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Here´s few new wips of the pine tree versions. Fairly quick process with #geoscatter ! Some stupid camera cuts and movements that need some love later. Going slowly towards more artistic style than realism and trying hard to make things dramatic. #b3d #short #geometrynodes

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Miettinen Jesse - Embrace FX

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23,727 görüntüleme • 3 yıl önce •via X (Twitter)

#geoscatter#b3d#short#geometrynodes
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One of the things I'm liking with Pokémon Champions is how we have some more cinematic battle animations. With SV, due to varying terrain and the speed the battles need to be, move animations were a lot snappier. Here, we seem to be going full cinematic like Stadium & PBR
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One of the things I'm liking with Pokémon Champions is how we have some more cinematic battle animations. With SV, due to varying terrain and the speed the battles need to be, move animations were a lot snappier. Here, we seem to be going full cinematic like Stadium & PBR

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The body movements of Anime characters in Seedance doesn’t has to be always rigid and constrained. They can be as expressive as the real anime too. Here’s a quick tips on how to achieve the cartoony acting style for your anime characters: Special shoutout to Ameilo for sharing the prompt that unlocked this acting style. This tips sharing is made possible by Try ArtCraft Add this Key Prompt above your prompt: Emphasize snappy animation with lively energy, pose-to-pose, strong anticipation, overshoot, squash and stretch, quick switches in facial expressions, and follow-through on hair and sleeves. Give the movements a distinctive rhythm with variation in pacing: Hold still poses firmly for a split second, then transition to the next movement with a quick, bouncy snap. Make it comical and well-timed, but keep the actions easy to read. Movements follow: "stillness → preparatory action → sudden acceleration → large overshoot → sharp stop → hair and sleeves sway delayed." Facial changes are exaggerated and comical. Poses are clear in silhouette, with a solid hold of 0.1–0.2 seconds at the end of each action. Use cartoonish squash & stretch, motion blur, short afterimages, dramatic smear frames and speed lines sparingly. Physics are slightly exaggerated beyond reality, but the character's footing and center of gravity don't break.
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Hey!! We have already the first 1 Million #Neuraxon Artificial Lives, from almost 10000 Research Game runs, with more than 21 Million Neurons and almost 4 years of Simulated Life. Qubic Science continues to deliver... The #OpenData is at Hugging Face Clem Delangue 🤗 Now that NeurIPS Conference is almost over maybe need a new challenge. #NeurIPS2025 Ready to make new discoveries? Here you have the preprint paper: Here you have all the code: And some extra demos at #HuggingFace #TrueAI #BioinspiredAI #BeyondLLMs #QubicScience #AGI #AI #ArtificialLife #Artificiology

David Vivancos - e/acc

20,388 görüntüleme • 7 ay önce

cmon... this is so fun. Prompt here if you want to steal it: Continuous shot with no scene cuts. Camera is traveling forward between trees kanopes and different things are on the tree branches. The light is low, it comes through tall trees and the foliage of leaves casts an interesting patterned shadow and light on to the scene. First we see a tamarin monkey looking very close to the lens, mostly it's face is visible and on of the hand trying to reach through the lens, then a man on his laptop in brown suit and yellow ties with red baseball hat, then a yellow giant snake around a branch, we see the texture of the snake and it's wet skin from a macro view. Then an orangutan taking a selfie then lanterns hanging from the branches then a bunch an area where fluffy clouds mixing with the tree leafs where a plane wreck is smoking and slightly on fire. Handheld documentary style. Natural camera shake. Raw indie film aesthetic. Heavy grain. Natural lighting only. Unpolished, authentic look. Low budget realism. Observational feel.
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cmon... this is so fun. Prompt here if you want to steal it: Continuous shot with no scene cuts. Camera is traveling forward between trees kanopes and different things are on the tree branches. The light is low, it comes through tall trees and the foliage of leaves casts an interesting patterned shadow and light on to the scene. First we see a tamarin monkey looking very close to the lens, mostly it's face is visible and on of the hand trying to reach through the lens, then a man on his laptop in brown suit and yellow ties with red baseball hat, then a yellow giant snake around a branch, we see the texture of the snake and it's wet skin from a macro view. Then an orangutan taking a selfie then lanterns hanging from the branches then a bunch an area where fluffy clouds mixing with the tree leafs where a plane wreck is smoking and slightly on fire. Handheld documentary style. Natural camera shake. Raw indie film aesthetic. Heavy grain. Natural lighting only. Unpolished, authentic look. Low budget realism. Observational feel.

