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Hip-hop embodies its essence through four powerful elements: DJing, rapping, graffiti, and breaking. Each element is distinct, yet they are also equal in the sense that they draw their creativity from the same Source. Rappers need to understand this.

BROLICARM

9,551 subscribers

43,951 次观看 • 1 年前 •via X (Twitter)

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10 条评论

Willie Dynamite 的头像

Willie Dynamite1 年前

YOU Need to SPEAK on YOUR OWN LATINO CULTURE ! DO YOU KNOW WHY ? 👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿👇🏿

🅱️ 的头像

🅱️1 年前

Jamar is….ugh HipHop shows are 10x more enjoyable with Breaking and Turntablists. Albums are better with cuts in the hooks, etc. these elements are just as important.

BROLICARM 的头像

BROLICARM1 年前

What you wrote is 💎.

𝐑𝐢𝐜𝐡·𝟓 的头像

𝐑𝐢𝐜𝐡·𝟓1 年前

Many folks back when including my self got exposed to Hip Hop by one of Elements (me Breaking then Graff) and then when we got further introduced to the other ones it made the Culture complete where we tried out hand at each one until we found the one we were skilled at!!!🤷🏽‍♂️

Mark Swift 183 的头像

Mark Swift 1831 年前

Who’s a bigger brand, worldwide the Rock steady crew or Brand Nubian

BROLICARM 的头像

BROLICARM1 年前

@KTS_Swift183 “Who’s a bigger brand, worldwide the Rock steady crew or Brand Nubian.” What you wrote is 💎.

🅿️🅾️🅿️🅿️🅰️💥 🇭🇹 🏴 的头像

🅿️🅾️🅿️🅿️🅰️💥 🇭🇹 🏴1 年前

Lord Jamar with his bad takes again

Ruben Rivera 的头像

Ruben Rivera1 年前

Jamal is NOT from the Bronx. He’s from New Ro that’s like an hr away. He’s not valid.

George 的头像

George1 年前

Maybe KRS took it too far with the elements of Hip Hop but Dj, MC, Breakdance and Graffiti are the pillars. Without these four together who knows how Hip Hop could've evolve. Sad to see Lord Jamar with these bad takes and he has plenty.

FREEDMEN CHIEF JUSTICE REPARATIONS 的头像

FREEDMEN CHIEF JUSTICE REPARATIONS1 年前

👎🏿👎🏿👎🏿

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Hip-Hop culture suffers from TRUTH DECAY. The issue is microphones are shoved in the faces of some Rappers who share untruthful stories and narratives. These unvetted Hip-Hop accounts are then spread throughout social media by podcasters and influencers who sacrifice facts for views and feed their followers with lies. Then we're left to argue about misinformation, and round and round we go. In our age of "Information" overload, Hip-Hop needs to channel the energy from discriminating against each other towards correctly discriminating between truth and falsehood—guard against being led astray by rappers like Lord Jamar who falsely claim Breaking, the element responsible for introducing our culture to the world, isn't a part of Hip-Hop! Of all the elements of HIp-Hop (DJing, MCing, Graffiti, Breaking), Breaking is the one I revere the most because it resurrects despite its multiple deaths. To those of you trying to kill it again, you can’t kill what WON’T DIE!

Hip-Hop culture suffers from TRUTH DECAY. The issue is microphones are shoved in the faces of some Rappers who share untruthful stories and narratives. These unvetted Hip-Hop accounts are then spread throughout social media by podcasters and influencers who sacrifice facts for views and feed their followers with lies. Then we're left to argue about misinformation, and round and round we go. In our age of "Information" overload, Hip-Hop needs to channel the energy from discriminating against each other towards correctly discriminating between truth and falsehood—guard against being led astray by rappers like Lord Jamar who falsely claim Breaking, the element responsible for introducing our culture to the world, isn't a part of Hip-Hop! Of all the elements of HIp-Hop (DJing, MCing, Graffiti, Breaking), Breaking is the one I revere the most because it resurrects despite its multiple deaths. To those of you trying to kill it again, you can’t kill what WON’T DIE!

