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home page hero ✨ Design notes: - "Forever" hero text dot pixel FX done in Unicorn Studio. (I will do a whole tutorial on this later. Unicorn's WebGL engine is absolutely wild and very powerful / robust) - built in Framer - I wanted to recreate the iOS unlock...

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Chadd Weston

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16,281 görüntüleme • 10 ay önce •via X (Twitter)

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i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.
0:18

i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,312,225 görüntüleme • 3 ay önce

We just released a new marketing site and I wanted to talk through some of the changes that we made and why. Design thinking is the other side of the feed, it's usually more nuanced than the flashier parts and typically doesn't hold up as well to a quick scroll. Doesn't bode well for this thread! But, this will be my attempt to talk through the changes made and why. First up, this is our new hero. At Loops.so, our goal right now is to be the only platform you need to email your users The H1 matches that intention and the subheader reinforces it. We also wanted it to be clear we ship fast and often, so we added a pill showing the latest featured changelog. Agents are part of how people build software today, so we wanted to give that the second most important placement on the page, right after signup. Finally, the logo strip should not distract too much, but it should still help people understand these are users, not just logos. So we added the date of first payment from Stripe next to each logo. Next up, more things!
0:10

We just released a new marketing site and I wanted to talk through some of the changes that we made and why. Design thinking is the other side of the feed, it's usually more nuanced than the flashier parts and typically doesn't hold up as well to a quick scroll. Doesn't bode well for this thread! But, this will be my attempt to talk through the changes made and why. First up, this is our new hero. At Loops.so, our goal right now is to be the only platform you need to email your users The H1 matches that intention and the subheader reinforces it. We also wanted it to be clear we ship fast and often, so we added a pill showing the latest featured changelog. Agents are part of how people build software today, so we wanted to give that the second most important placement on the page, right after signup. Finally, the logo strip should not distract too much, but it should still help people understand these are users, not just logos. So we added the date of first payment from Stripe next to each logo. Next up, more things!

Chris Frantz

20,382 görüntüleme • 4 ay önce

May 10 is the birthday of Hero of Ukraine Oleksandr Matsievskyi, a Ukrainian warrior who became a symbol of unwavering courage and resilience. His last words were, “Slava Ukraini!” Then the russians ruthlessly gunned him down. I do not think the russians who executed this hero realized what they had done. They wrote Oleksandr Matsievskyi’s name into the books of history. By executing this Ukrainian hero, the russians fueled the fire that is already consuming them and will consume them entirely. That fire is the Ukrainian will to fight for freedom and for survival. For Ukrainians, dying with dignity is more important than living as slaves. To die with dignity… to know that your last moment has come and to make the decision to leave with dignity… to go on your own terms… to go with the words on your lips that you chose yourself… to take your last breath, take your time, say “Slava Ukraini!” and die… I used to think that only heroes in movies died like that. Now the whole world knows what dignity is - the true dignity of a real Ukrainian hero. Glory to all who are fighting the russian evil in the form of the russian federation. Glory to Ukraine! 🇺🇦
0:17

May 10 is the birthday of Hero of Ukraine Oleksandr Matsievskyi, a Ukrainian warrior who became a symbol of unwavering courage and resilience. His last words were, “Slava Ukraini!” Then the russians ruthlessly gunned him down. I do not think the russians who executed this hero realized what they had done. They wrote Oleksandr Matsievskyi’s name into the books of history. By executing this Ukrainian hero, the russians fueled the fire that is already consuming them and will consume them entirely. That fire is the Ukrainian will to fight for freedom and for survival. For Ukrainians, dying with dignity is more important than living as slaves. To die with dignity… to know that your last moment has come and to make the decision to leave with dignity… to go on your own terms… to go with the words on your lips that you chose yourself… to take your last breath, take your time, say “Slava Ukraini!” and die… I used to think that only heroes in movies died like that. Now the whole world knows what dignity is - the true dignity of a real Ukrainian hero. Glory to all who are fighting the russian evil in the form of the russian federation. Glory to Ukraine! 🇺🇦

