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home page hero ✨ Design notes: - "Forever" hero text dot pixel FX done in unicorn.studio. (I will do a whole tutorial on this later. Unicorn's WebGL engine is absolutely wild and very powerful / robust) - built in Framer - I wanted to recreate the iOS unlock effect...

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Chadd Weston

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15,697 görüntüleme • 8 ay önce •via X (Twitter)

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i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.
0:18

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,293,756 görüntüleme • 1 ay önce

We just released a new marketing site and I wanted to talk through some of the changes that we made and why. Design thinking is the other side of the feed, it's usually more nuanced than the flashier parts and typically doesn't hold up as well to a quick scroll. Doesn't bode well for this thread! But, this will be my attempt to talk through the changes made and why. First up, this is our new hero. At Loops.so, our goal right now is to be the only platform you need to email your users The H1 matches that intention and the subheader reinforces it. We also wanted it to be clear we ship fast and often, so we added a pill showing the latest featured changelog. Agents are part of how people build software today, so we wanted to give that the second most important placement on the page, right after signup. Finally, the logo strip should not distract too much, but it should still help people understand these are users, not just logos. So we added the date of first payment from Stripe next to each logo. Next up, more things!
0:10

We just released a new marketing site and I wanted to talk through some of the changes that we made and why. Design thinking is the other side of the feed, it's usually more nuanced than the flashier parts and typically doesn't hold up as well to a quick scroll. Doesn't bode well for this thread! But, this will be my attempt to talk through the changes made and why. First up, this is our new hero. At Loops.so, our goal right now is to be the only platform you need to email your users The H1 matches that intention and the subheader reinforces it. We also wanted it to be clear we ship fast and often, so we added a pill showing the latest featured changelog. Agents are part of how people build software today, so we wanted to give that the second most important placement on the page, right after signup. Finally, the logo strip should not distract too much, but it should still help people understand these are users, not just logos. So we added the date of first payment from Stripe next to each logo. Next up, more things!

Chris Frantz

20,382 görüntüleme • 3 ay önce

May 10 is the birthday of Hero of Ukraine Oleksandr Matsievskyi, a Ukrainian warrior who became a symbol of unwavering courage and resilience. His last words were, “Slava Ukraini!” Then the russians ruthlessly gunned him down. I do not think the russians who executed this hero realized what they had done. They wrote Oleksandr Matsievskyi’s name into the books of history. By executing this Ukrainian hero, the russians fueled the fire that is already consuming them and will consume them entirely. That fire is the Ukrainian will to fight for freedom and for survival. For Ukrainians, dying with dignity is more important than living as slaves. To die with dignity… to know that your last moment has come and to make the decision to leave with dignity… to go on your own terms… to go with the words on your lips that you chose yourself… to take your last breath, take your time, say “Slava Ukraini!” and die… I used to think that only heroes in movies died like that. Now the whole world knows what dignity is - the true dignity of a real Ukrainian hero. Glory to all who are fighting the russian evil in the form of the russian federation. Glory to Ukraine! 🇺🇦
0:17

May 10 is the birthday of Hero of Ukraine Oleksandr Matsievskyi, a Ukrainian warrior who became a symbol of unwavering courage and resilience. His last words were, “Slava Ukraini!” Then the russians ruthlessly gunned him down. I do not think the russians who executed this hero realized what they had done. They wrote Oleksandr Matsievskyi’s name into the books of history. By executing this Ukrainian hero, the russians fueled the fire that is already consuming them and will consume them entirely. That fire is the Ukrainian will to fight for freedom and for survival. For Ukrainians, dying with dignity is more important than living as slaves. To die with dignity… to know that your last moment has come and to make the decision to leave with dignity… to go on your own terms… to go with the words on your lips that you chose yourself… to take your last breath, take your time, say “Slava Ukraini!” and die… I used to think that only heroes in movies died like that. Now the whole world knows what dignity is - the true dignity of a real Ukrainian hero. Glory to all who are fighting the russian evil in the form of the russian federation. Glory to Ukraine! 🇺🇦

Roman Sheremeta 🇺🇸🇺🇦

51,013 görüntüleme • 2 ay önce

GM GM🌤️ Filming a couple more of my Al avatars. I do this one time and then my team can use the avatars to make multiple videos for you guys that require no more of my time and effort. Welcome to the future!🚀
0:14

