Video yükleniyor...

Video Yüklenemedi

Bu video yüklenirken bir sorun oluştu. Bu geçici bir ağ sorunundan kaynaklanıyor olabilir veya video kullanılamıyor olabilir.

Ana Sayfaya Dön

Here is how I made the VFX for my game with AI! 🍃 From simple environment effects to a dryad that drains enemies through her roots and shields herself with swirling leaves. The workflow that worked for me: preview each effect, get the timing right, then bring it into... show more

Stefan 3D AI

13,258 subscribers

10,524 görüntüleme • 6 gün önce •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

8 Yorum

Ryan Gilpatric profil fotoğrafı

Ryan Gilpatric6 gün önce

Did the root-draining attack come first, or did you find it while figuring out how she moves?

Aaron Wacker profil fotoğrafı

Aaron Wacker6 gün önce

wow sweet geometry and effects! Love the magic feel of your Dryad. Liking the fae folk vibes :)

Neto | Solo Dev profil fotoğrafı

Neto | Solo Dev6 gün önce

It looks very good. Thanks for sharing. I'm just going through a big VFX update on my project right now, and your process is very inspiring.

zdhpeter profil fotoğrafı

zdhpeter6 gün önce

Will this be open source?

Mr Pixel | Driftania 🏝 profil fotoğrafı

Mr Pixel | Driftania 🏝6 gün önce

The little details — leaves shedding as she moves — are what sell it. Looks alive 🍃

Koator profil fotoğrafı

Koator5 gün önce

Looks really well done

meff profil fotoğrafı

meff6 gün önce

the root drain looks sick. did the AI do the particles or only the textures?

Rudresh Upadhyaya profil fotoğrafı

Rudresh Upadhyaya6 gün önce

How much of the AI output actually survived into Unity, and how much got redone by hand once it met the animations?

Benzer Videolar

Day 16. Building the game I've dreamed of for 15 years with AI. I built this Dryad from start to finish in about a day and a half, including her animations and VFX. Opus 5.5 and Gpt-6 Astra is dream combo😍 She crawls across the ground on her roots. More roots reach out to drain enemies, and when too many attackers crowd her, a wall of leaves protects her. Even the leaves on her body move, and she sheds more as she travels. Those little details make her feel alive. The key to my workflow is going in small steps and checking the result at every stage. First I sketched out the effects and worked out how they should behave. Then I made the animations. Once those worked, I built the VFX around them, reviewing and adjusting each part as I went. Watching her crawl into a fight with all of this working together feels like magic. I'll definitely make a video breaking down how I built these VFX, step by step. I think a lot of you will find this workflow useful.

Day 16. Building the game I've dreamed of for 15 years with AI. I built this Dryad from start to finish in about a day and a half, including her animations and VFX. Opus 5.5 and Gpt-6 Astra is dream combo😍 She crawls across the ground on her roots. More roots reach out to drain enemies, and when too many attackers crowd her, a wall of leaves protects her. Even the leaves on her body move, and she sheds more as she travels. Those little details make her feel alive. The key to my workflow is going in small steps and checking the result at every stage. First I sketched out the effects and worked out how they should behave. Then I made the animations. Once those worked, I built the VFX around them, reviewing and adjusting each part as I went. Watching her crawl into a fight with all of this working together feels like magic. I'll definitely make a video breaking down how I built these VFX, step by step. I think a lot of you will find this workflow useful.

Stefan 3D AI

178,142 görüntüleme • 11 gün önce

Flash step, now with animations! Next step is more VFX I guess... But I'd like to use it in actual gameplay first, and I have just the right prototype idea for that :> #UnrealEngine5

Flash step, now with animations! Next step is more VFX I guess... But I'd like to use it in actual gameplay first, and I have just the right prototype idea for that :> #UnrealEngine5

Ryan V. Pergent

60,725 görüntüleme • 1 yıl önce

Another example. I was migrating my personal website from one framework to another, and Claude wrote a script that did it — something like this. But it was very hard to review: I wasn't familiar with the new framework, and all I could say was "I guess that looks about right." So I asked Claude to make me a video game — a command center where I do the port myself, step by step, watching the visible effects and the file tree evolve. It produced a UI where I click buttons to run the port step by step, with my old site and new site running side by side. In this command center I watched the new site come to life incrementally. That left me with a similar understanding to doing it by hand — but much faster, because the whole experience was laid out for me. 28/

Another example. I was migrating my personal website from one framework to another, and Claude wrote a script that did it — something like this. But it was very hard to review: I wasn't familiar with the new framework, and all I could say was "I guess that looks about right." So I asked Claude to make me a video game — a command center where I do the port myself, step by step, watching the visible effects and the file tree evolve. It produced a UI where I click buttons to run the port step by step, with my old site and new site running side by side. In this command center I watched the new site come to life incrementally. That left me with a similar understanding to doing it by hand — but much faster, because the whole experience was laid out for me. 28/

