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Hot Work Recommend Customized 19 Muscular YBBHR was Strangled Also a collection of strangle #musclesguy #strangle #chock #binding #Asian #YBBHR #硬币不会软

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硬币不会软

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36,541 Aufrufe • vor 2 Jahren •via X (Twitter)

NSFW#musclesguy#strangle#chock#binding#Asian#YBBHR#硬币不会软
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Darren Stallcup - World Peace Movement

12,059 Aufrufe • vor 1 Jahr

#KimJaeYoung #김재영 #HappyJaeyoungDay #TheJudgeFromHell Since it's his big day, thought I show you a short edit of his beauty & emotions in his most controversial role . 🙃 Below is a somewhat long 🤭 post about him & drama recommendations. My sweetie here is a late bloomer but I have always kept faith that people will see his potential. I liked what this kblogger said that when you see him in TJFH , he feels familiar but yet you might think he's a newcomer. Seems like a rookie but surprised that he's good in acting. If you check his filmography you'd realise he's been acting for more than a decade. JY mentioned that he wasn't sure what to do while in school but he did have a dream of being a chef especially because he helped mum out at home. His father suggested modeling after he was done with military service . He mentioned in an interview he had to shed off 30kg through diet & exercise as he weighed over 100kg .Esteem Academy signed him & he debut as a model in 2010. He got casted in a TVN survival program "Flower Boy Casting". From there, he was inspired to act and landed his 1st supporting role in the movie "No Breathing". (starring SeoInGuk & LeeJongSuk.) If you want to see a young JY in swimwear 😁, you can check him out there. The movie didn't quite make a splash (pun unintended 😁) , and JY who had actually left Esteem to pursue acting, found himself jobless for at least over a year. He auditioned for BladeMan (LeeDongWook & Shin SeKyung's drama) and got casted for a small role. Esteem reached out to him again & he signed with them again to model. He later also joined HB Entertainment for acting jobs, and was with them for a long time. Last year (2023) he left HB and joined his long time manager who had established a new agency, Management S. After Blademan , JY had several supporting roles but his 1st main cast role was in OCN's My Secret Romance. He was the 2nd lead & that was also my first JY drama. While I didn't have SLS, he was such a sweetheart there and caught my attention. My massive crush began when he acted as MooYeon in #100DaysMyPrince as an assassin and the FL's brother. He also had a forbidden love line with the 2ndFL's char played by HanSoHee , and they had great chemie despite limited scenes. I cried my eyes out watching their tragic love story. This is the year (2018) I decided I'll stan this man ☺️😂 His role there opened many doors. He had a short TV series called Dear My Room ( was on the now defunct Olive TV) where he played the romantic ML against Ryoo Hye Young's character. It was one of those friends to lovers trope and I recommend this for a sweet fluffy watch. He also sang the OST with RHY. The big year came in 2019 when he was casted as the ML , Sun Woo in #SecretBoutique, a female centric drama starring KimSunA and GoMinSi . He had a meaty role here as a prosecutor - a bit of a grey character and was somewhat like a brother to the FL (KimSunA) and he had some nice fight scenes. His body was the best here 🔥😋😁. If you don't mind a heavy melodrama, this wasn't bad. And oh boy, was I shipping him hard with GoMinSi's character. I still hope they can reunite for another show & give me closure. 2019-2020 was when I watched a KBS weekender #BeautifulLoveWonderfulLife from start to finish ( raw and with subs - yes my level of dedication surprised me) because JY got casted as Jun Hwi, the ML against another actress I love , Seol In Ah. Gosh, this drama was an emotional roller coaster and was another heavy character. The premise of the story was so sad and the leads went through so much together but I love this show though. He had good chemie with SIA. He also won a KBS acting award here. I recommend this if you can do 50eps and love angst like I do 😂 The role took its toll on JY. He mentioned he needed to take a break but then found himself without work for at least 6-7 months ( if I remember correctly) . Boy, did I miss him. It was really only in an Elle pictorial with his good friend -actor, model and famous youtuber Joo WooJae that I found out he had been having a hard time. He has appeared on WooJae's YT channel several times - they even travel together. JY's come back drama was in #ReflectionOfYou (2021), another heavy melo as the ML who was caught in an emotional tug of war between 2 women played by GoHyunJung and ShinHyunBeen. As WooJae, KJY gave some of his best acting. I know he got a lot of hate 😵‍💫🤣because WooJae was just so obssessed / in love with GHJ's character that he was willing to throw it all for her. This drama is not for the faint hearted but the acting was superb all round - even if the plot would make you uncomfortable. He was so hot here too. JY with longish hair was a dream. In 2022, he was the 2ndML , as KangHaeJin in #LoveInContract. It was so nice to see him play a diva actor and do rom-com for the 1st time. This is a fun watch. While I don't think viewers would have SLS, JY's character wasn't one dimensional either and he had his own storyline despite not being the ML. In 2022 - 2023 he voiced an audio drama , "For Sale - I Broke Up" with Yoon So Hee - but I don't know how we can listen to it internationally (though I do have some vids I would post one day). He also filmed a drama called "We Will Replace The Trip" with Gong SeungYeon, but so far no news of it airing yet. JaeYoung here is shy and unassuming. He's MBTI is INFP. You can see from his interviews he's quite easygoing and humorous. On my highlights- I have subbed some of his videos for TJFH. JY says he still dreams of being a chef and has gone to a 6-month cooking course last year. He also hopes to be able to take on warmer roles going forward.
0:24