BROLICARM

10,307 次观看 • 1 年前

the thing you need to understand about Autechre is that they make some of the densest most inscrutable electronic music and yet at their core they’re really just old school hip hop heads who love breakdancing and graffiti and turntable scratching

the thing you need to understand about Autechre is that they make some of the densest most inscrutable electronic music and yet at their core they’re really just old school hip hop heads who love breakdancing and graffiti and turntable scratching

Master of the Flying Jetski

94,257 次观看 • 1 年前

The biggest flex of SEVENTEEN’s hip hop unit is that not only are they fierce rappers—they’re ALSO emotive balladeers AND hardcore rockers 💯 This is their take on “Hug” by the vocal unit—with their own unique twist in the end 😉

The biggest flex of SEVENTEEN’s hip hop unit is that not only are they fierce rappers—they’re ALSO emotive balladeers AND hardcore rockers 💯 This is their take on “Hug” by the vocal unit—with their own unique twist in the end 😉

Kathrina

19,940 次观看 • 6 个月前

WHY THE NEW GENERATION RAP FANS HATE THE JAY Z FREESTYLE.. 1.) ITS NO BEAT 2.) IT’S TOO MANY WORDS 3.) THEY DON’T HAVE ENOUGH KNOWLEDGE ON THE HISTORY OF RAP TO UNDERSTAND NODS TO PUBLIC ENEMYS “911 IS A JOKE” 4.) ITS NO HOOK 5.) ITS NO AUTO TUNE OR HARMONIZING 6.) HE HAS NO JEWELRY OR DESIGNER CLOTHES ON See today’s casual rap fan does not really understand REAL HIP HOP They know HIP-POP a commercialized version of it That does not deal with knowledge And information through a lot of words from a rapper that make sense They are trained to listen to the beat Or the hook Or the autotune singing Or look at the outfit or the jewelry And since JAY Z WENT BACK TO THE ESSENCE OF WHAT THE ACTUAL ONLY SKILL ELEMENT OF HIP HOP IS “THE LYRICISM” Majority of the fans do not know what they are looking at Or even have the knowledge on how to listen to hip hop correctly enough to judge it properly

WHY THE NEW GENERATION RAP FANS HATE THE JAY Z FREESTYLE.. 1.) ITS NO BEAT 2.) IT’S TOO MANY WORDS 3.) THEY DON’T HAVE ENOUGH KNOWLEDGE ON THE HISTORY OF RAP TO UNDERSTAND NODS TO PUBLIC ENEMYS “911 IS A JOKE” 4.) ITS NO HOOK 5.) ITS NO AUTO TUNE OR HARMONIZING 6.) HE HAS NO JEWELRY OR DESIGNER CLOTHES ON See today’s casual rap fan does not really understand REAL HIP HOP They know HIP-POP a commercialized version of it That does not deal with knowledge And information through a lot of words from a rapper that make sense They are trained to listen to the beat Or the hook Or the autotune singing Or look at the outfit or the jewelry And since JAY Z WENT BACK TO THE ESSENCE OF WHAT THE ACTUAL ONLY SKILL ELEMENT OF HIP HOP IS “THE LYRICISM” Majority of the fans do not know what they are looking at Or even have the knowledge on how to listen to hip hop correctly enough to judge it properly

MASTER STUDENT🤲🏾

75,817 次观看 • 1 个月前

If I told you this was a Hip Hop track that came out in 1989 and not 69 youd believe me. From the beat to the rapping and gold chains it would make sense because this everything about the music and style is hip hop. But since Isaac Hayes was rapping in gold chains in Memphis and not the Bronx, it doesn’t count. Bambooty, and Melle Mel would have you believe they started this culture. Instead of telling the truth about how this culture was handed down to them. The ego of these hip hop so called legends is astonishing. They sampled everything and give credit to nobody. That’s sad.

If I told you this was a Hip Hop track that came out in 1989 and not 69 youd believe me. From the beat to the rapping and gold chains it would make sense because this everything about the music and style is hip hop. But since Isaac Hayes was rapping in gold chains in Memphis and not the Bronx, it doesn’t count. Bambooty, and Melle Mel would have you believe they started this culture. Instead of telling the truth about how this culture was handed down to them. The ego of these hip hop so called legends is astonishing. They sampled everything and give credit to nobody. That’s sad.

