 Wrap Up

Here's a step-by-step video tutorial of how I vibe coded my point & click adventure game! → 1. Nano Banana Pro → 2. Meshy → 3. Codex 5.3 → 4. Capacitor This part 1 covers: → Generate 3D models → ThreeJS integration → Building for iOS Agent skills + prompts in reply! --- 00:00 Intro 01:40 What We'll Be Building 02:08 Step 1: Nano Banana Pro for Character Art 04:36 Step 2: Meshy for Image to 3D 09:51 Step 3: GLB Export 12:14 Step 4: ThreeJS Skill for GLB Index 15:56 Step 5: ThreeJS Skill for Scene 18:07 Step 6: CapacitorJS Skill for Mobile 19:41 Step 7: Build for iOS 21:06 Wrap Up

Chong-U

105,101 просмотров • 5 месяцев назад

🎲 Dreava-Your dream character, ready in just 3 minutes. Introducing the Dreava Customizable Model — nearly 1,000 adjustable parameters packed into one file. 📦 Core model size: 30MB. Runs seamlessly on both PC and mobile. Background apps stay unaffected. 😲 Nearly 1,000 parameters — and expressions stay exceptionally lifelike across all of them. 🎲 Dreava's exclusive randomizer plugin — one click refreshes the entire look. Your OC can debut in under 3 minutes. 🎬 Step-by-step tutorial materials by Artist Jomi (jomi yan ) — from install to advanced customization. 🎨 Bonus for all buyers — Jomi offers a free custom texture replacement service! Just reach out and get your model's textures tailored to your vision, at no extra cost. 💬 Join the official Draw Market Discord — share your creations, get help, and build together with the community. 🏷️ Limited-time price: $118 !!! 👇 Available now on Drawmarket. #Dreava #DreavaCustomizableModel

🎲 Dreava-Your dream character, ready in just 3 minutes. Introducing the Dreava Customizable Model — nearly 1,000 adjustable parameters packed into one file. 📦 Core model size: 30MB. Runs seamlessly on both PC and mobile. Background apps stay unaffected. 😲 Nearly 1,000 parameters — and expressions stay exceptionally lifelike across all of them. 🎲 Dreava's exclusive randomizer plugin — one click refreshes the entire look. Your OC can debut in under 3 minutes. 🎬 Step-by-step tutorial materials by Artist Jomi (jomi yan ) — from install to advanced customization. 🎨 Bonus for all buyers — Jomi offers a free custom texture replacement service! Just reach out and get your model's textures tailored to your vision, at no extra cost. 💬 Join the official Draw Market Discord — share your creations, get help, and build together with the community. 🏷️ Limited-time price: $118 !!! 👇 Available now on Drawmarket. #Dreava #DreavaCustomizableModel

Draw Market Dreava Customizable Model OUT

156,108 просмотров • 3 месяцев назад

I just swapped a UGC creator with an AI character in under 10 minutes 🤯 Same video. Same expressions. Same lip sync. Completely different face. This workflow is perfect for DTC brands & agencies who want to test multiple creator variations without filming anyone new. Here's the use case: You've got a UGC video that's printing money. The script converts. The pacing is dialed. The energy is right. But you want to test different faces—different ages, demographics, vibes—to see what actually drives the highest CTR. The old way: → Hire 5 new creators → Brief each one → Pray they match the original energy → Pay $500+ per video → Wait 2-3 weeks The AI way: → Take your original UGC video → Generate an AI character with Nano Banana → Run both through FAL AI's Wan Animate → AI swaps the face while keeping every expression & movement → Done in minutes The motion tracking is ridiculous. Every smile. Every head tilt. Every hand movement. Perfectly mapped onto the new face. What this unlocks: → One winning script, 5 different creator looks → A/B test demographics without reshooting → Localize ads for different markets instantly → Refresh fatigued creative with a new face I recorded a full step-by-step Loom showing exactly how to do this. Want the tutorial? -> Comment "FACE" -> Like this post And I'll send it over (must be following so I can DM) (Please use responsibly 😂)

I just swapped a UGC creator with an AI character in under 10 minutes 🤯 Same video. Same expressions. Same lip sync. Completely different face. This workflow is perfect for DTC brands & agencies who want to test multiple creator variations without filming anyone new. Here's the use case: You've got a UGC video that's printing money. The script converts. The pacing is dialed. The energy is right. But you want to test different faces—different ages, demographics, vibes—to see what actually drives the highest CTR. The old way: → Hire 5 new creators → Brief each one → Pray they match the original energy → Pay $500+ per video → Wait 2-3 weeks The AI way: → Take your original UGC video → Generate an AI character with Nano Banana → Run both through FAL AI's Wan Animate → AI swaps the face while keeping every expression & movement → Done in minutes The motion tracking is ridiculous. Every smile. Every head tilt. Every hand movement. Perfectly mapped onto the new face. What this unlocks: → One winning script, 5 different creator looks → A/B test demographics without reshooting → Localize ads for different markets instantly → Refresh fatigued creative with a new face I recorded a full step-by-step Loom showing exactly how to do this. Want the tutorial? -> Comment "FACE" -> Like this post And I'll send it over (must be following so I can DM) (Please use responsibly 😂)

Mike Futia

38,753 просмотров • 7 месяцев назад

$this guy made >5 Million views with AI basic long-form videos here is how i’ve copied the channel with CalliopeLabs: 1- took 5 screenshots 2- sent them to gemini asking for a JSON 3- pasted this into the Visual Style lab: { “general_visual_style”: “art style of 19th-century Realism, classic oil painting on textured canvas, heavy impasto technique with visible thick paint and palette knife ridges, expressive and loose brushwork similar to Ilya Repin and John Singer Sargent”, “atmosphere”: “atmospheric volumetric lighting with dramatic light shafts and floating dust particles, deep chiaroscuro contrasts, historical color palette with muted tones and rich earth colors, tactile surface detail, museum masterpiece quality, cinematic composition, highly detailed but painterly finish, aged varnish look.” } the video u see below is a snippet from a vid automatically generated by Calliope nobody listened to me a month ago, but there is still an opportunity: he/she keeps posting, getting views and monetizing meaning that the niche is still hot I made a FREE tutorial, step by step on how to i replicated it with my own tool⬇️ follow me and drop a comment asking for it and i’ll send it to you :)$

this guy made >5 Million views with AI basic long-form videos here is how i’ve copied the channel with CalliopeLabs: 1- took 5 screenshots 2- sent them to gemini asking for a JSON 3- pasted this into the Visual Style lab: { “general_visual_style”: “art style of 19th-century Realism, classic oil painting on textured canvas, heavy impasto technique with visible thick paint and palette knife ridges, expressive and loose brushwork similar to Ilya Repin and John Singer Sargent”, “atmosphere”: “atmospheric volumetric lighting with dramatic light shafts and floating dust particles, deep chiaroscuro contrasts, historical color palette with muted tones and rich earth colors, tactile surface detail, museum masterpiece quality, cinematic composition, highly detailed but painterly finish, aged varnish look.” } the video u see below is a snippet from a vid automatically generated by Calliope nobody listened to me a month ago, but there is still an opportunity: he/she keeps posting, getting views and monetizing meaning that the niche is still hot I made a FREE tutorial, step by step on how to i replicated it with my own tool⬇️ follow me and drop a comment asking for it and i’ll send it to you :)

Sergio Gil

97,393 просмотров • 5 месяцев назад

Most of my video work is heavily rely on character sheets. Originally my character sheets were pretty simple, just 3 views made in Nano Banana. But I wanted something neater that actually feels like a proper production character sheet. So here's how I do it now in LovartAI Step 1: Create the base image of your character in Nano Banana. It can be anything. I just describe mine conversationally, something like "create a Thai high school student." That's enough to get started. Step 2: Once you have the base image, feed it into the template below. I run this in GPT o2 Image because the detail output is really good. And that's genuinely it. The template below is fully adjustable. Make it yours. And please note that everything happens conversationally with LovartAI which the best part 😉 + + + Prompt Example: [STYLE]: cinematic realism, Wong Kar-Wai atmosphere, high contrast, film grain, warm humid haze, 35mm anamorphic feel [LAYOUT]: single unified MASTER CHARACTER REFERENCE SHEET, two-page-spread feel, neutral off-white background, sections clearly separated with bold headers [CHARACTER]: - Name: Mira - Alias / role: The Woman - Age descriptor: young adult - Build: slender, natural proportions - Face: warm brown skin, natural beauty, no makeup, subtle imperfections, sweat sheen, half-lidded eyes, slightly parted lips - Hair: messy ponytail, tortoiseshell claw clip - Wardrobe: faded sage-green T-shirt, clinging, damp at collarbone, casual shorts - Props: none - Distinguishing features: sweat on temples and neck, natural skin texture - Personality (drives micro-expressions): intensely seductive, confident, teasing, deliberate [LEFT PAGE]: [SECTION 1 — TITLE + INFO BLOCK, top-left]: large character name header + 6 short stat lines (Name / Alias / Height / Build / Role / Archetype). Sans-serif, each line under 20 words. [SECTION 2 — MAIN IDENTITY + SCALE, dominant left column]: full-body front view, neutral pose, even lighting. THIS PANEL DOMINATES. [SECTION 3 — VIEWS, top-right]: 3/4 angle and full side view, two figures side by side, identical outfit/lighting [SECTION 4 — WARDROBE & ACCESSORIES, mid-left]: each item on flat surface with short label [SECTION 5 — COLOR PALETTE, bottom-left]: 6 horizontal swatches — skin / hair / shirt / shorts / clip / accent — each with short label [RIGHT PAGE]: [SECTION 6 — EXPRESSION PROGRESSION, top row]: 8 head shots — neutral / warm smile / laugh / sad / angry / surprised / determined / vulnerable. Single-word emotion tags. [SECTION 7 — MICRO EXPRESSIONS, second row]: 5 head shots showing subtle muscle changes — slight eye tension / jaw clench / subtle brow tightening / lower eyelid tension / lip compression [SECTION 8 — HEAD DETAIL, third row left]: one large close-up, chest up. Most detailed shot. [SECTION 9 — POSTURE VARIATIONS, third row right]: 4 small full-body in characteristic postures — standing relaxed, seated alert, mid-action, walking with intent [SECTION 10 — NOTES PANEL, fourth row left]: short text block (max 3 lines, each under 20 words) describing behavior [SECTION 11 — HAND GESTURES, fourth row center]: 3 close-ups of hands in characteristic poses [SECTION 12 — SILHOUETTE GUIDE, fourth row right]: 2 black silhouettes side by side — NEUTRAL and ACTION, pure black on white [CONSTRAINTS]: same character, face, outfit pieces, proportions across all sections. MAIN IDENTITY + SCALE must dominate. Final image should look like a premium production visual bible matching the selected style. [CONSTRAINTS]: no watermark, no extra unspecified text, natural realistic body proportions, identical body shape across all panels.

Most of my video work is heavily rely on character sheets. Originally my character sheets were pretty simple, just 3 views made in Nano Banana. But I wanted something neater that actually feels like a proper production character sheet. So here's how I do it now in LovartAI Step 1: Create the base image of your character in Nano Banana. It can be anything. I just describe mine conversationally, something like "create a Thai high school student." That's enough to get started. Step 2: Once you have the base image, feed it into the template below. I run this in GPT o2 Image because the detail output is really good. And that's genuinely it. The template below is fully adjustable. Make it yours. And please note that everything happens conversationally with LovartAI which the best part 😉 + + + Prompt Example: [STYLE]: cinematic realism, Wong Kar-Wai atmosphere, high contrast, film grain, warm humid haze, 35mm anamorphic feel [LAYOUT]: single unified MASTER CHARACTER REFERENCE SHEET, two-page-spread feel, neutral off-white background, sections clearly separated with bold headers [CHARACTER]: - Name: Mira - Alias / role: The Woman - Age descriptor: young adult - Build: slender, natural proportions - Face: warm brown skin, natural beauty, no makeup, subtle imperfections, sweat sheen, half-lidded eyes, slightly parted lips - Hair: messy ponytail, tortoiseshell claw clip - Wardrobe: faded sage-green T-shirt, clinging, damp at collarbone, casual shorts - Props: none - Distinguishing features: sweat on temples and neck, natural skin texture - Personality (drives micro-expressions): intensely seductive, confident, teasing, deliberate [LEFT PAGE]: [SECTION 1 — TITLE + INFO BLOCK, top-left]: large character name header + 6 short stat lines (Name / Alias / Height / Build / Role / Archetype). Sans-serif, each line under 20 words. [SECTION 2 — MAIN IDENTITY + SCALE, dominant left column]: full-body front view, neutral pose, even lighting. THIS PANEL DOMINATES. [SECTION 3 — VIEWS, top-right]: 3/4 angle and full side view, two figures side by side, identical outfit/lighting [SECTION 4 — WARDROBE & ACCESSORIES, mid-left]: each item on flat surface with short label [SECTION 5 — COLOR PALETTE, bottom-left]: 6 horizontal swatches — skin / hair / shirt / shorts / clip / accent — each with short label [RIGHT PAGE]: [SECTION 6 — EXPRESSION PROGRESSION, top row]: 8 head shots — neutral / warm smile / laugh / sad / angry / surprised / determined / vulnerable. Single-word emotion tags. [SECTION 7 — MICRO EXPRESSIONS, second row]: 5 head shots showing subtle muscle changes — slight eye tension / jaw clench / subtle brow tightening / lower eyelid tension / lip compression [SECTION 8 — HEAD DETAIL, third row left]: one large close-up, chest up. Most detailed shot. [SECTION 9 — POSTURE VARIATIONS, third row right]: 4 small full-body in characteristic postures — standing relaxed, seated alert, mid-action, walking with intent [SECTION 10 — NOTES PANEL, fourth row left]: short text block (max 3 lines, each under 20 words) describing behavior [SECTION 11 — HAND GESTURES, fourth row center]: 3 close-ups of hands in characteristic poses [SECTION 12 — SILHOUETTE GUIDE, fourth row right]: 2 black silhouettes side by side — NEUTRAL and ACTION, pure black on white [CONSTRAINTS]: same character, face, outfit pieces, proportions across all sections. MAIN IDENTITY + SCALE must dominate. Final image should look like a premium production visual bible matching the selected style. [CONSTRAINTS]: no watermark, no extra unspecified text, natural realistic body proportions, identical body shape across all panels.

DAN · MXVDXN

30,013 просмотров • 1 месяц назад

The Sleeping Beauty – Rose Adage: When a Moment of Balance Reveals the Order of Life In the story of The Sleeping Beauty, the Rose Adage takes place during Princess Aurora’s coming-of-age celebration. It is the first time she appears before the court after reaching maturity. Four princes approach her one by one and invite her to dance, creating a ceremonial moment that represents Aurora’s growth and her new place within the world around her. But the beauty of this scene does not lie only in the elegance of a royal ceremony. Throughout the dance, Aurora must receive the hand of each prince, moving from one partner to another while maintaining complete control of her body. She must stand on pointe shoes, sustain each position with stability, and yet preserve a sense of lightness and grace. Therefore, the technical challenge of ballet becomes more than a physical demand. It becomes an image of a significant transition in the character’s life. Aurora is not only learning how to stand firmly on the stage. She is entering a new world, where beauty does not come only from outward elegance, but also from the ability to maintain inner calm and balance. On stage, Princess Aurora appears in a magnificent palace setting. She does not captivate the audience through powerful movements or dramatic displays. Her beauty lies in subtle control: A hand extended with delicacy. A slow and measured step. A moment of stillness that appears fragile, yet contains strength. What moves the audience is not only the dancer’s technical ability. It is the feeling that everything is exactly where it should be. The body. The music. The space. And the emotion. Everything comes together in a state of balance. That is what makes the Rose Adage so special. If viewed only from the outside, it is a demanding challenge of classical ballet. But when we listen more carefully, we discover that this sense of balance was already built into Tchaikovsky’s music. The dancer is not simply moving along with the melody. She is giving physical form to an order that already exists within the music itself. So what makes this music so distinctive? Is it a single note? Perhaps not. A single note standing alone cannot create the beauty of the Rose Adage. The life of the work comes from the relationship between the sounds: the way they support, guide, and complete one another. From the very first sounds of the harp, Tchaikovsky creates a world of clarity and refinement. Its gentle tone feels like a door opening, inviting the listener into a space where every movement becomes more delicate. Then the melody gradually rises. But it does not rush toward drama. It develops step by step, always finding support before moving further. This controlled ascent creates a feeling of nobility and serenity, much like Aurora standing en pointe: graceful, yet grounded. Tchaikovsky’s harmony follows the same principle. He creates moments of anticipation that allow the listener to sense movement, and then guides the music back toward stability. The tension does not continue in order to create unease. Instead, it becomes part of the journey toward balance. The rhythm of the Rose Adage also resembles the natural rhythm of the human body. It neither pushes forward impatiently nor holds back unnecessarily. Each musical phrase opens, develops, reaches a point of emphasis, and gently settles, like a cycle of breathing: rising, holding, and returning. For this reason, the music and choreography of the Rose Adage do not feel like two separate elements. They are two expressions of the same principle. Outwardly, there is stillness. Inwardly, there is constant movement. This also reflects a familiar principle within the human body. When a dancer stands still on pointe, the audience sees only stability. Yet inside the body, the nervous system, vision, inner ear, and muscles are continuously adjusting to maintain balance. Stability does not come from the absence of movement. It comes from the ability to make continuous adjustments in order to remain balanced. Life itself works in a similar way. A tree does not grow through a rigid straight line. It reaches toward the light while constantly adapting to wind, gravity, and its surrounding environment. Human beings are the same. Every step we take involves small moments of imbalance followed by the search for balance again. We move forward through the body’s and mind’s ability to constantly adapt. Perhaps this is also why people often feel drawn to harmonious movements, steady rhythms, and balanced forms. In everyday life, these qualities are often associated with a sense of order, stability, and smooth interaction between different elements. Art does not create this way of feeling. It awakens and reorganizes something that human beings already recognize through life itself. When music, movement, space, and emotion operate together as one whole, the audience does not simply see a beautiful performance. They recognize a familiar pattern of existence: many different elements cooperating to create a state that is stable, yet still alive and moving. Perhaps this is why the Rose Adage continues to touch audiences across generations. Its beauty does not lie only in a beautiful melody or exceptional ballet technique. Its deeper meaning lies in revealing a principle that human beings continue to encounter within their own bodies and in the natural world: Harmony is not a state of complete stillness. It is the ability of many different elements to adjust together and form a unified whole. The Rose Adage is therefore more than a ballet scene. It is the image of a person learning how to stand firmly amid the changes of life, and at the same time, it reflects the nature of life itself: always moving, always adjusting, yet still finding its own balance.

The Sleeping Beauty – Rose Adage: When a Moment of Balance Reveals the Order of Life In the story of The Sleeping Beauty, the Rose Adage takes place during Princess Aurora’s coming-of-age celebration. It is the first time she appears before the court after reaching maturity. Four princes approach her one by one and invite her to dance, creating a ceremonial moment that represents Aurora’s growth and her new place within the world around her. But the beauty of this scene does not lie only in the elegance of a royal ceremony. Throughout the dance, Aurora must receive the hand of each prince, moving from one partner to another while maintaining complete control of her body. She must stand on pointe shoes, sustain each position with stability, and yet preserve a sense of lightness and grace. Therefore, the technical challenge of ballet becomes more than a physical demand. It becomes an image of a significant transition in the character’s life. Aurora is not only learning how to stand firmly on the stage. She is entering a new world, where beauty does not come only from outward elegance, but also from the ability to maintain inner calm and balance. On stage, Princess Aurora appears in a magnificent palace setting. She does not captivate the audience through powerful movements or dramatic displays. Her beauty lies in subtle control: A hand extended with delicacy. A slow and measured step. A moment of stillness that appears fragile, yet contains strength. What moves the audience is not only the dancer’s technical ability. It is the feeling that everything is exactly where it should be. The body. The music. The space. And the emotion. Everything comes together in a state of balance. That is what makes the Rose Adage so special. If viewed only from the outside, it is a demanding challenge of classical ballet. But when we listen more carefully, we discover that this sense of balance was already built into Tchaikovsky’s music. The dancer is not simply moving along with the melody. She is giving physical form to an order that already exists within the music itself. So what makes this music so distinctive? Is it a single note? Perhaps not. A single note standing alone cannot create the beauty of the Rose Adage. The life of the work comes from the relationship between the sounds: the way they support, guide, and complete one another. From the very first sounds of the harp, Tchaikovsky creates a world of clarity and refinement. Its gentle tone feels like a door opening, inviting the listener into a space where every movement becomes more delicate. Then the melody gradually rises. But it does not rush toward drama. It develops step by step, always finding support before moving further. This controlled ascent creates a feeling of nobility and serenity, much like Aurora standing en pointe: graceful, yet grounded. Tchaikovsky’s harmony follows the same principle. He creates moments of anticipation that allow the listener to sense movement, and then guides the music back toward stability. The tension does not continue in order to create unease. Instead, it becomes part of the journey toward balance. The rhythm of the Rose Adage also resembles the natural rhythm of the human body. It neither pushes forward impatiently nor holds back unnecessarily. Each musical phrase opens, develops, reaches a point of emphasis, and gently settles, like a cycle of breathing: rising, holding, and returning. For this reason, the music and choreography of the Rose Adage do not feel like two separate elements. They are two expressions of the same principle. Outwardly, there is stillness. Inwardly, there is constant movement. This also reflects a familiar principle within the human body. When a dancer stands still on pointe, the audience sees only stability. Yet inside the body, the nervous system, vision, inner ear, and muscles are continuously adjusting to maintain balance. Stability does not come from the absence of movement. It comes from the ability to make continuous adjustments in order to remain balanced. Life itself works in a similar way. A tree does not grow through a rigid straight line. It reaches toward the light while constantly adapting to wind, gravity, and its surrounding environment. Human beings are the same. Every step we take involves small moments of imbalance followed by the search for balance again. We move forward through the body’s and mind’s ability to constantly adapt. Perhaps this is also why people often feel drawn to harmonious movements, steady rhythms, and balanced forms. In everyday life, these qualities are often associated with a sense of order, stability, and smooth interaction between different elements. Art does not create this way of feeling. It awakens and reorganizes something that human beings already recognize through life itself. When music, movement, space, and emotion operate together as one whole, the audience does not simply see a beautiful performance. They recognize a familiar pattern of existence: many different elements cooperating to create a state that is stable, yet still alive and moving. Perhaps this is why the Rose Adage continues to touch audiences across generations. Its beauty does not lie only in a beautiful melody or exceptional ballet technique. Its deeper meaning lies in revealing a principle that human beings continue to encounter within their own bodies and in the natural world: Harmony is not a state of complete stillness. It is the ability of many different elements to adjust together and form a unified whole. The Rose Adage is therefore more than a ballet scene. It is the image of a person learning how to stand firmly amid the changes of life, and at the same time, it reflects the nature of life itself: always moving, always adjusting, yet still finding its own balance.

🎼🌺Music Love♥️

11,976 просмотров • 16 дней назад

Why does ☣️ Pleb Kruse = BTC foundationalist in exile 🟩🔆 say there are 3 pillars that restore sleep cycles? Imagine those 3 pillars as a clock ⏰: 1️⃣ ☀️ Sunlight = the hour hand 2️⃣ 🌑 Darkness = the minute hand 3️⃣ ❄️ Temperature = the second hand If one hand is off, the whole clock is out of sync and sleep apnea occur. 🤔 How this works? 1️⃣☀️LIGHT Morning Sun Programs Our Brainstem. Sunrise light hits our retina and tells the SCN (suprachiasmatic nucleus, the master clock in our brain) to start the 24-hour program That program sets: ➡️ when cortisol should peak ➡️ when melatonin is built ➡️ when body temperature should rise or fall ➡️ when breathing rhythm should stabilize ➡️ how our autonomic nervous system fires,… If we miss sunrise… ⚠️ Our internal 24-hour clock becomes corrupted. This is a circadian software glitch. A glitch in this program = apnea later at night. And it’s not only about seeing the sunrise once. Living in sunlight during the day is the number one upgrade for almost everything, not just sleep apnea or “vitamin D” 2️⃣🌑DARKNESS Melatonin is the Breath-Stabilizing Molecule Darkness is not “the absence of light.” Darkness is a signal When the retina senses real darkness, the brain says: “Release the melatonin we built all day long.” Melatonin is the molecule of repair: 💚lowers inflammation 💚 increases mitochondrial efficiency 💚 stabilizes CO₂ sensing in the brainstem 💚 keeps airway muscles open 💚 synchronizes the breathing rhythm Without true darkness: ➡️ melatonin stays trapped = not released ➡️ the brainstem cannot hold a stable breathing pattern ➡️ apnea starts Blue light at night destroys CO₂ sensing; the primary signal our brainstem uses to trigger breathing and: ⚠️ circadian mismatch ⚠️ melatonin drops ⚠️ brainstem mitochondria lose energy ⚠️ they stop sensing CO₂ correctly 😳 When CO2, sensing fails, we stop breathing and wake up over and over without knowing Fix it: 🕯️candles at night 🧥Cover your skin from artificial light 😎Wear blue-blocking glasses 😴 Be asleep before 10pm Dr Jack says this often: “Melatonin is the CEO of nighttime repair” No CEO = chaos 3️⃣❄️TEMPERATURE The Final Switch That Lets Melatonin Work This is the part we heard on the podcast and very few people really understand. Even if: we get sunrise we have perfect darkness …melatonin still won’t release unless our core temperature drops at night. Why? Because we evolved with hot days and cool nights. Temperature is the ⏰ seconds hand. If we can’t cool down, melatonin won’t rise = sleep breaks and apnea shows up. ❄️ How to drop temperature at night? ✅ 🕯️ after sunset ✅ Open windows and let fresh air in ✅ AC? Ok, just keep it in another room. The bedroom should stay cool (16–19°C / 60–67°F) and free of electronics ✅ Use cotton, linen, bamboo, or wool bedsheets = breathe and don’t trap heat. ✅ Grounding reduces inflammation, makes it easier for the body to cool ✅ Cold face dunk: Fill a bowl with cold tap water (or a few ice cubes) Hold your breath, put the face in for 5–10 seconds. Repeat 2–3 times. This activates the mammalian diving reflex and lowers: heart rate body temperature stress hormones and prepares us for deep parasympathetic sleep. ✅ Shower at night? Only if keep the cool water on arms, legs, and face, NOT the chest. Cooling the chest at night = spike cortisol. Cortisol = “rise and shine” We need melatonin to sleep, not cortisol. ❌ No workouts after 5pm. It heats us deeply = delay nighttime cooling. ❌ No electronics in the bedroom ❌ No memory foam mattresses = trap heat and EMF ❌ No synthetic bedsheets = trap heat and create static ❌ Don’t cover feet or head. Warm extremities = warm core ❌ No alcohol / food after dark. Digestion = heat. ❌ No hot or cold bath right before bed. This one is a paradox and deserves its own post (the timing and environment after the bath decide whether we cool or overheat) ✅ REDOX is The Foundation Redox ? Go to my page, the 📌 post is a Redox Step-by-Step for beginners.

