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Her G string disappears into her ass the same way his massive black cock disappears into her tight married pussy. Maybe your wife will let you use it as floss after you’re done cleaning up his mess. Source: ♠️wcpl4bbc♠️ BBC-Kaiju 🇨🇦 #pawg #bbc #panties #BlackIsBetter #hotwife #wifey

44,125 Aufrufe • vor 10 Tagen •via X (Twitter)

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In 1625, a sculpture was unveiled in Rome that made the people who saw it believe in miracles. And the man who carved it was just 23 when he started... The story comes from Ovid's Metamorphoses, written in the year 8 AD. Apollo, struck by Cupid's golden arrow, falls helplessly in love with the nymph Daphne. She, struck by Cupid's arrow of lead, despises him. He chases her through the woods. She runs until her strength gives out, and then she calls to her father, the river god Peneus, to save her. Peneus answers his daughter the only way he can: he transforms her into a laurel tree. Her feet take root. Bark closes over her skin. Her arms become branches and her fingers become leaves... Gian Lorenzo Bernini chose to carve the exact moment it begins. Cardinal Scipione Borghese commissioned the work in 1622 and Bernini bought the block of Carrara marble that August. He worked on it for three years and by the time the sculpture was finished in 1625, he had done something no one had ever done in stone. Apollo's fingers press into Daphne's side, and the marble gives way under them like flesh. Her toes have become roots, and you can see the bark spiraling up her leg. Her hair fans behind her as if still caught in the wind. And at the tips of her fingers, where her hands are turning into branches, the marble becomes leaves so thin that light passes through them. When it was unveiled, Bernini's biographer Filippo Baldinucci recorded what happened: "Immediately when it was finished, there arose such a cry that all Rome concurred in seeing it as a miracle." 400 years later, the sculpture has never left the room it was made for. It still stands in the Galleria Borghese, in the same villa, in the same city where it was first called a miracle. Centuries have come and gone, and Daphne is still mid-transformation, frozen forever in the instant before she disappears... If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the wonder and beauty of history. You can join us here: Subscribe and never miss a story like this.

James Lucas

117,634 Aufrufe • vor 3 Monaten

*Love Her While She’s Still Here* The bus was crowded and loud, the way city buses always are. Dante sat beside his mother with his jaw tight and his eyes on the floor. Whatever she had said, he answered with the kind of sharp, careless tone sons sometimes use when they forget the person next to them is not just “Mom,” but a woman who has carried more than they will ever know. A man in a faded cap and work clothes stood up a few seats away. He didn’t raise his voice. He simply walked over, asked Dante his name, and shook his hand like they were equals. Then he spoke the kind of words that stop a person cold. “You only get one mother,” he said. “What if tomorrow you couldn’t call her? What if the last thing she heard from you was that tone? You’re already making her proud in other ways. Just be kind to her while she’s still here.” The bus went quiet. Dante’s mother turned her face toward the window, wiping her eyes. For a moment the young man said nothing. Then something in him gave way. He leaned over and wrapped his arms around her, burying his face against her shoulder the way he probably hadn’t done in years. She held him back just as tightly, one hand on the back of his head, the way mothers do when they are both hurt and relieved at the same time. No one clapped. No one needed to. The lesson had already landed. We spend so much time assuming there will be another chance—another conversation, another ordinary afternoon, another moment to soften our words. But mothers do not last forever. The day will come when the seat beside you is empty, and the only voice left will be the one in your memory. Love her now. Speak gently now. Hold her while her arms can still hold you back. Because “later” is the most expensive word in the world when it comes to the people who loved us first.

Emotion & Music

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"No woman or maiden shall be forced to marry a man whom she dislikes." That's not a modern law. That was written in England 🏴󠁧󠁢󠁥󠁮󠁧󠁿 over a thousand years ago. Anglo-Saxon women had more legal rights than your great-grandmother. On the same island. A thousand years earlier. 🔑 She could own land. In her own name. Buy it. Sell it. Leave it to whoever she chose. No permission needed. Not from her husband. Not from her father. Not from anyone. She could run a business. She could stand in an open-air court, raise her hand in oath, and the law would hear her the same as any man. ⚖️ On the morning after her wedding, her husband owed her a gift. Land. Money. Property. It was called the Morgengifu, the morning gift. It wasn't symbolic. It was legally binding. And it was hers. Not jointly owned. Not held in trust. Hers. Through everything. 💍 A woman called Wynflaed owned seven estates across four counties, her will still survives. Cynethryth, wife of King Offa, struck coins bearing her own name and face. The only Anglo-Saxon queen known to have done it. The coins are still in museum collections. 🪙 Æthelflæd, Lady of the Mercians, built ten fortified towns and led armies in battle. In the tenth century. ⚔️ While most of Europe treated women as property, this island wrote their rights into law. 🇬🇧 Then the Normans came. 1066. And they took all of it away. Every. Single. Right. 🚫 A married woman's property became her husband's. She couldn't own land. Couldn't sign a contract. Couldn't keep her own wages. Under the doctrine of coverture, her legal identity was absorbed into his. Bracton wrote it plainly: "husband and wife are one person, being one flesh and one blood." In the eyes of the law, she didn't exist. For over eight hundred years. Let that satisfy. Eight. Hundred. Years. In 1882, the Married Women's Property Act gave a married woman the right to own property, keep her earnings, and exist as a separate legal person. 📜 But Britain didn't invent those rights in 1882. It restored them. Rights that Anglo-Saxon women had exercised a thousand years before. On the same island, under the same sky, in a language that became the one you're reading now. 🏴󠁧󠁢󠁥󠁮󠁧󠁿 This island forgot once. We won't let it forget again. Happy Mother's Day ❤️ Be Proud Of Us. 🇬🇧

