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Happy #VFXFriday! I've released my FREE 'Cinematic Explosions' asset for #Unity3D. 🔥 Everything seen in the video is included! AAA high-quality explosive VFX w/ dynamically lit smoke, particles, camera shake, and physics at your fingertips. 🔗 #gamedev #indiedev #vfx #realtimevfx #gameart

Mirza Beig

29,470 subscribers

16,087 Aufrufe • vor 2 Jahren •via X (Twitter)

#VFXFriday #Unity3D

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7 Kommentare

Profilbild von Mirza Beig

Mirza Beigvor 2 Jahren

Same explosion assets used here are included. You can change the flame/emissive colour. Blue, green, anything...

Profilbild von Mirza Beig

Mirza Beigvor 2 Jahren

Still working on volumetric lighting effects!

Profilbild von Mirza Beig

Mirza Beigvor 2 Jahren

Reddit, with a FAQ.

Profilbild von Knight Games

Knight Gamesvor 1 Jahr

Thanks for sharing this! Your works always look amazing

Profilbild von Mirza Beig

Mirza Beigvor 2 Jahren

Asset Store 🔗:

Profilbild von Mawntee

Mawnteevor 2 Jahren

I'm not too familiar with how all the different render pipelines work, but what about this is limiting it to URP? If I just wanted some barebones pre-keyed explosion/smoke stuff, would it be relatively difficult to port over to the BIRP?

Profilbild von Mirza Beig

Mirza Beigvor 2 Jahren

Volumetric lighting is all custom shaders, which is what I'm working on, and specific to each pipeline. The base effect as per the free version is easy to port to either HDRP or BiRP. The Shader Graph sample materials with HDRP or the built-in shaders for BiRP are all you need :) Same textures and setup otherwise. Forces should automatically port over, etc.

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Easily pixelate, blur, and censor stuff in your games. ✍️ I've written a tutorial and released a FREE asset for Unity, to help you do exactly that... for "non-degenerate" rendering. 🔗 #unity3d #gamedev #indiedev #gameart

Easily pixelate, blur, and censor stuff in your games. ✍️ I've written a tutorial and released a FREE asset for Unity, to help you do exactly that... for "non-degenerate" rendering. 🔗 #unity3d #gamedev #indiedev #gameart

Mirza Beig

20,373 Aufrufe • vor 7 Monaten

🚨 LIMITED TIME OFFER 🚨 🔥 BRAINROT ULTRA ASSET PACK 💸 €200 OFF – Now only €550 instead of €750! 🎁 FREE SAMPLE INCLUDED! Get 5 Brainrot Characters for FREE and test the quality before buying. 📦 Full Pack Includes: • 78 Unique Brainrot Characters • 1,404 Ready-Made Blueprints • 5 Mutation Variations (VFX + Materials) • 3 Animations per Character • 12 Animated Lucky Blocks • 24 Gym Machines • Brainrot SFX Pack • Every Icon Included • UEFN + Roblox Support ⚡ Drag & Drop into UEFN or Roblox 🎮 Optimized for PC, Console & Mobile 👇 Free Sample + Full Pack Link in Reply #UEFN #FortniteCreative #RobloxDev #RobloxStudio #GameDev

🚨 LIMITED TIME OFFER 🚨 🔥 BRAINROT ULTRA ASSET PACK 💸 €200 OFF – Now only €550 instead of €750! 🎁 FREE SAMPLE INCLUDED! Get 5 Brainrot Characters for FREE and test the quality before buying. 📦 Full Pack Includes: • 78 Unique Brainrot Characters • 1,404 Ready-Made Blueprints • 5 Mutation Variations (VFX + Materials) • 3 Animations per Character • 12 Animated Lucky Blocks • 24 Gym Machines • Brainrot SFX Pack • Every Icon Included • UEFN + Roblox Support ⚡ Drag & Drop into UEFN or Roblox 🎮 Optimized for PC, Console & Mobile 👇 Free Sample + Full Pack Link in Reply #UEFN #FortniteCreative #RobloxDev #RobloxStudio #GameDev

Nasty

10,912 Aufrufe • vor 3 Monaten

So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Google Flow VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.

So Runway Gen 4.5 finally adds image-to-video, the workflow most pros rely on for consistency. We put it head to head with Kling AI and Google Flow VEO using the same reference images and prompts (below) to evaluate motion quality, stability, and cinematic realism. 1. Action/WaterPhysics Test Prompt: Cinematic, wide-shot of a man running in a shallow river. The camera is tracking the man from behind as he runs up the river. Handheld camera shake as the camera follows the man. 2. Fire Physics Test Prompt: Cinematic, wide-shot of terrified woman running towards her burning barn. She abruptly stops, and puts in hands on her head as she watches her barn burn down. 3. VFX test prompt: Cinematic, wide-shot of a hooded figure. Flashes of purple magic and smoke whirl around the figure. The figure lifts its arms as the purple magic and smoke intensifies. 4. 2D Animation Test Prompt: 2D animated shot of a waiting at a bus stop in a thunderstorm. The man turns, walks to the bench, and sits down. 5. 3D Animation Test Prompt: 3D animated shot of an octopus. The octopus reaches into a coral and picks up a glowing white gem. 6. Conversation Test Prompt: slow camera push-in as two friends are having a conversation at a coffee shop Overall verdict: Despite the “world’s best” claim, Runway Gen 4.5 is not there yet. Prompt adherence is solid, but motion, physics, and cinematic realism still lag behind tools like Kling and VEO. Great platform, mid-tier model for now.

Curious Refuge

25,712 Aufrufe • vor 8 Monaten

$She thought she was in control until the darkness awakened. Made with seedance 2.5 Prompt: Create a 30-second ultra-cinematic supernatural fantasy sequence, photorealistic, high-end Hollywood VFX quality.A young woman with long straight black hair and bangs sits in a warm, dimly lit bedroom at night, wearing elegant white pajamas. Start with an intimate close-up of her looking down, then slowly push the camera toward her face. She suddenly senses something strange and looks directly toward the camera.She raises both hands as if controlling an invisible supernatural force. The atmosphere becomes intense, subtle particles and dark energy begin swirling around her. Suddenly, a mysterious white-haired female character appears in the room at incredible speed. She has pale skin, short silver-white hair, sharp expressive eyes, and wears a white outfit. She moves with supernatural agility, rushing toward the camera while reaching forward.The room begins shaking violently. Furniture and objects vibrate, dust and debris float through the air. The ceiling suddenly cracks open with a powerful burst of brilliant white-blue supernatural light. Walls fracture dramatically, creating a huge opening that reveals the dark night sky the dust settles, the white-haired character stands in the destroyed room, illuminated by the strange light. Cut to an extreme close-up of her face as she looks shocked and breathes heavily.Then slowly reveal a gigantic mysterious black cat standing in the darkness behind her. The cat is unnaturally large, extremely fluffy, with glowing yellow eyes and an intimidating supernatural presence.End on a dramatic close-up of the giant black cat staring directly into the camera. Smooth cinematic camera movement, realistic facial expressions, detailed hair physics, realistic cloth movement, volumetric lighting, floating dust particles, dynamic debris, dramatic shadows, shallow depth of field, realistic VFX, film-quality color grading, seamless transitions, highly detailed environment, photorealistic, 4K, cinematic masterpiece.$

