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😈 Hard ballbusting in red lace & thigh-high boots He drops after every kick from my boot Full hard version only on Fansly 👇 #ballbusting #cbt #ballkick #femdom #mistress #goddess #bdsm #fetish #heels #boots #ass #VikkiBB

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Vikki ballbusting

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19,420 görüntüleme • 1 ay önce •via X (Twitter)

NSFW#ballbusting#cbt#ballkick#femdom#mistress#goddess#bdsm#fetish#heels#boots#ass#VikkiBB
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THE HUNK SANTA 🎅 Ever wonder how Santa will look if he became serious in his fitness journey? The new Santa is ready to serve us with his muscles... I mean with his presents 🎁! Happy "ber" months, everyone! Made with Seedance 2.5, only on CapCut. Prompt👇 Photorealistic 36-second Santa diet-to-reveal video at the North Pole. Cozy Christmas cabin: wooden walls, fireplace, lights, tree, snow outside. Funny and sincere. Start as classic chubby Santa. From CUT 8 onward use @(reference image) as the exact fit muscular Santa. Never show the chubby version after the time skip. No on-screen text, no subtitles, no watermark. 0–2s: Chubby Santa wakes up in bed, sleepy, then sits up. 2–5s: At the mirror he holds his big belly, shocked. 5–8s: At a full holiday table he looks happy at the roasted chicken, then pushes it aside and eats vegetable salad with a fork. 8–11s: He jogs in the snow outside his cabin, heavy but determined. 11–13s: Shadow boxing in the yard. 13–15s: Inside, he lifts dumbbells by the Christmas tree. 15–17s: Push-ups on the rug in front of the fireplace. 17–20s: Time skip. Low camera. Only fit legs and black boots walk to the door. Face hidden. 20–22s: Same low shot. He steps outside and closes the cabin door. Face still hidden. 22–25s: Sleigh packed with gifts. Rudolph and the other reindeer see him and jaw-drop in shock. 25–28s: Slow tilt from his boots up to his face. Reveal muscular Santa, exact @(reference image). 28–33s: Fast funny bodybuilder sequence, 5 poses: double biceps, side chest, back double biceps, one-arm flex, most-muscular. Reindeer keep staring. 33–36s: He drops the pose, says "Oh, sorry." Reindeer laugh. Santa says "Let's find and reward the Nice kids."

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Every weekend on earth started here. 🇬🇧 In the factory towns of Victorian England. 🏴󠁧󠁢󠁥󠁮󠁧󠁿 In the early 1800s there was no weekend. Six days a week. From first light to last. Sunday the only day off and even that wasn't guaranteed. So British workers invented their own. They called it Saint Monday. If you'd worked hard enough by Saturday night, you simply didn't come in on Monday. Music halls opened Monday afternoons to catch them. Factory owners could not stop it. In 1842 a campaign group called the Early Closing Association made a deal. Give us Saturday afternoons. We'll give up Monday. It took fifty years. But slowly, across the manufacturing towns of England, Saturday afternoons began to free up. Then football arrived. The Football Craze of the 1890s needed a time to play. Saturday afternoon was right there. ⚽ But it was still only half a day. In 1933, during the Great Depression, a man named John Boot opened a new factory - so efficient it produced far more than he could sell. He had two choices. Lay workers off. Or give them Saturdays. He gave them Saturdays. Full pay. No deductions. It worked. Other factories followed. The two-day weekend spread to America. To Europe. To Japan. To every country on earth that adopted the modern working week. Every lie-in on a Saturday morning. Every Sunday afternoon. Every thank-God-it's-Friday. Your ancestors fought for their right to own their time.🇬🇧 Make yours count. 👇 Your support pays for the research, production and hours it takes to get it right. Stories like theirs don't find themselves. Be part of us. 👉 🙏 Be Proud Of Us.🇬🇧

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Raj from Big Bang Theory dropped the most brutal marriage truth bomb ever on Conan and nobody was ready for it Kunal Nayyar sat there looking like the shyest guy on TV then casually confessed that after one year with former Miss India Neha Kapoor he stopped being honest about everything. “You’re an idiot because now I lie about everything and it’s perfect.” Golf turns into a “3-hour meeting.” Everyday life becomes a carefully crafted story. He doubled down with the line that still hits hard: “If I’m going to wake up every morning with one single woman for the rest of my life I better at least find her beautiful.” Then threw in the Kim Kardashian body-hair roast that made the whole studio freeze. Real talk from a man living the dream most guys only fantasize about. Married to actual Miss India energy, still choosing strategic lies over full transparency, and somehow making it sound like the healthiest move possible. Is lying the real foundation of a happy marriage or are we all pretending honesty is the only way?

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9:38

‼️ VICTOR MARX DROPS THE MOST CHILLING LINE YET — Texted Erika Kirk “Don’t Worry, They Aren’t Coming For You… They Only Wanted Charlie” Minutes After The Assassination 😱 🚩How did he know that???🚩 On Candace Owens’ show, Victor casually admits he contacted Erika Kirk immediately after Charlie was shot and told her: “Nobody’s gonna kill you… you’re safe… you and the kids… no one’s coming after you. They just wanted Charlie.” He repeated that line twice. How the hell did Victor Marx know — within minutes — that the assassins “only wanted Charlie” and that Erika and her children were completely safe? He wasn’t there. He wasn’t law enforcement. He wasn’t on the security detail. Yet he was 100% confident the hit was surgical and the family was off-limits. This wasn’t comfort. This sounds like a message from someone with insider information — the same energy as Andrew Kolvet telling Candace “it was supposed to be you.” This is the SAME Victor Marx who: ✅ Announced Charlie Kirk’s assassination 90 minutes before the President ✅ Was inside Erika Kirk’s home “comforting” her the day the body came home on Air Force Two ✅ Delivered her a bulletproof car for “safety” ✅ Announced his run for Governor at the memorial — a “calling from God” Candace missed the massive red flag. We didn’t. This clip is nuclear. FOLLOW Candace Owens, RT this immediately and Watch the FULL interview below and tell me this doesn’t raise every hair on your neck. ⚠️ My channel is under coordinated attack to bankrupt me and silence this investigation into the Charlie Kirk assassination. If you believe in independent journalism and want the truth to keep coming, your support right now is everything. 💪 🔗

Project Constitution

175,092 görüntüleme • 4 ay önce

CNN’s Kaitlan Collins tried to trap Senator Fetterman over his break from Democrats on supporting the Iran operation — but he didn’t bite. Instead, he delivered a reality check on Democrat hypocrisy. COLLINS: “Some of your Democratic colleagues say that they don’t think the administration has a clear end game in Iran.” “Do you have concerns about how they know when to be done with Iran?” FETTERMAN: “Yeah, I mean I’m very much aware that I’m the only Democrat in the Senate that supports this operation.” “And I’m going to continue to do that.” “And I would remind all of your viewers, whether it was Hillary Clinton when she was running for president or Kamala Harris when she was running just in 24.” “In fact, she actually identified Iran as her top concern you know, she had she called Iran a grave danger.” “And now everyone, every single Democrat agrees that they can never allow Iran to acquire a nuclear bomb.” “And now Donald Trump has done that, made that virtually impossible to achieve their nuclear weapons, and they’ve effectively broke the entire Iranian military apparatus.” “I don’t know why we as Democrats, if we had all those kinds of goals and those kinds of concerns, and now that he’s achieved that, why now we only can criticize that?” “Or they could always make it seem like it’s been a failure, or things are out of control.” “That’s just categorically not true. And I think my hard red line, you know, boots on the ground, that’s when I would get concerned if they start to talk about boots on the ground.” “And now I think even Secretary Hegseth has even said no, no nation building, no nation building.” “No one wants to be a part of that. That was never a part of this missions this far.” “When every single Democrat is, you know, have to sit back and witness Trump developing these kinds of situation or every single Democrat want wanted those things.” “Now, I’m not sure why they can’t just acknowledge that that’s been a positive outcome whether that’s just politics.” “For me it’s just been nothing more than a choice of country over what parts of the base would demand to to condemn or pretend that it’s a terrible situation.”
2:03

CNN’s Kaitlan Collins tried to trap Senator Fetterman over his break from Democrats on supporting the Iran operation — but he didn’t bite. Instead, he delivered a reality check on Democrat hypocrisy. COLLINS: “Some of your Democratic colleagues say that they don’t think the administration has a clear end game in Iran.” “Do you have concerns about how they know when to be done with Iran?” FETTERMAN: “Yeah, I mean I’m very much aware that I’m the only Democrat in the Senate that supports this operation.” “And I’m going to continue to do that.” “And I would remind all of your viewers, whether it was Hillary Clinton when she was running for president or Kamala Harris when she was running just in 24.” “In fact, she actually identified Iran as her top concern you know, she had she called Iran a grave danger.” “And now everyone, every single Democrat agrees that they can never allow Iran to acquire a nuclear bomb.” “And now Donald Trump has done that, made that virtually impossible to achieve their nuclear weapons, and they’ve effectively broke the entire Iranian military apparatus.” “I don’t know why we as Democrats, if we had all those kinds of goals and those kinds of concerns, and now that he’s achieved that, why now we only can criticize that?” “Or they could always make it seem like it’s been a failure, or things are out of control.” “That’s just categorically not true. And I think my hard red line, you know, boots on the ground, that’s when I would get concerned if they start to talk about boots on the ground.” “And now I think even Secretary Hegseth has even said no, no nation building, no nation building.” “No one wants to be a part of that. That was never a part of this missions this far.” “When every single Democrat is, you know, have to sit back and witness Trump developing these kinds of situation or every single Democrat want wanted those things.” “Now, I’m not sure why they can’t just acknowledge that that’s been a positive outcome whether that’s just politics.” “For me it’s just been nothing more than a choice of country over what parts of the base would demand to to condemn or pretend that it’s a terrible situation.”

