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This is the largest monastic library on Earth. It’s hidden in an Austrian mountain valley and is believed to have inspired the design of the iconic library in Disney’s Beauty and the Beast, but you’ve probably never even heard of it... Completed in 1776 within the Benedictine monastery Admont Abbey, the library was designed by architect Josef Hueber as the intellectual crown of the abbey. It is 70 metres long, lit by 48 windows, and lined with white-and-gold bookcases that hold 70,000 volumes. Across the entire abbey, the collection runs to roughly 200,000 books and 1,400 medieval manuscripts. Hueber designed the room to embody the philosophy of his era. "Like our understanding, spaces too should be filled with light," he said. The walls are white. The shelves are gilded. Sunlight pours through the windows and reflects off the gold leaf until the entire hall seems to glow from inside. The ceiling holds seven frescoes painted by Bartolomeo Altomonte in the summers of 1775 and 1776. He was almost eighty years old. Each fresco depicts a stage of human understanding, beginning with the sciences and rising, dome by dome, toward Divine Revelation in the central cupola. In 1865, a fire tore through the monastery. It destroyed the church, the dormitories, the workshops, almost everything. But the library survived untouched. Two and a half centuries after it was completed, it is still called the eighth wonder of the world... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

86,714 просмотров • 3 месяцев назад

Cool & Little-Known Facts about the 1963 Split-Window Corvette: - One-year wonder by design: Bill Mitchell (GM Styling chief) fought hard for the split rear window to continue his "spine" design line from the roof to the tail. Zora Arkus-Duntov (chief engineer) hated it because it blocked rear visibility. They compromised — it only lasted one year. -Shark-inspired styling: The entire Sting Ray shape was heavily influenced by a mako shark that Mitchell caught while deep-sea fishing. The split window helped carry the "dorsal spine" look. - Real visibility issue: Many 1963 owners hated the split so much they swapped it for a single-piece rear window (Chevy dealers even offered the part). This destroyed originality and collector value on many cars — today, untouched split-windows are gold. -Ultra-rare Z06 "Big Tank" racer: Only 199 Z06 packages were ordered in 1963. Of those, just ~78 had the massive 36.5-gallon fuel tank (most were 20-gal). These were built for endurance racing and are among the most valuable Corvettes ever. - Hidden design nods: The split-window idea may trace back to a 1937 German Adler Trumpf Rennlimousine spotted at a fair, or the Bugatti Type 57SC Atlantique. - Production milestone: First Corvette coupe ever, first with independent rear suspension, and over 10,500 coupes built — but the split makes every surviving original one instantly iconic. These details are what turn a cool car into a legend.

𝐃𝐔𝐓𝐂𝐇

79,180 просмотров • 4 месяцев назад

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,389 просмотров • 3 месяцев назад