Proudofus.uk

424,496 Aufrufe • vor 5 Monaten

HOW TO LOOK COOL & GET THE GIRL WHEN YOU APPROACH ❌ Home in on the girl you like and ignore her friend who’s also staring at you ✅ Open both girls at once, talk to both, win them both over ❌ Describe yourself as chasing after her (“courage to come up to you”) ✅ Use a chill opener instead (e.g., “Looks like you’re putting a lot of thought into that decision”) ❌ Ask her name unprompted (“What’s your name?”; you are seeking information from her) ✅ Offer your name first (“I’m Daniel”; you are offering value to her) ❌ Shake her hand like it’s a new business partnership ✅ Hold her hand a moment and give it a squeeze without shaking it ❌ Use her foreignness to compliment her looks in another language (“Muy bonita gracias”) ✅ Use her foreignness to ask what she’s doing here (creates an open loop) ❌ Compliment her looks a 3rd time while explaining yourself (“came up because you’re gorgeous”) ✅ Have her comply with you instead (“I love that bracelet. Let me have a look?” [beckon her]) ❌ Get her to show you the lingerie she bought then completely change the topic ✅ Get her to show you the lingerie she bought then flirt over it (“Oh… lingerie… what is THAT for??”) ❌ Ask her out 40 seconds in after on a non-high point not building any real attraction or connection ✅ Talk to her for at least 2 minutes, build attraction + connection, THEN ask her out on a HIGH point (i.e., she is really engaged, laughing hard, showing a lot of curiosity about you, etc.) Notes from the video: • During the initial moment, she smile genuinely and eyes him up and down (see her head to toe glance) while quickly finishing what she is doing. She shows initial openness to him. HOWEVER… • She gives the “Oh, gosh” eye shut and grimacing nod in response to his “chasing after you” opener. She acknowledges it’s ‘funny’ but still cringe. • She follows this by PICKING UP HER CUP (which she does not need to do) and holding it in front of herself defensively, creating a barrier between her and him. (If she was into the approach, she’d leave the cup there and face him without a barrier.) • After he blasts her with the fourth compliment, she backs away from him while laughing awkwardly and eye codes her friend (whom this guy’s still ignoring) in disbelief. • When he asks her out on “like a food date”, she takes two seconds to break eye contact to the side, still with her forced smile, briefly shakes her head “no”, then nods politely and says it “sounds good” and gives her number (while eye coding her friend again) just to get rid of him. • After he gets the number, he tells her “Next Friday?” and she doesn’t even need to think about what she has going on or check her schedule because she has no intention of actually meeting this guy, so she just says “Next Friday, perfect” to get this over with. Approach better & avoid these mistakes!

Girls Chase 🏃‍♀️💨

65,755 Aufrufe • vor 2 Monaten

Fuck off Prince Harry. You stood there and let your wife bully, lie, and smear your own family on a global stage while you nodded along like it was all justified. You sat through interviews, documentaries, book deals, and endless digs designed to humiliate the very people who protected you your entire life. And you didn’t just allow it, you participated in it. You took private family matters and turned them into public spectacle. You weaponised grief, twisted narratives and cashed in on it over and over again. While your grandparents were elderly, while your grandfather was in his final months, while your grandmother was still carrying out her duty, you chose to add pressure, stress, and public disgrace to her final years. And you have the audacity to leak a “discreet tribute” to polish your image after everything you’ve done. You helped make her final years harder than they ever needed to be. That’s the truth. No amount of quiet chapel visits wipes that away. And don’t even get started on the nickname. You took something deeply personal, something only a handful of people in her life ever used, and turned it into branding. Then had the nerve to push the story that she “approved” it, knowing full well the Palace had to step in and shut that down. That wasn’t honouring her. That was using her. So no, you don’t get to pretend now. You don’t get to act like she meant the world to you while your actions showed the exact opposite. So Harry, go rehearse the next PR stunt with your wife and Fuck. Right. Off! You don’t get to rewrite this now. People remember exactly what you did.