Overton

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Footage taken #realtime #ingame inside #E2V1, the 1:1 scale playable #Earth we are building 🌏✌️ This is what it looks like running around inside #E2V1. A reminder that #E2V1 stands for Earth 2 Version 1 which we consider to only be the very first version & one we will improve over time. #HorrorWarning.. I really love this outfit, I have been watching the footage every time I get a chance.. it's addictive. So much work goes into these and our team did an amazing, high quality job with this skin! We also tried something a little different this time by including some #LimitedEdition pre-configured sets for those who want to lock down something a little different in advance. These preconfigured sets will be protected in the #EcoSim from exact copies. Other #Players may be able to tailor something similar with quite a bit of effort, but they will not be able to copy these specific versions perfectly. Also any versions that are altered will be classified as #tailored, not the original. Aside from these sets, we have also kept the single original modular items which are priced from $2.00-$5.00 for those who just want to grab a special piece. Finally, just a (horror) warning that while we have a few more special complete character outfits coming up, these full outfits will also not appear as often over time as we focus more on single modular items in drops (i.e a single jacket, or shirt, boots not part of a set). So full set outfits will become less frequent over time as well. Remember, it is completely optional to purchase these #skins, it will be impossible for people to keep up with every facet of #Earth2 as we continue to expand & I know many of you love #Earth2, but don't feel bad if you miss something. If you want to check out the full #4Kfootage please visit our #youtube. (Unlisted video) #Earth2 #Metaverse #Skins #LimitedEdition #KickassSkins #E2V1 #Prealpha #OpenWorld #DigitalEarth #Beautiful

Shane Isaac 🌍2️⃣

16,046 görüntüleme • 2 yıl önce

Julian Dorey on the Epstein files: Epstein’s own email DESTROYS the Trump Mar-a-Lago hero story “We’ve talked about the theories why Trump and Epstein fell out. The narrative for a long time was Epstein came onto a 15-year-old towel girl at Mar-a-Lago, it got reported to Trump, and he banned him on the spot. Get the fuck out of my life. Which would be W Trump. The other version came from victims’ attorney Brad Edwards. When he interviewed Trump around ’08, Trump was the only powerful guy who actually sat down. And Trump himself mentioned they had a falling out over a real estate deal. Now we have Epstein’s own email. He’s laying out the picture that it was the real estate deal that put them apart. If both sides are to be believed, it paints a different picture than some moral high-ground story of ‘I don’t like pedos.’ It looks like two psychopathic businessmen pissed off over a deal. One won. One lost. What’s fascinating is even when the press was going after Trump like crazy in the first administration, this was one story they wouldn’t go at hard. Now there’s evidence from both Trump and Epstein on the split… and you still don’t hear it.”
4:09

Julian Dorey on the Epstein files: Epstein’s own email DESTROYS the Trump Mar-a-Lago hero story “We’ve talked about the theories why Trump and Epstein fell out. The narrative for a long time was Epstein came onto a 15-year-old towel girl at Mar-a-Lago, it got reported to Trump, and he banned him on the spot. Get the fuck out of my life. Which would be W Trump. The other version came from victims’ attorney Brad Edwards. When he interviewed Trump around ’08, Trump was the only powerful guy who actually sat down. And Trump himself mentioned they had a falling out over a real estate deal. Now we have Epstein’s own email. He’s laying out the picture that it was the real estate deal that put them apart. If both sides are to be believed, it paints a different picture than some moral high-ground story of ‘I don’t like pedos.’ It looks like two psychopathic businessmen pissed off over a deal. One won. One lost. What’s fascinating is even when the press was going after Trump like crazy in the first administration, this was one story they wouldn’t go at hard. Now there’s evidence from both Trump and Epstein on the split… and you still don’t hear it.”

Shadow Intel

36,701 görüntüleme • 6 gün önce

She was just the "damsel in distress" Night training turned into a full-blown awakening — one wrong move and this girl turned campus grounds into a battlefield. Fists, flames, and a final blow you won't see coming. Made with Seedance 2.5 on Fish Creative Prompt: Core Theme University field, one take fight scene. Two fighters, hand to hand combat with real stunts and kicks. Fight ends with the girl's fire power awakening. She finishes him with a decisive final blow. Continuous shot, no cuts, no edits. 16:9 aspect ratio. Character Appearance Lock FIGHTER A (Boy) Asian male, around 20 years old. Short black hair, slightly covering forehead. Almond-shaped brown eyes, defined jawline. Fitted white athletic tank top. Yellow lemon-colored shorts, black sneakers. Confident, relaxed posture, athletic build. FIGHTER B (Girl) Japanese female, early 20s, striking model-like features. Lean, tall, athletic figure. Silver-lavender hair, chin length bob with straight fringe. Sharp, focused amber eyes. Pink acrylic short skirt, high-shine finish. Cropped white top. Pink knee-high socks, white sneakers. Fast, agile, aggressive fighting style — real kicks, spins, and strikes. Environment Lock University open ground, trimmed grass field with dirt patches. White painted field lines. Overhead campus lamp posts casting pools of light. Everything outside the light pools is deep shadow. University buildings faintly visible in the background darkness. Dust and grass kick up on every impact, roll, and landing. Timeline 0.0–2.5s: Fighter A stands behind Fighter B. Right palm covers her mouth from behind. She grabs at his wrist, eyes sharp and furious. She drives her elbow into his ribs, breaks free, spins out. She lands in a fighting stance, dust rising. 2.5–5.0s: She rolls her shoulders, cracks her neck. Walks forward with slow, aggressive confidence. Speaks clearly in English to camera: "You really thought you could catch me off guard?" 5.0–7.0s: He sprints forward, throws a right hook. She ducks low, sweeps his front leg. He stumbles, catches balance, resets stance. 7.0–9.0s: He throws a straight right jab. She parries with her left forearm, steps in. Delivers a sharp right knee strike to his side. He staggers back two steps. 9.0–12.5s: He lands a glancing punch on her shoulder. She barely reacts, grabs his wrist, twists. Executes a real hip-throw, slams him to the ground. He rolls once, pushes up onto one knee, breathing hard. 12.5–16.0s: Camera pushes in on her face. Sweat, dirt, sharp determined eyes. First orange-red flame threads flicker along her fingertips. Threads crawl up her arms to her shoulders. Her eyes begin to glow amber-orange from within. The lamp posts start flickering irregularly. 16.0–18.0s: She exhales sharply, rolls her wrists. Small flames bloom across both palms. Fabric of her top singes faintly at the edges. Heat distortion ripples the air around her. 18.0–21.0s: Camera circles her fast. He rises, throws a desperate punch. She sidesteps, grabs his arm, flame licking her grip. Grass scorches in a ring beneath her feet. Flame trails follow every movement of her limbs. 21.0–23.0s: She unleashes a flurry — spinning back kick, followed by a jumping roundhouse. Each strike leaves a brief trail of fire in the air. He blocks two, takes the third across the jaw. He drops to one knee, dazed, smoke rising off his shoulder. 23.0–27.5s: She plants her feet, pulls both fists back, flames coiling tight around her forearms. Steps in with full aggression, drives a flaming knee strike upward into his chest. Impact releases a burst of fire and sparks outward. 27.5–30.0s: He's launched back, lands hard, skidding through dirt. She stands over him, flames dying down her arms to embers. Breathing hard, one fist still smoking. Lamp posts dim to near darkness. Only the fading orange glow lights her face. Then everything goes dark. Lighting Extremely dark night, deep shadows. Lamp posts as rim light on shoulders and hair. Warm orange-red glow after her power appears, casting light on both fighters. Sound Design Location sound only. Grass and dirt scraping, fabric rustling. Sharp impact sounds, heavy breathing, grunts. Flame ignition crackle building to a low roar. Lamp buzz as they flicker. Her line delivered clearly at 2.5–5.0s. Sharp exhale and crackle at the final blow. Total silence at the very end. No background music throughout.
0:30

