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home page hero ✨ Design notes: - "Forever" hero text dot pixel FX done in unicorn.studio. (I will do a whole tutorial on this later. Unicorn's WebGL engine is absolutely wild and very powerful / robust) - built in Framer - I wanted to recreate the iOS unlock effect...

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Chadd Weston

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15,697 次观看 • 9 个月前 •via X (Twitter)

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i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.
0:18

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,294,404 次观看 • 1 个月前

We just released a new marketing site and I wanted to talk through some of the changes that we made and why. Design thinking is the other side of the feed, it's usually more nuanced than the flashier parts and typically doesn't hold up as well to a quick scroll. Doesn't bode well for this thread! But, this will be my attempt to talk through the changes made and why. First up, this is our new hero. At Loops.so, our goal right now is to be the only platform you need to email your users The H1 matches that intention and the subheader reinforces it. We also wanted it to be clear we ship fast and often, so we added a pill showing the latest featured changelog. Agents are part of how people build software today, so we wanted to give that the second most important placement on the page, right after signup. Finally, the logo strip should not distract too much, but it should still help people understand these are users, not just logos. So we added the date of first payment from Stripe next to each logo. Next up, more things!
0:10

We just released a new marketing site and I wanted to talk through some of the changes that we made and why. Design thinking is the other side of the feed, it's usually more nuanced than the flashier parts and typically doesn't hold up as well to a quick scroll. Doesn't bode well for this thread! But, this will be my attempt to talk through the changes made and why. First up, this is our new hero. At Loops.so, our goal right now is to be the only platform you need to email your users The H1 matches that intention and the subheader reinforces it. We also wanted it to be clear we ship fast and often, so we added a pill showing the latest featured changelog. Agents are part of how people build software today, so we wanted to give that the second most important placement on the page, right after signup. Finally, the logo strip should not distract too much, but it should still help people understand these are users, not just logos. So we added the date of first payment from Stripe next to each logo. Next up, more things!

Chris Frantz

20,382 次观看 • 3 个月前

May 10 is the birthday of Hero of Ukraine Oleksandr Matsievskyi, a Ukrainian warrior who became a symbol of unwavering courage and resilience. His last words were, “Slava Ukraini!” Then the russians ruthlessly gunned him down. I do not think the russians who executed this hero realized what they had done. They wrote Oleksandr Matsievskyi’s name into the books of history. By executing this Ukrainian hero, the russians fueled the fire that is already consuming them and will consume them entirely. That fire is the Ukrainian will to fight for freedom and for survival. For Ukrainians, dying with dignity is more important than living as slaves. To die with dignity… to know that your last moment has come and to make the decision to leave with dignity… to go on your own terms… to go with the words on your lips that you chose yourself… to take your last breath, take your time, say “Slava Ukraini!” and die… I used to think that only heroes in movies died like that. Now the whole world knows what dignity is - the true dignity of a real Ukrainian hero. Glory to all who are fighting the russian evil in the form of the russian federation. Glory to Ukraine! 🇺🇦
0:17

May 10 is the birthday of Hero of Ukraine Oleksandr Matsievskyi, a Ukrainian warrior who became a symbol of unwavering courage and resilience. His last words were, “Slava Ukraini!” Then the russians ruthlessly gunned him down. I do not think the russians who executed this hero realized what they had done. They wrote Oleksandr Matsievskyi’s name into the books of history. By executing this Ukrainian hero, the russians fueled the fire that is already consuming them and will consume them entirely. That fire is the Ukrainian will to fight for freedom and for survival. For Ukrainians, dying with dignity is more important than living as slaves. To die with dignity… to know that your last moment has come and to make the decision to leave with dignity… to go on your own terms… to go with the words on your lips that you chose yourself… to take your last breath, take your time, say “Slava Ukraini!” and die… I used to think that only heroes in movies died like that. Now the whole world knows what dignity is - the true dignity of a real Ukrainian hero. Glory to all who are fighting the russian evil in the form of the russian federation. Glory to Ukraine! 🇺🇦

