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Here’s my conversation with Christopher Nolan about The Odyssey. He also talks about the custom lens he modified for The Dark Knight that became a high-demand tool for filmmakers like J.J. Abrams and Zack Snyder. Finally, he reflects on his collaboration with David Keighley, who was the person that... show more

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Christopher Nolan says that ‘THE ODYSSEY’ is dedicated to the late David Keighley - IMAX's first chief quality officer. “We embarked on a 20 year journey of my desire to shoot Hollywood films on IMAX, he very gently & skillfully brought me along.” (🎥: Geoff Keighley)

Christopher Nolan says that ‘THE ODYSSEY’ is dedicated to the late David Keighley - IMAX's first chief quality officer. “We embarked on a 20 year journey of my desire to shoot Hollywood films on IMAX, he very gently & skillfully brought me along.” (🎥: Geoff Keighley)

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For more than 50 years, my Dad dreamed of a day when every frame of a major Hollywood film would be captured with IMAX cameras. Tonight, Christopher Nolan spoke beautifully about his friendship with my Dad - and the new Keighley IMAX camera - on The Late Show w/ Colbert.

For more than 50 years, my Dad dreamed of a day when every frame of a major Hollywood film would be captured with IMAX cameras. Tonight, Christopher Nolan spoke beautifully about his friendship with my Dad - and the new Keighley IMAX camera - on The Late Show w/ Colbert.

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here's my conversation with #TomHolland and #AnneHathaway for The Odyssey Movie. The pair discuss the mirror rig Christopher Nolan and his team created to capture intimate dialogue using IMAX cameras. They also talk about the way Nolan uses British humor to ease tension during crucial scenes. Collider You can read the article here

here's my conversation with #TomHolland and #AnneHathaway for The Odyssey Movie. The pair discuss the mirror rig Christopher Nolan and his team created to capture intimate dialogue using IMAX cameras. They also talk about the way Nolan uses British humor to ease tension during crucial scenes. Collider You can read the article here

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CHRISTOPHER NOLAN DIDN'T JUST MAKE A BIG MOVIE. HE MADE THE BIGGEST FILM OF HIS CAREER. For years, The Dark Knight Rises stood as Nolan's box office peak. Now The Odyssey has crossed $1.1 billion worldwide, making it his highest-grossing film ever and pushing his career into a new tier of cinematic history. What makes that so impressive is not just the number. It's the fact that Nolan keeps winning with films that feel like events, not products. From IMAX spectacle to giant-scale storytelling, he has built a career on trusting audiences with ambition. The Odyssey is now tracking even higher, with some reports placing it on course for an even bigger global finish. • The Odyssey has crossed $1.1 billion worldwide. • It has officially surpassed The Dark Knight Rises as Nolan's biggest film. • The movie's IMAX-heavy presentation helped turn it into a true event release. • Nolan once again proved that original-scale filmmaking can still dominate globally. Some directors chase box office records. Christopher Nolan keeps making the kind of movies that become the record.

CHRISTOPHER NOLAN DIDN'T JUST MAKE A BIG MOVIE. HE MADE THE BIGGEST FILM OF HIS CAREER. For years, The Dark Knight Rises stood as Nolan's box office peak. Now The Odyssey has crossed $1.1 billion worldwide, making it his highest-grossing film ever and pushing his career into a new tier of cinematic history. What makes that so impressive is not just the number. It's the fact that Nolan keeps winning with films that feel like events, not products. From IMAX spectacle to giant-scale storytelling, he has built a career on trusting audiences with ambition. The Odyssey is now tracking even higher, with some reports placing it on course for an even bigger global finish. • The Odyssey has crossed $1.1 billion worldwide. • It has officially surpassed The Dark Knight Rises as Nolan's biggest film. • The movie's IMAX-heavy presentation helped turn it into a true event release. • Nolan once again proved that original-scale filmmaking can still dominate globally. Some directors chase box office records. Christopher Nolan keeps making the kind of movies that become the record.

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🎞️ 'The Odyssey' fans flock to see film 'the way Nolan intended' Box office hit "The Odyssey", written and directed by Christopher Nolan, has been a promotional tool for IMAX cinema technology. Nolan became the first director ever to use the highest resolution 70mm IMAX film with a specially designed camera to shoot the whole film. But the epic has also sparked a backlash about its perceived elitism, as only 41 cinemas worldwide are able to show it in its original format

🎞️ 'The Odyssey' fans flock to see film 'the way Nolan intended' Box office hit "The Odyssey", written and directed by Christopher Nolan, has been a promotional tool for IMAX cinema technology. Nolan became the first director ever to use the highest resolution 70mm IMAX film with a specially designed camera to shoot the whole film. But the epic has also sparked a backlash about its perceived elitism, as only 41 cinemas worldwide are able to show it in its original format

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Matt Damon reflects on ‘THE ODYSSEY’ being his third film collaboration with Christopher Nolan. “I think [our dynamic] was collaborative from the second I started working with him. He really gives actors a lot of freedom and he’s just an extraordinary director.”

Matt Damon reflects on ‘THE ODYSSEY’ being his third film collaboration with Christopher Nolan. “I think [our dynamic] was collaborative from the second I started working with him. He really gives actors a lot of freedom and he’s just an extraordinary director.”

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Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

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This interviewer tells Christopher Nolan that his favorite thing about The Odyssey was Elliot Page’s amazing role. A piece of trivia for you: the last time Chris worked with Elliot, he was Ellen.