She thought she was in control until the darkness awakened. Made with seedance 2.5 Prompt: Create a 30-second ultra-cinematic supernatural fantasy sequence, photorealistic, high-end Hollywood VFX quality.A young woman with long straight black hair and bangs sits in a warm, dimly lit bedroom at night, wearing elegant white pajamas. Start with an intimate close-up of her looking down, then slowly push the camera toward her face. She suddenly senses something strange and looks directly toward the camera.She raises both hands as if controlling an invisible supernatural force. The atmosphere becomes intense, subtle particles and dark energy begin swirling around her. Suddenly, a mysterious white-haired female character appears in the room at incredible speed. She has pale skin, short silver-white hair, sharp expressive eyes, and wears a white outfit. She moves with supernatural agility, rushing toward the camera while reaching forward.The room begins shaking violently. Furniture and objects vibrate, dust and debris float through the air. The ceiling suddenly cracks open with a powerful burst of brilliant white-blue supernatural light. Walls fracture dramatically, creating a huge opening that reveals the dark night sky the dust settles, the white-haired character stands in the destroyed room, illuminated by the strange light. Cut to an extreme close-up of her face as she looks shocked and breathes heavily.Then slowly reveal a gigantic mysterious black cat standing in the darkness behind her. The cat is unnaturally large, extremely fluffy, with glowing yellow eyes and an intimidating supernatural presence.End on a dramatic close-up of the giant black cat staring directly into the camera. Smooth cinematic camera movement, realistic facial expressions, detailed hair physics, realistic cloth movement, volumetric lighting, floating dust particles, dynamic debris, dramatic shadows, shallow depth of field, realistic VFX, film-quality color grading, seamless transitions, highly detailed environment, photorealistic, 4K, cinematic masterpiece.

Zyrella

55,198 Aufrufe • vor 25 Tagen

A cinematic battle brought to life with Seedance 2.5. Darkness, destruction, and pure cinematic energy. Prompt ⤵️ Create a 27-second dark fantasy cinematic battle sequence set in a destroyed futuristic city during an apocalyptic storm. Scene 1 — Establishing shot (0–4 sec): Begin with a wide aerial cinematic shot of a devastated futuristic city. Massive skyscrapers are damaged and burning, smoke covers the streets, dark storm clouds fill the sky, and flaming debris falls from above. The atmosphere should feel hopeless, epic, and dangerous. Use dramatic volumetric lighting, realistic fire, thick smoke, flying ash, and subtle camera shake. Scene 2 — Warrior reveal (4–8 sec): Cut to a powerful female warrior standing in the middle of the destruction. She wears highly detailed dark metallic fantasy armor with sharp sculpted elements and glowing blue energy flowing around her body. Her eyes glow intensely. Lightning strikes behind her as she raises her arms and channels enormous electrical energy. Use a slow cinematic push-in toward her face, dramatic backlighting, wind moving her hair and armor details. Scene 3 — Enemy attack (8–13 sec): Introduce a huge monstrous armored enemy emerging through the smoke. The warrior charges toward it while several shadowy creatures move through the ruined battlefield. Show fast, dynamic sword combat with powerful impacts, sparks, flying debris, and realistic weight. Use low-angle shots, tracking shots, and brief slow-motion moments during major attacks. Scene 4 — Lightning clash (13–19 sec): The warrior releases a massive blue-white lightning attack toward the enemy. The enemy blocks with its enormous weapon, creating a spectacular energy collision. Lightning spreads across the ground, illuminating the battlefield. The camera circles around the fighters while explosions, dust, smoke, and debris fill the background. Scene 5 — Final confrontation (19–24 sec): Move into intense close-up combat. The warrior dodges a devastating strike and counters with a glowing energy blade. The enemy becomes surrounded by fiery orange energy while the warrior remains surrounded by cold blue lightning, creating a strong visual contrast. Scene 6 — Final hero shot (24–27 sec): End with the warrior standing alone on cracked ground after the battle. She slowly raises her glowing weapon as golden-orange energy burns around her. The destroyed city and storm remain in the background. Finish with a dramatic low-angle hero shot and a slow camera pullback. Visual style: photorealistic dark fantasy, AAA video-game cinematic, high-detail armor, realistic human movement, cinematic destruction, volumetric fog, dramatic storm lighting, realistic fire and smoke, blue lightning effects, orange energy, dynamic camera movement, realistic physics, shallow depth of field, anamorphic cinematic look, high contrast, epic scale, ultra-detailed VFX. Motion: smooth character animation, realistic combat choreography, controlled camera shake, fast tracking shots, slow-motion impact moments, natural cloth and hair movement. Quality: cinematic 4K appearance, realistic textures, consistent character design throughout, physically believable lighting and particles, no cartoon look, no distorted anatomy, no extra limbs, no flickering, no sudden character changes.

A cinematic battle brought to life with Seedance 2.5. Darkness, destruction, and pure cinematic energy. Prompt ⤵️ Create a 27-second dark fantasy cinematic battle sequence set in a destroyed futuristic city during an apocalyptic storm. Scene 1 — Establishing shot (0–4 sec): Begin with a wide aerial cinematic shot of a devastated futuristic city. Massive skyscrapers are damaged and burning, smoke covers the streets, dark storm clouds fill the sky, and flaming debris falls from above. The atmosphere should feel hopeless, epic, and dangerous. Use dramatic volumetric lighting, realistic fire, thick smoke, flying ash, and subtle camera shake. Scene 2 — Warrior reveal (4–8 sec): Cut to a powerful female warrior standing in the middle of the destruction. She wears highly detailed dark metallic fantasy armor with sharp sculpted elements and glowing blue energy flowing around her body. Her eyes glow intensely. Lightning strikes behind her as she raises her arms and channels enormous electrical energy. Use a slow cinematic push-in toward her face, dramatic backlighting, wind moving her hair and armor details. Scene 3 — Enemy attack (8–13 sec): Introduce a huge monstrous armored enemy emerging through the smoke. The warrior charges toward it while several shadowy creatures move through the ruined battlefield. Show fast, dynamic sword combat with powerful impacts, sparks, flying debris, and realistic weight. Use low-angle shots, tracking shots, and brief slow-motion moments during major attacks. Scene 4 — Lightning clash (13–19 sec): The warrior releases a massive blue-white lightning attack toward the enemy. The enemy blocks with its enormous weapon, creating a spectacular energy collision. Lightning spreads across the ground, illuminating the battlefield. The camera circles around the fighters while explosions, dust, smoke, and debris fill the background. Scene 5 — Final confrontation (19–24 sec): Move into intense close-up combat. The warrior dodges a devastating strike and counters with a glowing energy blade. The enemy becomes surrounded by fiery orange energy while the warrior remains surrounded by cold blue lightning, creating a strong visual contrast. Scene 6 — Final hero shot (24–27 sec): End with the warrior standing alone on cracked ground after the battle. She slowly raises her glowing weapon as golden-orange energy burns around her. The destroyed city and storm remain in the background. Finish with a dramatic low-angle hero shot and a slow camera pullback. Visual style: photorealistic dark fantasy, AAA video-game cinematic, high-detail armor, realistic human movement, cinematic destruction, volumetric fog, dramatic storm lighting, realistic fire and smoke, blue lightning effects, orange energy, dynamic camera movement, realistic physics, shallow depth of field, anamorphic cinematic look, high contrast, epic scale, ultra-detailed VFX. Motion: smooth character animation, realistic combat choreography, controlled camera shake, fast tracking shots, slow-motion impact moments, natural cloth and hair movement. Quality: cinematic 4K appearance, realistic textures, consistent character design throughout, physically believable lighting and particles, no cartoon look, no distorted anatomy, no extra limbs, no flickering, no sudden character changes.