#KimJaeYoung #김재영 #HappyJaeyoungDay #TheJudgeFromHell Since it's his big day, thought I show you a short edit of his beauty & emotions in his most controversial role . 🙃 Below is a somewhat long 🤭 post about him & drama recommendations. My sweetie here is a late bloomer but I have always kept faith that people will see his potential. I liked what this kblogger said that when you see him in TJFH , he feels familiar but yet you might think he's a newcomer. Seems like a rookie but surprised that he's good in acting. If you check his filmography you'd realise he's been acting for more than a decade. JY mentioned that he wasn't sure what to do while in school but he did have a dream of being a chef especially because he helped mum out at home. His father suggested modeling after he was done with military service . He mentioned in an interview he had to shed off 30kg through diet & exercise as he weighed over 100kg .Esteem Academy signed him & he debut as a model in 2010. He got casted in a TVN survival program "Flower Boy Casting". From there, he was inspired to act and landed his 1st supporting role in the movie "No Breathing". (starring SeoInGuk & LeeJongSuk.) If you want to see a young JY in swimwear 😁, you can check him out there. The movie didn't quite make a splash (pun unintended 😁) , and JY who had actually left Esteem to pursue acting, found himself jobless for at least over a year. He auditioned for BladeMan (LeeDongWook & Shin SeKyung's drama) and got casted for a small role. Esteem reached out to him again & he signed with them again to model. He later also joined HB Entertainment for acting jobs, and was with them for a long time. Last year (2023) he left HB and joined his long time manager who had established a new agency, Management S. After Blademan , JY had several supporting roles but his 1st main cast role was in OCN's My Secret Romance. He was the 2nd lead & that was also my first JY drama. While I didn't have SLS, he was such a sweetheart there and caught my attention. My massive crush began when he acted as MooYeon in #100DaysMyPrince as an assassin and the FL's brother. He also had a forbidden love line with the 2ndFL's char played by HanSoHee , and they had great chemie despite limited scenes. I cried my eyes out watching their tragic love story. This is the year (2018) I decided I'll stan this man ☺️😂 His role there opened many doors. He had a short TV series called Dear My Room ( was on the now defunct Olive TV) where he played the romantic ML against Ryoo Hye Young's character. It was one of those friends to lovers trope and I recommend this for a sweet fluffy watch. He also sang the OST with RHY. The big year came in 2019 when he was casted as the ML , Sun Woo in #SecretBoutique, a female centric drama starring KimSunA and GoMinSi . He had a meaty role here as a prosecutor - a bit of a grey character and was somewhat like a brother to the FL (KimSunA) and he had some nice fight scenes. His body was the best here 🔥😋😁. If you don't mind a heavy melodrama, this wasn't bad. And oh boy, was I shipping him hard with GoMinSi's character. I still hope they can reunite for another show & give me closure. 2019-2020 was when I watched a KBS weekender #BeautifulLoveWonderfulLife from start to finish ( raw and with subs - yes my level of dedication surprised me) because JY got casted as Jun Hwi, the ML against another actress I love , Seol In Ah. Gosh, this drama was an emotional roller coaster and was another heavy character. The premise of the story was so sad and the leads went through so much together but I love this show though. He had good chemie with SIA. He also won a KBS acting award here. I recommend this if you can do 50eps and love angst like I do 😂 The role took its toll on JY. He mentioned he needed to take a break but then found himself without work for at least 6-7 months ( if I remember correctly) . Boy, did I miss him. It was really only in an Elle pictorial with his good friend -actor, model and famous youtuber Joo WooJae that I found out he had been having a hard time. He has appeared on WooJae's YT channel several times - they even travel together. JY's come back drama was in #ReflectionOfYou (2021), another heavy melo as the ML who was caught in an emotional tug of war between 2 women played by GoHyunJung and ShinHyunBeen. As WooJae, KJY gave some of his best acting. I know he got a lot of hate 😵‍💫🤣because WooJae was just so obssessed / in love with GHJ's character that he was willing to throw it all for her. This drama is not for the faint hearted but the acting was superb all round - even if the plot would make you uncomfortable. He was so hot here too. JY with longish hair was a dream. In 2022, he was the 2ndML , as KangHaeJin in #LoveInContract. It was so nice to see him play a diva actor and do rom-com for the 1st time. This is a fun watch. While I don't think viewers would have SLS, JY's character wasn't one dimensional either and he had his own storyline despite not being the ML. In 2022 - 2023 he voiced an audio drama , "For Sale - I Broke Up" with Yoon So Hee - but I don't know how we can listen to it internationally (though I do have some vids I would post one day). He also filmed a drama called "We Will Replace The Trip" with Gong SeungYeon, but so far no news of it airing yet. JaeYoung here is shy and unassuming. He's MBTI is INFP. You can see from his interviews he's quite easygoing and humorous. On my highlights- I have subbed some of his videos for TJFH. JY says he still dreams of being a chef and has gone to a 6-month cooking course last year. He also hopes to be able to take on warmer roles going forward.