Roman Sheremeta 🇺🇸🇺🇦

51,013 次观看 • 2 个月前

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?
0:16

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

Lee Robinson

148,840 次观看 • 1 年前

Alfred Hitchcock on the Vertigo effect: Interviewer: "In Vertigo, where they’re climbing up the stairs in the tower, there is a very strange effect." Hitchcock: "That effect took thirty years to get. It really did. When I was making Rebecca, I had a scene where Joan Fontaine is supposed to faint. I explained to Selznick I wanted to get the effect of her looking and everything seeming to go far away. Where I got the idea from was at the Royal Chelsea Arts Ball in London on New Year’s Eve. I remembered at a certain time during the evening everything seemed to go far away. And I asked for this effect and they said they couldn’t do it. I tried again about five years later. For Vertigo they tried different effects and finally it was arrived at by a combination of a dolly shot and a zoom lens crossing each other. Dollying in and zooming out. When the head of special effects came to me I said how much was it going to cost. He said $50,000 to put a camera high and take it up and zoom it, because of the enormous rig. I said, ‘‘But there is no one in the set.’’ Why didn’t they make a miniature and lay it on its side? “Oh, I hadn’t thought of that.” So they did it and it cost $19,000." — "Dialogue on Film: Alfred Hitchcock", American Film Institute, 1972
0:12

Alfred Hitchcock on the Vertigo effect: Interviewer: "In Vertigo, where they’re climbing up the stairs in the tower, there is a very strange effect." Hitchcock: "That effect took thirty years to get. It really did. When I was making Rebecca, I had a scene where Joan Fontaine is supposed to faint. I explained to Selznick I wanted to get the effect of her looking and everything seeming to go far away. Where I got the idea from was at the Royal Chelsea Arts Ball in London on New Year’s Eve. I remembered at a certain time during the evening everything seemed to go far away. And I asked for this effect and they said they couldn’t do it. I tried again about five years later. For Vertigo they tried different effects and finally it was arrived at by a combination of a dolly shot and a zoom lens crossing each other. Dollying in and zooming out. When the head of special effects came to me I said how much was it going to cost. He said $50,000 to put a camera high and take it up and zoom it, because of the enormous rig. I said, ‘‘But there is no one in the set.’’ Why didn’t they make a miniature and lay it on its side? “Oh, I hadn’t thought of that.” So they did it and it cost $19,000." — "Dialogue on Film: Alfred Hitchcock", American Film Institute, 1972

RadiantFilm

15,191 次观看 • 5 个月前

📣IMPORTANT DERBY DISPLAY DETAILS📣 There will be a tifo sheet display, a banner and flags in the South Stand. Can everyone in the south please participate in the below to ensure the display is done to full effect. 🔹At the end of ‘SPIRIT OF THE BLUES’ please raise the sheets on seats in the middle of the South Stand upper & lower and can fans in the corners of the south Stand please wave the flags on your seats. 🔹We are encouraging all Evertonians to be in the ground 20 minutes before KO to help with the display and create a great atmosphere for the lads to come out too. Our goalkeeper Jordan Pickford has a message for us all 🔵👍🏼 UP THE TOFFEES 🔵
0:17

📣IMPORTANT DERBY DISPLAY DETAILS📣 There will be a tifo sheet display, a banner and flags in the South Stand. Can everyone in the south please participate in the below to ensure the display is done to full effect. 🔹At the end of ‘SPIRIT OF THE BLUES’ please raise the sheets on seats in the middle of the South Stand upper & lower and can fans in the corners of the south Stand please wave the flags on your seats. 🔹We are encouraging all Evertonians to be in the ground 20 minutes before KO to help with the display and create a great atmosphere for the lads to come out too. Our goalkeeper Jordan Pickford has a message for us all 🔵👍🏼 UP THE TOFFEES 🔵