Noor 🌸

11,649 Aufrufe • vor 1 Monat

I've compiled some performance tips gleaned from working on my 1 million GPU AI steering agents project. I want to see Twitter compression destroy this video. 🚀 GPGPU: N-Body - O(n^2) - simulations are easily processed in parallel. GPUs are really good at parallel processing = 🫶. 🌐 Spatial hashing: Accelerate local group search via sorting into an unbounded grid (int3 cell -> 1D hash/array index). ⏩ Asynchronous compute: Once the data is on the GPU, both the simulation and rendering are handled there. There's no need to synchronize the physics step to visual update frames with decoupled rendering (see below). 🔄 Batched/staggered update cycle: Spread updates over multiple dispatches/frames. 🎭 Decoupled simulation-rendering: Simulation step can be much lower than visual updates. Use interpolation and/or simple velocity integration. In my case I'm passing the smoothed-out position and velocity of the boid 'particles' to VFX Graph for rendering. With these techniques you can get 100,000 boids even mobile/smartphones. 📱 Please don't mind the emojis, I like to flavour and stylize my text. #gamedev #indiedev

I've compiled some performance tips gleaned from working on my 1 million GPU AI steering agents project. I want to see Twitter compression destroy this video. 🚀 GPGPU: N-Body - O(n^2) - simulations are easily processed in parallel. GPUs are really good at parallel processing = 🫶. 🌐 Spatial hashing: Accelerate local group search via sorting into an unbounded grid (int3 cell -> 1D hash/array index). ⏩ Asynchronous compute: Once the data is on the GPU, both the simulation and rendering are handled there. There's no need to synchronize the physics step to visual update frames with decoupled rendering (see below). 🔄 Batched/staggered update cycle: Spread updates over multiple dispatches/frames. 🎭 Decoupled simulation-rendering: Simulation step can be much lower than visual updates. Use interpolation and/or simple velocity integration. In my case I'm passing the smoothed-out position and velocity of the boid 'particles' to VFX Graph for rendering. With these techniques you can get 100,000 boids even mobile/smartphones. 📱 Please don't mind the emojis, I like to flavour and stylize my text. #gamedev #indiedev

Mirza Beig

13,296 Aufrufe • vor 2 Jahren

It has been about 45 days since I was laid off at my 6 figure gamedev/engineering job. Here's what I've accomplished since going full time indie gamedev. - Happiness is at all time highs.. The creative excitement I've felt everyday has been amazing! For about 15 days I kind of dabbled around different areas to figure out what I wanted to work on and sink myself into. - I dabbled with VFX authoring in Three.js - I built the basis of an MMO engine in Rust Language and rendered it in Three.js I then decided I wanted to focus on something realistic and get a game out the door that could turn me from wanting to be a full time indie gamedev, to actually doing it, because realistically none of those projects are going to make me a living. I settled on building a Roblox game because I felt I like I could make something pretty unique and cool with a built in userbase. I chose roblox because it has a good platform of discovery for new games, which I think is pretty crucial for indie devs. - I then ported Plume my threejs library for Niagra like VFX to Roblox. - completed the full gameloop for my roblox game. What's featured in the video - Several menu types for kind of figuring out the direction and some placeholder menus - Cross server guilds/parties/queing - Itemization - Loot Tables - Inventory - Character Equipment - Item Upgrading/Leveling - Some interaction polishing - 1 Completed class with actions, unique boss drops, vfx/sfx - Boss State Machines / Encounter Systems - 1 Boss encounter - Everything is server authorative to prevent cheating. - Sound system Over the next 45 days my focus is on finish the last of the systems that will make up the game(solo quest/mission(story) content, monster codex, move raid board/social from the isolated menu you see in the video to the newer full screen menus, leaderboards. Once those systems are complete it will be time to then focus on just creating content so hopefully a few of you out there will come join and play! If any of this looks interesting or you want to follow the journey of trying to make it as a solo indie developer, follow along! #gamedev #indiedev #robloxdev

It has been about 45 days since I was laid off at my 6 figure gamedev/engineering job. Here's what I've accomplished since going full time indie gamedev. - Happiness is at all time highs.. The creative excitement I've felt everyday has been amazing! For about 15 days I kind of dabbled around different areas to figure out what I wanted to work on and sink myself into. - I dabbled with VFX authoring in Three.js - I built the basis of an MMO engine in Rust Language and rendered it in Three.js I then decided I wanted to focus on something realistic and get a game out the door that could turn me from wanting to be a full time indie gamedev, to actually doing it, because realistically none of those projects are going to make me a living. I settled on building a Roblox game because I felt I like I could make something pretty unique and cool with a built in userbase. I chose roblox because it has a good platform of discovery for new games, which I think is pretty crucial for indie devs. - I then ported Plume my threejs library for Niagra like VFX to Roblox. - completed the full gameloop for my roblox game. What's featured in the video - Several menu types for kind of figuring out the direction and some placeholder menus - Cross server guilds/parties/queing - Itemization - Loot Tables - Inventory - Character Equipment - Item Upgrading/Leveling - Some interaction polishing - 1 Completed class with actions, unique boss drops, vfx/sfx - Boss State Machines / Encounter Systems - 1 Boss encounter - Everything is server authorative to prevent cheating. - Sound system Over the next 45 days my focus is on finish the last of the systems that will make up the game(solo quest/mission(story) content, monster codex, move raid board/social from the isolated menu you see in the video to the newer full screen menus, leaderboards. Once those systems are complete it will be time to then focus on just creating content so hopefully a few of you out there will come join and play! If any of this looks interesting or you want to follow the journey of trying to make it as a solo indie developer, follow along! #gamedev #indiedev #robloxdev

Forge

20,146 Aufrufe • vor 4 Monaten

One shot. One dream. One unforgettable finish. ⚽🔥 Made this cinematic World Cup final using Agent Team inside RoboNeo with visuals powered by Seedance 2.0. Video Prompt 👇 A cinematic 30 second World Cup inspired short film set in a futuristic mega stadium at night. The atmosphere is electric with packed crowds waving flags, flashing lights, giant holographic scoreboards, smoke effects, and cinematic rain reflections on the pitch. Opening scene starts with a young underdog football captain walking through the stadium tunnel in slow motion while hearing the deafening roar of fans. Close up shots of boots touching the wet ground, tense faces, jerseys moving in the wind, and dramatic eye contact between rival teams. Ultra realistic cinematic camera movement, emotional tension, dynamic lighting, realistic crowd reactions, premium sports commercial quality. As the beat intensifies, transition into fast paced World Cup action. Explosive dribbling sequences, impossible skill moves, aggressive tackles, synchronized team movement, dramatic goalkeeper saves, and cinematic slow motion shots of the ball flying across the field. Final hero shot begins at the climax of the match. The captain performs a gravity defying bicycle kick from outside the box while multiple defenders leap in slow motion. Stadium lights flicker, rain particles freeze mid air, crowds erupt, camera rotates around the player in ultra cinematic style as the ball curves perfectly into the top corner of the net. Massive fireworks explode above the stadium while teammates rush in celebration. Hyper realistic visuals, emotional storytelling, cinematic sports trailer pacing, high energy World Cup atmosphere, multi character consistency, smooth action choreography, realistic physics, premium blockbuster film quality, anamorphic lens flare, dramatic sound design, epic final frame with trophy reflection and roaring crowd. #RoboNeo