Geoffrey Litt

17,950 görüntüleme • 3 ay önce

This is AI and I made this with just my phone and Higgsfield AI. Comment UGC for step by step process on how to do it #higgsfieldpartner

This is AI and I made this with just my phone and Higgsfield AI. Comment UGC for step by step process on how to do it #higgsfieldpartner

Ajala Victor 👑 | Visual/Brand Designer

162,118 görüntüleme • 7 ay önce

Here is a step-by-step introduction to building a workflow with a custom AI agent that uses MCP. I explain every component in the video: 1. Building the MCP server 2. Building the agent and an MCP client 3. Building a workflow that uses the agent The goal is simple: Generate a dialogue between two people and make one yell and the other answer with sarcasm. Kestra is sponsoring this video. They are an open-source orchestration platform (repo link below), and I used them to build the workflow that connects every component.

Here is a step-by-step introduction to building a workflow with a custom AI agent that uses MCP. I explain every component in the video: 1. Building the MCP server 2. Building the agent and an MCP client 3. Building a workflow that uses the agent The goal is simple: Generate a dialogue between two people and make one yell and the other answer with sarcasm. Kestra is sponsoring this video. They are an open-source orchestration platform (repo link below), and I used them to build the workflow that connects every component.

Santiago

51,527 görüntüleme • 1 yıl önce

Pure Refreshment Cinematic AI Drink Commercial Made this video with Grok Video on Lart AI. In this video, I walk you through the entire process from creating the cinematic ad to the final polished result. The complete step-by-step tutorial is included. You can also try it here:👇🏻

Pure Refreshment Cinematic AI Drink Commercial Made this video with Grok Video on Lart AI. In this video, I walk you through the entire process from creating the cinematic ad to the final polished result. The complete step-by-step tutorial is included. You can also try it here:👇🏻

Mr Farman Ai

87,363 görüntüleme • 2 ay önce

How to create your Based Agent with 0 lines of code Recorded a quick demo video to show how easy it is and walk you through the entire process step-by-step All the links are in the comment below

How to create your Based Agent with 0 lines of code Recorded a quick demo video to show how easy it is and walk you through the entire process step-by-step All the links are in the comment below

lincoln.base.eth

148,939 görüntüleme • 1 yıl önce

So, another shader with animations done with math! This one didn't make it to the game, but I still like it. #VFX #madewithunity How I made it: I wrote a script to merge the coins into a single mesh with their pivots baked on the vertex color (in Unity)...

So, another shader with animations done with math! This one didn't make it to the game, but I still like it. #VFX #madewithunity How I made it: I wrote a script to merge the coins into a single mesh with their pivots baked on the vertex color (in Unity)...

Gregory Oliveira

55,767 görüntüleme • 3 yıl önce

This is wild... A1 sets a new standard for live avatars, and my proof is a goose personal trainer. I built Coach Honk with A1 from Vivix.AI. The first thing I told him: “I came here for arms.” He took it personally. Then I asked for a proper squat and he dropped into a full-body demo. After that, he walked over, grabbed a kettlebell and showed me a goblet squat. The kettlebell stayed a kettlebell the whole time. Which is rare in gen AI lol. The whole thing was way smoother than I expected, especially the convo. Answered quickly and kept the back-and-forth natural. Best of all, the characters know how to work with interruptions unlike most AI avatars. Making one is simple. — Go to the Agents tab in Vivix AI — Describe the character you want and how it should behave, then hit enter. It builds the character step by step and once it's done, you can start talking to it. You can also publish your character and share with friends. Talk to Coach Honk here:

This is wild... A1 sets a new standard for live avatars, and my proof is a goose personal trainer. I built Coach Honk with A1 from Vivix.AI. The first thing I told him: “I came here for arms.” He took it personally. Then I asked for a proper squat and he dropped into a full-body demo. After that, he walked over, grabbed a kettlebell and showed me a goblet squat. The kettlebell stayed a kettlebell the whole time. Which is rare in gen AI lol. The whole thing was way smoother than I expected, especially the convo. Answered quickly and kept the back-and-forth natural. Best of all, the characters know how to work with interruptions unlike most AI avatars. Making one is simple. — Go to the Agents tab in Vivix AI — Describe the character you want and how it should behave, then hit enter. It builds the character step by step and once it's done, you can start talking to it. You can also publish your character and share with friends. Talk to Coach Honk here:

