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Here a thread with #GucciPrimavera campaign billboards featuring global brand ambassador #XiaoZhan, the face of Gucci's new campaign! The billboards are in China but also across the world, i add everything i find It goes without saying starting with the amazing Gucci Art Wall in Shanghai! The whole wall...

12,675 просмотров • 1 месяц назад •via X (Twitter)

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Here's an excellent video from Florian (follow) that shows charged water on the left and neutral water in the right. This is a visual confirmation of two known effects; Electrostatic induction and dielectric relaxation time. Electrostatic induction is like when a hair-rubbed balloon sticks to the wall, despite the wall being neutral; the balloon causes charges in the wall to polarize so the wall side near the balloon turns negative and the other side of the wall is positive. That's electrostatic induction and that's why you have raindrops that stick to a car window for hours of wind and gravity, rain has a small negative charge. Wouldn't work with tap water. Now, if you remove the balloon, the wall doesn't return to a neutral state immediately. It'd happen quickly if we had a balloon on the other side of the wall, but by itself this can take seconds, minutes, hours or even days, depending on the material and thickness. Glass is quite slow, and you can see the electric forces holding each other will hold off gravity for some time; and that the water greatly prefers not to be broken off, water is like an uncountable number of those walls in series, and they all cling to each other in proportion to how many balloons we have, ie how many excess electrons we have. Furthermore, when the water is extremely charged, it will not even leave the thin remnant layer of water that trails behind, as the cohesive internal forces outweigh those by induced to outside neutral surfaces.

N'Golo⚡Wizard.Talk

24,264 просмотров • 3 месяцев назад

This is the worst art restoration in history. An 81-year-old woman with no training did it. In broad daylight. With the priest's permission. And nobody stopped her. The original was called Ecce Homo, a small fresco of Christ crowned with thorns, painted around 1930 by the Spanish artist Elías García Martínez straight onto the wall of a church in Borja, in northeastern Spain. After eighty years the damp in the walls had begun to eat the paint away, so in 2012 a parishioner named Cecilia Giménez decided to save it. She was 81, she had loved painting all her life, but she had no training whatsoever. What she left on the wall was a blurred and wide-eyed face staring out of the plaster. When the town saw it, officials assumed the church had been vandalised, and reportedly considered taking legal action. Then they found out it was Cecilia. She could not understand the fuss. "The priest knew it," she told Spanish television. "I've never tried to do anything hidden." She also insisted she had not even finished. She had left the paint to dry and gone away for two weeks, intending to come back and complete the job. She never got the chance... Within days the image had crossed the planet. The internet named it Ecce Mono, and Monkey Jesus, and Potato Jesus, and turned it into thousands of memes. Not everyone was laughing. For the people who prayed in that church, it was not a joke at all. Some of them called it a desecration, and some called it blasphemy. Whatever the world saw in the image, they had lost the face they had knelt in front of all their lives. And people now travel across the world to see the thing that replaced it. In the year after the "restoration", around 57,000 visitors came to Borja, a town most of them could not have found on a map. But the point is this: the beautiful face that Elías García Martínez painted is gone... Nobody ever thinks about him. He was a trained artist and a teacher at the fine arts school in Zaragoza, and around 1930 he stood in front of that wall and painted the face of Christ onto it by hand. The whole world knows what happened to his painting. Almost nobody knows his name.

James Lucas

74,290 просмотров • 2 месяцев назад

3 years ago Refik Anadol & Efsun, together with the royal family of the forest, the Yawanawa, dreamed of a project that could share the crossover of traditional indigenous art with futuristic pigments of AI. They dreamed of building a community to not only host their family, but also bring together their indigenous brothers and sisters from around the world. Aldeia Sagrada was reimagined. We 1OF1 are very honoured & deeply grateful that Refik Anadol & the Yawanawa family have chosen us to be the steward of their historic collaborative art work, the Winds of Yawanawa 1of1. Last week my family & I had the privilege to join Indigenous Nations from across the Amazon basin & around the world as they came together for a truly historic & deeply beautiful moment at the Indigenous Ayahuasca Conference in Acre, Brasil, where Indigenous leaders shared their ancient wisdom, beautiful art & wonderful energy with each other. As someone who has built infra in Brazil, I can confirm that what Refik Anadol and the Yawanawa family have built in Aldeia Sagrada is absolutely breathtaking & indescribable. The infrastructure & organization of their wonderful community is incredible. They have proven to the world a model for synergistic alliances between traditional Indigenous nations with new technologists, creatives and builders that can both massively support these native communities as well as celebrate the preservation of their way of life. I found myself overwhelmed with emotion at points throughout the week witnessing how amazing this place and these people are. It is with all of the lessons of 1OF1’s global tours in hand & our hearts filled with a deep sense of mission, that we commit to share this iconic work of art with the world in conversation with other works of Amazonian indigenous art. We promise to share the inspiring message of the Yawanawa across the globe through the power of art.

Ryan Zurrer

12,145 просмотров • 1 год назад