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This is ’07. Kim ain’t *Kim* yet. She’s still in Paris Hilton’s orbit — quiet, fly, already on that KING magazine cover, already clocking how the room works‼️. I’m 20. She’s older‼️. We keep crossing at the same spots because that’s L.A. Same clubs, same restaurants, same faces‼️. Me and Paris already cool‼️. You see somebody enough times, you ask who that is‼️. Numbers get exchanged‼️. That’s all it was at first‼️. We was cool‼️. Remained friends‼️. Then we kicked it‼️. Hard, yeah — but low‼️. Right before Reggie‼️. That’s the window‼️. Why nobody knew⁉️ Because I can get low‼️. That’s the part people skip‼️. I wasn’t trying to make a movie out of it‼️. First time I was really dating outside my race and I felt that‼️. She came with a lot already — name, look, that whole circle. I’m thinking about my fans, the bag, the tour, how it’s gonna look‼️. I ain’t got time to explain myself to the internet that wasn’t even the internet yet‼️. So I kept it quiet‼️. The ones who knew, knew‼️. Everybody else can keep guessing‼️. People later tried to turn it into “Bow dated Kim.” I said we hung out‼️. L.A. is a social city. Young, everybody having fun, same rooms‼️. It wasn’t some secret marriage‼️. It wasn’t some big official thing‼️. We was kicking it‼️. That’s it‼️. And when they pressed me on the rest⁉️ I ain’t saying everything all the way 100‼️. I respect Ye‼️. If I’m fucking with somebody, I’m fucking with somebody — but I ain’t about to sit on a podcast and turn another man’s wife into content‼️. That’s not player‼️. Chapters close‼️. You leave them closed‼️. She was already a hustler then‼️. Phase two‼️. Cover of magazines, already building the blueprint‼️. I clocked that early‼️. The rest of the world caught up later‼️.

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106,107 görüntüleme • 19 gün önce

In August 2025, Rollin 60s Crip Stu Boy Blue sat across from Adam 22 on No Jumper and the conversation turned to Nipsey Hussle‼️. What started as a standard interview question quickly became one of the rawest moments the show had captured in years‼️. Adam asked what Nipsey represented to him. Stu Boy Blue’s voice shifted immediately‼️. “That was nothing‼️. That was my big homie‼️. What you mean⁉️ I’m Crip.”‼️ Adam followed up: why did it hit so hard⁉️ The answer came in loops, the kind people use when they’re trying to hold something in‼️. “That was my big homie. I’m 60. That was my big homie, bro. Like that’s Nip. Dead homies. And he rich and he’s still here. Like what the fuck. Who the fuck I’m 60. Who the fuck would do some shit like that. Dead homies. I’m 60. That’s my big homie. Black Sam raised me. I’m 60. That’s family. That’s my big homie, bro. I swear to God.”‼️ Then the dam broke‼️. He started crying on camera‼️. “To this day, God, that shit still hurt me. I ain’t trying to get up all over here crying and shit, but that’s real. That’s my big homie. They killed Nip, bro. For what? For nothing. One of us, though.”‼️ Some viewers saw a gang member finally showing the cost of the life‼️. Others saw a man who never got over the fact that the killer was from the same set‼️. Nipsey Hussle was Rollin 60s‼️. Eric Holder, the man convicted of shooting him outside The Marathon Clothing store on March 31, 2019, was also Rollin 60s‼️. That detail sat at the center of Stu Boy Blue’s breakdown‼️. It wasn’t an enemy‼️. It was one of their own‼️. The “who would do some shit like that” wasn’t abstract. It was personal and specific‼️. Stu Boy Blue had talked earlier in the interview about growing up around the 60s through his grandfather’s house, about Black Sam, about the streets that raised him after his mother went to prison and his father died when he was three‼️. Nipsey wasn’t just a famous rapper from the hood to him. He was the big homie who made it out while still representing the same blocks‼️.

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39,356 görüntüleme • 21 gün önce

Eminem's comments on Rakim's hiphop with these word; Look — people mix up their favorite rappers with the best rappers all the time‼️. That’s fine‼️. Favorites are personal‼️. But when you talk about who actually moved the needle, who changed what the microphone was even *for*, you keep coming back to the same name‼️. Rakim‼️. Greatness ain’t only how well you do something‼️. It’s if you were the first to do it‼️. He was the first person I ever heard take inside rhyme schemes and treat a bar like it had rooms inside it‼️. He’d start a thought in the middle of the measure, fold a second rhyme underneath it, then come back at the end and *hit* it — like he’d planned the landing from the first syllable‼️. Nobody was thinking in that geometry yet‼️. He just did it‼️. Calm‼️. No yelling‼️. No gimmick‼️. Just a dude from Long Island writing like a saxophone player because that’s how he heard time‼️. That’s the part people still undersell‼️. Before him, a lot of rap was end-rhyme, punch, pose‼️. After *Paid in Full*, the whole craft got denser‼️. Internal rhymes, off-beat placement, ideas that didn’t have to sit on the four‼️. He single-handedly pushed the genre forward to be more complex lyrically — and then Kane and G Rap and the rest of that wave grew out of the space he opened‼️. You can hear the family tree if you listen‼️. I was a sponge for that stuff‼️. Compound syllables, Juice Crew, the guys who treated words like puzzles‼️. Rakim was the one who showed you the puzzle could be three-dimensional‼️. I said it on record: I’m a product of Rakim‼️. That’s not a throwaway line. When I was coming up, every time I thought I’d figured out how far you could stretch a bar, I’d go back to “I Ain’t No Joke” or “Microphone Fiend” or “Follow the Leader” and realize the ceiling was higher than I thought‼️. He made the pen feel like an instrument instead of a weapon you just swing‼️. The confidence was quiet. That’s harder than loud. Anybody can bark‼️. He made you lean in‼️. And the thing is, he never had to chase the moment‼️. The moment chased him‼️. Four albums with Eric B. and the template was already set — how you ride a loop, how you leave space, how you sound like you’re thinking in real time even when every syllable is placed‼️. Later cats interpolated him without even knowing they were doing it‼️. That’s influence that doesn’t need a press cycle‼️. I put him on every list I make because the list without him is incomplete‼️. Not because he sold the most or toured the loudest. Because after him, rappers had to get better or get left‼️. He changed the way people thought about rap. That’s the whole job, if you take the job seriously‼️. The rest of us are still writing in the rooms he built‼️‼️.

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27,522 görüntüleme • 21 gün önce