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Helpless Amma lying down getting her mouth destroyed by her son's hard dick... Forced deepthroat by her own blood 💦#MotherSon #Incest #ForcedBlowjob #AmmaPundai #DesiIncest #RoughOral #FaceFuck #TabooSex #IndianMother #SonFuckingMom #Gagging #DesiMILF #RealIncest

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Hard Bull

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170,215 次观看 • 3 个月前 •via X (Twitter)

NSFW#MotherSon#Incest#ForcedBlowjob#AmmaPundai#DesiIncest#RoughOral#FaceFuck#TabooSex#IndianMother#SonFuckingMom#Gagging#DesiMILF#RealIncest
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Her name is Tara Tamang, a woman from Nepal. Her husband left her a few years after their marriage, and she started a bakery business all by herself. Through her hard work, day and night, she built her bakery business into a successful one and even built her own house. She raised her children on her own and, through years of hard work, had built substantial wealth and property. But the floods in Nepal destroyed everything she had built. Both her bakery and her house were damaged, everything she owned was swept away, and her entire business was wiped out. She has now been left devastated. When she came back to her destroyed home to collect whatever belongings were left, she broke down crying because her entire life’s earnings and years of hard work were washed away in just one day because of the floods. Now, she will have to start everything all over again and work hard once more to rebuild her life. Nepal’s floods have destroyed many such families who spent years working hard to build their homes, shops, and businesses. Their livelihoods, homes, and everything they built over the years have been destroyed.
0:47

Her name is Tara Tamang, a woman from Nepal. Her husband left her a few years after their marriage, and she started a bakery business all by herself. Through her hard work, day and night, she built her bakery business into a successful one and even built her own house. She raised her children on her own and, through years of hard work, had built substantial wealth and property. But the floods in Nepal destroyed everything she had built. Both her bakery and her house were damaged, everything she owned was swept away, and her entire business was wiped out. She has now been left devastated. When she came back to her destroyed home to collect whatever belongings were left, she broke down crying because her entire life’s earnings and years of hard work were washed away in just one day because of the floods. Now, she will have to start everything all over again and work hard once more to rebuild her life. Nepal’s floods have destroyed many such families who spent years working hard to build their homes, shops, and businesses. Their livelihoods, homes, and everything they built over the years have been destroyed.

Saffron Chargers

15,714 次观看 • 9 天前

This woman just wanted to watch the sunset and Love Island in a quiet field… and ended up getting chased down by a horse instead. She tried to stay calm while the horse ran at her, reared up, and even started eating her hair and hoodie. She eventually had to crawl under a barbed wire fence to escape, and she’s now convinced that connecting with nature was a huge mistake. The wildest part? It’s hard to tell if the horse was trying to hurt her… or if it was just being way too aggressive in its own weird way. Have you ever had an animal encounter that went completely sideways?
4:35

This woman just wanted to watch the sunset and Love Island in a quiet field… and ended up getting chased down by a horse instead. She tried to stay calm while the horse ran at her, reared up, and even started eating her hair and hoodie. She eventually had to crawl under a barbed wire fence to escape, and she’s now convinced that connecting with nature was a huge mistake. The wildest part? It’s hard to tell if the horse was trying to hurt her… or if it was just being way too aggressive in its own weird way. Have you ever had an animal encounter that went completely sideways?

End3of6Days9 (Helen) 🇺🇸

17,449 次观看 • 3 个月前

Isis Irving the black woman who did a drive-by shooting aimed at a group of conservatives and is now claiming that Patriots are doxxing her and posting racist comments had a few of her own racist slurs. Here is Isis Irving saying things such as "I can see the incest in your face", "F'k every Nazi ass gestapo ass pink dick ass bitch that can't stay hard enough to impregnate his cousin to continue his blood line" and ""f'k ICE" just before assaulting Shayne groundzero shayne by knocking his phone out of his hand... this incident was about 20 minutes before she returned and set to firing an airsoft GUN upon the group and Tommy Tommyboi4209 hitting him 4 times nearly missing an eye ~ Isis Irving has self admitted to having a conceal and carry license in the state of Oregon. Portland ICE Protests 02.07.26 Video: X: Shayne groundzero shayne YouTube: groundzeropdx
0:58

Isis Irving the black woman who did a drive-by shooting aimed at a group of conservatives and is now claiming that Patriots are doxxing her and posting racist comments had a few of her own racist slurs. Here is Isis Irving saying things such as "I can see the incest in your face", "F'k every Nazi ass gestapo ass pink dick ass bitch that can't stay hard enough to impregnate his cousin to continue his blood line" and ""f'k ICE" just before assaulting Shayne groundzero shayne by knocking his phone out of his hand... this incident was about 20 minutes before she returned and set to firing an airsoft GUN upon the group and Tommy Tommyboi4209 hitting him 4 times nearly missing an eye ~ Isis Irving has self admitted to having a conceal and carry license in the state of Oregon. Portland ICE Protests 02.07.26 Video: X: Shayne groundzero shayne YouTube: groundzeropdx

Miss Mary

87,262 次观看 • 7 个月前

a xiaohongshu entertainment account with 1.5m followers posted this video, and it has already surpassed 90k+ likes. i hope more people get to know sun fanqing's story. behind all the headlines, there's a person who has faced many difficult moments along the way. i hope more people take the time to hear her story with an open heart 🥹 🎙️: her name isn't actually song zu'er. her real name is sun fanqing. (🦢: hello everyone, i'm sun fanqing) 🎙️: it wasn't until she introduced herself at an event that people learned the name song zu'er had actually been forced on her. her childhood manager forced her to change her name and even used false identity information for her. as a result, she couldn't take her middle school and high school entrance examinations normally. in the end, she had no choice but to study abroad. at the same time, her manager took almost all of her acting income, leaving her with only a small allowance for living expenses. after the halo of being a child star faded, life overseas was far from easy. she lived in a basement and had to face cultural differences and loneliness all by herself. (🦢:when i went to the united states, i didn't have an agent. i got myself there on my own. the agency fee was 100,000 yuan. i still remember spending 40 yuan to buy skype credit, sleeping during the day, and staying up every night to call american schools one by one. in the end, i managed to save myself.) after returning to china, she balanced an intense acting schedule with preparing for the college entrance examination. it was a time filled with constant anxiety. what remained in her memory were countless red-eye flights, film sets, early-morning airports, and even during her favorite meals, she kept her head down solving practice questions. fortunately, all of her hard work paid off, and she was admitted to the beijing film academy with outstanding grades. she thought everything would finally go smoothly from then on, but luck still wasn't on her side. first, she became the target of online ridicule. later, she was falsely accused of tax-related issues by a former employee. she fully cooperated with the investigation and eventually returned to the public eye through her work. but the price was two precious years during the prime of her acting career. just when everything had finally settled down, people maliciously edited photos to make her look alarmingly thin. negative hashtags and online attacks followed one after another, even though she had only lost weight for a role. at one point people criticized her for gaining weight, so she quietly worked on her fitness. later, when people said she was too thin, she reassured her fans that she was already taking care of her health and recovering. after returning to the entertainment industry, at her first wrap party after filming, she heard her fans cheering for her. she responded with tears in her eyes– "thank you... thank you. with all of you here, i feel like i've been saved." unable to hold back her emotions, she said to her fans–"this is something i never even dared to dream of." she also said–"i think being loved by people is an incredibly fortunate thing. their encouragement makes me feel so cherished, because they support you unconditionally and like you unconditionally. to me, that's something i'm truly lucky to have." 🎙️: sun fanqing– true to her name, clear and sincere. those who understand her know she has always remained true to herself. sun fanqing, we all like you very much. may you always be happy 😭
1:46

a xiaohongshu entertainment account with 1.5m followers posted this video, and it has already surpassed 90k+ likes. i hope more people get to know sun fanqing's story. behind all the headlines, there's a person who has faced many difficult moments along the way. i hope more people take the time to hear her story with an open heart 🥹 🎙️: her name isn't actually song zu'er. her real name is sun fanqing. (🦢: hello everyone, i'm sun fanqing) 🎙️: it wasn't until she introduced herself at an event that people learned the name song zu'er had actually been forced on her. her childhood manager forced her to change her name and even used false identity information for her. as a result, she couldn't take her middle school and high school entrance examinations normally. in the end, she had no choice but to study abroad. at the same time, her manager took almost all of her acting income, leaving her with only a small allowance for living expenses. after the halo of being a child star faded, life overseas was far from easy. she lived in a basement and had to face cultural differences and loneliness all by herself. (🦢:when i went to the united states, i didn't have an agent. i got myself there on my own. the agency fee was 100,000 yuan. i still remember spending 40 yuan to buy skype credit, sleeping during the day, and staying up every night to call american schools one by one. in the end, i managed to save myself.) after returning to china, she balanced an intense acting schedule with preparing for the college entrance examination. it was a time filled with constant anxiety. what remained in her memory were countless red-eye flights, film sets, early-morning airports, and even during her favorite meals, she kept her head down solving practice questions. fortunately, all of her hard work paid off, and she was admitted to the beijing film academy with outstanding grades. she thought everything would finally go smoothly from then on, but luck still wasn't on her side. first, she became the target of online ridicule. later, she was falsely accused of tax-related issues by a former employee. she fully cooperated with the investigation and eventually returned to the public eye through her work. but the price was two precious years during the prime of her acting career. just when everything had finally settled down, people maliciously edited photos to make her look alarmingly thin. negative hashtags and online attacks followed one after another, even though she had only lost weight for a role. at one point people criticized her for gaining weight, so she quietly worked on her fitness. later, when people said she was too thin, she reassured her fans that she was already taking care of her health and recovering. after returning to the entertainment industry, at her first wrap party after filming, she heard her fans cheering for her. she responded with tears in her eyes– "thank you... thank you. with all of you here, i feel like i've been saved." unable to hold back her emotions, she said to her fans–"this is something i never even dared to dream of." she also said–"i think being loved by people is an incredibly fortunate thing. their encouragement makes me feel so cherished, because they support you unconditionally and like you unconditionally. to me, that's something i'm truly lucky to have." 🎙️: sun fanqing– true to her name, clear and sincere. those who understand her know she has always remained true to herself. sun fanqing, we all like you very much. may you always be happy 😭

𝕻

23,616 次观看 • 2 个月前

😡 What this Girl did might make your Blood Boil, A girl arrived at a petrol station to refuel her car. While waiting, she stayed busy talking on the phone. The attendant then filled up her fuel tank. But the moment the tank was full, no one could have imagined what would happen next. It is being reported that after getting the fuel filled, the girl allegedly drove away without making the payment. If that is true, the biggest loss is often suffered by the petrol station employee, who may have to pay for it out of his own pocket. Owning an expensive car doesn't make someone a better person. A person's true character is reflected by their honesty and the way they treat others. No one becomes great by taking away the hard Earned money of someone who works for a living. 🥹 There is no greater wrongdoing than taking away what rightfully belongs to a poor, hardworking person
2:01

😡 What this Girl did might make your Blood Boil, A girl arrived at a petrol station to refuel her car. While waiting, she stayed busy talking on the phone. The attendant then filled up her fuel tank. But the moment the tank was full, no one could have imagined what would happen next. It is being reported that after getting the fuel filled, the girl allegedly drove away without making the payment. If that is true, the biggest loss is often suffered by the petrol station employee, who may have to pay for it out of his own pocket. Owning an expensive car doesn't make someone a better person. A person's true character is reflected by their honesty and the way they treat others. No one becomes great by taking away the hard Earned money of someone who works for a living. 🥹 There is no greater wrongdoing than taking away what rightfully belongs to a poor, hardworking person