Roman Sheremeta 🇺🇸🇺🇦

51,215 görüntüleme • 3 ay önce

MiniMax H3 Instead of sharing the prompts for each of these videos, I thought it would be more useful to share how I created that prompts. All of the videos were generated with text-to-video. First, find an image with the kind of scene, composition and mood you want to recreate. I used a few YouTube playlist thumbnails as references but Pinterest is also a great place to find inspiration. You can even use your own old or nostalgic photographs. Then upload the image to ChatGPT and ask it to describe the scene. The description it gives you can essentially become your text-to-video prompt. From there, you can generate completely new scenes with a similar composition, atmosphere and cinematic language. You can of course use the reference image directly with image-to-video or as a first frame. But if the original image isn't yours, I prefer using it only as visual inspiration and recreating the scene through text-to-video. This is the prompt I use with ChatGPT: "Describe the scene in this image in English, focusing primarily on what is happening, the characters, their actions and body language, the setting and the overall atmosphere. Also briefly describe the composition, framing, camera angle, approximate lens choice, lighting, color palette and cinematic aesthetic. Keep it concise and scene-focused rather than overly technical."
0:15

MiniMax H3 Instead of sharing the prompts for each of these videos, I thought it would be more useful to share how I created that prompts. All of the videos were generated with text-to-video. First, find an image with the kind of scene, composition and mood you want to recreate. I used a few YouTube playlist thumbnails as references but Pinterest is also a great place to find inspiration. You can even use your own old or nostalgic photographs. Then upload the image to ChatGPT and ask it to describe the scene. The description it gives you can essentially become your text-to-video prompt. From there, you can generate completely new scenes with a similar composition, atmosphere and cinematic language. You can of course use the reference image directly with image-to-video or as a first frame. But if the original image isn't yours, I prefer using it only as visual inspiration and recreating the scene through text-to-video. This is the prompt I use with ChatGPT: "Describe the scene in this image in English, focusing primarily on what is happening, the characters, their actions and body language, the setting and the overall atmosphere. Also briefly describe the composition, framing, camera angle, approximate lens choice, lighting, color palette and cinematic aesthetic. Keep it concise and scene-focused rather than overly technical."

Kōda

51,449 görüntüleme • 15 gün önce

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?
0:16

I built a clone of the Yeezy store with Next.js. This was a fun challenge — the site has some smooth animations and feels very fast. But it was bothering me that I couldn't use the browser back button. Can we do better? So I rebuilt the site with v0 and Motion. Here's how it works: 1. When you click on a product, Motion is able to animate the original position of the product in the grid, to the zoomed in product detail page. 2. During this transition, we also shallow update the URL with the `/p/slug` route for the page. 3. If you press the back button in the navbar, or use the browser back button, or press escape — all options will take you back to the main product listing page. 4. If you reload the page while looking at a product, or someone sends you a link to a specific product, it still works! This is the best parts of a SPA and MPA mixed together. In the future, I can make this even better with View Transitions (I wasn't able to get the product animation just right, but if you can I'd love to see it!). I also took some creative liberties from the original design. The whole 1/2/3 size thing, where you needed to click the "?" to see SM/MD/LG was strange, so I just went directly to those sizes. Similarly, I prefered the more traditional style sheet/modal with the background color change, versus the full screen takeover. If you wanted to actually hook this up to Shopify now, you can swap the cart implementation with Next.js Commerce, which has all the APIs you need + optimistic writes 🔥 Should I make a video walking through the code?

Lee Robinson

148,937 görüntüleme • 1 yıl önce

Alfred Hitchcock on the Vertigo effect: Interviewer: "In Vertigo, where they’re climbing up the stairs in the tower, there is a very strange effect." Hitchcock: "That effect took thirty years to get. It really did. When I was making Rebecca, I had a scene where Joan Fontaine is supposed to faint. I explained to Selznick I wanted to get the effect of her looking and everything seeming to go far away. Where I got the idea from was at the Royal Chelsea Arts Ball in London on New Year’s Eve. I remembered at a certain time during the evening everything seemed to go far away. And I asked for this effect and they said they couldn’t do it. I tried again about five years later. For Vertigo they tried different effects and finally it was arrived at by a combination of a dolly shot and a zoom lens crossing each other. Dollying in and zooming out. When the head of special effects came to me I said how much was it going to cost. He said $50,000 to put a camera high and take it up and zoom it, because of the enormous rig. I said, ‘‘But there is no one in the set.’’ Why didn’t they make a miniature and lay it on its side? “Oh, I hadn’t thought of that.” So they did it and it cost $19,000." — "Dialogue on Film: Alfred Hitchcock", American Film Institute, 1972
0:12