Why does ☣️ Pleb Kruse = BTC foundationalist in exile 🟩🔆 say there are 3 pillars that restore sleep cycles? Imagine those 3 pillars as a clock ⏰: 1️⃣ ☀️ Sunlight = the hour hand 2️⃣ 🌑 Darkness = the minute hand 3️⃣ ❄️ Temperature = the second hand If one hand is off, the whole clock is out of sync and sleep apnea occur. 🤔 How this works? 1️⃣☀️LIGHT Morning Sun Programs Our Brainstem. Sunrise light hits our retina and tells the SCN (suprachiasmatic nucleus, the master clock in our brain) to start the 24-hour program That program sets: ➡️ when cortisol should peak ➡️ when melatonin is built ➡️ when body temperature should rise or fall ➡️ when breathing rhythm should stabilize ➡️ how our autonomic nervous system fires,… If we miss sunrise… ⚠️ Our internal 24-hour clock becomes corrupted. This is a circadian software glitch. A glitch in this program = apnea later at night. And it’s not only about seeing the sunrise once. Living in sunlight during the day is the number one upgrade for almost everything, not just sleep apnea or “vitamin D” 2️⃣🌑DARKNESS Melatonin is the Breath-Stabilizing Molecule Darkness is not “the absence of light.” Darkness is a signal When the retina senses real darkness, the brain says: “Release the melatonin we built all day long.” Melatonin is the molecule of repair: 💚lowers inflammation 💚 increases mitochondrial efficiency 💚 stabilizes CO₂ sensing in the brainstem 💚 keeps airway muscles open 💚 synchronizes the breathing rhythm Without true darkness: ➡️ melatonin stays trapped = not released ➡️ the brainstem cannot hold a stable breathing pattern ➡️ apnea starts Blue light at night destroys CO₂ sensing; the primary signal our brainstem uses to trigger breathing and: ⚠️ circadian mismatch ⚠️ melatonin drops ⚠️ brainstem mitochondria lose energy ⚠️ they stop sensing CO₂ correctly 😳 When CO2, sensing fails, we stop breathing and wake up over and over without knowing Fix it: 🕯️candles at night 🧥Cover your skin from artificial light 😎Wear blue-blocking glasses 😴 Be asleep before 10pm Dr Jack says this often: “Melatonin is the CEO of nighttime repair” No CEO = chaos 3️⃣❄️TEMPERATURE The Final Switch That Lets Melatonin Work This is the part we heard on the podcast and very few people really understand. Even if: we get sunrise we have perfect darkness …melatonin still won’t release unless our core temperature drops at night. Why? Because we evolved with hot days and cool nights. Temperature is the ⏰ seconds hand. If we can’t cool down, melatonin won’t rise = sleep breaks and apnea shows up. ❄️ How to drop temperature at night? ✅ 🕯️ after sunset ✅ Open windows and let fresh air in ✅ AC? Ok, just keep it in another room. The bedroom should stay cool (16–19°C / 60–67°F) and free of electronics ✅ Use cotton, linen, bamboo, or wool bedsheets = breathe and don’t trap heat. ✅ Grounding reduces inflammation, makes it easier for the body to cool ✅ Cold face dunk: Fill a bowl with cold tap water (or a few ice cubes) Hold your breath, put the face in for 5–10 seconds. Repeat 2–3 times. This activates the mammalian diving reflex and lowers: heart rate body temperature stress hormones and prepares us for deep parasympathetic sleep. ✅ Shower at night? Only if keep the cool water on arms, legs, and face, NOT the chest. Cooling the chest at night = spike cortisol. Cortisol = “rise and shine” We need melatonin to sleep, not cortisol. ❌ No workouts after 5pm. It heats us deeply = delay nighttime cooling. ❌ No electronics in the bedroom ❌ No memory foam mattresses = trap heat and EMF ❌ No synthetic bedsheets = trap heat and create static ❌ Don’t cover feet or head. Warm extremities = warm core ❌ No alcohol / food after dark. Digestion = heat. ❌ No hot or cold bath right before bed. This one is a paradox and deserves its own post (the timing and environment after the bath decide whether we cool or overheat) ✅ REDOX is The Foundation Redox ? Go to my page, the 📌 post is a Redox Step-by-Step for beginners.

Light Me Away ☀️

23,862 просмотров • 8 месяцев назад

In 1950 Betty Crocker Just Add Water Cake Mix Failed, It Was Too Easy, But Why? It is a psychological journey it begins and ends with eggs. —- The rise of Betty Crocker cake mixes in the 1950s is a fascinating case study in the intersection of psychology, consumer behavior, and cultural expectations, particularly in post-war America. At its core, the success (and initial failure) of these products reveals profound insights into the societal pressures placed on women and the ways in which marketing adapted to their psychological needs. The Cultural Context: Post-War Domesticity and the Roles of Moms. And Wives The 1950s in America were defined by a return to traditional gender roles after World War II. Women, who had stepped into the workforce during the war, were now encouraged to return to domestic life, becoming the housewives and mothers of the baby boom era. They replicated the women of the 1000s of years before. This shift created a cultural environment where a woman's value was often tied to her ability to maintain a perfect home, raise well-adjusted children, and satisfy her husband. Advertisements of the time reinforced this narrative, portraying domestic work as a woman’s ultimate fulfillment. However, this ideal came with significant insecurity. Many women questioned their capability to live up to such a high standard, particularly in areas like cooking and baking, which were seen as expressions of love and dedication to one's family. A failed cake or an imperfect meal could feel like a failure of womanhood itself. The Initial Failure of "Just Add Water" Cake Mixes When Betty Crocker and other brands introduced "just add water" cake mixes, they anticipated that the convenience would resonate with busy housewives. In theory, these mixes were a perfect solution: they promised homemade quality with minimal effort. Yet, the initial reception was lukewarm, and sales struggled. Psychologists and marketers soon realized that the problem wasn't the product itself but the psychological implications of its ease. There were two primary reasons for this: 1. Not Enough Work = Not Enough Ownership The simplicity of "just add water" mixes made women feel as though they weren't truly contributing to the baking process. For many, the act of baking was tied to their role as nurturers and providers. If the cake required no effort, could they still take credit for it? Would it still feel like an authentic expression of their love and care for their family? These questions tapped into deeper insecurities about their adequacy as wives and mothers. Women wanted to feel that they had a hand in the creation of the cake, that their personal touch was part of the final product. 2. Freudian Symbolism: Eggs and Motherhood In the mid-20th century, Freudian psychology was highly influential, and its ideas often found their way into marketing strategies. Psychologists advising Betty Crocker suggested that part of the issue lay in the symbolic nature of baking ingredients—specifically eggs. Eggs, as a symbol of fertility and motherhood, carried deep psychological associations. By requiring women to add eggs to the mix, they were metaphorically "putting themselves" into the product. This act symbolized their contribution to the family's nourishment and happiness. Without this step, the process felt incomplete and emotionally unsatisfying. Armed with these insights, Betty Crocker reformulated their cake mixes to require the addition of fresh eggs and sometimes other ingredients like milk or oil. This small change proved to be a masterstroke. It allowed women to feel that they were actively participating in the baking process, reinforcing their role as caretakers while still benefiting from the convenience of a pre-made mix. The act of cracking an egg and mixing it into the batter became a symbolic and literal way for women to invest themselves in the task. Just add eggs is still the most popular cake mixes, for many reasons.

In 1950 Betty Crocker Just Add Water Cake Mix Failed, It Was Too Easy, But Why? It is a psychological journey it begins and ends with eggs. —- The rise of Betty Crocker cake mixes in the 1950s is a fascinating case study in the intersection of psychology, consumer behavior, and cultural expectations, particularly in post-war America. At its core, the success (and initial failure) of these products reveals profound insights into the societal pressures placed on women and the ways in which marketing adapted to their psychological needs. The Cultural Context: Post-War Domesticity and the Roles of Moms. And Wives The 1950s in America were defined by a return to traditional gender roles after World War II. Women, who had stepped into the workforce during the war, were now encouraged to return to domestic life, becoming the housewives and mothers of the baby boom era. They replicated the women of the 1000s of years before. This shift created a cultural environment where a woman's value was often tied to her ability to maintain a perfect home, raise well-adjusted children, and satisfy her husband. Advertisements of the time reinforced this narrative, portraying domestic work as a woman’s ultimate fulfillment. However, this ideal came with significant insecurity. Many women questioned their capability to live up to such a high standard, particularly in areas like cooking and baking, which were seen as expressions of love and dedication to one's family. A failed cake or an imperfect meal could feel like a failure of womanhood itself. The Initial Failure of "Just Add Water" Cake Mixes When Betty Crocker and other brands introduced "just add water" cake mixes, they anticipated that the convenience would resonate with busy housewives. In theory, these mixes were a perfect solution: they promised homemade quality with minimal effort. Yet, the initial reception was lukewarm, and sales struggled. Psychologists and marketers soon realized that the problem wasn't the product itself but the psychological implications of its ease. There were two primary reasons for this: 1. Not Enough Work = Not Enough Ownership The simplicity of "just add water" mixes made women feel as though they weren't truly contributing to the baking process. For many, the act of baking was tied to their role as nurturers and providers. If the cake required no effort, could they still take credit for it? Would it still feel like an authentic expression of their love and care for their family? These questions tapped into deeper insecurities about their adequacy as wives and mothers. Women wanted to feel that they had a hand in the creation of the cake, that their personal touch was part of the final product. 2. Freudian Symbolism: Eggs and Motherhood In the mid-20th century, Freudian psychology was highly influential, and its ideas often found their way into marketing strategies. Psychologists advising Betty Crocker suggested that part of the issue lay in the symbolic nature of baking ingredients—specifically eggs. Eggs, as a symbol of fertility and motherhood, carried deep psychological associations. By requiring women to add eggs to the mix, they were metaphorically "putting themselves" into the product. This act symbolized their contribution to the family's nourishment and happiness. Without this step, the process felt incomplete and emotionally unsatisfying. Armed with these insights, Betty Crocker reformulated their cake mixes to require the addition of fresh eggs and sometimes other ingredients like milk or oil. This small change proved to be a masterstroke. It allowed women to feel that they were actively participating in the baking process, reinforcing their role as caretakers while still benefiting from the convenience of a pre-made mix. The act of cracking an egg and mixing it into the batter became a symbolic and literal way for women to invest themselves in the task. Just add eggs is still the most popular cake mixes, for many reasons.

Brian Roemmele

38,656 просмотров • 1 год назад

Limitless: Hidden Truths 💡 Here’s an interesting scene from the 2011 movie Limitless, which is about an average man who takes a revolutionary drug NZT-48, enhancing his cognitive abilities which he uses to make impressive investments and climb the financial ladder. Specifically, this scene is after he has 'broken the markets' as a day trader. Transcript of Key Points "So I dispensed with all the hard statistics and went to the rumour mill. 'So you bought your stocks based on what, the TomTom speeding industry?' Sure, I mean share prices aren’t really based on how a company works, it’s about how mass psychology works, so if I found certain algorithms in the perception of a stock — 'So pattern recognitions?’ Well, not everyone understands the patterns. And that gave me a little bit more of an uptake but it’s just a parlor trick, so then I went on to door number 3… ...I do have a formula Mr. Pierce — ‘Delusions of grandeur’ — I dont have delusions of grandeur, I have an actual recipe for grandeur." Key Terminology & Definitions 🔹 Rumour Mill = a situation in which a number of people spread rumours about something 🔹 Parlor trick = a clever, usually simple trick or demonstration, often involving illusion or sleight of hand, designed to entertain or amuse a small audience in a casual setting 🔹 "TomTom speeding industry" phrase = Van Loon mockingly suggesting that Eddie is relying on unverified, street-level information - like gossip about which stocks are "speeding" or moving quickly Scene Analysis In the script, Eddie doesn't explicitly reveal what his "ultimate formula" or "recipe for grandeur" actually consists of. That's intentional ambiguity in the storytelling - it's meant to be the mysterious key to his success that he doesn't fully divulge. However, we can breakdown the multiple layers of how markets operate using this scene, from the illusory surface levels that the layman (retail) falls prey too, to its deeper mechanical and algorithmic nature. 1. The basic "hard statistics" that most investors focus on 2. A surface layer of rumours and market sentiment 3. A more sophisticated layer of psychological patterns that can be algorithmically identified 4. And finally, some ultimate underlying system or formula that transcends all of these 💡 After learning MT concepts and understanding that the market is truly controlled by algorithms, we can clearly see the hidden truth Eddie is hinting at: (1) That the markets aren't actually driven by fundamentals or even by ordinary human psychology, but by hidden algorithmic patterns (2) That there's a meta-algorithm - a strategy that describes how all other algorithms interact (3) That someone who could perceive and calculate this meta-algorithm could predict and exploit market movements with extraordinary precision (I know one...) (4) That the "recipe for grandeur" is understanding the algorithmic architecture underlying market systems - seeing the true code behind the simulation, so to speak 💡 Eddie's "parlor trick" comment suggests that even sophisticated pattern recognition is just scratching the surface. We can connect this comment to the use of technical indicators, but taking this deeper, we can assume that even knowing MTs core algorithmic strategy, will not allow one to reach an elite level trader. This is mealy level 15, the beginning step to truly breaking the markets and decoding the complete game. Level 15 context: The true power comes from understanding the fundamental 'algorithmic' nature of reality - something that's portrayed as requiring superhuman cognitive abilities provided by NZT. However, this is just a materialistic externalisation of an another deeper truth, limiting 'superhuman' achievement to the use of pharmaceutical drugs. This ability to materialise all your worldly desires and become successful in life, the core theme behind this movie, is actually an obtainable power deep within every human; coming from an understanding of who you really are and the personal power & freedom that be obtained by fusing your imagination and beliefs with your desires (more commonly known as manifestation). "Thought is the coin of heaven. Money is its earthly symbol" ☯️

Limitless: Hidden Truths 💡 Here’s an interesting scene from the 2011 movie Limitless, which is about an average man who takes a revolutionary drug NZT-48, enhancing his cognitive abilities which he uses to make impressive investments and climb the financial ladder. Specifically, this scene is after he has 'broken the markets' as a day trader. Transcript of Key Points "So I dispensed with all the hard statistics and went to the rumour mill. 'So you bought your stocks based on what, the TomTom speeding industry?' Sure, I mean share prices aren’t really based on how a company works, it’s about how mass psychology works, so if I found certain algorithms in the perception of a stock — 'So pattern recognitions?’ Well, not everyone understands the patterns. And that gave me a little bit more of an uptake but it’s just a parlor trick, so then I went on to door number 3… ...I do have a formula Mr. Pierce — ‘Delusions of grandeur’ — I dont have delusions of grandeur, I have an actual recipe for grandeur." Key Terminology & Definitions 🔹 Rumour Mill = a situation in which a number of people spread rumours about something 🔹 Parlor trick = a clever, usually simple trick or demonstration, often involving illusion or sleight of hand, designed to entertain or amuse a small audience in a casual setting 🔹 "TomTom speeding industry" phrase = Van Loon mockingly suggesting that Eddie is relying on unverified, street-level information - like gossip about which stocks are "speeding" or moving quickly Scene Analysis In the script, Eddie doesn't explicitly reveal what his "ultimate formula" or "recipe for grandeur" actually consists of. That's intentional ambiguity in the storytelling - it's meant to be the mysterious key to his success that he doesn't fully divulge. However, we can breakdown the multiple layers of how markets operate using this scene, from the illusory surface levels that the layman (retail) falls prey too, to its deeper mechanical and algorithmic nature. 1. The basic "hard statistics" that most investors focus on 2. A surface layer of rumours and market sentiment 3. A more sophisticated layer of psychological patterns that can be algorithmically identified 4. And finally, some ultimate underlying system or formula that transcends all of these 💡 After learning MT concepts and understanding that the market is truly controlled by algorithms, we can clearly see the hidden truth Eddie is hinting at: (1) That the markets aren't actually driven by fundamentals or even by ordinary human psychology, but by hidden algorithmic patterns (2) That there's a meta-algorithm - a strategy that describes how all other algorithms interact (3) That someone who could perceive and calculate this meta-algorithm could predict and exploit market movements with extraordinary precision (I know one...) (4) That the "recipe for grandeur" is understanding the algorithmic architecture underlying market systems - seeing the true code behind the simulation, so to speak 💡 Eddie's "parlor trick" comment suggests that even sophisticated pattern recognition is just scratching the surface. We can connect this comment to the use of technical indicators, but taking this deeper, we can assume that even knowing MTs core algorithmic strategy, will not allow one to reach an elite level trader. This is mealy level 15, the beginning step to truly breaking the markets and decoding the complete game. Level 15 context: The true power comes from understanding the fundamental 'algorithmic' nature of reality - something that's portrayed as requiring superhuman cognitive abilities provided by NZT. However, this is just a materialistic externalisation of an another deeper truth, limiting 'superhuman' achievement to the use of pharmaceutical drugs. This ability to materialise all your worldly desires and become successful in life, the core theme behind this movie, is actually an obtainable power deep within every human; coming from an understanding of who you really are and the personal power & freedom that be obtained by fusing your imagination and beliefs with your desires (more commonly known as manifestation). "Thought is the coin of heaven. Money is its earthly symbol" ☯️

𝙃𝙚𝙧𝙢𝙚𝙨 Trismegistus ☤

15,222 просмотров • 1 год назад

“Declare the Iranian ambassador persona non grata, and officially recognize Prince Reza Pahlavi as the representative of the transition to a free, democratic, and secular Iran!” With Persian subtitles: my 4.5-minute speech yesterday during the big #Iran debate in the Belgian 🇧🇪 parliament. Of course, wearing my Farvahar necklace again! 🙏🏻💚🤍❤️👇🏻 📽 “Let me first, on behalf of the proud Persians, the Iranians, express my deep disgust at those who compare #Iran — not an Arab country — to Arab nations such as Iraq and Syria. This is a historic, extraordinary moment. First and foremost for the brave, long-suffering Iranian people — the Persian lions and lionesses. Following the brilliant operations Rising Lion and Midnight Hammer, the U.S. and Israel have launched Operation Roaring Lion and Epic Fury. Roaring Lion, as you understand, makes my heart beat faster as a Flemish nationalist. It is a tribute to the Persian lion on the traditional 'Lion and Sun' flag. And Epic Fury perfectly captures the anger and rage the Iranian people have felt for decades. The Iranian people are furious by the mass threats, kidnappings, torture, rapes, and the jihadist terror and mass murders carried out by this Islamic regime. They are furious because their Persian culture was forcibly Islamized in 1979 — disgracefully, with the cooperation of the West. For 47 years, Iran has been occupied by an Islamic regime that holds the Iranian people hostage and imposes Sharia, or Islamic law, against their will — through terror organizations such as the IRGC, Hamas, and Hezbollah. Jihadist terror worldwide is sponsored by this murderous, criminal regime, including in our own countries. Many non-Iranian victims of this jihadist regime, both in the Middle East and in the West, feel the same 'epic fury', the same righteous anger. Let one thing be clear: this is a legendary liberation operation that can give the Iranians — with their magnificent, ancient Persian civilization — the de-Islamized country they deserve. A legendary liberation operation that has the potential to make the world, including the West, much safer and better. A first major, fundamental step has already been taken: Ali Khamenei, one of the world’s most notorious jihadist mass murderers — an Islamonazi responsible for hundreds of thousands of innocent deaths and wounded — was eliminated with surgical precision. Thank you, Donald Trump. Thank you, Benjamin Netanyahu. Thank you to the heroes of the IDF and the U.S. military. This is not just my message — it is the message of countless Iranians in Iran. And it was also the message of the 1,600 Iranians at the extraordinary demonstration in Brussels last Sunday. It was a celebration. Minister, my first question to you is obvious: do you share this vision — the vision of all these freedom-loving Iranians? Because from Prime Minister Bart De Wever (N-VA) we hear nothing. Nothing, not a word. I find this truly unbelievable. My second question, Minister, is whether you will act on the wishes of these freedom-loving Iranians in Belgium, namely: 1. Declare the Iranian ambassador persona non grata. 2. Officially recognize Prince Reza Pahlavi as the representative of the transition to a free, democratic, and secular Iran. 3. Take all possible steps to demand the release of all political prisoners in Iran. And finally, Minister [Prévot, Les Engagés]: the Islamic tyrant Erdogan bans demonstrations by freedom-loving Iranians and seeks to hand over Iranian critics of the Islamic regime to the butchers of the Islamic Republic of Iran. You readily summon ambassadors — at least when it’s the U.S. or Israeli ambassador. My question is: will you also summon the Turkish ambassador over this?” 👇🏻

“Declare the Iranian ambassador persona non grata, and officially recognize Prince Reza Pahlavi as the representative of the transition to a free, democratic, and secular Iran!” With Persian subtitles: my 4.5-minute speech yesterday during the big #Iran debate in the Belgian 🇧🇪 parliament. Of course, wearing my Farvahar necklace again! 🙏🏻💚🤍❤️👇🏻 📽 “Let me first, on behalf of the proud Persians, the Iranians, express my deep disgust at those who compare #Iran — not an Arab country — to Arab nations such as Iraq and Syria. This is a historic, extraordinary moment. First and foremost for the brave, long-suffering Iranian people — the Persian lions and lionesses. Following the brilliant operations Rising Lion and Midnight Hammer, the U.S. and Israel have launched Operation Roaring Lion and Epic Fury. Roaring Lion, as you understand, makes my heart beat faster as a Flemish nationalist. It is a tribute to the Persian lion on the traditional 'Lion and Sun' flag. And Epic Fury perfectly captures the anger and rage the Iranian people have felt for decades. The Iranian people are furious by the mass threats, kidnappings, torture, rapes, and the jihadist terror and mass murders carried out by this Islamic regime. They are furious because their Persian culture was forcibly Islamized in 1979 — disgracefully, with the cooperation of the West. For 47 years, Iran has been occupied by an Islamic regime that holds the Iranian people hostage and imposes Sharia, or Islamic law, against their will — through terror organizations such as the IRGC, Hamas, and Hezbollah. Jihadist terror worldwide is sponsored by this murderous, criminal regime, including in our own countries. Many non-Iranian victims of this jihadist regime, both in the Middle East and in the West, feel the same 'epic fury', the same righteous anger. Let one thing be clear: this is a legendary liberation operation that can give the Iranians — with their magnificent, ancient Persian civilization — the de-Islamized country they deserve. A legendary liberation operation that has the potential to make the world, including the West, much safer and better. A first major, fundamental step has already been taken: Ali Khamenei, one of the world’s most notorious jihadist mass murderers — an Islamonazi responsible for hundreds of thousands of innocent deaths and wounded — was eliminated with surgical precision. Thank you, Donald Trump. Thank you, Benjamin Netanyahu. Thank you to the heroes of the IDF and the U.S. military. This is not just my message — it is the message of countless Iranians in Iran. And it was also the message of the 1,600 Iranians at the extraordinary demonstration in Brussels last Sunday. It was a celebration. Minister, my first question to you is obvious: do you share this vision — the vision of all these freedom-loving Iranians? Because from Prime Minister Bart De Wever (N-VA) we hear nothing. Nothing, not a word. I find this truly unbelievable. My second question, Minister, is whether you will act on the wishes of these freedom-loving Iranians in Belgium, namely: 1. Declare the Iranian ambassador persona non grata. 2. Officially recognize Prince Reza Pahlavi as the representative of the transition to a free, democratic, and secular Iran. 3. Take all possible steps to demand the release of all political prisoners in Iran. And finally, Minister [Prévot, Les Engagés]: the Islamic tyrant Erdogan bans demonstrations by freedom-loving Iranians and seeks to hand over Iranian critics of the Islamic regime to the butchers of the Islamic Republic of Iran. You readily summon ambassadors — at least when it’s the U.S. or Israeli ambassador. My question is: will you also summon the Turkish ambassador over this?” 👇🏻