GM GM🌤️ Filming a couple more of my Al avatars. I do this one time and then my team can use the avatars to make multiple videos for you guys that require no more of my time and effort. Welcome to the future!🚀

Evan Luthra

18,506 görüntüleme • 1 yıl önce

This is the most frustrating page to scroll on GitHub. Every single day I get to play the get-your-mouse-to-the-exact-correct-position game. The easiest solution is to disable scroll wheel zooming on the stupid graphical view, I've never wanted to zoom that in my life.
0:14

This is the most frustrating page to scroll on GitHub. Every single day I get to play the get-your-mouse-to-the-exact-correct-position game. The easiest solution is to disable scroll wheel zooming on the stupid graphical view, I've never wanted to zoom that in my life.

Mitchell Hashimoto

24,860 görüntüleme • 2 yıl önce

I feel like this could be turned into a cool hero effect for a component library site. Where you move your cursor to tear between the design and the code.... 🤔
0:11

I feel like this could be turned into a cool hero effect for a component library site. Where you move your cursor to tear between the design and the code.... 🤔

matt rothenberg

40,080 görüntüleme • 3 ay önce

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?
0:16

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

Lee Robinson

148,840 görüntüleme • 1 yıl önce

Alfred Hitchcock on the Vertigo effect: Interviewer: "In Vertigo, where they’re climbing up the stairs in the tower, there is a very strange effect." Hitchcock: "That effect took thirty years to get. It really did. When I was making Rebecca, I had a scene where Joan Fontaine is supposed to faint. I explained to Selznick I wanted to get the effect of her looking and everything seeming to go far away. Where I got the idea from was at the Royal Chelsea Arts Ball in London on New Year’s Eve. I remembered at a certain time during the evening everything seemed to go far away. And I asked for this effect and they said they couldn’t do it. I tried again about five years later. For Vertigo they tried different effects and finally it was arrived at by a combination of a dolly shot and a zoom lens crossing each other. Dollying in and zooming out. When the head of special effects came to me I said how much was it going to cost. He said $50,000 to put a camera high and take it up and zoom it, because of the enormous rig. I said, ‘‘But there is no one in the set.’’ Why didn’t they make a miniature and lay it on its side? “Oh, I hadn’t thought of that.” So they did it and it cost $19,000." — "Dialogue on Film: Alfred Hitchcock", American Film Institute, 1972
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Alfred Hitchcock on the Vertigo effect: Interviewer: "In Vertigo, where they’re climbing up the stairs in the tower, there is a very strange effect." Hitchcock: "That effect took thirty years to get. It really did. When I was making Rebecca, I had a scene where Joan Fontaine is supposed to faint. I explained to Selznick I wanted to get the effect of her looking and everything seeming to go far away. Where I got the idea from was at the Royal Chelsea Arts Ball in London on New Year’s Eve. I remembered at a certain time during the evening everything seemed to go far away. And I asked for this effect and they said they couldn’t do it. I tried again about five years later. For Vertigo they tried different effects and finally it was arrived at by a combination of a dolly shot and a zoom lens crossing each other. Dollying in and zooming out. When the head of special effects came to me I said how much was it going to cost. He said $50,000 to put a camera high and take it up and zoom it, because of the enormous rig. I said, ‘‘But there is no one in the set.’’ Why didn’t they make a miniature and lay it on its side? “Oh, I hadn’t thought of that.” So they did it and it cost $19,000." — "Dialogue on Film: Alfred Hitchcock", American Film Institute, 1972

RadiantFilm

15,191 görüntüleme • 5 ay önce

What I have in the works for future Minecraft and Roblox avatars. Thicc OC models are in the works as well. This one is a WIP.
0:10

Sensitive content

What I have in the works for future Minecraft and Roblox avatars. Thicc OC models are in the works as well. This one is a WIP.

DangerDrip

188,805 görüntüleme • 2 yıl önce

Bit of gamedev magic. The page flipping in Exiled is actually just a bunch of models that I turn on and off quickly to LOOK like a page flipping. It's possible to get a similar effect with plugins but this was the easier option.
0:14

Bit of gamedev magic. The page flipping in Exiled is actually just a bunch of models that I turn on and off quickly to LOOK like a page flipping. It's possible to get a similar effect with plugins but this was the easier option.