Alfred Hitchcock on the Vertigo effect: Interviewer: "In Vertigo, where they’re climbing up the stairs in the tower, there is a very strange effect." Hitchcock: "That effect took thirty years to get. It really did. When I was making Rebecca, I had a scene where Joan Fontaine is supposed to faint. I explained to Selznick I wanted to get the effect of her looking and everything seeming to go far away. Where I got the idea from was at the Royal Chelsea Arts Ball in London on New Year’s Eve. I remembered at a certain time during the evening everything seemed to go far away. And I asked for this effect and they said they couldn’t do it. I tried again about five years later. For Vertigo they tried different effects and finally it was arrived at by a combination of a dolly shot and a zoom lens crossing each other. Dollying in and zooming out. When the head of special effects came to me I said how much was it going to cost. He said $50,000 to put a camera high and take it up and zoom it, because of the enormous rig. I said, ‘‘But there is no one in the set.’’ Why didn’t they make a miniature and lay it on its side? “Oh, I hadn’t thought of that.” So they did it and it cost $19,000." — "Dialogue on Film: Alfred Hitchcock", American Film Institute, 1972

RadiantFilm

15,191 görüntüleme • 7 ay önce

Cubarsi on who is the GOAT between Ronaldo and Messi. "This question puts me on the edge because I play for Fc Barcelona. But to be honest, when I was 3 or so back home in Spain every kid wanted to be like Cristiano Ronaldo. But at La Masia we were warned to always choose Messi as the GOAT of football. Now i have the opportunity to play with both of them and I am happy about that. Cristiano treated me with respect but Messi's teammates injured me, instead of him to check up on me, he was asking the ref to send off Cucurella. So I will tell you with all the truth in me that Ronaldo is the Greatest footballer in the whole world. Reason I wanted a shirt swap with him".
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Cubarsi on who is the GOAT between Ronaldo and Messi. "This question puts me on the edge because I play for Fc Barcelona. But to be honest, when I was 3 or so back home in Spain every kid wanted to be like Cristiano Ronaldo. But at La Masia we were warned to always choose Messi as the GOAT of football. Now i have the opportunity to play with both of them and I am happy about that. Cristiano treated me with respect but Messi's teammates injured me, instead of him to check up on me, he was asking the ref to send off Cucurella. So I will tell you with all the truth in me that Ronaldo is the Greatest footballer in the whole world. Reason I wanted a shirt swap with him".

Mbeumo Era

77,292 görüntüleme • 1 ay önce

I just built a Claude Code skill that scores whether your landing page actually keeps your Meta ad's promise 🤯 Drop in your ad and the page it points to. It reads both, scores the "ad scent" from click to page, and finds the exact line where the page breaks the promise that won the click. All inside Claude Code. Perfect for DTC brands and media buyers who pour everything into the ad and the CPA but never grade the seam in between. If you're scaling spend on a winning ad, the click is landing on a page that opens with something slightly different, the ad promised 50% off and the page shows full price, the ad hooked "for oily skin" and the page is a generic homepage, and nothing looks broken, but the visitor feels it and bounces... That gap has a name in conversion work: message match. And you already paid for the click you're losing. Here's what it does: → Drop in your ad (headline, copy, offer, CTA) and the landing-page URL → It fetches the live page and reads what's actually above the fold → Grades 7 continuity dimensions: promise, offer, angle, CTA, audience, proof, visual → Shows your ad's words next to your page's words, so every gap is right there → Rewrites your hero headline so the page keeps the ad's promise → Renders a dashboard with a Match Score out of 100 No guessing why the click bounced. No blaming the creative for a page problem. No buying more traffic to fix a copy problem. What you get: → A Match Score on every ad-to-page pair before you scale → The ad-side vs page-side quotes, side by side, for every leak → A hero rewrite you can paste straight onto the page → A dashboard you can hand to your team or client I'm giving away the full skill completely for free. Built 100% in Claude Code. No API keys. Want the skill? > Like this post > Comment "MATCH" And I'll send it over (must be following so I can DM)
0:14