Dwann B 🇺🇸

26,001 次观看 • 1 年前

ICE CUBE IN 1992 PREDICTED THE DEATH OF HIP HOP AS A MUSIC GENRE IF IT WERE EVER TO GO TOO COMMERCIAL AND HOW THE GENRE WOULD LOSE ITS SOUL FOR MONEY AND HIP HOP IN TODAYS TIME IS A SOULLESS MUSIC GENRE MOST OF THE RAPPERS ARE AFRAID TO SPEAK TRUTH TO POWER NOW THEY ARE CORPORATE SELL OUTS

ICE CUBE IN 1992 PREDICTED THE DEATH OF HIP HOP AS A MUSIC GENRE IF IT WERE EVER TO GO TOO COMMERCIAL AND HOW THE GENRE WOULD LOSE ITS SOUL FOR MONEY AND HIP HOP IN TODAYS TIME IS A SOULLESS MUSIC GENRE MOST OF THE RAPPERS ARE AFRAID TO SPEAK TRUTH TO POWER NOW THEY ARE CORPORATE SELL OUTS

MASTER STUDENT🤲🏾

112,820 次观看 • 9 个月前

This is a Mormon temple endowment ceremony. They also believe you need to know secret handshakes to enter the celestial kingdom but they will lie and twist this fact if confronted. During the temple ordinance, patrons are taught four distinct handshakes, each representing different levels of priesthood authority

This is a Mormon temple endowment ceremony. They also believe you need to know secret handshakes to enter the celestial kingdom but they will lie and twist this fact if confronted. During the temple ordinance, patrons are taught four distinct handshakes, each representing different levels of priesthood authority

🌷 LIZZIE🌷

284,597 次观看 • 1 个月前

People think culture dies when outsiders (vultures) exploit said culture's resources for profit, but that's only half true. The real way cultures decay and expire is from within. It's scary because no matter how hard they try to erase the contributions of Graff Writers, DJs, Rappers, and Breakers who contributed to the formative years of Hip-Hop when it initially began flourishing, none of them can just erase what I know took place from the records like it never happened. Yet, I've been witnessing the deletion of important Hip-Hop history for the last two years. Zoomers are being re-educated to hate the diversity in talent and "race" that makes Hip-Hop remotely the culture I've been studying, NON-STOP, since 1979. Forty-five years of collecting park jam tapes, battling B-boys from all over NYC at USA Rollerskating Rink (69th Street and Roosevelt Avenue), writing Graffiti, Rapping, and, of course, DJing have made me wonder if the ideas I have been fed about Hip-Hop being "universal" have survived today. I think not because some of our legends are rewriting HIp-Hop history to their liking. At the rate we're going, I firmly believe the genuine, authentic concept of Hip-Hop is bound to disappear, and I won't mourn its death. That may sound like a messed up statement, but after this weekend, I'm convinced Hip-Hop needs to die.

People think culture dies when outsiders (vultures) exploit said culture's resources for profit, but that's only half true. The real way cultures decay and expire is from within. It's scary because no matter how hard they try to erase the contributions of Graff Writers, DJs, Rappers, and Breakers who contributed to the formative years of Hip-Hop when it initially began flourishing, none of them can just erase what I know took place from the records like it never happened. Yet, I've been witnessing the deletion of important Hip-Hop history for the last two years. Zoomers are being re-educated to hate the diversity in talent and "race" that makes Hip-Hop remotely the culture I've been studying, NON-STOP, since 1979. Forty-five years of collecting park jam tapes, battling B-boys from all over NYC at USA Rollerskating Rink (69th Street and Roosevelt Avenue), writing Graffiti, Rapping, and, of course, DJing have made me wonder if the ideas I have been fed about Hip-Hop being "universal" have survived today. I think not because some of our legends are rewriting HIp-Hop history to their liking. At the rate we're going, I firmly believe the genuine, authentic concept of Hip-Hop is bound to disappear, and I won't mourn its death. That may sound like a messed up statement, but after this weekend, I'm convinced Hip-Hop needs to die.

