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Homesickness.

Yayat Hidayat.

11,539 subscribers

55,629 次观看 • 2 年前 •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

10 条评论

mwahh :* 的头像

mwahh :*2 年前

Video yg pertama sampe inget dialognya : "kaga cewe, kaga warisan abis dibabat. Biarin, kalo meninggal kaga gua panggul ke kurung batang. Aki aki........

👤 的头像

👤2 年前

Kisahe wong tulus

Wong Koq Unik Unik Yo 的头像

Wong Koq Unik Unik Yo2 年前

Liat nih @keaneofficial lagu lu dibuat vc gini n tetep bagus

um_um_mesum 的头像

um_um_mesum2 年前

@_sepiaaaa

fuckshit 的头像

fuckshit2 年前

bang request Mom jeans yang death cup🙏

Yayat Hidayat. 的头像

Yayat Hidayat.2 年前

Sabar mas, banyak yg req

Son Of Marym 的头像

Son Of Marym2 年前

Mandra was right, semua nyakitin

Bolaemon 的头像

Bolaemon2 年前

Realita ini pokoknya prinsip prinsip!

bayu wicak 的头像

bayu wicak2 年前

Walaupun ketutup musik nya, udah pasti pada Tau momen mandra treak 'nyakitiiiiiiin semua'

Sini Peluk 的头像

Sini Peluk2 年前

Prinsip!

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I saw a burnt down rocket was there at the corner of the space station set. I am sorry I forgot to ask him as to how he had shot the launching of the rocket on the set. The set of the satellite base was beautifully made at a huge cost, for it was all made up of thick duralumin. It glittered in its cold metallic silver light, and I found light rays of red, or blue or green delicately winking or waving from electric light bulbs buried in the gagues on the equipment lined up in there. And above on the ceiling of the corridor ran two duralumin rails from which hanged a small wheel of a camera which could move around freely inside the satellite base. Tarkovsky guided me around the set, explaining to me as cheerfully as a young boy who is given a golden opportunity to show someone his favorite toybox. Bondarchuk, who came with me, asked him about the cost of the set, and left his eyes wide open when Tarkovsky answered it. 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Without the presence of beautiful nature sequences on earth as a long introduction, you could not make the audience directly conceive the sense of having-no-way-out harboured by the people “jailed” inside the satellite base. I saw this film late at night in a preview room in Moscow for the first time, and soon I felt my heart aching in agony with a longing to returning to the earth as quickly as possible. Marvellous progress in science we have been enjoying, but where will it lead humanity after all? Sheer fearful emotion this film succeeds in conjuring up in our soul. Without it, a science fiction movie would be nothing more than a petty fancy. These thoughts came and went while I was gazing at the screen. Tarkovsky was together with me then. He was at the corner of the studio. When the film was over, he stood up, looking at me as if he felt timid. I said to him, “Very good. It makes me feel real fear.” Tarkovsky smiled shyly, but happily. 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