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Homesickness.

Yayat Hidayat.

11,539 subscribers

55,629 次观看 • 2 年前 •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

10 条评论

mwahh :* 的头像

mwahh :*2 年前

Video yg pertama sampe inget dialognya : "kaga cewe, kaga warisan abis dibabat. Biarin, kalo meninggal kaga gua panggul ke kurung batang. Aki aki........

👤 的头像

👤2 年前

Kisahe wong tulus

Wong Koq Unik Unik Yo 的头像

Wong Koq Unik Unik Yo2 年前

Liat nih @keaneofficial lagu lu dibuat vc gini n tetep bagus

um_um_mesum 的头像

um_um_mesum2 年前

@_sepiaaaa

fuckshit 的头像

fuckshit2 年前

bang request Mom jeans yang death cup🙏

Yayat Hidayat. 的头像

Yayat Hidayat.2 年前

Sabar mas, banyak yg req

Son Of Marym 的头像

Son Of Marym2 年前

Mandra was right, semua nyakitin

Bolaemon 的头像

Bolaemon2 年前

Realita ini pokoknya prinsip prinsip!

bayu wicak 的头像

bayu wicak2 年前

Walaupun ketutup musik nya, udah pasti pada Tau momen mandra treak 'nyakitiiiiiiin semua'

Sini Peluk 的头像

Sini Peluk2 年前

Prinsip!

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I saw a burnt down rocket was there at the corner of the space station set. I am sorry I forgot to ask him as to how he had shot the launching of the rocket on the set. The set of the satellite base was beautifully made at a huge cost, for it was all made up of thick duralumin. It glittered in its cold metallic silver light, and I found light rays of red, or blue or green delicately winking or waving from electric light bulbs buried in the gagues on the equipment lined up in there. And above on the ceiling of the corridor ran two duralumin rails from which hanged a small wheel of a camera which could move around freely inside the satellite base. Tarkovsky guided me around the set, explaining to me as cheerfully as a young boy who is given a golden opportunity to show someone his favorite toybox. Bondarchuk, who came with me, asked him about the cost of the set, and left his eyes wide open when Tarkovsky answered it. 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Without the presence of beautiful nature sequences on earth as a long introduction, you could not make the audience directly conceive the sense of having-no-way-out harboured by the people “jailed” inside the satellite base. I saw this film late at night in a preview room in Moscow for the first time, and soon I felt my heart aching in agony with a longing to returning to the earth as quickly as possible. Marvellous progress in science we have been enjoying, but where will it lead humanity after all? Sheer fearful emotion this film succeeds in conjuring up in our soul. Without it, a science fiction movie would be nothing more than a petty fancy. These thoughts came and went while I was gazing at the screen. Tarkovsky was together with me then. He was at the corner of the studio. When the film was over, he stood up, looking at me as if he felt timid. I said to him, “Very good. It makes me feel real fear.” Tarkovsky smiled shyly, but happily. And we toasted vodka at the restaurant in the Film Institute. Tarkovsky, who didn’t drink usually, drank a lot of vodka, and went so far as to turn off the speaker from which music had floated into the restaurant, and began to sing the theme of samurai from Seven Samurai at the top of his voice. As if to rival him, I joined in. For I was at that moment very happy to find myself living on Earth. Solaris makes a viewer feel this, and even this single fact shows us that Solaris is no ordinary SF film. It truly somehow provokes pure horror in our soul. And it is under the total grip of the deep insights of Tarkovsky. There must be many, many things still unknown to humanity in this world: the abyss of the cosmos which a man had to look into, strange visitors in the satellite base, time running in reverse, from death to life, strangely moving sense of levitation, his home which is in the mind of the main character in the satellite station is wet and soaked with water. 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The cost was so huge: about six hundred million yen as to make Bondarchuk, who directed that grand spectacle of a movie “War and Peace,” agape in wonder. Now I came to fully realize why the boss of the Mosfilm said it was “a Great War for me.” But it takes a huge talent and effort to spend such a huge cost. Thinking “This is a tremendous task” I closely gazed at his back when he was leading me around the set in enthusiasm. Concerning Solaris, I find many people complaining that it is too long, but I do not think so. They especially find too lengthy the description of nature in the introductory scenes, but these layers of memory of farewell to this earthly nature submerge themselves deep below the bottom of the story after the main character has been sent in a rocket into the satellite station base in the universe, and they almost torture the soul of the viewer like a kind of irresistible nostalghia toward mother earth nature, which resembles homesickness. 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Sensitive content

Stella Andrews exposes why racists are actually just deeply obsessed and jealous of Black men "Some people who are racist are into this because they are so obsessed with black men and they wish they could be them so badly" "they are so obsessed with black men and they wish they could be them so badly" "they have built this like hate, because they want that, they're bigger, they're stronger, they last longer" "I see this in front of me, I'm like, oh, you're the ones sitting there racist" "truly, truly like jealous" Homophobia: "it's like super homophobic" "A lot of the times people who had like the slave owners would have the slaves fuck the wives"

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