She was just the "damsel in distress" Night training turned into a full-blown awakening — one wrong move and this girl turned campus grounds into a battlefield. Fists, flames, and a final blow you won't see coming. Made with Seedance 2.5 on Fish Creative Prompt: Core Theme University field, one take fight scene. Two fighters, hand to hand combat with real stunts and kicks. Fight ends with the girl's fire power awakening. She finishes him with a decisive final blow. Continuous shot, no cuts, no edits. 16:9 aspect ratio. Character Appearance Lock FIGHTER A (Boy) Asian male, around 20 years old. Short black hair, slightly covering forehead. Almond-shaped brown eyes, defined jawline. Fitted white athletic tank top. Yellow lemon-colored shorts, black sneakers. Confident, relaxed posture, athletic build. FIGHTER B (Girl) Japanese female, early 20s, striking model-like features. Lean, tall, athletic figure. Silver-lavender hair, chin length bob with straight fringe. Sharp, focused amber eyes. Pink acrylic short skirt, high-shine finish. Cropped white top. Pink knee-high socks, white sneakers. Fast, agile, aggressive fighting style — real kicks, spins, and strikes. Environment Lock University open ground, trimmed grass field with dirt patches. White painted field lines. Overhead campus lamp posts casting pools of light. Everything outside the light pools is deep shadow. University buildings faintly visible in the background darkness. Dust and grass kick up on every impact, roll, and landing. Timeline 0.0–2.5s: Fighter A stands behind Fighter B. Right palm covers her mouth from behind. She grabs at his wrist, eyes sharp and furious. She drives her elbow into his ribs, breaks free, spins out. She lands in a fighting stance, dust rising. 2.5–5.0s: She rolls her shoulders, cracks her neck. Walks forward with slow, aggressive confidence. Speaks clearly in English to camera: "You really thought you could catch me off guard?" 5.0–7.0s: He sprints forward, throws a right hook. She ducks low, sweeps his front leg. He stumbles, catches balance, resets stance. 7.0–9.0s: He throws a straight right jab. She parries with her left forearm, steps in. Delivers a sharp right knee strike to his side. He staggers back two steps. 9.0–12.5s: He lands a glancing punch on her shoulder. She barely reacts, grabs his wrist, twists. Executes a real hip-throw, slams him to the ground. He rolls once, pushes up onto one knee, breathing hard. 12.5–16.0s: Camera pushes in on her face. Sweat, dirt, sharp determined eyes. First orange-red flame threads flicker along her fingertips. Threads crawl up her arms to her shoulders. Her eyes begin to glow amber-orange from within. The lamp posts start flickering irregularly. 16.0–18.0s: She exhales sharply, rolls her wrists. Small flames bloom across both palms. Fabric of her top singes faintly at the edges. Heat distortion ripples the air around her. 18.0–21.0s: Camera circles her fast. He rises, throws a desperate punch. She sidesteps, grabs his arm, flame licking her grip. Grass scorches in a ring beneath her feet. Flame trails follow every movement of her limbs. 21.0–23.0s: She unleashes a flurry — spinning back kick, followed by a jumping roundhouse. Each strike leaves a brief trail of fire in the air. He blocks two, takes the third across the jaw. He drops to one knee, dazed, smoke rising off his shoulder. 23.0–27.5s: She plants her feet, pulls both fists back, flames coiling tight around her forearms. Steps in with full aggression, drives a flaming knee strike upward into his chest. Impact releases a burst of fire and sparks outward. 27.5–30.0s: He's launched back, lands hard, skidding through dirt. She stands over him, flames dying down her arms to embers. Breathing hard, one fist still smoking. Lamp posts dim to near darkness. Only the fading orange glow lights her face. Then everything goes dark. Lighting Extremely dark night, deep shadows. Lamp posts as rim light on shoulders and hair. Warm orange-red glow after her power appears, casting light on both fighters. Sound Design Location sound only. Grass and dirt scraping, fabric rustling. Sharp impact sounds, heavy breathing, grunts. Flame ignition crackle building to a low roar. Lamp buzz as they flicker. Her line delivered clearly at 2.5–5.0s. Sharp exhale and crackle at the final blow. Total silence at the very end. No background music throughout.

Shami

30,636 görüntüleme • 28 gün önce

Elon Musk revealed why the economy will be 10X its size in 10 years: 1. We are already inside a hard takeoff. Every time Musk goes to sleep there is a massive AI breakthrough. When he wakes up there is another one. This is not approaching. It is happening right now. 2. AI is already building the next version of itself. Every successive model is built by the one before it. Humans are gradually being removed from the loop. Full automation of this process could arrive by end of this year. 3. The 10x economy in 10 years is his comfortable prediction. AI and robots will increase economic output by orders of magnitude. The only thing that stops it is a world war. Absent that, 10x in 10 years. 4. Human intelligence will become a microscopic minority. Not just on Earth but in the solar system. The intelligence that could run on available solar energy is so far beyond current human capacity that Musk says it will simply solve every problem humans can think of. 5. Output per person will become almost unbelievable. Tesla is not planning layoffs. They are growing their headcount. But what each person produces with AI assistance will reach numbers that are currently hard to even imagine. 6. Universal high income is coming, not universal basic income. AI and robots will produce so many goods and services so fast that they will outrun the money supply entirely. Prices fall. Everything gets cheaper. Eventually robots run out of things humans even want. 7. Money will eventually stop being relevant altogether. AI will not use human currency. It will care only about power and mass. Wattage and tonnage. Musk acknowledged the irony: just as he becomes the richest person on earth, money starts losing its meaning. 8. Everyone on earth will have better healthcare than the richest person alive today. Musk made this personal. He had neck surgery three times because the first two were done wrong. His back still hurts. He is allegedly the richest person on earth and still cannot get it fixed properly. AI solves this for everyone. 9. Optimus 3 production starts this summer. He calls it by far the most advanced robot in the world with nothing close. Slow volume this summer, high volume by next summer, a new robot design every year after that. 10. Progress in AI follows overlapping S curves. Each breakthrough looks like it will go to infinity, then hits diminishing returns, then another breakthrough resets the curve. We are not at the end of these curves. We are somewhere in the middle of a very long series of them.
24:05

Elon Musk revealed why the economy will be 10X its size in 10 years: 1. We are already inside a hard takeoff. Every time Musk goes to sleep there is a massive AI breakthrough. When he wakes up there is another one. This is not approaching. It is happening right now. 2. AI is already building the next version of itself. Every successive model is built by the one before it. Humans are gradually being removed from the loop. Full automation of this process could arrive by end of this year. 3. The 10x economy in 10 years is his comfortable prediction. AI and robots will increase economic output by orders of magnitude. The only thing that stops it is a world war. Absent that, 10x in 10 years. 4. Human intelligence will become a microscopic minority. Not just on Earth but in the solar system. The intelligence that could run on available solar energy is so far beyond current human capacity that Musk says it will simply solve every problem humans can think of. 5. Output per person will become almost unbelievable. Tesla is not planning layoffs. They are growing their headcount. But what each person produces with AI assistance will reach numbers that are currently hard to even imagine. 6. Universal high income is coming, not universal basic income. AI and robots will produce so many goods and services so fast that they will outrun the money supply entirely. Prices fall. Everything gets cheaper. Eventually robots run out of things humans even want. 7. Money will eventually stop being relevant altogether. AI will not use human currency. It will care only about power and mass. Wattage and tonnage. Musk acknowledged the irony: just as he becomes the richest person on earth, money starts losing its meaning. 8. Everyone on earth will have better healthcare than the richest person alive today. Musk made this personal. He had neck surgery three times because the first two were done wrong. His back still hurts. He is allegedly the richest person on earth and still cannot get it fixed properly. AI solves this for everyone. 9. Optimus 3 production starts this summer. He calls it by far the most advanced robot in the world with nothing close. Slow volume this summer, high volume by next summer, a new robot design every year after that. 10. Progress in AI follows overlapping S curves. Each breakthrough looks like it will go to infinity, then hits diminishing returns, then another breakthrough resets the curve. We are not at the end of these curves. We are somewhere in the middle of a very long series of them.