BROLICARM

10,900 次观看 • 2 年前

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The issue of the Banyarwanda (Bavandimwe) in Uganda is a complex one to understand. To understand why they are included in the Constitution yet apparently officially discriminated against. To understand why it is said that Banyarwanda are core to Museveni’s government, yet their sentiment is that they are at the margins. To understand why MK who is close with the lead proponent- Gashumba - and holds ‘special powers’ in the state, also can’t help them. Is there something we don’t know about this matter?

Jim Spire Ssentongo

172,066 次观看 • 2 年前

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Boogie Down Productions - “My Philosophy” The biggest misconception about KRS-One is that he’s a “conscious” rapper. But long before that label was ever used to describe some rappers (often in a derogatory manner), KRS-One was dropping science. Not sure when it became a thing for any rapper to *not be conscience. But if you really listen to the pioneering rappers from Melle Mel to Run-DMC to LL Cool J to Rakim to Chuck D to Kool G Rap to MC Lyte to Queen Latifah…you’ll notice one thing for certain: They were all “conscious”. That is to say, they were all obliviously intelligent, aware of their environment and surroundings, and completely at ease with expanded vocabularies and nuanced poetry. And yet, none of them were ignorant of the streets. KRS-One, of the greatest MCs of all time (and an automatic win in ANY MC battle), displayed intelligence right from the start. He was also from the streets. And while over time labels have been used to misinform people about what hip hop/rap music was, is, and can be, these two things should never be seen as mutually exclusive. Especially since hip hop/rap music’s roots are deeply embedded in the streets. In fact, this is one of the primary elements that gives hip hop/rap music it’s distinct flavor. Another primary element that distinguishes hip hop/rap music from all other music forms is sampling. Here, on the aptly titled “My Philosophy,” a sampled-based song built around menacing drums and flip of sample of Stanley Turrentine’s and Milt Jackson’s “Sister Sanctified,” we feel the force of sampling in hip hop/rap music. As I say in my book The Art of Sampling, 3rd Edition, hip hop beatmakers (producers) can convert anything to hip hop form. And the reconceptualization and recontextualization of a small sample from an obscure jazz fusion tune like “Sister Sanctified” goes a long way in proving this point…

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24,896 次观看 • 5 个月前

KATSEYE told The Associated Press that they wanted a song to showcase their distinct and beautiful vocals, and they will make it happen, since they are still in the early stages yet and only on their second EP.

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I need people to understand that there are 8 VOCALISTS in NCT 127. Mark confirming that they sing all of their songs live is insane. The Momentum tour also proved that they have 8 rappers, too. I'm sorry, but we may never get a male group lineup of this high caliber ever again.

ℙℝ ¹²⁷

136,963 次观看 • 1 年前

Now they are saying the Black people got ALL the street dances from Puerto Ricans who created the “Rock Dance” that was the precursor to hip hop bboying dances. And then they demonstrate these moves that FBA “took” from them. (This is NOT a parody. They are dead serious, family) 🤦🏿‍♂️

Now they are saying the Black people got ALL the street dances from Puerto Ricans who created the “Rock Dance” that was the precursor to hip hop bboying dances. And then they demonstrate these moves that FBA “took” from them. (This is NOT a parody. They are dead serious, family) 🤦🏿‍♂️

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264,753 次观看 • 2 年前

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Sawa Mall Eastleigh family was using their son Mohamed Abdullah in the name of export because they are the ones that received the money in UAE they did not need the meat but they needed money in Dubai and now they are hiding their son from going to court because they don't want justice to prevail so that they don't get exposed yet the person who supplied you is sinking in depression....your son did not want the business to stop and refusing to pay the money is the punishment that you are giving...they are also using their connections in the police force and govt to block justice...we have police from Nairobi area and regional police out side the mall every day! Sad that Foreigners Have come to Rob Kenyans in their Own Country and Police are in their Pockets!!

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52,483 次观看 • 9 个月前

People like Glasses Malone 🏴‍☠️ who say Hip Hop started out street are rewriting history. Hip hop started with partying, positivity, and conscious rap. It wasn't until the 90s and the rise of the west coast is when "gangsta rap" took off. Drake represents that element of Party, positivity, and conscious rap. But they not ready to have that conversation

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