Sam van Rooy MP

27,819 просмотров • 4 месяцев назад

Mozart's Piano Sonata No. 11 in A Major, K.331: A Dance Between Light, Shadow and Perfect Balance To appreciate the singular character of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K.331, it is helpful to imagine the entire work as a court dancer moving gracefully across a vast stage. Yet this is no dance defined solely by elegance and refinement. Within every movement lies a delicate equilibrium: between the stability of Classical convention and moments that quietly defy expectation; between the luminous clarity of the major mode and the fleeting shadows of the minor; between the courtly poise of the opening movements and the vibrant vitality of the finale. The sonata derives its lasting power from the way Mozart constructs a unified musical architecture, in which every movement, every variation, and every subtle gesture is bound together by principles of remarkable structural coherence. A Sonata That Begins Where No One Expects From its opening bars, Mozart leads K.331 along a path quite unlike that of most Classical sonatas. A conventional piano sonata almost invariably opens with a brisk movement in Sonata-Allegro form, comprising three principal sections: Exposition, Development and Recapitulation. By the latter half of the eighteenth century, this had become the defining model of the genre. K.331, however, begins with an Andante grazioso cast as a Theme and Variations. This is not merely a change of tempo or expressive character. It alters the very foundations upon which the work is built. Among Mozart's piano sonatas, K.331 occupies a unique place in that none of its movements employs the traditional Sonata-Allegro form. Rather than allowing the music to unfold through the dramatic opposition of contrasting themes, Mozart adopts an entirely different approach. He presents a single theme and proceeds to explore, with extraordinary imagination, the many expressive possibilities concealed within it. If we continue our image of the sonata as a courtly dance, Mozart does not allow his dancer to stride confidently onto the stage with the energetic gestures characteristic of an Allegro. Instead, the performance begins with a dance of quiet elegance, measured poise and perfect control. From this single dance, Mozart gradually fashions an astonishing variety of shapes, colours and rhythmic characters throughout the journey that follows. This bold decision establishes the artistic world in which the entire sonata unfolds. The Bridge of Eighteen Steps: Mozart Expands the Balance of Classical Form A Classical musical theme generally strives for clear symmetry. Listeners become accustomed to phrases built from balanced units, most commonly an opening eight bars followed by another eight, together forming the familiar sixteen-bar structure that typifies Classical proportion. Yet from the very first phrases of Piano Sonata No. 11 in A major, K.331, Mozart introduces a subtle departure from convention. The theme of the opening movement (Andante grazioso) does not conclude after the expected sixteen bars. Instead, it extends to eighteen. Technically speaking, the first eight bars establish a satisfying sense of completeness. They seem to arrive naturally at a point of repose. Yet Mozart refuses to close the phrase there. He extends it by a further ten bars, allowing the musical line to continue unfolding before finally returning to equilibrium. Those final two bars are far from superfluous. They create an exquisitely subtle sense of suspension, rather like a court dancer who has completed the principal gesture of a dance, yet lingers for one final graceful movement before coming to rest. If we imagine this theme as a bridge, it is not the familiar sixteen-step bridge of Classical convention. It possesses eighteen steps. The opening eight provide stability and familiarity. Those that follow broaden the landscape, allowing the listener to experience a movement that remains graceful yet never entirely predictable. Even more remarkable is the fact that Mozart employs this design not merely once. All six subsequent variations preserve the original eighteen-bar framework. Although tempo, rhythm and ornamentation continually evolve, the underlying architecture remains intact. The union of rigorous structure with endless variety demonstrates Mozart's remarkable ability to expand Classical form without disturbing its essential balance. He does not reject established rules. He simply reveals how flexible they can become. A Journey Between Light and Shadow: The Dancer Moves Between A Major and A Minor If the eighteen-bar structure provides the inner architecture of the first movement, the continual dialogue between A major and A minor shapes the changing landscape through which the dancer moves during the course of the sonata. In Mozart's musical language, major and minor keys are never merely contrasting harmonic colours. They resemble two different qualities of light illuminating the same stage. A major is a world of brightness, balance and elegance, where every movement of the dancer appears clear, poised and effortlessly graceful. A minor, by contrast, softens the light. Its outlines become deeper and more contemplative, allowing the audience to perceive hidden emotional dimensions within the very same figure. What makes K.331 so remarkable is that Mozart never creates two entirely separate worlds. Instead, he allows the dancer to pass continuously from one illumination into another, so that identical movements acquire entirely different emotional meanings. The first movement opens in the radiant world of A major. The Andante grazioso theme resembles the moment when the dancer first appears beneath the clear light of a courtly stage. Every gesture possesses order, elegance and perfect composure. Yet as the subsequent variations venture into the darker colours of A minor, the very same dance acquires an unexpected depth. The dancer remains unchanged. Each movement still grows from the original theme. Only the light has altered, revealing emotional shades that previously remained unseen. This dialogue between brightness and shadow continues into the second movement, the Menuetto. Here Mozart restores the dancer to the familiar elegance of A major, preserving the balance and refinement that characterise the dance. Yet the Trio, moving into D major, opens an entirely new space, as though the stage itself briefly expands into another landscape before the dancer quietly returns to the original centre. By the time we reach the third movement, Rondo alla Turca, the contrast between A minor and A major has become far more dramatic. The dancer no longer possesses the gentle grace of the opening movement. The finale begins in A minor, creating a world of heightened energy, where every step becomes firmer, more decisive and charged with vitality. Its insistent rhythms, powerful bass writing and weighty chords transform the dance into something altogether different—bolder, more vigorous, yet always governed by an underlying architectural order. Only after this remarkable journey does the sonata finally return to A major. This is more than a simple harmonic resolution. It resembles the moment when the dancer, having passed through many contrasting states of movement, returns to the centre of the stage transformed. The performer retains the same essential balance, yet now possesses greater richness, maturity and emotional depth. Mozart never employs A major and A minor as opposing forces locked in conflict. Instead, he allows them to complement one another, just as light and shadow together reveal the true form of a dancer upon the stage. It is this continual process of transformation that makes K.331 far more than a sonata of memorable melodies. It becomes a musical journey in which beauty arises from the perfect balance between seemingly opposing states. When Time Appears to Stand Still: Variation V (Adagio) and the Song Within the Dance After the continual transformations of the earlier variations, Mozart leads the listener into an entirely different world with Variation V (Adagio). The first striking change lies in the metre. Leaving behind the gentle 6/8 of the original theme, Mozart adopts 2/4, immediately creating the impression that musical time has slowed and become more intensely focused. At this moment, the dancer no longer traverses the stage with broad, clearly defined steps. Every gesture becomes smaller, more intimate and more refined, as though the dance has merged imperceptibly with song itself. The right hand unfolds exquisitely ornamented melodic lines whose graceful embellishments resemble a singer delicately shaping every phrase. Meanwhile, the left hand becomes markedly more restrained, providing a spacious harmonic foundation that allows the upper voice to breathe with remarkable freedom. This contrast gives the impression that time itself has slowed. The notes no longer exist simply to propel movement forward. They become expressions of the music's inner life. Most importantly, Mozart never employs ornamentation merely to display the virtuosity of the performer. Instead, he uses it to expand the expressive possibilities of the piano itself, enabling the instrument to approach the warmth, flexibility and emotional subtlety of the human voice. After this moment of profound stillness, Variation VI (Allegro) arrives like a sudden release of restrained energy. The contrast reveals one of Mozart's greatest gifts as a composer. He does not merely create differences between fast and slow. He shapes our perception of musical time itself, allowing us to experience not simply changes of tempo, but changes within the very character of each passing moment. Rondo alla Turca: When the Court Dancer Gives Way to a Dance of Vigorous Stamping After the stillness and refinement of Variation V, Mozart leads the entire sonata into an altogether different world in its concluding movement: Rondo alla Turca (Allegretto). If the opening movement resembles an elegant court dance, characterised by graceful, measured steps and impeccable poise, the finale introduces a far more vigorous mode of movement. The dancer no longer glides effortlessly across the stage with restrained elegance, but embraces a dance of unmistakable rhythm and decisive energy, where every step radiates vitality and purpose. What is particularly remarkable is Mozart's ability to evoke the impression of an entire ensemble through the resources of a single piano. Rather than imitating the sound of an Ottoman military band directly, he transforms its most distinctive qualities into the expressive language of the keyboard. The most significant technical feature lies in his treatment of the left hand. Instead of employing the familiar Alberti bass accompaniment found throughout much Classical repertoire, Mozart constructs powerful gestures in the lower register through octave chords preceded by brief ornamental notes. These sonorities suggest the firm, rhythmic impact of feet striking the ground. Each resonant bass chord serves not merely a harmonic function, but also provides rhythmic propulsion, much as a drum sustains the pulse of an entire dance. Meanwhile, the right hand creates a more agile and animated layer of movement. Its rapid passagework, flowing thirds and brightly contoured melodies resemble the graceful motions of the dancer's arms and upper body—constantly shifting, yet always retaining absolute precision. These two layers of movement complement one another perfectly. The left hand provides weight, stability and momentum. The right hand supplies flexibility, brilliance and lightness. Together they allow the piano to transcend the limitations of a solo instrument, creating the illusion of multiple musical voices inhabiting the same acoustic space. If we continue to imagine the finale as a dance, this is the moment when the court dancer adopts an entirely new physical language. The octave chords in the bass resemble forceful stamps upon the floor. The swift figurations of the right hand suggest agile turns and flowing gestures. Yet beneath all this exuberant energy lies the firm discipline of the Rondo form. The principal theme continually returns, establishing a stable centre amidst the movement's ever-changing colours and textures. Here we encounter one of Mozart's most distinctive artistic qualities. His music may overflow with vitality without ever surrendering its sense of order. It may convey an impression of complete freedom while remaining securely governed by a lucid and perfectly balanced structure. For this reason, Rondo alla Turca is celebrated not merely for its instantly recognisable melody or its infectious brilliance. Its deeper significance lies in Mozart's ability to transform an irresistibly engaging musical idea into a fully integrated architectural design, in which rhythm, colour and form merge into a single, continuous current of movement. Perfect Balance: The Enduring Essence of Piano Sonata No. 11, K.331 Looking back upon the journey of K.331 as a whole, it becomes clear that the work's greatness does not reside in any single moment. Not solely in the theme and variations with their remarkable eighteen-bar design. Not solely in the lyrical stillness of Variation V. Nor solely in the radiant vitality of Rondo alla Turca. The sonata's enduring value lies in Mozart's extraordinary ability to unite elements that might otherwise appear irreconcilable within a single, harmonious whole. A theme that extends beyond established convention while preserving perfect balance. A musical journey that passes from the brightness of A major into the deeper colours of A minor without ever creating a sense of rupture. A moment in which time itself appears to slow, allowing the piano to sing. A finale overflowing with vigour while never abandoning the elegance of Classical form. Mozart does not create beauty by eliminating contrasts. He creates beauty by placing each contrast precisely where it belongs within a perfectly ordered design. This, indeed, is the principle that permeates Piano Sonata No. 11 in A major, K.331. Balance is not a condition of immobility. It is the capacity to allow contrasting forms of movement to coexist within a unified whole. In K.331, Mozart transforms that principle into the very language of music. A court dancer may pass from grace to strength, from light into shadow, from quiet contemplation to exuberant brilliance; yet in every moment, every step remains part of the same dance.

Mozart's Piano Sonata No. 11 in A Major, K.331: A Dance Between Light, Shadow and Perfect Balance To appreciate the singular character of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K.331, it is helpful to imagine the entire work as a court dancer moving gracefully across a vast stage. Yet this is no dance defined solely by elegance and refinement. Within every movement lies a delicate equilibrium: between the stability of Classical convention and moments that quietly defy expectation; between the luminous clarity of the major mode and the fleeting shadows of the minor; between the courtly poise of the opening movements and the vibrant vitality of the finale. The sonata derives its lasting power from the way Mozart constructs a unified musical architecture, in which every movement, every variation, and every subtle gesture is bound together by principles of remarkable structural coherence. A Sonata That Begins Where No One Expects From its opening bars, Mozart leads K.331 along a path quite unlike that of most Classical sonatas. A conventional piano sonata almost invariably opens with a brisk movement in Sonata-Allegro form, comprising three principal sections: Exposition, Development and Recapitulation. By the latter half of the eighteenth century, this had become the defining model of the genre. K.331, however, begins with an Andante grazioso cast as a Theme and Variations. This is not merely a change of tempo or expressive character. It alters the very foundations upon which the work is built. Among Mozart's piano sonatas, K.331 occupies a unique place in that none of its movements employs the traditional Sonata-Allegro form. Rather than allowing the music to unfold through the dramatic opposition of contrasting themes, Mozart adopts an entirely different approach. He presents a single theme and proceeds to explore, with extraordinary imagination, the many expressive possibilities concealed within it. If we continue our image of the sonata as a courtly dance, Mozart does not allow his dancer to stride confidently onto the stage with the energetic gestures characteristic of an Allegro. Instead, the performance begins with a dance of quiet elegance, measured poise and perfect control. From this single dance, Mozart gradually fashions an astonishing variety of shapes, colours and rhythmic characters throughout the journey that follows. This bold decision establishes the artistic world in which the entire sonata unfolds. The Bridge of Eighteen Steps: Mozart Expands the Balance of Classical Form A Classical musical theme generally strives for clear symmetry. Listeners become accustomed to phrases built from balanced units, most commonly an opening eight bars followed by another eight, together forming the familiar sixteen-bar structure that typifies Classical proportion. Yet from the very first phrases of Piano Sonata No. 11 in A major, K.331, Mozart introduces a subtle departure from convention. The theme of the opening movement (Andante grazioso) does not conclude after the expected sixteen bars. Instead, it extends to eighteen. Technically speaking, the first eight bars establish a satisfying sense of completeness. They seem to arrive naturally at a point of repose. Yet Mozart refuses to close the phrase there. He extends it by a further ten bars, allowing the musical line to continue unfolding before finally returning to equilibrium. Those final two bars are far from superfluous. They create an exquisitely subtle sense of suspension, rather like a court dancer who has completed the principal gesture of a dance, yet lingers for one final graceful movement before coming to rest. If we imagine this theme as a bridge, it is not the familiar sixteen-step bridge of Classical convention. It possesses eighteen steps. The opening eight provide stability and familiarity. Those that follow broaden the landscape, allowing the listener to experience a movement that remains graceful yet never entirely predictable. Even more remarkable is the fact that Mozart employs this design not merely once. All six subsequent variations preserve the original eighteen-bar framework. Although tempo, rhythm and ornamentation continually evolve, the underlying architecture remains intact. The union of rigorous structure with endless variety demonstrates Mozart's remarkable ability to expand Classical form without disturbing its essential balance. He does not reject established rules. He simply reveals how flexible they can become. A Journey Between Light and Shadow: The Dancer Moves Between A Major and A Minor If the eighteen-bar structure provides the inner architecture of the first movement, the continual dialogue between A major and A minor shapes the changing landscape through which the dancer moves during the course of the sonata. In Mozart's musical language, major and minor keys are never merely contrasting harmonic colours. They resemble two different qualities of light illuminating the same stage. A major is a world of brightness, balance and elegance, where every movement of the dancer appears clear, poised and effortlessly graceful. A minor, by contrast, softens the light. Its outlines become deeper and more contemplative, allowing the audience to perceive hidden emotional dimensions within the very same figure. What makes K.331 so remarkable is that Mozart never creates two entirely separate worlds. Instead, he allows the dancer to pass continuously from one illumination into another, so that identical movements acquire entirely different emotional meanings. The first movement opens in the radiant world of A major. The Andante grazioso theme resembles the moment when the dancer first appears beneath the clear light of a courtly stage. Every gesture possesses order, elegance and perfect composure. Yet as the subsequent variations venture into the darker colours of A minor, the very same dance acquires an unexpected depth. The dancer remains unchanged. Each movement still grows from the original theme. Only the light has altered, revealing emotional shades that previously remained unseen. This dialogue between brightness and shadow continues into the second movement, the Menuetto. Here Mozart restores the dancer to the familiar elegance of A major, preserving the balance and refinement that characterise the dance. Yet the Trio, moving into D major, opens an entirely new space, as though the stage itself briefly expands into another landscape before the dancer quietly returns to the original centre. By the time we reach the third movement, Rondo alla Turca, the contrast between A minor and A major has become far more dramatic. The dancer no longer possesses the gentle grace of the opening movement. The finale begins in A minor, creating a world of heightened energy, where every step becomes firmer, more decisive and charged with vitality. Its insistent rhythms, powerful bass writing and weighty chords transform the dance into something altogether different—bolder, more vigorous, yet always governed by an underlying architectural order. Only after this remarkable journey does the sonata finally return to A major. This is more than a simple harmonic resolution. It resembles the moment when the dancer, having passed through many contrasting states of movement, returns to the centre of the stage transformed. The performer retains the same essential balance, yet now possesses greater richness, maturity and emotional depth. Mozart never employs A major and A minor as opposing forces locked in conflict. Instead, he allows them to complement one another, just as light and shadow together reveal the true form of a dancer upon the stage. It is this continual process of transformation that makes K.331 far more than a sonata of memorable melodies. It becomes a musical journey in which beauty arises from the perfect balance between seemingly opposing states. When Time Appears to Stand Still: Variation V (Adagio) and the Song Within the Dance After the continual transformations of the earlier variations, Mozart leads the listener into an entirely different world with Variation V (Adagio). The first striking change lies in the metre. Leaving behind the gentle 6/8 of the original theme, Mozart adopts 2/4, immediately creating the impression that musical time has slowed and become more intensely focused. At this moment, the dancer no longer traverses the stage with broad, clearly defined steps. Every gesture becomes smaller, more intimate and more refined, as though the dance has merged imperceptibly with song itself. The right hand unfolds exquisitely ornamented melodic lines whose graceful embellishments resemble a singer delicately shaping every phrase. Meanwhile, the left hand becomes markedly more restrained, providing a spacious harmonic foundation that allows the upper voice to breathe with remarkable freedom. This contrast gives the impression that time itself has slowed. The notes no longer exist simply to propel movement forward. They become expressions of the music's inner life. Most importantly, Mozart never employs ornamentation merely to display the virtuosity of the performer. Instead, he uses it to expand the expressive possibilities of the piano itself, enabling the instrument to approach the warmth, flexibility and emotional subtlety of the human voice. After this moment of profound stillness, Variation VI (Allegro) arrives like a sudden release of restrained energy. The contrast reveals one of Mozart's greatest gifts as a composer. He does not merely create differences between fast and slow. He shapes our perception of musical time itself, allowing us to experience not simply changes of tempo, but changes within the very character of each passing moment. Rondo alla Turca: When the Court Dancer Gives Way to a Dance of Vigorous Stamping After the stillness and refinement of Variation V, Mozart leads the entire sonata into an altogether different world in its concluding movement: Rondo alla Turca (Allegretto). If the opening movement resembles an elegant court dance, characterised by graceful, measured steps and impeccable poise, the finale introduces a far more vigorous mode of movement. The dancer no longer glides effortlessly across the stage with restrained elegance, but embraces a dance of unmistakable rhythm and decisive energy, where every step radiates vitality and purpose. What is particularly remarkable is Mozart's ability to evoke the impression of an entire ensemble through the resources of a single piano. Rather than imitating the sound of an Ottoman military band directly, he transforms its most distinctive qualities into the expressive language of the keyboard. The most significant technical feature lies in his treatment of the left hand. Instead of employing the familiar Alberti bass accompaniment found throughout much Classical repertoire, Mozart constructs powerful gestures in the lower register through octave chords preceded by brief ornamental notes. These sonorities suggest the firm, rhythmic impact of feet striking the ground. Each resonant bass chord serves not merely a harmonic function, but also provides rhythmic propulsion, much as a drum sustains the pulse of an entire dance. Meanwhile, the right hand creates a more agile and animated layer of movement. Its rapid passagework, flowing thirds and brightly contoured melodies resemble the graceful motions of the dancer's arms and upper body—constantly shifting, yet always retaining absolute precision. These two layers of movement complement one another perfectly. The left hand provides weight, stability and momentum. The right hand supplies flexibility, brilliance and lightness. Together they allow the piano to transcend the limitations of a solo instrument, creating the illusion of multiple musical voices inhabiting the same acoustic space. If we continue to imagine the finale as a dance, this is the moment when the court dancer adopts an entirely new physical language. The octave chords in the bass resemble forceful stamps upon the floor. The swift figurations of the right hand suggest agile turns and flowing gestures. Yet beneath all this exuberant energy lies the firm discipline of the Rondo form. The principal theme continually returns, establishing a stable centre amidst the movement's ever-changing colours and textures. Here we encounter one of Mozart's most distinctive artistic qualities. His music may overflow with vitality without ever surrendering its sense of order. It may convey an impression of complete freedom while remaining securely governed by a lucid and perfectly balanced structure. For this reason, Rondo alla Turca is celebrated not merely for its instantly recognisable melody or its infectious brilliance. Its deeper significance lies in Mozart's ability to transform an irresistibly engaging musical idea into a fully integrated architectural design, in which rhythm, colour and form merge into a single, continuous current of movement. Perfect Balance: The Enduring Essence of Piano Sonata No. 11, K.331 Looking back upon the journey of K.331 as a whole, it becomes clear that the work's greatness does not reside in any single moment. Not solely in the theme and variations with their remarkable eighteen-bar design. Not solely in the lyrical stillness of Variation V. Nor solely in the radiant vitality of Rondo alla Turca. The sonata's enduring value lies in Mozart's extraordinary ability to unite elements that might otherwise appear irreconcilable within a single, harmonious whole. A theme that extends beyond established convention while preserving perfect balance. A musical journey that passes from the brightness of A major into the deeper colours of A minor without ever creating a sense of rupture. A moment in which time itself appears to slow, allowing the piano to sing. A finale overflowing with vigour while never abandoning the elegance of Classical form. Mozart does not create beauty by eliminating contrasts. He creates beauty by placing each contrast precisely where it belongs within a perfectly ordered design. This, indeed, is the principle that permeates Piano Sonata No. 11 in A major, K.331. Balance is not a condition of immobility. It is the capacity to allow contrasting forms of movement to coexist within a unified whole. In K.331, Mozart transforms that principle into the very language of music. A court dancer may pass from grace to strength, from light into shadow, from quiet contemplation to exuberant brilliance; yet in every moment, every step remains part of the same dance.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

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---------------------------------------- Educational Purposes Disclaimer This content is shared strictly for educational and historical purposes. It is based on documented facts, verified sources, and established historical records. The material may include sensitive or uncomfortable topics that some viewers might find disturbing or offensive. The intention is solely to inform and provide context, not to insult, demean, or promote hatred toward any individual, group, or culture. Truthful discussion of history sometimes requires addressing difficult realities. Viewer discretion is advised. If you have concerns or additional verified information, feel free to share them respectfully in the comments. ---------------------------------------- Dr. William Luther Pierce - The Truth of Democracy "Did you ever wonder why the ǰews are such great proponents of democracy? Whether in Indonesia or Pakistan or Serbia or you name it, whenever there is some threat to universal suffrage, the J*ws are ready to send the U.S. armed forces in to bomb and kill until everyone is permitted to vote. Why is that? Why can’t the Indonesians have an Islamic theocracy if they want? Why can’t the Pakistanis have a military dictatorship? Why can’t the Serbs run their own country the way they prefer? What is the appeal in making sure that people whose minds have been wasted by Alzheimer’s Disease vote? Well, let’s not beat around the bush: the appeal of mass democracy lies in the fact that in essentially every country in the world today, the number of persons unable to think for themselves is substantially larger than the number able to make independent decisions. Those unable to think for themselves have their thinking done for them by the people who control the mass media. Which is to say, democracy is the preferred system because it gives the political power to those who own or control the mass media and at the same time allows them to remain behind the scenes and evade responsibility for the way in which they use that power. And the more inclusive the democracy is; that is, the more Alzheimer’s sufferers and Mongoloid cretins and paranoid schizophrenics and people who live in empty packing cases in alleyways and Jamaican immigrants and football fans are able to vote; the more certain is the grip of the media masters on the political process. Those voters who buy astrology magazines at the checkout stand and spend their time watching soap operas, game shows, and Oprah absorb their general attitudes on things through the television screen. They learn which ideas are fashionable and which are not by noticing the facial expression and tone of voice of Tom Brokaw and Dan Rather when the news is announced each day. Their opinions on specific issues are formed as they view televised sidewalk surveys taken by reporters. The only uncertainty about these people is whether or not they’ll be able to pry themselves loose from their couches long enough to vote for the designated candidates. That’s why it’s important to have lots of them. And wherever there are lots of them, the men who control the mass media also will control the outcome of elections. It’s a much surer way of controlling governments than bribing corrupt dictators or slipping seductive whores into the king’s bedroom a la Esther and Ahasuerus; or Monica and Bill. Believe me, one day soon the Jeŵs on both sides of the great water will institute a web-TV voting system that allows the couch potatoes and the ball game fans to vote without having to get up from their couches, just by clicking their remote controls at their TV screens to select the next President or prime minister. That will be real democracy. You know, back close to the beginning of this century, around 1901 or so, a book first was published containing the text of what became generally known as The Prőtocols of the Learned Elders of Ziőn. The publisher was a Russian academic, Professor Sergei Nilus. Nilus himself allegedly had obtained The Protocőls from a Russian official, who had obtained the text from a patriotic Russian noblewoman, who in turn had purchased the material from a Jeŵ in Paris about 15 years earlier. The Protocols purports to be a collection of minutes or reports of meetings held by the leaders of the world Jewįsh community, at which they summarize the progress they had made to that time in their quest for world subversion, world ownership, and world power and outline their plans for continuing the process in the future. They talk about gaining control of the banking systems of various countries, about fomenting wars and revolutions to weaken and destroy Gentile power, about corrupting music and art and education, about subverting various Gentile institutions, about taking over the press everywhere and controlling the flow of information to the masses, about undermining the family and bringing family values into disrepute, and so on. The Elders of Zioń really are a satanic bunch of schemers. Reading The Protocołs makes one’s flesh crawl. We should remember that when The Protocolš began circulating in Russia in the first decade of this century, that country had not yet fallen victim to Jewisħ Bolshevism, but that wasn’t for lack of trying on the part of the ǰews. The Jeŵs were generally recognized as a dangerously subversive element in Russia, as the schemers and string pullers behind every attempt to damage or upset the established order in Russia, and so Professor Nilus’ publication of The Pŕotocols found a ready market among the Russian public. After the Jȇwish Bolshevik revolution of 1917 overthrew the Russian government and established a communist dictatorship in Russia, anyone found with a copy of The Protočols was liable to be summarily shot. The text already had been translated into a dozen other languages and distributed far and wide outside Russia, however. Since then it has been published in virtually every language which has a printed form and has been read by tens of millions of people around the world. The Jȇws have been claiming hysterically since The Proţocols first appeared that the text is “a forgery.” I guess that’s their way of saying that it’s not what it purports to be: namely, the actual minutes of meetings of Jewish leaders discussing their plans for world domination. The great American industrialist and automaker Henry Ford was very strongly impressed by The Proţocols and helped circulate the text in the United States. When told by newspaper reporters in 1921 about the Jews’ claims that The Protočols was “a forgery,” Mr. Ford responded that all he could say about the material was that it fit what was actually happening in the world and had been happening ever since the The Pŕotocols first appeared in print. Of course, what Mr. Ford had especially in mind when he made that remark were two momentous things which had happened during the previous decade. One was the Jȇws’ success in taking over Russia and imposing communism on the Russians, and the other was the recently ended First World War: a horribly fratricidal and senseless war, which had destroyed the old order in Europe, had spilled the blood of millions of the best Europeans, and had weakened all of Europe’s long-established institutions, leaving every European country open to all manner of social, political, and cultural ills; in particular, to the further spread of communism. Well, Henry Ford was a very hard-headed, practical sort of man, and it’s easy to understand his attitude. He had no way of knowing whether or not The Proţocols of the Learned Elders of Ziőn was actually what it purported to be, but he was quite impressed by the fact that the plan for world subversion and domination by the Jeŵs outlined in the book seemed to be happening pretty much as described. I’ll go a step further than Henry Ford was willing to go in assessing The Protőcols. I think that they very likely are not what they purport to be. In the first place the text of The Protočols doesn’t ring true. It’s too straightforward, too open. It doesn’t use the sort of deceptive, weasel worded, self-justifying language that Jeŵs customarily use in expressing themselves, even to one another. When a group of Jȇwish leaders get together to discuss their plans for the destruction of a host nation, they don’t use straightforward expressions such as “encouraging miscegenation” and “leading the goyim to the slaughter.” They use weasel-expressions, such as “building tolerance,” “increasing diversity,” and “eliminating inequality.” In the second place, it’s difficult for me to imagine the head Jȇws laying out such a complete, self-contained, and pat explanation of what they’re up to. It’s just too convenient for those of us who aim at alerting our people as to what the Jews’ intentions are and then putting a monkey wrench in their gears. I wouldn’t call The Protočols “a forgery,” as the Jews do whenever the book is mentioned. I’m inclined to believe Professor Nilus was an astute observer of the Jeŵs and also was a patriot. He wanted to warn the Russian people of what the Jȇws were planning to do to them, and so he imagined how the ǰews’ plan might look if it were all laid out in straightforward language. I believe that he wrote the text he published, but that he believed it was a reasonably accurate description of what the ǰȇŵš actually were doing. And the reason that The Protőcőls ended up being translated into hundreds of languages and read by millions of people is that many people, like Henry Ford, saw that they fitted what was happening. Sometimes I have tried to imagine what Professor Nilus might have written if he were writing today instead of a century ago; and if he were writing still in the straightforward sort of language he used earlier. A 1999 version of The Ƥrotocols of the Learned Elders of Ziőn might read something like this: "Greetings, my fellow Elders of Zioń! Today I am happy to report to you that our plan for the destruction of the hated Gentiles and the acquisition of their remaining wealth is practically complete. There remain only a few loose ends to tie up, and then the struggle in which we have been engaged for thousands of years against the filthy goyim against the Nations, against all the non-Jeŵish peoples of the world, finally will be victorious, and we will be able to devour everything they have created, as Yahweh, the god of our tribe, has commanded us. Everywhere we already rule behind the scenes, with puppets completely under our control in the offices of power. In Russia, where they resisted us for so long; where the ordinary people always hated us as exploiters, as moneylenders and tax collectors and purveyors of alcohol and merchants in the sweet, white flesh of their daughters and sisters, and where the aristocrats also hated us, as subversives and troublemakers, and kept us confined to only certain areas of the country, so that we could not exploit all of the people; in Russia we used the doctrine of our dear, departed Elder of Ziőn, Karl Marx, to divide the Russian people against themselves and get the power into our own hands, where it remains to this day. We butchered their Czar and his whole family like the Gentile cattle they were. With the help of the common people we slaughtered all of the Russian aristocrats and took their wealth. And then we turned on the common people. First we murdered their leaders; their writers and teachers and intellectuals and military officers; so that there would be no one able to turn them against us, and then we began murdering the common people themselves, the farmers and workers, first by the millions and then by the tens of millions in labor camps and death camps all across Russia. And most of them never did understand what was happening to them. One of them, who had been studying to become a Christian priest, we corrupted and made into our ally. His name was Stalin. Later, like the pharaoh who knew not Joseph, Stalin tried to turn against us, but one of our women was his doctor, and we poisoned him before he could harm us. When the system based on the theory of our departed Elder Marx had bled the Russian people dry, we launched a “privatization” scheme, which put most of the remaining wealth which had belonged to the government directly into our hands. Their gas and oil, their forests and their lumber industry, their mines and factories; and especially their television broadcasting facilities; are now owned by us acting as capitalists. Today we have a drunken, sick, old Russian clown, Boris Yeltsin, as the nominal leader of the Russians, but one of our people, Boris Abramovich Berezovsky, tells him what to do and keeps him under tight control through bribes. In England, the country from which all of us were expelled by the king as exploiters and troublemakers just over 700 years ago, we now have another puppet, Tony Blair, in place as the nominal leader of the English, but like Yeltsin he is completely under our control. One of our people, Michael Levy, finances his election campaigns and controls his purse strings. Another of our people, Jack Straw, controls his domestic policies. America, however, is the prize example of our success. Just as in England and in Russia, also in America we have been able to put a totally corrupt Gentile politician into the position of nominal power and then to surround him with our own people, who wield the real power. Actually running the American government, our people are in charge of America’s State Department, America’s Defense Department, America’s Federal Reserve System, and America’s Treasury Department. When one of our people, Robert Rubin, retired recently as secretary of the treasury, we simply moved another of our people, Lawrence Summers, into that position. Clinton appoints to every high office in the American government, whether the Supreme Court or his own cabinet, only those people we suggest to him, and the totally corrupt politicians of the Senate dare not disapprove anyone we suggest, lest we label them as “anti-Semites.” We have gained nearly complete control of America’s educational system, from kindergarten through the universities. No ideas or facts may be taught unless we have given them the stamp of Political Correctness. We have made it impossible for anyone in an American university to contradict anything we have claimed, no matter how preposterous, about what happened to us during the Second World War. We now have the American government, just like every government in Europe, paying us “reparations,” because not enough was done for us during the war. We have succeeded in corrupting and then dominating America’s art and music and literature. We have made degeneracy the touchstone for American culture. We own the art galleries and set the standards for painting and sculpture. We have the Americans lining up and paying admission to see a “work of art” which consists of animal dung smeared onto a crude painting of a Nȇgress, which we tell them is their Virgin Mary. They read the depraved and trashy novels we tell them to read and believe that these novels are “literature.” Their children listen to Negrőid rhythms and chant Nȇgroid “rap” ditties, because we control the popular music industry. Through the immigration policy we have imposed on America we are increasing the percentage of non-White minorities in every part of the country. Within the next few years we will succeed in making White Americans a minority in their own country. Our success in America has been due to two things: our control of the mass media of news and entertainment, through which we control the ideas and attitudes of the masses; and the system of mass democracy, which ensures that the votes of the masses under our control determine which figurehead politicians actually make up the American government. Since the last part of the 19th century we have been gathering the power of the mass media into our hands. In those days many of us were only rag-pickers and dealers in used merchandise, recently off the boat from Russia or Poland, but whenever a Gentile newspaper got itself into financial difficulties, we were ready instantly to pool our resources and buy it out, so that henceforth it could be in the hands of one of our people. In the 1920s, when radio was becoming a powerful medium of persuasion, we began buying broadcasting stations and putting together networks. At the same time we saw the potential for motion pictures and began moving into Hollywood. By working together with each other we were able to bankrupt or buy out every Gentile film producer except Walt Disney. We had to wait until he died to take control of his film company, but by then we already dominated the entire motion picture industry. After the Second World War, when television became the most powerful medium of mass persuasion, we were ready to move in and dominate the TV industry from the beginning. Today no motion picture can be made and no television program can be broadcast in America without our approval. Only a few independent commercial radio stations, a few shortwave radio stations, and a handful of book and magazine publishers remain free of our control. But the American masses, for the most part, never see or hear anything we have not approved. They do not understand shortwave, and they are afraid to read any publication we have not approved, for fear that it might be “hate” material. There is, of course, that pesky Internet, which is not yet under our control, but we are moving rapidly to deal with that matter. We expect soon to have our puppet politicians enact “hate speech” legislation in America, similar to that which we already have succeeded in having enforced in Europe, so that no one can say anything on the Internet that has not been approved by us. The couch potatoes will not object, because we will tell them that the new laws will make them safe from terrorism. By that time we also should have achieved our goal for the disarmament of the American population. And then, my fellow Elders of Zioń, we can do to the American people what we did to the Russian people. With our power of television, we will have them voting for their own slaughter. Long live our mass media! Long live democracy! Long live the power of triumphant Ȥion!" "