I just built a Claude Code skill that scores whether your landing page actually keeps your Meta ad's promise 🤯 Drop in your ad and the page it points to. It reads both, scores the "ad scent" from click to page, and finds the exact line where the page breaks the promise that won the click. All inside Claude Code. Perfect for DTC brands and media buyers who pour everything into the ad and the CPA but never grade the seam in between. If you're scaling spend on a winning ad, the click is landing on a page that opens with something slightly different, the ad promised 50% off and the page shows full price, the ad hooked "for oily skin" and the page is a generic homepage, and nothing looks broken, but the visitor feels it and bounces... That gap has a name in conversion work: message match. And you already paid for the click you're losing. Here's what it does: → Drop in your ad (headline, copy, offer, CTA) and the landing-page URL → It fetches the live page and reads what's actually above the fold → Grades 7 continuity dimensions: promise, offer, angle, CTA, audience, proof, visual → Shows your ad's words next to your page's words, so every gap is right there → Rewrites your hero headline so the page keeps the ad's promise → Renders a dashboard with a Match Score out of 100 No guessing why the click bounced. No blaming the creative for a page problem. No buying more traffic to fix a copy problem. What you get: → A Match Score on every ad-to-page pair before you scale → The ad-side vs page-side quotes, side by side, for every leak → A hero rewrite you can paste straight onto the page → A dashboard you can hand to your team or client I'm giving away the full skill completely for free. Built 100% in Claude Code. No API keys. Want the skill? > Like this post > Comment "MATCH" And I'll send it over (must be following so I can DM)

Mike Futia

10,787 görüntüleme • 1 ay önce

A friend of mine just recently got his first gun, a striker fired Glock 19. He is terrified to leave a round chambered. To anyone reading this who has this same fear, I want to alleviate your concerns. I'm going to explain why there is nothing to be afraid of. First and foremost, I fully understand your concern. It's not irrational. And you're not stupid for being nervous about a bullet being aimed at your leg with the striker cocked back under spring tension about an 1/8 of an inch from the primer. I get it. I shared this concern when I was new to carrying. But your fear is due to a lack of understanding of the internal safety features of a modern striker fired handgun. On a properly maintained modern striker fired pistol the striker CANNOT hit the primer on the chambered round without the trigger being pulled. Can't. Not shouldn't. Can't. (If you have any good Sig P320 jokes, this is the proper place to share them) There is a block that the striker will hit and stop if it is released without the trigger being depressed. It works just like a lock and key. There is a channel in the blocker that the striker can pass through if it is in the fire position. It only goes into the fire position if the trigger is pulled which pushes the blocker into the fire position. A spring keeps the blocker firmly in the block position until then. The blocker is a solid piece of steel that won't break. And if your gun is securely in a hard sided Kydex holster nothing can move the trigger unless it is unholstered. Many guns like Glocks have a trigger safety that prevents the trigger from moving due to force of dropping. Your finger has to be on the trigger safety to move it. So the gun cannot fire unless you pull the trigger. And it's easy for you to test this safety feature to see how it works! See the video below. You can try to push the striker forward by moving that piece at the back of the slide forward. That piece is the back of the striker. Push it forward and it will stop. The tip won't come out through the breach. You see it trying to come through but it gets stuck. Now push that little button in. That is the actual blocker. When you push it in you will now be able to move the striker forward through the breach and see how it will strike the primer. You can test this easily every time you disassemble your pistol to verify it is still working. You can break this safety feature by removing the blocker or losing the spring. But if it's there it will work. (You would be the first person in firearms history who has ever lost a spring. Literally the first one. It has never happened before. 😐) But it doesn't come out as part of regular maintenance. You have to disassemble the firing assembly to get it out. That won't happen by accident. And if you do that on purpose you should do this blocker test when you reassemble it to make sure the safety feature is working. My video shows a Glock slide. All Glocks will look like this. Other brands may put the blocker in a different spot or it may be a slightly different shape. But they all (mostly) have the same design. If you test yours as demonstrated and it works like mine does, your gun WILL NOT fire without pulling the trigger. (If you just thought of another P320 joke, this is another good place to toss that out there)
0:15

