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Help, I got this 8 ball 🎱 stuck while playing pool 🥺, can u take it out? 50% off when you subscribe, deal ends April 13th #DC #ebonygoddess #petite #OFmodel #bbw #viralvideo #Subscribe #nsfwtwt #dmvsfreaks #nsfw #perform #online #dmvmodels #hot #Dance

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Cocoa Katana

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15,545 Aufrufe • vor 4 Monaten •via X (Twitter)

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joshua patting minghao while he talks about his condition 🥺 i'm glad minghao is getting better 🎱 [front part cut off] you know there are times when you don't feel your best, don't worry too much about it. i'm getting better as we speak. so carat, please take care of your health. i think my voice got sore during this tour. but still, as i performed today, i got so much strength from you. and being able to dance and sing infront of all of you guys in this big venue, i'm so happy and honored about it. going forward, i will strive to keep growing as an artist who can keep doing his best. thank you!
1:26

joshua patting minghao while he talks about his condition 🥺 i'm glad minghao is getting better 🎱 [front part cut off] you know there are times when you don't feel your best, don't worry too much about it. i'm getting better as we speak. so carat, please take care of your health. i think my voice got sore during this tour. but still, as i performed today, i got so much strength from you. and being able to dance and sing infront of all of you guys in this big venue, i'm so happy and honored about it. going forward, i will strive to keep growing as an artist who can keep doing his best. thank you!

𝗝𝗢.

30,783 Aufrufe • vor 8 Monaten

💬 eat sleep EN dive behind 🐈 ah the one when we kept drinking after the camera was off 🦊 right. we drank then… 🦊 can i even say this behind story? 🐈 when you went to the pool? 🦊 we kept on drinking even after the filming… what were we drinking back then? was it whiskey? i think there was whiskey 🐈 i don’t know. i can’t remember 🦊 anyway, we were playing some games and i got caught but i really didn’t want to drink anymore so they went “we’ll let you off if you go in the pool” and i seriously didn’t want to drink so i just went in 🐈 jay hyung also went in right? 🦊 jay hyung went in? ah right. jay hyung went in 🐈 he just went in to the pool with his clothes on 🦊 while me i only had my underwear on, i took everything off and just went in like that 🐈 don’t talk about that part 🦊 i’m sharing a lot today. i take it back
1:17

💬 eat sleep EN dive behind 🐈 ah the one when we kept drinking after the camera was off 🦊 right. we drank then… 🦊 can i even say this behind story? 🐈 when you went to the pool? 🦊 we kept on drinking even after the filming… what were we drinking back then? was it whiskey? i think there was whiskey 🐈 i don’t know. i can’t remember 🦊 anyway, we were playing some games and i got caught but i really didn’t want to drink anymore so they went “we’ll let you off if you go in the pool” and i seriously didn’t want to drink so i just went in 🐈 jay hyung also went in right? 🦊 jay hyung went in? ah right. jay hyung went in 🐈 he just went in to the pool with his clothes on 🦊 while me i only had my underwear on, i took everything off and just went in like that 🐈 don’t talk about that part 🦊 i’m sharing a lot today. i take it back

jassy.

95,362 Aufrufe • vor 10 Monaten

Reminder… Nancy Pelosi’s daughter was Secretly Filmed talking about January 6 Being a Media Established Joke 2:43 Pelosi: “The Shaman did noth(ing)… What did the Shaman do? He stood there.” 4:24 “After the Democrats lose the house, then they get rid of the committee, people may lose I think interest… no one is going to care after the democrats are out of power. And you take Biden out of office- then who cares!?” 4:47 “DC is a lot of people who work for the government. I don’t think they’re sympathetic. If you got it moved (changed trial jurisdiction from DC) you’d totally get off” (laughs while saying this) 6:48 “If there was an insurrection… you were supposed to have a plan!” “It was the sorriest insurrection in history” 8:09 “Time is going to remember January 6 differently. Media needs stuff to fill. You’re going to be able to laugh about this one day” 14:50 Pelosi talks about her friendship with Gavin McInnes and laughs at the notion that Proud Boys are white supremacists.
16:31

Reminder… Nancy Pelosi’s daughter was Secretly Filmed talking about January 6 Being a Media Established Joke 2:43 Pelosi: “The Shaman did noth(ing)… What did the Shaman do? He stood there.” 4:24 “After the Democrats lose the house, then they get rid of the committee, people may lose I think interest… no one is going to care after the democrats are out of power. And you take Biden out of office- then who cares!?” 4:47 “DC is a lot of people who work for the government. I don’t think they’re sympathetic. If you got it moved (changed trial jurisdiction from DC) you’d totally get off” (laughs while saying this) 6:48 “If there was an insurrection… you were supposed to have a plan!” “It was the sorriest insurrection in history” 8:09 “Time is going to remember January 6 differently. Media needs stuff to fill. You’re going to be able to laugh about this one day” 14:50 Pelosi talks about her friendship with Gavin McInnes and laughs at the notion that Proud Boys are white supremacists.

MJTruthUltra

185,912 Aufrufe • vor 1 Jahr

Here’s some January 6 Footage for you you Liz Cheney Nancy Pelosi’s daughter Secretly Filmed talking about January 6 Being a JOKE 2:43 Pelosi: “The Shaman did noth(ing)… What did the Shaman do? He stood there.” 4:24 “After the Democrats lose the house, then they get rid of the committee, people may lose I think interest… no one is going to care after the democrats are out of power. And you take Biden out of office- then who cares!?” 4:47 “DC is a lot of people who work for the government. I don’t think they’re sympathetic. If you got it moved (changed trial jurisdiction from DC) you’d totally get off” (laughs while saying this) 6:48 “If there was an insurrection… you were supposed to have a plan!” “It was the sorriest insurrection in history” 8:09 “Time is going to remember January 6 differently. Media needs stuff to fill. You’re going to be able to laugh about this one day” 14:50 Pelosi talks about her friendship with Gavin McInnes and laughs at the notion that Proud Boys are white supremacists. This Video
16:29

Here’s some January 6 Footage for you you Liz Cheney Nancy Pelosi’s daughter Secretly Filmed talking about January 6 Being a JOKE 2:43 Pelosi: “The Shaman did noth(ing)… What did the Shaman do? He stood there.” 4:24 “After the Democrats lose the house, then they get rid of the committee, people may lose I think interest… no one is going to care after the democrats are out of power. And you take Biden out of office- then who cares!?” 4:47 “DC is a lot of people who work for the government. I don’t think they’re sympathetic. If you got it moved (changed trial jurisdiction from DC) you’d totally get off” (laughs while saying this) 6:48 “If there was an insurrection… you were supposed to have a plan!” “It was the sorriest insurrection in history” 8:09 “Time is going to remember January 6 differently. Media needs stuff to fill. You’re going to be able to laugh about this one day” 14:50 Pelosi talks about her friendship with Gavin McInnes and laughs at the notion that Proud Boys are white supremacists. This Video

MJTruthUltra

2,536,952 Aufrufe • vor 2 Jahren

Anthony Davis says he would still be in New Orleans had the Pelicans drafted Ja Morant instead of Zion Williamson “I tell David Griffin, ‘If you can get Ja Morant at one, then we got a real conversation going on. Because I know how it’s going to help our team with Jrue Holiday. If Jrue got to handle the ball, he loves to get people involved, but we like, Jrue go score, we got somebody else who can do that now, who can playmake” “He was like he can’t. He got to take Zion. And I just didn’t see at the time where me and Zion would work. We’re playing the same position. At this time, I was only playing the four. I was never the five. Is Zion gonna play the three. Then you got Jrue at the two and we just brought in Julius Randle. Are you gonna bench Julius. Who’s getting benched. You’re not gonna bench your number one pick” “I always thought I was gonna finish in New Orleans, right? Start in New Orleans, finish in New Orleans, and never go anywhere. And when we just didn’t align on our goals as far as winning, it just took a bad turn. We had to do some things, had to get loud in the media, and I had to go out and be a villain. I think now people are starting to see and understand a little bit, but they didn’t see it at the time, seven years ago”
1:34

Anthony Davis says he would still be in New Orleans had the Pelicans drafted Ja Morant instead of Zion Williamson “I tell David Griffin, ‘If you can get Ja Morant at one, then we got a real conversation going on. Because I know how it’s going to help our team with Jrue Holiday. If Jrue got to handle the ball, he loves to get people involved, but we like, Jrue go score, we got somebody else who can do that now, who can playmake” “He was like he can’t. He got to take Zion. And I just didn’t see at the time where me and Zion would work. We’re playing the same position. At this time, I was only playing the four. I was never the five. Is Zion gonna play the three. Then you got Jrue at the two and we just brought in Julius Randle. Are you gonna bench Julius. Who’s getting benched. You’re not gonna bench your number one pick” “I always thought I was gonna finish in New Orleans, right? Start in New Orleans, finish in New Orleans, and never go anywhere. And when we just didn’t align on our goals as far as winning, it just took a bad turn. We had to do some things, had to get loud in the media, and I had to go out and be a villain. I think now people are starting to see and understand a little bit, but they didn’t see it at the time, seven years ago”