Amisha Uncut

1,423,758 次观看 • 1 个月前

Officer caught in blatant lies while under oath in court. Causes settlement for the city. ​ ​It all began when Ms. Stevens was driving down a public street and noticed that her brother had been pulled over by law enforcement. Concerned for his safety, she briefly paused her vehicle to see what was happening. ​Officer Dickerson immediately took issue with her presence, aggressively ordering her to move along. As she began to drive away, her brother—who was handcuffed in the back of the police cruiser—leaned toward the window and yelled for her to call their father. Ms. Stevens responded out her window, "I am," and continued down the road. ​Angered by the brief interaction, Officer Dickerson gave chase, pulled her over in a nearby parking lot, and arrested her. She was booked into jail and hit with charges of resisting arrest and failure to comply. ​When the case finally went to trial, Officer Dickerson took the stand and confidently delivered a completely fabricated narrative under oath, assuming his word would be taken as absolute truth: ​The Officer's Fabricated Claims: He swore to the judge that Ms. Stevens continuously screamed profanities at him, locked her doors, refused to exit her vehicle for over two minutes, and physically jerked her arm away to resist being handcuffed. ​The Bodycam Reality: Defense attorney Matt Lawrence lines up the officer's testimony directly against the department's own bodycam footage. The video reveals that Ms. Stevens' door was already open, she complied with the order to exit within 10 seconds, never cursed, and completely cooperated with the handcuffing process. ​When confronted with the objective truth, the officer is caught completely off guard, forced to double down on his "memory" over the digital evidence. Recognizing the blatant perjury, the judge immediately dismissed all charges against Ms. Stevens. ​The Aftermath & Accountability ​Following the dismissal, Ms. Stevens took legal action against the city of Laurel for false arrest and violation of her constitutional rights, resulting in an official settlement of undisclosed amount. However, despite being caught explicitly lying under oath in a court of law—an act that could have sent an innocent woman to jail—public reports indicated that Officer Dickerson initially faced no department disciplinary action for his conduct. ​This video is from the Lackluster channel on YouTube. Go check them out. I saw it and had to share because I was blown away by how much this officer lied under oath and still his department circled the wagons for him defending him. Thank God for bodycams or we would never have gotten true justice.
19:46

Officer caught in blatant lies while under oath in court. Causes settlement for the city. ​ ​It all began when Ms. Stevens was driving down a public street and noticed that her brother had been pulled over by law enforcement. Concerned for his safety, she briefly paused her vehicle to see what was happening. ​Officer Dickerson immediately took issue with her presence, aggressively ordering her to move along. As she began to drive away, her brother—who was handcuffed in the back of the police cruiser—leaned toward the window and yelled for her to call their father. Ms. Stevens responded out her window, "I am," and continued down the road. ​Angered by the brief interaction, Officer Dickerson gave chase, pulled her over in a nearby parking lot, and arrested her. She was booked into jail and hit with charges of resisting arrest and failure to comply. ​When the case finally went to trial, Officer Dickerson took the stand and confidently delivered a completely fabricated narrative under oath, assuming his word would be taken as absolute truth: ​The Officer's Fabricated Claims: He swore to the judge that Ms. Stevens continuously screamed profanities at him, locked her doors, refused to exit her vehicle for over two minutes, and physically jerked her arm away to resist being handcuffed. ​The Bodycam Reality: Defense attorney Matt Lawrence lines up the officer's testimony directly against the department's own bodycam footage. The video reveals that Ms. Stevens' door was already open, she complied with the order to exit within 10 seconds, never cursed, and completely cooperated with the handcuffing process. ​When confronted with the objective truth, the officer is caught completely off guard, forced to double down on his "memory" over the digital evidence. Recognizing the blatant perjury, the judge immediately dismissed all charges against Ms. Stevens. ​The Aftermath & Accountability ​Following the dismissal, Ms. Stevens took legal action against the city of Laurel for false arrest and violation of her constitutional rights, resulting in an official settlement of undisclosed amount. However, despite being caught explicitly lying under oath in a court of law—an act that could have sent an innocent woman to jail—public reports indicated that Officer Dickerson initially faced no department disciplinary action for his conduct. ​This video is from the Lackluster channel on YouTube. Go check them out. I saw it and had to share because I was blown away by how much this officer lied under oath and still his department circled the wagons for him defending him. Thank God for bodycams or we would never have gotten true justice.

Giggling Ganon

79,444 次观看 • 2 个月前

This is not just a shop shutting down. This is someone’s dream slowly fading away. A small stationery and gift shop in Noida Sector 46 Market, run by a lady is now closing down after 6 years of hard work, sacrifices and endless struggles. Due to very low footfall and difficult circumstances, she is now forced to sell everything and shut the shop permanently. The shop is filled with huge stock stationery items, gift items, printers, lamination machines, hardware products and so many useful things all now available at up to 50% discount. But behind these discounts is a heartbreaking story. For 6 years, this lady opened her shop every morning with hope in her heart. She worked tirelessly to keep her dream alive, to support her family and to stand on her own feet with dignity. Today, seeing that dream shatter into pieces is truly painful. Reality can sometimes be extremely harsh, especially for small business owners who put their entire life savings, emotions and hopes into one small place. If you are nearby, please consider visiting once. Buy something for yourself, your office, your children, for gifting or even for future use. Even a small purchase can become a huge emotional support for this brave lady during one of the toughest phases of her life. Sometimes humanity is simply about standing beside someone when life becomes unfair to them. Let us try to support her in whatever little way we can. Shop No 46 Gardenia Glory Market sector 46 Noida #Noida
1:01

This is not just a shop shutting down. This is someone’s dream slowly fading away. A small stationery and gift shop in Noida Sector 46 Market, run by a lady is now closing down after 6 years of hard work, sacrifices and endless struggles. Due to very low footfall and difficult circumstances, she is now forced to sell everything and shut the shop permanently. The shop is filled with huge stock stationery items, gift items, printers, lamination machines, hardware products and so many useful things all now available at up to 50% discount. But behind these discounts is a heartbreaking story. For 6 years, this lady opened her shop every morning with hope in her heart. She worked tirelessly to keep her dream alive, to support her family and to stand on her own feet with dignity. Today, seeing that dream shatter into pieces is truly painful. Reality can sometimes be extremely harsh, especially for small business owners who put their entire life savings, emotions and hopes into one small place. If you are nearby, please consider visiting once. Buy something for yourself, your office, your children, for gifting or even for future use. Even a small purchase can become a huge emotional support for this brave lady during one of the toughest phases of her life. Sometimes humanity is simply about standing beside someone when life becomes unfair to them. Let us try to support her in whatever little way we can. Shop No 46 Gardenia Glory Market sector 46 Noida #Noida

Vidit Sharma 🇮🇳

47,480 次观看 • 3 个月前

Dhoom Dhaam 2025, co-produced, written, and with dialogues by Aditya Dhar, starring his wife Yami Gautam The worst feminist movie in the world > Family sets up her arranged marriage with an innocent guy, claims she is modest, cultured, doesn't have a past, and is well mannered > Turns out she is completely opposite > She has an ex-boyfriend > Marries the simp, as a rebound out of anger on her ex > She is a regular at a male strip club > She is a loyal customer to a male stripper, whom she visits even before the day of her marriage > When her husband confronts her, she gives an empowered feminist speech written by Aditya Dhar > Says it's hard to live as a woman in India, men wouldn't even be able to breathe if they had to live like Indian women > (Yeah, it's very easy to live as a man, we just live in a civilization built by women, no responsibilities, no hard work) > Says women are forced to listen to their parents > (Yes, women need a careless father who gives them money) > Says women are forced to have babies in India > (True, hating on the biggest blessing for a woman, i.e., motherhood, has become forceful at this point, and it's a good thing) > Says women's dreams are crushed in India > (Yeah true, no man sacrifices for the family, only women do, and no women aren't getting extra freebies, benefits, diversity hiring, etc.) > Says parents force women to wear fully covered clothes even in the hot sun > (Yes, fair-skin-obsessed Indian women are not covering themselves from top to bottom during summers to escape from getting tanned, and they aren't wearing highly comfortable revealing tight bodycon clothes, booty shorts, etc., which were literally designed to sexualise women) > Says men keep harassing women in every public place > (True, men have no other work, it's women who are building the society) > Says men send objectionable pictures in DMs > (Yes, women never post and seek attention by showing their body) > Says a woman lying and sneaking doesn't mean her character is bad > (Yes, having exes, being an alcoholic, being regular at male strip clubs are signs of women empowerment) And the simp continues to live with her, in fact grows in love with her even more at the end, shows him as a progressive heroic ideal husband who won't judge. It's officially over, guys, India has surpassed the West in wokeism After hating on babies and modesty, now they have normalised male strip clubs too. Well done cucks and feminists, you people won.
3:26

Dhoom Dhaam 2025, co-produced, written, and with dialogues by Aditya Dhar, starring his wife Yami Gautam The worst feminist movie in the world > Family sets up her arranged marriage with an innocent guy, claims she is modest, cultured, doesn't have a past, and is well mannered > Turns out she is completely opposite > She has an ex-boyfriend > Marries the simp, as a rebound out of anger on her ex > She is a regular at a male strip club > She is a loyal customer to a male stripper, whom she visits even before the day of her marriage > When her husband confronts her, she gives an empowered feminist speech written by Aditya Dhar > Says it's hard to live as a woman in India, men wouldn't even be able to breathe if they had to live like Indian women > (Yeah, it's very easy to live as a man, we just live in a civilization built by women, no responsibilities, no hard work) > Says women are forced to listen to their parents > (Yes, women need a careless father who gives them money) > Says women are forced to have babies in India > (True, hating on the biggest blessing for a woman, i.e., motherhood, has become forceful at this point, and it's a good thing) > Says women's dreams are crushed in India > (Yeah true, no man sacrifices for the family, only women do, and no women aren't getting extra freebies, benefits, diversity hiring, etc.) > Says parents force women to wear fully covered clothes even in the hot sun > (Yes, fair-skin-obsessed Indian women are not covering themselves from top to bottom during summers to escape from getting tanned, and they aren't wearing highly comfortable revealing tight bodycon clothes, booty shorts, etc., which were literally designed to sexualise women) > Says men keep harassing women in every public place > (True, men have no other work, it's women who are building the society) > Says men send objectionable pictures in DMs > (Yes, women never post and seek attention by showing their body) > Says a woman lying and sneaking doesn't mean her character is bad > (Yes, having exes, being an alcoholic, being regular at male strip clubs are signs of women empowerment) And the simp continues to live with her, in fact grows in love with her even more at the end, shows him as a progressive heroic ideal husband who won't judge. It's officially over, guys, India has surpassed the West in wokeism After hating on babies and modesty, now they have normalised male strip clubs too. Well done cucks and feminists, you people won.