abs-oluteM

86,307 Aufrufe • vor 1 Jahr

Hurrian Hymn (part of collection of Hurrian songs), inscribed in Akkadian cuneiform on clay tablets (1550-1400 BC) excavated from ancient Amorite-Canaanite city of Ugarit, northern Syria... The clay tablet text, which was discovered alongside around 30 other tablet fragments, specifies 9 lyre strings and intervals between those strings – kind of like an ancient guitar tab. But this is only hymn that could be reconstructed – although the name of the composer is now lost. The complete song is one of about 36 such hymns was is dedicated Hurrians’ goddess of the orchards Nikkal. It was discovered in 1950s, considered as the oldest surviving melody and is over 3400 years old. An account of the group of shards was first published in 1955 and 1968 by Emmanuel Laroche, who identified as parts of a single clay tablet the three fragments catalogued by field archaeologists as RS 15.30, 15.49, and 17.387. In Laroche's catalogue the hymns are designated h. (for "Hurrian") 2–17, 19–23, 25–6, 28, 30, along with smaller fragments RS. 19.164 g, j, n, o, p, r, t, w, x, y, aa, and gg. The complete hymn is h.6 in this list. A revised text of h.6 was published in 1975. Following Laroche's work, Assyriologist Anne Draffkorn Kilmer and musicologist Marcelle Duchesne-Guillemin worked together in 1970s to understand the meaning of the tablets, concluding that one tablet presented tuning methods for a Babylonian lyre, another referred to musical intervals. Tablet h.6 contains, the lyrics for a hymn to Nikkal, a Ancient Near Eastern goddess of orchards, and instructions for a singer accompanied by a nine-stringed sammûm, a type of harp or, much more likely, a lyre. The hymn was given its first modern performance in 1974, a performance of which the New York Times wrote: “This has revolutionized the whole concept of the origin of western music.” While the Hurrian hymn pre-dates several other surviving early works of music (e.g. Seikilos epitaph and Delphic Hymns) by a millennium, its transcription remains controversial. Duchesne-Guillemin's reconstruction may be heard at Urkesh webpage, though this is only one of at least five "rival decipherments of the notation, each yielding entirely different results". Text of h.6 is difficult, in part because Hurrian language itself is imperfectly understood, and in part because of small lacunae due to missing flakes of the clay tablet. In addition, however, it appears that the language is a local Ugarit dialect, which differs significantly from the dialects known from other sources. It is also possible that the pronunciation of some words was altered from normal speech because of music. Despite the many difficulties, it is clearly a religious text concerning offerings to goddess Nikkal, wife of the moon god. Text is presented in four lines, with the peculiarity that the seven final syllables of each of the first three lines on the verso of the tablet are repeated at beginning of the next line on the recto. While Laroche saw in this a procedure similar to one employed by Babylonian scribes in longer texts to provide continuity at the transition from one tablet to another, Güterbock and Kilmer took the position that this device is never found within the text on a single tablet, and so these repeated syllables must constitute refrains dividing the text into regular sections. To this, Duchesne-Guillemin retorts that the recto-verso-recto spiral path of text, an arrangement unknown in Babylon is ample reason for the use of such guides. The first published attempt to interpret the text of h.6 was made in 1977 by Hans-Jochen Thiel and his work formed the basis for a new but still very provisional attempt made 24 years later by Theo J. H. Krispijn, after Hurritology had made significant progress thanks to archaeological discoveries made in the meantime at a site near Boğazkale. 🎥© Peter Pringle (YT) National Museum of Damascus #archaeohistories