A friend of mine just recently got his first gun, a striker fired Glock 19. He is terrified to leave a round chambered. To anyone reading this who has this same fear, I want to alleviate your concerns. I'm going to explain why there is nothing to be afraid of. First and foremost, I fully understand your concern. It's not irrational. And you're not stupid for being nervous about a bullet being aimed at your leg with the striker cocked back under spring tension about an 1/8 of an inch from the primer. I get it. I shared this concern when I was new to carrying. But your fear is due to a lack of understanding of the internal safety features of a modern striker fired handgun. On a properly maintained modern striker fired pistol the striker CANNOT hit the primer on the chambered round without the trigger being pulled. Can't. Not shouldn't. Can't. (If you have any good Sig P320 jokes, this is the proper place to share them) There is a block that the striker will hit and stop if it is released without the trigger being depressed. It works just like a lock and key. There is a channel in the blocker that the striker can pass through if it is in the fire position. It only goes into the fire position if the trigger is pulled which pushes the blocker into the fire position. A spring keeps the blocker firmly in the block position until then. The blocker is a solid piece of steel that won't break. And if your gun is securely in a hard sided Kydex holster nothing can move the trigger unless it is unholstered. Many guns like Glocks have a trigger safety that prevents the trigger from moving due to force of dropping. Your finger has to be on the trigger safety to move it. So the gun cannot fire unless you pull the trigger. And it's easy for you to test this safety feature to see how it works! See the video below. You can try to push the striker forward by moving that piece at the back of the slide forward. That piece is the back of the striker. Push it forward and it will stop. The tip won't come out through the breach. You see it trying to come through but it gets stuck. Now push that little button in. That is the actual blocker. When you push it in you will now be able to move the striker forward through the breach and see how it will strike the primer. You can test this easily every time you disassemble your pistol to verify it is still working. You can break this safety feature by removing the blocker or losing the spring. But if it's there it will work. (You would be the first person in firearms history who has ever lost a spring. Literally the first one. It has never happened before. 😐) But it doesn't come out as part of regular maintenance. You have to disassemble the firing assembly to get it out. That won't happen by accident. And if you do that on purpose you should do this blocker test when you reassemble it to make sure the safety feature is working. My video shows a Glock slide. All Glocks will look like this. Other brands may put the blocker in a different spot or it may be a slightly different shape. But they all (mostly) have the same design. If you test yours as demonstrated and it works like mine does, your gun WILL NOT fire without pulling the trigger. (If you just thought of another P320 joke, this is another good place to toss that out there)

Spaceballs The X Account

195,545 görüntüleme • 19 gün önce

This is TOO much of a coincidence! I just spotted a Cybercab in my college apartment parking garage in College Station,TX exactly where the critical disengagement in the quote below occured... (FSD v14.3.7 attempted to drive off the 6th floor of a parking garage). I first saw it outside my apartment, then I saw it INSIDE the apartment on the 6th floor of the garage. That is exactly where the incident occured, and it was parked a couple parking spots away from where I disengaged. 👀 I can only assume this is Tesla AI investigating this situation closely as it could be dangerous. It is also really impressive that they are on the case within 2 days of it happening, in a college town a couple hours from Houston and Austin. I am super happy to see this Tesla, thank you. Even if it is a coincidence, I like to see testing in College Station, the home of the Aggies! 👍 The Cybercab is shown in the aparment garage and outside the apartment when I first spotted it:
0:14

This is TOO much of a coincidence! I just spotted a Cybercab in my college apartment parking garage in College Station,TX exactly where the critical disengagement in the quote below occured... (FSD v14.3.7 attempted to drive off the 6th floor of a parking garage). I first saw it outside my apartment, then I saw it INSIDE the apartment on the 6th floor of the garage. That is exactly where the incident occured, and it was parked a couple parking spots away from where I disengaged. 👀 I can only assume this is Tesla AI investigating this situation closely as it could be dangerous. It is also really impressive that they are on the case within 2 days of it happening, in a college town a couple hours from Houston and Austin. I am super happy to see this Tesla, thank you. Even if it is a coincidence, I like to see testing in College Station, the home of the Aggies! 👍 The Cybercab is shown in the aparment garage and outside the apartment when I first spotted it:

Aryan Butala

167,701 görüntüleme • 6 gün önce

📣IMPORTANT DERBY DISPLAY DETAILS📣 There will be a tifo sheet display, a banner and flags in the South Stand. Can everyone in the south please participate in the below to ensure the display is done to full effect. 🔹At the end of ‘SPIRIT OF THE BLUES’ please raise the sheets on seats in the middle of the South Stand upper & lower and can fans in the corners of the south Stand please wave the flags on your seats. 🔹We are encouraging all Evertonians to be in the ground 20 minutes before KO to help with the display and create a great atmosphere for the lads to come out too. Our goalkeeper Jordan Pickford has a message for us all 🔵👍🏼 UP THE TOFFEES 🔵
0:17