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MDN NEWS

1,317,550 Aufrufe • vor 2 Jahren

“But Serhat doesn’t deserve her.” Meanwhile, Serhat literally shifted the course of his entire life as a teenager, leaving behind everything he loved just so she could have what she wanted, even if that future didn’t include him. When he came back, he fought for her to stay in the mansion because he wanted her safe. He treated her better than anyone ever had. You might think it wasn’t enough, but he did the best he could, and Yıldız herself saw that! He stood against the clan. Against the norms. Against the culture. Against traditions. Against his mother. Against his brother. Against her own brother. Against the man she thought was her father. When he found out her family was fake, he brought her mother to her. And when he realized that woman was not the mother Yıldız deserved, he kicked her out. He saved her life multiple times. And no, before anyone says it, he was not the one putting her life in danger. Yıldız was constantly sacrificing herself out of love, and every single time he tried to stop her from doing that. People tried to take her away from him, and he never let that happen! Even when he divorced her and let her go, he couldn’t completely give up on her. You may call that selfish, but the man was terrified of losing her and believed he had no other choice. He gave up everything. Everything. And he is still ready to give up more if it meant she would be okay and with him. He didn’t care that people talked when she ran away with another man. He didn’t care when she got engaged to someone else. He didn’t care when she told him she didn’t love him and loved somebody else. Because he knew why she was doing those things. He knew she was sacrificing herself for him, just like he had sacrificed himself for her before. This is the same Serhat who learned that the blood feud was fake and immediately continued treating her like she was still his wife, because he never married her only because of that feud in the first place 🤷🏻‍♀️ He married her because, since childhood, he had been convinced she was his destiny! And the only reason he kept running away from her was to save her, not because he wanted to get rid of her. The same man who didn’t care whether she could give him children or not. The same man who said he wanted to build a life with HER, not a family. Meaning he didn’t want children. He wanted Yıldız. I genuinely don’t know what some people are watching. And if you don’t see what I see, that’s okay. We can have different povs but it is so obvious to me that there is something in this story that some people are completely missing🤷🏻‍♀️ Guess after all he doesn’t deserve her …

Maurora🫦

15,500 Aufrufe • vor 2 Monaten

I think CihAl's consummation (or whatever else you'd like to call it) scene is probably one of the most well-thought-out ones of the series. It's perfect for Alya and Cihan's characters. And, if you watch the build-up, you can pinpoint where both decide to take their relationship to the next step. Let's start with my baby girl. Alya makes up her mind that she's done minding the distance between Cihan and herself pretty early on after she enters her room. The way she turns and looks back at the door with a half-smile. Then the camera pans in on the liquor, almost as if to say, she's thinking maybe she needs a little fortitude. And in the next room, Cihan is going through the same restlessness, almost like he's chomping at the bit too, but can't bring himself to act on what he's thinking. Next up, Alya downs some liquid courage and fills her glass again, almost as if a plan's forming in her head. And when she walks out of her room, she pauses, staring at Cihan's door. Eventually, she decides against it because, like the queen she is, she wants a neutral setting, not to overwhelm Cihan, but to engage Cihan's caution, and to see if he's ready to leave it behind. A broken vase later, when Cihan finally descends the steps to go to his wife, Alya gives him a very unconvincing performance of drunkenness. She wants to invite him to sit with her and iron a few things out between them. This is where her playacting is important because it gives them both protection. If Cihan isn't ready to move forward, she can retreat with her dignity, and he wouldn't have to feel pressured or remorseful. But, Cihan, being the brainiac he is, understands his wife is up to something. And, of course, he wants her like crazy, too, so he decides to play along while upping the ante a little - which is why he offers to carry her to her room. Her room. Not his. Because no matter what transpires, his priority is her comfort. So, up they go, and when he lays her down on her bed, Alya pulls him to sit next to her, and switches to phase two. Remember when I said she doesn't want to override him? Her sequence of questions is a gentle attempt to determine if she's read him correctly. That his guilt is no longer the determining factor in their relationship, without triggering any resentment. Why are we staying in separate rooms? Aren't we married? Don't you love me? Don't I love you? Aren't you my husband? Am I not your wife? Then why are we sleeping in separate beds? See? It's a logical dismantling of the remaining distance between them. And every time Cihan answers, it gives her more courage to move forward, it gives her more hope. Cihan isn't being led; he's an active participant, and he is choosing to be. Step by step, to move forward with Alya, by staying in the conversation, to meet her halfway. Then comes the cute nose-rubbing session, and you can see Cihan wants to give in. But old habits die hard, so he has to be sure. Did you drink too much he asks, and that's when Alya gives up her game. Because she's sure too. She tells him how she only drank one glass of wine and how she broke that vase on purpose. Because when they're so close to the brink, she lays all her cards on the table, like always. It isn't like her to hide. And when Cihan brings the topic back to her drunkenness again, that's him proceeding with care. Baby steps. This is his life we're talking about... I mean, his wife. So, Alya Hanim takes up the challenge and asks, 'Would I only want to when I'm drunk?' things are clear as day. The proverbial bulb goes on in Ciho's head. His 'I don't know, maybe' is him being coy, like the imp he is. But all that playfulness goes out the window when his wife says, 'Wouldn't you like to find out?' I think Alya may have managed to give Cihan a mini heart attack with those words, because his answer is so faint, it's laughable. From that point on, it's all engines go for both of them. They're sure now, their minds and hearts are on the same page. After that, it's all love, desire, flirtatiousness, playful goading, and everything that's quintessentially CihAl. Brilliantly written and masterfully portrayed. #CihAl #UzakŞehir