The 1878s

439,705 次观看 • 3 个月前

I read on here an anonymous Labour MP has stated that if anyone breaks the whip with regards to the #welfarereform cuts to #PIP they will not be allowed to stand as a candidate during the next #Generalelection. If this is true, which I do believe as it mirrors the way in which I was treated during the last Local election in my area. Here is my response to this below: Absolute bullies, they did this to me when I was a candidate in the local election in 2022 after a so called administration error by my agent putting me in the wrong ward. I was told to hide and not campaign to give the candidates chosen for that ward a chance or I would be thrown out the The Labour Party Scottish Labour #labourparty. The paper candidate who appeared on the campaign trail the day this happened to me was elected in to the seat I had worked hard for years to hopefully start my political career. A high profile Labour MSP promised to mentor me into the SE next year…telling me I would be an ideal candidate with my extensive knowledge of health and social care due to my lived experience. I had no choice to resign as the news of the welfare cuts hit the headlines. I could never campaign with a party who is going to destroy the lives of people living with disabilities. A shocking party and government with no regard for the distress this #TakingThePIP is causing people all over the UK who may I add do not choose to have disabilities. No-one is immune to becoming disabled and needing the support of our welfare system that Labour set up in the first place…..when its values were to support our most vulnerable with dignity! See below 👇 Keir Starmer you are not The Labour Party or your front benchers that sit with you on this. I really hope you have a massive rebellion on your hands with your #LabourMPs For anyone wishing to leave or resign from the Labour Party it’s easy……I’ve posted a picture with this post. According to Keir Starmer there are lots of jobs out there so if all you #LabourMPs resign with a healthy conscience in defence of the people who voted for you, you will have nae problem finding another job and at the same time you can hand on heart protected the most vulnerable people in our country.
0:10

I read on here an anonymous Labour MP has stated that if anyone breaks the whip with regards to the #welfarereform cuts to #PIP they will not be allowed to stand as a candidate during the next #Generalelection. If this is true, which I do believe as it mirrors the way in which I was treated during the last Local election in my area. Here is my response to this below: Absolute bullies, they did this to me when I was a candidate in the local election in 2022 after a so called administration error by my agent putting me in the wrong ward. I was told to hide and not campaign to give the candidates chosen for that ward a chance or I would be thrown out the The Labour Party Scottish Labour #labourparty. The paper candidate who appeared on the campaign trail the day this happened to me was elected in to the seat I had worked hard for years to hopefully start my political career. A high profile Labour MSP promised to mentor me into the SE next year…telling me I would be an ideal candidate with my extensive knowledge of health and social care due to my lived experience. I had no choice to resign as the news of the welfare cuts hit the headlines. I could never campaign with a party who is going to destroy the lives of people living with disabilities. A shocking party and government with no regard for the distress this #TakingThePIP is causing people all over the UK who may I add do not choose to have disabilities. No-one is immune to becoming disabled and needing the support of our welfare system that Labour set up in the first place…..when its values were to support our most vulnerable with dignity! See below 👇 Keir Starmer you are not The Labour Party or your front benchers that sit with you on this. I really hope you have a massive rebellion on your hands with your #LabourMPs For anyone wishing to leave or resign from the Labour Party it’s easy……I’ve posted a picture with this post. According to Keir Starmer there are lots of jobs out there so if all you #LabourMPs resign with a healthy conscience in defence of the people who voted for you, you will have nae problem finding another job and at the same time you can hand on heart protected the most vulnerable people in our country.

Carolynne Hunter

33,376 次观看 • 1 年前

I updated the website! Take a look at all the categories and art that @DollyJKazoo designed! It was so cool being able to make art for all of the products we have. The collections have grown so much over the years that we just needed to do a makeover so we can fit all of our items on the home page and make it look more pretty~ Also a sneak peek of our mascot Baby Finn the Giraffe making a comeback! Lastly, I realized after I recorded this, so the tabs at the bottom will only be available on the website if you want to have an easier log-in experience. Which the app is available on Apple and Android. Just search “Lil Comforts” on your appstore!
0:18

I updated the website! Take a look at all the categories and art that @DollyJKazoo designed! It was so cool being able to make art for all of the products we have. The collections have grown so much over the years that we just needed to do a makeover so we can fit all of our items on the home page and make it look more pretty~ Also a sneak peek of our mascot Baby Finn the Giraffe making a comeback! Lastly, I realized after I recorded this, so the tabs at the bottom will only be available on the website if you want to have an easier log-in experience. Which the app is available on Apple and Android. Just search “Lil Comforts” on your appstore!