One shot. One dream. One unforgettable finish. ⚽🔥 Made this cinematic World Cup final using Agent Team inside RoboNeo with visuals powered by Seedance 2.0. Video Prompt 👇 A cinematic 30 second World Cup inspired short film set in a futuristic mega stadium at night. The atmosphere is electric with packed crowds waving flags, flashing lights, giant holographic scoreboards, smoke effects, and cinematic rain reflections on the pitch. Opening scene starts with a young underdog football captain walking through the stadium tunnel in slow motion while hearing the deafening roar of fans. Close up shots of boots touching the wet ground, tense faces, jerseys moving in the wind, and dramatic eye contact between rival teams. Ultra realistic cinematic camera movement, emotional tension, dynamic lighting, realistic crowd reactions, premium sports commercial quality. As the beat intensifies, transition into fast paced World Cup action. Explosive dribbling sequences, impossible skill moves, aggressive tackles, synchronized team movement, dramatic goalkeeper saves, and cinematic slow motion shots of the ball flying across the field. Final hero shot begins at the climax of the match. The captain performs a gravity defying bicycle kick from outside the box while multiple defenders leap in slow motion. Stadium lights flicker, rain particles freeze mid air, crowds erupt, camera rotates around the player in ultra cinematic style as the ball curves perfectly into the top corner of the net. Massive fireworks explode above the stadium while teammates rush in celebration. Hyper realistic visuals, emotional storytelling, cinematic sports trailer pacing, high energy World Cup atmosphere, multi character consistency, smooth action choreography, realistic physics, premium blockbuster film quality, anamorphic lens flare, dramatic sound design, epic final frame with trophy reflection and roaring crowd. #RoboNeo

Leonardo

46,724 Aufrufe • vor 4 Monaten

Zero VFX experience. Just Claude, Seedance 2.0, and a phone clip. The result looks like a $10M scene In this tutorial you'll learn how to create cinematic AI VFX from your own real footage — no green screen, no masking, no compositing, no render times. Claude doesn't touch the video — it reads your clip frame by frame and writes the prompt, locking your face, camera move, light, and gestures, then naming the one thing to change and when. That prompt goes into Seedance 2.0, which only touches what was named. That's the trick. You're not describing an effect and hoping the AI gets it. Claude studies the footage first and hands Seedance a locked, precise instruction — which is why a hand can morph mid-sentence with zero visible cut, or neon reflections land on the dashboard automatically, with nothing graded by hand. One clip in, one sentence to Claude, one prompt into Seedance 2.0 — and out comes a shot that would normally cost a studio a month. ▪ 00:00 Intro ▪ 01:28 The 3 levels of AI VFX ▪ 01:59 Level 1 — Swapping the world (walking) ▪ 04:32 Level 2 — Changing an element ▪ 07:26 Level 3 — The handheld showcase ▪ 10:15 Outro YouTube: "Higgsfield AI - I Added Insane AI VFX to Real Footage in 4K(Seedance 2.0)" Thank you for sharing this free tutorial with us. It is invaluable information.

Zero VFX experience. Just Claude, Seedance 2.0, and a phone clip. The result looks like a $10M scene In this tutorial you'll learn how to create cinematic AI VFX from your own real footage — no green screen, no masking, no compositing, no render times. Claude doesn't touch the video — it reads your clip frame by frame and writes the prompt, locking your face, camera move, light, and gestures, then naming the one thing to change and when. That prompt goes into Seedance 2.0, which only touches what was named. That's the trick. You're not describing an effect and hoping the AI gets it. Claude studies the footage first and hands Seedance a locked, precise instruction — which is why a hand can morph mid-sentence with zero visible cut, or neon reflections land on the dashboard automatically, with nothing graded by hand. One clip in, one sentence to Claude, one prompt into Seedance 2.0 — and out comes a shot that would normally cost a studio a month. ▪ 00:00 Intro ▪ 01:28 The 3 levels of AI VFX ▪ 01:59 Level 1 — Swapping the world (walking) ▪ 04:32 Level 2 — Changing an element ▪ 07:26 Level 3 — The handheld showcase ▪ 10:15 Outro YouTube: "Higgsfield AI - I Added Insane AI VFX to Real Footage in 4K(Seedance 2.0)" Thank you for sharing this free tutorial with us. It is invaluable information.

Zentrix⌚️

28,606 Aufrufe • vor 2 Monaten

A normal football moment turned into a futuristic legend. ⚽⚡🔥 From a dream shot to a cyber-powered goal AI brought this cinematic football universe to life. Made with GPT Image 2 + Seedance 2.0 Mini on Pollo AI Prompt: Scene 1 (0–2s) – Stadium Establishing Shot A packed football stadium at night under brilliant floodlights. The crowd roars as the camera slowly pushes toward the pitch. Flags wave, atmospheric particles float through the air, and the stadium feels massive and alive. Ultra-realistic sports broadcast quality. Scene 2 (2–4s) – Perfect Cross An original football athlete wearing a sleek futuristic white-and-neon football kit tracks a perfect aerial cross. The camera follows the ball before smoothly transitioning to the athlete's focused expression. Dramatic anticipation builds with cinematic slow motion. Scene 3 (4–7s) – The Leap The athlete explodes into an incredible bicycle volley. The camera switches between low-angle tracking shots, slow-motion close-ups, and dynamic aerial perspectives. Flying grass, dust, and motion blur enhance the realism. Scene 4 (7–10s) – Time Freeze At the exact instant before the foot touches the ball, time completely freezes. Every particle hangs motionless. The camera performs a slow cinematic orbit around the athlete while the stadium remains perfectly frozen. Scene 5 (10–13s) – Cyber Transformation Mechanical armor assembles over the athlete's body piece by piece. Blue and orange energy lines ignite, the visor activates, mechanical wings unfold, and the football transforms into a glowing plasma sphere surrounded by electricity, fire, sparks, and floating energy fragments. Scene 6 (13–15s) – Cliffhanger The transformation completes. The cyber athlete remains frozen inches away from striking the glowing plasma ball. End with a dramatic close-up, intense lens flare, floating energy particles, and a seamless cliffhanger ready for Part 2. Style: Original fictional character only. Hyper-realistic, Unreal Engine 5 quality, cyberpunk-mecha anime fusion, premium VFX, volumetric lighting, HDR, cinematic sports commercial, smooth camera movement, 1080p detail, blockbuster visuals. Negative Prompt: No real football players, no celebrity likeness, no club logos, no copyrighted jerseys, no watermarks, no text, no subtitles, no storyboard visible, no extra limbs, no deformed anatomy, no blurry frames, no flickering, no low quality, no camera shake, no glitches. Part 2 Scene 1 (15–17s) – Action Resumes Time suddenly resumes from the frozen frame. The cyber athlete unleashes a devastating bicycle volley. The instant the foot strikes the plasma football, a massive burst of blue electricity, orange fire, sparks, plasma energy, and shockwaves explodes outward. Capture the impact with ultra slow motion and dramatic close-ups. Scene 2 (17–20s) – Plasma Ball Flight The plasma football rockets toward the goal at incredible speed, leaving behind blazing fire trails, blue lightning, glowing plasma particles, and motion streaks. The camera alternates between tracking shots, side views, and behind-the-ball perspectives while the crowd becomes a cinematic blur. Scene 3 (20–22s) – Goal Impact The glowing plasma football smashes into the top corner of the goal. The net ripples violently as a gigantic energy explosion erupts. Sparks, debris, plasma waves, and holographic shockwaves spread throughout the stadium with blockbuster visual effects. Scene 4 (22–25s) – Stadium Celebration The stadium erupts with fireworks, holographic lights, smoke, confetti, waving flags, and roaring fans. Bright floodlights illuminate the entire arena while glowing energy particles drift through the air. Epic cinematic drone shots reveal the celebration. Scene 5 (25–28s) – Hero Landing The cyber athlete lands powerfully on the pitch. Mechanical wings slowly fold back into the armor while blue energy lines gradually fade. Floating sparks and glowing fragments surround the athlete as the camera circles dramatically. Scene 6 (28–30s) – Epic Finale The athlete stands in a victorious heroic pose facing the roaring stadium. The camera slowly pushes in while cinematic lens flares, volumetric lighting, drifting smoke, and holographic particles fill the scene. End on a premium blockbuster frame with an unforgettable cinematic finish. Style: Original fictional football athlete only. Do not resemble or recreate any real football player, club, team, logo, jersey, or copyrighted content. Hyper-realistic, Unreal Engine 5 quality, cyberpunk-mecha anime fusion, HDR, volumetric lighting, premium VFX, smooth cinematic camera movement, ultra-detailed 1080p, realistic physics, blockbuster sports commercial. Negative Prompt: No real football players, no celebrity likeness, no club logos, no copyrighted jerseys, no watermarks, no subtitles, no storyboard visible, no extra limbs, no deformed anatomy, no blurry frames, no flickering, no glitches, no low quality, no camera shake. #PolloAI #PolloCup