︎ ︎venom

97,003 次观看 • 5 个月前

EXCLUSIVE: Young Ontario woman's life becomes a living hell after Moderna booster shot leaves her paralyzed. Doctors confirm vaccine connection and offer Medical Assistance in Dying (MAID). Kayla Pollock is a 37-year-old mother from Ontario whose life took a drastic turn after receiving a Moderna Covid-19 booster shot. She experienced paralysis from the neck down and has been enduring a challenging ordeal ever since. Kayla's early years were marked by unspeakable cruelty and suffering. As an infant, she endured the horrors of severe abuse, including broken bones, cigarette burns, and bruises inflicted upon her helpless body by her parents. Her distressing situation prompted the intervention of family and children services, ultimately leading to her placement in a caring, loving and supportive home. As she grew older, Kayla dedicated the majority of her younger adult years to behavioral training of exotic animals. However, she eventually made the decision to resign from this profession after having her son, recognizing the inherent risks of the job. Kayla eventually ended up in the small town of Mount Albert, Ontario, where she co-raised her son after a separation. She worked as a casual educational assistant at Robert Munsch Public School, assisting kindergarten children. Her home was conveniently located right next to the school. Kayla's son attended the same school where she worked, and she expressed her love for her job and the positive direction her life was heading. Describing herself as fit, healthy, and very active, Kayla enjoyed hiking, being outdoors, gardening, and going places with her son. When the pandemic struck, Kayla recalls the mainstream media, politicians, and public health officials emphasizing the severity of the virus and urging everyone to get vaccinated. She remembers health officials specifically advising that those at highest risk should prioritize getting vaccinated. Being immunocompromised and a type one diabetic, Kayla heeded the advice of health officials and received the first two Pfizer shots in the middle of 2021 and didn’t experience any issues. Additionally, she mentions another reason for getting vaccinated was because her father resided in a long-term care facility with dementia, and vaccination was going to be a requirement for entry into the care home. Kayla then decided to take a booster, but this time it was a Moderna booster shot. She recounts going to a vaccination drive and the police being there. She found that odd and questioned why the police were present. According to Kayla, people were upset that Moderna was being given out instead of Pfizer, and that was the reason for the police presence. Kayla says that something didn’t sit right in her gut, but she went ahead with the Moderna booster shot anyway. She explains her reasoning for getting the third shot was because she felt like a third one would be mandated at some point to get access into her dads long term care home. She received the Moderna booster shot on January 11, 2022. Four days later, Kayla described a situation where her legs just gave out, and she collapsed, but all seemed fine a short time later. Then, nine days later, she experienced a similar event, and at that time, she called her doctor, asking to see a neurologist because she suspected something wasn’t right. On the morning of February 22, 2022, Kayla's life took an irreversible turn. As she awoke, opened her eyes, a sudden realization struck her – she couldn't move her body. Despite the shock, she says she remained calm and started yelling for help. Fortunately, her boyfriend who spent the night, was in the driveway preparing to leave for work, and heard her cries for help. Her boyfriend called 911 and Kayla was transported to Southlake Regional Health Centre in Newmarket, Ontario. While in the emergency department Kayla recounts that the attending physician initially dismissed her symptoms, suggesting that it was all in her head and portrayed her as a "crazy person," and ordered a psychiatric consult. All of what Kayla describes happening is evident in her medical records which we obtained and reviewed. Eventually, an MRI was conducted, revealing that Kayla had a very large lesion on her spinal cord. A neurologist followed up with Kayla and recommended a course of steroids in an attempt to decrease the size of the lesion. Kayla questioned the neurologist and asked if the lesion could be a tumor. In an audio recording taken by Kayla’s boyfriend, the neurologist responds, saying, “it's less likely a tumor” and that it is his “gut impression it was caused by the vaccine.” When Kayla questions the doctor as to whether many people have had something similar happen to them, the doctor responds, saying “many people have had it.” Later, Kayla would learn that she had developed transverse myelitis, a condition that interrupts the transmission of messages along the spinal cord nerves throughout the body. She would go on to spend several months in the hospital, where she says she was offered medical assistance in dying (MAID) on two occasions but rejected the offer. During Kayla's hospital stay, she received steroids, which she claims helped to some extent, allowing her to regain very slight movement in her arms, hands, and fingers. However, she still has absolutely no feeling from the neck down. Visually examining her fingernails reveals decay due to the lack of nerve function. Kayla believes that if the initial doctor had taken her concerns seriously, rather than dismissing her as a "crazy person," and promptly ordered an MRI, she might have been able to walk again or experience sensation in some parts of her body that she doesn’t have today. After her initial treatment at the local hospital, Kayla was subsequently transferred to Lyndhurst Rehabilitation Centre in Toronto to undergo several months of intensive rehabilitation aimed at attempting to restore her physical capabilities and adapting to her new reality. Unfortunately, Kayla says that rehab did not help her. Following her discharge from the hospital, she now takes a long list of drugs daily. She ended up losing everything she worked hard for—her home, the ability to co-raise her son, and her job, essentially losing everything. Kayla was placed on provincial disability and was forced to move away from Mount Albert, where her son lives, into an apartment that could accommodate her wheelchair accessibility needs. Kayla has faced challenges in obtaining the promised hours of in-home care after leaving the hospital. Kayla relies on a personal support worker to help her get out of bed each morning, another organization assists with meal preparation, and in the evenings, a friend comes over to manually extract feces from her bowel and aid her in getting into bed. Securing compensation through the federal government’s Vaccine Injury Support Program (VISP) has been difficult for Kayla. She initiated the application process in July of 2022, following up with the program six months later. However, according to Kayla, her application was still under review at that time. Another six months elapsed, and when she sought an update, the program informed her that they had never received her initial application. In response, Kayla reapplied to the program and was recently assigned a case worker. Uncertainty looms over whether she will be approved and, if approved, when she will receive any form of compensation. Kayla faces challenges in performing simple tasks both at home and in the community. She is in a difficult financial situation and desperately seeks a service dog. According to her, having a service dog would not only assist her with daily tasks but also offer companionship, providing her with much-needed company. An organization called Veterans 4 Freedom has stepped in to help Kayla and has set up a GiveSendGo campaign to help her raise funds for a service dog. A link to that fundraising campaign is below.
13:14

EXCLUSIVE: Young Ontario woman's life becomes a living hell after Moderna booster shot leaves her paralyzed. Doctors confirm vaccine connection and offer Medical Assistance in Dying (MAID). Kayla Pollock is a 37-year-old mother from Ontario whose life took a drastic turn after receiving a Moderna Covid-19 booster shot. She experienced paralysis from the neck down and has been enduring a challenging ordeal ever since. Kayla's early years were marked by unspeakable cruelty and suffering. As an infant, she endured the horrors of severe abuse, including broken bones, cigarette burns, and bruises inflicted upon her helpless body by her parents. Her distressing situation prompted the intervention of family and children services, ultimately leading to her placement in a caring, loving and supportive home. As she grew older, Kayla dedicated the majority of her younger adult years to behavioral training of exotic animals. However, she eventually made the decision to resign from this profession after having her son, recognizing the inherent risks of the job. Kayla eventually ended up in the small town of Mount Albert, Ontario, where she co-raised her son after a separation. She worked as a casual educational assistant at Robert Munsch Public School, assisting kindergarten children. Her home was conveniently located right next to the school. Kayla's son attended the same school where she worked, and she expressed her love for her job and the positive direction her life was heading. Describing herself as fit, healthy, and very active, Kayla enjoyed hiking, being outdoors, gardening, and going places with her son. When the pandemic struck, Kayla recalls the mainstream media, politicians, and public health officials emphasizing the severity of the virus and urging everyone to get vaccinated. She remembers health officials specifically advising that those at highest risk should prioritize getting vaccinated. Being immunocompromised and a type one diabetic, Kayla heeded the advice of health officials and received the first two Pfizer shots in the middle of 2021 and didn’t experience any issues. Additionally, she mentions another reason for getting vaccinated was because her father resided in a long-term care facility with dementia, and vaccination was going to be a requirement for entry into the care home. Kayla then decided to take a booster, but this time it was a Moderna booster shot. She recounts going to a vaccination drive and the police being there. She found that odd and questioned why the police were present. According to Kayla, people were upset that Moderna was being given out instead of Pfizer, and that was the reason for the police presence. Kayla says that something didn’t sit right in her gut, but she went ahead with the Moderna booster shot anyway. She explains her reasoning for getting the third shot was because she felt like a third one would be mandated at some point to get access into her dads long term care home. She received the Moderna booster shot on January 11, 2022. Four days later, Kayla described a situation where her legs just gave out, and she collapsed, but all seemed fine a short time later. Then, nine days later, she experienced a similar event, and at that time, she called her doctor, asking to see a neurologist because she suspected something wasn’t right. On the morning of February 22, 2022, Kayla's life took an irreversible turn. As she awoke, opened her eyes, a sudden realization struck her – she couldn't move her body. Despite the shock, she says she remained calm and started yelling for help. Fortunately, her boyfriend who spent the night, was in the driveway preparing to leave for work, and heard her cries for help. Her boyfriend called 911 and Kayla was transported to Southlake Regional Health Centre in Newmarket, Ontario. While in the emergency department Kayla recounts that the attending physician initially dismissed her symptoms, suggesting that it was all in her head and portrayed her as a "crazy person," and ordered a psychiatric consult. All of what Kayla describes happening is evident in her medical records which we obtained and reviewed. Eventually, an MRI was conducted, revealing that Kayla had a very large lesion on her spinal cord. A neurologist followed up with Kayla and recommended a course of steroids in an attempt to decrease the size of the lesion. Kayla questioned the neurologist and asked if the lesion could be a tumor. In an audio recording taken by Kayla’s boyfriend, the neurologist responds, saying, “it's less likely a tumor” and that it is his “gut impression it was caused by the vaccine.” When Kayla questions the doctor as to whether many people have had something similar happen to them, the doctor responds, saying “many people have had it.” Later, Kayla would learn that she had developed transverse myelitis, a condition that interrupts the transmission of messages along the spinal cord nerves throughout the body. She would go on to spend several months in the hospital, where she says she was offered medical assistance in dying (MAID) on two occasions but rejected the offer. During Kayla's hospital stay, she received steroids, which she claims helped to some extent, allowing her to regain very slight movement in her arms, hands, and fingers. However, she still has absolutely no feeling from the neck down. Visually examining her fingernails reveals decay due to the lack of nerve function. Kayla believes that if the initial doctor had taken her concerns seriously, rather than dismissing her as a "crazy person," and promptly ordered an MRI, she might have been able to walk again or experience sensation in some parts of her body that she doesn’t have today. After her initial treatment at the local hospital, Kayla was subsequently transferred to Lyndhurst Rehabilitation Centre in Toronto to undergo several months of intensive rehabilitation aimed at attempting to restore her physical capabilities and adapting to her new reality. Unfortunately, Kayla says that rehab did not help her. Following her discharge from the hospital, she now takes a long list of drugs daily. She ended up losing everything she worked hard for—her home, the ability to co-raise her son, and her job, essentially losing everything. Kayla was placed on provincial disability and was forced to move away from Mount Albert, where her son lives, into an apartment that could accommodate her wheelchair accessibility needs. Kayla has faced challenges in obtaining the promised hours of in-home care after leaving the hospital. Kayla relies on a personal support worker to help her get out of bed each morning, another organization assists with meal preparation, and in the evenings, a friend comes over to manually extract feces from her bowel and aid her in getting into bed. Securing compensation through the federal government’s Vaccine Injury Support Program (VISP) has been difficult for Kayla. She initiated the application process in July of 2022, following up with the program six months later. However, according to Kayla, her application was still under review at that time. Another six months elapsed, and when she sought an update, the program informed her that they had never received her initial application. In response, Kayla reapplied to the program and was recently assigned a case worker. Uncertainty looms over whether she will be approved and, if approved, when she will receive any form of compensation. Kayla faces challenges in performing simple tasks both at home and in the community. She is in a difficult financial situation and desperately seeks a service dog. According to her, having a service dog would not only assist her with daily tasks but also offer companionship, providing her with much-needed company. An organization called Veterans 4 Freedom has stepped in to help Kayla and has set up a GiveSendGo campaign to help her raise funds for a service dog. A link to that fundraising campaign is below.

The Canadian Independent

1,422,208 次观看 • 2 年前

🚨LAWLESS LONDON: 13-YEAR-OLD GIRL KIDNAPPED & R*PED ON WAY TO SCHOOL IN MITCHAM – 10-YEAR-OLD & HER SISTER FOLLOWED PREDATOR UNTIL HE FLED 😱 😡 Court Details: Kadian Nelson Received 20-Year Sentence After Guilty Plea to R*pe, Kidnap and Threats to Kill – This Is the State of the UK Today 🤬 The terrifying footage of this incident is genuinely hard to watch – seeing a child frozen in fear while being marched away in broad daylight is chilling. 😤 This is a distressing case from 3 November 2020 in Mitcham, south-west London. A 13-year-old girl was walking to school and speaking to a friend on the phone when Kadian Nelson, then 26 and from Tooting, suddenly placed his hand incredibly tightly over her mouth and forced her towards an alleyway. He had been seen prowling nearby while wearing rubber gloves shortly before. The terrified girl pleaded: “I’ll pay you, take all my money, take all my belongings, just leave me alone.” 💔 A 10-year-old girl witnessed him grab the teenager. She immediately called the police, then went with her older sister to confront him by shouting: “What are you doing with her?” Nelson then held his arm tightly around her and marched her away down the street. She remained silent and frozen in fear, not resisting, simply moving as he directed her. The two girls followed him and kept challenging him until Nelson finally released the 13-year-old and fled. The intervention by the young witnesses prevented the immediate situation from worsening further. Nelson was later identified from social media footage after being recognised, arrested, and charged. He pleaded guilty to r*pe, kidnap, and making threats to kill. He had prior convictions for drugs offences and making threats with an offensive weapon, but none for sexual offences. At Kingston Crown Court in August 2021, Judge John Lodge sentenced him to 20 years: 12 years in custody plus an 8-year extended licence period. The judge described it as a “shameful and shocking incident” that “could have been even worse” but for the bravery of the two young witnesses. The victim gave an impact statement explaining how the attack affected her ability to do simple everyday things, such as going to school or being independent. This case is a stark example of the lawless state of parts of London and the wider UK, where schoolgirls can be targeted in broad daylight. Respect to the 10-year-old and her sister for their courage in following him until he let her go.
1:08

🚨LAWLESS LONDON: 13-YEAR-OLD GIRL KIDNAPPED & R*PED ON WAY TO SCHOOL IN MITCHAM – 10-YEAR-OLD & HER SISTER FOLLOWED PREDATOR UNTIL HE FLED 😱 😡 Court Details: Kadian Nelson Received 20-Year Sentence After Guilty Plea to R*pe, Kidnap and Threats to Kill – This Is the State of the UK Today 🤬 The terrifying footage of this incident is genuinely hard to watch – seeing a child frozen in fear while being marched away in broad daylight is chilling. 😤 This is a distressing case from 3 November 2020 in Mitcham, south-west London. A 13-year-old girl was walking to school and speaking to a friend on the phone when Kadian Nelson, then 26 and from Tooting, suddenly placed his hand incredibly tightly over her mouth and forced her towards an alleyway. He had been seen prowling nearby while wearing rubber gloves shortly before. The terrified girl pleaded: “I’ll pay you, take all my money, take all my belongings, just leave me alone.” 💔 A 10-year-old girl witnessed him grab the teenager. She immediately called the police, then went with her older sister to confront him by shouting: “What are you doing with her?” Nelson then held his arm tightly around her and marched her away down the street. She remained silent and frozen in fear, not resisting, simply moving as he directed her. The two girls followed him and kept challenging him until Nelson finally released the 13-year-old and fled. The intervention by the young witnesses prevented the immediate situation from worsening further. Nelson was later identified from social media footage after being recognised, arrested, and charged. He pleaded guilty to r*pe, kidnap, and making threats to kill. He had prior convictions for drugs offences and making threats with an offensive weapon, but none for sexual offences. At Kingston Crown Court in August 2021, Judge John Lodge sentenced him to 20 years: 12 years in custody plus an 8-year extended licence period. The judge described it as a “shameful and shocking incident” that “could have been even worse” but for the bravery of the two young witnesses. The victim gave an impact statement explaining how the attack affected her ability to do simple everyday things, such as going to school or being independent. This case is a stark example of the lawless state of parts of London and the wider UK, where schoolgirls can be targeted in broad daylight. Respect to the 10-year-old and her sister for their courage in following him until he let her go.