dank

1,959,609 Aufrufe • vor 22 Tagen

minghao v8 hong kong d2 ment 🎱 hi i'm xu minghao the8! why does it feel so hot today! [carats asking him to take it off] 🎱 i shouldn't have mentioned this word, i shouldn't have said i am hot, right. i won't take it off today. a different feeling today. is it really that much of a pity? sigh... really. friends in the back, friends over here, friends in the front. oh the friends in the front are very loud, friends on the right! friends on the left! friends in the middle! very good, very good. how is your condition today? not bad? are you tired? not tired? then in a little while there is still a segment where we will jump together. is there anyone whose legs and feet are not feeling very comfortable? there are a few people raising their hands here. then what should we do? next time when you come to this kind of live house performance, make sure you wear something comfortable. and as always, you must pay attention to safety. okay? the front is still okay, but these two sides feel a bit crowded. be a little careful, and if you feel uncomfortable, let the staff at the front know. you must take good care of yourselves, okay? how was the stage just now? i feel like you guys would just say 'good' hehe. feels like everyone's state today is a little... [carats asking him to take it off] 🎱 i say one more word and suddenly it becomes two words 'take it off'. tell me, what are you all thinking about in your heads? but as long as you're happy. are you happy now? since you're happy, then i won't take it off. then let's continue chatting about the stage just now. the first song, my solo song 'awake', was specially for this show. it was written earlier, around february this year? around february. because of the arrangement of this song, i think it is especially suitable for a live performance, including all the lights and lasers. i don't know if everyone felt it. did you? maybe the friends in the back could see it more clearly, right? then '8dm'. the mv for '8dm' also came out a few days ago. have you all watched it? almost everyone has watched it. if you haven't watched it yet, you can go back and enjoy it. this album has a lot of chinese lyrics. if there are songs like that later, please sing along together, okay? because every time i'm on stage and i see you singing along and jumping together, i really feel very, very happy and very blessed. do you feel the same? it just feels like you all look like children. although there may be gege and jiejie who are older than me, i really feel that when i am on stage and you are in the audience, enjoying that moment, you all are just like children. so i really feel this kind of energy is especially pure. so for me, i think this kind of performance is the purest way for us to interact with each other. and i'm human too, right? it's impossible.. keep listening. my energy can't always be very high, but sometimes on stage, although you usually can't tell when my energy is a little low, some people can. but as long as i see you enjoying our time together so much, my energy is immediately recharged. so actually, when i am on stage, i rely on you all a lot. so to me, this kind of pure interaction is really about relying on each other, encouraging each other, and accompanying each other. i think it is really a very lucky thing. just now.. not just now. there's a lyric in 'girlsnboys': "time has taken the boy/youth away." actually, these past two years i suddenly feel like i've had to handle many things like an adult, even though i already am an adult. adults are talking about serious matters, don't call 'baobao' (baby). i just feel that at some point, suddenly, oh.. how have i really become like an adult, handling so many things i had never dealt with before. before, maybe just being an artiste was enough. but maybe because there are many things i want to do, and many things go beyond the scope of being an artiste, i need to handle a lot of things. so actually, that lyric expresses a kind of feeling.
8:27

minghao v8 hong kong d2 ment 🎱 hi i'm xu minghao the8! why does it feel so hot today! [carats asking him to take it off] 🎱 i shouldn't have mentioned this word, i shouldn't have said i am hot, right. i won't take it off today. a different feeling today. is it really that much of a pity? sigh... really. friends in the back, friends over here, friends in the front. oh the friends in the front are very loud, friends on the right! friends on the left! friends in the middle! very good, very good. how is your condition today? not bad? are you tired? not tired? then in a little while there is still a segment where we will jump together. is there anyone whose legs and feet are not feeling very comfortable? there are a few people raising their hands here. then what should we do? next time when you come to this kind of live house performance, make sure you wear something comfortable. and as always, you must pay attention to safety. okay? the front is still okay, but these two sides feel a bit crowded. be a little careful, and if you feel uncomfortable, let the staff at the front know. you must take good care of yourselves, okay? how was the stage just now? i feel like you guys would just say 'good' hehe. feels like everyone's state today is a little... [carats asking him to take it off] 🎱 i say one more word and suddenly it becomes two words 'take it off'. tell me, what are you all thinking about in your heads? but as long as you're happy. are you happy now? since you're happy, then i won't take it off. then let's continue chatting about the stage just now. the first song, my solo song 'awake', was specially for this show. it was written earlier, around february this year? around february. because of the arrangement of this song, i think it is especially suitable for a live performance, including all the lights and lasers. i don't know if everyone felt it. did you? maybe the friends in the back could see it more clearly, right? then '8dm'. the mv for '8dm' also came out a few days ago. have you all watched it? almost everyone has watched it. if you haven't watched it yet, you can go back and enjoy it. this album has a lot of chinese lyrics. if there are songs like that later, please sing along together, okay? because every time i'm on stage and i see you singing along and jumping together, i really feel very, very happy and very blessed. do you feel the same? it just feels like you all look like children. although there may be gege and jiejie who are older than me, i really feel that when i am on stage and you are in the audience, enjoying that moment, you all are just like children. so i really feel this kind of energy is especially pure. so for me, i think this kind of performance is the purest way for us to interact with each other. and i'm human too, right? it's impossible.. keep listening. my energy can't always be very high, but sometimes on stage, although you usually can't tell when my energy is a little low, some people can. but as long as i see you enjoying our time together so much, my energy is immediately recharged. so actually, when i am on stage, i rely on you all a lot. so to me, this kind of pure interaction is really about relying on each other, encouraging each other, and accompanying each other. i think it is really a very lucky thing. just now.. not just now. there's a lyric in 'girlsnboys': "time has taken the boy/youth away." actually, these past two years i suddenly feel like i've had to handle many things like an adult, even though i already am an adult. adults are talking about serious matters, don't call 'baobao' (baby). i just feel that at some point, suddenly, oh.. how have i really become like an adult, handling so many things i had never dealt with before. before, maybe just being an artiste was enough. but maybe because there are many things i want to do, and many things go beyond the scope of being an artiste, i need to handle a lot of things. so actually, that lyric expresses a kind of feeling.

𝗝𝗢.

11,246 Aufrufe • vor 1 Monat

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)
1:46

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 Aufrufe • vor 8 Monaten

Bill Maher's ending monologue of his season finale was dedicated to both sides coming together for Christmas: Bill Maher: "Your job is to help people, all people, not just the ones you agree with. And I would say the same to the FEMA supervisor in Florida who told the rank and file relief workers after Hurricane Milton to avoid helping homes with Trump signs on their lawns. This shit has got to stop on both sides. This is America. I want to be judged by the content of my character, not what's on my lawn. There's a great article that came out in the Free Press this year by someone who learned this firsthand. It's called whatever Happens Love Thy Neighbor. And it tells of how a married couple who are exactly be portrait of a liberal white couple living in Park Slope, Brooklyn. That you would expect wind up moving upstate and then are surrounded by Trumpers and they're petrified. But then when they get stuck in the snow, the Trump guy down the street doesn't hesitate to help dig the liberals out. The author, Larissa Phillips, says she slowly came to reject the political prejudice so common among my tribe and that it's hard to care where someone stands on politics when they race to your house to save a dying lamb. When their wife helped search for your runaway dogs and that she personally has been stunned by the depth of my neighbor's generosity. I get it that for the Democrats, this was a brutal loss. But the plan to deal with it has to be something better than stay in a snit and take advantage of this magical time of year to cut people off. But family isn't like gender. You can't fix it by cutting off members." Now that they're out of power, 'There are fine people on both sides.' Where was this the last 4 years?
2:50

Bill Maher's ending monologue of his season finale was dedicated to both sides coming together for Christmas: Bill Maher: "Your job is to help people, all people, not just the ones you agree with. And I would say the same to the FEMA supervisor in Florida who told the rank and file relief workers after Hurricane Milton to avoid helping homes with Trump signs on their lawns. This shit has got to stop on both sides. This is America. I want to be judged by the content of my character, not what's on my lawn. There's a great article that came out in the Free Press this year by someone who learned this firsthand. It's called whatever Happens Love Thy Neighbor. And it tells of how a married couple who are exactly be portrait of a liberal white couple living in Park Slope, Brooklyn. That you would expect wind up moving upstate and then are surrounded by Trumpers and they're petrified. But then when they get stuck in the snow, the Trump guy down the street doesn't hesitate to help dig the liberals out. The author, Larissa Phillips, says she slowly came to reject the political prejudice so common among my tribe and that it's hard to care where someone stands on politics when they race to your house to save a dying lamb. When their wife helped search for your runaway dogs and that she personally has been stunned by the depth of my neighbor's generosity. I get it that for the Democrats, this was a brutal loss. But the plan to deal with it has to be something better than stay in a snit and take advantage of this magical time of year to cut people off. But family isn't like gender. You can't fix it by cutting off members." Now that they're out of power, 'There are fine people on both sides.' Where was this the last 4 years?