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Shout-out to the artist community We love art, images, and ideas that make the world feel different, even strange at times. As a team, we are always curious about new art and enjoy sharing the gems we stumble upon with our community. From photography to AI and code-based art, here are some of the works we have loved over the past few weeks. We hope you enjoy them as much as we do! ↓

Fellowship

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I'm a 35-year-old American I've lived in Argentina for 5 months so far in 2025 Here are the some things I like more about Argentina than the USA: -It's SIGNIFICANTLY easier to make friends in Argentina. Seriously, I lived in Colorado for the last 10 years, and I was beginning to think I was some fucking weirdo bc of how small my social circle was. The social life here is just so organic. If you're not a weirdo, you just attract friends...especially as an ex-pat. Everyone is always about milling around the city, playing sports, drinking mate, going to cafes/boliches/concerts/events. I don't know why, but in 5 months here, my social circle is already bigger and stronger than the one I had in 10 years in Denver, Colorado. -Politics isn't life here. There's some type of weird brain virus that's destroying the minds of the American people. Politics has seeped into every aspect of the culture fabric and it's become this weird, unavoidable daily reality. In Argentina, the people are well-informed about politics and global affairs, but it doesn't dominate the conversation. Very refreshing for me. -People are generally healthier and more beautiful. In general, the Argentines are some healthy, skinny, beautiful mf's. The men, the women, everyone. No radical Ozempic intervention is required here. -People have less money, but more time and more soul. Average wages here are absolute shite, and so is the Argentine Peso...but people seem to have more time, more energy and less stress, generally. People in the USA have a lot of money, but not a lot of soul. Here it;s the opposite. I've confronted some of the dark aspects of the economic realities here, but generally people are extremely present, laid back and "amable". I'd describe the people here as passionate "life-enjoyers." They are passionate about everything they do. They do it with gusto, soul, and UMPH. Mate - We love that shit Soccer - Hell yeah Hanging out at the park with some dogs - WE Live for this shit Living here has made me appreciate my life so much more. It's a very life-affirming place that gets you in touch with what actually matters.

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Unfortunately, I don’t have any new drone footage to share of the new baseball stadium being built on the Tropicana site. FAA has denied all of my recent airspace authorization requests. As the stadium gets bigger and more structures go vertical on the property, it’s going to be hard to get approved to fly that area. So, here is some footage of what it looks like from the mezzanine balcony at New York New York. In the meantime, I need to work on my safety statement to FAA so I can continue to fly this site.

Chris Holmes

52,406 görüntüleme • 2 ay önce

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0:16

Your baby is born with more than 600 muscles. As you might imagine, it takes a while to their master use. We call this process “motor development” and generally think of this growth as happening in two categories: Gross motor development involves the use of the large muscles in the torso, arms and legs. And fine motor development entails the use of the small muscles controlling the movements of the fingers, eyes, mouth, etc. Each type progresses toward more and more refined and deliberate movements, passing through a large number of developmental milestones - which brings us to this sweet little one shared to IG by cramberry36. I love mom’s song here, which offers a number of gross motor challenges… two of which our hero has mastered (walking and stopping) and two (hopping and running) still under development. If you watch carefully you’ll notice that he has a clear sense of what it would be like to both run and hop… imitating both to the best of his current ability… but can’t quite achieve liftoff in either case. Running and jumping are fairly advanced skills that involve muscle and bone strength, motor planning, and balance - skills and attributes that most children aren’t yet ready to combine until 18-24 months. That doesn’t make his efforts any less delightful.

Dan Wuori

22,853 görüntüleme • 11 ay önce

a few days late to the party, but 2024 took a few days to reflect on. honestly, i couldn’t decide in a knee jerk how to round it up, but here’s a few things i’ve landed on and want to share in the name of navigating growing up together on here. i spent majority of this year wildly uncomfortable. part of it intentional, knowing real growth and creativity (maybe even freedom) comes from pushing myself out of my comfort zone. i took the most time off the road that i have in 10 years, and had to rewire my brain to not operate from a place of scarcity from that. then sat in the space to try new things, then actually made the jump and did them. shaking in my boots then learning im more capable than i give myself credit for. and checking a few things off the bucket list along the way (see you in arenas and the big red seat in the next month 🤍) uncomfortable getting a year deeper into my 30’s and the self reflection, accountability, and ‘holy shit i’m a real adult now’ epiphanies it demands. *panicking*…then breathing and talking through it. finding deeper gratitude for friendships and therapy. and good skincare. and sleep. uncomfortable in challenging myself to chill with the death grip on fear and settle into a new pace and level of steady love. not dashing during dust storms and enjoying the view even more when it settles. taking a magnifying glass to past patterns, and valuing, even protecting its place in my life. uncomfortable in the juggle of wanting more and wanting less, being the girl on stage and a dog mom, some days feeling new still and others spent precautionary plotting when the glitter won’t be as glittery. so i guess my goal for the year ahead is to try to find some comfort? in the loud and quiet, public and private moments. to still push and seek and want, but find comfort in being uncomfortable. don’t get me wrong, i love a little chaos. i just wonder how it pairs with a little more peace. AND WITH THAT THE 2024 SEASON COM- just kidding. cheers and happy new year let’s vibe.
0:10