J Stewart

185,182 次观看 • 6 个月前

🚨LAWLESS LONDON: 13-YEAR-OLD GIRL KIDNAPPED & R*PED ON WAY TO SCHOOL IN MITCHAM – 10-YEAR-OLD & HER SISTER FOLLOWED PREDATOR UNTIL HE FLED 😱 😡 Court Details: Kadian Nelson Received 20-Year Sentence After Guilty Plea to R*pe, Kidnap and Threats to Kill – This Is the State of the UK Today 🤬 The terrifying footage of this incident is genuinely hard to watch – seeing a child frozen in fear while being marched away in broad daylight is chilling. 😤 This is a distressing case from 3 November 2020 in Mitcham, south-west London. A 13-year-old girl was walking to school and speaking to a friend on the phone when Kadian Nelson, then 26 and from Tooting, suddenly placed his hand incredibly tightly over her mouth and forced her towards an alleyway. He had been seen prowling nearby while wearing rubber gloves shortly before. The terrified girl pleaded: “I’ll pay you, take all my money, take all my belongings, just leave me alone.” 💔 A 10-year-old girl witnessed him grab the teenager. She immediately called the police, then went with her older sister to confront him by shouting: “What are you doing with her?” Nelson then held his arm tightly around her and marched her away down the street. She remained silent and frozen in fear, not resisting, simply moving as he directed her. The two girls followed him and kept challenging him until Nelson finally released the 13-year-old and fled. The intervention by the young witnesses prevented the immediate situation from worsening further. Nelson was later identified from social media footage after being recognised, arrested, and charged. He pleaded guilty to r*pe, kidnap, and making threats to kill. He had prior convictions for drugs offences and making threats with an offensive weapon, but none for sexual offences. At Kingston Crown Court in August 2021, Judge John Lodge sentenced him to 20 years: 12 years in custody plus an 8-year extended licence period. The judge described it as a “shameful and shocking incident” that “could have been even worse” but for the bravery of the two young witnesses. The victim gave an impact statement explaining how the attack affected her ability to do simple everyday things, such as going to school or being independent. This case is a stark example of the lawless state of parts of London and the wider UK, where schoolgirls can be targeted in broad daylight. Respect to the 10-year-old and her sister for their courage in following him until he let her go.
1:05

🚨LAWLESS LONDON: 13-YEAR-OLD GIRL KIDNAPPED & R*PED ON WAY TO SCHOOL IN MITCHAM – 10-YEAR-OLD & HER SISTER FOLLOWED PREDATOR UNTIL HE FLED 😱 😡 Court Details: Kadian Nelson Received 20-Year Sentence After Guilty Plea to R*pe, Kidnap and Threats to Kill – This Is the State of the UK Today 🤬 The terrifying footage of this incident is genuinely hard to watch – seeing a child frozen in fear while being marched away in broad daylight is chilling. 😤 This is a distressing case from 3 November 2020 in Mitcham, south-west London. A 13-year-old girl was walking to school and speaking to a friend on the phone when Kadian Nelson, then 26 and from Tooting, suddenly placed his hand incredibly tightly over her mouth and forced her towards an alleyway. He had been seen prowling nearby while wearing rubber gloves shortly before. The terrified girl pleaded: “I’ll pay you, take all my money, take all my belongings, just leave me alone.” 💔 A 10-year-old girl witnessed him grab the teenager. She immediately called the police, then went with her older sister to confront him by shouting: “What are you doing with her?” Nelson then held his arm tightly around her and marched her away down the street. She remained silent and frozen in fear, not resisting, simply moving as he directed her. The two girls followed him and kept challenging him until Nelson finally released the 13-year-old and fled. The intervention by the young witnesses prevented the immediate situation from worsening further. Nelson was later identified from social media footage after being recognised, arrested, and charged. He pleaded guilty to r*pe, kidnap, and making threats to kill. He had prior convictions for drugs offences and making threats with an offensive weapon, but none for sexual offences. At Kingston Crown Court in August 2021, Judge John Lodge sentenced him to 20 years: 12 years in custody plus an 8-year extended licence period. The judge described it as a “shameful and shocking incident” that “could have been even worse” but for the bravery of the two young witnesses. The victim gave an impact statement explaining how the attack affected her ability to do simple everyday things, such as going to school or being independent. This case is a stark example of the lawless state of parts of London and the wider UK, where schoolgirls can be targeted in broad daylight. Respect to the 10-year-old and her sister for their courage in following him until he let her go.

Correne

15,301 次观看 • 6 个月前

🚨 EXPOSED: Tracey Martin GROOMING Teens Under Guise of "EMPOWERMENT – Now Her OWN Daughter's Are The Victims! ~Part 1 BOMBSHELL You came at me in your video, Tracey, calling me "wrong" for exposing Erika Kirk as a groomer who preyed on YOUR OWN DAUGHTER—now her "personal assistant." Newsflash: My research is ROCK SOLID, backed by sources you can't touch. But guess what? I've dug DEEP into YOU now, and it's time to clap back. You're no innocent bystander—you're part of the same twisted pattern. Let's break it down. 🔥 First off, your "business" TLM Coaching and Media (hiding behind @genzawaken on IG) straight-up TARGETS MINORS as young as 16. Your own post brags about expanding to "ALL of Gen Z, ages 16-26" and recruiting them for "life coaching" on communication, boundaries, relationships, mental health, college transitions, and more. Sound familiar? It's the EXACT same playbook I called out Erika for: luring vulnerable, impressionable teens "under your wing" under the guise of empowerment. But we all know what that really means—exploitation. 😡 You get these kids modeling for your brands in RISQUÉ outfits, showing way too much skin to "promote" your stuff. Attached pics show the proof: half-naked poses, barely-there wraps, desert shoots that leave NOTHING to the imagination. This isn't "fashion"—it's predatory. And the pattern? Erika was GROOMED by YOU from a young age (those raunchy old photos of her posing for you say it all). Erika in turn did the same thing to multiple girls, INCLUDING YOUR DAUGHTER. Sick cycle, right? But here's where it gets REALLY twisted: You FORCED your own daughter to model PRACTICALLY NAKED, covered only by a towel or wrap, exposing her in ways no mom should. (See attached—it's horrifying.) And don't get me started on that cruel Nordstrom shoot: Your daughter has a medical condition affecting her hair growth, and you made her pose BALD next to mannequins. She's CLEARLY looking down in clear horror and discomfort. What kind of sadistic "parenting" is that? Mortifying and abusive. 🤮 Oh, and your TLM profile? You make a BIG DEAL about being "33 years friends" with your husband before marriage. 33? That's straight Masonic code—your family's lineage is DEEP in Freemasonry, flashing that number like a gang sign. Subtle, but we see it. Add in the vibes between you and Erika: Your back-and-forth screams more than "friends." Both of you come off as bisexual, with past interactions hinting at a lesbian dynamic. Is that the real bond here? Grooming each other, then the kids? This is PART 1, folks. Tracey wanted smoke by coming after me—now she's getting the full blaze. Stay tuned for PART 2: The DOZEN+ shell LLCs she and her hubby run, their shady real estate deals, her families DEEP military ties, and family lineage back to German "scientists" (psychologists, as Candace Owens hinted). It's all connecting. Tag Candace Owens and RT if you're done with these predators targeting out kids hiding behind "coaching" and "empowerment." Why do they all feel the need to take up childrens causes. Is it because they all really want to save the children? Or could it be that they are all satanic Baal worshipers who sacrifice children for sport. You be the judge. It's time protect the kids and expose these people who prey on them.💥 Special Thanks to MIA, The Best Researcher In The West. FOLLOW Her!
4:38

Sensitive content

🚨 EXPOSED: Tracey Martin GROOMING Teens Under Guise of "EMPOWERMENT – Now Her OWN Daughter's Are The Victims! ~Part 1 BOMBSHELL You came at me in your video, Tracey, calling me "wrong" for exposing Erika Kirk as a groomer who preyed on YOUR OWN DAUGHTER—now her "personal assistant." Newsflash: My research is ROCK SOLID, backed by sources you can't touch. But guess what? I've dug DEEP into YOU now, and it's time to clap back. You're no innocent bystander—you're part of the same twisted pattern. Let's break it down. 🔥 First off, your "business" TLM Coaching and Media (hiding behind @genzawaken on IG) straight-up TARGETS MINORS as young as 16. Your own post brags about expanding to "ALL of Gen Z, ages 16-26" and recruiting them for "life coaching" on communication, boundaries, relationships, mental health, college transitions, and more. Sound familiar? It's the EXACT same playbook I called out Erika for: luring vulnerable, impressionable teens "under your wing" under the guise of empowerment. But we all know what that really means—exploitation. 😡 You get these kids modeling for your brands in RISQUÉ outfits, showing way too much skin to "promote" your stuff. Attached pics show the proof: half-naked poses, barely-there wraps, desert shoots that leave NOTHING to the imagination. This isn't "fashion"—it's predatory. And the pattern? Erika was GROOMED by YOU from a young age (those raunchy old photos of her posing for you say it all). Erika in turn did the same thing to multiple girls, INCLUDING YOUR DAUGHTER. Sick cycle, right? But here's where it gets REALLY twisted: You FORCED your own daughter to model PRACTICALLY NAKED, covered only by a towel or wrap, exposing her in ways no mom should. (See attached—it's horrifying.) And don't get me started on that cruel Nordstrom shoot: Your daughter has a medical condition affecting her hair growth, and you made her pose BALD next to mannequins. She's CLEARLY looking down in clear horror and discomfort. What kind of sadistic "parenting" is that? Mortifying and abusive. 🤮 Oh, and your TLM profile? You make a BIG DEAL about being "33 years friends" with your husband before marriage. 33? That's straight Masonic code—your family's lineage is DEEP in Freemasonry, flashing that number like a gang sign. Subtle, but we see it. Add in the vibes between you and Erika: Your back-and-forth screams more than "friends." Both of you come off as bisexual, with past interactions hinting at a lesbian dynamic. Is that the real bond here? Grooming each other, then the kids? This is PART 1, folks. Tracey wanted smoke by coming after me—now she's getting the full blaze. Stay tuned for PART 2: The DOZEN+ shell LLCs she and her hubby run, their shady real estate deals, her families DEEP military ties, and family lineage back to German "scientists" (psychologists, as Candace Owens hinted). It's all connecting. Tag Candace Owens and RT if you're done with these predators targeting out kids hiding behind "coaching" and "empowerment." Why do they all feel the need to take up childrens causes. Is it because they all really want to save the children? Or could it be that they are all satanic Baal worshipers who sacrifice children for sport. You be the judge. It's time protect the kids and expose these people who prey on them.💥 Special Thanks to MIA, The Best Researcher In The West. FOLLOW Her!