Lil Comforts

37,524 次观看 • 2 年前

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.
0:13

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,219 次观看 • 1 个月前

Utilizing a massive library of high quality, free UGC avatars for your three.js project is way less difficult than you think. No animation baking required, can swap out any Mixamo animations in real time. Step 1. Download an avatar on VRoid Hub Step 2. Download a skinless Mixamo animation from Step 3. Paste this into claude code / codex / cursor chat Now you have avatars, animations and a function to apply animations to your avatars whenever you desire. Source code from the video is here:
0:19

Utilizing a massive library of high quality, free UGC avatars for your three.js project is way less difficult than you think. No animation baking required, can swap out any Mixamo animations in real time. Step 1. Download an avatar on VRoid Hub Step 2. Download a skinless Mixamo animation from Step 3. Paste this into claude code / codex / cursor chat Now you have avatars, animations and a function to apply animations to your avatars whenever you desire. Source code from the video is here:

saori

14,962 次观看 • 4 个月前

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland
0:07

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

In2ThinAir

442,580 次观看 • 2 年前

📲🗣️ Jørgen Strand Larsen on Instagram: “Dear Wolves I just wanna say thank you to everyone in and around the club. You've all made my time at the club very special. I'm so happy to have met and worked with so many great people. And I will be forever grateful for all of the fans believing in me and wanting the best for me and the team. The last 6 months has obviously been very tough. As a team and on a personal note. Looking back at the injury I got first game of the season I should definitely have taken my time off to heal it and it has played a bigger role than it should. I'm sad leaving Wolves and will forever support the team and it will always have a special place in my heart. I Will bring the nice moments with me and look back at last years record breaking season with a big smile. It couldn't have been done all alone. A special thank you to all the players and staff and I wish you all the best for the remainder of the season. ❤️” #wwfc
0:17

📲🗣️ Jørgen Strand Larsen on Instagram: “Dear Wolves I just wanna say thank you to everyone in and around the club. You've all made my time at the club very special. I'm so happy to have met and worked with so many great people. And I will be forever grateful for all of the fans believing in me and wanting the best for me and the team. The last 6 months has obviously been very tough. As a team and on a personal note. Looking back at the injury I got first game of the season I should definitely have taken my time off to heal it and it has played a bigger role than it should. I'm sad leaving Wolves and will forever support the team and it will always have a special place in my heart. I Will bring the nice moments with me and look back at last years record breaking season with a big smile. It couldn't have been done all alone. A special thank you to all the players and staff and I wish you all the best for the remainder of the season. ❤️” #wwfc

ຮς๏ŧŧ

18,039 次观看 • 5 个月前

This isn't a Mouse - it's a Portal. I remain in my conviction that people in the City are semi-comatose, not noticing things around them. Hell, they don't even look at the sky. This seems crazy as we are hard-wired to notice things around us, to perceive and interpret clues and signals - this necessary for our hunter-gatherer ancestors to survive. The City is a great place for the reason that when you go to or view things 'off the beaten track' things reveal themselves - nature, secrets, and stories. Many of these things are actually in the open but under the radar of the city person. I realised years ago that when I'm down in the London Underground, if I look at the far track for a few minutes, a mouse going about its business is likely to appear. The far track means it is hidden from the people on the crowded platform. Just-wait-long-enough. Sure enough, I filmed for a few seconds and a furry critter appeared to order, like magic. When you open your eyes portals reveal themselves. They take you to another world. It seems even more magical when it's just you viewing it. A world within a world, for your privilege. For a few seconds, in this case, the people on the platform faded into the background and the wild and the oceanic appeared. These portals are the Perfect Moments I talk about.
0:12