Rez Karim

41,936 görüntüleme • 11 gün önce

Introducing Objects, the last step to your workflow 🔥 Add the same item across multiple images, and combine it with the rest of the tools in Freepik AI Suite Step-by-step tutorial below 🧵👇

Introducing Objects, the last step to your workflow 🔥 Add the same item across multiple images, and combine it with the rest of the tools in Freepik AI Suite Step-by-step tutorial below 🧵👇

Freepik

53,759 görüntüleme • 1 yıl önce

Remember the first cutscene that was shown off for Black Flag Resynced which was criticized for its missing weather effects and how Edward is animated? Well here it is in the final game, with a gorgeous new accurate weather and animations since the preview 👀

Remember the first cutscene that was shown off for Black Flag Resynced which was criticized for its missing weather effects and how Edward is animated? Well here it is in the final game, with a gorgeous new accurate weather and animations since the preview 👀

Synth Potato🥔

199,305 görüntüleme • 3 ay önce

Day 18. Building the game I've dreamed of for 15 years with AI. I've learned how to build proper levels with AI. I take the design and the architecture, and AI helps me put it all together and check the balance. I made the first level of my game almost entirely by hand. I wanted to understand how it works and what I like, from how big the trees should be to how the textures tile. After a day digging around in the terrain tools it all made sense, and I could see how much of it could be automated by painting zones. Claude helped me a lot with the tileable textures. Matching the colors took a ton of iterations, and that was the hardest part of the whole level. For level two I took a different route. I built myself a simple HTML planner with a logical map of the level, where I place everything and design the layout. Painting a level and making it fun to play are two different jobs, so I kept the design for myself. We even made automated tests with Claude: 2D simulations that show which routes a player takes and how hard the level is. They're rough, but they give a real sense of how the level plays. Once the plan was ready, I handed everything to Claude, and 3-4 hours later I had a working level. It reused the patterns from my first level, scattered objects unevenly so nothing looks placed on a grid, and generated extra props whenever I asked. I showed it one example, it picked up what worked, and we turned that into a skill for the next levels. The video is a quick flight over level two, then how it got there, from my first sketch to the version I play now.

Day 18. Building the game I've dreamed of for 15 years with AI. I've learned how to build proper levels with AI. I take the design and the architecture, and AI helps me put it all together and check the balance. I made the first level of my game almost entirely by hand. I wanted to understand how it works and what I like, from how big the trees should be to how the textures tile. After a day digging around in the terrain tools it all made sense, and I could see how much of it could be automated by painting zones. Claude helped me a lot with the tileable textures. Matching the colors took a ton of iterations, and that was the hardest part of the whole level. For level two I took a different route. I built myself a simple HTML planner with a logical map of the level, where I place everything and design the layout. Painting a level and making it fun to play are two different jobs, so I kept the design for myself. We even made automated tests with Claude: 2D simulations that show which routes a player takes and how hard the level is. They're rough, but they give a real sense of how the level plays. Once the plan was ready, I handed everything to Claude, and 3-4 hours later I had a working level. It reused the patterns from my first level, scattered objects unevenly so nothing looks placed on a grid, and generated extra props whenever I asked. I showed it one example, it picked up what worked, and we turned that into a skill for the next levels. The video is a quick flight over level two, then how it got there, from my first sketch to the version I play now.

Stefan 3D AI

33,065 görüntüleme • 3 gün önce

Co-produced with PAI by Utopai Studios, the first long-form video generation model. The AI video clip era is ending! I started with a short story idea. From there, PAI generated the characters, transformed them into keyframes, and then animated the scenes into a full sequence. The interesting part was seeing how the same characters, environment, and visual style stayed consistent across multiple shots while the story progressed naturally. What felt different here is that I wasn’t building each shot manually. I focused on the narrative, and the engine handled character creation, scene continuity, and animation to produce a ready-to-watch video. A step-by-step tutorial so you can make your own story 👇🏻 Thanks to Utopai Studios for collaborating with me Try it now: #UtopaiPartners

Co-produced with PAI by Utopai Studios, the first long-form video generation model. The AI video clip era is ending! I started with a short story idea. From there, PAI generated the characters, transformed them into keyframes, and then animated the scenes into a full sequence. The interesting part was seeing how the same characters, environment, and visual style stayed consistent across multiple shots while the story progressed naturally. What felt different here is that I wasn’t building each shot manually. I focused on the narrative, and the engine handled character creation, scene continuity, and animation to produce a ready-to-watch video. A step-by-step tutorial so you can make your own story 👇🏻 Thanks to Utopai Studios for collaborating with me Try it now: #UtopaiPartners

Amira Zairi

25,679 görüntüleme • 7 ay önce

Real trading with Topstep starts by understanding how the program works and how to move through each step with confidence. Learn the rules. Follow the process. Advance from the Trading Combine all the way to a Live Funded Account. We’ll see you inside.