Project Constitution

80,064 次观看 • 6 个月前

BBC PAID A WOMAN HALF A MAN SALARY FOR THE SAME JOB AND THOUGHT NO ONE WOULD NOTICE Carrie Gracie spoke fluent Mandarin. Ran the BBC Beijing bureau. Thirty years of service. One of four international editors at Britain's most prestigious broadcaster. Then the BBC was legally forced to publish salary data in 2017. Gracie looked at the list. Her male counterpart covering North America was on up to £249,000. She was below £150,000. Not even on the published list. Neither was Europe editor Katya Adler. The two women. Funny that. She had explicitly made equal pay a condition of taking the China role. The BBC said yes. Then paid her nearly half anyway and apparently hoped she'd never check. She checked. She asked for equal pay. The BBC, with the confidence of an institution that had been getting away with this for decades, offered her a raise that still left her short. She turned it down. Resigned from the post. Published an open letter to the licence fee payers explaining exactly what their public broadcaster was doing with their money. The BBC's response was to put her through nearly a year of their own internal grievance process. Run by the same institution she was complaining about. Investigating itself. Shockingly, it went nowhere. It took three separate meetings with the Director-General and the concrete threat of an employment tribunal before the BBC caved, issued a public apology, and paid her £361,000 in backdated wages. She gave every single penny to the Fawcett Society (Fawcett Society). A publicly funded broadcaster. Breaking equality law. Caught red-handed. Dragging a 30-year employee through a year of institutional theatre. Paying up only when a judge became a realistic possibility.
1:26

BBC PAID A WOMAN HALF A MAN SALARY FOR THE SAME JOB AND THOUGHT NO ONE WOULD NOTICE Carrie Gracie spoke fluent Mandarin. Ran the BBC Beijing bureau. Thirty years of service. One of four international editors at Britain's most prestigious broadcaster. Then the BBC was legally forced to publish salary data in 2017. Gracie looked at the list. Her male counterpart covering North America was on up to £249,000. She was below £150,000. Not even on the published list. Neither was Europe editor Katya Adler. The two women. Funny that. She had explicitly made equal pay a condition of taking the China role. The BBC said yes. Then paid her nearly half anyway and apparently hoped she'd never check. She checked. She asked for equal pay. The BBC, with the confidence of an institution that had been getting away with this for decades, offered her a raise that still left her short. She turned it down. Resigned from the post. Published an open letter to the licence fee payers explaining exactly what their public broadcaster was doing with their money. The BBC's response was to put her through nearly a year of their own internal grievance process. Run by the same institution she was complaining about. Investigating itself. Shockingly, it went nowhere. It took three separate meetings with the Director-General and the concrete threat of an employment tribunal before the BBC caved, issued a public apology, and paid her £361,000 in backdated wages. She gave every single penny to the Fawcett Society (Fawcett Society). A publicly funded broadcaster. Breaking equality law. Caught red-handed. Dragging a 30-year employee through a year of institutional theatre. Paying up only when a judge became a realistic possibility.