Eric Abbenante

696,337 Aufrufe • vor 1 Jahr

Joe Rogan explains how Floyd Mayweather went broke: "Imagine making $750 million and you're 49. You're broke." Joe: "Do you see all the stuff that's going on with Floyd?" Tony: "Yeah. I can't wrap my head around it. I don't understand how someone makes that much money and doesn't pay taxes or whatever." Joe: "Yeah. Well, I could tell you how.. you run out of money. You know, you spend so much money on things." Tony: "Do you think he has a business manager?" Joe: "Maybe he wasn't looking out for his best interest" Tony: "I mean, you got to put somebody in charge of that amount of money." Joe: "You would think $750 million would last you a while. He's not even 50." Joe: "Put some away. But the thing is, it's like that lifestyle. His lifestyle was all about showing you his wealth. He's 49. Imagine making $750 million and you're 49. You're broke." Joe: "That's crazy. But Tyson talks openly about how he spent hundreds of millions of dollars, just went through it. You know, if you're living that life where you're just wearing diamonds everywhere and you're buying crazy watches, and you know, Floyd does these things. You ever seen the way he'll go into a hotel room when he's traveling and he talks about the watches that he brought, and so he opens up suitcases with millions of dollars in watches? He just opens suitcases. You ever seen these?" Tony: "No." Joe: "Find them because they're kind of hilarious." Tony: "He's just trying to figure out which one he wants to wear. He brings them all with him." Joe: "Yeah. He's just showing off. He's showing off that he's got two suitcases filled with diamond-encrusted Patek Philippes and the most high-end watches. Look at this. Do you have the clip?" Joe: "Here it is. Look. Play, put some volume on this. Look at this." Floyd: "People are always in my business, worried about what I'm doing, what Floyd is doing, what Floyd ain't doing, what I do got, what I don't got. Just know I'mma stay in my lane. I ain't going to [__] with nobody. And I don't want nobody [__] with me. If I go on vacation, my fault. When I go on paycation for 30 days, I take 30 watches with me." Floyd: "But you know what? What's crazy is this: if we add 10 more days, I take 10 more watches. But then I say, 'Fuck it. If I want to bring out the one and only, then I bring out the watch that cost $18 million.'" Floyd: "Matter of fact, you know what I'm going to do for you [__] haters today? I'm going to go [__] off $50,000 cuz I ain't got [__] else to do. Money made all [__] day." Joe Rogan: "That's the problem. So that you can only do for so long. So if you have one $18 million watch, like, okay, let's not get crazy. Let's not get crazy. You wanted to get it, you got it. You have $750 million. You have one $18 million watch. You can't have 18 watches that cost millions of dollars, because you're going to need more. You're going to keep wanting to buy more. You're going to run out of money. How many Rolls-Royces do you have? Okay. Each one of those is a half a million dollars. You have four or five of them. How many Ferraris? You got 10 Ferraris. Okay. what? Some of those Ferraris are almost a million dollars. You have 10 almost a million dollar cars. Okay. So, just in watches and cars alone, we're looking at 50, 60 million. And then you have to make 120 plus to actually have 60."
3:39

Joe Rogan explains how Floyd Mayweather went broke: "Imagine making $750 million and you're 49. You're broke." Joe: "Do you see all the stuff that's going on with Floyd?" Tony: "Yeah. I can't wrap my head around it. I don't understand how someone makes that much money and doesn't pay taxes or whatever." Joe: "Yeah. Well, I could tell you how.. you run out of money. You know, you spend so much money on things." Tony: "Do you think he has a business manager?" Joe: "Maybe he wasn't looking out for his best interest" Tony: "I mean, you got to put somebody in charge of that amount of money." Joe: "You would think $750 million would last you a while. He's not even 50." Joe: "Put some away. But the thing is, it's like that lifestyle. His lifestyle was all about showing you his wealth. He's 49. Imagine making $750 million and you're 49. You're broke." Joe: "That's crazy. But Tyson talks openly about how he spent hundreds of millions of dollars, just went through it. You know, if you're living that life where you're just wearing diamonds everywhere and you're buying crazy watches, and you know, Floyd does these things. You ever seen the way he'll go into a hotel room when he's traveling and he talks about the watches that he brought, and so he opens up suitcases with millions of dollars in watches? He just opens suitcases. You ever seen these?" Tony: "No." Joe: "Find them because they're kind of hilarious." Tony: "He's just trying to figure out which one he wants to wear. He brings them all with him." Joe: "Yeah. He's just showing off. He's showing off that he's got two suitcases filled with diamond-encrusted Patek Philippes and the most high-end watches. Look at this. Do you have the clip?" Joe: "Here it is. Look. Play, put some volume on this. Look at this." Floyd: "People are always in my business, worried about what I'm doing, what Floyd is doing, what Floyd ain't doing, what I do got, what I don't got. Just know I'mma stay in my lane. I ain't going to [__] with nobody. And I don't want nobody [__] with me. If I go on vacation, my fault. When I go on paycation for 30 days, I take 30 watches with me." Floyd: "But you know what? What's crazy is this: if we add 10 more days, I take 10 more watches. But then I say, 'Fuck it. If I want to bring out the one and only, then I bring out the watch that cost $18 million.'" Floyd: "Matter of fact, you know what I'm going to do for you [__] haters today? I'm going to go [__] off $50,000 cuz I ain't got [__] else to do. Money made all [__] day." Joe Rogan: "That's the problem. So that you can only do for so long. So if you have one $18 million watch, like, okay, let's not get crazy. Let's not get crazy. You wanted to get it, you got it. You have $750 million. You have one $18 million watch. You can't have 18 watches that cost millions of dollars, because you're going to need more. You're going to keep wanting to buy more. You're going to run out of money. How many Rolls-Royces do you have? Okay. Each one of those is a half a million dollars. You have four or five of them. How many Ferraris? You got 10 Ferraris. Okay. what? Some of those Ferraris are almost a million dollars. You have 10 almost a million dollar cars. Okay. So, just in watches and cars alone, we're looking at 50, 60 million. And then you have to make 120 plus to actually have 60."

Tony Jacob | FindaClip.com

693,303 Aufrufe • vor 1 Monat

jihoon’s sleep paralysis is so bad that he went in and out of it more than 10 times during his massage today :( he couldnt even sleep and get some rest even if he had the time to :( i feel so bad :( 🐶 right after I got back to Korea, I went to get a massage. while I was getting the massage, I ended up getting sleep paralysis. 🐶 u know how it is, right? when you get sleep paralysis, you wake up - fall asleep - get sleep paralysis - wake up - fall asleep - boom sleep paralysis. over and over. u know you’re trapped in that cycle, but you can’t escape it because you’re so tired that you keep falling back asleep 🐶 im like “ah im probably gonna get sleep paralysis again” but at the same time you think, “maybe this round will be different” 🐶 but no, I got sleep paralysis so many times. I seriously got stuck in an endless loop. I was trying so hard to snap out of it, like moving around and struggling, and then when I finally woke up, the massage therapist was like 👩🏻 oh? are you okay? is this position uncomfortable for you? 🐶 so I pretended it was that and went “ah yeah im okimokimok” 🐶 then I fell asleep again, and it happened again. I’d move around, wake up, and they’d ask me if im okay. i say yes. this happened like three or four times. 🐶 then later they put something warm on me. but when they did, I suddenly got kind of scared because I was already in that weird state, so I asked, “how long does this stay on for?” and they said about 7 minutes. by then I’d already had sleep paralysis like four times in a row. every time it happened, i’d wake up - sleep paralysis - wake up - sleep paralysis just over and over. 🐶 anyway, after it was all done 👩🏻 does your body feel okay now? 🐶 oh yeah yeah my body feels great. yes yes I think I feel really good 🐶 my manager said he could give me a ride, but since the other hyungs had just gotten back to Korea too, I was like, “no everyone go home and rest. its Sunday anyway, I’ll go by myself.” 🐶 so I was dragging myself home thinking, “should I just lie down and sleep right here on the street?” but it was so hot today, and the back of my neck was burning from the heat. I pulled myself together and got home. 🐶 honestly, I was planning to sleep. I thought I’d sleep for like three hours after getting home, but I just couldn’t fall asleep. And seriously, this is torture. the suffering of insomnia is real. people who can actually sleep when they want to sleep are seriously amazing. 🐶 I really tried today. I turned on the styler, lay there with my eyes closed for like forty minutes, but in the end I couldn’t sleep. so I was like, “okay if it’s gonna be like this, i’ll just start a livestream! okay”
3:01

jihoon’s sleep paralysis is so bad that he went in and out of it more than 10 times during his massage today :( he couldnt even sleep and get some rest even if he had the time to :( i feel so bad :( 🐶 right after I got back to Korea, I went to get a massage. while I was getting the massage, I ended up getting sleep paralysis. 🐶 u know how it is, right? when you get sleep paralysis, you wake up - fall asleep - get sleep paralysis - wake up - fall asleep - boom sleep paralysis. over and over. u know you’re trapped in that cycle, but you can’t escape it because you’re so tired that you keep falling back asleep 🐶 im like “ah im probably gonna get sleep paralysis again” but at the same time you think, “maybe this round will be different” 🐶 but no, I got sleep paralysis so many times. I seriously got stuck in an endless loop. I was trying so hard to snap out of it, like moving around and struggling, and then when I finally woke up, the massage therapist was like 👩🏻 oh? are you okay? is this position uncomfortable for you? 🐶 so I pretended it was that and went “ah yeah im okimokimok” 🐶 then I fell asleep again, and it happened again. I’d move around, wake up, and they’d ask me if im okay. i say yes. this happened like three or four times. 🐶 then later they put something warm on me. but when they did, I suddenly got kind of scared because I was already in that weird state, so I asked, “how long does this stay on for?” and they said about 7 minutes. by then I’d already had sleep paralysis like four times in a row. every time it happened, i’d wake up - sleep paralysis - wake up - sleep paralysis just over and over. 🐶 anyway, after it was all done 👩🏻 does your body feel okay now? 🐶 oh yeah yeah my body feels great. yes yes I think I feel really good 🐶 my manager said he could give me a ride, but since the other hyungs had just gotten back to Korea too, I was like, “no everyone go home and rest. its Sunday anyway, I’ll go by myself.” 🐶 so I was dragging myself home thinking, “should I just lie down and sleep right here on the street?” but it was so hot today, and the back of my neck was burning from the heat. I pulled myself together and got home. 🐶 honestly, I was planning to sleep. I thought I’d sleep for like three hours after getting home, but I just couldn’t fall asleep. And seriously, this is torture. the suffering of insomnia is real. people who can actually sleep when they want to sleep are seriously amazing. 🐶 I really tried today. I turned on the styler, lay there with my eyes closed for like forty minutes, but in the end I couldn’t sleep. so I was like, “okay if it’s gonna be like this, i’ll just start a livestream! okay”

shan

58,747 Aufrufe • vor 3 Monaten

It's been fun going through and posting about all my past projects with you guys. 😊 Today brings us to the dating show on FOX I did for a whole season, "Take Me Out" with George Lopez. The point of the show was that they'd parade men out, and you'd hit a buzzer and explain why or why not you liked them. Of course, if you got a date....you were off the show, which I didn't want. So as you can probably tell from some of my completely bullsh*t answers, I avoided actually getting a date until the very last episode where they ended up making it a whole segment. (For what it's worth, my date was also probably the nicest guy that was on the show. I remember for his talent portion he came out and sang opera.) What you didn't see in the edited version for TV, was that while some girls barely got to say anything, producers had George go to me every other time just to see what crazy things I would say. I was doing stand up and improv in LA at the time, and I always saw these reality shows as an opportunity to hone my skills. Ultimately, I ended up doing over 40 Network reality shows in a very short amount of time....always playing the same exaggerated version of myself. I'd ham up this bimbo act (I know why I was hired) but actually always ended up saying very clever and funny things. I understood the assignment and what it takes to get the most screen time. 😈 #DaysOfMindy #DaysOfMindy10 (These hashtags should help you find any other projects you might have missed the posting of on IG)
4:07