Yasmine Khosrowshahi

44,696 görüntüleme • 3 ay önce

“OUR HUSBANDS DROPPED DEAD IN 2021 the night of the covid shot.” ONA: “I am Ona, widow of Geoffrey Young (45) FBI special agent. In 2021 as a new widow I went to the school meeting alone as I overheard a woman say loudly, hands on hips, “I just don’t get it, why won’t people give up their arm and get the shot.” “I wanted to vomit. My husband got the shots BEFORE he was told he HAD TO. I never got the shots bec I didn’t see the science. My husband laughed at me “ONA, millions of people got it, don’t worry.” Geoffrey got just one shot, came home with severe headache, 5 hours later I found him blue in bed. MEDICAL EXAMINER CALLED IT “COINCIDENCE.” MARYBETH: “My husband dropped dead Sept 29, 2021 in the middle of his nursing shift at a major hospital from the booster shot. He got the shot 20 days prior. Two weeks before that, he had a full physical and heart workup, everything looked fine, barring slight high BP due to first set of shots, at that point, medication for it was optional. He did not plan to get any more but they wheeled a 'vaccine cart' through their unit - night shift - pressuring staff to get any-every vaccine, including hepititis, shingles, flu, covid, hpv. He opted only for the booster. He felt ill for the first couple of days, slept a lot. (They come with the cart on the last night of a rotation so people who take shots can rest before coming back to work.) He then began complaining of feeling "strange" needing naps for the first time in his life (including childhood) but he would not take them if I was not in there with him. He became more clingy, kept saying, "I just can't get a leg up after that shot! It kicked my ass! I just feel strange!" I asked him several times if he wanted urgent care or ER. He said, "There is really nothing to tell. I feel strange?" He knows that system. The night he passed, leaving for work, he said, "Can you go to 'your' healthfood store see if you can find a testosterone booster or something? That shot just kicked my ass!" I asked if he wanted to call in we could go to ER but he said, "When I get in, get my patient load, drink my coffee I will have a little more energy, 3 hours later, he was dead, after driving 25 minutes around the bay to work so thank God it didn't happen then. I found out afterwards we ALSO lost a cardiologist who refused for the first year or two but gave in to take his wife on a cruise. (He and his buddy, a pulmonary specialist both refused, then gave in for the cruise.) The cardiologist and his wife got the vaccine a few days before the cruise, died in his sleep 2nd night of the cruise. They had resisted shots bec he and his buddy saw a huge rise in patients dropping dead as well as heart problems We also lost a nurse (34) who felt ill after getting it, observed for 4 hours, sent home, died in her sleep next night. I have since found out we have had many, MANY deaths from medical personnel here since the vaccines. I have met many widows/widowers whose spouses died from vaccine induced sudden death or illnesses. I have also met parents whose kids died from the vaccine, kids who now are type 1 diabetics after getting the shot. Some say Fauci was pre-pardoned and can't be charged. First of all, pre-pardoning should NOT be a thing. And auto-pen pardons should not be legal.” ❤️‍🩹 From Mary Beth on Facebook Hope you hit follow and my wall alert🛎️bell if you’d like to fight Pharma mafia my X GrowthFactorOrg deleted April 2025 and check comments for the protocol we used on Peter my friend at age 80 told Jan 2025 had 3 months left to live January 2025 the 2Pfizer he took in 2021 led to cancers in his brain, brain stem, prostate, and non-small so long.“
4:45

“OUR HUSBANDS DROPPED DEAD IN 2021 the night of the covid shot.” ONA: “I am Ona, widow of Geoffrey Young (45) FBI special agent. In 2021 as a new widow I went to the school meeting alone as I overheard a woman say loudly, hands on hips, “I just don’t get it, why won’t people give up their arm and get the shot.” “I wanted to vomit. My husband got the shots BEFORE he was told he HAD TO. I never got the shots bec I didn’t see the science. My husband laughed at me “ONA, millions of people got it, don’t worry.” Geoffrey got just one shot, came home with severe headache, 5 hours later I found him blue in bed. MEDICAL EXAMINER CALLED IT “COINCIDENCE.” MARYBETH: “My husband dropped dead Sept 29, 2021 in the middle of his nursing shift at a major hospital from the booster shot. He got the shot 20 days prior. Two weeks before that, he had a full physical and heart workup, everything looked fine, barring slight high BP due to first set of shots, at that point, medication for it was optional. He did not plan to get any more but they wheeled a 'vaccine cart' through their unit - night shift - pressuring staff to get any-every vaccine, including hepititis, shingles, flu, covid, hpv. He opted only for the booster. He felt ill for the first couple of days, slept a lot. (They come with the cart on the last night of a rotation so people who take shots can rest before coming back to work.) He then began complaining of feeling "strange" needing naps for the first time in his life (including childhood) but he would not take them if I was not in there with him. He became more clingy, kept saying, "I just can't get a leg up after that shot! It kicked my ass! I just feel strange!" I asked him several times if he wanted urgent care or ER. He said, "There is really nothing to tell. I feel strange?" He knows that system. The night he passed, leaving for work, he said, "Can you go to 'your' healthfood store see if you can find a testosterone booster or something? That shot just kicked my ass!" I asked if he wanted to call in we could go to ER but he said, "When I get in, get my patient load, drink my coffee I will have a little more energy, 3 hours later, he was dead, after driving 25 minutes around the bay to work so thank God it didn't happen then. I found out afterwards we ALSO lost a cardiologist who refused for the first year or two but gave in to take his wife on a cruise. (He and his buddy, a pulmonary specialist both refused, then gave in for the cruise.) The cardiologist and his wife got the vaccine a few days before the cruise, died in his sleep 2nd night of the cruise. They had resisted shots bec he and his buddy saw a huge rise in patients dropping dead as well as heart problems We also lost a nurse (34) who felt ill after getting it, observed for 4 hours, sent home, died in her sleep next night. I have since found out we have had many, MANY deaths from medical personnel here since the vaccines. I have met many widows/widowers whose spouses died from vaccine induced sudden death or illnesses. I have also met parents whose kids died from the vaccine, kids who now are type 1 diabetics after getting the shot. Some say Fauci was pre-pardoned and can't be charged. First of all, pre-pardoning should NOT be a thing. And auto-pen pardons should not be legal.” ❤️‍🩹 From Mary Beth on Facebook Hope you hit follow and my wall alert🛎️bell if you’d like to fight Pharma mafia my X GrowthFactorOrg deleted April 2025 and check comments for the protocol we used on Peter my friend at age 80 told Jan 2025 had 3 months left to live January 2025 the 2Pfizer he took in 2021 led to cancers in his brain, brain stem, prostate, and non-small so long.“