1:29

Hurrian Hymn (part of collection of Hurrian songs), inscribed in Akkadian cuneiform on clay tablets (1550-1400 BC) excavated from ancient Amorite-Canaanite city of Ugarit, northern Syria... The clay tablet text, which was discovered alongside around 30 other tablet fragments, specifies 9 lyre strings and intervals between those strings – kind of like an ancient guitar tab. But this is only hymn that could be reconstructed – although the name of the composer is now lost. The complete song is one of about 36 such hymns was is dedicated Hurrians’ goddess of the orchards Nikkal. It was discovered in 1950s, considered as the oldest surviving melody and is over 3400 years old. An account of the group of shards was first published in 1955 and 1968 by Emmanuel Laroche, who identified as parts of a single clay tablet the three fragments catalogued by field archaeologists as RS 15.30, 15.49, and 17.387. In Laroche's catalogue the hymns are designated h. (for "Hurrian") 2–17, 19–23, 25–6, 28, 30, along with smaller fragments RS. 19.164 g, j, n, o, p, r, t, w, x, y, aa, and gg. The complete hymn is h.6 in this list. A revised text of h.6 was published in 1975. Following Laroche's work, Assyriologist Anne Draffkorn Kilmer and musicologist Marcelle Duchesne-Guillemin worked together in 1970s to understand the meaning of the tablets, concluding that one tablet presented tuning methods for a Babylonian lyre, another referred to musical intervals. Tablet h.6 contains, the lyrics for a hymn to Nikkal, a Ancient Near Eastern goddess of orchards, and instructions for a singer accompanied by a nine-stringed sammûm, a type of harp or, much more likely, a lyre. The hymn was given its first modern performance in 1974, a performance of which the New York Times wrote: “This has revolutionized the whole concept of the origin of western music.” While the Hurrian hymn pre-dates several other surviving early works of music (e.g. Seikilos epitaph and Delphic Hymns) by a millennium, its transcription remains controversial. Duchesne-Guillemin's reconstruction may be heard at Urkesh webpage, though this is only one of at least five "rival decipherments of the notation, each yielding entirely different results". Text of h.6 is difficult, in part because Hurrian language itself is imperfectly understood, and in part because of small lacunae due to missing flakes of the clay tablet. In addition, however, it appears that the language is a local Ugarit dialect, which differs significantly from the dialects known from other sources. It is also possible that the pronunciation of some words was altered from normal speech because of music. Despite the many difficulties, it is clearly a religious text concerning offerings to goddess Nikkal, wife of the moon god. Text is presented in four lines, with the peculiarity that the seven final syllables of each of the first three lines on the verso of the tablet are repeated at beginning of the next line on the recto. While Laroche saw in this a procedure similar to one employed by Babylonian scribes in longer texts to provide continuity at the transition from one tablet to another, Güterbock and Kilmer took the position that this device is never found within the text on a single tablet, and so these repeated syllables must constitute refrains dividing the text into regular sections. To this, Duchesne-Guillemin retorts that the recto-verso-recto spiral path of text, an arrangement unknown in Babylon is ample reason for the use of such guides. The first published attempt to interpret the text of h.6 was made in 1977 by Hans-Jochen Thiel and his work formed the basis for a new but still very provisional attempt made 24 years later by Theo J. H. Krispijn, after Hurritology had made significant progress thanks to archaeological discoveries made in the meantime at a site near Boğazkale. 🎥© Peter Pringle (YT) National Museum of Damascus #archaeohistories