It's been fun going through and posting about all my past projects with you guys. 😊 Today brings us to the dating show on FOX I did for a whole season, "Take Me Out" with George Lopez. The point of the show was that they'd parade men out, and you'd hit a buzzer and explain why or why not you liked them. Of course, if you got a date....you were off the show, which I didn't want. So as you can probably tell from some of my completely bullsh*t answers, I avoided actually getting a date until the very last episode where they ended up making it a whole segment. (For what it's worth, my date was also probably the nicest guy that was on the show. I remember for his talent portion he came out and sang opera.) What you didn't see in the edited version for TV, was that while some girls barely got to say anything, producers had George go to me every other time just to see what crazy things I would say. I was doing stand up and improv in LA at the time, and I always saw these reality shows as an opportunity to hone my skills. Ultimately, I ended up doing over 40 Network reality shows in a very short amount of time....always playing the same exaggerated version of myself. I'd ham up this bimbo act (I know why I was hired) but actually always ended up saying very clever and funny things. I understood the assignment and what it takes to get the most screen time. 😈 #DaysOfMindy #DaysOfMindy10 (These hashtags should help you find any other projects you might have missed the posting of on IG)

Mindy MF Robinson 🦄

20,739 Aufrufe • vor 7 Monaten

Crowdfunding Appeal: #SendTwinamatsikoToSchool Yesterday, was an emotional day. I left Kampala at 05 am and drove some 300km in to Rwanama village, in Bugongi Town Council, Shema District to meet Twinamatsiko Vicent (15 years)⏤ the dude in a yellow t-shirt. I first got to know about Twinamatsiko's plight via a news story and appeal that run on Vision Group's TV West. Born on the 29th of April 2009, he lost his parents early in life. He was picked up and raised by his grandmother, Maria Gyija (in black t-shirt and blue skirt). The problem is Maria Gyija herself can barely afford a decent living. Their house and mini banana plantation, sit on less than a 50 * 100 plot. Gyija, makes ends meet by doing paid labour in the nearby better-off households. Twinamatsiko has been supporting and supplementing her grandmother's meagre income by charcoal burning. Twinamatsiko scored 6 aggregates in the 2023 PLE Exams. He had put his first choice in a tier III-rated secondary school near his home- but even then, he wasn't sure where his school fees would come from. I picked interest in his great performance and with the help of Anthony Natif and the Namilyango College Old Boy's Association (NACOBA) Chairman, Alex Matayo, we got him admitted to the great Namilyango College- my alma mater too. Anthony Natif has also promised to step in on school fees in the terms ahead. Today, after answering so many questions from the area LC1 Chairperson and Councillor, I have returned with him to Kampala to start school at the mighty Namilyango College. School opens tomorrow the 19th February 2024. Now that is the great and happy part. While we are committed to doing the best we can and sharing what we have got- January can be a little tight. We could surely use some co-sharing on this responsibility, especially for this term. Now, someone will ask why I had to push myself to take up Twinamatsiko as my responsibility when I knew I couldn't afford it. Frankly, I have also asked myself this question at some point on this journey, but I know in the recent past I have achieved greater things than I ever believed I could. And frequently this has been with the help of you guys, my online family. Plus, I knew this was not something that could wait. It was now or never. This is why I am reaching out to you all here to make a crowdfunding appeal on behalf of Twinamatsiko Vicent and his grandmother Maria Gyija. For now, we need to top up the part payment we have made so he goes to school tomorrow, as we sort out the other details. I am requesting you to please support my #SendTwinamatsikoToSchool Campaign by sending donations to the following accounts. AIRTEL MONEY: +256 759 800326 (Muhereza Abel) MTN MoMo: +256 772 415939 (Judith Komuhangi) BANK ACCOUNT: Stanbic; 9030016220867 (Muhereza Kyamutetera) Kindly share/retweet/repost too. Together, lets #SendTwinamatsikoToSchool
1:47

Crowdfunding Appeal: #SendTwinamatsikoToSchool Yesterday, was an emotional day. I left Kampala at 05 am and drove some 300km in to Rwanama village, in Bugongi Town Council, Shema District to meet Twinamatsiko Vicent (15 years)⏤ the dude in a yellow t-shirt. I first got to know about Twinamatsiko's plight via a news story and appeal that run on Vision Group's TV West. Born on the 29th of April 2009, he lost his parents early in life. He was picked up and raised by his grandmother, Maria Gyija (in black t-shirt and blue skirt). The problem is Maria Gyija herself can barely afford a decent living. Their house and mini banana plantation, sit on less than a 50 * 100 plot. Gyija, makes ends meet by doing paid labour in the nearby better-off households. Twinamatsiko has been supporting and supplementing her grandmother's meagre income by charcoal burning. Twinamatsiko scored 6 aggregates in the 2023 PLE Exams. He had put his first choice in a tier III-rated secondary school near his home- but even then, he wasn't sure where his school fees would come from. I picked interest in his great performance and with the help of Anthony Natif and the Namilyango College Old Boy's Association (NACOBA) Chairman, Alex Matayo, we got him admitted to the great Namilyango College- my alma mater too. Anthony Natif has also promised to step in on school fees in the terms ahead. Today, after answering so many questions from the area LC1 Chairperson and Councillor, I have returned with him to Kampala to start school at the mighty Namilyango College. School opens tomorrow the 19th February 2024. Now that is the great and happy part. While we are committed to doing the best we can and sharing what we have got- January can be a little tight. We could surely use some co-sharing on this responsibility, especially for this term. Now, someone will ask why I had to push myself to take up Twinamatsiko as my responsibility when I knew I couldn't afford it. Frankly, I have also asked myself this question at some point on this journey, but I know in the recent past I have achieved greater things than I ever believed I could. And frequently this has been with the help of you guys, my online family. Plus, I knew this was not something that could wait. It was now or never. This is why I am reaching out to you all here to make a crowdfunding appeal on behalf of Twinamatsiko Vicent and his grandmother Maria Gyija. For now, we need to top up the part payment we have made so he goes to school tomorrow, as we sort out the other details. I am requesting you to please support my #SendTwinamatsikoToSchool Campaign by sending donations to the following accounts. AIRTEL MONEY: +256 759 800326 (Muhereza Abel) MTN MoMo: +256 772 415939 (Judith Komuhangi) BANK ACCOUNT: Stanbic; 9030016220867 (Muhereza Kyamutetera) Kindly share/retweet/repost too. Together, lets #SendTwinamatsikoToSchool

Muhereza Kyamutetera

89,181 Aufrufe • vor 2 Jahren

Last week I shared a photograph that I wanted to make sure you knew was not an Ai image. Nonetheless, a number of people claimed otherwise. They could not believe that modern day Britain would see a political meeting packed full of Pakistani men. Well here is the video that the 'Oldham Group' released themselves from this meeting. You can decide for yourselves whether this video is also Ai. Want to know how towns like Oldham get captured by Pakistani Sectarians and Islamists? How Pakistani cartels, sectarians, and Islamists, working with corrupt councillors and bent coppers, turn working-class communities into their personal territories? I’ve spent seven years documenting exactly this in Oldham. I’ve been arrested for it, smeared as a racist for it, dragged through the courts for it. And I’d do it all again because what I found terrifies them more than any riot ever could. The same rotten pattern is happening across Britain: organised Pakistani/Bangladeshi/Islamist networks, complicit officials, and so-called community leaders who’ve carved up our towns between them. They thought no one would notice. They thought no one would speak up. They were wrong. My work strips away their lies and shows people exactly how the game is rigged. I name names. I follow the money. I expose the cover-ups. And I give ordinary people the tools to take their communities back - lawfully, systematically, relentlessly. They want me silenced because informed communities can’t be controlled. Once you see how the system really works, you stop playing by their rules and you learn to fight back in ways they never imagined. You can back this fight and support me as I train communities across the UK to mobilise, or you can watch where you live go the same way as the rest. And yes, every piece of content I produce is free. No paywalls. No hidden fees. I travel the length and breadth of the country to meet, educate, and train people at no cost whatsoever. _________ I am Raja Miah. For seven years, I led a small team that exposed how politicians protected the rape gangs. I cannot do this on my own. I need you to stand with me and help make sure we can stop the sectarian takeover of the places we call home. We’re running out of time. Without the numbers, they will win. It’s as simple as that. 🔴 Subscribe to my newsletter – it’s free. Or support the work for just 75p a week (£3/month or £30/year). Whatever you do, please subscribe; 👉 This is the fight. This is the moment. There will not be another 🔴 Prefer a one-off contribution? 👉 👉 No corporate sponsors. No party machine. Just you and thousands of ordinary people who know what’s at stake. We’ve come this far. Help finish it. Raja Miah MBE
0:27