John Szymanski (Ducky)

78,601 görüntüleme • 2 yıl önce

This is the most SELFLESS act of any Avatar that we have seen so far. Korra went into the Avatar state to save Kuvira. She could easily have been killed and with her being in the Avatar state, that would have guaranteed no future avatars. OH I LOVE HER SM 🥹
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This is the most SELFLESS act of any Avatar that we have seen so far. Korra went into the Avatar state to save Kuvira. She could easily have been killed and with her being in the Avatar state, that would have guaranteed no future avatars. OH I LOVE HER SM 🥹

𖤐Sebastian𖤐

58,613 görüntüleme • 1 yıl önce

📣IMPORTANT DERBY DISPLAY DETAILS📣 There will be a tifo sheet display, a banner and flags in the South Stand. Can everyone in the south please participate in the below to ensure the display is done to full effect. 🔹At the end of ‘SPIRIT OF THE BLUES’ please raise the sheets on seats in the middle of the South Stand upper & lower and can fans in the corners of the south Stand please wave the flags on your seats. 🔹We are encouraging all Evertonians to be in the ground 20 minutes before KO to help with the display and create a great atmosphere for the lads to come out too. Our goalkeeper Jordan Pickford has a message for us all 🔵👍🏼 UP THE TOFFEES 🔵
0:17

📣IMPORTANT DERBY DISPLAY DETAILS📣 There will be a tifo sheet display, a banner and flags in the South Stand. Can everyone in the south please participate in the below to ensure the display is done to full effect. 🔹At the end of ‘SPIRIT OF THE BLUES’ please raise the sheets on seats in the middle of the South Stand upper & lower and can fans in the corners of the south Stand please wave the flags on your seats. 🔹We are encouraging all Evertonians to be in the ground 20 minutes before KO to help with the display and create a great atmosphere for the lads to come out too. Our goalkeeper Jordan Pickford has a message for us all 🔵👍🏼 UP THE TOFFEES 🔵

The 1878s

439,705 görüntüleme • 2 ay önce

Meet AI Avatars from around the world 🌎🫂 We've got hundreds of AI avatars to choose from. Young, senior, serious, playful, and everything in between. Finding the right face for your next ad just got a whole lot easier. Find yours on Zeely. Visit
0:19

Meet AI Avatars from around the world 🌎🫂 We've got hundreds of AI avatars to choose from. Young, senior, serious, playful, and everything in between. Finding the right face for your next ad just got a whole lot easier. Find yours on Zeely. Visit

Zeely AI

11,870 görüntüleme • 24 gün önce

I read on here an anonymous Labour MP has stated that if anyone breaks the whip with regards to the #welfarereform cuts to #PIP they will not be allowed to stand as a candidate during the next #Generalelection. If this is true, which I do believe as it mirrors the way in which I was treated during the last Local election in my area. Here is my response to this below: Absolute bullies, they did this to me when I was a candidate in the local election in 2022 after a so called administration error by my agent putting me in the wrong ward. I was told to hide and not campaign to give the candidates chosen for that ward a chance or I would be thrown out the The Labour Party Scottish Labour #labourparty. The paper candidate who appeared on the campaign trail the day this happened to me was elected in to the seat I had worked hard for years to hopefully start my political career. A high profile Labour MSP promised to mentor me into the SE next year…telling me I would be an ideal candidate with my extensive knowledge of health and social care due to my lived experience. I had no choice to resign as the news of the welfare cuts hit the headlines. I could never campaign with a party who is going to destroy the lives of people living with disabilities. A shocking party and government with no regard for the distress this #TakingThePIP is causing people all over the UK who may I add do not choose to have disabilities. No-one is immune to becoming disabled and needing the support of our welfare system that Labour set up in the first place…..when its values were to support our most vulnerable with dignity! See below 👇 Keir Starmer you are not The Labour Party or your front benchers that sit with you on this. I really hope you have a massive rebellion on your hands with your #LabourMPs For anyone wishing to leave or resign from the Labour Party it’s easy……I’ve posted a picture with this post. According to Keir Starmer there are lots of jobs out there so if all you #LabourMPs resign with a healthy conscience in defence of the people who voted for you, you will have nae problem finding another job and at the same time you can hand on heart protected the most vulnerable people in our country.
0:10