CocoLoco

39,680 Aufrufe • vor 8 Monaten

I think it’s time to talk about it 🙂‍↕️ I was delaying it because the scene messed me up in every possible way. From the moment he entered the room panting in anger, to the moment he subconsciously hid her behind his back to protect her when he heard the Kordağlıs were coming. When he entered the room like that (and he even knocked, but… since when does Serhat knock? 🌚), he scared her, because a part of her knew exactly how crazy this would make him. Because despite everything he did, despite the divorces and all the silence, she always knew he cared. And hell… he DID 😭 Serhat shouting “You can’t marry” in the same place where he once told her “It’s your life, I’m not responsible for it”??? C I N E M A! Yıldız gasping, crying, trying to catch her breath while arguing… #BiranDamlaYılmaz , you did NOT have to be this perfect 😭 When she said “Bir kere sen çıldır, yeter,” she was at her limit. There was that tiny second of silence while she was desperately gasping, and he just looked at her, helpless, not knowing how to save both of them from this mess. Y: You gave up on me. S: No, YOU gave up on me. With all disrespect… Sir??? I know he didn’t mean to hurt her, I know he was hurting too, but accusing HER of giving up, when from her POV he is the one who let go? She is the only one living in uncertainty from day one. He can’t expect her to read his mind. When she asked him to say he didn’t give up on her… imagine his position. Everything she said, he wanted to agree with. “I didn’t give up on you. I remember kissing you. I was about to divorce Melek and marry you.” He was swallowing everything, suffering in silence, because in his mind saying that would be selfish. He was still trying to avoid that red zone. NOW. THE MIRROR SCENE. First of all, why is no one talking about how he grabbed her with ONE HAND without even looking at her? He knew exactly where she was. Her surprised gasp?? His husky voice??? #ilhanşen canım abim, if you continue like this, Serhat will be the last character I watch from you because I will ascend to heaven. Have mercy on me big boy 🌚 Making them watch themselves in the mirror was WILD, Ercan hocam. If the scene was 100% intense, the mirror made it 10000%. His hand on her waist, her looking so tiny. His other hand slowly moving her hair. His face on her head next to her ear, sniffing her scent, looking… lustful, angry, desperate. The mix of desire and rage in his eyes??? EXCUSE ME??? He didn’t even touch the tattoo on her chest. He was locking her in place, making sure she couldn’t escape (as if she could). When he turned her around, he kept her trapped in his arms. He wasn’t testing her. He KNOWS she loves him. He was trying to speak without words. “This is what I feel. I messed up. But this is what I want.” But she needed words. She DESERVED words. He definitely was going for a kiss , and she pulled away. Because she is angry. Hurt. M convinced her she is a burden, and he never denied it with words. His silence confirmed everything in her mind. When he closed his eyes in that silence, realising that by trying to protect her with silence, he destroyed her AGAIN! Her cracked voice saying, “You still didn’t say you didn’t give up on me,” I wanted to hug her and cry until sunrise 😭 Then she put her strong mask back on, telling him not to enter her room like that, because she will soon be engaged💔 And btw, I’m 100% sure if it wasn’t for the Kordağlıs, he would NOT have left without kissing her. In my head, they kissed. There is no universe where Serhat left that room untouched after that tension. I tried my best to write with my sanity on! Just an advice 👀 try to catch ilhan’s panting in the beginning 🤤 they are delicious🫦 I know it turned out to be too long but the scene is quite long and full of details. I am sure I still can talking about it with another essay🤣 but I won’t don’t worry. #HalefKöklerinÇağrısı #Yılser

Maurora🫦

25,206 Aufrufe • vor 6 Monaten