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Hello everyone - I fixed some bugs in vue For example, reducing the lag slightly increased the stability rate...and also changing the application version. vue From 1.24 to 1.33 as shown in the video...and they set the script color to a uniform yellow, and there is a white version

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mustafa -ps4-ps5

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11,801 просмотров • 5 месяцев назад •via X (Twitter)

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Hello, I wanted to get your opinion on placing the script in the middle with a black background. Its success rate is 95%, making it better than the previous version. However, this is a private version due to some people, so there's no set release date. 🫡🔥♥️🥱
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Hello, I wanted to get your opinion on placing the script in the middle with a black background. Its success rate is 95%, making it better than the previous version. However, this is a private version due to some people, so there's no set release date. 🫡🔥♥️🥱

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

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Hello everyone... I was trying to improve stability and achieve a 12.50 success rate. I tried four consecutive attempts. I paused the video on restart only to shorten the video time. I apologize for the poor video quality and the annoying sound on my phone.Sorry, pending.
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Hello everyone... I was trying to improve stability and achieve a 12.50 success rate. I tried four consecutive attempts. I paused the video on restart only to shorten the video time. I apologize for the poor video quality and the annoying sound on my phone.Sorry, pending.

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