I read on here an anonymous Labour MP has stated that if anyone breaks the whip with regards to the #welfarereform cuts to #PIP they will not be allowed to stand as a candidate during the next #Generalelection. If this is true, which I do believe as it mirrors the way in which I was treated during the last Local election in my area. Here is my response to this below: Absolute bullies, they did this to me when I was a candidate in the local election in 2022 after a so called administration error by my agent putting me in the wrong ward. I was told to hide and not campaign to give the candidates chosen for that ward a chance or I would be thrown out the The Labour Party Scottish Labour #labourparty. The paper candidate who appeared on the campaign trail the day this happened to me was elected in to the seat I had worked hard for years to hopefully start my political career. A high profile Labour MSP promised to mentor me into the SE next year…telling me I would be an ideal candidate with my extensive knowledge of health and social care due to my lived experience. I had no choice to resign as the news of the welfare cuts hit the headlines. I could never campaign with a party who is going to destroy the lives of people living with disabilities. A shocking party and government with no regard for the distress this #TakingThePIP is causing people all over the UK who may I add do not choose to have disabilities. No-one is immune to becoming disabled and needing the support of our welfare system that Labour set up in the first place…..when its values were to support our most vulnerable with dignity! See below 👇 Keir Starmer you are not The Labour Party or your front benchers that sit with you on this. I really hope you have a massive rebellion on your hands with your #LabourMPs For anyone wishing to leave or resign from the Labour Party it’s easy……I’ve posted a picture with this post. According to Keir Starmer there are lots of jobs out there so if all you #LabourMPs resign with a healthy conscience in defence of the people who voted for you, you will have nae problem finding another job and at the same time you can hand on heart protected the most vulnerable people in our country.

Carolynne Hunter

33,376 görüntüleme • 1 yıl önce

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.
0:13

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,219 görüntüleme • 1 ay önce

I updated the website! Take a look at all the categories and art that @DollyJKazoo designed! It was so cool being able to make art for all of the products we have. The collections have grown so much over the years that we just needed to do a makeover so we can fit all of our items on the home page and make it look more pretty~ Also a sneak peek of our mascot Baby Finn the Giraffe making a comeback! Lastly, I realized after I recorded this, so the tabs at the bottom will only be available on the website if you want to have an easier log-in experience. Which the app is available on Apple and Android. Just search “Lil Comforts” on your appstore!
0:18

I updated the website! Take a look at all the categories and art that @DollyJKazoo designed! It was so cool being able to make art for all of the products we have. The collections have grown so much over the years that we just needed to do a makeover so we can fit all of our items on the home page and make it look more pretty~ Also a sneak peek of our mascot Baby Finn the Giraffe making a comeback! Lastly, I realized after I recorded this, so the tabs at the bottom will only be available on the website if you want to have an easier log-in experience. Which the app is available on Apple and Android. Just search “Lil Comforts” on your appstore!

Lil Comforts

37,524 görüntüleme • 2 yıl önce

Utilizing a massive library of high quality, free UGC avatars for your three.js project is way less difficult than you think. No animation baking required, can swap out any Mixamo animations in real time. Step 1. Download an avatar on VRoid Hub Step 2. Download a skinless Mixamo animation from Step 3. Paste this into claude code / codex / cursor chat Now you have avatars, animations and a function to apply animations to your avatars whenever you desire. Source code from the video is here:
0:19

Utilizing a massive library of high quality, free UGC avatars for your three.js project is way less difficult than you think. No animation baking required, can swap out any Mixamo animations in real time. Step 1. Download an avatar on VRoid Hub Step 2. Download a skinless Mixamo animation from Step 3. Paste this into claude code / codex / cursor chat Now you have avatars, animations and a function to apply animations to your avatars whenever you desire. Source code from the video is here:

saori

14,962 görüntüleme • 4 ay önce

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland
0:07

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

In2ThinAir

442,580 görüntüleme • 2 yıl önce