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Hero Branded

ReadyForDuel

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12,437 views • 5 months ago •via X (Twitter)

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After-Hours Spider Hero 🕷️🌙 By day, he saves the city. By night, it's instant noodles, video games, and a well-earned break. Made with GPT Image 2 + Seedance 2.0 Mini on Pollo AI #PolloAI #PolloSpiderVerse Prompt: Part 1 – Hero on Duty (0–15s) Style: Stylized 3D animation, comic-inspired aesthetic, original non-branded spider-themed hero, expressive animation, vibrant sunset lighting, cinematic camera, exaggerated facial expressions, smooth action, 16:9, 4K. Prompt: Create the first 15 seconds of an animated short about an ordinary spider-themed superhero. Scene 1 (0–7s): A masked spider hero swings between towering skyscrapers at sunset, dodging explosions and stopping a giant robot. Fast-paced action, comic-book speed lines, dynamic camera movements, cheering crowds, epic heroic atmosphere. Scene 2 (7–15s): After defeating the robot, the hero lands on a quiet rooftop. He removes his mask, lets out a long sigh, stretches his aching back, rubs his sore shoulders, and looks completely exhausted. He walks toward the rooftop exit, heading home as the sun sets behind the city skyline. End Frame: The hero opens the apartment building door and steps inside, setting up the next scene. Part 2 – After Hours (15–30s) Style: Keep the same hero, same outfit, same animation style, same cinematic quality, and same apartment for perfect continuity. Prompt: Continue directly from Part 1. Scene 3 (15–20s): The hero enters his small apartment, drops onto a worn-out couch while still wearing half of his suit, prepares a cup of instant noodles, pours in hot water, and impatiently waits for it to cook. Scene 4 (20–25s): As he starts eating, his phone suddenly flashes: "EMERGENCY! CITY UNDER ATTACK!" He glances at the notification, then at his noodles, quietly flips the phone face down, and continues eating without saying a word. Scene 5 (25–30s): He picks up a game controller and starts playing video games. Outside the apartment window, distant explosions light up the night sky. He briefly looks outside, shrugs with a smile, and keeps gaming. The camera slowly pulls back as the screen freezes with bold comic-style text: "OFF DUTY." 🎮🕷️

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376,308 views • 2 years ago

Yazidi activist and Aurora Prize for Awakening Humanity laureate Mirza Dinnayi raises a notable issue on the anniversary of the ISIS onslaught against Sinjar. In a video filmed in Rawanduz, Dinnayi stands beside the statue of Mir Muhammad Pasha, the nineteenth-century ruler of the Soran Emirate, and asks why a figure associated with one of the bloodiest campaigns against the Yazidis is still celebrated as a Kurdish national hero. Mir Muhammad Pasha’s forces attacked Yazidi communities in the 1830s after religious rulings branded them infidels. Thousands were said to have been killed or forcibly converted. Some later Yazidi accounts place the death toll between 70,000 and 120,000, although the precise figure remains difficult to verify. Pointing towards the statue, Dinnayi describes Mir Muhammad Pasha as one of history’s ‘great criminals’ and asks Kurds to consider how Yazidis feel when they see him commemorated in public space. His most powerful comparison is a simple one: imagine that Sunni Arabs returned to power in Iraq and erected a statue of Saddam Hussein. How would Kurds feel? The analogy captures the central issue. One community’s national hero may be remembered by another as the perpetrator of mass violence. Dinnayi argues that the history of Mir Muhammad Pasha should not be erased, but neither should a history of massacre, enslavement and forced conversion be transformed into a source of national pride. His intervention raises a broader question about how Kurdish society remembers its past: whether public commemoration should celebrate power and territorial expansion alone, or also reckon with the suffering inflicted on minorities in the process. A similar dispute surrounds Simko Shikak, who is commemorated with a statue and a street bearing his name in Erbil. Many Assyrians oppose his public glorification because of his role in the 1918 assassination of Patriarch Mar Shimun Benyamin and the wider clashes with Assyrians in the Urmia and Salmas regions. The two cases raise the same underlying question: who is entitled to define a historical figure as a hero when another community remembers him as a perpetrator?