📣IMPORTANT DERBY DISPLAY DETAILS📣 There will be a tifo sheet display, a banner and flags in the South Stand. Can everyone in the south please participate in the below to ensure the display is done to full effect. 🔹At the end of ‘SPIRIT OF THE BLUES’ please raise the sheets on seats in the middle of the South Stand upper & lower and can fans in the corners of the south Stand please wave the flags on your seats. 🔹We are encouraging all Evertonians to be in the ground 20 minutes before KO to help with the display and create a great atmosphere for the lads to come out too. Our goalkeeper Jordan Pickford has a message for us all 🔵👍🏼 UP THE TOFFEES 🔵

The 1878s

439,981 görüntüleme • 4 ay önce

I updated the website! Take a look at all the categories and art that @DollyJKazoo designed! It was so cool being able to make art for all of the products we have. The collections have grown so much over the years that we just needed to do a makeover so we can fit all of our items on the home page and make it look more pretty~ Also a sneak peek of our mascot Baby Finn the Giraffe making a comeback! Lastly, I realized after I recorded this, so the tabs at the bottom will only be available on the website if you want to have an easier log-in experience. Which the app is available on Apple and Android. Just search “Lil Comforts” on your appstore!
0:18

I updated the website! Take a look at all the categories and art that @DollyJKazoo designed! It was so cool being able to make art for all of the products we have. The collections have grown so much over the years that we just needed to do a makeover so we can fit all of our items on the home page and make it look more pretty~ Also a sneak peek of our mascot Baby Finn the Giraffe making a comeback! Lastly, I realized after I recorded this, so the tabs at the bottom will only be available on the website if you want to have an easier log-in experience. Which the app is available on Apple and Android. Just search “Lil Comforts” on your appstore!

Lil Comforts

37,754 görüntüleme • 2 yıl önce

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.
0:13

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,389 görüntüleme • 3 ay önce

Utilizing a massive library of high quality, free UGC avatars for your three.js project is way less difficult than you think. No animation baking required, can swap out any Mixamo animations in real time. Step 1. Download an avatar on VRoid Hub Step 2. Download a skinless Mixamo animation from Step 3. Paste this into claude code / codex / cursor chat Now you have avatars, animations and a function to apply animations to your avatars whenever you desire. Source code from the video is here:
0:19

Utilizing a massive library of high quality, free UGC avatars for your three.js project is way less difficult than you think. No animation baking required, can swap out any Mixamo animations in real time. Step 1. Download an avatar on VRoid Hub Step 2. Download a skinless Mixamo animation from Step 3. Paste this into claude code / codex / cursor chat Now you have avatars, animations and a function to apply animations to your avatars whenever you desire. Source code from the video is here:

saori

14,962 görüntüleme • 5 ay önce

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland
0:07

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

In2ThinAir

442,580 görüntüleme • 2 yıl önce

Aidan O'Connell gets sacked on his final play last night and in my opinion the sack is on the #Raiders QB just as much as it is on LT Andrus Peat. AOC has a 3 step drop which means the play is designed for him to get the ball out quick. If you don't get the ball out then a QB is going to need to Create something. But what you don't want him to do is back pedal into a sack. Peat does lose the rep, but he does a good job recovering and pushing the DE up the field. I think AOC's ability to feel pressure, get away from it, and throw on the run were some things I saw from him last year where he struggled with. So I do hope next week he shows a little bit more in that. Overall the play didn't work because Luke Getsy designed a really poor play where the spacing is off, I will talk about this more on my Youtube channel later today but you can clearly see that Bowers was supposed to be a natural pick for Tre Tucker at the bottom of the screen. But the spacing didn't work and the WR and TE run into each other.
0:15

Aidan O'Connell gets sacked on his final play last night and in my opinion the sack is on the #Raiders QB just as much as it is on LT Andrus Peat. AOC has a 3 step drop which means the play is designed for him to get the ball out quick. If you don't get the ball out then a QB is going to need to Create something. But what you don't want him to do is back pedal into a sack. Peat does lose the rep, but he does a good job recovering and pushing the DE up the field. I think AOC's ability to feel pressure, get away from it, and throw on the run were some things I saw from him last year where he struggled with. So I do hope next week he shows a little bit more in that. Overall the play didn't work because Luke Getsy designed a really poor play where the spacing is off, I will talk about this more on my Youtube channel later today but you can clearly see that Bowers was supposed to be a natural pick for Tre Tucker at the bottom of the screen. But the spacing didn't work and the WR and TE run into each other.