This isn't a Mouse - it's a Portal. I remain in my conviction that people in the City are semi-comatose, not noticing things around them. Hell, they don't even look at the sky. This seems crazy as we are hard-wired to notice things around us, to perceive and interpret clues and signals - this necessary for our hunter-gatherer ancestors to survive. The City is a great place for the reason that when you go to or view things 'off the beaten track' things reveal themselves - nature, secrets, and stories. Many of these things are actually in the open but under the radar of the city person. I realised years ago that when I'm down in the London Underground, if I look at the far track for a few minutes, a mouse going about its business is likely to appear. The far track means it is hidden from the people on the crowded platform. Just-wait-long-enough. Sure enough, I filmed for a few seconds and a furry critter appeared to order, like magic. When you open your eyes portals reveal themselves. They take you to another world. It seems even more magical when it's just you viewing it. A world within a world, for your privilege. For a few seconds, in this case, the people on the platform faded into the background and the wild and the oceanic appeared. These portals are the Perfect Moments I talk about.

GuruAnaerobic

36,159 次观看 • 2 年前

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝
0:19

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝

charlota

34,421 次观看 • 24 天前

This is quite funny. We're visiting Kamakura in Japan and we came across a large group of Chinese tourists in a place that, at first glance, looked nothing special. Turns out that this very spot is one of THE most iconic locations in Japan for Chinese people who grew up in the 1990s. Why? Because in the 1990s there was this Japanese basketball manga called "slam dunk" that every kid was watching in China, and the opening credits featured an image of this very spot: a railroad crossing on a small street leading to the beach in Kamakura. Apparently this place is so popular with Chinese tourists that they had to cordon it off at some point. Now it's obviously reopened with 3 guards assigned to handle the traffic. And now that they've heard about it, it's my daughters' turn to be hooked on the series so maybe in 20 years' time they'll be perpetuating the passion and come back to this "Slam Dunk" shrine ☺️
0:06

This is quite funny. We're visiting Kamakura in Japan and we came across a large group of Chinese tourists in a place that, at first glance, looked nothing special. Turns out that this very spot is one of THE most iconic locations in Japan for Chinese people who grew up in the 1990s. Why? Because in the 1990s there was this Japanese basketball manga called "slam dunk" that every kid was watching in China, and the opening credits featured an image of this very spot: a railroad crossing on a small street leading to the beach in Kamakura. Apparently this place is so popular with Chinese tourists that they had to cordon it off at some point. Now it's obviously reopened with 3 guards assigned to handle the traffic. And now that they've heard about it, it's my daughters' turn to be hooked on the series so maybe in 20 years' time they'll be perpetuating the passion and come back to this "Slam Dunk" shrine ☺️

Arnaud Bertrand

62,647 次观看 • 9 个月前

May be the most difficult hurdle for a wrestler to clear—trusting that the same offense that built the lead is what protects it. The instinct is to protect the lead, but the approach that creates better odds, less regret, and is simply more logical is to keep wrestling the same way that created the lead. Stay on the attack, stay in position, and keep applying pressure. The one who needs to change and create opportunity is the opponent who is losing. So why would you go ahead and assist them in this by back peddling and lead protecting, opening up two windows that weren’t there before? 1 – Stall points 2 – Allowing your opponent to solely focus on their offense as they no longer have to respect your attacks. You hear wrestlers in post-match interviews “We do this all the time in the room! Down 2 with 30 seconds left and working to find a takedown.” Not so much the opposite… “up 2 with 30 seconds left and just have to find ways to back up to protect the lead!” So why resort to something you don’t practice in the most crucial moments of a match—or your season? This is from the excellent series “The Climb” by Stilly Boys on YouTube — a segment from Episode 2: Road to the Big 12s.
0:14