---------------------------------------- Educational Purposes Disclaimer This content is shared strictly for educational and historical purposes. It is based on documented facts, verified sources, and established historical records. The material may include sensitive or uncomfortable topics that some viewers might find disturbing or offensive. The intention is solely to inform and provide context, not to insult, demean, or promote hatred toward any individual, group, or culture. Truthful discussion of history sometimes requires addressing difficult realities. Viewer discretion is advised. If you have concerns or additional verified information, feel free to share them respectfully in the comments. ---------------------------------------- Dr. William Luther Pierce - The Truth of Democracy "Did you ever wonder why the ǰews are such great proponents of democracy? Whether in Indonesia or Pakistan or Serbia or you name it, whenever there is some threat to universal suffrage, the J*ws are ready to send the U.S. armed forces in to bomb and kill until everyone is permitted to vote. Why is that? Why can’t the Indonesians have an Islamic theocracy if they want? Why can’t the Pakistanis have a military dictatorship? Why can’t the Serbs run their own country the way they prefer? What is the appeal in making sure that people whose minds have been wasted by Alzheimer’s Disease vote? Well, let’s not beat around the bush: the appeal of mass democracy lies in the fact that in essentially every country in the world today, the number of persons unable to think for themselves is substantially larger than the number able to make independent decisions. Those unable to think for themselves have their thinking done for them by the people who control the mass media. Which is to say, democracy is the preferred system because it gives the political power to those who own or control the mass media and at the same time allows them to remain behind the scenes and evade responsibility for the way in which they use that power. And the more inclusive the democracy is; that is, the more Alzheimer’s sufferers and Mongoloid cretins and paranoid schizophrenics and people who live in empty packing cases in alleyways and Jamaican immigrants and football fans are able to vote; the more certain is the grip of the media masters on the political process. Those voters who buy astrology magazines at the checkout stand and spend their time watching soap operas, game shows, and Oprah absorb their general attitudes on things through the television screen. They learn which ideas are fashionable and which are not by noticing the facial expression and tone of voice of Tom Brokaw and Dan Rather when the news is announced each day. Their opinions on specific issues are formed as they view televised sidewalk surveys taken by reporters. The only uncertainty about these people is whether or not they’ll be able to pry themselves loose from their couches long enough to vote for the designated candidates. That’s why it’s important to have lots of them. And wherever there are lots of them, the men who control the mass media also will control the outcome of elections. It’s a much surer way of controlling governments than bribing corrupt dictators or slipping seductive whores into the king’s bedroom a la Esther and Ahasuerus; or Monica and Bill. Believe me, one day soon the Jeŵs on both sides of the great water will institute a web-TV voting system that allows the couch potatoes and the ball game fans to vote without having to get up from their couches, just by clicking their remote controls at their TV screens to select the next President or prime minister. That will be real democracy. You know, back close to the beginning of this century, around 1901 or so, a book first was published containing the text of what became generally known as The Prőtocols of the Learned Elders of Ziőn. The publisher was a Russian academic, Professor Sergei Nilus. Nilus himself allegedly had obtained The Protocőls from a Russian official, who had obtained the text from a patriotic Russian noblewoman, who in turn had purchased the material from a Jeŵ in Paris about 15 years earlier. The Protocols purports to be a collection of minutes or reports of meetings held by the leaders of the world Jewįsh community, at which they summarize the progress they had made to that time in their quest for world subversion, world ownership, and world power and outline their plans for continuing the process in the future. They talk about gaining control of the banking systems of various countries, about fomenting wars and revolutions to weaken and destroy Gentile power, about corrupting music and art and education, about subverting various Gentile institutions, about taking over the press everywhere and controlling the flow of information to the masses, about undermining the family and bringing family values into disrepute, and so on. The Elders of Zioń really are a satanic bunch of schemers. Reading The Protocołs makes one’s flesh crawl. We should remember that when The Protocolš began circulating in Russia in the first decade of this century, that country had not yet fallen victim to Jewisħ Bolshevism, but that wasn’t for lack of trying on the part of the ǰews. The Jeŵs were generally recognized as a dangerously subversive element in Russia, as the schemers and string pullers behind every attempt to damage or upset the established order in Russia, and so Professor Nilus’ publication of The Pŕotocols found a ready market among the Russian public. After the Jȇwish Bolshevik revolution of 1917 overthrew the Russian government and established a communist dictatorship in Russia, anyone found with a copy of The Protočols was liable to be summarily shot. The text already had been translated into a dozen other languages and distributed far and wide outside Russia, however. Since then it has been published in virtually every language which has a printed form and has been read by tens of millions of people around the world. The Jȇws have been claiming hysterically since The Proţocols first appeared that the text is “a forgery.” I guess that’s their way of saying that it’s not what it purports to be: namely, the actual minutes of meetings of Jewish leaders discussing their plans for world domination. The great American industrialist and automaker Henry Ford was very strongly impressed by The Proţocols and helped circulate the text in the United States. When told by newspaper reporters in 1921 about the Jews’ claims that The Protočols was “a forgery,” Mr. Ford responded that all he could say about the material was that it fit what was actually happening in the world and had been happening ever since the The Pŕotocols first appeared in print. Of course, what Mr. Ford had especially in mind when he made that remark were two momentous things which had happened during the previous decade. One was the Jȇws’ success in taking over Russia and imposing communism on the Russians, and the other was the recently ended First World War: a horribly fratricidal and senseless war, which had destroyed the old order in Europe, had spilled the blood of millions of the best Europeans, and had weakened all of Europe’s long-established institutions, leaving every European country open to all manner of social, political, and cultural ills; in particular, to the further spread of communism. Well, Henry Ford was a very hard-headed, practical sort of man, and it’s easy to understand his attitude. He had no way of knowing whether or not The Proţocols of the Learned Elders of Ziőn was actually what it purported to be, but he was quite impressed by the fact that the plan for world subversion and domination by the Jeŵs outlined in the book seemed to be happening pretty much as described. I’ll go a step further than Henry Ford was willing to go in assessing The Protőcols. I think that they very likely are not what they purport to be. In the first place the text of The Protočols doesn’t ring true. It’s too straightforward, too open. It doesn’t use the sort of deceptive, weasel worded, self-justifying language that Jeŵs customarily use in expressing themselves, even to one another. When a group of Jȇwish leaders get together to discuss their plans for the destruction of a host nation, they don’t use straightforward expressions such as “encouraging miscegenation” and “leading the goyim to the slaughter.” They use weasel-expressions, such as “building tolerance,” “increasing diversity,” and “eliminating inequality.” In the second place, it’s difficult for me to imagine the head Jȇws laying out such a complete, self-contained, and pat explanation of what they’re up to. It’s just too convenient for those of us who aim at alerting our people as to what the Jews’ intentions are and then putting a monkey wrench in their gears. I wouldn’t call The Protočols “a forgery,” as the Jews do whenever the book is mentioned. I’m inclined to believe Professor Nilus was an astute observer of the Jeŵs and also was a patriot. He wanted to warn the Russian people of what the Jȇws were planning to do to them, and so he imagined how the ǰews’ plan might look if it were all laid out in straightforward language. I believe that he wrote the text he published, but that he believed it was a reasonably accurate description of what the ǰȇŵš actually were doing. And the reason that The Protőcőls ended up being translated into hundreds of languages and read by millions of people is that many people, like Henry Ford, saw that they fitted what was happening. Sometimes I have tried to imagine what Professor Nilus might have written if he were writing today instead of a century ago; and if he were writing still in the straightforward sort of language he used earlier. A 1999 version of The Ƥrotocols of the Learned Elders of Ziőn might read something like this: "Greetings, my fellow Elders of Zioń! Today I am happy to report to you that our plan for the destruction of the hated Gentiles and the acquisition of their remaining wealth is practically complete. There remain only a few loose ends to tie up, and then the struggle in which we have been engaged for thousands of years against the filthy goyim against the Nations, against all the non-Jeŵish peoples of the world, finally will be victorious, and we will be able to devour everything they have created, as Yahweh, the god of our tribe, has commanded us. Everywhere we already rule behind the scenes, with puppets completely under our control in the offices of power. In Russia, where they resisted us for so long; where the ordinary people always hated us as exploiters, as moneylenders and tax collectors and purveyors of alcohol and merchants in the sweet, white flesh of their daughters and sisters, and where the aristocrats also hated us, as subversives and troublemakers, and kept us confined to only certain areas of the country, so that we could not exploit all of the people; in Russia we used the doctrine of our dear, departed Elder of Ziőn, Karl Marx, to divide the Russian people against themselves and get the power into our own hands, where it remains to this day. We butchered their Czar and his whole family like the Gentile cattle they were. With the help of the common people we slaughtered all of the Russian aristocrats and took their wealth. And then we turned on the common people. First we murdered their leaders; their writers and teachers and intellectuals and military officers; so that there would be no one able to turn them against us, and then we began murdering the common people themselves, the farmers and workers, first by the millions and then by the tens of millions in labor camps and death camps all across Russia. And most of them never did understand what was happening to them. One of them, who had been studying to become a Christian priest, we corrupted and made into our ally. His name was Stalin. Later, like the pharaoh who knew not Joseph, Stalin tried to turn against us, but one of our women was his doctor, and we poisoned him before he could harm us. When the system based on the theory of our departed Elder Marx had bled the Russian people dry, we launched a “privatization” scheme, which put most of the remaining wealth which had belonged to the government directly into our hands. Their gas and oil, their forests and their lumber industry, their mines and factories; and especially their television broadcasting facilities; are now owned by us acting as capitalists. Today we have a drunken, sick, old Russian clown, Boris Yeltsin, as the nominal leader of the Russians, but one of our people, Boris Abramovich Berezovsky, tells him what to do and keeps him under tight control through bribes. In England, the country from which all of us were expelled by the king as exploiters and troublemakers just over 700 years ago, we now have another puppet, Tony Blair, in place as the nominal leader of the English, but like Yeltsin he is completely under our control. One of our people, Michael Levy, finances his election campaigns and controls his purse strings. Another of our people, Jack Straw, controls his domestic policies. America, however, is the prize example of our success. Just as in England and in Russia, also in America we have been able to put a totally corrupt Gentile politician into the position of nominal power and then to surround him with our own people, who wield the real power. Actually running the American government, our people are in charge of America’s State Department, America’s Defense Department, America’s Federal Reserve System, and America’s Treasury Department. When one of our people, Robert Rubin, retired recently as secretary of the treasury, we simply moved another of our people, Lawrence Summers, into that position. Clinton appoints to every high office in the American government, whether the Supreme Court or his own cabinet, only those people we suggest to him, and the totally corrupt politicians of the Senate dare not disapprove anyone we suggest, lest we label them as “anti-Semites.” We have gained nearly complete control of America’s educational system, from kindergarten through the universities. No ideas or facts may be taught unless we have given them the stamp of Political Correctness. We have made it impossible for anyone in an American university to contradict anything we have claimed, no matter how preposterous, about what happened to us during the Second World War. We now have the American government, just like every government in Europe, paying us “reparations,” because not enough was done for us during the war. We have succeeded in corrupting and then dominating America’s art and music and literature. We have made degeneracy the touchstone for American culture. We own the art galleries and set the standards for painting and sculpture. We have the Americans lining up and paying admission to see a “work of art” which consists of animal dung smeared onto a crude painting of a Nȇgress, which we tell them is their Virgin Mary. They read the depraved and trashy novels we tell them to read and believe that these novels are “literature.” Their children listen to Negrőid rhythms and chant Nȇgroid “rap” ditties, because we control the popular music industry. Through the immigration policy we have imposed on America we are increasing the percentage of non-White minorities in every part of the country. Within the next few years we will succeed in making White Americans a minority in their own country. Our success in America has been due to two things: our control of the mass media of news and entertainment, through which we control the ideas and attitudes of the masses; and the system of mass democracy, which ensures that the votes of the masses under our control determine which figurehead politicians actually make up the American government. Since the last part of the 19th century we have been gathering the power of the mass media into our hands. In those days many of us were only rag-pickers and dealers in used merchandise, recently off the boat from Russia or Poland, but whenever a Gentile newspaper got itself into financial difficulties, we were ready instantly to pool our resources and buy it out, so that henceforth it could be in the hands of one of our people. In the 1920s, when radio was becoming a powerful medium of persuasion, we began buying broadcasting stations and putting together networks. At the same time we saw the potential for motion pictures and began moving into Hollywood. By working together with each other we were able to bankrupt or buy out every Gentile film producer except Walt Disney. We had to wait until he died to take control of his film company, but by then we already dominated the entire motion picture industry. After the Second World War, when television became the most powerful medium of mass persuasion, we were ready to move in and dominate the TV industry from the beginning. Today no motion picture can be made and no television program can be broadcast in America without our approval. Only a few independent commercial radio stations, a few shortwave radio stations, and a handful of book and magazine publishers remain free of our control. But the American masses, for the most part, never see or hear anything we have not approved. They do not understand shortwave, and they are afraid to read any publication we have not approved, for fear that it might be “hate” material. There is, of course, that pesky Internet, which is not yet under our control, but we are moving rapidly to deal with that matter. We expect soon to have our puppet politicians enact “hate speech” legislation in America, similar to that which we already have succeeded in having enforced in Europe, so that no one can say anything on the Internet that has not been approved by us. The couch potatoes will not object, because we will tell them that the new laws will make them safe from terrorism. By that time we also should have achieved our goal for the disarmament of the American population. And then, my fellow Elders of Zioń, we can do to the American people what we did to the Russian people. With our power of television, we will have them voting for their own slaughter. Long live our mass media! Long live democracy! Long live the power of triumphant Ȥion!" "

Mofobian

24,562 просмотров • 1 месяц назад

Made $530,000 with Ai Bot that started with $313. Didn't know how to code. Now this bots run 24/7 printing money while sleeping. I've made the exact step-by-step guide to build this Claude Code Polymarket trading bot. Prompts. Code. Risk settings. Paper trading checklist. Everything from zero to running bot. It's free. For 24 hours. After that I'm charging $499 for it. To grab it right now: 1. Comment "Claude Bot" 2. Like and Retweet this post 3. Follow me Himanshu Kumar ( I can't send DMs to non-followers ) I'm DMing everyone who Complete the 3 steps. I spent hundreds of thousands hiring developers because he was too scared to learn. Then learned Claude Code. Built algorithmic trading systems. $313 → $530,000. You have the same tools available right now. And you're using them to ask ChatGPT for Instagram captions. This attached video is a goldmine. Full live walkthrough. Claude Code building actual Polymarket trading bots. From zero. Every line of code. Every decision explained. Now let me break down why everything you're doing in trading is wrong and exactly how to fix it. Save this post. You'll hate yourself if you lose it. ↓ Let's start with why you keep losing money. You already know the answer. You just won't admit it. You overtrade. Every. Single. Day. You see a candle move. You feel something. You enter. No plan. No edge. No reason. Just feelings. Then it goes against you. You feel something else. Panic. Anger. Denial. You move your stop loss. Or you didn't set one at all. "It'll come back." It doesn't come back. So you take another trade. A revenge trade. Bigger size this time. Because you need to "make it back." That one fails too. Now you're emotional. Now you're tilted. Now you're using leverage you have no business touching. 40x. 50x. 100x. On a trade you entered because a candle looked "bullish" and some guy on Twitter said "send it." You get liquidated. Close the laptop. Punch something. Tell yourself you'll be "more disciplined" tomorrow. Tomorrow comes. Same cycle. Same result. Same liquidation. You've been doing this for months. Maybe years. And you still think the problem is your strategy. The problem isn't your strategy. The problem is you. Save this post right now. What I'm about to show you is the only way to remove yourself from the equation. Follow Himanshu Kumar so you don't miss any of this. ↓ Here's what's actually killing your account. It's not the market. The market doesn't care about you. It's not your indicators. RSI works fine. MACD works fine. They all "work." It's not your timeframe. It's not your broker. It's not the "manipulation." It's four things: 1. Emotions. You hold losers because hope feels better than loss. You cut winners because fear feels stronger than greed. You size up when angry. You skip trades when scared. Your emotional state determines your position size. That's insane. And you know it's insane. But you keep doing it. 2. Overtrading. You take 15 trades a day. Maybe 5 of them had actual setups. The other 10 were boredom. Boredom trades are the most expensive hobby in human history. 3. Leverage. You use 20x-50x on trades where you're not even sure about the direction. That's not trading. That's a casino with a nicer interface. 4. Fees. You're smashing market orders. Paying spread. Paying commission. On 15 trades a day. Your broker makes more money from your account than you do. Think about that. Your broker is profitable on your account. You're not. You're the product. Not the trader. These four things are why 90% of traders lose. Not bad luck. Not the market. You. Save this post and follow Himanshu Kumar because the solution is coming next. ↓ The solution is painfully obvious. Remove yourself from the equation. Not partially. Not "I'll be more disciplined." Not "I'll journal my trades." Not "I'll meditate before trading." Completely remove yourself. Build a bot. Let the bot trade. You go live your life. The bot doesn't feel emotions. The bot doesn't overtrade. The bot doesn't use reckless leverage. The bot doesn't smash market orders and bleed fees. The bot follows the rules. Every single time. Without exception. Without "just this once." Without "I have a feeling about this one." Rules in. Execution out. No human in the middle to mess everything up. That's algorithmic trading. And before your ego jumps in with "but I'm different, I have discipline" — No you don't. Your account balance proves you don't. If you had discipline, your account would be green. It's not. So you don't. Accept it. Automate it. Move on. This is the hardest truth in trading. Your discipline will always fail. A bot's won't. Save this post. Follow Himanshu Kumar for the exact bot setup that removes your emotions permanently. ↓ "But I don't know how to code." Neither did he. The guy in this video didn't know how to code for most of his life. Got held back in 7th grade. People counted him out early. Spent years building apps and SaaS businesses without writing a single line of code. Hired developers on Upwork instead. Spent hundreds of thousands of dollars paying other people to build what he could have built himself. Because he was scared to learn. That fear cost him years. And hundreds of thousands of dollars. Sound familiar? You're doing the same thing right now. Not with developers. But with your time. You're spending thousands of hours trading manually because you're scared to learn the thing that would make trading automatic. The fear of learning to code is costing you more than any bad trade ever did. Because every month you trade manually is a month of emotional decisions, overleveraged entries, and unnecessary losses that a bot would never make. And here's the thing that should really frustrate you: AI does the hard parts now. You don't need a computer science degree. You don't need to work at a hedge fund. You don't need to be "good at math." Claude Code writes the code for you. You just need to think clearly about trading ideas. That's it. If you can describe a strategy in English, Claude can build it in Python. "I don't know how to code" stopped being a valid excuse in 2024. It's 2026. You're 2 years late on that excuse. Find a new one. Or stop making excuses entirely. Save this post. Follow Himanshu Kumar because I'm showing you how people with zero coding experience are building profitable bots. ↓ The process that actually makes money. Three letters. R. B. I. Research. Backtest. Implement. That's it. That's the entire process. Every single day. Research: Find an idea. A pattern. A market inefficiency. Don't trade it yet. Don't even think about trading it yet. Just research it. Backtest: Test the idea against historical data. Does it work? Not "does it look good on one chart." Does it work across thousands of trades? Across different market conditions? Across in-sample AND out-of-sample data? If no, kill it. Find another idea. If yes, move to step 3. Implement: Build the bot. Deploy it. Paper trade first. Then live with small size. Scale only on evidence. Research. Backtest. Implement. Every day. No exceptions. You know what your current process is? Feel. Enter. Pray. F. E. P. Feel bullish. Enter a trade. Pray it works. That's not a process. That's gambling with a TradingView subscription. RBI is the only process that works. Save this post. Tattoo it on your forearm. Follow Himanshu Kumar for daily RBI breakdowns. ↓ What Claude Code actually does that your manual process can't. You can maybe test 3-5 strategy ideas per week. Manually adjusting parameters. Manually checking results. Manually writing code (badly). Claude Code tests 50-100 ideas per week. With parallel agents running simultaneously. Multiple strategies being built, tested, and validated at the same time. While you sleep. The guy in this video spends 4-8 hours a day building systems with Claude Code. Not trading. Building. Research. Backtest. Implement. Then iterate. Improve. Optimize. Every day the systems get better. Every day the edge compounds. Every day the bots get smarter. While you? You spend 4-8 hours a day staring at charts making the same mistakes you made last month. Same indicators. Same patterns. Same entries. Same losses. He's iterating forward. You're running in circles. Same 8 hours per day. Completely different outcomes. Because he's building systems. And you're feeding a casino. Stop feeding the casino. Start building the machine. Save this post and follow Himanshu Kumar for the Claude Code workflow that iterates strategies while you sleep. ↓ Jim Simons. That's the benchmark. You probably don't know who Jim Simons is. And that tells me everything about how seriously you take trading. Jim Simons. Mathematician. Founded Renaissance Technologies. Built a net worth of $31 billion. 100% from algorithmic trading. Not one single manual trade. Not one "gut feeling" entry. Not one RSI divergence. Not one "smart money concept." Algorithms. Bots. Systems. Data. $31 billion. His fund averaged 66% annual returns for over 30 years. While you're excited about making $200 on a trade that you'll give back tomorrow. The best trader in human history never placed a manual trade in his life. And you think your edge is staring at a 5-minute chart with bloodshot eyes at 2 AM? Your edge is building the system. Not being inside it. Jim Simons is the benchmark. Everything else is noise. Save this post. Follow Himanshu Kumar because I'm building toward the same goal and showing every step publicly. ↓ What you need to understand about patience. This is not get-rich-overnight. The guy in this video says it directly: "This channel is not for people looking to get rich overnight. It's not plug and play. There are no shortcuts. If you're impatient, this probably isn't for you." And that's exactly why most people will fail at this. Because you want results now. Today. This trade. You don't want to spend a week building a bot. You don't want to paper trade for 2 weeks. You don't want to test 50 ideas to find 1 that works. You want to copy someone's bot, run it live with your rent money, and be rich by Friday. That's why you'll be broke by Friday. The guy making $2.3M spent months iterating. Testing. Failing. Rebuilding. Testing again. He was patient when you would have quit. He was calm when you would have panicked. He was consistent when you would have given up. Patience isn't just a virtue in trading. It's the only virtue. Without it, everything else fails. Impatience is the most expensive personality trait in trading. Save this post. Follow Himanshu Kumar and learn to build systems with the patience that actually pays. ↓ The live streams where the real learning happens. The YouTube video is the trailer. The live streams are the movie. Real-time bot building. Real-time questions answered. Real code shown. Real mistakes made and fixed. Not polished highlight reels where everything works perfectly. Actual development. Where things break. Where strategies fail. Where code doesn't compile. Where the fix takes 2 hours. Because that's what real development looks like. And seeing the messy parts is more valuable than any polished tutorial. Because when your bot breaks at 3 AM, you need to know how to fix it. Not just how to celebrate when it works. The streams mix beginner and advanced. Start with how to automate trading. How to use AI for code generation. Then dive into the daily work. Claude Code. Parallel agents. Constant iteration. Live debugging. 4-8 hours of real algorithmic trading development. Live. Uncut. No filter. Most "trading education" shows you the wins. This shows you the work. Save this post. Follow Himanshu Kumar for the stream schedules and breakdowns. ↓ The belief that changes everything. Code is the greatest equalizer. Not money. Not connections. Not a degree. Not where you grew up. Not what school you went to. Code. Once you can build systems, you can build anything. For the rest of your life. A trading bot today. A SaaS product tomorrow. An automation business next month. A completely different life next year. The skill isn't "algorithmic trading." The skill is building systems. And that skill transfers to everything. The guy who can build a trading bot can also build a lead gen tool. Can also build a content pipeline. Can also build a SaaS product. Can also build literally anything that runs on logic and code. One skill. Infinite applications. And AI makes learning it 100x easier than it was 5 years ago. You don't need to be smart. You don't need talent. You need Claude Code and the willingness to sit down and build something instead of consuming content about building something. Building is the skill. Everything else is entertainment disguised as education. Save this post. Follow Himanshu Kumar because I'm showing you how to build, not just how to watch. ↓ If any of this applies to you, pay attention. If you've lost money from overtrading. If you've been liquidated. If you know trading is the vehicle but manual execution keeps crashing you. If you've tried "being more disciplined" and it never lasted more than a week. If you keep saying "next month I'll start automating." If you've spent more money on courses than you've made from trading. There is a better way. It's not a magic indicator. It's not a signal group. It's not a $997 mentorship from a guy who makes money teaching, not trading. It's building your own system. A system that trades without emotion. A system that follows rules without exception. A system that runs while you sleep. A system that compounds while you live your life. That's the answer. It's always been the answer. You've just been too scared to accept that the solution requires building something instead of buying something. ↓ What the next 30 days look like if you actually commit. Week 1: Watch the video. Learn Claude Code basics. Build your first simple strategy. Run your first backtest. Week 2: Iterate. Let Claude improve the strategy. Run Monte Carlo validation. Paper trade. Week 3: Go live with $50-100. Tiny positions. Watch every trade. Compare to paper results. Week 4: Scale based on evidence. Not based on excitement. Not based on one good day. Based on data. 30 days from now you either have a running bot that trades without your emotions destroying every position. Or you're exactly where you are right now. Reading another post. Making another promise. Breaking it by Tuesday. Same 30 days either way. Different actions. Different results. Different life. ↓ Full video tutorial attached. Live bot building with Claude Code. From zero to running Polymarket trading bot. Every line of code. Every decision explained. The video is free. Claude Code is available now. The market is open 24/7. The only thing standing between you and a profitable trading bot is the same thing that's been standing there for months. You. Get out of your own way. Follow Himanshu Kumar for daily AI trading bot breakdowns, live build sessions, and the full RBI process. Save this post. Watch the video. Build the bot. Or keep trading manually and keep losing. The choice has never been easier. And you've never been more stubborn about making the wrong one.