Artur Nadolny

213,657 次观看 • 3 个月前

What would you do if this mirror pulled you underwater? Nano Banana 2 + Seedance 2.5 on TapNow prompt SCENE CONTEXT A girl Image flees something unseen through a glowing forest, trips, falls — and finds an antique mirror that yanks her through into an underwater city. There, mid-float before the great shell palace, she turns her head — a flash of POV shows a colossal mouth opening onto her — and back in the wide frame the whale is already closing its jaw and gliding calmly away. 24 seconds, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY Image HER EXACT FACE — sole source of her identity and features, 100% match, zero drift: a 20-year-old , 163 cm, slim and lightly built. Soft rounded oval face; warm light-beige skin with a golden undertone and real photographic texture — visible pores, small freckles and tiny beauty marks across the cheeks and nose bridge; dark blue almond eyes with a shallow partially hidden upper-lid crease and soft under-eye fullness; thick dark straight brows with individual hairs brushed upward; a small neat nose with narrow straight bridge and softly rounded tip; full lips with a defined cupid's bow, the lower lip fuller, natural rosy tone; softly rounded jaw tapering to a small chin; small silver hoop earrings. Ignore this reference's hair, clothing, car interior and lighting. Face identity comes from this reference in every single frame. Image : CHARACTER SHEET — controls everything: long voluminous wavy blonde hair past the shoulders; neat elven ears with slender pointed tips; a white billowy medieval linen shirt deep plunging scoop neckline that reveals significant cleavage., with puffed sleeves; a brown leather underbust corset; fitted sage-green trousers; tall brown leather boots; brown leather gloves; a forest-green wool hooded cloak clasped at the collar. Does NOT control the face. Image FOREST LOCATION — a misty magical forest: narrow dirt path, giant glowing red mushrooms casting warm orange light, pink flowers, mossy trunks, drifting fog. 100% matches the reference. Image : UNDERWATER CITY LOCATION — the plaza: a colossal ribbed nautilus-shell palace with glowing golden seams, pearl shell houses with warm windows, god rays from above, jellyfish and drifting sea life. 100% matches the reference. FORMAT MODE One continuous shot from 0:00 to 0:19, then TWO HARD CUTS in the finale: a fast POV insert and a return to the previous framing. No fades, no dissolves. Full realism. HER BACKWARD GLANCE — HOW IT MUST LOOK, STRICT Whenever she checks behind her, she does NOT turn toward the camera and does NOT look into the lens. She rotates her head roughly 45° to ONE SIDE and her EYES GO THE SAME WAY her head goes — looking off toward that side of frame, into the fog, then snapping forward again. BANS: no over-the-shoulder look at the lens, no eye contact with the camera, no 180° head turn. SHOT 1 — 0:00–0:01.5 — HER FEET, LOW AND CANTED LOW, near ground level, canted hard — Dutch tilt ~20–25° — framing her BOOTS and lower legs sprinting along the path: soil bursting, cloak hem cracking, mushroom stalks brushing aside, path streaking in motion blur. Handheld, jolting with her rhythm; the pursuer heard far behind in the fog. SHOT 2 — 0:01.5–0:03 — HER FACE, FRIGHTENED Unbroken move: the frame rises and pushes in to her FACE — a tight running close-up travelling with her, still canted, hair whipping. Raw fear: wide eyes, brows drawn, mouth gasping, dirt on her cheek. Twice she performs the 45° glance as specified, eyes going the same way as her head, searching the fog off to that side; then forward again. SHOT 3 — 0:03–0:05 — THE TRIP, WIDE Unbroken: the frame swings out to a WIDE shot of the path — full figure, mushrooms towering, fog closing the depth. Mid-glance her leading boot CATCHES a root — the foot stops dead, momentum throws her forward, and she goes down hard in full view: knees, then hands and shoulder into the dirt, dust and leaf litter bursting up, cloak flying over her. She lands sprawled, chest heaving. SHOT 4 — 0:05–0:09 — THE MIRROR SHE ALMOST IGNORES Unbroken: the camera drifts in from the front, then around to her side, settling into profile with her and the mirror in frame. Fear first, curiosity second: sprawled, she checks behind with the 45° head-and-eyes turn; the crashing is closer. She scrambles up, barely looking ahead — then registers an ornate antique MIRROR against a mossy trunk, filled with cold blue glow unlike the warm mushroom light. Brushing dirt off her sleeve with ONE hand, her eyes stay on the glass. THE MIRROR DOES NOT REFLECT: her reflection NEVER appears, no mirror image of her, no reflection of the forest — the glass is a window filled with its own inner light: fog thinning into deep watery blue, faint caustics, vague luminous silhouettes far in the depth, no sharp image. The blue washes her face. ACTING TASK — HER CHOICE (the work happens in her eyes): glass → a 45° glance into the fog behind → glass again; she registers that nothing of HER answers her movement in it; no time to solve it. She extends ONE FINGER toward the surface. (Safety: gaze always engaged; natural blink cadence.) SHOT 5 — 0:09–0:11 — THE YANK: UNDER A SECOND Her fingertip nears the glass. The light FLARES — the surface SNAPS outward like a whip and SEIZES her hand. INSTANT: she is RIPPED off her feet, jerked forward along her outstretched arm, body whipping horizontal in a single frame, head-first through the glass, boots torn off the ground last, cloak cracking behind her. No build-up, no float — limp as a ragdoll, the mirror doing ALL of it, vector purely FORWARD through the glass plane. Camera: caught off guard WITH her — it WHIPS sideways-and-forward, slings around behind her flying body and punches through the rippling surface on her heels; water and bubbles SLAM across the lens, forest colors ripped into deep blue. NOT her POV. SHOT 6 — 0:11–0:16 — ARRIVAL IN THE PLAZA Same shot, no cut — camera behind her. THE FIRST UNDERWATER FRAME IS THE ARRIVAL FRAME: the portal exits DIRECTLY INTO the plaza of >>; the colossal nautilus palace is ALREADY in frame, its ribbed pearl wall with glowing golden seams filling the background, sharp and close; shell houses with warm windows border both sides. NO TRAVEL, no approach — the water BRAKES her within a meter or two. HER BODY: horizontal, HEAD-FIRST, back toward the surface, fully passive — arms loose, LEGS STILL AND MOTIONLESS, no kicking, no strokes; thrown cargo, not a swimmer. UNDERWATER PHYSICS, HIGHEST PRIORITY: hair streaming backward in rippling seaweed-like strands, cloak dragging in a heavy water-loaded wave; on stopping, hair and cloak drift forward past her shoulders by inertia. She pivots from horizontal to upright — feet swinging down, legs hanging relaxed — settling into weightless float facing the palace wall. HER HAIR AT REST, STRICT: no parting, no combed order — a loose free-floating mass fanning outward and upward from her whole head, strands crossing over her crown in constant slow chaotic motion, never symmetrical, never still. The cloak billows wide, breathing with the water. SHE CANNOT BREATHE UNDERWATER: cheeks slightly puffed, lips pressed, holding her breath. Bubbles rise from her mouth in small silver clusters climbing upward past her face. ACTING TASK: to ORIENT beneath something impossibly huge — her attention pulls UPWARD: head climbing the glowing houses, up the palace wall, chin lifting, trying to find where the spiral ends. Jellyfish pulse between the houses. SHOT 7 — 0:16–0:19 — SETTLE INTO THE MEDIUM PROFILE FRAME Same shot, no cut. The camera drifts smoothly from behind her around to her side and settles into the framing that holds for the rest of the film: FRAMING LOCK — MEDIUM PROFILE: she is seen from her LEFT SIDE in a medium shot, CHEST-UP ONLY — never full-body, never small in frame; her head and shoulders occupy the lower-left third, elven ear tip clear, hair a floating dark halo, white puffed sleeve and green cloak reading in the frame's bottom, one gloved hand extended forward. Behind and above her, filling the whole background, the giant glowing spiral nautilus palace; pearl shell houses along the lower edge; god rays raking down from the surface; a jellyfish drifting at frame-left; her bubbles rising past her face. She hangs weightless with the faintest sway. SHOT 8 — 0:19–0:21 — SHE TURNS HER HEAD (SAME FRAME) No cut, camera locked in the FRAMING LOCK. She turns her head sharply to look off toward frame-LEFT — a fast, alarmed head turn, eyes going the same direction, brows snapping up, a startled burst of bubbles ripping from her mouth. Her shoulder tenses; nothing else of her moves. She is still only chest-up in frame; the whale is NOT visible yet. HARD CUT. SHOT 9 — 0:21–0:22.5 — POV: THE MOUTH OPENS ON US FIRST-PERSON POV FROM HER EYES — fast and brutal: filling the entire frame, the colossal whale's head rushes in from the left, and the vast baleen MOUTH OPENS WIDE — grooved pale throat pleats stretching, a dark glowing cavern spreading until it swallows the frame edge to edge; water and bubbles ripping past the lens; the scale absolute, the opening several times larger than a human body. Quick — a second and a half, no lingering. The frame goes to the mouth's darkness. HARD CUT. SHOT 10 — 0:22.5–0:24 — BACK TO THE SAME FRAME: THE WHALE MOVES ON Return to the EXACT FRAMING LOCK of Shot 7–8 — same camera position, same background: the glowing spiral palace, the shell houses, the god rays. The girl is no longer there; only her last scattered bubbles rising where she floated. The colossal whale is already in frame with its JAW CLOSED, gliding calmly from LEFT to RIGHT across the plaza — placid, unhurried, indifferent, as if it simply fed on the way past. Its enormous flank sweeps close past the lens: dark iridescent mother-of-pearl skin shifting purple-green-blue like oil on water, scattered glowing teal rings and dotted bioluminescent lines, a tall webbed translucent dorsal fin with visible veining, pectoral and tail fins extending into long flowing translucent ribbon-streamers rippling like silk. TRUE WHALE LOCOMOTION: all thrust from the TAIL — deep lateral sweeps bending the rear third of the body, an S-wave of muscle rolling down the flanks head-to-tail on every beat, mass shifting under the skin, head steady on course, ribbon-fins streaming back like wings. Living muscle, never a rigid sculpture on rails. Its wake rocks the jellyfish and scatters her bubbles. It exits frame-RIGHT. Final beat: the empty plaza, the palace glowing, bubbles dispersing, water settling. END. Exactly ONE creature in the finale, the same individual in the POV and in the return frame — no second creature, no duplicate. No grabbing, no chewing, no thrashing, no blood, no gore — the horror is entirely scale. PHYSICS Forest: real running biomechanics, the head-turns costing her balance, the trip stopping the foot dead while momentum carries her over, a genuine three-point fall, real bodyweight in the scramble up. The yank: whip-crack acceleration, body limp, purely forward. Underwater: everything obeys water — drag on limbs and fabric, slow rebound, no dry-hair or dry-cloth behavior in any frame; the whale moves with true mass and inertia, its bow wave visibly displacing water, bubbles and jellyfish; the jaw opens and closes with weight, not like a trap. LIGHTING Forest: warm orange mushroom glow against cool misty air; the mirror's cold blue the only competing source. Underwater: cool blue depth light with god rays, warm golden light from the shell houses and the palace's glowing seams; caustic ripples crawling over her skin, the white sleeve and the whale's flank; the open mouth in the POV reading as a deep shadowed cavern with faint light only on the throat pleats. Natural exposure, no stylization. MATERIALS Real skin with pores and freckles; individual hair strands, dry and flying in the forest, water-loaded and undulating below; real linen weave, leather grain, heavy wool cloak with true water weight; real soil, moss and mushroom flesh; pearl shell with subsurface glow; the whale's iridescent hide with subsurface shift, skin folds and grooved throat pleats, translucent fin membranes. No plastic skin, no CG sheen. AUDIO — SFX ONLY, NO MUSIC 0:00–0:05: pounding footsteps, ragged breathing, cloak snapping, DISTANT crashing branches and a low guttural monster call rolling through the fog; the trip — scuff, body impact, gasp. 0:05–0:09: panicked breathing, scrambling in dirt, forest ambience, a rising crystalline hum near the glass. 0:09–0:11: a sharp liquid CRACK, one violent water-rush WHOOSH, bubbles slamming the lens; forest sound cutting off dead. 0:11–0:19: muffled underwater ambience, soft bubble streams, distant whale-like calls, faint clicks, a deep resonant hum from the palace. 0:19–0:22.5: a startled bubble burst; a deep swelling RUMBLE from the left; in the POV a roaring water-rush and the wet groan of the opening jaw. 0:22.5–0:24: one soft heavy WHOMP settling, then calm rhythmic tail SWISH, the flank's water-rush passing the lens, fading right into churning wake and settling ambience. No score, no melody anywhere. POSITIVE CONSTRAINTS Continuous shot 0:00–0:19; then exactly TWO HARD CUTS: into the POV insert and back out to the identical framing. No other cuts anywhere. FRAMING LOCK: from 0:16 to the end (except the POV insert) the camera holds the same medium profile framing — she is CHEST-UP, seen from her left side, lower-left of frame, with the glowing spiral palace filling the background. She is never shown full-body in this section, never small in frame, and the camera never moves. The finale order is exact: she turns her head left (chest-up, whale not visible) → HARD CUT to her POV of the mouth opening wide, fast → HARD CUT back to the same framing where the jaw is already closed and the whale glides calmly left to right and exits. Her glances in the forest: ~45° head turns with eyes going the same direction; never toward the lens. The forest pursuer is NEVER shown — distant sound only. The mirror NEVER reflects her or the forest — a lit window, not a reflective surface. Underwater she never swims — legs still and motionless throughout; the palace fills the background from the first underwater frame, no travel. Her hair underwater is a chaotic free-floating mass — never parted, never neat, never still. Face 100% >> every frame, zero drift; hair, elven ears, wardrobe 100% >>; forest 100% >>; plaza and palace 100% >>. No grabbing, chewing, blood or gore; exactly ONE creature; she is not visible after the POV cut, only her bubbles. Full realism — no animated look, no illustration, no CG gloss, no plastic surfaces. Clean image: no grain, no vignette. She is the only person. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot 1: canted 20–25°, low on boots. Shot 2: focus locked on her face. Shot 3: wide, deep focus. Shots 4–5: her face and the mirror's glow. Shots 6–8: her in medium profile against the palace, caustics softening the depth. Shot 9 (POV): ultra-wide immersive perspective, the mouth filling the frame. Shot 10: the flank sharp as it sweeps past the lens.
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What would you do if this mirror pulled you underwater? Nano Banana 2 + Seedance 2.5 on TapNow prompt SCENE CONTEXT A girl Image flees something unseen through a glowing forest, trips, falls — and finds an antique mirror that yanks her through into an underwater city. There, mid-float before the great shell palace, she turns her head — a flash of POV shows a colossal mouth opening onto her — and back in the wide frame the whale is already closing its jaw and gliding calmly away. 24 seconds, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY Image HER EXACT FACE — sole source of her identity and features, 100% match, zero drift: a 20-year-old , 163 cm, slim and lightly built. Soft rounded oval face; warm light-beige skin with a golden undertone and real photographic texture — visible pores, small freckles and tiny beauty marks across the cheeks and nose bridge; dark blue almond eyes with a shallow partially hidden upper-lid crease and soft under-eye fullness; thick dark straight brows with individual hairs brushed upward; a small neat nose with narrow straight bridge and softly rounded tip; full lips with a defined cupid's bow, the lower lip fuller, natural rosy tone; softly rounded jaw tapering to a small chin; small silver hoop earrings. Ignore this reference's hair, clothing, car interior and lighting. Face identity comes from this reference in every single frame. Image : CHARACTER SHEET — controls everything: long voluminous wavy blonde hair past the shoulders; neat elven ears with slender pointed tips; a white billowy medieval linen shirt deep plunging scoop neckline that reveals significant cleavage., with puffed sleeves; a brown leather underbust corset; fitted sage-green trousers; tall brown leather boots; brown leather gloves; a forest-green wool hooded cloak clasped at the collar. Does NOT control the face. Image FOREST LOCATION — a misty magical forest: narrow dirt path, giant glowing red mushrooms casting warm orange light, pink flowers, mossy trunks, drifting fog. 100% matches the reference. Image : UNDERWATER CITY LOCATION — the plaza: a colossal ribbed nautilus-shell palace with glowing golden seams, pearl shell houses with warm windows, god rays from above, jellyfish and drifting sea life. 100% matches the reference. FORMAT MODE One continuous shot from 0:00 to 0:19, then TWO HARD CUTS in the finale: a fast POV insert and a return to the previous framing. No fades, no dissolves. Full realism. HER BACKWARD GLANCE — HOW IT MUST LOOK, STRICT Whenever she checks behind her, she does NOT turn toward the camera and does NOT look into the lens. She rotates her head roughly 45° to ONE SIDE and her EYES GO THE SAME WAY her head goes — looking off toward that side of frame, into the fog, then snapping forward again. BANS: no over-the-shoulder look at the lens, no eye contact with the camera, no 180° head turn. SHOT 1 — 0:00–0:01.5 — HER FEET, LOW AND CANTED LOW, near ground level, canted hard — Dutch tilt ~20–25° — framing her BOOTS and lower legs sprinting along the path: soil bursting, cloak hem cracking, mushroom stalks brushing aside, path streaking in motion blur. Handheld, jolting with her rhythm; the pursuer heard far behind in the fog. SHOT 2 — 0:01.5–0:03 — HER FACE, FRIGHTENED Unbroken move: the frame rises and pushes in to her FACE — a tight running close-up travelling with her, still canted, hair whipping. Raw fear: wide eyes, brows drawn, mouth gasping, dirt on her cheek. Twice she performs the 45° glance as specified, eyes going the same way as her head, searching the fog off to that side; then forward again. SHOT 3 — 0:03–0:05 — THE TRIP, WIDE Unbroken: the frame swings out to a WIDE shot of the path — full figure, mushrooms towering, fog closing the depth. Mid-glance her leading boot CATCHES a root — the foot stops dead, momentum throws her forward, and she goes down hard in full view: knees, then hands and shoulder into the dirt, dust and leaf litter bursting up, cloak flying over her. She lands sprawled, chest heaving. SHOT 4 — 0:05–0:09 — THE MIRROR SHE ALMOST IGNORES Unbroken: the camera drifts in from the front, then around to her side, settling into profile with her and the mirror in frame. Fear first, curiosity second: sprawled, she checks behind with the 45° head-and-eyes turn; the crashing is closer. She scrambles up, barely looking ahead — then registers an ornate antique MIRROR against a mossy trunk, filled with cold blue glow unlike the warm mushroom light. Brushing dirt off her sleeve with ONE hand, her eyes stay on the glass. THE MIRROR DOES NOT REFLECT: her reflection NEVER appears, no mirror image of her, no reflection of the forest — the glass is a window filled with its own inner light: fog thinning into deep watery blue, faint caustics, vague luminous silhouettes far in the depth, no sharp image. The blue washes her face. ACTING TASK — HER CHOICE (the work happens in her eyes): glass → a 45° glance into the fog behind → glass again; she registers that nothing of HER answers her movement in it; no time to solve it. She extends ONE FINGER toward the surface. (Safety: gaze always engaged; natural blink cadence.) SHOT 5 — 0:09–0:11 — THE YANK: UNDER A SECOND Her fingertip nears the glass. The light FLARES — the surface SNAPS outward like a whip and SEIZES her hand. INSTANT: she is RIPPED off her feet, jerked forward along her outstretched arm, body whipping horizontal in a single frame, head-first through the glass, boots torn off the ground last, cloak cracking behind her. No build-up, no float — limp as a ragdoll, the mirror doing ALL of it, vector purely FORWARD through the glass plane. Camera: caught off guard WITH her — it WHIPS sideways-and-forward, slings around behind her flying body and punches through the rippling surface on her heels; water and bubbles SLAM across the lens, forest colors ripped into deep blue. NOT her POV. SHOT 6 — 0:11–0:16 — ARRIVAL IN THE PLAZA Same shot, no cut — camera behind her. THE FIRST UNDERWATER FRAME IS THE ARRIVAL FRAME: the portal exits DIRECTLY INTO the plaza of >>; the colossal nautilus palace is ALREADY in frame, its ribbed pearl wall with glowing golden seams filling the background, sharp and close; shell houses with warm windows border both sides. NO TRAVEL, no approach — the water BRAKES her within a meter or two. HER BODY: horizontal, HEAD-FIRST, back toward the surface, fully passive — arms loose, LEGS STILL AND MOTIONLESS, no kicking, no strokes; thrown cargo, not a swimmer. UNDERWATER PHYSICS, HIGHEST PRIORITY: hair streaming backward in rippling seaweed-like strands, cloak dragging in a heavy water-loaded wave; on stopping, hair and cloak drift forward past her shoulders by inertia. She pivots from horizontal to upright — feet swinging down, legs hanging relaxed — settling into weightless float facing the palace wall. HER HAIR AT REST, STRICT: no parting, no combed order — a loose free-floating mass fanning outward and upward from her whole head, strands crossing over her crown in constant slow chaotic motion, never symmetrical, never still. The cloak billows wide, breathing with the water. SHE CANNOT BREATHE UNDERWATER: cheeks slightly puffed, lips pressed, holding her breath. Bubbles rise from her mouth in small silver clusters climbing upward past her face. ACTING TASK: to ORIENT beneath something impossibly huge — her attention pulls UPWARD: head climbing the glowing houses, up the palace wall, chin lifting, trying to find where the spiral ends. Jellyfish pulse between the houses. SHOT 7 — 0:16–0:19 — SETTLE INTO THE MEDIUM PROFILE FRAME Same shot, no cut. The camera drifts smoothly from behind her around to her side and settles into the framing that holds for the rest of the film: FRAMING LOCK — MEDIUM PROFILE: she is seen from her LEFT SIDE in a medium shot, CHEST-UP ONLY — never full-body, never small in frame; her head and shoulders occupy the lower-left third, elven ear tip clear, hair a floating dark halo, white puffed sleeve and green cloak reading in the frame's bottom, one gloved hand extended forward. Behind and above her, filling the whole background, the giant glowing spiral nautilus palace; pearl shell houses along the lower edge; god rays raking down from the surface; a jellyfish drifting at frame-left; her bubbles rising past her face. She hangs weightless with the faintest sway. SHOT 8 — 0:19–0:21 — SHE TURNS HER HEAD (SAME FRAME) No cut, camera locked in the FRAMING LOCK. She turns her head sharply to look off toward frame-LEFT — a fast, alarmed head turn, eyes going the same direction, brows snapping up, a startled burst of bubbles ripping from her mouth. Her shoulder tenses; nothing else of her moves. She is still only chest-up in frame; the whale is NOT visible yet. HARD CUT. SHOT 9 — 0:21–0:22.5 — POV: THE MOUTH OPENS ON US FIRST-PERSON POV FROM HER EYES — fast and brutal: filling the entire frame, the colossal whale's head rushes in from the left, and the vast baleen MOUTH OPENS WIDE — grooved pale throat pleats stretching, a dark glowing cavern spreading until it swallows the frame edge to edge; water and bubbles ripping past the lens; the scale absolute, the opening several times larger than a human body. Quick — a second and a half, no lingering. The frame goes to the mouth's darkness. HARD CUT. SHOT 10 — 0:22.5–0:24 — BACK TO THE SAME FRAME: THE WHALE MOVES ON Return to the EXACT FRAMING LOCK of Shot 7–8 — same camera position, same background: the glowing spiral palace, the shell houses, the god rays. The girl is no longer there; only her last scattered bubbles rising where she floated. The colossal whale is already in frame with its JAW CLOSED, gliding calmly from LEFT to RIGHT across the plaza — placid, unhurried, indifferent, as if it simply fed on the way past. Its enormous flank sweeps close past the lens: dark iridescent mother-of-pearl skin shifting purple-green-blue like oil on water, scattered glowing teal rings and dotted bioluminescent lines, a tall webbed translucent dorsal fin with visible veining, pectoral and tail fins extending into long flowing translucent ribbon-streamers rippling like silk. TRUE WHALE LOCOMOTION: all thrust from the TAIL — deep lateral sweeps bending the rear third of the body, an S-wave of muscle rolling down the flanks head-to-tail on every beat, mass shifting under the skin, head steady on course, ribbon-fins streaming back like wings. Living muscle, never a rigid sculpture on rails. Its wake rocks the jellyfish and scatters her bubbles. It exits frame-RIGHT. Final beat: the empty plaza, the palace glowing, bubbles dispersing, water settling. END. Exactly ONE creature in the finale, the same individual in the POV and in the return frame — no second creature, no duplicate. No grabbing, no chewing, no thrashing, no blood, no gore — the horror is entirely scale. PHYSICS Forest: real running biomechanics, the head-turns costing her balance, the trip stopping the foot dead while momentum carries her over, a genuine three-point fall, real bodyweight in the scramble up. The yank: whip-crack acceleration, body limp, purely forward. Underwater: everything obeys water — drag on limbs and fabric, slow rebound, no dry-hair or dry-cloth behavior in any frame; the whale moves with true mass and inertia, its bow wave visibly displacing water, bubbles and jellyfish; the jaw opens and closes with weight, not like a trap. LIGHTING Forest: warm orange mushroom glow against cool misty air; the mirror's cold blue the only competing source. Underwater: cool blue depth light with god rays, warm golden light from the shell houses and the palace's glowing seams; caustic ripples crawling over her skin, the white sleeve and the whale's flank; the open mouth in the POV reading as a deep shadowed cavern with faint light only on the throat pleats. Natural exposure, no stylization. MATERIALS Real skin with pores and freckles; individual hair strands, dry and flying in the forest, water-loaded and undulating below; real linen weave, leather grain, heavy wool cloak with true water weight; real soil, moss and mushroom flesh; pearl shell with subsurface glow; the whale's iridescent hide with subsurface shift, skin folds and grooved throat pleats, translucent fin membranes. No plastic skin, no CG sheen. AUDIO — SFX ONLY, NO MUSIC 0:00–0:05: pounding footsteps, ragged breathing, cloak snapping, DISTANT crashing branches and a low guttural monster call rolling through the fog; the trip — scuff, body impact, gasp. 0:05–0:09: panicked breathing, scrambling in dirt, forest ambience, a rising crystalline hum near the glass. 0:09–0:11: a sharp liquid CRACK, one violent water-rush WHOOSH, bubbles slamming the lens; forest sound cutting off dead. 0:11–0:19: muffled underwater ambience, soft bubble streams, distant whale-like calls, faint clicks, a deep resonant hum from the palace. 0:19–0:22.5: a startled bubble burst; a deep swelling RUMBLE from the left; in the POV a roaring water-rush and the wet groan of the opening jaw. 0:22.5–0:24: one soft heavy WHOMP settling, then calm rhythmic tail SWISH, the flank's water-rush passing the lens, fading right into churning wake and settling ambience. No score, no melody anywhere. POSITIVE CONSTRAINTS Continuous shot 0:00–0:19; then exactly TWO HARD CUTS: into the POV insert and back out to the identical framing. No other cuts anywhere. FRAMING LOCK: from 0:16 to the end (except the POV insert) the camera holds the same medium profile framing — she is CHEST-UP, seen from her left side, lower-left of frame, with the glowing spiral palace filling the background. She is never shown full-body in this section, never small in frame, and the camera never moves. The finale order is exact: she turns her head left (chest-up, whale not visible) → HARD CUT to her POV of the mouth opening wide, fast → HARD CUT back to the same framing where the jaw is already closed and the whale glides calmly left to right and exits. Her glances in the forest: ~45° head turns with eyes going the same direction; never toward the lens. The forest pursuer is NEVER shown — distant sound only. The mirror NEVER reflects her or the forest — a lit window, not a reflective surface. Underwater she never swims — legs still and motionless throughout; the palace fills the background from the first underwater frame, no travel. Her hair underwater is a chaotic free-floating mass — never parted, never neat, never still. Face 100% >> every frame, zero drift; hair, elven ears, wardrobe 100% >>; forest 100% >>; plaza and palace 100% >>. No grabbing, chewing, blood or gore; exactly ONE creature; she is not visible after the POV cut, only her bubbles. Full realism — no animated look, no illustration, no CG gloss, no plastic surfaces. Clean image: no grain, no vignette. She is the only person. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot 1: canted 20–25°, low on boots. Shot 2: focus locked on her face. Shot 3: wide, deep focus. Shots 4–5: her face and the mirror's glow. Shots 6–8: her in medium profile against the palace, caustics softening the depth. Shot 9 (POV): ultra-wide immersive perspective, the mouth filling the frame. Shot 10: the flank sharp as it sweeps past the lens.