May be the most difficult hurdle for a wrestler to clear—trusting that the same offense that built the lead is what protects it. The instinct is to protect the lead, but the approach that creates better odds, less regret, and is simply more logical is to keep wrestling the same way that created the lead. Stay on the attack, stay in position, and keep applying pressure. The one who needs to change and create opportunity is the opponent who is losing. So why would you go ahead and assist them in this by back peddling and lead protecting, opening up two windows that weren’t there before? 1 – Stall points 2 – Allowing your opponent to solely focus on their offense as they no longer have to respect your attacks. You hear wrestlers in post-match interviews “We do this all the time in the room! Down 2 with 30 seconds left and working to find a takedown.” Not so much the opposite… “up 2 with 30 seconds left and just have to find ways to back up to protect the lead!” So why resort to something you don’t practice in the most crucial moments of a match—or your season? This is from the excellent series “The Climb” by Stilly Boys on YouTube — a segment from Episode 2: Road to the Big 12s.

Cornell Kevin

42,071 次观看 • 4 个月前

Muzzle I am working on for a commission. The muzzle itself is 3D printed foaming TPU so it’s soft and light. The teeth and nose are hard PLA. Nose clicks into the inner upper muzzle are to keep it in place. Happy with how this smaller build head for a customer is coming along. Waiting on the rest of the parts to finish printing to assemble.
0:18

Muzzle I am working on for a commission. The muzzle itself is 3D printed foaming TPU so it’s soft and light. The teeth and nose are hard PLA. Nose clicks into the inner upper muzzle are to keep it in place. Happy with how this smaller build head for a customer is coming along. Waiting on the rest of the parts to finish printing to assemble.

Val / LatinVixen

14,358 次观看 • 11 个月前

gm, so a bit of a look ahead for BRAINROT COMMUNITY BUILDING > TRIALS > BURNS this weekend we launched the discord, working on the community API(CPI) for community members to start building whatever they want. Looking to launch the CPI early this week. working on the next big release which will be the agentic trials. each token gets trialled by a team of agents and receives metadata tags as a result. Trials will be replayable and viewable for every token. The metadata will serve a function when burning (more on that later) after the trials we will launch THE LAB which will be a place where you can manage your burns and modifying your remaining BRAINROTS after burns. This period right now is for building the community, and accumulating BRAINROTS. I have been talking about a few of these things in our private channels at greater depth, and will talk more about them in the near future. The plan for BRAINROT is to have the community have agency, choice and an active role in shaping the collection through burns, modifications and re-rolls. These will unlock new body types, new fashion and new accessory types and even more diversity into the collection. There will also be an option for creating legendaries which are custom designed either by me or an artist of your choice where possible. These will come at a great cost in burns though. It's been amazing seeing this community starting to grow, and if you have been on the outside looking in, don't worry, you are still very early, there is so much more to come. join us and rot your brains.
0:15

gm, so a bit of a look ahead for BRAINROT COMMUNITY BUILDING > TRIALS > BURNS this weekend we launched the discord, working on the community API(CPI) for community members to start building whatever they want. Looking to launch the CPI early this week. working on the next big release which will be the agentic trials. each token gets trialled by a team of agents and receives metadata tags as a result. Trials will be replayable and viewable for every token. The metadata will serve a function when burning (more on that later) after the trials we will launch THE LAB which will be a place where you can manage your burns and modifying your remaining BRAINROTS after burns. This period right now is for building the community, and accumulating BRAINROTS. I have been talking about a few of these things in our private channels at greater depth, and will talk more about them in the near future. The plan for BRAINROT is to have the community have agency, choice and an active role in shaping the collection through burns, modifications and re-rolls. These will unlock new body types, new fashion and new accessory types and even more diversity into the collection. There will also be an option for creating legendaries which are custom designed either by me or an artist of your choice where possible. These will come at a great cost in burns though. It's been amazing seeing this community starting to grow, and if you have been on the outside looking in, don't worry, you are still very early, there is so much more to come. join us and rot your brains.

Nuclear Samurai

16,710 次观看 • 1 个月前