Made $530,000 with Ai Bot that started with $313. Didn't know how to code. Now this bots run 24/7 printing money while sleeping. I've made the exact step-by-step guide to build this Claude Code Polymarket trading bot. Prompts. Code. Risk settings. Paper trading checklist. Everything from zero to running bot. It's free. For 24 hours. After that I'm charging $499 for it. To grab it right now: 1. Comment "Claude Bot" 2. Like and Retweet this post 3. Follow me Himanshu Kumar ( I can't send DMs to non-followers ) I'm DMing everyone who Complete the 3 steps. I spent hundreds of thousands hiring developers because he was too scared to learn. Then learned Claude Code. Built algorithmic trading systems. $313 → $530,000. You have the same tools available right now. And you're using them to ask ChatGPT for Instagram captions. This attached video is a goldmine. Full live walkthrough. Claude Code building actual Polymarket trading bots. From zero. Every line of code. Every decision explained. Now let me break down why everything you're doing in trading is wrong and exactly how to fix it. Save this post. You'll hate yourself if you lose it. ↓ Let's start with why you keep losing money. You already know the answer. You just won't admit it. You overtrade. Every. Single. Day. You see a candle move. You feel something. You enter. No plan. No edge. No reason. Just feelings. Then it goes against you. You feel something else. Panic. Anger. Denial. You move your stop loss. Or you didn't set one at all. "It'll come back." It doesn't come back. So you take another trade. A revenge trade. Bigger size this time. Because you need to "make it back." That one fails too. Now you're emotional. Now you're tilted. Now you're using leverage you have no business touching. 40x. 50x. 100x. On a trade you entered because a candle looked "bullish" and some guy on Twitter said "send it." You get liquidated. Close the laptop. Punch something. Tell yourself you'll be "more disciplined" tomorrow. Tomorrow comes. Same cycle. Same result. Same liquidation. You've been doing this for months. Maybe years. And you still think the problem is your strategy. The problem isn't your strategy. The problem is you. Save this post right now. What I'm about to show you is the only way to remove yourself from the equation. Follow Himanshu Kumar so you don't miss any of this. ↓ Here's what's actually killing your account. It's not the market. The market doesn't care about you. It's not your indicators. RSI works fine. MACD works fine. They all "work." It's not your timeframe. It's not your broker. It's not the "manipulation." It's four things: 1. Emotions. You hold losers because hope feels better than loss. You cut winners because fear feels stronger than greed. You size up when angry. You skip trades when scared. Your emotional state determines your position size. That's insane. And you know it's insane. But you keep doing it. 2. Overtrading. You take 15 trades a day. Maybe 5 of them had actual setups. The other 10 were boredom. Boredom trades are the most expensive hobby in human history. 3. Leverage. You use 20x-50x on trades where you're not even sure about the direction. That's not trading. That's a casino with a nicer interface. 4. Fees. You're smashing market orders. Paying spread. Paying commission. On 15 trades a day. Your broker makes more money from your account than you do. Think about that. Your broker is profitable on your account. You're not. You're the product. Not the trader. These four things are why 90% of traders lose. Not bad luck. Not the market. You. Save this post and follow Himanshu Kumar because the solution is coming next. ↓ The solution is painfully obvious. Remove yourself from the equation. Not partially. Not "I'll be more disciplined." Not "I'll journal my trades." Not "I'll meditate before trading." Completely remove yourself. Build a bot. Let the bot trade. You go live your life. The bot doesn't feel emotions. The bot doesn't overtrade. The bot doesn't use reckless leverage. The bot doesn't smash market orders and bleed fees. The bot follows the rules. Every single time. Without exception. Without "just this once." Without "I have a feeling about this one." Rules in. Execution out. No human in the middle to mess everything up. That's algorithmic trading. And before your ego jumps in with "but I'm different, I have discipline" — No you don't. Your account balance proves you don't. If you had discipline, your account would be green. It's not. So you don't. Accept it. Automate it. Move on. This is the hardest truth in trading. Your discipline will always fail. A bot's won't. Save this post. Follow Himanshu Kumar for the exact bot setup that removes your emotions permanently. ↓ "But I don't know how to code." Neither did he. The guy in this video didn't know how to code for most of his life. Got held back in 7th grade. People counted him out early. Spent years building apps and SaaS businesses without writing a single line of code. Hired developers on Upwork instead. Spent hundreds of thousands of dollars paying other people to build what he could have built himself. Because he was scared to learn. That fear cost him years. And hundreds of thousands of dollars. Sound familiar? You're doing the same thing right now. Not with developers. But with your time. You're spending thousands of hours trading manually because you're scared to learn the thing that would make trading automatic. The fear of learning to code is costing you more than any bad trade ever did. Because every month you trade manually is a month of emotional decisions, overleveraged entries, and unnecessary losses that a bot would never make. And here's the thing that should really frustrate you: AI does the hard parts now. You don't need a computer science degree. You don't need to work at a hedge fund. You don't need to be "good at math." Claude Code writes the code for you. You just need to think clearly about trading ideas. That's it. If you can describe a strategy in English, Claude can build it in Python. "I don't know how to code" stopped being a valid excuse in 2024. It's 2026. You're 2 years late on that excuse. Find a new one. Or stop making excuses entirely. Save this post. Follow Himanshu Kumar because I'm showing you how people with zero coding experience are building profitable bots. ↓ The process that actually makes money. Three letters. R. B. I. Research. Backtest. Implement. That's it. That's the entire process. Every single day. Research: Find an idea. A pattern. A market inefficiency. Don't trade it yet. Don't even think about trading it yet. Just research it. Backtest: Test the idea against historical data. Does it work? Not "does it look good on one chart." Does it work across thousands of trades? Across different market conditions? Across in-sample AND out-of-sample data? If no, kill it. Find another idea. If yes, move to step 3. Implement: Build the bot. Deploy it. Paper trade first. Then live with small size. Scale only on evidence. Research. Backtest. Implement. Every day. No exceptions. You know what your current process is? Feel. Enter. Pray. F. E. P. Feel bullish. Enter a trade. Pray it works. That's not a process. That's gambling with a TradingView subscription. RBI is the only process that works. Save this post. Tattoo it on your forearm. Follow Himanshu Kumar for daily RBI breakdowns. ↓ What Claude Code actually does that your manual process can't. You can maybe test 3-5 strategy ideas per week. Manually adjusting parameters. Manually checking results. Manually writing code (badly). Claude Code tests 50-100 ideas per week. With parallel agents running simultaneously. Multiple strategies being built, tested, and validated at the same time. While you sleep. The guy in this video spends 4-8 hours a day building systems with Claude Code. Not trading. Building. Research. Backtest. Implement. Then iterate. Improve. Optimize. Every day the systems get better. Every day the edge compounds. Every day the bots get smarter. While you? You spend 4-8 hours a day staring at charts making the same mistakes you made last month. Same indicators. Same patterns. Same entries. Same losses. He's iterating forward. You're running in circles. Same 8 hours per day. Completely different outcomes. Because he's building systems. And you're feeding a casino. Stop feeding the casino. Start building the machine. Save this post and follow Himanshu Kumar for the Claude Code workflow that iterates strategies while you sleep. ↓ Jim Simons. That's the benchmark. You probably don't know who Jim Simons is. And that tells me everything about how seriously you take trading. Jim Simons. Mathematician. Founded Renaissance Technologies. Built a net worth of $31 billion. 100% from algorithmic trading. Not one single manual trade. Not one "gut feeling" entry. Not one RSI divergence. Not one "smart money concept." Algorithms. Bots. Systems. Data. $31 billion. His fund averaged 66% annual returns for over 30 years. While you're excited about making $200 on a trade that you'll give back tomorrow. The best trader in human history never placed a manual trade in his life. And you think your edge is staring at a 5-minute chart with bloodshot eyes at 2 AM? Your edge is building the system. Not being inside it. Jim Simons is the benchmark. Everything else is noise. Save this post. Follow Himanshu Kumar because I'm building toward the same goal and showing every step publicly. ↓ What you need to understand about patience. This is not get-rich-overnight. The guy in this video says it directly: "This channel is not for people looking to get rich overnight. It's not plug and play. There are no shortcuts. If you're impatient, this probably isn't for you." And that's exactly why most people will fail at this. Because you want results now. Today. This trade. You don't want to spend a week building a bot. You don't want to paper trade for 2 weeks. You don't want to test 50 ideas to find 1 that works. You want to copy someone's bot, run it live with your rent money, and be rich by Friday. That's why you'll be broke by Friday. The guy making $2.3M spent months iterating. Testing. Failing. Rebuilding. Testing again. He was patient when you would have quit. He was calm when you would have panicked. He was consistent when you would have given up. Patience isn't just a virtue in trading. It's the only virtue. Without it, everything else fails. Impatience is the most expensive personality trait in trading. Save this post. Follow Himanshu Kumar and learn to build systems with the patience that actually pays. ↓ The live streams where the real learning happens. The YouTube video is the trailer. The live streams are the movie. Real-time bot building. Real-time questions answered. Real code shown. Real mistakes made and fixed. Not polished highlight reels where everything works perfectly. Actual development. Where things break. Where strategies fail. Where code doesn't compile. Where the fix takes 2 hours. Because that's what real development looks like. And seeing the messy parts is more valuable than any polished tutorial. Because when your bot breaks at 3 AM, you need to know how to fix it. Not just how to celebrate when it works. The streams mix beginner and advanced. Start with how to automate trading. How to use AI for code generation. Then dive into the daily work. Claude Code. Parallel agents. Constant iteration. Live debugging. 4-8 hours of real algorithmic trading development. Live. Uncut. No filter. Most "trading education" shows you the wins. This shows you the work. Save this post. Follow Himanshu Kumar for the stream schedules and breakdowns. ↓ The belief that changes everything. Code is the greatest equalizer. Not money. Not connections. Not a degree. Not where you grew up. Not what school you went to. Code. Once you can build systems, you can build anything. For the rest of your life. A trading bot today. A SaaS product tomorrow. An automation business next month. A completely different life next year. The skill isn't "algorithmic trading." The skill is building systems. And that skill transfers to everything. The guy who can build a trading bot can also build a lead gen tool. Can also build a content pipeline. Can also build a SaaS product. Can also build literally anything that runs on logic and code. One skill. Infinite applications. And AI makes learning it 100x easier than it was 5 years ago. You don't need to be smart. You don't need talent. You need Claude Code and the willingness to sit down and build something instead of consuming content about building something. Building is the skill. Everything else is entertainment disguised as education. Save this post. Follow Himanshu Kumar because I'm showing you how to build, not just how to watch. ↓ If any of this applies to you, pay attention. If you've lost money from overtrading. If you've been liquidated. If you know trading is the vehicle but manual execution keeps crashing you. If you've tried "being more disciplined" and it never lasted more than a week. If you keep saying "next month I'll start automating." If you've spent more money on courses than you've made from trading. There is a better way. It's not a magic indicator. It's not a signal group. It's not a $997 mentorship from a guy who makes money teaching, not trading. It's building your own system. A system that trades without emotion. A system that follows rules without exception. A system that runs while you sleep. A system that compounds while you live your life. That's the answer. It's always been the answer. You've just been too scared to accept that the solution requires building something instead of buying something. ↓ What the next 30 days look like if you actually commit. Week 1: Watch the video. Learn Claude Code basics. Build your first simple strategy. Run your first backtest. Week 2: Iterate. Let Claude improve the strategy. Run Monte Carlo validation. Paper trade. Week 3: Go live with $50-100. Tiny positions. Watch every trade. Compare to paper results. Week 4: Scale based on evidence. Not based on excitement. Not based on one good day. Based on data. 30 days from now you either have a running bot that trades without your emotions destroying every position. Or you're exactly where you are right now. Reading another post. Making another promise. Breaking it by Tuesday. Same 30 days either way. Different actions. Different results. Different life. ↓ Full video tutorial attached. Live bot building with Claude Code. From zero to running Polymarket trading bot. Every line of code. Every decision explained. The video is free. Claude Code is available now. The market is open 24/7. The only thing standing between you and a profitable trading bot is the same thing that's been standing there for months. You. Get out of your own way. Follow Himanshu Kumar for daily AI trading bot breakdowns, live build sessions, and the full RBI process. Save this post. Watch the video. Build the bot. Or keep trading manually and keep losing. The choice has never been easier. And you've never been more stubborn about making the wrong one.

Himanshu Kumar

37,367 просмотров • 3 месяцев назад

This is the most insane thing any US President has ever said publicly. Trump sent a text to Norway's Prime Minister saying: "Considering your Country decided not to give me the Nobel Peace Prize for having stopped 8 Wars PLUS, I no longer feel an obligation to think purely of Peace." Then in the SAME message, he demanded control of Greenland. The media's calling it unhinged. But here's what nobody's putting together: This isn't about a prize. It's about a $3 TRILLION resource war with China. And Trump just gave away the game. Follow the money: China controls 90% of global rare earth processing. The minerals needed for every iPhone, every EV battery, every fighter jet, every missile guidance system. The US has been dependent on Beijing for two decades. And China knows it. In 2024, Beijing implemented export restrictions on graphite and heavy rare earths, which exposed Western automotive supply chains to MONTHS of production delays. This wasn't a warning shot. It was a demonstration. So where does Greenland fit? Greenland ranks 8th globally in rare earth reserves. 1.5 million tons sitting under the ice. Two of the world's largest undeveloped deposits are there: Kvanefjeld and Tanbreez. The Kvanefjeld deposit alone contains 6.6 MILLION tons of rare earth oxides. Second largest in the world. Enough to power US defense and tech industries for DECADES. But here's the part that should terrify Washington: China's Shenghe Resources is already the largest shareholder in the Kvanefjeld project. They signed an MOU in 2018 to lead the processing and marketing of ALL materials extracted from the site. Even if America mined Greenland tomorrow, the ore would still need to go to CHINA for processing. China doesn't need to own Greenland. They already control the chokepoint. The game is rigged. And it gets worse: In 2018, a Chinese state company bid to build three airports in Greenland. The Pentagon freaked out. Denmark had to step in and finance half the airports themselves just to block Beijing. Same year, China declared itself a "Near-Arctic State" and launched its Polar Silk Road strategy. Which sounds cute until you realize what they're doing: China and Russia signed agreements in 2024 to develop shipping routes through the Arctic. Climate change is melting the ice. What used to take 22 days through the Suez Canal now takes 10 days through the Northern Sea Route. Whoever controls that route literally controls global trade. And Greenland sits right in the middle of it. This is about the next industrial revolution and not about "national security." And the US is losing. Trump tried to buy Greenland in 2019. Denmark called it "absurd." But Trump wasn't crazy. He was 5 years early. Now the stakes are 10x higher. The 1946 play that nobody remembers: Here's where it gets REALLY interesting... This isn't even new. In 1946, President Truman offered Denmark $100 million in GOLD for Greenland. The Joint Chiefs of Staff called it a "military necessity." Denmark said no. But they DID let America build Thule Air Base, which is now Pituffik Space Base, the northernmost US military installation on Earth. It's been the backbone of American Arctic defense for 80 years. The US never needed to OWN Greenland. We just needed ACCESS. Trump knows this. His administration knows this. But access doesn't make headlines. "Buying Greenland" does. The Nobel Prize gambit: Trump's message to Norway wasn't a tantrum. It was leverage. By linking Greenland to a personal grievance about the Nobel Prize, Trump did three things: 1. Distracted from the real strategic play 2. Made European leaders look petty if they refuse 3. Created "madman theory" pressure Nixon used the same tactic in Vietnam. Make your adversaries think you're unpredictable enough to do anything. And it works. The EU's response proves it: Emergency meeting in Brussels. France demanding the "Anti-Coercion Instrument" be deployed. $108 BILLION in retaliatory tariffs being discussed. Denmark pulling out of Davos. 8 NATO allies issuing a joint statement against Washington. All because of a TEXT MESSAGE. This is what strategic chaos looks like. But here's the REAL play: Trump announced 10% tariffs on Denmark, Norway, Sweden, France, Germany, UK, Netherlands, and Finland. Starting February 1st. Rising to 25% by June. "Until a Deal is reached for the Complete and Total purchase of Greenland." This isn't about buying Greenland. This is about EXTRACTING concessions. What Trump actually wants: 1. Expanded US military presence in Greenland 2. Priority access to rare earth mining contracts 3. Blocking Chinese investment in Arctic infrastructure 4. Control over emerging Arctic shipping lanes Denmark already offered most of this. They're willing to negotiate expanded US presence. They've blocked Chinese airport contracts. They've sent troops to Greenland alongside NATO allies. But that doesn't fit the narrative. "Trump saves America from China" requires a bigger stage. The 60,000 people who matter: Greenland has 56,000 residents. 89% Inuit. They've been self-governing since 1979. They have the legal RIGHT to declare independence. And they've made it crystal clear: They're not for sale. Thousands protested in Nuuk last week. One third of the capital's entire population. Holding signs saying "Greenland is not a product, we're a people." But here's the thing: Greenland DOES want independence from Denmark. They NEED economic development to achieve it. Mining is the only viable path. And they're desperate for Western investment. Greenland's minister of business literally said: "Without an influx of Western investment, Greenland will have to turn to other partners, including China." America really doesn't need to buy Greenland. It needs to INVEST in Greenland. Partner with local mining operations. Build processing facilities so ore doesn't need to go to China. Fund infrastructure that Greenlanders actually want. Treat them like partners, not property. But that requires patience. And strategic thinking. Two things in short supply right now. What happens next: February 1: Tariffs hit 8 NATO allies February 6: EU counter-tariffs expire automatically February 7: $93 billion in European tariffs potentially kick in Davos this week: Trump addresses the World Economic Forum The EU has its "trade bazooka" ready. But they don't want to use it. Because everyone loses in a transatlantic trade war. To sum things up: Trump's Nobel Prize excuse is absurd. But the underlying strategy is serious. The US is in an existential race with China for control of critical minerals. Greenland is ground zero. And the current approach, tariffs, threats, acquisition rhetoric, is pushing our NATO allies toward Beijing. China's foreign policy chief said it best: "China and Russia must be having a field day. They are the ones who benefit from divisions among allies." Trump is playing checkers while claiming to play chess. And China's already three moves ahead. This is deeper than you'd expect.

This is the most insane thing any US President has ever said publicly. Trump sent a text to Norway's Prime Minister saying: "Considering your Country decided not to give me the Nobel Peace Prize for having stopped 8 Wars PLUS, I no longer feel an obligation to think purely of Peace." Then in the SAME message, he demanded control of Greenland. The media's calling it unhinged. But here's what nobody's putting together: This isn't about a prize. It's about a $3 TRILLION resource war with China. And Trump just gave away the game. Follow the money: China controls 90% of global rare earth processing. The minerals needed for every iPhone, every EV battery, every fighter jet, every missile guidance system. The US has been dependent on Beijing for two decades. And China knows it. In 2024, Beijing implemented export restrictions on graphite and heavy rare earths, which exposed Western automotive supply chains to MONTHS of production delays. This wasn't a warning shot. It was a demonstration. So where does Greenland fit? Greenland ranks 8th globally in rare earth reserves. 1.5 million tons sitting under the ice. Two of the world's largest undeveloped deposits are there: Kvanefjeld and Tanbreez. The Kvanefjeld deposit alone contains 6.6 MILLION tons of rare earth oxides. Second largest in the world. Enough to power US defense and tech industries for DECADES. But here's the part that should terrify Washington: China's Shenghe Resources is already the largest shareholder in the Kvanefjeld project. They signed an MOU in 2018 to lead the processing and marketing of ALL materials extracted from the site. Even if America mined Greenland tomorrow, the ore would still need to go to CHINA for processing. China doesn't need to own Greenland. They already control the chokepoint. The game is rigged. And it gets worse: In 2018, a Chinese state company bid to build three airports in Greenland. The Pentagon freaked out. Denmark had to step in and finance half the airports themselves just to block Beijing. Same year, China declared itself a "Near-Arctic State" and launched its Polar Silk Road strategy. Which sounds cute until you realize what they're doing: China and Russia signed agreements in 2024 to develop shipping routes through the Arctic. Climate change is melting the ice. What used to take 22 days through the Suez Canal now takes 10 days through the Northern Sea Route. Whoever controls that route literally controls global trade. And Greenland sits right in the middle of it. This is about the next industrial revolution and not about "national security." And the US is losing. Trump tried to buy Greenland in 2019. Denmark called it "absurd." But Trump wasn't crazy. He was 5 years early. Now the stakes are 10x higher. The 1946 play that nobody remembers: Here's where it gets REALLY interesting... This isn't even new. In 1946, President Truman offered Denmark $100 million in GOLD for Greenland. The Joint Chiefs of Staff called it a "military necessity." Denmark said no. But they DID let America build Thule Air Base, which is now Pituffik Space Base, the northernmost US military installation on Earth. It's been the backbone of American Arctic defense for 80 years. The US never needed to OWN Greenland. We just needed ACCESS. Trump knows this. His administration knows this. But access doesn't make headlines. "Buying Greenland" does. The Nobel Prize gambit: Trump's message to Norway wasn't a tantrum. It was leverage. By linking Greenland to a personal grievance about the Nobel Prize, Trump did three things: 1. Distracted from the real strategic play 2. Made European leaders look petty if they refuse 3. Created "madman theory" pressure Nixon used the same tactic in Vietnam. Make your adversaries think you're unpredictable enough to do anything. And it works. The EU's response proves it: Emergency meeting in Brussels. France demanding the "Anti-Coercion Instrument" be deployed. $108 BILLION in retaliatory tariffs being discussed. Denmark pulling out of Davos. 8 NATO allies issuing a joint statement against Washington. All because of a TEXT MESSAGE. This is what strategic chaos looks like. But here's the REAL play: Trump announced 10% tariffs on Denmark, Norway, Sweden, France, Germany, UK, Netherlands, and Finland. Starting February 1st. Rising to 25% by June. "Until a Deal is reached for the Complete and Total purchase of Greenland." This isn't about buying Greenland. This is about EXTRACTING concessions. What Trump actually wants: 1. Expanded US military presence in Greenland 2. Priority access to rare earth mining contracts 3. Blocking Chinese investment in Arctic infrastructure 4. Control over emerging Arctic shipping lanes Denmark already offered most of this. They're willing to negotiate expanded US presence. They've blocked Chinese airport contracts. They've sent troops to Greenland alongside NATO allies. But that doesn't fit the narrative. "Trump saves America from China" requires a bigger stage. The 60,000 people who matter: Greenland has 56,000 residents. 89% Inuit. They've been self-governing since 1979. They have the legal RIGHT to declare independence. And they've made it crystal clear: They're not for sale. Thousands protested in Nuuk last week. One third of the capital's entire population. Holding signs saying "Greenland is not a product, we're a people." But here's the thing: Greenland DOES want independence from Denmark. They NEED economic development to achieve it. Mining is the only viable path. And they're desperate for Western investment. Greenland's minister of business literally said: "Without an influx of Western investment, Greenland will have to turn to other partners, including China." America really doesn't need to buy Greenland. It needs to INVEST in Greenland. Partner with local mining operations. Build processing facilities so ore doesn't need to go to China. Fund infrastructure that Greenlanders actually want. Treat them like partners, not property. But that requires patience. And strategic thinking. Two things in short supply right now. What happens next: February 1: Tariffs hit 8 NATO allies February 6: EU counter-tariffs expire automatically February 7: $93 billion in European tariffs potentially kick in Davos this week: Trump addresses the World Economic Forum The EU has its "trade bazooka" ready. But they don't want to use it. Because everyone loses in a transatlantic trade war. To sum things up: Trump's Nobel Prize excuse is absurd. But the underlying strategy is serious. The US is in an existential race with China for control of critical minerals. Greenland is ground zero. And the current approach, tariffs, threats, acquisition rhetoric, is pushing our NATO allies toward Beijing. China's foreign policy chief said it best: "China and Russia must be having a field day. They are the ones who benefit from divisions among allies." Trump is playing checkers while claiming to play chess. And China's already three moves ahead. This is deeper than you'd expect.