Yazidi activist and Aurora Prize for Awakening Humanity laureate Mirza Dinnayi raises a notable issue on the anniversary of the ISIS onslaught against Sinjar. In a video filmed in Rawanduz, Dinnayi stands beside the statue of Mir Muhammad Pasha, the nineteenth-century ruler of the Soran Emirate, and asks why a figure associated with one of the bloodiest campaigns against the Yazidis is still celebrated as a Kurdish national hero. Mir Muhammad Pasha’s forces attacked Yazidi communities in the 1830s after religious rulings branded them infidels. Thousands were said to have been killed or forcibly converted. Some later Yazidi accounts place the death toll between 70,000 and 120,000, although the precise figure remains difficult to verify. Pointing towards the statue, Dinnayi describes Mir Muhammad Pasha as one of history’s ‘great criminals’ and asks Kurds to consider how Yazidis feel when they see him commemorated in public space. His most powerful comparison is a simple one: imagine that Sunni Arabs returned to power in Iraq and erected a statue of Saddam Hussein. How would Kurds feel? The analogy captures the central issue. One community’s national hero may be remembered by another as the perpetrator of mass violence. Dinnayi argues that the history of Mir Muhammad Pasha should not be erased, but neither should a history of massacre, enslavement and forced conversion be transformed into a source of national pride. His intervention raises a broader question about how Kurdish society remembers its past: whether public commemoration should celebrate power and territorial expansion alone, or also reckon with the suffering inflicted on minorities in the process. A similar dispute surrounds Simko Shikak, who is commemorated with a statue and a street bearing his name in Erbil. Many Assyrians oppose his public glorification because of his role in the 1918 assassination of Patriarch Mar Shimun Benyamin and the wider clashes with Assyrians in the Urmia and Salmas regions. The two cases raise the same underlying question: who is entitled to define a historical figure as a hero when another community remembers him as a perpetrator?

Kurdistan Watch

11,670 views • 2 months ago

EPSTEIN FILES: WILL WE EVER WIN THIS BATTLE? Today in history, February 4, 1902: American hero Charles Lindbergh was born. You know him for being the 1st to successfully fly solo, non-stop across the Atlantic Ocean. Later, he was an outspoken critic of US involvement in WW2 & important leader of the isolationist movement. In an iconic 1941 speech to the America First Committee, the full audio of which is now censored, Lindbergh highlighted the jewish danger in pushing & enticing the US towards WW2 through their influence in motion pictures, radio, the press, and government. Those who opposed were branded Nazis & antisemites. He was canceled for this speech, but the entire sordid Epstein affair, War On Terror, 80-year siege of Palestine, radical-leftist/open border Marxist assault on our Nation, Big-Tech infiltration, etc, and looming war with Iran vindicate him in every particular. How long will we let this maniacal group of anti-goyim warmongers, gangsters, pedophiles, thieves & usurious robber-merchants run roughshod over our civilization? How much longer are we going to keep fighting the same battle our grandparents & great-grandparents fought? Will we curse our own grandchildren to fight this battle, too? Listen to this and tell me if any of it sounds familiar.

EPSTEIN FILES: WILL WE EVER WIN THIS BATTLE? Today in history, February 4, 1902: American hero Charles Lindbergh was born. You know him for being the 1st to successfully fly solo, non-stop across the Atlantic Ocean. Later, he was an outspoken critic of US involvement in WW2 & important leader of the isolationist movement. In an iconic 1941 speech to the America First Committee, the full audio of which is now censored, Lindbergh highlighted the jewish danger in pushing & enticing the US towards WW2 through their influence in motion pictures, radio, the press, and government. Those who opposed were branded Nazis & antisemites. He was canceled for this speech, but the entire sordid Epstein affair, War On Terror, 80-year siege of Palestine, radical-leftist/open border Marxist assault on our Nation, Big-Tech infiltration, etc, and looming war with Iran vindicate him in every particular. How long will we let this maniacal group of anti-goyim warmongers, gangsters, pedophiles, thieves & usurious robber-merchants run roughshod over our civilization? How much longer are we going to keep fighting the same battle our grandparents & great-grandparents fought? Will we curse our own grandchildren to fight this battle, too? Listen to this and tell me if any of it sounds familiar.

Sam Parker 🇺🇸🧯

50,544 views • 8 months ago

I just built a branded IG carousel generator in Claude Code 🤯 One brand URL + one product name = 6 finished carousel slides. The kind an agency charges $2K to produce. All inside Claude Code. Perfect for DTC brands, agencies, and mobile app operators who need on-brand social content without briefing a designer or waiting a week for revisions. If you're building IG carousels manually — writing copy in Notion, designing in Canva, exporting slides one by one, going back and forth with your creative team for days... This tool eliminates the entire loop: → Drop in a brand URL and product name → Claude scrapes the site and extracts colors, fonts, voice, and positioning → Generates 6 slide concepts across proven carousel frameworks → Writes a detailed image prompt for each slide → Fires all 6 to ChatGPT Images 2.0 via FAL in parallel → Downloads finished slides + opens an HTML gallery No Canva. No designer back-and-forth. No generic AI slop. What you get: -> Finished 1080x1350px slides ready to post directly to Instagram -> Wavy color-blocked backgrounds, bold typography, product hero — all baked into the image -> Brand-accurate colors and copy pulled from the live site automatically -> A reusable pipeline — new brand, new folder, same 3-minute workflow Built 100% in Claude Code. I put together the full step-by-step playbook so you can build this yourself. Want it for free? > Like this post > Comment "SLIDES" And I'll send it over (must be following so I can DM)

Mike Futia

93,964 views • 4 months ago