Sharon Riley

28,464 次观看 • 1 个月前

This is real footage of Zeros taking off from the deck of the Akagi. For half a year, this single ship was the most successful aircraft carrier on Earth. Its planes struck Pearl Harbor, Darwin, and Ceylon, and it never lost. Then, in a few minutes, she was doomed. This is the story of the Akagi.. ⠀ From Battlecruiser to Flagship The Akagi, named after Mount Akagi in Japan, was not even meant to be a carrier. She was laid down as a massive battlecruiser, but a naval treaty in the 1920s halted her construction. Rather than scrap the enormous hull, Japan rebuilt her into an aircraft carrier, one of the largest in the world. By 1941 she had become the flagship of the Kido Butai, the First Air Fleet. This was the most powerful concentration of naval air power on the planet, six aircraft carriers operating together as a single striking fist, something no other navy had ever done. From her deck, Admiral Chuichi Nagumo commanded the whole force. When Japan decided to open the war with a knockout blow against the United States, it was the Akagi that led the way. The Carrier That Led Japan's Offensive On the morning of December 7 1941, the Akagi sat in the dark waters north of Hawaii, and launched her aircraft toward Pearl Harbor. Her torpedo bombers helped tear apart the American battleship fleet as it lay at anchor. The man who led the entire air attack, Mitsuo Fuchida, flew from her deck. The Akagi was, quite literally, the ship from which America's war began. And she was just getting started. Over the next several months, the Akagi and her sister carriers went on a rampage across a third of the globe. In January they struck Rabaul. In February they fell upon the Australian city of Darwin, launching a devastating surprise raid that sank eight ships and became known as Australia's Pearl Harbor. ⠀ Across the Indian Ocean Then they turned west, into the Indian Ocean. In the spring of 1942 the Kido Butai swept toward Ceylon, hunting the British Eastern Fleet. Akagi's aircraft helped sink British warships, including the heavy cruisers Cornwall and Dorsetshire, and sent the Royal Navy reeling out of the eastern Indian Ocean entirely. In just half a year, the aircraft launched from that deck had struck Hawaii, the Dutch East Indies, Australia, and Ceylon. They had helped sink American, British, and Australian ships across thousands of miles of ocean. The Akagi had not lost a single battle. She was the most successful and most feared aircraft carrier in the world, the flagship of a force that seemed unstoppable. It would all end on one morning in June. The Battle of Midway In June 1942, the Akagi led the Kido Butai toward a tiny American outpost called Midway. The plan was to seize the island and destroy what was left of the American carrier fleet. But the Americans had broken the Japanese codes. They knew the Akagi and her sisters were coming, and they were waiting. On the morning of June 4, the battle turned into chaos. The Japanese carriers had just fought off waves of American attacks, and below the flight deck the Akagi's hangars were packed with aircraft being frantically rearmed and refueled, fuel lines and bombs lying everywhere. It was the most dangerous possible moment to be caught. And at that exact moment, American dive bombers rolled in out of the sky, unseen until it was too late. ⠀ One Bomb A lookout screamed a warning. Then the bombs fell. The Akagi was struck by a single bomb from an American dive bomber, dropped by Lieutenant Richard Best, while near misses battered her hull and jammed her rudder. Just one direct hit. But it struck in the worst possible place, punching down into the hangar deck packed with armed, fueled aircraft. The explosion set off a chain reaction. Fires roared through the ship, feeding on the fuel and detonating the bombs stacked among the planes. Within minutes the pride of the Japanese fleet was doomed, a spreading inferno no one could control. The flagship that had conquered half an ocean was mortally wounded by one well-aimed bomb. Admiral Nagumo was forced to abandon his burning flagship and transfer his command to another ship. The Akagi was left blazing, unnavigable, circling helplessly. The End of the Akagi The Akagi burned all day and into the night. Unable to save her, and unwilling to let her fall into American hands, the Japanese ordered her own destroyers to sink her. In the early hours of June 5 1942, torpedoes from her escorts sent her to the bottom. She went down bow first. 267 of her crew died with her. She did not go alone. All four Japanese carriers at Midway, every one of them a veteran of Pearl Harbor, were sunk in the same battle, taking with them their irreplaceable aircraft and elite crews. It was the turning point of the entire Pacific war. Japan would never recover the initiative. For over 75 years, the Akagi lay lost in the dark. Then in 2019 her wreck was finally found, more than 17,000 feet down, and in 2023 a robot submarine descended to look upon her for the first time since she sank. The most successful carrier in the world, resting in the deep, where a few fatal minutes sent her. This was the story of the Akagi. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.
0:39