Stonic AI

31,347 Aufrufe • vor 3 Monaten

As someone who trains and fine-tunes LLMs, this backpropagation video is the closest thing to a "the calc 1 rule that trains every LLM on earth" explainer I've ever seen released for free. Everyone thinks training GPT-5 requires exotic math. It doesn't. The entire $500B AI industry runs on the chain rule from freshman calculus - the exact rule Marvin Minsky said would never work. Bookmark this 30-min video and watch tonight. Same math your high school teacher taught you, now updating every weight in Claude, GPT-5, and Llama.

As someone who trains and fine-tunes LLMs, this backpropagation video is the closest thing to a "the calc 1 rule that trains every LLM on earth" explainer I've ever seen released for free. Everyone thinks training GPT-5 requires exotic math. It doesn't. The entire $500B AI industry runs on the chain rule from freshman calculus - the exact rule Marvin Minsky said would never work. Bookmark this 30-min video and watch tonight. Same math your high school teacher taught you, now updating every weight in Claude, GPT-5, and Llama.

fintex

50,749 Aufrufe • vor 1 Monat

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.

Noor 🌸

23,748 Aufrufe • vor 1 Monat

Why the character movement in my custom game engine felt janky and how I fixed it. In a game engine, most often, a character moves using the physics engine. Meaning, the player is not just a coordinate in space but a physical body. It has velocity, it handles collisions, and it interacts with the world. Now, as you might know, physics engines need stability. If you run them at variable framerates, things start breaking. Objects phase through walls or fly off into space because the math becomes unpredictable. This is why most game engines lock their physics loop to a 60Hz fixed rate. But here’s the problem: If you have a high-end system, you don't want to limit it at 60 FPS. That's a waste of good hardware. Now, that said, if the GPU is rendering at 144 FPS but the player's position (physics driven) only updates 60 times a second, it creates a micro-stutter that ruins the "smooth" feel of the game. A good way to fix this is to treat the character as two separate things: 1. The Physics Body (Invisible part): This is the "real" character. It lives in the 60Hz physics world, it moves the player and handles collisions. 2. The Visual Model and Camera (Visible part): This is what the player actually sees. It doesn't care about collisions, its only job is to look nice and smooth at whatever framerate the GPU is pushing. Once you have this separation, you can use interpolation to keep them in sync. Every time the physics clock ticks, you save the previous position of the invisible body before moving it to the new one. Between those ticks, calculate how far we are between the last physics update and the next one. By using this to drive the visible parts of the game, the stutters disappear. The physics loop stays fixed behind the scenes, while the visuals slide smoothly between the snapshots. Example: - Right after a tick: blend_weight= 0.0 (The visual model stays at the old physics position). - Halfway to the next: blend_weight= 0.5 (The visual model slides to the middle point). - Just before the next: blend_weight= 0.9 (The visual model is almost at the new physics position). Pro-Tip A critical mistake I made initially, and one many devs make, is parenting the camera and visible parts directly to the player body. If you do this, the camera inherits the discrete 60Hz physics movement by default. In that setup, interpolation won't work because the camera is "stuck" to the physics clock. For this fix to work you must decouple the camera and visuals from the body and move them separately. Player movement processing in Detis Engine: - fixed_process: Physics runs at 60Hz. Handles collisions and raw movement. - process: Variable rate. Mainly used for player input caching in the player case. - late_process: Variable rate. Handles interpolated camera movement after physics and everything else is done being processed. - render. Submits the final interpolated transforms to the GPU. The test environment in the video is running on an old 2070-based laptop. Hopefully the video compression won't introduce any stutter... I’m sharing this in hopes it helps a fellow dev. Cheers.

Why the character movement in my custom game engine felt janky and how I fixed it. In a game engine, most often, a character moves using the physics engine. Meaning, the player is not just a coordinate in space but a physical body. It has velocity, it handles collisions, and it interacts with the world. Now, as you might know, physics engines need stability. If you run them at variable framerates, things start breaking. Objects phase through walls or fly off into space because the math becomes unpredictable. This is why most game engines lock their physics loop to a 60Hz fixed rate. But here’s the problem: If you have a high-end system, you don't want to limit it at 60 FPS. That's a waste of good hardware. Now, that said, if the GPU is rendering at 144 FPS but the player's position (physics driven) only updates 60 times a second, it creates a micro-stutter that ruins the "smooth" feel of the game. A good way to fix this is to treat the character as two separate things: 1. The Physics Body (Invisible part): This is the "real" character. It lives in the 60Hz physics world, it moves the player and handles collisions. 2. The Visual Model and Camera (Visible part): This is what the player actually sees. It doesn't care about collisions, its only job is to look nice and smooth at whatever framerate the GPU is pushing. Once you have this separation, you can use interpolation to keep them in sync. Every time the physics clock ticks, you save the previous position of the invisible body before moving it to the new one. Between those ticks, calculate how far we are between the last physics update and the next one. By using this to drive the visible parts of the game, the stutters disappear. The physics loop stays fixed behind the scenes, while the visuals slide smoothly between the snapshots. Example: - Right after a tick: blend_weight= 0.0 (The visual model stays at the old physics position). - Halfway to the next: blend_weight= 0.5 (The visual model slides to the middle point). - Just before the next: blend_weight= 0.9 (The visual model is almost at the new physics position). Pro-Tip A critical mistake I made initially, and one many devs make, is parenting the camera and visible parts directly to the player body. If you do this, the camera inherits the discrete 60Hz physics movement by default. In that setup, interpolation won't work because the camera is "stuck" to the physics clock. For this fix to work you must decouple the camera and visuals from the body and move them separately. Player movement processing in Detis Engine: - fixed_process: Physics runs at 60Hz. Handles collisions and raw movement. - process: Variable rate. Mainly used for player input caching in the player case. - late_process: Variable rate. Handles interpolated camera movement after physics and everything else is done being processed. - render. Submits the final interpolated transforms to the GPU. The test environment in the video is running on an old 2070-based laptop. Hopefully the video compression won't introduce any stutter... I’m sharing this in hopes it helps a fellow dev. Cheers.