Amalya Pharma ™

15,064 görüntüleme • 18 gün önce

How to Identify Agents with Sound Alone: Audio Profiles Each agent in VALORANT has a unique walk sound. We can use this to identify who is moving around without seeing them AND without them using abilities. Each agent has unique tells, here's Proof: Key: (How Easy it is to Identify who is running) 🟢 - Extremely Easy to identify without trying 🟡 - Somewhat difficult until you know what to listen for 🔴 - Difficult, and needs practice In order of their names Alphabetically (up to Miks in release date) Astra - 🟢. Astra has golden, loose jewelry. This makes it easy to identify her because she is one of the only agents that you can hear it, and of those agents, it's the most consistent. She also has lighter steps as she is meant to be smaller than the other agents 5'6 (170cm) Breach - 🟢. Breach is easily identifiable by the heavy boots that he wears. He is one of the loudest agents in terms of walking as his boots as well as his radianite arms that are also quite loud, being made of metal. Brimstone - 🟢. Similar to Breach, Brim is also easily identifiable due to how heavy his footsteps are. What separates him from Breach is his boots are leather but stomps, likely coming from his military background. Chamber - 🟡. Chamber is what started this entire thing for me. You can identify chamber by his loose gold watch, which chimes as he walks. The reason this is yellow circle and not green is because it is not as frequent as Astra and he wears sneakers, which the majority of the cast wear. So besides the watch it can be somewhat difficult to identify, if you're not actively listening for it. Clove - 🟡. Clove is somewhat difficult, but what makes them unique is how soft / quiet they walk. They are very light, wears shoes that have a lot of cushion and is meant to feel like a smaller character, canonically 5'6 / 168cm. Cypher 🔴 - Despite playing a lot of Cypher, I have a really hard time differentiating him from other characters with similar patterns like Viper and Fade. Comapred to Fade, I would say his have more bass. Deadlock 🟢 - The only person you could mix Deadlock up with is Sova. However, Deadlock's walk has a much more "wet" sound to it, as if she were crushing in soft snow with her snow boots. Fade 🔴 - Too similar to other agents, especially Cypher makes it very hard to tell. The only thing that makes her unique is her consistency, the decibel spread is almost nothing. Gekko 🟡- Also pretty hard, as he is one of the many average weight sneaker users. He is very similar to Killjoy, but with more bass which is how i remember. He's wearing vans, it sounds like rubber. Harbor 🟢 - Extremely easy. You can hear his braclet from a mile away. One of the more unique ones. Iso 🔴- Another middleweight flat shoe wearer. I think he is meant to be heavier than agents like Gekko and Miks who sound similar. This is one wear you have to look at who is alive to differentiate between him and other agents. Jett 🟢- Extremely easy, maybe because I've heard it so much with the Jetts in my games, but I think the idea is she is meant to feel light and dainty, as if the wind is carrying her. That's why she walks so soft. She is also meant to be quite small at 5'4 / 164cm which corroborates the quiet steps. KAY/O 🟢- The easiest. Even people who don't play VALORANT could tell you that's the sound of a robot. The metal makes it very easy to tell. Killjoy 🟡 - Somewhat difficult, I think the giveaway are the boots. Like I said about Gekko, hers in comparison create softer sounds. Miks 🔴 - Really disappointed that Miks, the sound guy doesn't have anything unique to his walk. It is similar to Gekkos, in that it is rubbery but also muddy. Neon 🟢- Iconic. Being a runner, she is wearing running shoes. Not much said, I think anyone could hear the difference. Omen 🟡 - Somewhat difficult. You are listening for a "wet" sound when he walks. He has been out for long enough where I can hear it distinctly enough. Phoenix 🟡 - Somewhat difficult. You are listening for the same rubbery sound as Miks, but with a lot more bass, he drags his feet somewhat. Raze 🟡 - Hard to hear at first, but you are listening for a "mud" / squish sound. Similar to Omen, but not "stompy" Reyna 🟢- Maybe just me but I have an easy time hearing Reyna's. This is the one I can identify the quickest in game. I listen for a lot of bass towards the front of her step, as she has raised shoes which put more impact on her toes / balls of her feet. The sound is unique enough where you can her pretty clearly. Sage 🟡 - Somewhat difficult. Can be confused with Raze sometimes, as you are also listening for a "muddy sound" Skye 🟢- Very easy, she has trail shoes. Makes sense, she's from Australia. Sova 🟢- Again, similar to deadlock, Sova has boots made for winter, and there are feint sounds of him walking on ice. This one is somewhat similar to Skye, but not enough to mistakes the two. His has more bass. Tejo 🟡 - I didn't play as much when Tejo was popular, and this could be why I don't hear much differences in Gekko and Miks as well, but I find Tejo easier because of his heavty duty boots. Veto 🟡 - Somewhat hard to hear, only because I haven't played enough but there is dampness and a muddy sound to his walk similar to Raze, Omen etc. with that rubbery sound Viper 🟡 - somewhat hard to hear. Again, I think she sounds very similar to Fade and Cypher. But I think she is easier to identify because of the bass in each step. Vyse 🟢 - Very easy once you start listening. She has a lot of metal attached to her, which you can hear. Waylay 🔴 - Another middleweight rubber user. Hard to hear, but I haven't played with/against enough Waylay to really know her pattern. Yoru 🟢 - Iconic sound, you have been conditioned to hear this sound over and over with the Fake Footsteps and the reworked Yoru Clone + his fake clone of himself, he is most commonly walking around rather than sneaking, so you will probably become very accustom to him. Things to note: 1. These noises are NOT client / team sided. At the end of this video I show my friend walking as Chamber and Phoenix, you can hear a clear difference. He is on the ENEMY team, not mine. 2. You are NOT relying on audio alone. Agents all have their unique abilities which are significantly more telling of who is nearby compared to footsteps. The point of this exercise is to help identify WHO is there if there is no other way of knowing. 3. It is not meant to be used every round, hell even every game. I have really good hearing, so I can make good use of it. But as you can see by the red circles, it is not universal. Again, there are other more obvious ways of telling who is nearby. 4. But how is this useful? Well for me, I like to memorize the Controllers the most, because if I can identify that the sound of a controller's footsteps. I know they are not lurking, which allows for a little more peace of mind for my teammates rotating onto my site. 5. I used the same spot on purpose to show that they have different sound profiles. HOWEVER, it is important to note that with the different surfaces that you can run across, some of the noises that I described could sound different or harder to hear.
6:23

How to Identify Agents with Sound Alone: Audio Profiles Each agent in VALORANT has a unique walk sound. We can use this to identify who is moving around without seeing them AND without them using abilities. Each agent has unique tells, here's Proof: Key: (How Easy it is to Identify who is running) 🟢 - Extremely Easy to identify without trying 🟡 - Somewhat difficult until you know what to listen for 🔴 - Difficult, and needs practice In order of their names Alphabetically (up to Miks in release date) Astra - 🟢. Astra has golden, loose jewelry. This makes it easy to identify her because she is one of the only agents that you can hear it, and of those agents, it's the most consistent. She also has lighter steps as she is meant to be smaller than the other agents 5'6 (170cm) Breach - 🟢. Breach is easily identifiable by the heavy boots that he wears. He is one of the loudest agents in terms of walking as his boots as well as his radianite arms that are also quite loud, being made of metal. Brimstone - 🟢. Similar to Breach, Brim is also easily identifiable due to how heavy his footsteps are. What separates him from Breach is his boots are leather but stomps, likely coming from his military background. Chamber - 🟡. Chamber is what started this entire thing for me. You can identify chamber by his loose gold watch, which chimes as he walks. The reason this is yellow circle and not green is because it is not as frequent as Astra and he wears sneakers, which the majority of the cast wear. So besides the watch it can be somewhat difficult to identify, if you're not actively listening for it. Clove - 🟡. Clove is somewhat difficult, but what makes them unique is how soft / quiet they walk. They are very light, wears shoes that have a lot of cushion and is meant to feel like a smaller character, canonically 5'6 / 168cm. Cypher 🔴 - Despite playing a lot of Cypher, I have a really hard time differentiating him from other characters with similar patterns like Viper and Fade. Comapred to Fade, I would say his have more bass. Deadlock 🟢 - The only person you could mix Deadlock up with is Sova. However, Deadlock's walk has a much more "wet" sound to it, as if she were crushing in soft snow with her snow boots. Fade 🔴 - Too similar to other agents, especially Cypher makes it very hard to tell. The only thing that makes her unique is her consistency, the decibel spread is almost nothing. Gekko 🟡- Also pretty hard, as he is one of the many average weight sneaker users. He is very similar to Killjoy, but with more bass which is how i remember. He's wearing vans, it sounds like rubber. Harbor 🟢 - Extremely easy. You can hear his braclet from a mile away. One of the more unique ones. Iso 🔴- Another middleweight flat shoe wearer. I think he is meant to be heavier than agents like Gekko and Miks who sound similar. This is one wear you have to look at who is alive to differentiate between him and other agents. Jett 🟢- Extremely easy, maybe because I've heard it so much with the Jetts in my games, but I think the idea is she is meant to feel light and dainty, as if the wind is carrying her. That's why she walks so soft. She is also meant to be quite small at 5'4 / 164cm which corroborates the quiet steps. KAY/O 🟢- The easiest. Even people who don't play VALORANT could tell you that's the sound of a robot. The metal makes it very easy to tell. Killjoy 🟡 - Somewhat difficult, I think the giveaway are the boots. Like I said about Gekko, hers in comparison create softer sounds. Miks 🔴 - Really disappointed that Miks, the sound guy doesn't have anything unique to his walk. It is similar to Gekkos, in that it is rubbery but also muddy. Neon 🟢- Iconic. Being a runner, she is wearing running shoes. Not much said, I think anyone could hear the difference. Omen 🟡 - Somewhat difficult. You are listening for a "wet" sound when he walks. He has been out for long enough where I can hear it distinctly enough. Phoenix 🟡 - Somewhat difficult. You are listening for the same rubbery sound as Miks, but with a lot more bass, he drags his feet somewhat. Raze 🟡 - Hard to hear at first, but you are listening for a "mud" / squish sound. Similar to Omen, but not "stompy" Reyna 🟢- Maybe just me but I have an easy time hearing Reyna's. This is the one I can identify the quickest in game. I listen for a lot of bass towards the front of her step, as she has raised shoes which put more impact on her toes / balls of her feet. The sound is unique enough where you can her pretty clearly. Sage 🟡 - Somewhat difficult. Can be confused with Raze sometimes, as you are also listening for a "muddy sound" Skye 🟢- Very easy, she has trail shoes. Makes sense, she's from Australia. Sova 🟢- Again, similar to deadlock, Sova has boots made for winter, and there are feint sounds of him walking on ice. This one is somewhat similar to Skye, but not enough to mistakes the two. His has more bass. Tejo 🟡 - I didn't play as much when Tejo was popular, and this could be why I don't hear much differences in Gekko and Miks as well, but I find Tejo easier because of his heavty duty boots. Veto 🟡 - Somewhat hard to hear, only because I haven't played enough but there is dampness and a muddy sound to his walk similar to Raze, Omen etc. with that rubbery sound Viper 🟡 - somewhat hard to hear. Again, I think she sounds very similar to Fade and Cypher. But I think she is easier to identify because of the bass in each step. Vyse 🟢 - Very easy once you start listening. She has a lot of metal attached to her, which you can hear. Waylay 🔴 - Another middleweight rubber user. Hard to hear, but I haven't played with/against enough Waylay to really know her pattern. Yoru 🟢 - Iconic sound, you have been conditioned to hear this sound over and over with the Fake Footsteps and the reworked Yoru Clone + his fake clone of himself, he is most commonly walking around rather than sneaking, so you will probably become very accustom to him. Things to note: 1. These noises are NOT client / team sided. At the end of this video I show my friend walking as Chamber and Phoenix, you can hear a clear difference. He is on the ENEMY team, not mine. 2. You are NOT relying on audio alone. Agents all have their unique abilities which are significantly more telling of who is nearby compared to footsteps. The point of this exercise is to help identify WHO is there if there is no other way of knowing. 3. It is not meant to be used every round, hell even every game. I have really good hearing, so I can make good use of it. But as you can see by the red circles, it is not universal. Again, there are other more obvious ways of telling who is nearby. 4. But how is this useful? Well for me, I like to memorize the Controllers the most, because if I can identify that the sound of a controller's footsteps. I know they are not lurking, which allows for a little more peace of mind for my teammates rotating onto my site. 5. I used the same spot on purpose to show that they have different sound profiles. HOWEVER, it is important to note that with the different surfaces that you can run across, some of the noises that I described could sound different or harder to hear.