Last week I shared a photograph that I wanted to make sure you knew was not an Ai image. Nonetheless, a number of people claimed otherwise. They could not believe that modern day Britain would see a political meeting packed full of Pakistani men. Well here is the video that the 'Oldham Group' released themselves from this meeting. You can decide for yourselves whether this video is also Ai. Want to know how towns like Oldham get captured by Pakistani Sectarians and Islamists? How Pakistani cartels, sectarians, and Islamists, working with corrupt councillors and bent coppers, turn working-class communities into their personal territories? I’ve spent seven years documenting exactly this in Oldham. I’ve been arrested for it, smeared as a racist for it, dragged through the courts for it. And I’d do it all again because what I found terrifies them more than any riot ever could. The same rotten pattern is happening across Britain: organised Pakistani/Bangladeshi/Islamist networks, complicit officials, and so-called community leaders who’ve carved up our towns between them. They thought no one would notice. They thought no one would speak up. They were wrong. My work strips away their lies and shows people exactly how the game is rigged. I name names. I follow the money. I expose the cover-ups. And I give ordinary people the tools to take their communities back - lawfully, systematically, relentlessly. They want me silenced because informed communities can’t be controlled. Once you see how the system really works, you stop playing by their rules and you learn to fight back in ways they never imagined. You can back this fight and support me as I train communities across the UK to mobilise, or you can watch where you live go the same way as the rest. And yes, every piece of content I produce is free. No paywalls. No hidden fees. I travel the length and breadth of the country to meet, educate, and train people at no cost whatsoever. _________ I am Raja Miah. For seven years, I led a small team that exposed how politicians protected the rape gangs. I cannot do this on my own. I need you to stand with me and help make sure we can stop the sectarian takeover of the places we call home. We’re running out of time. Without the numbers, they will win. It’s as simple as that. 🔴 Subscribe to my newsletter – it’s free. Or support the work for just 75p a week (£3/month or £30/year). Whatever you do, please subscribe; 👉 This is the fight. This is the moment. There will not be another 🔴 Prefer a one-off contribution? 👉 👉 No corporate sponsors. No party machine. Just you and thousands of ordinary people who know what’s at stake. We’ve come this far. Help finish it. Raja Miah MBE

Raja Miah

38,561 Aufrufe • vor 8 Monaten

As a hot war in the Middle East ramps up, Trump takes a SEVEN MINUTE BREAK to deliver this demented vowel movement about his fountains. Read it. He is absolutely gone. 1/2 “We also have a beautiful city. We had 22 fountains. Every one of them didn't work. One of them, probably the best was one that hasn't worked for 50 years. That was about the best. They've all been out of commission for 50 years or more. Can you imagine it? They were graffiti-strung, grass-strung, the grass growing through the cracks. And they were in terrible shape. And all 22 have now been opened. And the most magnificent, possibly, of all the waterfront and union station is beautiful. You see that? It was all graffiti all over the place. We-- it's a lot of work. We got it looking maybe better than it was the day they put it in. But the one that we're all talking about is the almost 2,500 foot long that's taller than any building in the world, actually. There's no building that's 2,500 feet tall. I don't think. But it's like twice the height of the Empire State Building is an example, much wider. So we just got that open. Last night, we went to do it before July 4, and it is incredible. It's called-- it was originally called 1922. It was built. It was called the Reflecting Pond, or the Reflecting Lakes of people called it. But it was supposed to be a reflection. It never worked from 1920 to-- because it was stone on the base. And no matter what, it always leaked, because you have stone, and you have lots of crevins that we have nice stone out there. But if you go between the stone, it leaks. And so it never really worked very well. And it was a bad color. It was gray. It's concrete and stones. It was gray. And I had the idea, along with some great people that worked for us, Doug Burgum, his fantastic, his group, Greg, everybody. And it worked very hard. But it was going to cost $400 million. And we did it for about $10 million. It was going to take four years to build. So we did it in, like, a month, a month and a half. And we would have had our construction site out there for years. And it wouldn't have worked when they built it. So when they told me what they were going to do, I said, that's not a good idea. I built many, many swimming pools as a builder. I built hundreds of them. And I got one of our contractors. I had them take a look. And he said, oh, we can do a great job. If you could just give us a decent surface, a surface was in sense. So we sand blasted the surface. We fumeigated it. We took out 11 dumpsters, big dumpsters, full of garbage. It was all garbage. Some of the garbage was after years. It was all disgusting. And it smelled. And anyway, we took 11 dumpsters of garbage out. With shovels, we had a shovel inside of what's called a pool or a lake. And I got it cleaned. We then fumeigated it. We then sandblasted the entire thing. Washed it cleaned. It scrubbed it. Sandblasted it. Then we gave it a test. Then we rinsed it out. And we gave them a beautiful surface. And then they put a swimming pool topping, but industrial strength. It's industrial strength. It's used for tanks and lots of other things. So it will water. And we worked out the ratios of expansion and contraction, because you know, believe it or not, when you have something that's 2,500 feet long, this tremendous expansion. And who would think of this? Only a person that doesn't like me. And they have a lot of expansion and contraction. So when we're putting the surface down, we'd leave areas that can expand and contract a little bit. Because it expands over a foot and a half, can you believe it? So I would have ripped it apart. So we left areas of expansion and contraction. We were testing it for three weeks, four weeks. Works great. And we just opened it last night, and people are going wild over.”
7:09

As a hot war in the Middle East ramps up, Trump takes a SEVEN MINUTE BREAK to deliver this demented vowel movement about his fountains. Read it. He is absolutely gone. 1/2 “We also have a beautiful city. We had 22 fountains. Every one of them didn't work. One of them, probably the best was one that hasn't worked for 50 years. That was about the best. They've all been out of commission for 50 years or more. Can you imagine it? They were graffiti-strung, grass-strung, the grass growing through the cracks. And they were in terrible shape. And all 22 have now been opened. And the most magnificent, possibly, of all the waterfront and union station is beautiful. You see that? It was all graffiti all over the place. We-- it's a lot of work. We got it looking maybe better than it was the day they put it in. But the one that we're all talking about is the almost 2,500 foot long that's taller than any building in the world, actually. There's no building that's 2,500 feet tall. I don't think. But it's like twice the height of the Empire State Building is an example, much wider. So we just got that open. Last night, we went to do it before July 4, and it is incredible. It's called-- it was originally called 1922. It was built. It was called the Reflecting Pond, or the Reflecting Lakes of people called it. But it was supposed to be a reflection. It never worked from 1920 to-- because it was stone on the base. And no matter what, it always leaked, because you have stone, and you have lots of crevins that we have nice stone out there. But if you go between the stone, it leaks. And so it never really worked very well. And it was a bad color. It was gray. It's concrete and stones. It was gray. And I had the idea, along with some great people that worked for us, Doug Burgum, his fantastic, his group, Greg, everybody. And it worked very hard. But it was going to cost $400 million. And we did it for about $10 million. It was going to take four years to build. So we did it in, like, a month, a month and a half. And we would have had our construction site out there for years. And it wouldn't have worked when they built it. So when they told me what they were going to do, I said, that's not a good idea. I built many, many swimming pools as a builder. I built hundreds of them. And I got one of our contractors. I had them take a look. And he said, oh, we can do a great job. If you could just give us a decent surface, a surface was in sense. So we sand blasted the surface. We fumeigated it. We took out 11 dumpsters, big dumpsters, full of garbage. It was all garbage. Some of the garbage was after years. It was all disgusting. And it smelled. And anyway, we took 11 dumpsters of garbage out. With shovels, we had a shovel inside of what's called a pool or a lake. And I got it cleaned. We then fumeigated it. We then sandblasted the entire thing. Washed it cleaned. It scrubbed it. Sandblasted it. Then we gave it a test. Then we rinsed it out. And we gave them a beautiful surface. And then they put a swimming pool topping, but industrial strength. It's industrial strength. It's used for tanks and lots of other things. So it will water. And we worked out the ratios of expansion and contraction, because you know, believe it or not, when you have something that's 2,500 feet long, this tremendous expansion. And who would think of this? Only a person that doesn't like me. And they have a lot of expansion and contraction. So when we're putting the surface down, we'd leave areas that can expand and contract a little bit. Because it expands over a foot and a half, can you believe it? So I would have ripped it apart. So we left areas of expansion and contraction. We were testing it for three weeks, four weeks. Works great. And we just opened it last night, and people are going wild over.”