Ioannis Koukourakis

48,703 Aufrufe • vor 9 Monaten

The 0 to 100K Days Blueprint (What Gurus Won't Tell You)" Just hit 6K followers. To celebrate, I'm dropping the most valuable video I've ever made for free. "Winner products" is the biggest lie in ecom. I watched my students take "dead" saturated products and scale them to 200K$ days. Same products everyone laughed at. Here's the real framework: → Product is only 20% → Avatar mastery is everything → Ads + LP = 50% of your success → Your offer can 3x conversions overnight This video breaks down the FULL system from 0 to 100K$ days. The blueprint.

Zakaria_airakaz

109,234 Aufrufe • vor 9 Monaten

The girl who is late for her date Seedance 2.5 for you Prompt 👇 Create a 30-second cinematic 3D animated street-racing sequence with a stylized high-end video-game aesthetic, expressive cartoon characters, realistic vehicle physics, dynamic camera work, polished feature-film animation, and energetic comedic pacing. Scene 1 — The forgotten date: A stylish young woman with long black hair, expressive eyes, oversized sunglasses, silver hoop earrings, a cropped black leather jacket, fitted white top, high-waisted jeans, and chunky sneakers relaxes on her apartment sofa while scrolling through her phone. She suddenly checks the time, realizes she completely forgot about an important date, freezes in shock, drops her phone onto the sofa, and dramatically screams while jumping to her feet. Scene 2 — Instant transformation: She races toward her bedroom. Fast comedic cuts show her throwing on a red leather jacket, adjusting her earrings, grabbing her handbag, putting on sunglasses, and quickly fixing her hair. She grabs her keys and rushes out of the apartment. Scene 3 — The getaway car: She bursts into an underground parking garage and jumps into a sleek modified red sports car. The engine roars as she grips the steering wheel with determination. She looks at the clock, widens her eyes, and slams the accelerator. Scene 4 — Downtown launch: The car launches onto a busy city street. Low-angle shots capture the wheels spinning, tire smoke, reflections across the glossy bodywork, and the car accelerating between traffic. Buildings streak past as the camera rapidly switches between front, side, overhead, and interior shots. Scene 5 — The chaotic chase: She races through downtown, weaving around taxis, buses, delivery vans, and intersections. She takes a sharp corner in a controlled drift, narrowly passes through a closing traffic barrier, and cuts through a narrow alley as the camera follows with aggressive tracking movement. Scene 6 — Impossible shortcut: She spots a steep parking-ramp entrance and takes it at full speed. The car launches briefly over the ramp, lands smoothly, spins into a controlled drift, and exits onto another street. Use dramatic slow-motion impact, tire smoke, realistic suspension movement, and exaggerated but believable physics. Scene 7 — Finally there: She reaches a stylish rooftop café overlooking the city at golden hour and slides the car to a stop. She jumps out, quickly fixes her hair, checks herself in the car window, and runs toward the entrance. Scene 8 — The date: A stylish young man is waiting outside the café, looking at his watch. She arrives breathless and gives him an embarrassed smile. He looks at her for a moment, then laughs. She points toward the city and jokingly gestures that the traffic was not her fault. Final shot: They walk into the rooftop café together as the camera pulls backward. Through the glass windows, the red sports car remains parked below while the golden city skyline glows behind them. Visual style: Premium stylized 3D animation, expressive facial acting, exaggerated comedy, detailed character animation, realistic vehicle physics, cinematic lighting, vibrant downtown environment, realistic reflections, volumetric sunlight, tire smoke, subtle sparks, detailed car textures, natural hair and clothing movement, smooth camera animation, high-energy music-video pacing, polished AAA video-game cinematic quality. Camera: Constantly moving cinematic camera, low-angle tracking, aerial shots, interior POV, wheel close-ups, Dutch angles, whip pans, speed ramps, dramatic push-ins, realistic motion blur. Mood: Chaotic, funny, stylish, romantic, adrenaline-fueled. Audio: Energetic cinematic beat, engine revs, tire screeches, city ambience, footsteps, car doors, comedic reaction sounds, and natural dialogue. No subtitles, no logos, no watermark, no on-screen text.

The girl who is late for her date Seedance 2.5 for you Prompt 👇 Create a 30-second cinematic 3D animated street-racing sequence with a stylized high-end video-game aesthetic, expressive cartoon characters, realistic vehicle physics, dynamic camera work, polished feature-film animation, and energetic comedic pacing. Scene 1 — The forgotten date: A stylish young woman with long black hair, expressive eyes, oversized sunglasses, silver hoop earrings, a cropped black leather jacket, fitted white top, high-waisted jeans, and chunky sneakers relaxes on her apartment sofa while scrolling through her phone. She suddenly checks the time, realizes she completely forgot about an important date, freezes in shock, drops her phone onto the sofa, and dramatically screams while jumping to her feet. Scene 2 — Instant transformation: She races toward her bedroom. Fast comedic cuts show her throwing on a red leather jacket, adjusting her earrings, grabbing her handbag, putting on sunglasses, and quickly fixing her hair. She grabs her keys and rushes out of the apartment. Scene 3 — The getaway car: She bursts into an underground parking garage and jumps into a sleek modified red sports car. The engine roars as she grips the steering wheel with determination. She looks at the clock, widens her eyes, and slams the accelerator. Scene 4 — Downtown launch: The car launches onto a busy city street. Low-angle shots capture the wheels spinning, tire smoke, reflections across the glossy bodywork, and the car accelerating between traffic. Buildings streak past as the camera rapidly switches between front, side, overhead, and interior shots. Scene 5 — The chaotic chase: She races through downtown, weaving around taxis, buses, delivery vans, and intersections. She takes a sharp corner in a controlled drift, narrowly passes through a closing traffic barrier, and cuts through a narrow alley as the camera follows with aggressive tracking movement. Scene 6 — Impossible shortcut: She spots a steep parking-ramp entrance and takes it at full speed. The car launches briefly over the ramp, lands smoothly, spins into a controlled drift, and exits onto another street. Use dramatic slow-motion impact, tire smoke, realistic suspension movement, and exaggerated but believable physics. Scene 7 — Finally there: She reaches a stylish rooftop café overlooking the city at golden hour and slides the car to a stop. She jumps out, quickly fixes her hair, checks herself in the car window, and runs toward the entrance. Scene 8 — The date: A stylish young man is waiting outside the café, looking at his watch. She arrives breathless and gives him an embarrassed smile. He looks at her for a moment, then laughs. She points toward the city and jokingly gestures that the traffic was not her fault. Final shot: They walk into the rooftop café together as the camera pulls backward. Through the glass windows, the red sports car remains parked below while the golden city skyline glows behind them. Visual style: Premium stylized 3D animation, expressive facial acting, exaggerated comedy, detailed character animation, realistic vehicle physics, cinematic lighting, vibrant downtown environment, realistic reflections, volumetric sunlight, tire smoke, subtle sparks, detailed car textures, natural hair and clothing movement, smooth camera animation, high-energy music-video pacing, polished AAA video-game cinematic quality. Camera: Constantly moving cinematic camera, low-angle tracking, aerial shots, interior POV, wheel close-ups, Dutch angles, whip pans, speed ramps, dramatic push-ins, realistic motion blur. Mood: Chaotic, funny, stylish, romantic, adrenaline-fueled. Audio: Energetic cinematic beat, engine revs, tire screeches, city ambience, footsteps, car doors, comedic reaction sounds, and natural dialogue. No subtitles, no logos, no watermark, no on-screen text.