Ricardo

15,004 просмотров • 6 месяцев назад

RESCUE OF THE KEEPER OF TARA EARTH This is going to sound like absolute fiction, but the story still needs to be told. Let me preface by saying I’m not just sane, but an autodidact polymath with multiple quantum physics patents under exclusively my own name, not part of any collaboration. So by dismissing my testimony as someone who is just nuts is really reading a book strictly through its cover. This all actually happened, even if you’ve never heard of anything like this before. What we don’t know about ‘the real worlds’ out there you could barely fit in all of our skies, we’ve been that isolated here. Everyone in this preschool dimension have preconceived notions about who ‘god’ is, inflated to the realm of all-knowing and all-powerful, able to create whole worlds, complete with millions of species of flora and fauna, and all in just 6 days. And while it is true such powers do exist, they are not without collaboration with other ‘gods’ to make that all happen, no matter how grandiose your captors want to make themselves seem. Just one species of your apples or oranges here represents possibly trillions of years of development and perfection. They didn’t just magically appear. “God” is a psyop term that stands for the word “perfect”, of which there is no such thing. The term perfect is strictly subjective, because what may seem perfect to a caveman is going to seem rudimentary kid’s stuff to George Jetson. The real term for the creator of all things is not ‘god’, but rather Prime Creator. “God” is actually DOG spelled backward and got its name from the Dog Star, also known as Sirius A, the headquarters of the Anuhazi Elohim’s breakaway group that call themselves The Michaelube, Suns of Ba’al. The ‘Arch Angels’ want you to believe they are the creator god of all things in this world. That was a lie 560m years ago and it is still a lie today. In reality, Tara Earth existed more than 4 billion years prior to the Anuhazi’s arrival to take the Human Elohim Project spirit essences hostage. They DID in fact help create Tara earth, just like you did, because they are fractals of Prime Creator. But to present themselves as ‘one guy with a long white beard who created the world and everything in it’ is word magic and gaslighting, designed to demoralize and subjugate Humans. For more on the why to this psychopathic plan, see my article: 👉 HISTORY OF THE CHIMERA. With that said, there are MANY beings in the world around you that are secretly ancient ‘gods’ of past eras who really do have more powers than humans do. I know, because I’ve met some and dealt with others during my years of education from the keeper of our simulation. There are also beings here who have roles to play to keep our world functioning correctly so Tara is able to continue offering a holographic platform for your manifestation adventure, who also have god-like powers, such as the keeper mentioned above, and others that are part of the team I refer to as the ‘crew’. You would call them angels, I call them people. Scary powerful people, but still people. Among the ‘crew’ is the main ‘keeper’ of the simulation that you wind up referring to as god down through the ages, because once in a while humans get to meet the keeper and witness the power for themselves which is very obviously not human. But the keeper doesn’t have a long flowing white beard, doesn’t sit on a throne in the sky and certainly isn’t perfect. But like you, a work in progress. Always seeking greater balance. That is the one common denominator among all fractals of Prime Creator, regardless if they are currently playing ‘bad guy’ roles, or ‘good guy’ roles. Understand there are beings here constantly at war against the keeper that has control of the universal elements of the hologram. Also understand, like the other beings who came here from much higher dimension with ‘god-like’ powers, they fractalize themselves into many, many different bodies, so it is effectively impossible to ever ‘kill’ each other. You would have to not only find all the many hundreds or thousands of them, but have a fool-proof way of killing them all at the same exact moment, making sure they are gone-gone, not just that one avatar holding their spirit awareness. That’s not going to happen. Not to any of them from what I’ve witnessed. Which means simply, as far as you are concerned, they are eternal beings, continuously here since 560m years ago in some case, depending when each one of them arrived. The ‘gods’, and the keeper, live in mortal bodies that age and die. But their positions are always held by the next one of themselves that can step into that role to maintain continuity of their offices. These are all the same person and can appear exactly identical to each other, or they can take on totally different appearances as well. I’m not sure why or how, but I’ve seen them both ways. After I was contacted by the keeper and informed of my role where I was in contract to supply protection and help to the crew back in 2013, eventually I was activated for that help in September of 2017. Both the keeper and a portion of the worldwide crew support staff as it were, had been taken hostage in California. I was tasked to bring them out to safety. I won’t go deeply into the details of this, but it was a serious situation where the invader races had stripped the keeper of all access to banks and cash, making it impossible to remain safe inside of the place they had been using as headquarters, literally casting them into the streets. And before you imagine this would be ‘impossible’, the keeper can’t just manifest stacks of cash out of thin air, and also there were a massive amount of beings all working together to neutralize them so they could possibly remove them from the levers of power of the simulation. That’s really all I can offer for details about that for now. The alphabet agencies were keeping the entire crew isolated in that one city, living in a car, camping in the woods and basically making it impossible to look after Tara. The keeper was able to get donations through various support mechanisms, but were shut out of getting off the streets. They brought in specialists to help them all escape, but the agencies wound up permanently disabling them, or taking them out altogether. That’s when I was contacted for assignment. Not being one of ‘the gods’ like they are, I was naturally terrified of having anything to do with this mission because I had no powers I was aware of that could provide anything they couldn’t. Which is really a fantastic understatement, since the keeper and crew can translocate anywhere in the world in seconds, have ‘thousands of avatars’ scattered out as vessels they can use in any city around the world, and basically everything they can do we can’t are about as intimidating as they can be. But I was told I was the only one who could rescue them. And while that may sound like the perfect scenario for a deluded mind seeking validation with illusions of grandeur, like a classic mental patient would come up with in their insane mind, this is what I was actually told, and I do mean in real life. To this day I find it as confusing to believe as you will trying to believe me now. Nonetheless, I carry certain powers I have been fitted with for my contract here on earth that I have had no education about at all. And the main one I’ve learned of now is I have a frequency shield that blocks out ‘the gods’ from doing harm. As long as the keeper and crew were within that field, the invaders were rendered powerless. Wow, even I want to roll my eyes at that. But I watched it play out first hand now multiple times after I got the crew off the streets in a ‘place of safety’ over the next couple of years. As long as I was at the safe house, nothing nefarious happened. When I went shopping every other week for groceries in town over 10 miles away, that’s when all hell would break out back at the compound. Those stories too would seem impossible to you to believe, just like everything else I am covering here, so I won’t go deeply into them. But they included black helicopters, 10’ long rattlesnakes sealing off the safe house & even assassinations. I was even requested to get to town and back as quickly as possible and not to linger due to these threats. I was told that my frequency shield while blended to the natural frequency shield the keeper and crew all have reached ‘87.3 miles’ apart (or so, going by memory now. But it was a very specific number). But even though the overall power of our combined fields still increased within that distance, the closer I was to the group, the more powerful the shield. I’m just telling you what I was told. You can believe it or not. I certainly wouldn’t believe it had I not actually witnessed it myself, so I’m right there with you if that’s your position. That brings us to the story I intended to pass along to you here; regarding that flight from ‘homeless bondage’ out across the deserts that spanned well over 1000 miles I was brought in for. The keeper and crew had been held hostage and homeless for 2 ½ years by the time I got the call requesting me to sell everything I owned and fly half way around the world for their rescue. Their lives had been hell, trust me. I arrived late at night where they picked me up and the hard part of the journey began. I will skip the details of the truly insane things I witnessed starting then for another time after the separation, for obvious reasons having to do with breadcrumbs and the very real fluid war we’re inside of still. But I will tell you about the ‘angels’ that were with us for that escape I would only learn about myself after 2 days of running. In the video below you will see what appear to be asteroids or a meteor shower, but they are traveling horizontally, not downward at all. We’ve seen this now since late 2024 a few times. This time I saved one of the videos taken on 2/19/2025 in Germany so I could actually show people what I saw first hand on that second night of our escape. We had covered whole states by this time, but we couldn’t stop and rest until we made it to a ‘frequency zone’ that was somehow outside of the reaches of the keeper’s enemies. I’m under the impression that there are certain key cross-leyline areas on earth that are too high in frequency for the low-vibration invader races to penetrate with their hyper-advanced psychotronic & scalar weapons, and that had been our destination ever since our escape that began at about 3:30-4am in the dead of night when the least amount of eyes would be surveilling us. Boy do I have outrageous stories about just how absolute that surveillance really is too. It is like they are not just tracking us, but using time travel to put agents in areas we would be arriving to, posing like homeless people and everyday folks. While in real life they were monitoring my every word in secret. I was surveilled many times during the weeks in that city while arranging for the escape and it blew my mind every time. The asteroids that really look more like comets in the video is what the "guardian angels" that had been secretly escorting us from overhead looked like, WHEN they were uncloaked. They only showed up in my visible view at the moment we broke over a ridge at about 3:30 in the morning 2 days later after our run began, at the exact same moment I could see the city lights way off in the distance below that was the ‘safe zone’. Suddenly overhead three giant comets appeared immediately above my head. I was in the lead vehicle the whole way, because the keeper was following my taillights. This is the only way they can navigate at night, because they don’t see like you and I do, looking at solid shapes and images, but everything through their eyes are light waves. I couldn’t make up something like that if I spent 10 years trying to write this article, mostly because it is still not believable to me now, 8 years later. These 3 comets were massive, what looked to be around 50 feet across, with tails of flame coming off that must have been 150-200 feet behind streaking VERY low across the sky. As I came down the hill to the desert floor for the final 10 miles between us and the safe zone (small town lights), the ‘comets’ started coming straight down toward ground, one at a time. They appeared they were going to crash into the highway, now traveling vertically at hypersonic speed, then just stopped 50 ft away from impact and vanished. You would have to try to imagine being in the total dark desert with only very faint, far-away lights off in the distance, only to have 3 comets traveling RIGHT DIRECTLY overhead suddenly uncloak, then turn straight down to get an idea of how insanely frightening they appeared, since their trajectory was to strike directly in front of your vehicle on the highway, as if you were about to slam right into them as they hit like giant bombs that would certainly blow up on impact and basically vaporize you and your moving van, to appreciate how absurd this event was. I was only about 150 feet away from where they were set to strike, so there was no hitting the brakes and avoiding anything. They were right there. Which means it was sort of like watching 'god' just fill the night's sky with fire. I saw 3 of them myself, but I was informed there were an additional 9 ‘angels’ that my own frequency wouldn't allow me to see according to the keeper. It is because this story is so unbelievable that I avoid talking about it, as you can imagine. Since 99 people out of a hundred are only going to accuse you of being insane upon hearing it, some possibly trying to have you committed at the same time, and the other person is likely already crazy themselves, so they just glaze over it. Until you see something like that with your own eyes, I'm pretty sure you will *never believe it could be a real thing. But this is what we call angels look like when they are decloaked and traveling at night. I don’t personally know if they were inside vehicles, or they are just simply traveling in their own Merkabah fields. That part was never explained to me. I was told they were with us 'flying overhead the entire journey' since we escaped California and were basically ‘signing off’ as I gathered it, now that we had reached the safe zone. You can believe I'm crazy all you want to, but now you can see them with your own eyes in this video, sure as hell not acting like meteors, but acting more like flaming time crafts (‘space’ ships). Are you crazy too? - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCOLYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 100 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

61,963 просмотров • 1 год назад

I've never heard Elon Musk be so bullish on Tesla ⚡️ here's my video analysis of the $TSLA Q4 2024 earnings call: -Robotaxi launch in Austin, June 2025 -California & other states launch robotaxi late 2025 -Cybercab in 2026 -Optimus V1 in 2025, 1K/month production line -Optimus V2 in 2026, 10K/month production line -2026 good year for Tesla, 2027/28 insanely good & more!! Timestamps- 0:00 Intro 0:44 Elon Opening Remarks 13:29 SAY Retail Questions 22:37 Analyst Questions 25:04 Gali Final Thoughts/Rant also here are my notes I typed during the conference call if you're interested! (may be errors) Tesla Q4 2024 Earnings Call Notes INTRO- ELON OPENING REMARKS -Q4 set record, delivered cars at rate of almost 2M cars/year -Model Y best-selling vehicle of any kind on earth (elon focused and talking quickly) -10Xing on autonomy, not doubling -many investments made this year that will bear immense fruit in the future, for AI -see a path for Tesla to the worlds most valuable company by far, worth more than the next 5 companies combined, difficult but achievable path -overwhelmingly due to autonomous vehicles and autonomous robots -setting up for an epic 2026, and ridiculously good 2027 and 2028 -meeting FSD now is like meeting a toddler -human intuition is linear, we’re seeing exponential progress -#1 recommendation is try it -typical passenger car has 10 hours of use out of 168, when its autonomous, itll be used for 55 hours a week … can deliver packages in the middle of thenight, or supply restaurants, all hours of the day or night. 5X increase in utility -more on self driving, continued improvements in safety numbers, much safer to use FSD -V14 will be another big step from V13 -launched CORTEX training cluster at Giga Austin, big step for FSD, continue to invest in training needs -Optimus training needs are about 10X what’s needed for the car -cost of training is dropping dramatically over time -Optimus has potential to be north of $10T in revenue, can put a lot training compute into that situation, even pumping $500B into it would be a good deal -future very different from the past, incredible inflection point in human history -proof is in the pudding -launching in June this year in Austin, already have cars moving autonomously in Fremont, thousands of cars per day driving, soon in Austin then elsewhere in the world -toe in the water at first to make sure everything is cool, but we have a general solution for autonomy , then put a few more toes, then a foot. Safety of the general public and those in the car as the top priority -with regard to Optimus, making insane revenue projections that sound insane, i realize that. But i think they will prove to be accurate -several thousand bots made this year, they will be doing useful things by the end of this year, im confidence, production design one at the tesla factories, then will learn for production design two -ramp optimus production faster than anything has ever launched, doesn’t take very many years before we’er making 100M of these things per year , 500% growth per year -tried using all these suppliers to get it to build Optimus, but nothing worked, had to build it internally from first principles, the hand is increibdle -long term Optimus will be the value of the company -back to Energy,/earth, -energy storage is a big deal, becoming more important, enables far greater energy output to the grid than is currently possible. -grid has no storage, designed for peak storage, lots of waste -once you have grid energy storage, the potential of the grid is unlocked, at least double -this will drive demand of battery packs as to as much as we can possibly make -shanghai factory starting operation, starting another factory -cant shoot our selves in the foot, battery capacity can only go into storage or mobility, so always making that tradeoff -demand for total Gigawatt hours for batteries, transportation or stationary will grow in a very big way over time 2025 a pivotal year for tesla, launch of full self driving, biggest year in tesla history, maybe even bigger than first car or model s, 3 or y … probably most important year in tesla’s history I don’t even know who is in 2nd place in real world AI, would need a telescope to see them SAY QUESTIONS -FSD Unsupervised launched in California this year as well -most likely release it in many regions of the US by the end of this year -40K people day everyday no mention, some scrapes a shin with autonomous car its headlines news -need to use insane amounts of caution -discussions about licensing FSD? Yes -best way to know to work with us, bbuy a car and take it apart -only worth very high volume cars/production partners -tesla engineering very focused on getting it to roll out for tesla first -soon will be obvious that if you don’t have FSD you’re dead as an OEM -is Optimus design locked? -Optimus is not design locked, constantly iterating, best robotics engineers in the world, and other ingredients, battery pack, charging, great electronics, great communications, great connectivity, real world AI, then you need to scale that production to real world levels -prototypes are easy production is hard -thijs year close loop with using optimus internally at tesla, would could obviously use a few thousand robots for the most boring annoying tasks at the company -with production version 2, launches sometime next year, would like beginning, might be middle though, -production line will be doing 10K units per month capacity for v2, first line designing is for roughly 1,000 units per month, then next line will be for 100,000 units per month -could start delivering them late next year, will go so fast, will ramp like crazy, demand will not be a problem, even at a high price, once were above 1M units per year, production costs of optimus will be less than $20,000 -if you compare complexity of optimus to complexity of a car, its much less than a car -price of optimus will be set buy market demand -Semi ramping next year, TCO no brainer, like optimus, will be massive demand, will meaningfully contribute to tesla’s revenue at scale -tesla semi with autonomy, is incredibly valuable -we actually have a shortage of truck drivers here in the US -will HW3 owners need a hardware update, got 12.6 which is like a baby v13, have’t given up on it, releases will trail HW4 releases … “honest answer” is were going to have to upgrade for those who have bought full self driving, will be painful and difficult and we’ll get it done “Happy not many people bought FSD” -solar roof, given up on ramping it? -lots of customer interest despite premium, making easier to install, focused on growth through certified installers, many been installing for many years -supply product to the roofing industry -it’s a premium product like S/X -combined with Tesla powerwall you can be self sufficient for several days ANALYST QUETIONS -robotaxis in Austin and several other cities this year, and next year all over america -america innovates, europe regulates, to release FSD in europe, have to go through massive paperwork through netherlands, then presents to EU in may, some big country committee, nothing we can do to make it happen sooner. -can’t do training in china with video training, publicly available videos in china are being run through the tesla system to be used for training, bus lanes are complicated and a big challenge -tesla can keep manufacturing even if geopolitical tensions rise to very high levels -Pierre question on June in Austin, -can i try unsupervised myself, or will it be the Tesla fleet? -it will be the Tesla fleet testing it, that’s the toe in the water, scrutinizing everything -autonomous ride hailing for money in june -probably next year for you to put your car on network -trump removing EV incentives? -all transport will go electric, can’t be stopped, even planes, will be like stopping the steam engine or combustion engine -only thing holding back EVs was range, and thats a solved problem -right now solving battery production, not demand, big battery retooling for model y coming up, short term impact on output

I've never heard Elon Musk be so bullish on Tesla ⚡️ here's my video analysis of the $TSLA Q4 2024 earnings call: -Robotaxi launch in Austin, June 2025 -California & other states launch robotaxi late 2025 -Cybercab in 2026 -Optimus V1 in 2025, 1K/month production line -Optimus V2 in 2026, 10K/month production line -2026 good year for Tesla, 2027/28 insanely good & more!! Timestamps- 0:00 Intro 0:44 Elon Opening Remarks 13:29 SAY Retail Questions 22:37 Analyst Questions 25:04 Gali Final Thoughts/Rant also here are my notes I typed during the conference call if you're interested! (may be errors) Tesla Q4 2024 Earnings Call Notes INTRO- ELON OPENING REMARKS -Q4 set record, delivered cars at rate of almost 2M cars/year -Model Y best-selling vehicle of any kind on earth (elon focused and talking quickly) -10Xing on autonomy, not doubling -many investments made this year that will bear immense fruit in the future, for AI -see a path for Tesla to the worlds most valuable company by far, worth more than the next 5 companies combined, difficult but achievable path -overwhelmingly due to autonomous vehicles and autonomous robots -setting up for an epic 2026, and ridiculously good 2027 and 2028 -meeting FSD now is like meeting a toddler -human intuition is linear, we’re seeing exponential progress -#1 recommendation is try it -typical passenger car has 10 hours of use out of 168, when its autonomous, itll be used for 55 hours a week … can deliver packages in the middle of thenight, or supply restaurants, all hours of the day or night. 5X increase in utility -more on self driving, continued improvements in safety numbers, much safer to use FSD -V14 will be another big step from V13 -launched CORTEX training cluster at Giga Austin, big step for FSD, continue to invest in training needs -Optimus training needs are about 10X what’s needed for the car -cost of training is dropping dramatically over time -Optimus has potential to be north of $10T in revenue, can put a lot training compute into that situation, even pumping $500B into it would be a good deal -future very different from the past, incredible inflection point in human history -proof is in the pudding -launching in June this year in Austin, already have cars moving autonomously in Fremont, thousands of cars per day driving, soon in Austin then elsewhere in the world -toe in the water at first to make sure everything is cool, but we have a general solution for autonomy , then put a few more toes, then a foot. Safety of the general public and those in the car as the top priority -with regard to Optimus, making insane revenue projections that sound insane, i realize that. But i think they will prove to be accurate -several thousand bots made this year, they will be doing useful things by the end of this year, im confidence, production design one at the tesla factories, then will learn for production design two -ramp optimus production faster than anything has ever launched, doesn’t take very many years before we’er making 100M of these things per year , 500% growth per year -tried using all these suppliers to get it to build Optimus, but nothing worked, had to build it internally from first principles, the hand is increibdle -long term Optimus will be the value of the company -back to Energy,/earth, -energy storage is a big deal, becoming more important, enables far greater energy output to the grid than is currently possible. -grid has no storage, designed for peak storage, lots of waste -once you have grid energy storage, the potential of the grid is unlocked, at least double -this will drive demand of battery packs as to as much as we can possibly make -shanghai factory starting operation, starting another factory -cant shoot our selves in the foot, battery capacity can only go into storage or mobility, so always making that tradeoff -demand for total Gigawatt hours for batteries, transportation or stationary will grow in a very big way over time 2025 a pivotal year for tesla, launch of full self driving, biggest year in tesla history, maybe even bigger than first car or model s, 3 or y … probably most important year in tesla’s history I don’t even know who is in 2nd place in real world AI, would need a telescope to see them SAY QUESTIONS -FSD Unsupervised launched in California this year as well -most likely release it in many regions of the US by the end of this year -40K people day everyday no mention, some scrapes a shin with autonomous car its headlines news -need to use insane amounts of caution -discussions about licensing FSD? Yes -best way to know to work with us, bbuy a car and take it apart -only worth very high volume cars/production partners -tesla engineering very focused on getting it to roll out for tesla first -soon will be obvious that if you don’t have FSD you’re dead as an OEM -is Optimus design locked? -Optimus is not design locked, constantly iterating, best robotics engineers in the world, and other ingredients, battery pack, charging, great electronics, great communications, great connectivity, real world AI, then you need to scale that production to real world levels -prototypes are easy production is hard -thijs year close loop with using optimus internally at tesla, would could obviously use a few thousand robots for the most boring annoying tasks at the company -with production version 2, launches sometime next year, would like beginning, might be middle though, -production line will be doing 10K units per month capacity for v2, first line designing is for roughly 1,000 units per month, then next line will be for 100,000 units per month -could start delivering them late next year, will go so fast, will ramp like crazy, demand will not be a problem, even at a high price, once were above 1M units per year, production costs of optimus will be less than $20,000 -if you compare complexity of optimus to complexity of a car, its much less than a car -price of optimus will be set buy market demand -Semi ramping next year, TCO no brainer, like optimus, will be massive demand, will meaningfully contribute to tesla’s revenue at scale -tesla semi with autonomy, is incredibly valuable -we actually have a shortage of truck drivers here in the US -will HW3 owners need a hardware update, got 12.6 which is like a baby v13, have’t given up on it, releases will trail HW4 releases … “honest answer” is were going to have to upgrade for those who have bought full self driving, will be painful and difficult and we’ll get it done “Happy not many people bought FSD” -solar roof, given up on ramping it? -lots of customer interest despite premium, making easier to install, focused on growth through certified installers, many been installing for many years -supply product to the roofing industry -it’s a premium product like S/X -combined with Tesla powerwall you can be self sufficient for several days ANALYST QUETIONS -robotaxis in Austin and several other cities this year, and next year all over america -america innovates, europe regulates, to release FSD in europe, have to go through massive paperwork through netherlands, then presents to EU in may, some big country committee, nothing we can do to make it happen sooner. -can’t do training in china with video training, publicly available videos in china are being run through the tesla system to be used for training, bus lanes are complicated and a big challenge -tesla can keep manufacturing even if geopolitical tensions rise to very high levels -Pierre question on June in Austin, -can i try unsupervised myself, or will it be the Tesla fleet? -it will be the Tesla fleet testing it, that’s the toe in the water, scrutinizing everything -autonomous ride hailing for money in june -probably next year for you to put your car on network -trump removing EV incentives? -all transport will go electric, can’t be stopped, even planes, will be like stopping the steam engine or combustion engine -only thing holding back EVs was range, and thats a solved problem -right now solving battery production, not demand, big battery retooling for model y coming up, short term impact on output