Real trading with Topstep starts by understanding how the program works and how to move through each step with confidence. Learn the rules. Follow the process. Advance from the Trading Combine all the way to a Live Funded Account. We’ll see you inside.

Topstep

388,255 görüntüleme • 7 ay önce

This is the workflow I actually use to make AI UGC look real. Start with the fundamentals. Lock the model. Refine it. Then direct the video like a shoot. If you want the step-by-step breakdown, comment UGC.

This is the workflow I actually use to make AI UGC look real. Start with the fundamentals. Lock the model. Refine it. Then direct the video like a shoot. If you want the step-by-step breakdown, comment UGC.

SODAGUY©

120,074 görüntüleme • 7 ay önce

God loves you with an everlasting love. He has a good plan for your life. And He made a way, through Jesus Christ, for you to step into it right now. Will you pray this with me? 🙏 Father God, I come to you in the name of Jesus. Forgive me for all of my sin. Forgive me for missing the mark. I yield every part of my life and my being over to you. I receive Jesus Christ as my Lord and my Savior. If you prayed that, welcome to the family of God. 🤍 It's not the last step. But it is the first, and it changes everything that comes after it.

God loves you with an everlasting love. He has a good plan for your life. And He made a way, through Jesus Christ, for you to step into it right now. Will you pray this with me? 🙏 Father God, I come to you in the name of Jesus. Forgive me for all of my sin. Forgive me for missing the mark. I yield every part of my life and my being over to you. I receive Jesus Christ as my Lord and my Savior. If you prayed that, welcome to the family of God. 🤍 It's not the last step. But it is the first, and it changes everything that comes after it.

Paula White-Cain

12,278 görüntüleme • 24 gün önce

Day 10. Building the game I've dreamed of for 15 years with AI. I still can't get over the feeling that I can finally animate all the creatures I've been imagining for this game. Animation was the part I was most worried about when I started. I thought I'd need an animator, especially for creatures like centaurs, scorpions and spiders. So today I went off-plan and made a Scorpid. It won't even be in the first version of the game. I just wanted to see whether I could get its animations working. I started with a good model made in Tripo P2.0, already optimized and split into logical parts. I think that preparation matters a lot. GPT-6 works with the mesh through code and calculations. A sensible number of vertices and well-organized parts make it easier to work out bone placement and skin weights. Then I made video references for the animations with SD 2.5 and repeated the same workflow. About an hour and a half with GPT-6 Astra on xhigh: five animations ready for the game, including several rounds of feedback. Another hour later, I had it running in Unity. I used to run a 3D studio. Work like this used to take weeks. Now I'm watching this thing move around in my game, and I still can't quite believe my eyes.

Day 10. Building the game I've dreamed of for 15 years with AI. I still can't get over the feeling that I can finally animate all the creatures I've been imagining for this game. Animation was the part I was most worried about when I started. I thought I'd need an animator, especially for creatures like centaurs, scorpions and spiders. So today I went off-plan and made a Scorpid. It won't even be in the first version of the game. I just wanted to see whether I could get its animations working. I started with a good model made in Tripo P2.0, already optimized and split into logical parts. I think that preparation matters a lot. GPT-6 works with the mesh through code and calculations. A sensible number of vertices and well-organized parts make it easier to work out bone placement and skin weights. Then I made video references for the animations with SD 2.5 and repeated the same workflow. About an hour and a half with GPT-6 Astra on xhigh: five animations ready for the game, including several rounds of feedback. Another hour later, I had it running in Unity. I used to run a 3D studio. Work like this used to take weeks. Now I'm watching this thing move around in my game, and I still can't quite believe my eyes.

Stefan 3D AI

313,602 görüntüleme • 25 gün önce

This is the workflow I actually use to make AI UGC look real. Start with the fundamentals. Lock the model. Refine it. Then direct the video like a shoot. If you want the step-by-step breakdown, comment UGC. by: alex.prompt

This is the workflow I actually use to make AI UGC look real. Start with the fundamentals. Lock the model. Refine it. Then direct the video like a shoot. If you want the step-by-step breakdown, comment UGC. by: alex.prompt

SODAGUY©

78,772 görüntüleme • 7 ay önce

Just tested MiniMax H3 in MiniMax Design and used it to make an anime PV. What I like is that the Agent actually helps with the workflow instead of just giving me one generated clip. Started with an idea, and it handled the rest step by step.

Just tested MiniMax H3 in MiniMax Design and used it to make an anime PV. What I like is that the Agent actually helps with the workflow instead of just giving me one generated clip. Started with an idea, and it handled the rest step by step.

KATE

431,158 görüntüleme • 1 ay önce