Smiling Khan

10,760 Aufrufe • vor 1 Monat

I'm actually garbage at using AI for videos. But people still loved "Founder Mode" AI Music Video because it was meaningful and there was some thought put into it. I've seen a lot of amazing/cool looking AI videos that get praised but never leave the tech twitter bubble because the video is soulless and boring. This is the equivalent of a high production quality short film, but empty/generic with no real unique voice. To all AI artists + technologists: If you teach me AI Video techniques, I'll teach you storytelling in exchange. That way, we can have more meaningful content in the world and lower the barrier of entry for video making. DM me your work or post it here for everyone to see. Let's accelerate AI-assisted storytelling.

I'm actually garbage at using AI for videos. But people still loved "Founder Mode" AI Music Video because it was meaningful and there was some thought put into it. I've seen a lot of amazing/cool looking AI videos that get praised but never leave the tech twitter bubble because the video is soulless and boring. This is the equivalent of a high production quality short film, but empty/generic with no real unique voice. To all AI artists + technologists: If you teach me AI Video techniques, I'll teach you storytelling in exchange. That way, we can have more meaningful content in the world and lower the barrier of entry for video making. DM me your work or post it here for everyone to see. Let's accelerate AI-assisted storytelling.

Joma Tech

92,969 Aufrufe • vor 1 Jahr

Spiderwoman in your town Seedance 2.0 on FlovaAI prompt 45-Second Cinematic AI Video Prompt** 45 seconds, photorealistic, cinematic superhero film, ultra-detailed, 8K HDR, realistic physics, dynamic camera movement, fast-paced editing, dramatic lighting, natural facial expressions, high-end VFX, Japanese female lead, no text, no watermark. **Main Character:** A beautiful young **Japanese woman** in her early 20s with fair skin, soft natural makeup, expressive dark brown eyes, and shoulder-length black hair tied into a low ponytail. She wears an **oversized light blue knit sweater**, loose gray pants, and white sneakers throughout the story. Maintain identical facial identity, hairstyle, body proportions, and outfit consistency across every scene. ### Scene 1 (0–6s) – The Spider Bite Inside a cozy modern apartment during the afternoon. Extreme macro close-up as a glowing crystal-like translucent spider slowly crawls onto the back of the Japanese woman's neck. The spider sparkles with iridescent blue light before gently biting her. A glowing blue spider-shaped mark appears beneath her skin, sending shimmering energy across her neck. She gasps softly and turns in surprise. Cinematic macro lens, shallow depth of field, dramatic lighting. ### Scene 2 (6–12s) – Powers Awakening She walks through her apartment wearing her oversized **light blue sweater** and gray pants. Suddenly books, mugs, and small household objects begin floating around her. Confused, she raises her hands, and a metallic glowing spider web suddenly shoots from her wrist, sticking to a distant wall. Her eyes widen in shock before she smiles with excitement. Fast push-in camera, floating debris, cinematic energy effects. ### Scene 3 (12–21s) – First Leap She steps onto the balcony of a towering skyscraper overlooking a massive modern metropolis under bright daylight. Without hesitation she leaps into open air. The camera rotates as she freefalls upside down between towering glass skyscrapers. Just before reaching another building, she fires brilliant silver-blue web lines from both wrists and swings powerfully through the city. Dynamic drone shots, rapid FPV movement, realistic wind simulation, superhero movie energy. ### Scene 4 (21–31s) – Web Acrobatics An adrenaline-filled montage of spectacular web-swinging through narrow urban streets, soaring between skyscrapers, performing flips above busy intersections, landing gracefully on rooftops, vaulting across glass towers, and gliding over a luxurious rooftop infinity pool overlooking the skyline. The camera alternates between cinematic tracking shots, aerial drone views, slow-motion hero moments, and fast FPV chase sequences. Bright daylight, highly realistic reflections, cinematic action. ### Scene 5 (31–36s) – Sunset Break Golden-hour sunset. A peaceful wide cinematic shot shows her sitting comfortably on a high steel construction beam far above the city. She casually eats a sandwich while admiring the glowing skyline. Gentle breeze moves her ponytail and oversized **light blue sweater**. Warm orange sunlight creates a calm contrast to the previous action scenes. Emotional cinematic composition. ### Scene 6 (36–41s) – Neon Night Nighttime in a vibrant neon-lit alley filled with colorful reflections after light rain. She hangs upside down from a single web line, smiling warmly. A curious black cat sits calmly on a nearby windowsill staring back at her. Blue and pink neon lights reflect across her face and sweater while the city glows behind her. Slow cinematic camera orbit with soft depth of field. ### Scene 7 (41–45s) – Home Again She swings effortlessly back toward her apartment building, lands smoothly on her balcony, performs a stylish flip into the living room, and collapses onto the sofa laughing happily. She pulls out her phone, starts chatting excitedly, and smiles as the camera slowly pulls away through the apartment window while the city lights sparkle outside. End with a cinematic superhero-style closing shot. **Visual Style:** Hollywood superhero movie aesthetic, photorealistic, cinematic color grading, realistic cloth simulation, physically accurate web physics, dynamic lighting, volumetric sunlight, realistic facial animation, expressive emotions, smooth character consistency, high-speed action choreography, premium VFX, ultra-detailed environments, crisp reflections, motion blur, dramatic camera transitions, IMAX-quality visuals, 8K HDR.

Spiderwoman in your town Seedance 2.0 on FlovaAI prompt 45-Second Cinematic AI Video Prompt 45 seconds, photorealistic, cinematic superhero film, ultra-detailed, 8K HDR, realistic physics, dynamic camera movement, fast-paced editing, dramatic lighting, natural facial expressions, high-end VFX, Japanese female lead, no text, no watermark. Main Character: A beautiful young Japanese woman in her early 20s with fair skin, soft natural makeup, expressive dark brown eyes, and shoulder-length black hair tied into a low ponytail. She wears an oversized light blue knit sweater, loose gray pants, and white sneakers throughout the story. Maintain identical facial identity, hairstyle, body proportions, and outfit consistency across every scene. ### Scene 1 (0–6s) – The Spider Bite Inside a cozy modern apartment during the afternoon. Extreme macro close-up as a glowing crystal-like translucent spider slowly crawls onto the back of the Japanese woman's neck. The spider sparkles with iridescent blue light before gently biting her. A glowing blue spider-shaped mark appears beneath her skin, sending shimmering energy across her neck. She gasps softly and turns in surprise. Cinematic macro lens, shallow depth of field, dramatic lighting. ### Scene 2 (6–12s) – Powers Awakening She walks through her apartment wearing her oversized light blue sweater and gray pants. Suddenly books, mugs, and small household objects begin floating around her. Confused, she raises her hands, and a metallic glowing spider web suddenly shoots from her wrist, sticking to a distant wall. Her eyes widen in shock before she smiles with excitement. Fast push-in camera, floating debris, cinematic energy effects. ### Scene 3 (12–21s) – First Leap She steps onto the balcony of a towering skyscraper overlooking a massive modern metropolis under bright daylight. Without hesitation she leaps into open air. The camera rotates as she freefalls upside down between towering glass skyscrapers. Just before reaching another building, she fires brilliant silver-blue web lines from both wrists and swings powerfully through the city. Dynamic drone shots, rapid FPV movement, realistic wind simulation, superhero movie energy. ### Scene 4 (21–31s) – Web Acrobatics An adrenaline-filled montage of spectacular web-swinging through narrow urban streets, soaring between skyscrapers, performing flips above busy intersections, landing gracefully on rooftops, vaulting across glass towers, and gliding over a luxurious rooftop infinity pool overlooking the skyline. The camera alternates between cinematic tracking shots, aerial drone views, slow-motion hero moments, and fast FPV chase sequences. Bright daylight, highly realistic reflections, cinematic action. ### Scene 5 (31–36s) – Sunset Break Golden-hour sunset. A peaceful wide cinematic shot shows her sitting comfortably on a high steel construction beam far above the city. She casually eats a sandwich while admiring the glowing skyline. Gentle breeze moves her ponytail and oversized light blue sweater. Warm orange sunlight creates a calm contrast to the previous action scenes. Emotional cinematic composition. ### Scene 6 (36–41s) – Neon Night Nighttime in a vibrant neon-lit alley filled with colorful reflections after light rain. She hangs upside down from a single web line, smiling warmly. A curious black cat sits calmly on a nearby windowsill staring back at her. Blue and pink neon lights reflect across her face and sweater while the city glows behind her. Slow cinematic camera orbit with soft depth of field. ### Scene 7 (41–45s) – Home Again She swings effortlessly back toward her apartment building, lands smoothly on her balcony, performs a stylish flip into the living room, and collapses onto the sofa laughing happily. She pulls out her phone, starts chatting excitedly, and smiles as the camera slowly pulls away through the apartment window while the city lights sparkle outside. End with a cinematic superhero-style closing shot. Visual Style:** Hollywood superhero movie aesthetic, photorealistic, cinematic color grading, realistic cloth simulation, physically accurate web physics, dynamic lighting, volumetric sunlight, realistic facial animation, expressive emotions, smooth character consistency, high-speed action choreography, premium VFX, ultra-detailed environments, crisp reflections, motion blur, dramatic camera transitions, IMAX-quality visuals, 8K HDR.

