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🚨He was shown a "glowing crystal orb" recovered from the UFO legacy program according to whistleblower Jordan Jozak. When he made eye contact with it, "it looked back". "Sitting at the center of the coffee table on a pedestal is what I would describe as a wizard's orb." "The...

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“This orb was alive.” “It’s crystallized.” “It’s swirling.” “It’s emitting its own light.” “I felt like this thing was coming into me.” “I felt it in my brain.” Jordan Jozak was pulled into the GATE program, gifted and talented education, as a kid. He says he was taught ESP and remote viewing. But one day, he was introduced to some kind of alien intelligence. It was a “crystal orb.” “It has a defined shell.” “But the inside of this orb, for lack of a better word, was alive.” And it had a name: Sylvia. Jordan just sat down with Jesse Michels to share this wild story: One day, he was pulled out of school. “I’m asked to go take a seat next to this table.” “There’s what … I would call a blanket over an object that I can’t make out over this coffee table.” “Looking back now, the blanket was some type of Faraday shielding.” “Some type of electromagnetic shielding.” Under the Faraday shield, “sitting at the center of the coffee table on a three-pronged pedestal, is what I would describe as a wizard’s orb.” “Imagine Jupiter’s swirling atmosphere.” “Imagine that inside this sphere.” “But highly crystallized.” Jesse Michels: “What color?” Jozak: “Like white diamond.” “It was like this fractalized light inside and outside of it.” “I lock eye contact with this thing.” “The inside structure that I described … like Jupiter’s atmosphere swirling, it adapts.” “And it’s almost as if … it’s now looking back at me.” “It wasn’t telepathy.” “It was like this thing is almost linking with you.” “That lasted for 30 seconds.” “And the blanket was put back over the thing.” “That was the start of my relationship with Sylvia.” “I don’t know where this crystal orb came from.” “The people within the program, that were actually shepherding this thing around, didn’t call it tech.” “They called it a relic.” Michels: “And they said its name is Sylvia, or did it transmit its name to you?” Jozak: “It’s as if once I was physically linked with it, it developed a tunnel … where I could communicate with it.” “I could take myself into this astral environment … and it would show up to me visually.” “This silver, fractalizing type energy.” “In one of the experiences, it was telling me that its name was Sylvia.” “It wouldn’t talk to anyone else.” “They didn’t know what this thing was, was basically my understanding.” “It was sentient and conscious and felt alive.” “It communicated telepathically.” “It was essentially told to me in one of the earlier sessions that Sylvia … would equate to a human thought form.” “Everything we think, everything we’re consciously experiencing takes on some form somewhere else.” Jesse Michels American Alchemy @Mercifullmartin

Holden Culotta

17,652 просмотров • 29 дней назад

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010

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84,825 просмотров • 18 дней назад

Cameron Young is playing with a golf ball that would allegedly be compliant with the new roll back rules that will come into effect in a few years time. He was asked about it ahead of the PGA Championship and he says every player in the game is sacrificing distance for control, and he put it in play at the Wyndham last year which he won. “I think I put it in play the same reason that everybody else plays the ball that they play. I hit it during a ball test, one of the Titleist facilities probably close to two years ago and didn't know anything about it and just kind of say, hey, what's that one? Because I liked the flight. “Then as things progressed, I was able to test it last year at Wyndham, able to put that in play, and it's been there since. “Obviously there is no conforming list. I wasn't aware that it would have -- I suppose I read something that said it passed that test, but I wasn't aware of that until very recently. “So at no point was that a consideration. It was just really me trying to optimize my golf, and it's the ball that seems to work the best for me.” He then was asked whether he lost distance with it compared to other balls he’s tested: “Not particularly. I don't think any of us are out really here playing the ball that goes the farthest. I think you'd struggle to find a single person that's doing that. We're all sacrificing a certain amount of things that we feel are worth it, control with irons, control with wedges. For me, that's the biggest thing is being able to control spin, and this is the ball that does the best for me.” Finally he can as asked whether this ball goes further than the one he was using: “No, I hit very similar, yeah. It's much more -- the driver is kind of the easiest thing to deal with, I feel like. For me to get it where it needed to be, I had to just add a little bit of spin, and it kind of comes out at a perfectly playable range. “For me, the biggest thing, like I said, is the irons. This ball is easier to control with the irons. It doesn't spin as much, and it just allows me to be better with my distance control just because it's more consistent.” The golf ball rollback has been a hugely controversial subject but Cameron Young is currently using one that’s compliant and he is playing the best golf of his career. This gives the best idea yet on what impact, or lack of it, the new rules will actually have on the sport. PGA Championship

Flushing It

311,493 просмотров • 2 месяцев назад