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Honestly had no idea people disliked Man on Fire (released OTD in 2004). I get it: the editing’s frenetic and Tony Scott shoots every scene like it's a car chase, but a 39% RT rating is nuts. It’s one of the most Denzel Denzel movies ever. What am I missing?

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The Sting

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792,513 просмотров • 3 месяцев назад •via X (Twitter)

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Denzel Washington & Tony Scott made five films together between 1995 & 2010, and the best of those five films is right here in Man on Fire. I think this might be Denzel at his most ruthless - even more than Training Day & definitely more than American Gangster. Denzel unleashes in the back-half of this movie in such a violent, unforgiving way. Scott pulled the best out of Denzel- and Denzel’s best is all-time great.
3:07

Denzel Washington & Tony Scott made five films together between 1995 & 2010, and the best of those five films is right here in Man on Fire. I think this might be Denzel at his most ruthless - even more than Training Day & definitely more than American Gangster. Denzel unleashes in the back-half of this movie in such a violent, unforgiving way. Scott pulled the best out of Denzel- and Denzel’s best is all-time great.

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Man on Fire (2004) is revenge done with style and soul. Denzel Washington moves through Tony Scott’s chaotic, sun-drenched Mexico like a ghost on a mission, his precision & pain captured in every flicker of flame. Stylish vengeance rarely feels this human.
1:28

Man on Fire (2004) is revenge done with style and soul. Denzel Washington moves through Tony Scott’s chaotic, sun-drenched Mexico like a ghost on a mission, his precision & pain captured in every flicker of flame. Stylish vengeance rarely feels this human.

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Josh Brolin recalls a tense moment on the set of American Gangster when he thought he might have to “fight Denzel Washington.” “You know, Denzel was a hero of mine. Denzel and I did American Gangster together, and Denzel wouldn’t look at me. I did this scene with Denzel, and he had reworked the scene. He didn’t change any lines, he just reworked the scene. ‘Lines here, you say your line - You hold that line until the end - I said, ‘Okay.’ And then, as we're going through the scenes…Denzel Washington man, my hero….and I forgot a line. I put my hand on his shoulder, and I asked for the line. And he hit my hand away. He said, ‘Don’t you ever fucking touch me.’ And I was like, ‘Is he in character?’ - I was thinking, ‘Holy fuck, I’m going to fight Denzel Washington. This is amazing.’ And he looked at me right in the eye, and then I said, ‘Are we okay?’ And he said, ‘Yeah, we’re okay.’ I still don’t know to this day, because every time I see Denzel, he puts his arms out and gives me the biggest hug. And I’m just like, ‘I don’t understand actors. I know I’m an actor, but I don’t understand.’”
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Josh Brolin recalls a tense moment on the set of American Gangster when he thought he might have to “fight Denzel Washington.” “You know, Denzel was a hero of mine. Denzel and I did American Gangster together, and Denzel wouldn’t look at me. I did this scene with Denzel, and he had reworked the scene. He didn’t change any lines, he just reworked the scene. ‘Lines here, you say your line - You hold that line until the end - I said, ‘Okay.’ And then, as we're going through the scenes…Denzel Washington man, my hero….and I forgot a line. I put my hand on his shoulder, and I asked for the line. And he hit my hand away. He said, ‘Don’t you ever fucking touch me.’ And I was like, ‘Is he in character?’ - I was thinking, ‘Holy fuck, I’m going to fight Denzel Washington. This is amazing.’ And he looked at me right in the eye, and then I said, ‘Are we okay?’ And he said, ‘Yeah, we’re okay.’ I still don’t know to this day, because every time I see Denzel, he puts his arms out and gives me the biggest hug. And I’m just like, ‘I don’t understand actors. I know I’m an actor, but I don’t understand.’”

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"I like the idea that he says, 'I want to be a Cleveland Brown.' It's very important for this defense that Denzel is here...make no mistake about it." 🚨 Lance Reisland (Coach Riz) w/ Daryl Ruiter on #Browns CB Denzel Ward's comments following the trade of Myles Garrett

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MAN ON FIRE (2004) Tony Scott utilized an old hand-cranked film camera built in 1910 to make movie magic. No CGI needed. DP Paul Cameron built a "merry-go-round" rig that spun Denzel Washington and the camera 360 degrees to create a hyper-kinetic visual effect.
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