Jim Stewartson, Decelerationist 🇨🇦🇺🇦🇺🇸

212,796 Aufrufe • vor 2 Monaten

“Guys don’t approach girls at the bars anymore.” This is wildly accurate. 15 years ago when you went out, the average girl would get hit on 6x or 7x a night. Now if she’s getting one or two guys hitting on her, it’s a good night. I have beginner students going out to bars now who go out, say very basic things to women, and get into deep conversations & flirtations that land them solid numbers. One student on his first ‘dedicated night out’ (he’s gone out with friends plenty but never went out JUST to meet girls) last weekend saw two “very attractive” girls grinding on each other in the empty dance floor because all the other guys had left, then one of the girls came up to him, dragged him onto the dance floor, and spent the next 20 minutes following him around like a lost puppy (he should’ve taken her home, but… cut him some slack. He’s new!). Maybe that was a little beginner’s luck for him (that wasn’t his only good interaction of the night, either, though), but the point is: these girls are not getting it from dudes nowadays. When I was a beginner in this in the middle 2000-naughts I spent months going out to bars getting rejection after rejection before I finally started having good conversations. I see how fast going it is for a lot of newer guys I am working with now and I am like, “Sheesh, man! You used to have to learn all this game to do this!” But the competition just isn’t there anymore. Where IS the competition? Mostly at home, on the couch, liking Instagram ‘models’, trying to “slide into their DMs” (alongside 2,000 other guys). Meanwhile, the Instagram model is banging some guy she met in a mall food court (true story). The girls are out there. You’re probably not going to find them online. You have to get up off the couch, dust the Cheetos crumbs off, put on some decent clothes, and go outside. Follow the 3-second rule: you have 3 seconds from the moment you lay eyes on her until you have to approach. Focus on making it flirtatious and low pressure. Take the lead with her and see her if you can move her around a bit. Ask her out, get her to change venues with you, or if it goes well invite her back for a drink at yours. If she’s into you, she will do her best to help things along. Just go out, chat up girls, HAVE FUN, and if it’s going well move things forward. That is really all you have to do.
0:40

“Guys don’t approach girls at the bars anymore.” This is wildly accurate. 15 years ago when you went out, the average girl would get hit on 6x or 7x a night. Now if she’s getting one or two guys hitting on her, it’s a good night. I have beginner students going out to bars now who go out, say very basic things to women, and get into deep conversations & flirtations that land them solid numbers. One student on his first ‘dedicated night out’ (he’s gone out with friends plenty but never went out JUST to meet girls) last weekend saw two “very attractive” girls grinding on each other in the empty dance floor because all the other guys had left, then one of the girls came up to him, dragged him onto the dance floor, and spent the next 20 minutes following him around like a lost puppy (he should’ve taken her home, but… cut him some slack. He’s new!). Maybe that was a little beginner’s luck for him (that wasn’t his only good interaction of the night, either, though), but the point is: these girls are not getting it from dudes nowadays. When I was a beginner in this in the middle 2000-naughts I spent months going out to bars getting rejection after rejection before I finally started having good conversations. I see how fast going it is for a lot of newer guys I am working with now and I am like, “Sheesh, man! You used to have to learn all this game to do this!” But the competition just isn’t there anymore. Where IS the competition? Mostly at home, on the couch, liking Instagram ‘models’, trying to “slide into their DMs” (alongside 2,000 other guys). Meanwhile, the Instagram model is banging some guy she met in a mall food court (true story). The girls are out there. You’re probably not going to find them online. You have to get up off the couch, dust the Cheetos crumbs off, put on some decent clothes, and go outside. Follow the 3-second rule: you have 3 seconds from the moment you lay eyes on her until you have to approach. Focus on making it flirtatious and low pressure. Take the lead with her and see her if you can move her around a bit. Ask her out, get her to change venues with you, or if it goes well invite her back for a drink at yours. If she’s into you, she will do her best to help things along. Just go out, chat up girls, HAVE FUN, and if it’s going well move things forward. That is really all you have to do.

Girls Chase 🏃‍♀️💨

2,577,706 Aufrufe • vor 9 Monaten

040826 | #CHANYEOL IG LIVE “ Wait, no one’s doing a live for anniversary? The members aren’t doing it? That’s kind of disappointing… Anyway, we’ve reached our 14th debut anniversary now. Wow 14 years. It sounds like just a number, but it feels really strange. First of all, I want to say thank you so much for loving us so consistently over these 14 years. Honestly, rather than us being the ones receiving congratulations, I feel like I want to congratulate you instead. Congratulations! It’s been 14 years, it’s our 14th anniversary! And these days, well, not the day after tomorrow, but in three days . . . wait, actually it is the day after tomorrow, right? The concert starts the day after tomorrow. Today we even went somewhere far and rented a really big hall to rehearse the stage movements. We practiced a lot together today, sang a lot too. Yesterday, the day before yesterday, we’ve just been stuck together, practicing nonstop. So I hope you’re really looking forward to this concert too, and once again, happy 14th anniversary. I think it’s going to be really fun. The members have been dropping spoilers and stuff, but for me . . . it’s really because you’ve been there for us that we were able to reach this 14th anniversary. It feels kind of amazing. Over these 14 years of promoting, meeting you all like this and while preparing for this concert, I’ve been thinking a lot about the past. Honestly, preparing for this concert feels the same as when we did one 10 years ago, so even the process and the members, it all feels kind of strange and surreal. But anyway, we’re having so much fun preparing, so I hope you’ll come watch the show soon. We have practice again tomorrow, and rehearsals too. Thank you. We’ll keep working harder and enjoying what we do, and I hope we can keep meeting for a long, long time. Also, the weather suddenly got colder it’s been raining a lot, so it cooled down. Looking at this week, the first day might be a bit chilly and since the first show is in the evening, a late-night performance, I hope you’ll dress warmly. But there’s something I need to tell you . . . since it’s still April, there won’t be air conditioning in the concert venue. I guess it’s some kind of system rule. But once the venue fills up and the performance starts, it’ll get really hot inside, so wear something light underneath and bring a jacket you can take off. If you layer too much like wearing thick sweaters it might actually feel really hot since there’s no AC. That’s a little pro tip. I’ll get going now since we have practice again tomorrow. ‘ Chancon heater incident? ‘ What was that? Can someone tell me? The heater incident? Did something like that happen at my concert? I’m curious. Wait, was it really hot back then? Did I tell them to turn the heater off or something? Take good care of your health, everyone. I mean, not just us, you all need to manage your stamina well too if you’re coming to the concert. So eat lots of good food, and we’ll see you at the concert. I’ll try to come back again if I can when we practice with the members tomorrow. Bye for now. Good night. Congratulations! and congrats to the members too. Bye~ ” #찬열 #엑소 #EXO
6:42

040826 | #CHANYEOL IG LIVE “ Wait, no one’s doing a live for anniversary? The members aren’t doing it? That’s kind of disappointing… Anyway, we’ve reached our 14th debut anniversary now. Wow 14 years. It sounds like just a number, but it feels really strange. First of all, I want to say thank you so much for loving us so consistently over these 14 years. Honestly, rather than us being the ones receiving congratulations, I feel like I want to congratulate you instead. Congratulations! It’s been 14 years, it’s our 14th anniversary! And these days, well, not the day after tomorrow, but in three days . . . wait, actually it is the day after tomorrow, right? The concert starts the day after tomorrow. Today we even went somewhere far and rented a really big hall to rehearse the stage movements. We practiced a lot together today, sang a lot too. Yesterday, the day before yesterday, we’ve just been stuck together, practicing nonstop. So I hope you’re really looking forward to this concert too, and once again, happy 14th anniversary. I think it’s going to be really fun. The members have been dropping spoilers and stuff, but for me . . . it’s really because you’ve been there for us that we were able to reach this 14th anniversary. It feels kind of amazing. Over these 14 years of promoting, meeting you all like this and while preparing for this concert, I’ve been thinking a lot about the past. Honestly, preparing for this concert feels the same as when we did one 10 years ago, so even the process and the members, it all feels kind of strange and surreal. But anyway, we’re having so much fun preparing, so I hope you’ll come watch the show soon. We have practice again tomorrow, and rehearsals too. Thank you. We’ll keep working harder and enjoying what we do, and I hope we can keep meeting for a long, long time. Also, the weather suddenly got colder it’s been raining a lot, so it cooled down. Looking at this week, the first day might be a bit chilly and since the first show is in the evening, a late-night performance, I hope you’ll dress warmly. But there’s something I need to tell you . . . since it’s still April, there won’t be air conditioning in the concert venue. I guess it’s some kind of system rule. But once the venue fills up and the performance starts, it’ll get really hot inside, so wear something light underneath and bring a jacket you can take off. If you layer too much like wearing thick sweaters it might actually feel really hot since there’s no AC. That’s a little pro tip. I’ll get going now since we have practice again tomorrow. ‘ Chancon heater incident? ‘ What was that? Can someone tell me? The heater incident? Did something like that happen at my concert? I’m curious. Wait, was it really hot back then? Did I tell them to turn the heater off or something? Take good care of your health, everyone. I mean, not just us, you all need to manage your stamina well too if you’re coming to the concert. So eat lots of good food, and we’ll see you at the concert. I’ll try to come back again if I can when we practice with the members tomorrow. Bye for now. Good night. Congratulations! and congrats to the members too. Bye~ ” #찬열 #엑소 #EXO