a few days late to the party, but 2024 took a few days to reflect on. honestly, i couldn’t decide in a knee jerk how to round it up, but here’s a few things i’ve landed on and want to share in the name of navigating growing up together on here. i spent majority of this year wildly uncomfortable. part of it intentional, knowing real growth and creativity (maybe even freedom) comes from pushing myself out of my comfort zone. i took the most time off the road that i have in 10 years, and had to rewire my brain to not operate from a place of scarcity from that. then sat in the space to try new things, then actually made the jump and did them. shaking in my boots then learning im more capable than i give myself credit for. and checking a few things off the bucket list along the way (see you in arenas and the big red seat in the next month 🤍) uncomfortable getting a year deeper into my 30’s and the self reflection, accountability, and ‘holy shit i’m a real adult now’ epiphanies it demands. *panicking*…then breathing and talking through it. finding deeper gratitude for friendships and therapy. and good skincare. and sleep. uncomfortable in challenging myself to chill with the death grip on fear and settle into a new pace and level of steady love. not dashing during dust storms and enjoying the view even more when it settles. taking a magnifying glass to past patterns, and valuing, even protecting its place in my life. uncomfortable in the juggle of wanting more and wanting less, being the girl on stage and a dog mom, some days feeling new still and others spent precautionary plotting when the glitter won’t be as glittery. so i guess my goal for the year ahead is to try to find some comfort? in the loud and quiet, public and private moments. to still push and seek and want, but find comfort in being uncomfortable. don’t get me wrong, i love a little chaos. i just wonder how it pairs with a little more peace. AND WITH THAT THE 2024 SEASON COM- just kidding. cheers and happy new year let’s vibe.

Kelsea Ballerini

35,077 görüntüleme • 1 yıl önce

I'm seeing a lot of people saying it is just a bad upscaling instead of Gen AI, but it is indeed Gen AI animation. There are things going on in it that just don't make any sense for puppet animation. Here are some parts that make it clear, I slowed down the video so it's easier to notice the chunky parts. I checked the past ADs and it's possible to notice details (from an animator's POV) that are common and make sense for human work, so it was definitely a choice to use AI on this new AD
0:16

I'm seeing a lot of people saying it is just a bad upscaling instead of Gen AI, but it is indeed Gen AI animation. There are things going on in it that just don't make any sense for puppet animation. Here are some parts that make it clear, I slowed down the video so it's easier to notice the chunky parts. I checked the past ADs and it's possible to notice details (from an animator's POV) that are common and make sense for human work, so it was definitely a choice to use AI on this new AD

mei ✨ live2d animator

1,114,334 görüntüleme • 6 ay önce

Few things sum up Biden’s foreign policy better than him saying that he has no concerns about Hamas regrouping, juxtaposed with the footage on the right from just a few days later of Hamas grouped. It makes you think of the famous Bob Gates quote that Biden has been on the wrong side of many foreign policy issues in the past four decades. He voted against Desert Storm but voted for the Iraq war. He was against the Bin Laden operation. He said he was going to make MBS a pariah and then showed up in his court with a fist bump.
3:37

Few things sum up Biden’s foreign policy better than him saying that he has no concerns about Hamas regrouping, juxtaposed with the footage on the right from just a few days later of Hamas grouped. It makes you think of the famous Bob Gates quote that Biden has been on the wrong side of many foreign policy issues in the past four decades. He voted against Desert Storm but voted for the Iraq war. He was against the Bin Laden operation. He said he was going to make MBS a pariah and then showed up in his court with a fist bump.