Archaeo - Histories

13,000 Aufrufe • vor 7 Monaten

Hurrian Hymn (part of collection of Hurrian songs), inscribed in Akkadian cuneiform on clay tablets (1550-1400 BC) excavated from ancient Amorite-Canaanite city of Ugarit, northern Syria. The clay tablet text, which was discovered alongside around 30 other tablet fragments, specifies 9 lyre strings and intervals between those strings – kind of like an ancient guitar tab. But this is only hymn that could be reconstructed – although the name of the composer is now lost. The complete song is one of about 36 such hymns was is dedicated Hurrians’ goddess of the orchards Nikkal. It was discovered in 1950s, considered as the oldest surviving melody and is over 3400 years old. An account of the group of shards was first published in 1955 and 1968 by Emmanuel Laroche, who identified as parts of a single clay tablet the three fragments catalogued by field archaeologists as RS 15.30, 15.49, and 17.387. In Laroche's catalogue the hymns are designated h. (for "Hurrian") 2–17, 19–23, 25–6, 28, 30, along with smaller fragments RS. 19.164 g, j, n, o, p, r, t, w, x, y, aa, and gg. The complete hymn is h.6 in this list. A revised text of h.6 was published in 1975. Following Laroche's work, Assyriologist Anne Draffkorn Kilmer and musicologist Marcelle Duchesne-Guillemin worked together in 1970s to understand the meaning of the tablets, concluding that one tablet presented tuning methods for a Babylonian lyre, another referred to musical intervals. Tablet h.6 contains, the lyrics for a hymn to Nikkal, a Ancient Near Eastern goddess of orchards, and instructions for a singer accompanied by a nine-stringed sammûm, a type of harp or, much more likely, a lyre. The hymn was given its first modern performance in 1974, a performance of which the New York Times wrote: “This has revolutionized the whole concept of the origin of western music.” While the Hurrian hymn pre-dates several other surviving early works of music (e.g. Seikilos epitaph and Delphic Hymns) by a millennium, its transcription remains controversial. Duchesne-Guillemin's reconstruction may be heard at Urkesh webpage, though this is only one of at least five "rival decipherments of the notation, each yielding entirely different results". Text of h.6 is difficult, in part because Hurrian language itself is imperfectly understood, and in part because of small lacunae due to missing flakes of the clay tablet. In addition, however, it appears that the language is a local Ugarit dialect, which differs significantly from the dialects known from other sources. It is also possible that the pronunciation of some words was altered from normal speech because of music. Despite the many difficulties, it is clearly a religious text concerning offerings to goddess Nikkal, wife of the moon god. Text is presented in four lines, with the peculiarity that the seven final syllables of each of the first three lines on the verso of the tablet are repeated at beginning of the next line on the recto. While Laroche saw in this a procedure similar to one employed by Babylonian scribes in longer texts to provide continuity at the transition from one tablet to another, Güterbock and Kilmer took the position that this device is never found within the text on a single tablet, and so these repeated syllables must constitute refrains dividing the text into regular sections. To this, Duchesne-Guillemin retorts that the recto-verso-recto spiral path of text, an arrangement unknown in Babylon is ample reason for the use of such guides. The first published attempt to interpret the text of h.6 was made in 1977 by Hans-Jochen Thiel and his work formed the basis for a new but still very provisional attempt made 24 years later by Theo J. H. Krispijn, after Hurritology had made significant progress thanks to archaeological discoveries made in the meantime at a site near Boğazkale. 🎥© Peter Pringle (YouTube) National Museum of Damascus #archaeohistories
1:30