CHANYEOL Republic

71,598 Aufrufe • vor 4 Monaten

After the Spain and France game, I tweeted this: “Collective quality outperformed individual quality.” This was just a sense. It was a feeling after the game that I quickly put into words, but I didn’t have any evidence for it. I didn’t have anything other than the feeling that I got from watching the game. So I decided to go into FIFA’s Training Centre and look up the match reports to see if I could find anything that would lead to the conclusion I had: that Spain were collectively better than France. At a glance, the answer was no. Other than expected goals, pretty much everything was around the same: complete passes, pass completion, possession percentage and ball progressions. If you look at the line breaks, you’ll see that France were actually a little bit higher, which makes sense because France typically like to play a little bit more vertically. However, there is one statistic that does show what I felt: offering to receive. France had 329 total offers made, distributed fairly evenly throughout the field, and 114 total offers received. Spain, on the other hand, had 438 total offers made. They made 236 offers in the middle third and 275 offers inside the shape. That is where the numbers really begin to differ. As FIFA defines it, an offer to receive is an off-ball movement that shows intent to support the player on the ball, either to maintain possession or progress the ball. Spain were constantly providing their teammates, through proximity, through closeness, and through angles and lines of support, an option to continue playing. That shows that, in moments when Spain have the ball, there are constantly three, four or five players moving and providing an option to continue to maintain possession. Spain play together. The player on the ball is rarely left alone to solve the moment through their individual quality while everyone else watches. There is an option, an exit plan, some way out in case they need it. Secondly, when we think about this Spanish style, we often think about one touch, two touch, pass, pass, pass. What we often fail to realize is that these players have so much ability on the ball. Even a right back has the quality to beat a player, get out of a press and continue the attack. Playing collectively does not mean removing individual quality. Their individual quality allows the collective to continue playing. Then there are the speed-up moments. Spain can maintain possession, move France, slow the game down and continue offering support, but when the moment to go forward appears, it is time to go forward. They recognize that moment of verticality and they accelerate. Then, if the possibility disappears, they slow down again and continue playing. There is another element of Spain. Once they have moved France back into their final third, they create these structures where they basically suffocate you. Any time the ball pops out, there are players ready to defend and ready to win the next ball in order to keep it going. The structure, the organization and the roles allow them to stay pressing, keep playing together and keep having the ball. Lastly, there is this type of football that I call football from the plaza, fútbol de plaza, where you learn to attack, dribble, pass and play in tight spaces. You learn these interactions and these one-two combinations, but you don’t learn them through the repetition of patterns. You learn them through doing it for your entire childhood in these tight areas. It is play, pass and go, play and go, constantly finding the next interaction and then finding that moment of verticality. That whole sequence shows exactly why Spain are Spain. To summarize, they are constantly offering their teammates support. My initial feeling that collective quality outperformed individual quality came from watching Spain play together, always offering options to the player on the ball rather than watching the player on the ball do something with their individual quality. They offer an option, an exit plan, some way out in case it is needed. The players are also able to escape individually when the collective solution is not immediately available. They recognize the speed-up moments and, when they find themselves in moments where they can go forward, they go vertical. Then they suffocate you through the structure and organization that allow them to win the ball again and keep playing together. And that last piece—the forward pass, play and go—is the kind of thing you get a lot from 3v3, 4v4 and 2v2 games. All in all, fantastic. So much fun to watch the Spanish team and so much fun to see all of their style essentially culminate into one match and, in this case, into one goal.
1:03

After the Spain and France game, I tweeted this: “Collective quality outperformed individual quality.” This was just a sense. It was a feeling after the game that I quickly put into words, but I didn’t have any evidence for it. I didn’t have anything other than the feeling that I got from watching the game. So I decided to go into FIFA’s Training Centre and look up the match reports to see if I could find anything that would lead to the conclusion I had: that Spain were collectively better than France. At a glance, the answer was no. Other than expected goals, pretty much everything was around the same: complete passes, pass completion, possession percentage and ball progressions. If you look at the line breaks, you’ll see that France were actually a little bit higher, which makes sense because France typically like to play a little bit more vertically. However, there is one statistic that does show what I felt: offering to receive. France had 329 total offers made, distributed fairly evenly throughout the field, and 114 total offers received. Spain, on the other hand, had 438 total offers made. They made 236 offers in the middle third and 275 offers inside the shape. That is where the numbers really begin to differ. As FIFA defines it, an offer to receive is an off-ball movement that shows intent to support the player on the ball, either to maintain possession or progress the ball. Spain were constantly providing their teammates, through proximity, through closeness, and through angles and lines of support, an option to continue playing. That shows that, in moments when Spain have the ball, there are constantly three, four or five players moving and providing an option to continue to maintain possession. Spain play together. The player on the ball is rarely left alone to solve the moment through their individual quality while everyone else watches. There is an option, an exit plan, some way out in case they need it. Secondly, when we think about this Spanish style, we often think about one touch, two touch, pass, pass, pass. What we often fail to realize is that these players have so much ability on the ball. Even a right back has the quality to beat a player, get out of a press and continue the attack. Playing collectively does not mean removing individual quality. Their individual quality allows the collective to continue playing. Then there are the speed-up moments. Spain can maintain possession, move France, slow the game down and continue offering support, but when the moment to go forward appears, it is time to go forward. They recognize that moment of verticality and they accelerate. Then, if the possibility disappears, they slow down again and continue playing. There is another element of Spain. Once they have moved France back into their final third, they create these structures where they basically suffocate you. Any time the ball pops out, there are players ready to defend and ready to win the next ball in order to keep it going. The structure, the organization and the roles allow them to stay pressing, keep playing together and keep having the ball. Lastly, there is this type of football that I call football from the plaza, fútbol de plaza, where you learn to attack, dribble, pass and play in tight spaces. You learn these interactions and these one-two combinations, but you don’t learn them through the repetition of patterns. You learn them through doing it for your entire childhood in these tight areas. It is play, pass and go, play and go, constantly finding the next interaction and then finding that moment of verticality. That whole sequence shows exactly why Spain are Spain. To summarize, they are constantly offering their teammates support. My initial feeling that collective quality outperformed individual quality came from watching Spain play together, always offering options to the player on the ball rather than watching the player on the ball do something with their individual quality. They offer an option, an exit plan, some way out in case it is needed. The players are also able to escape individually when the collective solution is not immediately available. They recognize the speed-up moments and, when they find themselves in moments where they can go forward, they go vertical. Then they suffocate you through the structure and organization that allow them to win the ball again and keep playing together. And that last piece—the forward pass, play and go—is the kind of thing you get a lot from 3v3, 4v4 and 2v2 games. All in all, fantastic. So much fun to watch the Spanish team and so much fun to see all of their style essentially culminate into one match and, in this case, into one goal.

David Garcia

42,406 Aufrufe • vor 1 Monat

Sometimes I like to look at a player’s “worst game of the year” to see how bad it was (or wasn’t). For WR Caleb Douglas (according to PFF) that was the Arizona State game where he matched up with Keith Abney (R5) all day. This was a good battle between Douglas and Abney. But considering it was supposed to be Douglas’s worst outing, it wasn’t all that bad. Texas Tech lost, despite coming back from a 12 point deficit in the final 6 or 7 minutes to take a 3 point lead, after a successful 2-point conversion made possible by Douglas drawing a hold in the end zone on the first 2-point attempt. Sam Leavitt and Jordyn Tyson worked their magic to go all the way down the field in the final minute and not just kick a tying FG, but actually score the go-ahead TD, leaving Texas Tech attempting a Hail Mary as the clock ran out. Things I noticed during the game: - The backup QB Will Hammond playing in place of Behren Morton had some issues with timing and ball placement. A couple of targets Douglas was open, Hammond missed him. Another one, instead of throwing the vertical Hammond patted the ball an extra beat and it threw off the timing. - I loved Caleb Douglas’s willingness to try and make a difference as a blocker. He got nasty with it. - Caleb had a bad drop. Abney got in there and contacted him and Douglas failed to put the ball away. But it’s interesting because Caleb also had one of the most impressive one-handed stabs you’ll see, on a play nobody noticed or cared about because it was a screen that didn’t break open. - On a lot of plays, if there wasn’t safety help, there was an egregious amount of cushion. This is something you see in a lot of Tech’s games. People had been trying, and frankly failing, to triangulate Douglas’s long speed, to where his 4.39 came as a surprise to some. And then when they’re wrong, the same tired excuse comes out, “He doesn’t play to his timed speed.” But the signs were always there. You had safeties stashed way out in the middle of nowhere to protect corners. You had corners giving 10-12 yards of cushion. - There was a lull where either the ball wasn’t coming Douglas’s way or it was inaccurate when it did, and it lasted nearly half the game. So I was looking for signs of Douglas checking out with his route running. That didn’t happen. He ran his routes hard the entire game. - Douglas dialed it up a notch during the comeback attempt at the end, particularly after the drop. He got wide open on a 3rd down vertical vs. physical coverage with no safety help over top (surviving an unflagged face mask in the process). Then he got open in the end zone twice, one of which forced a hold by Abney that did get flagged. I think the takeaway from me was, you’re playing against a good corner, you have a backup QB in, things don’t go well for you nor the offense for most of the game, but you stay locked in and make a difference at the end, mounting an unlikely comeback. I can see why Jon-Eric Sullivan would like his demeanor.
2:09

Sometimes I like to look at a player’s “worst game of the year” to see how bad it was (or wasn’t). For WR Caleb Douglas (according to PFF) that was the Arizona State game where he matched up with Keith Abney (R5) all day. This was a good battle between Douglas and Abney. But considering it was supposed to be Douglas’s worst outing, it wasn’t all that bad. Texas Tech lost, despite coming back from a 12 point deficit in the final 6 or 7 minutes to take a 3 point lead, after a successful 2-point conversion made possible by Douglas drawing a hold in the end zone on the first 2-point attempt. Sam Leavitt and Jordyn Tyson worked their magic to go all the way down the field in the final minute and not just kick a tying FG, but actually score the go-ahead TD, leaving Texas Tech attempting a Hail Mary as the clock ran out. Things I noticed during the game: - The backup QB Will Hammond playing in place of Behren Morton had some issues with timing and ball placement. A couple of targets Douglas was open, Hammond missed him. Another one, instead of throwing the vertical Hammond patted the ball an extra beat and it threw off the timing. - I loved Caleb Douglas’s willingness to try and make a difference as a blocker. He got nasty with it. - Caleb had a bad drop. Abney got in there and contacted him and Douglas failed to put the ball away. But it’s interesting because Caleb also had one of the most impressive one-handed stabs you’ll see, on a play nobody noticed or cared about because it was a screen that didn’t break open. - On a lot of plays, if there wasn’t safety help, there was an egregious amount of cushion. This is something you see in a lot of Tech’s games. People had been trying, and frankly failing, to triangulate Douglas’s long speed, to where his 4.39 came as a surprise to some. And then when they’re wrong, the same tired excuse comes out, “He doesn’t play to his timed speed.” But the signs were always there. You had safeties stashed way out in the middle of nowhere to protect corners. You had corners giving 10-12 yards of cushion. - There was a lull where either the ball wasn’t coming Douglas’s way or it was inaccurate when it did, and it lasted nearly half the game. So I was looking for signs of Douglas checking out with his route running. That didn’t happen. He ran his routes hard the entire game. - Douglas dialed it up a notch during the comeback attempt at the end, particularly after the drop. He got wide open on a 3rd down vertical vs. physical coverage with no safety help over top (surviving an unflagged face mask in the process). Then he got open in the end zone twice, one of which forced a hold by Abney that did get flagged. I think the takeaway from me was, you’re playing against a good corner, you have a backup QB in, things don’t go well for you nor the offense for most of the game, but you stay locked in and make a difference at the end, mounting an unlikely comeback. I can see why Jon-Eric Sullivan would like his demeanor.