Yashar Ali 🐘

90,631 görüntüleme • 1 yıl önce

Visual Preset #01 Ink-Brush Cinematic 3D: A high-end cinematic 3D style where expressive ink-brush effects become the primary visual language for fast-paced anime action. Lately I've noticed that I've been experimenting with different visual presets across my videos and I'd like to explore that direction even further. Going forward, I'll be sharing some of these style experiments. The video below was generated using only a character sheet, a single-line scene description and the visual preset shown below. Created with Seedance 2.0 on Try ArtCraft Seedance 2.0 Prompt: A mesmerizing display of @[character]'s masterful swordsmanship. High-end cinematic 3D realism fused with expressive ink-brush action. High-sakuga anime choreography, sweeping sumi-e brush strokes, flowing ink splashes, dynamic calligraphic energy and graphic black ink trails define every movement. Extreme perspective, dramatic foreshortening, cinematic tracking shots, volumetric lighting, heavy atmospheric haze and explosive ink bursts replace conventional visual effects, while realistic materials and feature-film rendering preserve depth, weight and scale.
0:15

Visual Preset #01 Ink-Brush Cinematic 3D: A high-end cinematic 3D style where expressive ink-brush effects become the primary visual language for fast-paced anime action. Lately I've noticed that I've been experimenting with different visual presets across my videos and I'd like to explore that direction even further. Going forward, I'll be sharing some of these style experiments. The video below was generated using only a character sheet, a single-line scene description and the visual preset shown below. Created with Seedance 2.0 on Try ArtCraft Seedance 2.0 Prompt: A mesmerizing display of @[character]'s masterful swordsmanship. High-end cinematic 3D realism fused with expressive ink-brush action. High-sakuga anime choreography, sweeping sumi-e brush strokes, flowing ink splashes, dynamic calligraphic energy and graphic black ink trails define every movement. Extreme perspective, dramatic foreshortening, cinematic tracking shots, volumetric lighting, heavy atmospheric haze and explosive ink bursts replace conventional visual effects, while realistic materials and feature-film rendering preserve depth, weight and scale.

Kōda

38,527 görüntüleme • 12 gün önce

Joining the trend Created with GPT Image 2 and Seedance 2.0 on Yapper Prompt: A young Korean woman sits naturally in the audience during a live baseball game. She appears calm and focused on the match. Fans around her wave cheering sticks and react to the game in a lively, authentic stadium environment. Real KBO telephoto broadcast camera style, shallow depth of field, subtle handheld micro shake, natural live TV framing, and authentic Korean stadium lighting with real broadcast overlays (scoreboard, team logos, sponsor graphics, compression artifacts). After a few seconds, she realizes the fan cam is focused on her. She slowly turns toward the camera with a shy, slightly surprised smile, gently tucks her hair behind her ear, then looks down briefly in an embarrassed way. Nearby fans notice and react naturally, smiling and laughing softly. Authentic stadium ambience with loud crowd noise, thunder sticks, announcer echo, and commentator presence. Korean commentator softly says: “와… 정말 아름다우시네요…” No cinematic look, no posing, no beauty filters, no dramatic lighting, no slow motion, no cuts, pure candid, unscripted live sports broadcast realism.
0:15

Joining the trend Created with GPT Image 2 and Seedance 2.0 on Yapper Prompt: A young Korean woman sits naturally in the audience during a live baseball game. She appears calm and focused on the match. Fans around her wave cheering sticks and react to the game in a lively, authentic stadium environment. Real KBO telephoto broadcast camera style, shallow depth of field, subtle handheld micro shake, natural live TV framing, and authentic Korean stadium lighting with real broadcast overlays (scoreboard, team logos, sponsor graphics, compression artifacts). After a few seconds, she realizes the fan cam is focused on her. She slowly turns toward the camera with a shy, slightly surprised smile, gently tucks her hair behind her ear, then looks down briefly in an embarrassed way. Nearby fans notice and react naturally, smiling and laughing softly. Authentic stadium ambience with loud crowd noise, thunder sticks, announcer echo, and commentator presence. Korean commentator softly says: “와… 정말 아름다우시네요…” No cinematic look, no posing, no beauty filters, no dramatic lighting, no slow motion, no cuts, pure candid, unscripted live sports broadcast realism.

Eesha

16,415 görüntüleme • 2 ay önce

I want to thank everyone that stuck with me throughout the whole theburntpeanut rust server and everyone that supported me through everything. I met so many new people and learned so many things whether good or bad and although this may be the end of an era it is just the beginning for me. Here is one of many of the amazing clips from the event that I don't think many people got to see. I love you all, thank you for being a part of some of the best moments of my entire streaming career.
0:18

I want to thank everyone that stuck with me throughout the whole theburntpeanut rust server and everyone that supported me through everything. I met so many new people and learned so many things whether good or bad and although this may be the end of an era it is just the beginning for me. Here is one of many of the amazing clips from the event that I don't think many people got to see. I love you all, thank you for being a part of some of the best moments of my entire streaming career.

Awie

13,410 görüntüleme • 2 ay önce