This interviewer tells Christopher Nolan that his favorite thing about The Odyssey was Elliot Page’s amazing role. A piece of trivia for you: the last time Chris worked with Elliot, he was Ellen.

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Since he was 16, Christopher Nolan has been dreaming of a way to shoot an entire film on IMAX, and with “The Odyssey,” he’s finally done it. The Oscar-winning director told Gayle King about the challenges of shooting across six countries and on a boat in open waters — and why he still feels nervous before debuting his films in theaters: “The movie’s really not done until the audience kind of tells me what it is.”

Since he was 16, Christopher Nolan has been dreaming of a way to shoot an entire film on IMAX, and with “The Odyssey,” he’s finally done it. The Oscar-winning director told Gayle King about the challenges of shooting across six countries and on a boat in open waters — and why he still feels nervous before debuting his films in theaters: “The movie’s really not done until the audience kind of tells me what it is.”

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Tom Holland says Christopher Nolan sat down with him to talk about how happy he was with his work in ‘THE ODYSSEY’ after the movie was done: “With Chris, he’s able to kind of inspire this endurance to try and impress him and do your best work. And it means a lot to me now that the movie is done, we sat down and he chatted about how happy he was with my work. So for me, everything that I was working towards all those days on set kind of accumulated right at the end.”

Tom Holland says Christopher Nolan sat down with him to talk about how happy he was with his work in ‘THE ODYSSEY’ after the movie was done: “With Chris, he’s able to kind of inspire this endurance to try and impress him and do your best work. And it means a lot to me now that the movie is done, we sat down and he chatted about how happy he was with my work. So for me, everything that I was working towards all those days on set kind of accumulated right at the end.”

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Christopher Nolan conceived the idea for Inception based on his own experiences with lucid dreaming and the concept of ‘dream architects’ who could control dreams. He spent nearly a decade developing the script before the film was finally made.

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Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."

Christopher Nolan reveals a producer once anonymously called him "a cold guy who makes cold films," a label that stuck with him for years despite Interstellar being his most emotional film. Christopher Nolan: "I had some very brave producer at some point had anonymously said of me, 'He's a cold guy who makes cold films,' years before, and that is sort of stuck on me for several projects." Christopher Nolan: "Interstellar was a project, the reason I was attracted to my brother's first act is it was about family, was about humanity, and it was deeply emotional. And that's the film I wanted to make."

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“Oppenheimer” star Cillian Murphy says he told writer-director Christopher Nolan he’d star in the film before he read the script. A strategy, he says, that always pays off for him with Nolan.

“Oppenheimer” star Cillian Murphy says he told writer-director Christopher Nolan he’d star in the film before he read the script. A strategy, he says, that always pays off for him with Nolan.

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Christopher Nolan says The Odyssey is ultimately about the idea that a society can only function through respect for strangers. He believes that, despite 3,000 years passing since Homer, that fundamental truth about human nature hasn’t changed.

Christopher Nolan says The Odyssey is ultimately about the idea that a society can only function through respect for strangers. He believes that, despite 3,000 years passing since Homer, that fundamental truth about human nature hasn’t changed.

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Timothée Chalamet talks about his backstage photo with Christopher Nolan: “The whole experience with Nolan I was like, I felt totally like 17 again… I said to him, ‘Chris I’m a 30 year old man.’ He said, ‘Not to me, you’re not.’”

Timothée Chalamet talks about his backstage photo with Christopher Nolan: “The whole experience with Nolan I was like, I felt totally like 17 again… I said to him, ‘Chris I’m a 30 year old man.’ He said, ‘Not to me, you’re not.’”

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John Leguizamo on working with Christopher Nolan for ‘The Odyssey’ and the personal qualities he brought to his character Eumaeus: “I am a loyal guy so I brought that part of myself to the movie”

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"That was revenge for my best friend. ... And that was something that I've been dreaming about for a long, long time." EXCLUSIVE: NEW AEW National Champion @Boy_Myth_Legend reflects on his win – and the one person he wishes he could share it with.

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Zendaya says she was "mortified" that Christopher Nolan might scold her after she flubbed a line while filming The Odyssey (2026) on expensive IMAX film stock, unlike digital cameras that can keep recording. "I remember I flubbed a line once and I was mortified because I was like, 'This is IMAX.'" "It does every day felt like that, and you didn't want to let Chris down." "He was so cool. He was like, 'Yeah, it's fine.'"

Zendaya says she was "mortified" that Christopher Nolan might scold her after she flubbed a line while filming The Odyssey (2026) on expensive IMAX film stock, unlike digital cameras that can keep recording. "I remember I flubbed a line once and I was mortified because I was like, 'This is IMAX.'" "It does every day felt like that, and you didn't want to let Chris down." "He was so cool. He was like, 'Yeah, it's fine.'"

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“If ever there was a film that deserved to be every frame in IMAX, it’s this”: Christopher Nolan first encountered an IMAX film at Chicago’s Museum of Science and Industry when he was 16 years old — and dreamed then of making an entire film in the high-quality format. He told Gayle King about working with the company to create a “bleeping” box that would silence the loud camera for more intimate scenes between actors.

“If ever there was a film that deserved to be every frame in IMAX, it’s this”: Christopher Nolan first encountered an IMAX film at Chicago’s Museum of Science and Industry when he was 16 years old — and dreamed then of making an entire film in the high-quality format. He told Gayle King about working with the company to create a “bleeping” box that would silence the loud camera for more intimate scenes between actors.

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