Chris Kouffman

38,519 Aufrufe • vor 4 Monaten

Crimson Desert first impressions. The Open World is massive, it feels alive and it definitely holds up to my expectations when it comes to visuals. I know some reviewers have said the game takes up to 8 hours before it gets good but honestly I immediately fell in love with it and immediately started exploring. I found the puzzles and combat awesome to play with, once you get used to the controls which feel overwhelming at first, especially remembering all of them which can be a hassle first. The main protagonist Cliff hasn't clicked with me yet, right now I feel like he's just confused and there's not so much depth that he offers, I hope that will change as I progress through the story. The story itself and quests are quite interesting and I've actually had a good laugh in the beginning of the game when you have to help a couple struggling to clean the chimney. There are definitely some issues though, I feel like the starting stamina drains too quickly especially if you're using your wings to fly, if you run out of stamina while flying and fall into waters, Cliff will almost immediately drown because the Stamina bar is empty. I haven't encountered any bugs, crashes or stutters as of yet, however there are some ghosting issues when you enter buildings which can be quite distracting. Ray Regeneration on AMD GPUs tanks the performance so I just turned it off completely and instead I'm playing on Ultra Settings, which is a bummer because that tech looked very promising and made quite the difference when it came to visuals. Another weird issue that I had is trying to enter some doors or starting conversations with story character, the button to initiate the conversation wouldn't appear unless I went away and came back to a specific position before starting it. Some other issues include pop-in issues, camera movement and double NPCs with the same voice-lines if you greet them. Overall I think its a good start to a video-game that is quite massive in scale, there are still many things that I'll have to do and progress through before I give a conclusive opinion in this game.
1:19

Crimson Desert first impressions. The Open World is massive, it feels alive and it definitely holds up to my expectations when it comes to visuals. I know some reviewers have said the game takes up to 8 hours before it gets good but honestly I immediately fell in love with it and immediately started exploring. I found the puzzles and combat awesome to play with, once you get used to the controls which feel overwhelming at first, especially remembering all of them which can be a hassle first. The main protagonist Cliff hasn't clicked with me yet, right now I feel like he's just confused and there's not so much depth that he offers, I hope that will change as I progress through the story. The story itself and quests are quite interesting and I've actually had a good laugh in the beginning of the game when you have to help a couple struggling to clean the chimney. There are definitely some issues though, I feel like the starting stamina drains too quickly especially if you're using your wings to fly, if you run out of stamina while flying and fall into waters, Cliff will almost immediately drown because the Stamina bar is empty. I haven't encountered any bugs, crashes or stutters as of yet, however there are some ghosting issues when you enter buildings which can be quite distracting. Ray Regeneration on AMD GPUs tanks the performance so I just turned it off completely and instead I'm playing on Ultra Settings, which is a bummer because that tech looked very promising and made quite the difference when it came to visuals. Another weird issue that I had is trying to enter some doors or starting conversations with story character, the button to initiate the conversation wouldn't appear unless I went away and came back to a specific position before starting it. Some other issues include pop-in issues, camera movement and double NPCs with the same voice-lines if you greet them. Overall I think its a good start to a video-game that is quite massive in scale, there are still many things that I'll have to do and progress through before I give a conclusive opinion in this game.

NikTek

93,414 Aufrufe • vor 5 Monaten

EMIBONNIE MOONSHADOW BLOOM #BBFanFest2026D2 🐰: First of all, I have to thank GMMTV, P'Tha, and all the executives for seeing something in me ever since day one, and giving me opportunities to find myself, whether it's in acting, singing, or dancing. I truly unlocked many things within myself. Everything is something I was afraid of, whether acting, singing, dancing, or performing. But getting the chance to start with Blush Blossom made me realise that it's something that I love. Getting to sing, dance, and perform for everyone to see became my happiness. Thank you so much, truly. I will do my best in every opportunity I receive. I promise. 🐰: I also want to thank all the phis (voice cracking). You're all like my family. You really are. I don't mean JanJingjing ("really" in Thai is จริงๆ, which is pronounced 'jing jing'). You're all so supportive and kind. You played with me. I'm so happy that I got to meet all of you. There was a period of time when P'Mi and I had a lot of work and we didn't have much time to practice, but every time I went to the practice room, you all really helped me out (voice cracking, 67 motion). You all taught me the dances. P'Mewnich, P'Fond, P'Jingjing, P'Namtan, P'Film, everyone. Truly everyone helped me so much. You were like, "Bonnie, come over here", "Bonnie, do this", "Dance like this". I'm so happy that I have you all right here with me. Thank you so much. And all the ppl who recently joined us too – I feel like we have a great friendship as well. I'm truly happy that I got to get closer to all of you. 🐰: And (voice cracking)... my voice cracked. A vibrato 😆 Thank you to P'Mi as well. I know that you used to be afraid of dancing, very afraid. The first time we performed at Blush Blossom together, P'Mi said, "I'm not going to dance. Pls just light dancing. I don't want to dance". But this time, how was P'Mi? Have you seen her waist? 🗣️: (screaming) 🐰: I guarantee– 🦊: (showing off her moves) 🗣️: (more screaming) 🐰: P'Mi worked very hard. I'm glad that you were able to leave your comfort zone and dare to dance and show off your dance lines more. It really is so beautiful. If I could've kept it for myself, I would've, but at the same time I'd like everyone to see how amazing you are too 😌 🐰: Thank you for being a wonderful partner always, for always filling in the missing parts in each other. I hope we can keep on staying together like this and... love you joob joob. 🗣️: (screaming) 🐰: Thank you to all the fans. Earlier, I disappeared from social media for some time. I know that you all missed me and I missed you all too. I'm sorry that I didn't update my social media or give you guys any updates. Honestly, there was work and practice going on too. I'm sorry for making you all wait. Today, I'm going to fill us all up to make up for all the missing that we did so we no longer miss each other. Thank you for being here, for being my besties. Like I've said before, you're like my true friends who love me just the way I am, who support me no matter what I'm like. I can be myself and you still love me the way I am. Truly, thank you so much. I really love you all. 🐰: Also, thank you to all the crew. You all take such great care of us. We have our own staff members taking care of us, as P'June said. Everyone is so kind and takes care of us so well (voice cracking). Thank you to the crew, both in front of and behind the scenes.
6:10

EMIBONNIE MOONSHADOW BLOOM #BBFanFest2026D2 🐰: First of all, I have to thank GMMTV, P'Tha, and all the executives for seeing something in me ever since day one, and giving me opportunities to find myself, whether it's in acting, singing, or dancing. I truly unlocked many things within myself. Everything is something I was afraid of, whether acting, singing, dancing, or performing. But getting the chance to start with Blush Blossom made me realise that it's something that I love. Getting to sing, dance, and perform for everyone to see became my happiness. Thank you so much, truly. I will do my best in every opportunity I receive. I promise. 🐰: I also want to thank all the phis (voice cracking). You're all like my family. You really are. I don't mean JanJingjing ("really" in Thai is จริงๆ, which is pronounced 'jing jing'). You're all so supportive and kind. You played with me. I'm so happy that I got to meet all of you. There was a period of time when P'Mi and I had a lot of work and we didn't have much time to practice, but every time I went to the practice room, you all really helped me out (voice cracking, 67 motion). You all taught me the dances. P'Mewnich, P'Fond, P'Jingjing, P'Namtan, P'Film, everyone. Truly everyone helped me so much. You were like, "Bonnie, come over here", "Bonnie, do this", "Dance like this". I'm so happy that I have you all right here with me. Thank you so much. And all the ppl who recently joined us too – I feel like we have a great friendship as well. I'm truly happy that I got to get closer to all of you. 🐰: And (voice cracking)... my voice cracked. A vibrato 😆 Thank you to P'Mi as well. I know that you used to be afraid of dancing, very afraid. The first time we performed at Blush Blossom together, P'Mi said, "I'm not going to dance. Pls just light dancing. I don't want to dance". But this time, how was P'Mi? Have you seen her waist? 🗣️: (screaming) 🐰: I guarantee– 🦊: (showing off her moves) 🗣️: (more screaming) 🐰: P'Mi worked very hard. I'm glad that you were able to leave your comfort zone and dare to dance and show off your dance lines more. It really is so beautiful. If I could've kept it for myself, I would've, but at the same time I'd like everyone to see how amazing you are too 😌 🐰: Thank you for being a wonderful partner always, for always filling in the missing parts in each other. I hope we can keep on staying together like this and... love you joob joob. 🗣️: (screaming) 🐰: Thank you to all the fans. Earlier, I disappeared from social media for some time. I know that you all missed me and I missed you all too. I'm sorry that I didn't update my social media or give you guys any updates. Honestly, there was work and practice going on too. I'm sorry for making you all wait. Today, I'm going to fill us all up to make up for all the missing that we did so we no longer miss each other. Thank you for being here, for being my besties. Like I've said before, you're like my true friends who love me just the way I am, who support me no matter what I'm like. I can be myself and you still love me the way I am. Truly, thank you so much. I really love you all. 🐰: Also, thank you to all the crew. You all take such great care of us. We have our own staff members taking care of us, as P'June said. Everyone is so kind and takes care of us so well (voice cracking). Thank you to the crew, both in front of and behind the scenes.

K-bab

11,369 Aufrufe • vor 2 Monaten