Aaliya

56,907 Aufrufe • vor 2 Monaten

This Google Veo 3 "frames to video" feature is pure genius 💡 If you're creating video ads, this Veo 3 technique gives you surgical control over every scene element. This frames-to-video feature will take any static product shot... And turn it into cinematic reels with precise camera movements & timing. Perfect for creative strategists, agencies, and DTC operators running video campaigns. But instead of hoping AI generates what you hope for... Just upload your reference image and get exact scene control in minutes. The game-changer? Your static assets become dynamic video gold → organized by camera moves, action sequences, & precise timing control. Here's what frames-to-video gives you: → upload any product reference image → add numbered annotations for camera movements → structure scene directions (I use JSON for precision) → set duration, fps, lighting specs → get frame-perfect video execution → no video shooting or expensive production needed Now you've got director-level control from single images. These HexClad reels were generated from two static product shots + a JSON prompt for each. When your campaign needs cinematic quality but you only have product photos? This frames-to-video workflow changes everything. And it's only getting better Want my full annotation setup guide, including the JSON prompts? Comment "FRAMES" + follow and I'll send it over (must be following/connected so I can DM)

This Google Veo 3 "frames to video" feature is pure genius 💡 If you're creating video ads, this Veo 3 technique gives you surgical control over every scene element. This frames-to-video feature will take any static product shot... And turn it into cinematic reels with precise camera movements & timing. Perfect for creative strategists, agencies, and DTC operators running video campaigns. But instead of hoping AI generates what you hope for... Just upload your reference image and get exact scene control in minutes. The game-changer? Your static assets become dynamic video gold → organized by camera moves, action sequences, & precise timing control. Here's what frames-to-video gives you: → upload any product reference image → add numbered annotations for camera movements → structure scene directions (I use JSON for precision) → set duration, fps, lighting specs → get frame-perfect video execution → no video shooting or expensive production needed Now you've got director-level control from single images. These HexClad reels were generated from two static product shots + a JSON prompt for each. When your campaign needs cinematic quality but you only have product photos? This frames-to-video workflow changes everything. And it's only getting better Want my full annotation setup guide, including the JSON prompts? Comment "FRAMES" + follow and I'll send it over (must be following/connected so I can DM)

Mike Futia

39,911 Aufrufe • vor 1 Jahr

JUNIORS IN THE $5,000 GOLD ERA: RISK VS REWARD RIGHT NOW Gold smashing above $5,000 and silver in triple digits has created one of the strongest precious metals bull markets in history. Expert Don Durrett shares unfiltered views on juniors—where the real upside and hidden risks lie in this explosive phase. THE BULL MARKET IS FULLY ON: WIND AT OUR BACK ✅ Don Durrett: "We're in a full-fledged bull market... I don't see a path for 2026 where gold doesn't go higher." ➡️ Silver broke out in August at $35 and surged 200% in six months—this is rare strength. 📈 "This is the third bull market I've seen... we're early because miners are still cheap." THE REAL REWARD: MASSIVE UPSIDE IN QUALITY JUNIORS ✅ Quality producers lead the way—40-50% of portfolios should be here for the best risk-reward. ➡️ Developers are next: undervalued, with huge potential in the mania phase. 🔥 Don: "I'm looking for 5-10 baggers... developers haven't caught up yet, they're very cheap." 💰 "The upside is absolutely amazing... I see 10-baggers in the developer space." PULLBACKS? BUY THE DIP STRATEGY WINS ✅ In bull markets, expect higher highs—even after corrections. ➡️ October's 12-22% dip recovered in weeks—gold is now the "buy the dip" asset. 🚀 Don: "Ride the train and buy the dip... corrections last 4-12 weeks." 📉 "Volatility in silver will be higher, but as long as gold trends up, silver follows." THE BOTTOM LINE This bull market rewards quality and patience—focus on proven teams, solid projects, and good jurisdictions before everything gets pricey in the next 6 months. Seize the rare window—quality juniors won't stay this undervalued forever. Current personal portfolio for this commodity supercycle: HT: YouTube VRIC Media Don Durrett - goldstockdata.com #Gold #Silver #JuniorMining #PreciousMetals #BullMarket

JUNIORS IN THE $5,000 GOLD ERA: RISK VS REWARD RIGHT NOW Gold smashing above $5,000 and silver in triple digits has created one of the strongest precious metals bull markets in history. Expert Don Durrett shares unfiltered views on juniors—where the real upside and hidden risks lie in this explosive phase. THE BULL MARKET IS FULLY ON: WIND AT OUR BACK ✅ Don Durrett: "We're in a full-fledged bull market... I don't see a path for 2026 where gold doesn't go higher." ➡️ Silver broke out in August at $35 and surged 200% in six months—this is rare strength. 📈 "This is the third bull market I've seen... we're early because miners are still cheap." THE REAL REWARD: MASSIVE UPSIDE IN QUALITY JUNIORS ✅ Quality producers lead the way—40-50% of portfolios should be here for the best risk-reward. ➡️ Developers are next: undervalued, with huge potential in the mania phase. 🔥 Don: "I'm looking for 5-10 baggers... developers haven't caught up yet, they're very cheap." 💰 "The upside is absolutely amazing... I see 10-baggers in the developer space." PULLBACKS? BUY THE DIP STRATEGY WINS ✅ In bull markets, expect higher highs—even after corrections. ➡️ October's 12-22% dip recovered in weeks—gold is now the "buy the dip" asset. 🚀 Don: "Ride the train and buy the dip... corrections last 4-12 weeks." 📉 "Volatility in silver will be higher, but as long as gold trends up, silver follows." THE BOTTOM LINE This bull market rewards quality and patience—focus on proven teams, solid projects, and good jurisdictions before everything gets pricey in the next 6 months. Seize the rare window—quality juniors won't stay this undervalued forever. Current personal portfolio for this commodity supercycle: HT: YouTube VRIC Media Don Durrett - goldstockdata.com #Gold #Silver #JuniorMining #PreciousMetals #BullMarket

Mark

59,545 Aufrufe • vor 7 Monaten