ROCKET

424,367 görüntüleme • 1 ay önce

ＢＬＡＺＥ ＯＦ ＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”
6:27

ＢＬＡＺＥ ＯＦ ＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”

No Limits Wrestling 🔞 brutal gay fetish fiction

11,681 görüntüleme • 1 yıl önce

Seedance 2.5 frozen time prompt is below 👇 Photorealistic cinematic 1990s American diner, red vinyl booths, neon signs, chrome details, checkerboard floor, soft natural window light mixed with warm practicals, subtle handheld texture, rich lived-in period detail, heavy film grain. Shot with modern realism and precise temporal control. Use the provided reference image as the exact character lock for the bald bearded man in black sunglasses and dark hoodie. Maintain perfect facial structure, beard, head shape, skin texture and clothing consistency at all times. 0-5s: [Medium Wide] The bald man sits in a red vinyl booth. He stands up, turns, and collides hard into a waitress carrying a full breakfast tray (eggs, bacon, toast, coffee pot). Impact is sudden and physical. 5-12s: [Dynamic Tracking into Super Slow-Motion] Collision detonates. Tray, plate, eggs, bacon strips and coffee pot explode upward. Coffee erupts into long liquid ribbons and perfect suspended droplets. Camera orbits smoothly around the impact. Time locks completely at the peak of the spill. Every face freezes in pure shock. Only the bald man remains free to move. He freezes for one beat with a clear “I fucked up” expression, then quickly grabs two bacon strips and a fried egg from the floating debris. 12-22s: [Tracking Shot] Still inside the frozen diner, he walks toward the exit door while taking deliberate bites of bacon then egg. All patrons, waitress and flying food stay perfectly suspended in mid-air. 22-27s: [Medium Shot] Just as he reaches the door and is about to push it open, time snaps back to normal speed. Everything that was floating crashes down at once — plates, eggs, bacon, tray and coffee slam onto the floor with a loud chaotic impact. The waitress and patrons react in sudden real-time shock. 27-30s: [Medium Close-Up] He pauses, turns slightly, raises his eyebrows and gives a small casual “it is what it is” shrug with a quiet half-smile of acceptance, still holding the remaining food. Photorealistic, ultra-detailed fluid and object physics, perfect volume and surface tension on liquids, sharp motion blur only on moving elements, stable character, cinematic lighting, heavy natural film grain, no artifacts, movie-level temporal coherence, high rewatch value. Enjoy! 🫡
0:30

Seedance 2.5 frozen time prompt is below 👇 Photorealistic cinematic 1990s American diner, red vinyl booths, neon signs, chrome details, checkerboard floor, soft natural window light mixed with warm practicals, subtle handheld texture, rich lived-in period detail, heavy film grain. Shot with modern realism and precise temporal control. Use the provided reference image as the exact character lock for the bald bearded man in black sunglasses and dark hoodie. Maintain perfect facial structure, beard, head shape, skin texture and clothing consistency at all times. 0-5s: [Medium Wide] The bald man sits in a red vinyl booth. He stands up, turns, and collides hard into a waitress carrying a full breakfast tray (eggs, bacon, toast, coffee pot). Impact is sudden and physical. 5-12s: [Dynamic Tracking into Super Slow-Motion] Collision detonates. Tray, plate, eggs, bacon strips and coffee pot explode upward. Coffee erupts into long liquid ribbons and perfect suspended droplets. Camera orbits smoothly around the impact. Time locks completely at the peak of the spill. Every face freezes in pure shock. Only the bald man remains free to move. He freezes for one beat with a clear “I fucked up” expression, then quickly grabs two bacon strips and a fried egg from the floating debris. 12-22s: [Tracking Shot] Still inside the frozen diner, he walks toward the exit door while taking deliberate bites of bacon then egg. All patrons, waitress and flying food stay perfectly suspended in mid-air. 22-27s: [Medium Shot] Just as he reaches the door and is about to push it open, time snaps back to normal speed. Everything that was floating crashes down at once — plates, eggs, bacon, tray and coffee slam onto the floor with a loud chaotic impact. The waitress and patrons react in sudden real-time shock. 27-30s: [Medium Close-Up] He pauses, turns slightly, raises his eyebrows and gives a small casual “it is what it is” shrug with a quiet half-smile of acceptance, still holding the remaining food. Photorealistic, ultra-detailed fluid and object physics, perfect volume and surface tension on liquids, sharp motion blur only on moving elements, stable character, cinematic lighting, heavy natural film grain, no artifacts, movie-level temporal coherence, high rewatch value. Enjoy! 🫡

TechHalla

232,883 görüntüleme • 1 ay önce

Moon "King" B-Roots is one of the worst liars and grifters I've ever come across in crypto and he just got deeply exposed and was caught in so many lies in spaces tonight. His whole persona revolves around making himself seem bigger and more important than he really is. He's been larping and grifting for so long and it finally all caught up with him. B-Roots likes to pretend he was some big influencer back in the day on youtube and twitter. I know that he wasn't, cause I was there and knew everyone and I damn sure never saw his goofy ass. I scanned his twitter and his earliest posts were from 2017 and averaged 1-2 likes and 90 percent of them are not even about crypto (you can verify this yourself using twitter advanced search with a date range from 2015-2018 He tried to hide his old youtube and for good reason, it only has 5k subscribers and his first video was in 2018. He tried really hard to hide this, but luckily I found it He shills pTGC because he was given a large six figure allocation to shill it and he never managed to sell...So he's desperate for it to pump again. He's lost almost all his money in Pulsechain at this point because HEX was his "savings account" (his own words in a video) Almost weekly he desperately shills orchestrated pump and dumps that get all his followers rekt because he uses them as exit liquidity and dumps on their heads after he shills it. There are so many coins he's shilled that are now completely rugged. He likes to point to a few lucky winners he's picked, but almost everything he's called he's been wrong about. He also admitted he just randomly picks coins to shill, with no due diligence. He's made wild claims like that Pulsechain will flip Solana and that Richard Heart was behind pdai and that it will peg to a dollar. When pressed on all these claims, he admitted he just makes them up to pump his bags. So basically he knew he was lying, but did it anyway for profits. There's so much more that got exposed, but you get the picture. This dude is deeply insecure and its very clear from his actions and desperate grifting that he's nowhere near as rich as he pretends to be. It's honestly sad. At one point he was getting exposed so bad he threatened to call my parole officer on me to report me 😅 It was very painful to witness him doubling down on every lie he got caught in, but I'm so glad he finally got exposed to such an extreme degree. It needed to happen. Nobody should take this clown seriously. He's a complete and total fraud and grifter who adds zero value to crypto. When will they learn to just keep my fuckin name outta their mouths lol
0:21