This is real footage of Zeros taking off from the deck of the Akagi. For half a year, this single ship was the most successful aircraft carrier on Earth. Its planes struck Pearl Harbor, Darwin, and Ceylon, and it never lost. Then, in a few minutes, she was doomed. This is the story of the Akagi.. ⠀ From Battlecruiser to Flagship The Akagi, named after Mount Akagi in Japan, was not even meant to be a carrier. She was laid down as a massive battlecruiser, but a naval treaty in the 1920s halted her construction. Rather than scrap the enormous hull, Japan rebuilt her into an aircraft carrier, one of the largest in the world. By 1941 she had become the flagship of the Kido Butai, the First Air Fleet. This was the most powerful concentration of naval air power on the planet, six aircraft carriers operating together as a single striking fist, something no other navy had ever done. From her deck, Admiral Chuichi Nagumo commanded the whole force. When Japan decided to open the war with a knockout blow against the United States, it was the Akagi that led the way. The Carrier That Led Japan's Offensive On the morning of December 7 1941, the Akagi sat in the dark waters north of Hawaii, and launched her aircraft toward Pearl Harbor. Her torpedo bombers helped tear apart the American battleship fleet as it lay at anchor. The man who led the entire air attack, Mitsuo Fuchida, flew from her deck. The Akagi was, quite literally, the ship from which America's war began. And she was just getting started. Over the next several months, the Akagi and her sister carriers went on a rampage across a third of the globe. In January they struck Rabaul. In February they fell upon the Australian city of Darwin, launching a devastating surprise raid that sank eight ships and became known as Australia's Pearl Harbor. ⠀ Across the Indian Ocean Then they turned west, into the Indian Ocean. In the spring of 1942 the Kido Butai swept toward Ceylon, hunting the British Eastern Fleet. Akagi's aircraft helped sink British warships, including the heavy cruisers Cornwall and Dorsetshire, and sent the Royal Navy reeling out of the eastern Indian Ocean entirely. In just half a year, the aircraft launched from that deck had struck Hawaii, the Dutch East Indies, Australia, and Ceylon. They had helped sink American, British, and Australian ships across thousands of miles of ocean. The Akagi had not lost a single battle. She was the most successful and most feared aircraft carrier in the world, the flagship of a force that seemed unstoppable. It would all end on one morning in June. The Battle of Midway In June 1942, the Akagi led the Kido Butai toward a tiny American outpost called Midway. The plan was to seize the island and destroy what was left of the American carrier fleet. But the Americans had broken the Japanese codes. They knew the Akagi and her sisters were coming, and they were waiting. On the morning of June 4, the battle turned into chaos. The Japanese carriers had just fought off waves of American attacks, and below the flight deck the Akagi's hangars were packed with aircraft being frantically rearmed and refueled, fuel lines and bombs lying everywhere. It was the most dangerous possible moment to be caught. And at that exact moment, American dive bombers rolled in out of the sky, unseen until it was too late. ⠀ One Bomb A lookout screamed a warning. Then the bombs fell. The Akagi was struck by a single bomb from an American dive bomber, dropped by Lieutenant Richard Best, while near misses battered her hull and jammed her rudder. Just one direct hit. But it struck in the worst possible place, punching down into the hangar deck packed with armed, fueled aircraft. The explosion set off a chain reaction. Fires roared through the ship, feeding on the fuel and detonating the bombs stacked among the planes. Within minutes the pride of the Japanese fleet was doomed, a spreading inferno no one could control. The flagship that had conquered half an ocean was mortally wounded by one well-aimed bomb. Admiral Nagumo was forced to abandon his burning flagship and transfer his command to another ship. The Akagi was left blazing, unnavigable, circling helplessly. The End of the Akagi The Akagi burned all day and into the night. Unable to save her, and unwilling to let her fall into American hands, the Japanese ordered her own destroyers to sink her. In the early hours of June 5 1942, torpedoes from her escorts sent her to the bottom. She went down bow first. 267 of her crew died with her. She did not go alone. All four Japanese carriers at Midway, every one of them a veteran of Pearl Harbor, were sunk in the same battle, taking with them their irreplaceable aircraft and elite crews. It was the turning point of the entire Pacific war. Japan would never recover the initiative. For over 75 years, the Akagi lay lost in the dark. Then in 2019 her wreck was finally found, more than 17,000 feet down, and in 2023 a robot submarine descended to look upon her for the first time since she sank. The most successful carrier in the world, resting in the deep, where a few fatal minutes sent her. This was the story of the Akagi. I post a story like this every single day. Most people never see them. Follow so you don't miss the next one.

Untold War Stories

69,588 次观看 • 2 个月前

SN1 EP2: VICTIMIZATION I don't delete stuff online usually. Folks who have dug up my old content, have a clue of the much love I had for my little thriving family. One would wonder 'what went wrong?'. The plot twist was started by toxic friends and family members of my baby mama who took center stage in our family. They ill advised her to become the man in the house. Her daily routine gravitated around demeaning sneers, verbal artillery, toxic attitudes, victimization and all the disrespectful deeds. These behaviours were witnessed by a few of my close friends in broad day light. I didnt just record her on that last day out of the blue. I had recorded her a couple of times majorly to defend myself to my inner circles because everytime she started up a fuss, she would later blackmail me to my friends. I shared these videos a couple of times with them and confided in them about my family issues. The number of times she held out a knife and other objects for me is not below 10, but in her TV interviews, she claims that was the only time. I lost most of the recorded content, but my closer friends knew of her toxicity. I held on to the relationship because of my exuberant love for my son, I never wanted to watch him slip away from me. After a scuffle that last day, which almost got my eye out narrowly, she went ahead to unleash the verbal artillery, a skill she had perfected. She said ill things about my son, and that's when I decided to let her go with my son against my wish. Her move to go to the village that Christmas was baseless and I had suspected infidelity prior. She came back after two weeks in the middle of the night without my son. I couldn't admit her in because I feared she could have ill plans against me that night. I had packed her things previously, so I put them at the balcony in the next morning for the sake of sanity and my own mental wellness. These scenes have been traumatizing to me since. I had healed and moved on from those despicable scenes, but as for now, I'm getting fresh relapses. All I have wanted is access to my son and integral decision making opportunity in his life. Family and friends of my baby mama rule and I have no say when they take a particular path in my son's affairs. Whenever I ask to have the boy, the mother sparks off. My sources prove, she doesn't see the boy eye to either in many weeks because she is always "in field" trips. When she gets to the boy, harsh texts and calls buzz my phone asking for this and that. My boy has always been turned into a skit actor of extortion whenever the mother wants money for her own endeavors. I have had free offers from my family circles getting the boy a decent school, but the mother has turned that down claiming I want to 'kidnap' the boy and cut ties with her. The world always listens to a woman, and I respect that. But I wish my son to be under my custody as his father. I deserve an equal position on the table of decision making. Using the boy as a meal card is the reason I am a deadbeat father. Using my son as super glue to get us back, and to no avail, is the reason I am a deadbeat father. Using my boy as a tool to one sided legal advisors is the reason I am a deadbeat father. I seek redress on the surface of this universe, and if I can't get it, I will rather try mars than accept an injustice in exchange for my son's plight. Some of what I type on here, is evidenced in the clip below. I have no doubts about being the father of that boy, even when the mother claims otherwise. Victimization has been her upper hand, but I will not submit to it this time. I thank you all.
1:26

SN1 EP2: VICTIMIZATION I don't delete stuff online usually. Folks who have dug up my old content, have a clue of the much love I had for my little thriving family. One would wonder 'what went wrong?'. The plot twist was started by toxic friends and family members of my baby mama who took center stage in our family. They ill advised her to become the man in the house. Her daily routine gravitated around demeaning sneers, verbal artillery, toxic attitudes, victimization and all the disrespectful deeds. These behaviours were witnessed by a few of my close friends in broad day light. I didnt just record her on that last day out of the blue. I had recorded her a couple of times majorly to defend myself to my inner circles because everytime she started up a fuss, she would later blackmail me to my friends. I shared these videos a couple of times with them and confided in them about my family issues. The number of times she held out a knife and other objects for me is not below 10, but in her TV interviews, she claims that was the only time. I lost most of the recorded content, but my closer friends knew of her toxicity. I held on to the relationship because of my exuberant love for my son, I never wanted to watch him slip away from me. After a scuffle that last day, which almost got my eye out narrowly, she went ahead to unleash the verbal artillery, a skill she had perfected. She said ill things about my son, and that's when I decided to let her go with my son against my wish. Her move to go to the village that Christmas was baseless and I had suspected infidelity prior. She came back after two weeks in the middle of the night without my son. I couldn't admit her in because I feared she could have ill plans against me that night. I had packed her things previously, so I put them at the balcony in the next morning for the sake of sanity and my own mental wellness. These scenes have been traumatizing to me since. I had healed and moved on from those despicable scenes, but as for now, I'm getting fresh relapses. All I have wanted is access to my son and integral decision making opportunity in his life. Family and friends of my baby mama rule and I have no say when they take a particular path in my son's affairs. Whenever I ask to have the boy, the mother sparks off. My sources prove, she doesn't see the boy eye to either in many weeks because she is always "in field" trips. When she gets to the boy, harsh texts and calls buzz my phone asking for this and that. My boy has always been turned into a skit actor of extortion whenever the mother wants money for her own endeavors. I have had free offers from my family circles getting the boy a decent school, but the mother has turned that down claiming I want to 'kidnap' the boy and cut ties with her. The world always listens to a woman, and I respect that. But I wish my son to be under my custody as his father. I deserve an equal position on the table of decision making. Using the boy as a meal card is the reason I am a deadbeat father. Using my son as super glue to get us back, and to no avail, is the reason I am a deadbeat father. Using my boy as a tool to one sided legal advisors is the reason I am a deadbeat father. I seek redress on the surface of this universe, and if I can't get it, I will rather try mars than accept an injustice in exchange for my son's plight. Some of what I type on here, is evidenced in the clip below. I have no doubts about being the father of that boy, even when the mother claims otherwise. Victimization has been her upper hand, but I will not submit to it this time. I thank you all.

MrHashtag🇺🇬 𝕏

141,249 次观看 • 1 年前

🚨BREAKING: ICE/Border Patrol just blatantly violated the constitution and illegally stormed a family home in Minneapolis… Kicked the door in, guns drawn, tased multiple U.S. citizens, with children inside, WITHOUT a judicial warrant AND WITHOUT a no-knock warrant. Watch the video. You hear them scream “We have a warrant!” and then immediately smash the door in. No pause. No paperwork. No judge issued warrant. And here’s the part they don’t want you to understand: If you don’t have a judicial warrant, you do not get to enter a home. If you don’t have a no-knock warrant, you do not get to kick a door in. They had neither. Then you see the inside footage. A woman, in her own home, surrounded by armed men, asks a very simple question: “Where’s the warrant? Show me the warrant. There are kids in this house. Put the guns down.” She asks again: “Where is the warrant?” The agent says, “We’re getting it.” Then says he doesn’t have to show it. So let’s be clear: They admit they don’t have the warrant, but they enter anyway, rifles up, adrenaline high, kids watching. They grab a man. Still no warrant. They order the woman to “back up”… inside her own house… while they are illegally trespassing. When she doesn’t comply fast enough, he shoves her. That is assault. In the background, another woman is tased for hugging the man they’re trying to take. Not attacking. Not armed. Just holding onto someone she cares about. Still. No warrant. Then the woman filming has a taser aimed directly at her. She’s standing in a doorway, asking… again… for the warrant they keep lying about. An agent fires the taser at her. At a woman. Inside her own home. For asking for a warrant. Only after they’ve shoved people, after they’ve tased multiple U.S. citizens, after they’ve terrorized children, do they finally hold something up. And what is it? An administrative warrant. Not signed by a judge. Not legal authority to enter a home. Not permission to kick in a door. Not permission to point guns at kids. Not permission to tase U.S. citizens. This wasn’t a mistake. This wasn’t confusion. This was federal agents knowingly violating the Constitution, because they think no one will stop them. If this can happen to them, it can happen to anyone. And the question isn’t if this will happen again. The question is how many more homes are they going to break into before someone is killed?
4:58

🚨BREAKING: ICE/Border Patrol just blatantly violated the constitution and illegally stormed a family home in Minneapolis… Kicked the door in, guns drawn, tased multiple U.S. citizens, with children inside, WITHOUT a judicial warrant AND WITHOUT a no-knock warrant. Watch the video. You hear them scream “We have a warrant!” and then immediately smash the door in. No pause. No paperwork. No judge issued warrant. And here’s the part they don’t want you to understand: If you don’t have a judicial warrant, you do not get to enter a home. If you don’t have a no-knock warrant, you do not get to kick a door in. They had neither. Then you see the inside footage. A woman, in her own home, surrounded by armed men, asks a very simple question: “Where’s the warrant? Show me the warrant. There are kids in this house. Put the guns down.” She asks again: “Where is the warrant?” The agent says, “We’re getting it.” Then says he doesn’t have to show it. So let’s be clear: They admit they don’t have the warrant, but they enter anyway, rifles up, adrenaline high, kids watching. They grab a man. Still no warrant. They order the woman to “back up”… inside her own house… while they are illegally trespassing. When she doesn’t comply fast enough, he shoves her. That is assault. In the background, another woman is tased for hugging the man they’re trying to take. Not attacking. Not armed. Just holding onto someone she cares about. Still. No warrant. Then the woman filming has a taser aimed directly at her. She’s standing in a doorway, asking… again… for the warrant they keep lying about. An agent fires the taser at her. At a woman. Inside her own home. For asking for a warrant. Only after they’ve shoved people, after they’ve tased multiple U.S. citizens, after they’ve terrorized children, do they finally hold something up. And what is it? An administrative warrant. Not signed by a judge. Not legal authority to enter a home. Not permission to kick in a door. Not permission to point guns at kids. Not permission to tase U.S. citizens. This wasn’t a mistake. This wasn’t confusion. This was federal agents knowingly violating the Constitution, because they think no one will stop them. If this can happen to them, it can happen to anyone. And the question isn’t if this will happen again. The question is how many more homes are they going to break into before someone is killed?

Jesus Freakin Congress

1,289,361 次观看 • 8 个月前