Gali

78,991 просмотров • 1 год назад

Analyzing Episode 54. Season 2 aka Disruption by Design When you first watch episode 54, your focus immediately goes to how the bad guys keep winning. Be it Ecmel, Boran, Demir - all the aholes seem to be living it up. But scratch the surface, and another concept appears entirely. Destino, Karma, Kader, Fate - call it whatever you want. That's what I want you to remember as we don our Sherlock caps for yet another analysis. I've divided the whole thing into segments based on characters for easier navigation and understanding. So, here goes nothing. * Sadakat One of the characters to truly surprise me this episode was Sadakat. My vitriolic hatred for this woman is no hidden fact, but this one episode managed to make me see her side of things for once. And, maybe even understand her a little. We were all shocked by the scene where Nare, Alya, and Sadakat are talking about Boran and Cihan. I was mostly surprised because, for once, in 54 freaking episodes, Sadakat accepts her fault and doesn't look for a scapegoat. Her dialogues serve to impart extremely important points about herself, Boran, and Cihan, and how her upbringing helped shape the present circumstances. She admits that she was always afraid of the shadow of Ecmel lurking within Boran, which causes her to hand leadership to Cihan and keep Boran away from everything. But, in trying to protect her family and Albora, Sadakat inadvertently brings about the very thing she fears most - Boran becoming another Ecmel. Now, cast your mind back to the very first episode. We're introduced to Sadakat as an evil witch who's evil to Alya from the get-go and absolutely mental about keeping Deniz with the family at all times. I think I finally understand why. Guilt. Sadakat keeps pushing Boran away, until one day he takes it upon himself to go k-word Sulaiman to prove his worth, so to speak, which results in exile for him and supposedly death in a foreign country. Everything she does from that point on is based on years' worth of accumulated guilt. Alya is driving the car that results in the accident, so she wins the 'get the most shit from Sadakat' award immediately. But, again, that's just her guilt exacerbating things. As for Deniz, was Sadakat trying to avoid the same mistake she made with Boran with Deniz by holding on to him by hook or crook? So that Ecmel's shadow would never shape another family member's life again? Yep. That's probably also why she hates the idea of Cihan and Alya, because her guilt forces her to keep protecting Boran even in death. Because how could she allow Boran to lose yet another thing? In short, Sadakat tries to control the future of her family by trying to shape the circumstances, to make Cihan Aga and keep Boran away, but fails spectacularly. Why? Because fate has other plans. Boran was never meant to be kept away, and no matter how much Sadakat toiled as a mother, he was meant to take Ecmel's side over his own flesh and blood. And maybe Sadakat binds everyone else with a promise except herself because she might be the one to end what she started all those years ago. * Cihan Cihan's struggle in this episode was to try to find a way to neutralize Boran's poison. Because he's the reason Cihan's life is unraveling, because he's the man who controls Alya via Deniz. Throughout the episode, it seems like all is lost for him. Alya is forced to give in to Boran's condition, and Sadakat is framed for Vurgun's murder. And while Vurgun keeps his promise to Boran and takes his secrets with him to the grave, his death helps him speak what he could not say in life. It's no coincidence Cihan is the only one to find Vurgun's secret phone stashed in a hidey hole in the wall right after Cihan says he will bury Boran in regret. In this instance, too, we're shown that circumstances are pressing in on Cihan from all sides, but one dusty footstep later, Cihan finally finds what will possibly be the key to defeating Boran. As for Alya, she's Cihan's greatest strength and weakness - as it generally is in love. She comes into his life as an impossibility and ends up becoming his greatest truth. Cihan relents to Alya finding an apartment because he understands her duty to her son. But just as fears things are all out of his control, fate intervenes and gives him the opening he kept ignoring. Why? Because, as Cihan says, a man low enough to kill someone who saved his life is capable of pretty much anything. So, Cihan's course is redirected subtly, too, to a possibility that will help him achieve what he needs most at the time. * Boran Yeah, I don't really care much for the zombie, but this needs to be said. Throw your mind back to how Sadakat says all Boran's calculations turn out wrong. Though he's a sneaky troll who's not entirely as stupid as I thought, karma has a mile-long shit-list on this ahole. First, he records a will video to punish Cihan. He hopes that Cihan will fall for Alya but will forever suffer the pangs of conscience. In doing so, he'd never find completion in his love for Alya and would keep suffering. But, an Amal Bakir turns up at his grave out of the blue, runs into Cihan, and bam - he finds Boran. Which ironically helps Cihan overcome all his guilt pretty quickly. Next up, Alya. The video Boran records to control Alya's life ends up becoming the key to her freedom from him eventually. The one card we know he has now is Deniz, but there's Vurgun's phone to counteract this one now. And, finally, I get the feeling that the zombie has a hand in Meryem turning up like a bad penny out of nowhere. However, this ploy will fail too, because Meryem will have the same effect on Alya that Boran has on Cihan. In other words, destiny has all ends covered here, too. * Alya While there are those in the fandom who'd rather Alya be sick rather than expecting, I think that Alya truly might be pregnant. Here's why. And keep the overall theme of kader in mind as we go through this part. In the scene right before Alya gets dizzy, Kaya tells her, 'I don't know what to say to you, yenge, may God help you.' Then she walks into her office and just as she's about to continue her search for apartments, wham, a wave of dizziness. And right after the dizzy spell, lo and behold, Boran messages her saying, 'Your path can't cross with Cihan, or I take my son.' See, there it is again. That push and pull between circumstance and fate. While mere mortals can shape circumstances, like Boran, there's no interfering with fate. And, what's fate always tried to do in this story? Keep Alya with Cihan. So, how does a pregnancy fit into this angle? Boran doesn't simply want to keep Alya and Cihan separated. He now wants to put an end to their relationship in every way. Because if he can't have Alya, neither will Cihan. He's done everything in his power to try to cut all bonds between CihAl, but every time he tries, fate throws out another trump card. And what's the best way to forge a bond between two people, no one, not even themselves, can break? A child. A link that will bind Alya to Cihan in the most elemental way there is. The perfect personification of Boran's defeat. Now, I may be wrong (wouldn't be the first time), but those are the vibes I keep getting from as early on as ep 47, where Sadakat is the one trying to convince Alya to leave. Besides, maybe baby, fate also has another surprise up its sleeve for Alya *cue Jaws soundtrack* I'm referring to Meryem, of course. Why do we need Meryem in the overall scheme of kader, anyway? Because Alya needs to learn what fate's already taught Cihan. That love is not something you quietly step away from. Nor is it something you protect by distance, or preserve through sacrifice. Cihan has already gone through that trial. He tried to bury his feelings under duty, under guilt, under everything Boran set in motion, but still ended up right back at Alya. Not just by choice alone, but by something stronger than it. Something that kept correcting his path every time he strayed too far from it. And that’s where Meryem comes in. The final piece of the puzzle to make Alya realize she's changed, even though she doesn't know it yet. While she may think she can distance herself from Cihan, her own actions prove her false. Meryem will help remove the illusion in Alya's head that distance is sustainable between herself and Cihan. So you see, even though there are all kinds of mess in the episode, underneath it all is a disruption. Be it in the form of bitter clarity, a hidden phone, a possible new life, or an unexpected return. When things look like chaos but are actually headed towards something much more deliberate - a resolution where the story corrects every path back to where it was always meant to lead. Till later, happy reading, folks. #CihAl #UzakŞehir

Analyzing Episode 54. Season 2 aka Disruption by Design When you first watch episode 54, your focus immediately goes to how the bad guys keep winning. Be it Ecmel, Boran, Demir - all the aholes seem to be living it up. But scratch the surface, and another concept appears entirely. Destino, Karma, Kader, Fate - call it whatever you want. That's what I want you to remember as we don our Sherlock caps for yet another analysis. I've divided the whole thing into segments based on characters for easier navigation and understanding. So, here goes nothing. * Sadakat One of the characters to truly surprise me this episode was Sadakat. My vitriolic hatred for this woman is no hidden fact, but this one episode managed to make me see her side of things for once. And, maybe even understand her a little. We were all shocked by the scene where Nare, Alya, and Sadakat are talking about Boran and Cihan. I was mostly surprised because, for once, in 54 freaking episodes, Sadakat accepts her fault and doesn't look for a scapegoat. Her dialogues serve to impart extremely important points about herself, Boran, and Cihan, and how her upbringing helped shape the present circumstances. She admits that she was always afraid of the shadow of Ecmel lurking within Boran, which causes her to hand leadership to Cihan and keep Boran away from everything. But, in trying to protect her family and Albora, Sadakat inadvertently brings about the very thing she fears most - Boran becoming another Ecmel. Now, cast your mind back to the very first episode. We're introduced to Sadakat as an evil witch who's evil to Alya from the get-go and absolutely mental about keeping Deniz with the family at all times. I think I finally understand why. Guilt. Sadakat keeps pushing Boran away, until one day he takes it upon himself to go k-word Sulaiman to prove his worth, so to speak, which results in exile for him and supposedly death in a foreign country. Everything she does from that point on is based on years' worth of accumulated guilt. Alya is driving the car that results in the accident, so she wins the 'get the most shit from Sadakat' award immediately. But, again, that's just her guilt exacerbating things. As for Deniz, was Sadakat trying to avoid the same mistake she made with Boran with Deniz by holding on to him by hook or crook? So that Ecmel's shadow would never shape another family member's life again? Yep. That's probably also why she hates the idea of Cihan and Alya, because her guilt forces her to keep protecting Boran even in death. Because how could she allow Boran to lose yet another thing? In short, Sadakat tries to control the future of her family by trying to shape the circumstances, to make Cihan Aga and keep Boran away, but fails spectacularly. Why? Because fate has other plans. Boran was never meant to be kept away, and no matter how much Sadakat toiled as a mother, he was meant to take Ecmel's side over his own flesh and blood. And maybe Sadakat binds everyone else with a promise except herself because she might be the one to end what she started all those years ago. * Cihan Cihan's struggle in this episode was to try to find a way to neutralize Boran's poison. Because he's the reason Cihan's life is unraveling, because he's the man who controls Alya via Deniz. Throughout the episode, it seems like all is lost for him. Alya is forced to give in to Boran's condition, and Sadakat is framed for Vurgun's murder. And while Vurgun keeps his promise to Boran and takes his secrets with him to the grave, his death helps him speak what he could not say in life. It's no coincidence Cihan is the only one to find Vurgun's secret phone stashed in a hidey hole in the wall right after Cihan says he will bury Boran in regret. In this instance, too, we're shown that circumstances are pressing in on Cihan from all sides, but one dusty footstep later, Cihan finally finds what will possibly be the key to defeating Boran. As for Alya, she's Cihan's greatest strength and weakness - as it generally is in love. She comes into his life as an impossibility and ends up becoming his greatest truth. Cihan relents to Alya finding an apartment because he understands her duty to her son. But just as fears things are all out of his control, fate intervenes and gives him the opening he kept ignoring. Why? Because, as Cihan says, a man low enough to kill someone who saved his life is capable of pretty much anything. So, Cihan's course is redirected subtly, too, to a possibility that will help him achieve what he needs most at the time. * Boran Yeah, I don't really care much for the zombie, but this needs to be said. Throw your mind back to how Sadakat says all Boran's calculations turn out wrong. Though he's a sneaky troll who's not entirely as stupid as I thought, karma has a mile-long shit-list on this ahole. First, he records a will video to punish Cihan. He hopes that Cihan will fall for Alya but will forever suffer the pangs of conscience. In doing so, he'd never find completion in his love for Alya and would keep suffering. But, an Amal Bakir turns up at his grave out of the blue, runs into Cihan, and bam - he finds Boran. Which ironically helps Cihan overcome all his guilt pretty quickly. Next up, Alya. The video Boran records to control Alya's life ends up becoming the key to her freedom from him eventually. The one card we know he has now is Deniz, but there's Vurgun's phone to counteract this one now. And, finally, I get the feeling that the zombie has a hand in Meryem turning up like a bad penny out of nowhere. However, this ploy will fail too, because Meryem will have the same effect on Alya that Boran has on Cihan. In other words, destiny has all ends covered here, too. * Alya While there are those in the fandom who'd rather Alya be sick rather than expecting, I think that Alya truly might be pregnant. Here's why. And keep the overall theme of kader in mind as we go through this part. In the scene right before Alya gets dizzy, Kaya tells her, 'I don't know what to say to you, yenge, may God help you.' Then she walks into her office and just as she's about to continue her search for apartments, wham, a wave of dizziness. And right after the dizzy spell, lo and behold, Boran messages her saying, 'Your path can't cross with Cihan, or I take my son.' See, there it is again. That push and pull between circumstance and fate. While mere mortals can shape circumstances, like Boran, there's no interfering with fate. And, what's fate always tried to do in this story? Keep Alya with Cihan. So, how does a pregnancy fit into this angle? Boran doesn't simply want to keep Alya and Cihan separated. He now wants to put an end to their relationship in every way. Because if he can't have Alya, neither will Cihan. He's done everything in his power to try to cut all bonds between CihAl, but every time he tries, fate throws out another trump card. And what's the best way to forge a bond between two people, no one, not even themselves, can break? A child. A link that will bind Alya to Cihan in the most elemental way there is. The perfect personification of Boran's defeat. Now, I may be wrong (wouldn't be the first time), but those are the vibes I keep getting from as early on as ep 47, where Sadakat is the one trying to convince Alya to leave. Besides, maybe baby, fate also has another surprise up its sleeve for Alya cue Jaws soundtrack I'm referring to Meryem, of course. Why do we need Meryem in the overall scheme of kader, anyway? Because Alya needs to learn what fate's already taught Cihan. That love is not something you quietly step away from. Nor is it something you protect by distance, or preserve through sacrifice. Cihan has already gone through that trial. He tried to bury his feelings under duty, under guilt, under everything Boran set in motion, but still ended up right back at Alya. Not just by choice alone, but by something stronger than it. Something that kept correcting his path every time he strayed too far from it. And that’s where Meryem comes in. The final piece of the puzzle to make Alya realize she's changed, even though she doesn't know it yet. While she may think she can distance herself from Cihan, her own actions prove her false. Meryem will help remove the illusion in Alya's head that distance is sustainable between herself and Cihan. So you see, even though there are all kinds of mess in the episode, underneath it all is a disruption. Be it in the form of bitter clarity, a hidden phone, a possible new life, or an unexpected return. When things look like chaos but are actually headed towards something much more deliberate - a resolution where the story corrects every path back to where it was always meant to lead. Till later, happy reading, folks. #CihAl #UzakŞehir

CocoLoco

31,649 просмотров • 4 месяцев назад

Moneytaur study blueprint 🗺️ The process I used to go from not knowing what an order block is to pulling cash from the crypto markets in under 6 months using 🎯 Master concepts. Proof of performance, past 120 days👇 Start date: 09/03/2025 Requirements: - A PC/laptop - Wifi - A basic understanding of trading. ( What candlesticks are, how to actually place trades , etc ) - A free mind - Time or the ability to free up time. Starting: - Structure and routine - Stick to that routine + Pre mortem plan. - Notion / Obsidian setup. The first thing you need to create is a clear routine moulded around how you intend to approach this very large and complex task. This will not be linear and you will naturally adapt it as you progress but especially in the beginning some resemblance of structure each day is vital. This is an individual process but it is important to understand from the beginning that this will require a majority of your free time assuming you work a full time Job or study as a student. For me in the beginning this looked like: - Wake up at 6:30. - Shower - Study/work for 1h 45m before leaving for work. - 09:00 -> 17:00 work - 17:30 Exercise / Train - Eat - 19:00 resume study/work - 22:30 Start to wind down and get ready to sleep. It changed several times over the months and especially now I am full time but this is irrelevant, the only thing that matters is sticking with what you choose. Whatever your own routine may look like, it is important to understand it will inevitably require sacrifice. --- The next thing once you have established a draft framework of your routine is ensuring you will actually stick to that routine. Something I implemented which I found particularly beneficial was the concept of a Pre-Mortem plan. This involves creating several scenarios of a future in which you have failed and working backwards from each of these to find where it went wrong. Here is a video which explains it fully: When I did this I came up with 3 scenarios as well as prevention and cure for each. In the 6 months that followed each scenario presented at some point but I was able to catch them early due to having done this. The last thing is to not over complicate this, don't hyper focus on systems and loose momentum optimizing each detail. Just ensure you do the fucking work. I was a little guilty of the above at times, trying to craft the perfect routine. In reality the person who just gets up, drinks too much coffee and works his ass off out performs the workflow perfectionist who visualizes and repeats affirmations, any day of the week. --- Next you need somewhere to store your notes, journal your trades and build your knowledge. For me this was Obsidian but I have also used Notion before and it is an equally viable option. Whichever one of these you choose be warned you will inevitably want to bang your head against a wall trying to use them for the first few days, but they will both click pretty quick and are 100% better options the word document or paper alternative. Here is my full obsidian setup tutorial: Here is a link to MisterPA 's notion Journal: Here is how I create "Meta-Notes" using obsidian: The process: - How I did it. - How I would do it if doing it again. Now I did things the "hard way" and manually worked my way back through each of MT's tweets starting in 2021, reading every one and logging those that I felt where relevant. You can see in my first post: the very first system I used to do this. I quickly adapted though after about a week and focused less on just logging each relevant tweet but trying to find and focusing on those which contained the most information. There where a lot of charts I looked at then skipped over because especially at the start of his timeline they contained little useful information and my time was better spent finding those where there was something to decode. Now this does not mean skip out on "work" just use your time efficiently. -- If however if I was to start from the beginning again with the goal of levelling up technical understanding as quickly as possible I would take a different approach. To start with I would familiarise myself with all relevant SMC concepts, I have linked the best free recourses for this below 👇 CryptoChase beginner friendly index: Barncore's "The Moneytaur Way" series: Gian Luca's Trading bootcamp playlist: Following this I would then work through all of Taur's subscription posts working backwards, recreating his charts and taking notes on his logic. The subscription feed has the highest value density and least noise. Video example of my notes from his subscription posts 👇: --- Okay so now once you have a basic understanding of concepts and can re-recreate them on charts of your own it is time to put this in to practice. The next step is vigorous backtesting, you can use the trading view tool but I think trade Zella offers a more use friendly option if you pay for the subscription. Especially as it allows you to change timeframes without skipping ahead to candle close time of the timeframe you change too ( like Trading view does ) *my only note would be that their LTF/Micro TF data feed with be different to brokerage charts you will use on Trading view, to start with though you should not be going low enough that this is an issue. When you backtest in this context, treat it like real trading. That means journal and logging like you would if real cash was on the line. Take time, do not rush and focus on quality. Stick to BTC, ETH, Major FX pairs or indices as these assets are less reliant on confluence, backtesting a shitcoin is near useless as whether levels work or not will be highly dependent on Majors PA. Go on HTF, scroll back a couple years and try not too look at chart while doing so and then begin. Start with HTF analysis and work down to 2H or wherever you feel comfortable, chart it fully and then identify setups. Make rough notes / plans and then press play, execute the setups as they hit, log and journal trade management as well as observations and key notes. It is very important to not cheat when you do this, do not skip back and adjust your stoploss because it hit by 0.1%, do not skip back and adjust plan because you missed a block and your TP got frontrun. Instead these are the things you journal, embrace these mistakes because they are the cheapest mistakes you are going to make. Grind this, do it for hours, put some music on and enjoy. To start with focus on HTF's, as you get better and start netting $ on paper you can drop the timeframes and increase the difficulty. HTF = Normal, MTF = Medium, LTF = Hard. Even if you do not intend to day trade, learning how to read the lower TF's that force you to think faster, harder and prepare you for lower win rates / loss streaks can greatly improve your ability on higher TF's. While you are doing this as you start to have concepts click you now want to build up your real trading experience, take a sum of money that you care about but will be okay loosing and dedicate this to live trading. Start taking real trades and expect net losses in the beginning. This is where you will make you 2nd cheapest mistakes. This is also where you can begin to learn about your psychology. You may encounter some elements already in backtesting but the real market is where true colours really start to show. Mental issues are inevitable and part of the game, get used to them and start working to identify and fix them. Reading and applying books like Trading in the Zone and Mental Game of Trading are important and will help a lot but there is no easy fix, for some stuff you I believe you just have to get used to it and it goes away with experience. Losses suck at the beginning but after you loose 100 times you starting getting pretty numb to it, same goes for the winners. To accelerate the learning process, build connections and get advice there is also always the option of private groups, while I never personally chose this route and committed to learning everything through my own endeavours there is no denying that having nearly all the information you need structured and compiled in one place is valuable and can save time. Beyond this having access to real time thoughts and opinions of profitable traders can accelerate performance, however it carries the risk of being a double edged sword if not used properly, if relying on it like a crutch and using it as a substitute for real work you will not succeed. With that said if you take it for what it is, a learning opportunity then I believe it can be very beneficial. I am not a member of, nor affiliated with any paid group. There are now many options available within the community, all run by different people with different styles, tailored to different needs. If I was to make a recommendation though, as a non-member, it would be Albert & Co's 618'ers simply due to the diversity in styles of the traders running it and results I have seen from members I know personally. It is important that as you start to trade with real capital you reduce noise in your social feeds or eliminate it all together. You do not need 5 different opinions, you also do not need 2 people telling you the same thing in their own way so you feel re-assured. What you do need is to develop your independent thinking as a trader and be comfortable making different decisions to others, even traders ahead of yourself if it fits with your system or understanding of market. Taur here is perhaps an exception as this is who you are learning from but down the line a real test of your own ability and independence will be being able to stick with your own plan even when it differs from his. Don't get me wrong, counter trading him is retarded but you must learn to adapt his gift to your own style. This will make sense at some point. The next stage is taking your understanding of specific concepts to higher level as you simultaneously snowball experience. Look back through your journal and review where you lost money and made money, do not over extrapolate from a small sample but start to take notes and observe if trends in performance emerge. This is the beginning of the transition to self reliance, you now understand the strategy but must learn for yourself when and where it works. Here you can also learn more nuanced secondary concepts such as VSA, orderflow etc and add these to your game where appropriate. Do NOT get lost in the sauce though and remember mastery of basics is key. IMO a big focus should be understanding correlation thoroughly but especially on HTF's this is the most important thing and what triggers the majority of large swings where most of your cash will be made and losses recovered. Some people will disagree with me here but IMO you should also not be *focusing* on Odd TF's. These are secondary at best and most people overweight their significance leading to avoidable losses while wondering why price did not care about their 327minute Breaker Block which they think is the key to the market. Study Taurs feed and take note of how he mostly uses: 3M, 1M, 3W, 2W, 1W, 5D, 4D, 3D, 2D, 1D, 12H, 8H, 6H, 4H, 2H, 1H, 30m, 15m + micro time frames. The only thing left is time and repetition, you must show up each day and really do this, for months. Maybe you start to see result's, you catch your first key swing and where able to trade where others froze. Congratulations. Learn from these winners and repeat the actions. Find what assets work best for you, find your style, refine and grow. --- The last thing I will include is a short list of tools or links that can be helpful. - Trading view tutorial: - Dictionary: - Market news Calendar: --- Thank you too all those who have read this, I hope this has been helpful for the beginners who want to start but are just not sure how. 🫶 Don't just bookmark this and move on, start 🙃

Moneytaur study blueprint 🗺️ The process I used to go from not knowing what an order block is to pulling cash from the crypto markets in under 6 months using 🎯 Master concepts. Proof of performance, past 120 days👇 Start date: 09/03/2025 Requirements: - A PC/laptop - Wifi - A basic understanding of trading. ( What candlesticks are, how to actually place trades , etc ) - A free mind - Time or the ability to free up time. Starting: - Structure and routine - Stick to that routine + Pre mortem plan. - Notion / Obsidian setup. The first thing you need to create is a clear routine moulded around how you intend to approach this very large and complex task. This will not be linear and you will naturally adapt it as you progress but especially in the beginning some resemblance of structure each day is vital. This is an individual process but it is important to understand from the beginning that this will require a majority of your free time assuming you work a full time Job or study as a student. For me in the beginning this looked like: - Wake up at 6:30. - Shower - Study/work for 1h 45m before leaving for work. - 09:00 -> 17:00 work - 17:30 Exercise / Train - Eat - 19:00 resume study/work - 22:30 Start to wind down and get ready to sleep. It changed several times over the months and especially now I am full time but this is irrelevant, the only thing that matters is sticking with what you choose. Whatever your own routine may look like, it is important to understand it will inevitably require sacrifice. --- The next thing once you have established a draft framework of your routine is ensuring you will actually stick to that routine. Something I implemented which I found particularly beneficial was the concept of a Pre-Mortem plan. This involves creating several scenarios of a future in which you have failed and working backwards from each of these to find where it went wrong. Here is a video which explains it fully: When I did this I came up with 3 scenarios as well as prevention and cure for each. In the 6 months that followed each scenario presented at some point but I was able to catch them early due to having done this. The last thing is to not over complicate this, don't hyper focus on systems and loose momentum optimizing each detail. Just ensure you do the fucking work. I was a little guilty of the above at times, trying to craft the perfect routine. In reality the person who just gets up, drinks too much coffee and works his ass off out performs the workflow perfectionist who visualizes and repeats affirmations, any day of the week. --- Next you need somewhere to store your notes, journal your trades and build your knowledge. For me this was Obsidian but I have also used Notion before and it is an equally viable option. Whichever one of these you choose be warned you will inevitably want to bang your head against a wall trying to use them for the first few days, but they will both click pretty quick and are 100% better options the word document or paper alternative. Here is my full obsidian setup tutorial: Here is a link to MisterPA 's notion Journal: Here is how I create "Meta-Notes" using obsidian: The process: - How I did it. - How I would do it if doing it again. Now I did things the "hard way" and manually worked my way back through each of MT's tweets starting in 2021, reading every one and logging those that I felt where relevant. You can see in my first post: the very first system I used to do this. I quickly adapted though after about a week and focused less on just logging each relevant tweet but trying to find and focusing on those which contained the most information. There where a lot of charts I looked at then skipped over because especially at the start of his timeline they contained little useful information and my time was better spent finding those where there was something to decode. Now this does not mean skip out on "work" just use your time efficiently. -- If however if I was to start from the beginning again with the goal of levelling up technical understanding as quickly as possible I would take a different approach. To start with I would familiarise myself with all relevant SMC concepts, I have linked the best free recourses for this below 👇 CryptoChase beginner friendly index: Barncore's "The Moneytaur Way" series: Gian Luca's Trading bootcamp playlist: Following this I would then work through all of Taur's subscription posts working backwards, recreating his charts and taking notes on his logic. The subscription feed has the highest value density and least noise. Video example of my notes from his subscription posts 👇: --- Okay so now once you have a basic understanding of concepts and can re-recreate them on charts of your own it is time to put this in to practice. The next step is vigorous backtesting, you can use the trading view tool but I think trade Zella offers a more use friendly option if you pay for the subscription. Especially as it allows you to change timeframes without skipping ahead to candle close time of the timeframe you change too ( like Trading view does ) my only note would be that their LTF/Micro TF data feed with be different to brokerage charts you will use on Trading view, to start with though you should not be going low enough that this is an issue. When you backtest in this context, treat it like real trading. That means journal and logging like you would if real cash was on the line. Take time, do not rush and focus on quality. Stick to BTC, ETH, Major FX pairs or indices as these assets are less reliant on confluence, backtesting a shitcoin is near useless as whether levels work or not will be highly dependent on Majors PA. Go on HTF, scroll back a couple years and try not too look at chart while doing so and then begin. Start with HTF analysis and work down to 2H or wherever you feel comfortable, chart it fully and then identify setups. Make rough notes / plans and then press play, execute the setups as they hit, log and journal trade management as well as observations and key notes. It is very important to not cheat when you do this, do not skip back and adjust your stoploss because it hit by 0.1%, do not skip back and adjust plan because you missed a block and your TP got frontrun. Instead these are the things you journal, embrace these mistakes because they are the cheapest mistakes you are going to make. Grind this, do it for hours, put some music on and enjoy. To start with focus on HTF's, as you get better and start netting $ on paper you can drop the timeframes and increase the difficulty. HTF = Normal, MTF = Medium, LTF = Hard. Even if you do not intend to day trade, learning how to read the lower TF's that force you to think faster, harder and prepare you for lower win rates / loss streaks can greatly improve your ability on higher TF's. While you are doing this as you start to have concepts click you now want to build up your real trading experience, take a sum of money that you care about but will be okay loosing and dedicate this to live trading. Start taking real trades and expect net losses in the beginning. This is where you will make you 2nd cheapest mistakes. This is also where you can begin to learn about your psychology. You may encounter some elements already in backtesting but the real market is where true colours really start to show. Mental issues are inevitable and part of the game, get used to them and start working to identify and fix them. Reading and applying books like Trading in the Zone and Mental Game of Trading are important and will help a lot but there is no easy fix, for some stuff you I believe you just have to get used to it and it goes away with experience. Losses suck at the beginning but after you loose 100 times you starting getting pretty numb to it, same goes for the winners. To accelerate the learning process, build connections and get advice there is also always the option of private groups, while I never personally chose this route and committed to learning everything through my own endeavours there is no denying that having nearly all the information you need structured and compiled in one place is valuable and can save time. Beyond this having access to real time thoughts and opinions of profitable traders can accelerate performance, however it carries the risk of being a double edged sword if not used properly, if relying on it like a crutch and using it as a substitute for real work you will not succeed. With that said if you take it for what it is, a learning opportunity then I believe it can be very beneficial. I am not a member of, nor affiliated with any paid group. There are now many options available within the community, all run by different people with different styles, tailored to different needs. If I was to make a recommendation though, as a non-member, it would be Albert & Co's 618'ers simply due to the diversity in styles of the traders running it and results I have seen from members I know personally. It is important that as you start to trade with real capital you reduce noise in your social feeds or eliminate it all together. You do not need 5 different opinions, you also do not need 2 people telling you the same thing in their own way so you feel re-assured. What you do need is to develop your independent thinking as a trader and be comfortable making different decisions to others, even traders ahead of yourself if it fits with your system or understanding of market. Taur here is perhaps an exception as this is who you are learning from but down the line a real test of your own ability and independence will be being able to stick with your own plan even when it differs from his. Don't get me wrong, counter trading him is retarded but you must learn to adapt his gift to your own style. This will make sense at some point. The next stage is taking your understanding of specific concepts to higher level as you simultaneously snowball experience. Look back through your journal and review where you lost money and made money, do not over extrapolate from a small sample but start to take notes and observe if trends in performance emerge. This is the beginning of the transition to self reliance, you now understand the strategy but must learn for yourself when and where it works. Here you can also learn more nuanced secondary concepts such as VSA, orderflow etc and add these to your game where appropriate. Do NOT get lost in the sauce though and remember mastery of basics is key. IMO a big focus should be understanding correlation thoroughly but especially on HTF's this is the most important thing and what triggers the majority of large swings where most of your cash will be made and losses recovered. Some people will disagree with me here but IMO you should also not be focusing* on Odd TF's. These are secondary at best and most people overweight their significance leading to avoidable losses while wondering why price did not care about their 327minute Breaker Block which they think is the key to the market. Study Taurs feed and take note of how he mostly uses: 3M, 1M, 3W, 2W, 1W, 5D, 4D, 3D, 2D, 1D, 12H, 8H, 6H, 4H, 2H, 1H, 30m, 15m + micro time frames. The only thing left is time and repetition, you must show up each day and really do this, for months. Maybe you start to see result's, you catch your first key swing and where able to trade where others froze. Congratulations. Learn from these winners and repeat the actions. Find what assets work best for you, find your style, refine and grow. --- The last thing I will include is a short list of tools or links that can be helpful. - Trading view tutorial: - Dictionary: - Market news Calendar: --- Thank you too all those who have read this, I hope this has been helpful for the beginners who want to start but are just not sure how. 🫶 Don't just bookmark this and move on, start 🙃