Moon "King" B-Roots is one of the worst liars and grifters I've ever come across in crypto and he just got deeply exposed and was caught in so many lies in spaces tonight. His whole persona revolves around making himself seem bigger and more important than he really is. He's been larping and grifting for so long and it finally all caught up with him. B-Roots likes to pretend he was some big influencer back in the day on youtube and twitter. I know that he wasn't, cause I was there and knew everyone and I damn sure never saw his goofy ass. I scanned his twitter and his earliest posts were from 2017 and averaged 1-2 likes and 90 percent of them are not even about crypto (you can verify this yourself using twitter advanced search with a date range from 2015-2018 He tried to hide his old youtube and for good reason, it only has 5k subscribers and his first video was in 2018. He tried really hard to hide this, but luckily I found it He shills pTGC because he was given a large six figure allocation to shill it and he never managed to sell...So he's desperate for it to pump again. He's lost almost all his money in Pulsechain at this point because HEX was his "savings account" (his own words in a video) Almost weekly he desperately shills orchestrated pump and dumps that get all his followers rekt because he uses them as exit liquidity and dumps on their heads after he shills it. There are so many coins he's shilled that are now completely rugged. He likes to point to a few lucky winners he's picked, but almost everything he's called he's been wrong about. He also admitted he just randomly picks coins to shill, with no due diligence. He's made wild claims like that Pulsechain will flip Solana and that Richard Heart was behind pdai and that it will peg to a dollar. When pressed on all these claims, he admitted he just makes them up to pump his bags. So basically he knew he was lying, but did it anyway for profits. There's so much more that got exposed, but you get the picture. This dude is deeply insecure and its very clear from his actions and desperate grifting that he's nowhere near as rich as he pretends to be. It's honestly sad. At one point he was getting exposed so bad he threatened to call my parole officer on me to report me 😅 It was very painful to witness him doubling down on every lie he got caught in, but I'm so glad he finally got exposed to such an extreme degree. It needed to happen. Nobody should take this clown seriously. He's a complete and total fraud and grifter who adds zero value to crypto. When will they learn to just keep my fuckin name outta their mouths lol

SHILL GATES

17,406 görüntüleme • 2 ay önce

Have you ever seen an ostrich fight for its life so it doesn’t become spicy suya? Made with Seedance 2.5 on CapCut Free Prompt, try it on capcut 👇 Generate a continuous 30-second raw live Nigerian TV news helicopter shot of a chaotic market chase. A huge real ostrich rides a dirty, faded, old pink plastic toy car through a packed open-air market while local food vendors chase it like they want to catch it and cook it. The toy car crashes at a stall blockade. The ostrich kicks one vendor off his feet, then escapes on a skateboard. Unpolished live helicopter footage only: one high-altitude tracking shot, natural shake, real physics, bright daylight. No cinematic grade, no slow motion, no film look, no cuts. Start on a distant helicopter view of a packed Nigerian market in daylight: food stalls, umbrellas, basins, crates, hanging meat, grill smoke, shoppers, okada, and keke. The ostrich is already moving fast the wrong way on the tiny dirty pink toy car, legs almost hitting the ground. A vendor in a faded singlet and wrapper runs behind it with a long knife. The ostrich weaves between stalls. A bag of peppers drops. A keke brakes. A yam wheelbarrow tips. More vendors join — one with a metal basin, one with a giant ladle, one with a bag of charcoal, one with a suya skewer. They wear Ankara, singlets, rubber slippers, and stained aprons over street clothes. No chef uniforms. The ostrich drives at a blockade of tables and a parked danfo. It swerves past a sliding keke. The plastic wheels lock and the toy car skids sideways into a table leg and stops hard. The ostrich jumps off, wings half-open. Vendors rush in from both sides. The knife vendor grabs for its neck. The ostrich pecks his forehead. The basin vendor lunges. The ostrich plants one foot and kicks him in the chest — a real heavy ostrich kick — and he flies onto a pile of onions. The basin rolls. The ladle vendor slips in spilled oil. A gap opens. The ostrich runs to a worn skateboard lying in the dirt beside a crate, steps on, wobbles, then pushes off with one long leg. It crouches low with wings out and rolls down the market lane between stalls and keke. Vendors chase on foot. The crashed pink toy car is left at the blockade. End on the ostrich already far down the road on the skateboard, vendors shrinking behind it, helicopter still tracking from distance. Keep the same ostrich, the same dirty pink toy car until the crash, and the skateboard for the escape. Realistic animal weight, kick, wobble, and market physics. Natural daylight. Local food sellers only. Audio: helicopter rotor, market noise, horns, shouting, clattering basins, strained toy-car motor, hard kick and body fall, skateboard wheels on dirt. No music. No subtitles. No voice-over.
0:30

Have you ever seen an ostrich fight for its life so it doesn’t become spicy suya? Made with Seedance 2.5 on CapCut Free Prompt, try it on capcut 👇 Generate a continuous 30-second raw live Nigerian TV news helicopter shot of a chaotic market chase. A huge real ostrich rides a dirty, faded, old pink plastic toy car through a packed open-air market while local food vendors chase it like they want to catch it and cook it. The toy car crashes at a stall blockade. The ostrich kicks one vendor off his feet, then escapes on a skateboard. Unpolished live helicopter footage only: one high-altitude tracking shot, natural shake, real physics, bright daylight. No cinematic grade, no slow motion, no film look, no cuts. Start on a distant helicopter view of a packed Nigerian market in daylight: food stalls, umbrellas, basins, crates, hanging meat, grill smoke, shoppers, okada, and keke. The ostrich is already moving fast the wrong way on the tiny dirty pink toy car, legs almost hitting the ground. A vendor in a faded singlet and wrapper runs behind it with a long knife. The ostrich weaves between stalls. A bag of peppers drops. A keke brakes. A yam wheelbarrow tips. More vendors join — one with a metal basin, one with a giant ladle, one with a bag of charcoal, one with a suya skewer. They wear Ankara, singlets, rubber slippers, and stained aprons over street clothes. No chef uniforms. The ostrich drives at a blockade of tables and a parked danfo. It swerves past a sliding keke. The plastic wheels lock and the toy car skids sideways into a table leg and stops hard. The ostrich jumps off, wings half-open. Vendors rush in from both sides. The knife vendor grabs for its neck. The ostrich pecks his forehead. The basin vendor lunges. The ostrich plants one foot and kicks him in the chest — a real heavy ostrich kick — and he flies onto a pile of onions. The basin rolls. The ladle vendor slips in spilled oil. A gap opens. The ostrich runs to a worn skateboard lying in the dirt beside a crate, steps on, wobbles, then pushes off with one long leg. It crouches low with wings out and rolls down the market lane between stalls and keke. Vendors chase on foot. The crashed pink toy car is left at the blockade. End on the ostrich already far down the road on the skateboard, vendors shrinking behind it, helicopter still tracking from distance. Keep the same ostrich, the same dirty pink toy car until the crash, and the skateboard for the escape. Realistic animal weight, kick, wobble, and market physics. Natural daylight. Local food sellers only. Audio: helicopter rotor, market noise, horns, shouting, clattering basins, strained toy-car motor, hard kick and body fall, skateboard wheels on dirt. No music. No subtitles. No voice-over.

MrDejie

23,209 görüntüleme • 15 gün önce

No my dear . This is not a Hollywood movie scene It is Seedance 2.5 Prompt : Multi-shot sequence with hard cuts between shots. Keep the same characters and visual style throughout. No music or score — only natural diegetic sound. SHOT 1 A dirty, exhausted 18-year-old girl with dark auburn-brown hair in a messy low ponytail, warm brown eyes, faded olive-green military jacket, backpack and gloves, aims a bolt-action rifle inside an abandoned ornate mansion. Sweat, dirt, a cheek scrape and tears cover her face. Her hands tremble. She closes her eyes as a tear rolls down, then hears something and lowers the rifle, visibly heartbroken. SHOT 2 Over her shoulder, an infected golden-coated Golden Retriever sits on the debris-covered parquet floor. Matted fur, cloudy white eyes, wounds and dark veins. He trembles while softly whimpering and growling. SHOT 3 She slowly crouches, places the rifle on the floor, wipes her tears and gives the dog a small broken smile. She quietly speaks to him, pulls a worn yellow-green tennis ball from her jacket and gently rolls it toward him. SHOT 4 Extreme low-angle close-up of the tennis ball rolling through dust across the cracked parquet floor. It stops directly in front of the dog's paws. Hold on the still ball. HARD CUT / TRANSFORMATION SHOT 5 Same low camera angle and ball position, but now on a clean sunny residential basketball court. A healthy golden-coated Golden Retriever suddenly grabs the ball. His eyes are clear and warm brown, fur clean, playful and energetic. He shakes and plays with the ball. SHOT 6 Wide shot of the basketball court. The woman throws the ball and the happy dog sprints after it, catches it, runs back and drops it at her feet, ready to play. SHOT 7 Close-up of the clean, unharmed woman laughing while affectionately ruffling the dog's neck and chest. The dog happily pants beside her. SHOT 8 Wide peaceful shot. The woman and dog sit together in a pristine dark-green vintage convertible beside the court. She shares food from a tin can with him. He gently takes it and licks her fingers. CONSISTENCY Same woman throughout: dark auburn-brown hair, loose low ponytail, warm brown eyes, olive-green military jacket, khaki cargo pants and brown boots. Same Golden Retriever: infected and injured in the mansion, healthy and playful after the transformation. Mansion: abandoned ornate interior, tall arched windows, torn dark-red curtains, peeling damask wallpaper, shattered gilt mirror, broken furniture, debris, ceiling hole and strong sunlight beams. Court: clean residential basketball court, white lines, iron fence, flowering shrubs, stone townhouses, warm late-afternoon sunlight and soft shadows. Dark-green vintage convertible with chrome trim. Visual style: ultra-realistic, photorealistic, natural human and animal movement, handheld camera, shallow depth of field, ARRI Alexa 35 look, warm cinematic grade, subtle grain. Audio: ONLY natural breathing, house ambience, dog sounds, footsteps, ball sounds, birds and wind. ABSOLUTELY NO MUSIC OR SCORE.
0:30