Hurrian Hymn (part of collection of Hurrian songs), inscribed in Akkadian cuneiform on clay tablets (1550-1400 BC) excavated from ancient Amorite-Canaanite city of Ugarit, northern Syria. The clay tablet text, which was discovered alongside around 30 other tablet fragments, specifies 9 lyre strings and intervals between those strings – kind of like an ancient guitar tab. But this is only hymn that could be reconstructed – although the name of the composer is now lost. The complete song is one of about 36 such hymns was is dedicated Hurrians’ goddess of the orchards Nikkal. It was discovered in 1950s, considered as the oldest surviving melody and is over 3400 years old. An account of the group of shards was first published in 1955 and 1968 by Emmanuel Laroche, who identified as parts of a single clay tablet the three fragments catalogued by field archaeologists as RS 15.30, 15.49, and 17.387. In Laroche's catalogue the hymns are designated h. (for "Hurrian") 2–17, 19–23, 25–6, 28, 30, along with smaller fragments RS. 19.164 g, j, n, o, p, r, t, w, x, y, aa, and gg. The complete hymn is h.6 in this list. A revised text of h.6 was published in 1975. Following Laroche's work, Assyriologist Anne Draffkorn Kilmer and musicologist Marcelle Duchesne-Guillemin worked together in 1970s to understand the meaning of the tablets, concluding that one tablet presented tuning methods for a Babylonian lyre, another referred to musical intervals. Tablet h.6 contains, the lyrics for a hymn to Nikkal, a Ancient Near Eastern goddess of orchards, and instructions for a singer accompanied by a nine-stringed sammûm, a type of harp or, much more likely, a lyre. The hymn was given its first modern performance in 1974, a performance of which the New York Times wrote: “This has revolutionized the whole concept of the origin of western music.” While the Hurrian hymn pre-dates several other surviving early works of music (e.g. Seikilos epitaph and Delphic Hymns) by a millennium, its transcription remains controversial. Duchesne-Guillemin's reconstruction may be heard at Urkesh webpage, though this is only one of at least five "rival decipherments of the notation, each yielding entirely different results". Text of h.6 is difficult, in part because Hurrian language itself is imperfectly understood, and in part because of small lacunae due to missing flakes of the clay tablet. In addition, however, it appears that the language is a local Ugarit dialect, which differs significantly from the dialects known from other sources. It is also possible that the pronunciation of some words was altered from normal speech because of music. Despite the many difficulties, it is clearly a religious text concerning offerings to goddess Nikkal, wife of the moon god. Text is presented in four lines, with the peculiarity that the seven final syllables of each of the first three lines on the verso of the tablet are repeated at beginning of the next line on the recto. While Laroche saw in this a procedure similar to one employed by Babylonian scribes in longer texts to provide continuity at the transition from one tablet to another, Güterbock and Kilmer took the position that this device is never found within the text on a single tablet, and so these repeated syllables must constitute refrains dividing the text into regular sections. To this, Duchesne-Guillemin retorts that the recto-verso-recto spiral path of text, an arrangement unknown in Babylon is ample reason for the use of such guides. The first published attempt to interpret the text of h.6 was made in 1977 by Hans-Jochen Thiel and his work formed the basis for a new but still very provisional attempt made 24 years later by Theo J. H. Krispijn, after Hurritology had made significant progress thanks to archaeological discoveries made in the meantime at a site near Boğazkale. 🎥© Peter Pringle (YouTube) National Museum of Damascus #archaeohistories

Archaeo - Histories

60,607 Aufrufe • vor 2 Jahren