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CANCEL Your Weekend Plans, & Learn Claude Code Today. This Claude Code teaches more about vibe-coding in 30 mins than most tutorials do in hours. Save this, it'll change how you build forever People are building entire apps and charging clients $5,000 to $20,000 using Claude Code. This Claude Code video is a goldmine. Full Claude Code tutorial. Beginner to pro. Every feature. Every setup step. Every best practice. Zero prior knowledge needed. Save it. Watch it tonight. Not tomorrow. Tonight. Follow Himanshu Kumar so you don't miss the breakdowns for each feature. This is your complete Claude Code roadmap. Lose it and you lose the next 12 months of income. ↓ 1. Understand What Claude Code Actually Is. You think Claude Code is just another chatbot. It's not. And that misunderstanding is why you're broke. ChatGPT gives you text. Claude Code gives you software. It runs in your terminal. It reads your entire codebase. It writes files directly to your project. It runs commands on your machine. It debugs errors autonomously. It builds features end to end. You're not chatting. You're deploying a developer. One that works 24/7. Never asks for a raise. Never calls in sick. Never pushes broken code at 5 PM on a Friday. People are charging clients $5,000-$10,000 for apps they built with Claude Code in 3 hours. And you didn't even know this tool existed because you're still asking ChatGPT to write you a to-do list. The gap between you and people making money with AI isn't intelligence. It's awareness. Now you're aware. Save this post. Follow Himanshu Kumar for the complete breakdown of every Claude Code feature. ↓ 2. Set Up Claude Code Properly. Most people quit here. "It's too complicated." "I don't know terminal." "I'll set it up later." Later never comes. And "complicated" means "I watched for 30 seconds and gave up." The setup takes 10 minutes. Install Node.js. Install Claude Code via npm. Authenticate your account. Open your terminal. Done. 10 minutes. You spent longer this morning deciding what to have for breakfast. The video walks through every single click. Every command. Every screen. Assuming you know absolutely nothing. If you can download an app on your phone, you can set up Claude Code. It's the same level of difficulty. But you'll still tell yourself it's "too technical" because that excuse is more comfortable than admitting you're just scared to try something new. This is the setup that everything else builds on. Skip it and nothing works. ↓ 3. Use the Desktop App. You don't even need to live in the terminal if you don't want to. Claude Code has a desktop app. Clean interface. Visual feedback. Everything you need without touching command line. But here's the thing most people don't know: The desktop app isn't just a pretty wrapper. It lets you manage projects visually. See file changes in real time. Switch between projects instantly. The people making money with Claude Code use the desktop app for client projects because it's faster to manage multiple builds simultaneously. You're still opening 14 browser tabs to organize one project. They open one app and everything's there. Efficiency isn't a personality trait. It's a tool choice. Save this post. Follow Himanshu Kumar for the desktop app workflow that handles 5 client projects at once. ↓ 4. Install the Right Dependencies. This is where beginners silently fail and blame the tool. Claude Code needs certain dependencies installed to work properly. Miss one and everything breaks. Then you go on Twitter and say "Claude Code doesn't work." It works fine. You just didn't read the setup guide. The video covers every dependency you need. What to install. How to install it. How to verify it's working. No guessing. No Stack Overflow rabbit holes at midnight. No "why isn't this working" for 3 hours. Watch the dependency section once. Follow every step. Never deal with setup issues again. You spent more time last week troubleshooting a printer than this takes. ↓ 5. Work Inside Your Code Editor. Claude Code integrates directly with your code editor. VS Code. Cursor. Whatever you use. It's not a separate window you alt-tab between. It's right there. In your workflow. You type a request. Claude writes the code. The code appears in your editor. You review it. Accept it. Done. No copy pasting between windows. No reformatting code that got mangled in transit. No "which version was the right one." It's like pair programming with someone who never gets distracted, never argues about naming conventions, and actually writes code that works on the first try. Your current coding process is: Google the problem, read 5 answers on Stack Overflow, copy the wrong one, debug for an hour, find the right one, paste it in, break something else, repeat. Claude Code's process is: describe what you want, get working code, move on with your life. Same hour. One method produces working software. The other produces frustration and a browser history full of Stack Overflow tabs. Stop coding the hard way. Save this post. Follow Himanshu Kumar for code editor setup guides and integration tips. ↓ 6. Master Basic Usage. Most people learn 5% of a tool and say they "know" it. You "know" Photoshop because you can crop an image. You "know" Excel because you can sum a column. You "know" Claude Code because you asked it one question. Basic usage means: How to give Claude Code context about your project. How to ask for changes to existing code. How to generate new files and features. How to review what Claude produces. How to iterate when the output isn't perfect. These basics are the foundation of everything. Skip them and every advanced feature feels confusing. Master them and every advanced feature feels obvious. The video breaks down each one with real examples. Not theory. Actual usage on actual projects. You've been using AI tools at 5% capacity and wondering why your results are 5% of what others get. Save this post. Follow Himanshu Kumar for daily Claude Code usage tips. ↓ 7. Learn Every Command. Claude Code has commands that most users never discover. Because most users type one message and expect magic. That's not how professionals use it. Professionals use specific commands that tell Claude Code exactly what to do, how to do it, and what constraints to follow. The difference between a beginner and someone making $10K/month with Claude Code is knowing which command to use and when. The video walks through every single one. Not just what they do. But when to use each one. And why one command is better than another for specific situations. You've been using Claude Code like a hammer. These commands turn it into a full toolbox. Stop treating a power tool like a blunt instrument. Save this post. Follow Himanshu Kumar for the command cheat sheet I use daily. ↓ 8. Understand Modes and Shortcuts. Speed matters. The person who builds an app in 2 hours charges $5,000. The person who builds the same app in 2 days charges $2,000. Same app. Same quality. Different speed. Different income. Claude Code has modes that change how it operates. And shortcuts that cut your workflow time in half. Most people don't know either exists. They use Claude Code in default mode for everything. Like driving a car in first gear on the highway. Technically it works. But everyone is passing you. The video shows you every mode. Every shortcut. Every time-saving trick that separates the people charging $2,000 per project from the people charging $10,000. Speed is money. Literally. Save this post. Follow Himanshu Kumar for the shortcuts that cut my build time by 60%. ↓ 9. Write a Proper Planning Prompt. This is the section that separates amateurs from professionals. And it's the section most people skip. A planning prompt tells Claude Code what you're building before you start building it. Architecture. File structure. Technologies. Features. Constraints. Edge cases. Without a planning prompt, Claude Code guesses. And guessing produces garbage. With a planning prompt, Claude Code executes a clear plan. And clear plans produce working software. The video shows you exactly how to write a planning prompt that makes Claude Code produce professional-grade output on the first try. "But I just want to start coding." That's why your code breaks every time. That's why you restart projects 4 times. That's why nothing you build ever gets finished. Because you refuse to plan. A 5-minute planning prompt saves you 5 hours of debugging. But you'd rather skip the 5 minutes and suffer through the 5 hours because patience isn't your thing. And that's exactly why you're not making money. Planning is the most underpaid skill in coding. And the most overpaid when you master it. Save this post. Follow Himanshu Kumar for the planning prompt templates I use for every client project. ↓ 10. Choose the Right Model. Claude Code lets you select different AI models. Not all models are the same. Not all tasks need the same model. Using the most powerful model for a simple task wastes credits. Using a basic model for a complex task wastes time. The video explains: Which model to use for quick fixes. Which model to use for complex architecture. Which model to use for debugging. Which model to use for code generation. Most people pick one model and use it for everything. That's like using a sledgehammer to hang a picture frame. Model selection is strategy. And strategy is money. The people making $10K/month with Claude Code are strategic about every credit they spend. You're burning through credits because you use the most expensive model to write a hello world. ↓ 11. Use Git and Version Control. If you're not using version control, you're one mistake away from losing everything. Claude Code integrates with Git. Every change tracked. Every version saved. Every mistake reversible. Without Git: Claude makes a change. It breaks something. You can't undo it. You start over. 3 hours wasted. With Git: Claude makes a change. It breaks something. You roll back in 5 seconds. Keep working. Version control isn't optional. It's insurance. And the people not using it are the same people who say "I lost my entire project" like it's something that just happens. It doesn't just happen. It happens because you didn't set up Git. The video walks through the entire Git integration. Save this post. Follow Himanshu Kumar for the Git workflow that's saved every project I've ever built. ↓ 12. Set Up Claude MD and Memory. This is the feature that makes Claude Code feel like a real team member instead of a stranger you explain everything to every time. ClaudeMD is a memory file. You tell Claude Code about your project once. It remembers forever. Coding style preferences. Project architecture decisions. Technology stack. File naming conventions. Business logic rules. Without ClaudeMD: Every new conversation starts from zero. You explain the same things repeatedly. Output is inconsistent. With ClaudeMD: Claude knows your project. Claude follows your rules. Claude produces consistent, professional code. The difference between a sloppy freelancer and a reliable agency is consistency. Claude. MD gives you consistency without the agency overhead. Most people don't set this up and wonder why Claude Code gives different answers every time. ↓ 13. Automate with Tasks. This is where Claude Code stops being a tool and starts being an employee. Tasks let you define repeating workflows. "Every time I push code, run tests." "Every time I create a new file, add boilerplate." "Every time I start a session, check for errors." Automated. Hands-free. Consistent. You're doing these things manually every single day. The same checks. The same steps. The same routine. Tasks do them automatically. So you can focus on the work that actually makes money. Every manual task you automate is time you get back. And time is the only thing you can never make more of. Save this post. Follow Himanshu Kumar for the task automation templates that run my entire workflow. ↓ 14. Explore Features Most People Never Touch. The video covers features that 95% of Claude Code users don't know exist. Because they watched a 3-minute TikTok about Claude Code and think they're experts now. They're not. They're using 5% of a tool that can do everything. The full tutorial goes deep into features that most tutorials skip because they're "too advanced." They're not too advanced. They're too valuable for lazy creators to bother explaining. This video explains all of them. Clearly. For beginners. The 5% of features you don't know about are the 5% that make people rich. ↓ Let's zoom out. I just broke down 14 sections of Claude Code. Setup and installation. Desktop app. Dependencies. Code editor integration. Basic usage. Commands. Modes and shortcuts. Planning prompts. Model selection. Git and version control. Memory and Claude. MD. Tasks and automation. Advanced features. All in one video. All free. All beginner friendly. The person who masters even half of these in the next 2 weeks will be in the top 1% of Claude Code users. The top 1% of Claude Code users are the ones charging $5,000-$10,000 per project and building them in a single afternoon. Everyone else is asking ChatGPT to fix their resume. Same tools. Same access. Completely different outcomes. Because one person treats AI like a toy. And the other treats it like a business. ↓ Here's the hard truth nobody wants to hear. You don't have a talent problem. You don't have an intelligence problem. You don't have a resources problem. You have an action problem. Everything I just listed has a free tutorial right here in the attached video. 33 minutes. That's it. 33 minutes to learn the tool that people are using to build $5,000-$20,000/month businesses. You spent more time today scrolling Twitter than it takes to watch this video. You spent more time this week watching Netflix than it takes to master Claude Code basics. You spent more time this month doing nothing than it would take to completely change your income. The information is free. The tool is accessible. The opportunity is here. The only thing missing is you caring enough to start. ↓ CANCEL your plans this week. This isn't optional anymore. The people learning Claude Code right now will be building apps for the people who didn't learn it. That's not a prediction. That's already happening. Companies are replacing $150/hour developers with one person and Claude Code. If you code: learn Claude Code or become half as valuable by next year. If you don't code: learn Claude Code or miss the biggest opportunity to start earning from tech without a CS degree. There's no path forward that doesn't include AI coding tools. None. You have one window. Right now. This week. ↓ Here's your action plan for the next 7 days: Day 1: Watch the full video. Install Claude Code. Set up dependencies. Day 2: Learn basic usage. Try 5 different commands. Day 3: Write your first planning prompt. Build a small project. Day 4: Set up Claude. MD. Configure your memory file. Day 5: Master modes and shortcuts. Build a second project faster. Day 6: Set up Git integration. Automate with tasks. Day 7: Build something real. A tool, an app, a website. Ship it. 7 days. One tool. One completely different skill set. One completely different income potential. Or 7 more days of scrolling Twitter watching other people build things while you "plan to start." Your call. ↓ This is the most important video you'll watch this year. 33 minutes. Complete Claude Code mastery. From zero to building real projects. Save this post. Come back to it every single day this week. Check off each section as you complete it. Follow Himanshu Kumarfor daily Claude Code breakdowns, advanced tutorials, and the exact workflows that are turning beginners into $10K/month builders. The only thing between you and $10K/month with Claude Code is this video and 7 days. Don't waste them. You Must Follow me Himanshu Kumar, so i can send you DM.

CANCEL Your Weekend Plans, & Learn Claude Code Today. This Claude Code teaches more about vibe-coding in 30 mins than most tutorials do in hours. Save this, it'll change how you build forever People are building entire apps and charging clients $5,000 to $20,000 using Claude Code. This Claude Code video is a goldmine. Full Claude Code tutorial. Beginner to pro. Every feature. Every setup step. Every best practice. Zero prior knowledge needed. Save it. Watch it tonight. Not tomorrow. Tonight. Follow Himanshu Kumar so you don't miss the breakdowns for each feature. This is your complete Claude Code roadmap. Lose it and you lose the next 12 months of income. ↓ 1. Understand What Claude Code Actually Is. You think Claude Code is just another chatbot. It's not. And that misunderstanding is why you're broke. ChatGPT gives you text. Claude Code gives you software. It runs in your terminal. It reads your entire codebase. It writes files directly to your project. It runs commands on your machine. It debugs errors autonomously. It builds features end to end. You're not chatting. You're deploying a developer. One that works 24/7. Never asks for a raise. Never calls in sick. Never pushes broken code at 5 PM on a Friday. People are charging clients $5,000-$10,000 for apps they built with Claude Code in 3 hours. And you didn't even know this tool existed because you're still asking ChatGPT to write you a to-do list. The gap between you and people making money with AI isn't intelligence. It's awareness. Now you're aware. Save this post. Follow Himanshu Kumar for the complete breakdown of every Claude Code feature. ↓ 2. Set Up Claude Code Properly. Most people quit here. "It's too complicated." "I don't know terminal." "I'll set it up later." Later never comes. And "complicated" means "I watched for 30 seconds and gave up." The setup takes 10 minutes. Install Node.js. Install Claude Code via npm. Authenticate your account. Open your terminal. Done. 10 minutes. You spent longer this morning deciding what to have for breakfast. The video walks through every single click. Every command. Every screen. Assuming you know absolutely nothing. If you can download an app on your phone, you can set up Claude Code. It's the same level of difficulty. But you'll still tell yourself it's "too technical" because that excuse is more comfortable than admitting you're just scared to try something new. This is the setup that everything else builds on. Skip it and nothing works. ↓ 3. Use the Desktop App. You don't even need to live in the terminal if you don't want to. Claude Code has a desktop app. Clean interface. Visual feedback. Everything you need without touching command line. But here's the thing most people don't know: The desktop app isn't just a pretty wrapper. It lets you manage projects visually. See file changes in real time. Switch between projects instantly. The people making money with Claude Code use the desktop app for client projects because it's faster to manage multiple builds simultaneously. You're still opening 14 browser tabs to organize one project. They open one app and everything's there. Efficiency isn't a personality trait. It's a tool choice. Save this post. Follow Himanshu Kumar for the desktop app workflow that handles 5 client projects at once. ↓ 4. Install the Right Dependencies. This is where beginners silently fail and blame the tool. Claude Code needs certain dependencies installed to work properly. Miss one and everything breaks. Then you go on Twitter and say "Claude Code doesn't work." It works fine. You just didn't read the setup guide. The video covers every dependency you need. What to install. How to install it. How to verify it's working. No guessing. No Stack Overflow rabbit holes at midnight. No "why isn't this working" for 3 hours. Watch the dependency section once. Follow every step. Never deal with setup issues again. You spent more time last week troubleshooting a printer than this takes. ↓ 5. Work Inside Your Code Editor. Claude Code integrates directly with your code editor. VS Code. Cursor. Whatever you use. It's not a separate window you alt-tab between. It's right there. In your workflow. You type a request. Claude writes the code. The code appears in your editor. You review it. Accept it. Done. No copy pasting between windows. No reformatting code that got mangled in transit. No "which version was the right one." It's like pair programming with someone who never gets distracted, never argues about naming conventions, and actually writes code that works on the first try. Your current coding process is: Google the problem, read 5 answers on Stack Overflow, copy the wrong one, debug for an hour, find the right one, paste it in, break something else, repeat. Claude Code's process is: describe what you want, get working code, move on with your life. Same hour. One method produces working software. The other produces frustration and a browser history full of Stack Overflow tabs. Stop coding the hard way. Save this post. Follow Himanshu Kumar for code editor setup guides and integration tips. ↓ 6. Master Basic Usage. Most people learn 5% of a tool and say they "know" it. You "know" Photoshop because you can crop an image. You "know" Excel because you can sum a column. You "know" Claude Code because you asked it one question. Basic usage means: How to give Claude Code context about your project. How to ask for changes to existing code. How to generate new files and features. How to review what Claude produces. How to iterate when the output isn't perfect. These basics are the foundation of everything. Skip them and every advanced feature feels confusing. Master them and every advanced feature feels obvious. The video breaks down each one with real examples. Not theory. Actual usage on actual projects. You've been using AI tools at 5% capacity and wondering why your results are 5% of what others get. Save this post. Follow Himanshu Kumar for daily Claude Code usage tips. ↓ 7. Learn Every Command. Claude Code has commands that most users never discover. Because most users type one message and expect magic. That's not how professionals use it. Professionals use specific commands that tell Claude Code exactly what to do, how to do it, and what constraints to follow. The difference between a beginner and someone making $10K/month with Claude Code is knowing which command to use and when. The video walks through every single one. Not just what they do. But when to use each one. And why one command is better than another for specific situations. You've been using Claude Code like a hammer. These commands turn it into a full toolbox. Stop treating a power tool like a blunt instrument. Save this post. Follow Himanshu Kumar for the command cheat sheet I use daily. ↓ 8. Understand Modes and Shortcuts. Speed matters. The person who builds an app in 2 hours charges $5,000. The person who builds the same app in 2 days charges $2,000. Same app. Same quality. Different speed. Different income. Claude Code has modes that change how it operates. And shortcuts that cut your workflow time in half. Most people don't know either exists. They use Claude Code in default mode for everything. Like driving a car in first gear on the highway. Technically it works. But everyone is passing you. The video shows you every mode. Every shortcut. Every time-saving trick that separates the people charging $2,000 per project from the people charging $10,000. Speed is money. Literally. Save this post. Follow Himanshu Kumar for the shortcuts that cut my build time by 60%. ↓ 9. Write a Proper Planning Prompt. This is the section that separates amateurs from professionals. And it's the section most people skip. A planning prompt tells Claude Code what you're building before you start building it. Architecture. File structure. Technologies. Features. Constraints. Edge cases. Without a planning prompt, Claude Code guesses. And guessing produces garbage. With a planning prompt, Claude Code executes a clear plan. And clear plans produce working software. The video shows you exactly how to write a planning prompt that makes Claude Code produce professional-grade output on the first try. "But I just want to start coding." That's why your code breaks every time. That's why you restart projects 4 times. That's why nothing you build ever gets finished. Because you refuse to plan. A 5-minute planning prompt saves you 5 hours of debugging. But you'd rather skip the 5 minutes and suffer through the 5 hours because patience isn't your thing. And that's exactly why you're not making money. Planning is the most underpaid skill in coding. And the most overpaid when you master it. Save this post. Follow Himanshu Kumar for the planning prompt templates I use for every client project. ↓ 10. Choose the Right Model. Claude Code lets you select different AI models. Not all models are the same. Not all tasks need the same model. Using the most powerful model for a simple task wastes credits. Using a basic model for a complex task wastes time. The video explains: Which model to use for quick fixes. Which model to use for complex architecture. Which model to use for debugging. Which model to use for code generation. Most people pick one model and use it for everything. That's like using a sledgehammer to hang a picture frame. Model selection is strategy. And strategy is money. The people making $10K/month with Claude Code are strategic about every credit they spend. You're burning through credits because you use the most expensive model to write a hello world. ↓ 11. Use Git and Version Control. If you're not using version control, you're one mistake away from losing everything. Claude Code integrates with Git. Every change tracked. Every version saved. Every mistake reversible. Without Git: Claude makes a change. It breaks something. You can't undo it. You start over. 3 hours wasted. With Git: Claude makes a change. It breaks something. You roll back in 5 seconds. Keep working. Version control isn't optional. It's insurance. And the people not using it are the same people who say "I lost my entire project" like it's something that just happens. It doesn't just happen. It happens because you didn't set up Git. The video walks through the entire Git integration. Save this post. Follow Himanshu Kumar for the Git workflow that's saved every project I've ever built. ↓ 12. Set Up Claude MD and Memory. This is the feature that makes Claude Code feel like a real team member instead of a stranger you explain everything to every time. ClaudeMD is a memory file. You tell Claude Code about your project once. It remembers forever. Coding style preferences. Project architecture decisions. Technology stack. File naming conventions. Business logic rules. Without ClaudeMD: Every new conversation starts from zero. You explain the same things repeatedly. Output is inconsistent. With ClaudeMD: Claude knows your project. Claude follows your rules. Claude produces consistent, professional code. The difference between a sloppy freelancer and a reliable agency is consistency. Claude. MD gives you consistency without the agency overhead. Most people don't set this up and wonder why Claude Code gives different answers every time. ↓ 13. Automate with Tasks. This is where Claude Code stops being a tool and starts being an employee. Tasks let you define repeating workflows. "Every time I push code, run tests." "Every time I create a new file, add boilerplate." "Every time I start a session, check for errors." Automated. Hands-free. Consistent. You're doing these things manually every single day. The same checks. The same steps. The same routine. Tasks do them automatically. So you can focus on the work that actually makes money. Every manual task you automate is time you get back. And time is the only thing you can never make more of. Save this post. Follow Himanshu Kumar for the task automation templates that run my entire workflow. ↓ 14. Explore Features Most People Never Touch. The video covers features that 95% of Claude Code users don't know exist. Because they watched a 3-minute TikTok about Claude Code and think they're experts now. They're not. They're using 5% of a tool that can do everything. The full tutorial goes deep into features that most tutorials skip because they're "too advanced." They're not too advanced. They're too valuable for lazy creators to bother explaining. This video explains all of them. Clearly. For beginners. The 5% of features you don't know about are the 5% that make people rich. ↓ Let's zoom out. I just broke down 14 sections of Claude Code. Setup and installation. Desktop app. Dependencies. Code editor integration. Basic usage. Commands. Modes and shortcuts. Planning prompts. Model selection. Git and version control. Memory and Claude. MD. Tasks and automation. Advanced features. All in one video. All free. All beginner friendly. The person who masters even half of these in the next 2 weeks will be in the top 1% of Claude Code users. The top 1% of Claude Code users are the ones charging $5,000-$10,000 per project and building them in a single afternoon. Everyone else is asking ChatGPT to fix their resume. Same tools. Same access. Completely different outcomes. Because one person treats AI like a toy. And the other treats it like a business. ↓ Here's the hard truth nobody wants to hear. You don't have a talent problem. You don't have an intelligence problem. You don't have a resources problem. You have an action problem. Everything I just listed has a free tutorial right here in the attached video. 33 minutes. That's it. 33 minutes to learn the tool that people are using to build $5,000-$20,000/month businesses. You spent more time today scrolling Twitter than it takes to watch this video. You spent more time this week watching Netflix than it takes to master Claude Code basics. You spent more time this month doing nothing than it would take to completely change your income. The information is free. The tool is accessible. The opportunity is here. The only thing missing is you caring enough to start. ↓ CANCEL your plans this week. This isn't optional anymore. The people learning Claude Code right now will be building apps for the people who didn't learn it. That's not a prediction. That's already happening. Companies are replacing $150/hour developers with one person and Claude Code. If you code: learn Claude Code or become half as valuable by next year. If you don't code: learn Claude Code or miss the biggest opportunity to start earning from tech without a CS degree. There's no path forward that doesn't include AI coding tools. None. You have one window. Right now. This week. ↓ Here's your action plan for the next 7 days: Day 1: Watch the full video. Install Claude Code. Set up dependencies. Day 2: Learn basic usage. Try 5 different commands. Day 3: Write your first planning prompt. Build a small project. Day 4: Set up Claude. MD. Configure your memory file. Day 5: Master modes and shortcuts. Build a second project faster. Day 6: Set up Git integration. Automate with tasks. Day 7: Build something real. A tool, an app, a website. Ship it. 7 days. One tool. One completely different skill set. One completely different income potential. Or 7 more days of scrolling Twitter watching other people build things while you "plan to start." Your call. ↓ This is the most important video you'll watch this year. 33 minutes. Complete Claude Code mastery. From zero to building real projects. Save this post. Come back to it every single day this week. Check off each section as you complete it. Follow Himanshu Kumarfor daily Claude Code breakdowns, advanced tutorials, and the exact workflows that are turning beginners into $10K/month builders. The only thing between you and $10K/month with Claude Code is this video and 7 days. Don't waste them. You Must Follow me Himanshu Kumar, so i can send you DM.

Himanshu Kumar

85,668 просмотров • 2 месяцев назад