No my dear . This is not a Hollywood movie scene It is Seedance 2.5 Prompt : Multi-shot sequence with hard cuts between shots. Keep the same characters and visual style throughout. No music or score — only natural diegetic sound. SHOT 1 A dirty, exhausted 18-year-old girl with dark auburn-brown hair in a messy low ponytail, warm brown eyes, faded olive-green military jacket, backpack and gloves, aims a bolt-action rifle inside an abandoned ornate mansion. Sweat, dirt, a cheek scrape and tears cover her face. Her hands tremble. She closes her eyes as a tear rolls down, then hears something and lowers the rifle, visibly heartbroken. SHOT 2 Over her shoulder, an infected golden-coated Golden Retriever sits on the debris-covered parquet floor. Matted fur, cloudy white eyes, wounds and dark veins. He trembles while softly whimpering and growling. SHOT 3 She slowly crouches, places the rifle on the floor, wipes her tears and gives the dog a small broken smile. She quietly speaks to him, pulls a worn yellow-green tennis ball from her jacket and gently rolls it toward him. SHOT 4 Extreme low-angle close-up of the tennis ball rolling through dust across the cracked parquet floor. It stops directly in front of the dog's paws. Hold on the still ball. HARD CUT / TRANSFORMATION SHOT 5 Same low camera angle and ball position, but now on a clean sunny residential basketball court. A healthy golden-coated Golden Retriever suddenly grabs the ball. His eyes are clear and warm brown, fur clean, playful and energetic. He shakes and plays with the ball. SHOT 6 Wide shot of the basketball court. The woman throws the ball and the happy dog sprints after it, catches it, runs back and drops it at her feet, ready to play. SHOT 7 Close-up of the clean, unharmed woman laughing while affectionately ruffling the dog's neck and chest. The dog happily pants beside her. SHOT 8 Wide peaceful shot. The woman and dog sit together in a pristine dark-green vintage convertible beside the court. She shares food from a tin can with him. He gently takes it and licks her fingers. CONSISTENCY Same woman throughout: dark auburn-brown hair, loose low ponytail, warm brown eyes, olive-green military jacket, khaki cargo pants and brown boots. Same Golden Retriever: infected and injured in the mansion, healthy and playful after the transformation. Mansion: abandoned ornate interior, tall arched windows, torn dark-red curtains, peeling damask wallpaper, shattered gilt mirror, broken furniture, debris, ceiling hole and strong sunlight beams. Court: clean residential basketball court, white lines, iron fence, flowering shrubs, stone townhouses, warm late-afternoon sunlight and soft shadows. Dark-green vintage convertible with chrome trim. Visual style: ultra-realistic, photorealistic, natural human and animal movement, handheld camera, shallow depth of field, ARRI Alexa 35 look, warm cinematic grade, subtle grain. Audio: ONLY natural breathing, house ambience, dog sounds, footsteps, ball sounds, birds and wind. ABSOLUTELY NO MUSIC OR SCORE.

Smiling Khan

45,722 görüntüleme • 23 gün önce

Seedance 2.5 frozen time + rewind effect prompt is below 👇 Photorealistic cinematic 1950s American diner, chrome stools, red vinyl, neon glow and checkerboard floor, shot with modern lived-in realism and soft natural window light. Subtle handheld texture, warm practicals, rich period detail, heavy film grain. 0-4s: [Medium Wide] A striking young woman in her early 20s sits alone at the counter, calm and slightly amused, slowly sipping a tall thick milkshake through a straw. Behind her a young waitress in classic uniform approaches with a tray of eggs and bacon in one hand and a full glass coffee pot in the other. An older lady starts rising from a nearby booth. 4-8s: [Dynamic Tracking] The older lady collides hard into the waitress. Tray, plate, eggs, bacon and coffee pot explode upward in chaotic slow motion. Coffee erupts into long liquid ribbons and perfect suspended droplets. Camera immediately begins a smooth continuous orbit around the impact. Time locks completely at the peak of the spill. Every face freezes in pure shock. Only the girl at the counter keeps moving, completely unfazed. 8-17s: [Slow 360° Orbital] Camera glides in a full elegant orbit through the frozen diner. Coffee hangs in mid-air as glassy ribbons and spheres with perfect volume and surface tension. Bacon strips, eggs and the spinning tray float weightlessly. Patrons and waitress remain locked in startled expressions. The girl at the counter takes one slow, deliberate sip, eyes half-lidded, almost bored, while the entire frozen world (except her) begins an elegant reverse: every droplet, every piece of food and every person rewinds smoothly back to the exact starting positions. 17-24s: [Medium Shot] Rewind lands perfectly. Waitress stands balanced again with tray and coffee pot. The girl lifts her eyes, raises two fingers in a small casual gesture and softly calls the waitress by name. The waitress turns toward her just before the older lady begins to stand, completely avoiding the collision. A tiny private smile crosses the girl’s face. 24-30s: [Extreme Close-Up] Hard cut to her face as she takes one last slow sip. Soft knowing smile, eyes almost closed in quiet satisfaction, like she has done this a hundred times. Shallow depth of field, creamy bokeh of the neon diner behind her. Photorealistic, ultra-detailed fluid physics, perfect motion blur only on moving elements, stable characters, cinematic lighting, heavy natural film grain, no artifacts, movie-level temporal coherence, high rewatch value. 30 seconds long is the new AI standard! hope you like it 🫡
0:30

Seedance 2.5 frozen time + rewind effect prompt is below 👇 Photorealistic cinematic 1950s American diner, chrome stools, red vinyl, neon glow and checkerboard floor, shot with modern lived-in realism and soft natural window light. Subtle handheld texture, warm practicals, rich period detail, heavy film grain. 0-4s: [Medium Wide] A striking young woman in her early 20s sits alone at the counter, calm and slightly amused, slowly sipping a tall thick milkshake through a straw. Behind her a young waitress in classic uniform approaches with a tray of eggs and bacon in one hand and a full glass coffee pot in the other. An older lady starts rising from a nearby booth. 4-8s: [Dynamic Tracking] The older lady collides hard into the waitress. Tray, plate, eggs, bacon and coffee pot explode upward in chaotic slow motion. Coffee erupts into long liquid ribbons and perfect suspended droplets. Camera immediately begins a smooth continuous orbit around the impact. Time locks completely at the peak of the spill. Every face freezes in pure shock. Only the girl at the counter keeps moving, completely unfazed. 8-17s: [Slow 360° Orbital] Camera glides in a full elegant orbit through the frozen diner. Coffee hangs in mid-air as glassy ribbons and spheres with perfect volume and surface tension. Bacon strips, eggs and the spinning tray float weightlessly. Patrons and waitress remain locked in startled expressions. The girl at the counter takes one slow, deliberate sip, eyes half-lidded, almost bored, while the entire frozen world (except her) begins an elegant reverse: every droplet, every piece of food and every person rewinds smoothly back to the exact starting positions. 17-24s: [Medium Shot] Rewind lands perfectly. Waitress stands balanced again with tray and coffee pot. The girl lifts her eyes, raises two fingers in a small casual gesture and softly calls the waitress by name. The waitress turns toward her just before the older lady begins to stand, completely avoiding the collision. A tiny private smile crosses the girl’s face. 24-30s: [Extreme Close-Up] Hard cut to her face as she takes one last slow sip. Soft knowing smile, eyes almost closed in quiet satisfaction, like she has done this a hundred times. Shallow depth of field, creamy bokeh of the neon diner behind her. Photorealistic, ultra-detailed fluid physics, perfect motion blur only on moving elements, stable characters, cinematic lighting, heavy natural film grain, no artifacts, movie-level temporal coherence, high rewatch value. 30 seconds long is the new AI standard! hope you like it 🫡

TechHalla

226,934 görüntüleme • 1 ay önce