Sanjit T.

68,301 görüntüleme • 2 yıl önce

📲🗣️ Jørgen Strand Larsen on Instagram: “Dear Wolves I just wanna say thank you to everyone in and around the club. You've all made my time at the club very special. I'm so happy to have met and worked with so many great people. And I will be forever grateful for all of the fans believing in me and wanting the best for me and the team. The last 6 months has obviously been very tough. As a team and on a personal note. Looking back at the injury I got first game of the season I should definitely have taken my time off to heal it and it has played a bigger role than it should. I'm sad leaving Wolves and will forever support the team and it will always have a special place in my heart. I Will bring the nice moments with me and look back at last years record breaking season with a big smile. It couldn't have been done all alone. A special thank you to all the players and staff and I wish you all the best for the remainder of the season. ❤️” #wwfc
0:17

📲🗣️ Jørgen Strand Larsen on Instagram: “Dear Wolves I just wanna say thank you to everyone in and around the club. You've all made my time at the club very special. I'm so happy to have met and worked with so many great people. And I will be forever grateful for all of the fans believing in me and wanting the best for me and the team. The last 6 months has obviously been very tough. As a team and on a personal note. Looking back at the injury I got first game of the season I should definitely have taken my time off to heal it and it has played a bigger role than it should. I'm sad leaving Wolves and will forever support the team and it will always have a special place in my heart. I Will bring the nice moments with me and look back at last years record breaking season with a big smile. It couldn't have been done all alone. A special thank you to all the players and staff and I wish you all the best for the remainder of the season. ❤️” #wwfc

ຮς๏ŧŧ

18,039 görüntüleme • 6 ay önce

Walking in the rain is one of the purest freedoms that we forget among the concrete walls of modern life. When you get bored of the noise of the city, the blue light of the screens and the tiredness of the hustle and bustle, this cool invitation that the sky presents to you will revitalize your soul. The first moment you step outside, drops fall on your face. You first feel a slight surprise, then a deep sense of relief. Rain is the cleanest sink in the world; Every drop eases the burden on your shoulders and wipes the dust from your heart. Getting wet is no longer scary. On the contrary, integrating with water and being a part of nature gives you incredible power. The wet sound of your shoes rings in your ears like a rhythmic melody. The puddles sparkling in the light of the street lamps are like stars on the ground. With each step, you surrender to the flow of life. Walking in the rain is also a meditation. You put your phone in your pocket and take off your headphones. Only the sound of the drops and your own footsteps remain. Your thoughts slow down and your mind becomes clear. Many great ideas, poems and decisions were born precisely on such wet walks. The next time you're watching the rain from the window and a voice inside you says, "Get out," don't stop. Open the door, take a deep breath and smile at the first drop. Don't be afraid of getting wet. The rain is waiting for you; To make you stronger, lighter, more alive. Because walking in the rain is the wettest and most beautiful way to say "yes" to life. #nature #rain
0:16

Walking in the rain is one of the purest freedoms that we forget among the concrete walls of modern life. When you get bored of the noise of the city, the blue light of the screens and the tiredness of the hustle and bustle, this cool invitation that the sky presents to you will revitalize your soul. The first moment you step outside, drops fall on your face. You first feel a slight surprise, then a deep sense of relief. Rain is the cleanest sink in the world; Every drop eases the burden on your shoulders and wipes the dust from your heart. Getting wet is no longer scary. On the contrary, integrating with water and being a part of nature gives you incredible power. The wet sound of your shoes rings in your ears like a rhythmic melody. The puddles sparkling in the light of the street lamps are like stars on the ground. With each step, you surrender to the flow of life. Walking in the rain is also a meditation. You put your phone in your pocket and take off your headphones. Only the sound of the drops and your own footsteps remain. Your thoughts slow down and your mind becomes clear. Many great ideas, poems and decisions were born precisely on such wet walks. The next time you're watching the rain from the window and a voice inside you says, "Get out," don't stop. Open the door, take a deep breath and smile at the first drop. Don't be afraid of getting wet. The rain is waiting for you; To make you stronger, lighter, more alive. Because walking in the rain is the wettest and most beautiful way to say "yes" to life. #nature #rain

NatureUnleashed

12,715 görüntüleme • 3 ay önce